#rick is linklater

[bethannangel]

I finally got all my notes down and somewhat coherent from the Livestream Q&A at Alamo Drafthouse screenings.

I have no clue if these are repeat answers from previous Q&As because I avoided them to not be spoiled more about the movie

- Glen invited his sophomore year creative writing teacher to the Texas premiere (May 15th). He asked his teacher if he could write screenplays in class instead of poems or prose. The teacher was very supportive and would bring in Linklater screenplays to go over.

- First meeting with Adria, Linklater says to Glen “I don’t want to tip the scales but you should really meet her.”

- They meet, Glen says the actress to play Madison had to be someone the audience could see themselves throw everything away for. And Glen saw that Adria is that kind of woman. Both Glen and Adria were in the middle of Dry January (Rick joked “what’s that?” And Glen replied “you’re always in dry January”) and Glen is like yes I want to work with you and we should celebrate so they decide to get one tequila and then five hours later they are sloshed calling for rides.

- They consulted with Adria about Madison’s choices and possible dialogue. They joked how she was an unofficial writer of the movie.

- Linklater said he wanted Adria and Glen to lead the conversation on the intimate sex scenes and Adria would come in with references of artistic/tasteful photos and they incorporated them into the film. She specifically mentioned the sock pull and wine scene were referenced in the photos. She said she’s never been given the opportunity to give this much input to scenes she’s working in.

- They did all these references and had fun thinking of way to put these intimate scenes together but when it came to film there was a pause moment of realization that they had to be the ones in these scenes

- During pandemic Glen brought the article to Linklater and Rick is like yeah I’ve read it before and Glen is like there’s a story here. They had to make a decision to verge from the truth to get a really good story out of it. Once they made that decision, the creative flow just flowed. Spent a few hours a day on zoom talking about it and putting the script together

- Talked a bit about Skip Hollandsworth and his book about the Austin serial killer and joked with Glen about doing a movie about that

- Rick would talk on the phone with the real Gary Johnson when they were in preproduction. He said that they were planning on having him visit the set, but he quickly passed due to a pulmonary thing.

- Glen said he likes his chair of actor for now and being a director would be far in the future. Rick said Glen is a storyteller and he’ll work on anything that he deems a good story. Glen said he’s in the right place, learning from the right person.

- Glen was in charge of the costume. Rick hadn’t seen a lot of the costumes until day off because they were putting finishing touches on the script late in the game. The stylist nicknamed the red headed character Tilda Weasley and when he was fully dressed had a moment of “oh no, I think I’m attracted to Tilda Weasley”

- No costume was on the cutting room floor. Each of the costumes were inspired by the article directly. There were a few more ideas in the script writing process, but those were narrowed down to what we see on the screen by the time they got to shooting.

- Glen shadowed a film studies professor (Friend of Rick’s) who also got to read the script and told them that they needed to keep the pie line in the movie because it didn’t make it to one of the final drafts.

- The interviewer (even said this may be in poor taste) asked Adria about her recent project Los Frikis. When she spoke about it, she had so much love and passion in her eyes about this project and she said that they would be heading back out on the festival circuit with it.

[whambamthankyouham1]

[girlwiththenegantattoo]

SPOILER WARNING FOR MIDNIGHT MASS IN THE SECOND PARAGRAPH. Story time! Yearssss again I had a bit of a manic stage where The Walking Dead was my obsessive fixation. My dad was the one to tell me about the show (because I love zombies) and I watched it since the first episode aired. I've always been "team" Rick until several season later when Negan came along. In the comic Negan's back story was more complexed and gave you a better idea of him as a character. Also though he's a dick it was certain morals he stood by that was what made him more appealing to me. Anywho, I remember watching the episode above where Rick was covered in blood and "going berserk" as I called it then and thinking it was such a hot scene.

Fast forward to 2021 after passing Midnight Mass several times on Netflix because vampires aren't my thing (I just find them to be boring) I finally watched it since I've heard good things and I really liked Mikes work. The sequences went as followed: started with a good storyline and a dash of jump scares. I was thankful I've never known a person like Bev and the new priest was an odd looking man. Then we get to the after math of Joes death and that poor little priest is tucked in the corner, covered in blood and pulling at my hearts. Finally, comes the scene where he's looking down at Reilly, shushing him and trying to calm him down when Hamish Eric Linklater locked me in.

TLDR: I'm not a vampire fan but something about men being covered In blood truly grabs my attention and I'm still in awe that the odd looking priest man name Hamish, turned out to be the hottest, (sweetest and genuine in real life) most talented man I adore today.

[mister-girl]

As a relatively new Hamish Linklater fan I gotta say I love Monsignor Pruitt as much as the next man but hamish’s role in angelyne 2022 as Rick Krause DID something to my brain and has solidified my attraction to him in a way I could’ve never predicted

[youledmehere]

THE ONES WHO LIVE EPISODE FOUR: WHAT WE

[WRITTEN BY DANAI GURIRA]

-> Vulture: After some tedious lies and deceptions, in Michonne’s words, they needed a time-out. That’s exactly what they get in one of the best stand-alone episodes in all of The Walking Dead. (…) It’s like watching a two-person play, which makes sense, as the episode’s writer, Danai Gurira (Michonne herself), is an acclaimed and Tony-nominated playwright (…..) “What We” is not a bottle episode. Multiple sets in a single location, two characters with an internal conflict, and the special-effects budget make it a “Suitcase” episode. Editors Rating: 5 stars

Bloody-Disgusting: Andrew Lincoln once again showcases a masterclass of acting as Grimes cycles through his damaged psyche, desperately trying to figure out how to connect with Michonne. Gurira matches Lincoln’s emotional performance, evoking Michonne’s desperation and anger with authenticity. Letting Gurira take over writing duties for this specific episode proved extremely beneficial given the emotional legwork the character trudges through in this particular installment. If there’s anyone who can understand Michonne the best, it’s Danai Gurira.

The Hollywood Reporter: As the writer of the episode, Gurira felt she clearly understood Michonne’s arc, but she wanted to make sure her co-star and fellow executive producer Lincoln had enough meat to sink his teeth into, as well. “You want to give an actor like him everything you can,” she says. “Andy’s such a fantastic actor who throws everything into it. I was keen to give him that workout.” Lincoln added to THR, “It was thrilling to do all of this with friends, but Danai had one heck of a role as well as showrunning the fourth episode as an added responsibility. I thought the work she did on that was an astonishing testament to her skills, especially because apparently she only needs two hours a day to sleep.”

Den of Geek: To call it a bottle episode is dismissive. Certainly, there’s one major setting, and most of the episode contains little in the way of special effects (by the standards of the average Walking Dead Televisual Universe show). However, most bottle episodes aren’t this interesting, or this gripping. “What We” feels like The Walking Dead taking a stab at doing a spinoff of the Richard Linklater Before trilogy, not wallowing in the usual zombie action or soap opera frippery. It’s almost certainly going to be polarizing, but it’s one of the most captivating, emotionally-deep episodes of television from this universe, and it’s all down to the powerhouse that is Danai Gurira.

SpoilerTV: “What We” is a captivating exploration of love’s transformative force. Rick and Michonne shed their pretenses, abandoning deceit to forge a profound reconnection. Andrew Lincoln’s performance brilliantly resurrects Rick from the abyss of a living man who is dead inside, courtesy of Danai’s masterful writing.

Bleeding Cool: But it’s Gurira pulling double duty that deserves all of the attention and tons of praise. Proving that she knows this couple and their dynamic better than anyone, Gurira presented us with what felt like a real couple going through the problems with real reactions- even in the midst of a zombie apocalypse. I know that reviews can sometimes go to the extremes-positive or negative- but in the case of “What We”, we have an easy contender for one of the best single episodes of the franchises run.

[mandowifey]

Character Masterlist.

Note: This list will be updated regularly when I get a new blorbo.

● ● ●

Ethan Hawke:

James Sandin (The Purge)

Russel Millings (Adopt a Highway)

Arthur Harrow (Moon Knight)

Edward Dalton (Daybreakers)

Ellison Oswalt (Sinister)

Albert Shaw/The Grabber (The Black Phone)

Ray Harris (Raymond and Ray)

Ernst Toller (First Reformed)

Lars Nystrom (Stockholm)

● ● ●

The Boys Universe:

Homelander

William/Billy Butcher

Ben/Soldier Boy

● ● ●

Stephen Lang:

Norman Nordstrom/Blindman (Don't Breathe)

Commander Nathaniel Taylor (Tera Nova)

Colonel Miles Quaritch- Human & Na'vi (Avatar)

John Korver (Gridlocked)

● ● ●

Hamish Linklater:

Father Paul Hill/John Pruitt (Midnight Mass)

John Tyler (Tell Me Your Secrets)

● ● ●

Oscar Isaac:

Santiago "Pope" Garcia (Triple Frontier)

Marc/Steven/Jake (Moon Knight)

Kane Double (Annihilation 2018)

● ● ●

Pedro Pascal:

Din Djarin/Mando (The Mandalorian)

Joel Miller (The Last of Us)

Frankie 'Catfish' Morales (Triple Frontier)

Deiter Bravo (The Bubble)

Javi G (Unbearable Weight of Massive Talent)

Max Phillips (Blood Sucking Bastards)

Maxwell Lord (Wonder Woman 88)

● ● ●

John Krasinski:

Lee Abbott (A Quiet Place)

● ● ●

Patrick Wilson:

Ed Warren (The Conjuring)

Orm Marius (Aquaman)

Josh Lambert (Insidious)

Daniel Dreiberg/Nite Owl (Watchmen)

● ● ●

Jensen Ackles:

Tom Hanniger (My Bloody Valentine)

Soldier Boy (The Boys)

● ● ●

Tony Dalton:

Lalo Salamanca (Better Call Saul)

Jack Duquesne (Hawkeye)

● ● ●

Michael Fassbender:

Erik Lehnsherr (X-Men)

David / Walter (Alien Covenant/Prometheus)

● ● ●

Karl Urban:

Commander Vaako (Riddick)

Billy Butcher (The Boys)

● ● ●

Jon Bernthal:

Frank Castle (The Punisher)

Shane Walsh (The Walking Dead)

● ● ●

Jason Bateman:

Marty Byrd (Ozark)

Michael Bluth (Arrested Development)

● ● ●

Patrick Fabian

Howard Hamlin (Better Call Saul)

Cotton Marcus (The Last Exorcism)

● ● ●

Spider-Verse

Peter B Parker

Miguel O'Hara

Venom

● ● ●

Jake Gyllenhaal

Detective Loki (Prisoners)

Quentin Beck/Mysterio (Spiderman: FFH)

Danny Sharp (Ambulance)

● ● ●

Overwatch

Cassidy

Soldier 76/Jack

Reaper/Gabriel

Hanzo Shimada

Genji Shimada

● ● ●

Critical Role (S1)

Grog

Vax

● ● ●

Baldur's Gate 3

Astarion

Enver Gortash

Gale Dekarios

Halsin

Zevlor

Cazador Szarr

● ● ●

Other Chars (Unsorted)

Negan Smith (Walking Dead)

Rick Grimes (Walking Dead)

Daryl Dixon (Walking Dead)

Jamie Lannister (Game of Thrones)

Captain Rex (Star Wars)

Boba Fett (Star Wars)

Kylo Ren (Star Wars)

Saul Goodman/Jimmy McGill (BCS/BB)

Barry Berkman (Barry HBO)

James "Logan" Howlett (Wolverine, Xmen)

Wade Wilson (Deadpool)

[byneddiedingo]

Shirley MacLaine and Jack Black in Bernie (Richard Linklater, 2011)

Cast: Jack Black, Shirley MacLaine, Matthew McConaughey, Brady Coleman, Richard Robichaux, Rick Dial, Brandon Smith, Larry Jack Dotson. Screenplay: Richard Linklater, Skip Hollandsworth, based on a magazine article by Hollandsworth. Cinematography: Dick Pope. Production design: Bruce Curtis. Film editing: Sandra Adair. Music: Graham Reynolds.

Imagine Bernie without Jack Black, but with, say, Philip Seymour Hoffman in the title role. Hoffman would have played the hell out of the part, which is one of the reasons he is so sorely missed, but the tone of the film would have been very different. What Black brings to the role is a familiar image, that of a scamp, a mocking presence in almost all of his previous movies. But here he's cast against type, as a sweet-natured possibly gay man who manages to capture the hearts of a small East Texas town, and more particularly the shriveled heart and deep needs of a wealthy widow (Shirley MacLaine). It's the tension between the manic imp of his earlier films and the good-hearted (if naively lethal) Bernie that gives this movie its acerbic tone. Richard Linklater also directed School of Rock (2003), Black's first big hit in a starring role after stealing High Fidelity (Stephen Frears, 2000) out from under the nose of John Cusack. It's to Linklater's credit that he sees more in the actors he works with than others do. Small town East Texas is an easy target for satire, and I understand the critics who liken Bernie to Fargo (Joel Coen and Ethan Coen, 1996), which did similar things with the easily caricatured accents and mannerisms of the deep plains states. But anyone who has lived in the South knows a few Bernies: somewhat effeminate men who don't fit the good-ol'-boy stereotype of the region, but are tolerated by the good-ol'-boys and especially doted upon by their wives and mothers. Black captures the Bernies to perfection, perhaps because Texan Linklater and his co-scriptwriter Skip Hollandsworth, who wrote about Bernie Tiede first for Texas Monthly, know them well, and know how (as the Coens likewise did in Fargo) to transcend mere caricature for something more humane and interesting.

[dankusner]

Director Rick Linklater was on hand at a hearing last friday in Austin federal court over a lawsuit arguing that the Texas Department of Criminal Justice is cooking prisoners to death by failing to install air conditioning in its prisons.

Currently, only about one in three of the system’s 130,000 prisoners live in air-conditioned cells.

There have been persistent reports linking the heat to prisoners’ deaths, something TDCJ routinely denies.

Linklater’s friend Bernhardt Tiede, the subject of his movie Bernie, filed the lawsuit last year after collapsing in a cell where a temperature of 112 degrees had been recorded days earlier.

TDCJ Director Bryan Collier admitted on friday that heat was partially responsible for three prisoner deaths last year.

[pegplunkett]

guess who's back on her bullshit (it's me)

carl axelrod pic by @babelincolns

more here and here!

[hamishlinklaters]

HAMISH LINKLATER as Rick Krause  in ANGELYNE (2022)

[plainlo-inthemorning]

The Hamish Linklater class of 2022.

[agirlinherhead]

I'm sorry but fuck off with this

[X]

[aherdofbees]

[lovepollution]

[purple-fig]

If anyone thought I wouldn't be making an edit for Rick Krauss, you underestimate how much of a simp I am

And yes that is the Bee Gees... As if I could have picked any other song for Rick

[babelincolns]

He’s never looked sexier