#riddim dubstep 2024

[musicaelectronicaarg]

NAHUELDEEP MUSIC - RIDDIM DUBSTEP 2024 😈

[nctrnm]

#NowPlaying: "Kapten - Tossed Out" by Audio Cure

[trapargentina]

NAHUELDEEP MUSIC - ELECTRO DROP

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[musicaelectronica]

Musica Electronica 2024 Mix | La Mejor Musica Electronica 2024, Trap Argentina, Dubstep, Riddim, RKT

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[dnalounge]

♬ Just announced: Sat Jul 20, 9pm: CATACOMBS OF RIDDIM: PYKE https://www.dnalounge.com/calendar/2024/07-20d.html #dnalounge #catacombsofriddim #rollevents #bouncebeat #riddim #dubstep #house #bass #sanfrancisco Catacombs of Riddim: Pyke: Riddim, Dubstep, House, D+B, Bass! Above DNA: Pyke. Proxxxy. Mystrvs. MoMoney -b2b- RiddimNYC. Jxker -b2b- Shugoki.

[muznew]

Beatport Best Of 2024 So Far: Dubtep

- Artists: Beatport DATE CREATED: 2024-04-29 GENRES: Dubstep Tracklist : 1. Rezz, Subtronics - Black Ice(Original Mix) 2. YOOKIE - SUNSHiNE OF YOUR WUB(Original Mix) 3. Ray Volpe - SEE YOU DROP(Original Mix) 4. Marshmello, HOL! - Movement(Original Mix) 5. Virtual Riot - Touhou Riddim(Subtronics Remix) 6. Marshmello, Svdden Death - Vortexblade(Original Mix) 7. Marshmello, Space Laces - Conquer(Original Mix) 8. Subtronics - Amnesia(Original Mix) 9. Subtronics - Cottage Gore(Original Mix) 10. Jiqui - PLOW(Original Mix) 11. AlienPark, Vastive - Nightmare(Original Mix) 12. Eptic - CYBERHELL(Original Mix) 13. Subtronics - Quantum Queso(Original Mix) 14. Subtronics - Alien Communication(Original Mix) 15. Subtronics, Kwengface - Parabola Paradox (Slap It) (feat. Kwengface)(Original Mix) 16. MAD DUBZ, VUlllGUR - MASKED AND MAD(Original Mix) 17. Marshmello, Svdden Death - Ceremony(Original Mix) 18. ProbCause, Ahee - Rainbow Funk(Original Mix) 19. Read the full article

[djmusicbest]

Beatport Best Of 2024 So Far: Dubtep

- Artists: Beatport DATE CREATED: 2024-04-29 GENRES: Dubstep Tracklist : 1. Rezz, Subtronics - Black Ice(Original Mix) 2. YOOKIE - SUNSHiNE OF YOUR WUB(Original Mix) 3. Ray Volpe - SEE YOU DROP(Original Mix) 4. Marshmello, HOL! - Movement(Original Mix) 5. Virtual Riot - Touhou Riddim(Subtronics Remix) 6. Marshmello, Svdden Death - Vortexblade(Original Mix) 7. Marshmello, Space Laces - Conquer(Original Mix) 8. Subtronics - Amnesia(Original Mix) 9. Subtronics - Cottage Gore(Original Mix) 10. Jiqui - PLOW(Original Mix) 11. AlienPark, Vastive - Nightmare(Original Mix) 12. Eptic - CYBERHELL(Original Mix) 13. Subtronics - Quantum Queso(Original Mix) 14. Subtronics - Alien Communication(Original Mix) 15. Subtronics, Kwengface - Parabola Paradox (Slap It) (feat. Kwengface)(Original Mix) 16. MAD DUBZ, VUlllGUR - MASKED AND MAD(Original Mix) 17. Marshmello, Svdden Death - Ceremony(Original Mix) 18. ProbCause, Ahee - Rainbow Funk(Original Mix) 19. Read the full article

[anitosoul]

tripreport.046_dubechoes

This was the month of dub and soundsystems. This entire episode was heavily inspired by Edward George, and specifically his radio show The Strangeness of Dub. I was fascinated by George’s explorations of dub not only historically, but also socially and spiritually. I had never thought about dub as a queer genre, but there is an inherent strangeness in the genre, one which was developed on the B-side. Dub’s existence as a variant, with all its versions, instrumentals, and experimentations in sound, could even be considered a glitch. That is, dub exists only in relation to the “normal” version of the track, that is, until it eventually went on to influence the entirety of electronic music, specifically through remixes, bass, and exploration of effects such as reverb and delay.

Tying it further to the current moment and what’s been on my mind lately, I began thinking of dub and Jamaican music in general as a framework for a collectivist music future. I was very interested in the utility of the music as a gathering opportunity, where music was made for the physical soundsystems that would serve as the centerpiece for community events. The idea of originality was different too—copyright laws were not a factor in the creation of Jamaican music, and artists would often iterate and create versions of an established, popular riddim. To consider originality in this way was refreshing and honest; the notion of copying, bootlegging, sampling, etc. is a big part of my own practice, and I’m generally much more suspicious of people who treat music as some sort of competition, as something to be protected or gatekept. I find beauty in the listener taking an existing work and “customizing” it for their own experience. That, to me, is art succeeding.

This fascination in Jamaican soundsystem culture also ignited even more interest in building up my record collection, so I spent a lot of my time this month digging for 45”s from 1970s-1980s Jamaica. The first half of this mix is a selection of some of the records I’ve collected interspersed with other reggae/dub tracks that I enjoyed but don’t own. The back half is other music I’ve been listening to in typical tripreport fashion, but all tracks that I feel to have a through line connection with dub, whether that be sonically, conceptually, or spiritually. It’s pretty much all contemporary music from the 90s onwards, spanning hip-hop, R&B, house, afrobeats, bass, dubstep, grime, trap, techno, jungle, ghettotech, footwork, and dnb. 

It being Black History Month, I was lucky enough to hear some great music live in-person as well, including a deep dive from Edward George at NYU on the connection between Billy Strayhorn, and the interlinked histories of jazz, dub, and subsequently all modern electronic music. That put me on a big jazz kick too, listening to a lot of Duke Ellington and Billy Strayhorn. As part of Dweller, I attended the dub and jungle nights and got to see performances from Liv.e, Embaci, Edward George, Tim Reaper, and Kush Jones. That night resulted in several of the tracks that I’ve included in this episode. Outside of that, I also got to see Sully and Anz at Nowadays Nonstop and also got back in my indie bag and last minute saw Mitski at the Beacon Theatre on the UWS. 

Overall, it was fun that this episode was more of a deep dive in a specific genre in addition to what the tripreport format has tended to become since I’ve started DJing. Tying it to my personal life, I think that dub has really helped me slow down. If I had a New Years Resolution, it would be to take life slower in 2024. It’s difficult for me to take time to myself, or at least time to relax. Since getting back into dub, getting sick, and consequently getting back into smoking weed, I feel like I had a hard reset and some kind of return to form. For pretty much all of this year up until right now, I’ve been staying sober, running a ton, trying to be “normal” to cope with the grief. To be honest, though, that month was one of the trippiest months of my life. I feel a lot more grounded since taking a week off running and socializing and since starting to smoke weed again. It helped too that I was working from home for most of this month. It feels counterintuitive, but I’m going to trust my body. 

The day before I released this episode, we had the best weather of the year. I went for an incredibly long walk and listened to music and got an ice cream cone. It was really nice to have a glimpse of the spring. It quickly went back to being terrible and stormed/was cloudy all the rest of the week, but we finally got to Daylight Savings Time ending as I write this and it already feels like a shift that the sun is still out when I get off work. I guess what I’m trying to say is that I’m trying to trust the natural rhythm of life and go with the flow. The strangeness of dub.

tracklist

Intro: Pan-Afrikan Peoples Arkestra - The Golden Pearl

A-Side

The Upsetters - Blackboard Jungle Dub (version 1) (1981)

Courtney Melody - Ninja Mi Ninja (Version) (1988)

C Patterson - Labour Ward (1981)

Joe Gibbs - Bionic Mix (~1979)

Jah Shaka - Verse 1 (1982)

The Aggrovators - Dunza Dub (1977)

Shabba Ranks - Respect (1993)

Augustus Pablo - Only Jah Jah Dub (1988)

The Skatalites - Roots Dub (1976)

Lloyd Brevett & the Skatalites - Rock Bottom (1978)

Scientist - Taxi to Baltimore Dub (1981)

The Wailing Souls - Kingdom Rise & Kingdom Fall (12” mix) [1980]

Bob Marley - The Heathen (1977)

Lee Scratch Perry - Bird In Hand (1978)

Johnny Lover - Ital Locks (1975)

Jah Stittch - Good For Us All (1976)

Jackie Mittoo - Oboe (1980)

Carlton & the Shoes - Let Me Love You (~1980) 

Prince Mohamid - Bubbling Love (1977)

Barrington Levy - Black Heart Man (Version) [1983]

Intermission: Splash - Babylon (DJ SS Remix), Lee Perry & Mad Professor - Super Ape Inna Jungle

B-Side

SZA - Saturn (Instrumental)

SZA - Saturn

GZA - Gold (Instrumental)

GZA - Gold (Feat. Method Man)

Jlin - Eye Am

A.R. Kane - Baby Milk Snatcher (12" Version)

1600j - Bank Account [RockyyThugn] (Ft Boofpaxmooky)

Little Simz - SOS

Babyfather - Fonda

Kerri Chandler - The Steel Drum Song

Identified Patient - Visualize It

The System - Vampirella

Dean Blunt - PRAYER 2015

Ahadadream - Spaceship

Skepta - Same Old Story

Digital Mystikz - Misty Winter

DJ Blackpower - Haha-haHAAA!

A$AP Rocky - D.M.B.

IZCO - RITE NOW

Kelela - Raven (TYGAPAW Remix feat. Rochelle Jordan)

Playboi Carti ft Travis Scott - BACKR00MS

Seekersinternational - SaturdayNiteDrive

The Ganja Kru - Mash Up Da Place (Origin Unknown Remix)

DJ Taktix - The Way (VIP Mix)

Atrice - Pipe Dreams

Dastardly Kids - Bu$$ The Bank (Ka!ros Flip)

DJ RASHAD - Kush Ain't Loud

Sully - Vérité

Outro: Duke Ellington - Solitude, Billy Strayhorn - Day Dream

[kevindurkiin]

WTF Is Polyriddim & Why Is Every Dubstep DJ Talking About It

It’s nice to see that even now riddim is still evolving. A new song from previously unknown producer phonon has taken dubstep Twitter by storm with his new song “polyriddim,” out now on Odio Records.

The typical dubstep rhythm, as it began in its earliest days, has a 4/4 time signature with the kick & snare on the one and three beats. Riddim keeps many of those same elements, while introducing a bit of a reggae influence with a swingier pattern. A polyrythm is exactly what it sounds like, a rhythm which makes use of two or more different rhythms simultaneously.

“polyriddim” smashes a polyrhythm into a traditional riddim structure to bits and has a 7/4 time signature with harmonized synths (not quite a polyrhythm, though) and it sounds… very, very different.

Not everyone will like the track. It has garnered some very divisive responses on Twitter from a variety of producers and fans alike. Some are happy to see that riddim is evolving, in any way; others give credit to phonon for trying something new, but not quite doing it in the right way.

Regardless, it’s interesting to listen to at the very least.

phonon’s new track has spawned a litany of memes and Twitter conversation, from the likes of Eliminate, Modestep, Kill The Noise, Subtronics, and more.

Check it out below.

dudes on the rail tryna headbang to 12^17th/X Æ A-12 time signature pic.twitter.com/NPPK7J9S8c

— eliminate (@eliminatemusic) May 12, 2020

Once shows are back, it’s gonna be extremely entertaining to see people trying to head bang in unison to polyriddim

— JayKode (@JayKode) May 13, 2020

Glad to see everyone messing with time signatures after @phononmusic polyriddim is blowing up. Happy Birthday bro, let's make dubstep jazzy again

— 𝕸𝖔𝖉𝖊𝖘𝖙𝖊𝖕 (@Modestep) May 13, 2020

polyriddim sounds like smoking salvia in a honda civic

— HEROBUST (@Herobust) May 13, 2020

Shoutout @phononmusic for giving us dubstep djs a way to break the twitter algorithm for the rest of the week #polyriddim

—

SweetTooth | DPMO

(@SweetToothAudio) May 13, 2020

the year is 2024, all dubstep is in 7/4, headbanging requires a degree in mathematics and it is technically illegal for snares to land on the 2 and 4

— SCREAM SAVER EP OUT NOW

(@Subtronics) May 13, 2020

My twitter feed has been nothing but copypastas for the past 2 days thanks to @phononmusic and polyriddim

— Whisper (@Whisperdub) May 13, 2020

That polyriddim tune sounds like corona virus

— ЖTИ (@killthenoise) May 13, 2020

@phononmusic pic.twitter.com/nq918X54tz

— Naifer (@NaiferDubz) May 13, 2020

Dubstep djs when they have to count higher than 4 to mix in polyriddim pic.twitter.com/d0u8GBsyRA

— no, uüuüuüuüuüuuûuü (@nnnnooooouuuuu) May 13, 2020

To be fair, you have to have a very high IQ to understand Polyriddim. The timing is extremely subtle, and without a solid grasp of riddim theory most of the tempo changes will go over a riddim kids head.

— Sadhu (@sadhutheking) May 13, 2020

Imagine if someone who has stopped listening to dubstep in 2012 comes back to this genre and the first song he/she hears is @phononmusic ´s polyriddim.

— Khamis (@KhamisMusic_) May 13, 2020

odio's 74th release happens to be in 7/4 https://t.co/1Bgt8g0ysV

— polyriddim (@phononmusic) May 13, 2020

This article was first published on Your EDM. Source: WTF Is Polyriddim & Why Is Every Dubstep DJ Talking About It

WTF Is Polyriddim & Why Is Every Dubstep DJ Talking About It published first on https://soundwizreview.tumblr.com/

[bestdjkit]

WTF Is Polyriddim & Why Is Every Dubstep DJ Talking About It

It’s nice to see that even now riddim is still evolving. A new song from previously unknown producer phonon has taken dubstep Twitter by storm with his new song “polyriddim,” out now on Odio Records.

The typical dubstep rhythm, as it began in its earliest days, has a 4/4 time signature with the kick & snare on the one and three beats. Riddim keeps many of those same elements, while introducing a bit of a reggae influence with a swingier pattern. A polyrythm is exactly what it sounds like, a rhythm which makes use of two or more different rhythms simultaneously.

“polyriddim” smashes a polyrhythm into a traditional riddim structure to bits and has a 7/4 time signature with harmonized synths (not quite a polyrhythm, though) and it sounds… very, very different.

Not everyone will like the track. It has garnered some very divisive responses on Twitter from a variety of producers and fans alike. Some are happy to see that riddim is evolving, in any way; others give credit to phonon for trying something new, but not quite doing it in the right way.

Regardless, it’s interesting to listen to at the very least.

phonon’s new track has spawned a litany of memes and Twitter conversation, from the likes of Eliminate, Modestep, Kill The Noise, Subtronics, and more.

Check it out below.

dudes on the rail tryna headbang to 12^17th/X Æ A-12 time signature pic.twitter.com/NPPK7J9S8c

— eliminate (@eliminatemusic) May 12, 2020

Once shows are back, it’s gonna be extremely entertaining to see people trying to head bang in unison to polyriddim

— JayKode (@JayKode) May 13, 2020

Glad to see everyone messing with time signatures after @phononmusic polyriddim is blowing up. Happy Birthday bro, let's make dubstep jazzy again

— 𝕸𝖔𝖉𝖊𝖘𝖙𝖊𝖕 (@Modestep) May 13, 2020

polyriddim sounds like smoking salvia in a honda civic

— HEROBUST (@Herobust) May 13, 2020

Shoutout @phononmusic for giving us dubstep djs a way to break the twitter algorithm for the rest of the week #polyriddim

—

SweetTooth | DPMO

(@SweetToothAudio) May 13, 2020

the year is 2024, all dubstep is in 7/4, headbanging requires a degree in mathematics and it is technically illegal for snares to land on the 2 and 4

— SCREAM SAVER EP OUT NOW

(@Subtronics) May 13, 2020

My twitter feed has been nothing but copypastas for the past 2 days thanks to @phononmusic and polyriddim

— Whisper (@Whisperdub) May 13, 2020

That polyriddim tune sounds like corona virus

— ЖTИ (@killthenoise) May 13, 2020

@phononmusic pic.twitter.com/nq918X54tz

— Naifer (@NaiferDubz) May 13, 2020

Dubstep djs when they have to count higher than 4 to mix in polyriddim pic.twitter.com/d0u8GBsyRA

— no, uüuüuüuüuüuuûuü (@nnnnooooouuuuu) May 13, 2020

To be fair, you have to have a very high IQ to understand Polyriddim. The timing is extremely subtle, and without a solid grasp of riddim theory most of the tempo changes will go over a riddim kids head.

— Sadhu (@sadhutheking) May 13, 2020

Imagine if someone who has stopped listening to dubstep in 2012 comes back to this genre and the first song he/she hears is @phononmusic ´s polyriddim.

— Khamis (@KhamisMusic_) May 13, 2020

odio's 74th release happens to be in 7/4 https://t.co/1Bgt8g0ysV

— polyriddim (@phononmusic) May 13, 2020

This article was first published on Your EDM. Source: WTF Is Polyriddim & Why Is Every Dubstep DJ Talking About It

from Best DJ Kit https://www.youredm.com/2020/05/13/wtf-is-polyriddim/

[musicaelectronicaarg]

LINE UP - NAHUELDEEP MUSIC [Música Electrónica] (Official Audio)

line up,line up nahueldeep music,line up nahuel deep music,line up musica,musica electronica,electronica,musica,música electrónica,electrónica,electrónica 2024,mas que un genero un movimiento,temazo,buenos aires electronica,dubstep,riddim,trap,buenos aire trap,buenos aires trap 2024,bs as trap 2024,electronic music 2024,peru,mexico,colombia,nahueldeep music line up,nahuel deep,cumbiastep,rkt,buenos aires,argentiina,milo j,bhavi,duki,ysy a,electronica nueva

[bluebuzzmusic]

WTF Is Polyriddim & Why Is Every Dubstep DJ Talking About It

It’s nice to see that even now riddim is still evolving. A new song from previously unknown producer phonon has taken dubstep Twitter by storm with his new song “polyriddim,” out now on Odio Records.

The typical dubstep rhythm, as it began in its earliest days, has a 4/4 time signature with the kick & snare on the one and three beats. Riddim keeps many of those same elements, while introducing a bit of a reggae influence with a swingier pattern. A polyrythm is exactly what it sounds like, a rhythm which makes use of two or more different rhythms simultaneously.

“polyriddim” smashes a polyrhythm into a traditional riddim structure to bits and has a 7/4 time signature with harmonized synths (not quite a polyrhythm, though) and it sounds… very, very different.

Not everyone will like the track. It has garnered some very divisive responses on Twitter from a variety of producers and fans alike. Some are happy to see that riddim is evolving, in any way; others give credit to phonon for trying something new, but not quite doing it in the right way.

Regardless, it’s interesting to listen to at the very least.

phonon’s new track has spawned a litany of memes and Twitter conversation, from the likes of Eliminate, Modestep, Kill The Noise, Subtronics, and more.

Check it out below.

dudes on the rail tryna headbang to 12^17th/X Æ A-12 time signature pic.twitter.com/NPPK7J9S8c

— eliminate (@eliminatemusic) May 12, 2020

Once shows are back, it’s gonna be extremely entertaining to see people trying to head bang in unison to polyriddim

— JayKode (@JayKode) May 13, 2020

Glad to see everyone messing with time signatures after @phononmusic polyriddim is blowing up. Happy Birthday bro, let's make dubstep jazzy again

— 𝕸𝖔𝖉𝖊𝖘𝖙𝖊𝖕 (@Modestep) May 13, 2020

polyriddim sounds like smoking salvia in a honda civic

— HEROBUST (@Herobust) May 13, 2020

Shoutout @phononmusic for giving us dubstep djs a way to break the twitter algorithm for the rest of the week #polyriddim

—

SweetTooth | DPMO

(@SweetToothAudio) May 13, 2020

the year is 2024, all dubstep is in 7/4, headbanging requires a degree in mathematics and it is technically illegal for snares to land on the 2 and 4

— SCREAM SAVER EP OUT NOW

(@Subtronics) May 13, 2020

My twitter feed has been nothing but copypastas for the past 2 days thanks to @phononmusic and polyriddim

— Whisper (@Whisperdub) May 13, 2020

That polyriddim tune sounds like corona virus

— ЖTИ (@killthenoise) May 13, 2020

@phononmusic pic.twitter.com/nq918X54tz

— Naifer (@NaiferDubz) May 13, 2020

Dubstep djs when they have to count higher than 4 to mix in polyriddim pic.twitter.com/d0u8GBsyRA

— no, uüuüuüuüuüuuûuü (@nnnnooooouuuuu) May 13, 2020

To be fair, you have to have a very high IQ to understand Polyriddim. The timing is extremely subtle, and without a solid grasp of riddim theory most of the tempo changes will go over a riddim kids head.

— Sadhu (@sadhutheking) May 13, 2020

Imagine if someone who has stopped listening to dubstep in 2012 comes back to this genre and the first song he/she hears is @phononmusic ´s polyriddim.

— Khamis (@KhamisMusic_) May 13, 2020

odio's 74th release happens to be in 7/4 https://t.co/1Bgt8g0ysV

— polyriddim (@phononmusic) May 13, 2020

This article was first published on Your EDM. Source: WTF Is Polyriddim & Why Is Every Dubstep DJ Talking About It

source https://www.youredm.com/2020/05/13/wtf-is-polyriddim/

[musicaelectronicaarg]

TECHNO HARD - NAHUELDEEP MUSIC

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[musicaelectronicaarg]

#musica #viral #electronica #fyp #argentina

[musicaelectronicaarg]

NAHUELDEEP MUSIC - CARNIVAL | MUSICA ELECTRONICA 2024

#ELECTRONICA #MUSICAELECTRONICA #MUSICA2024

[musicaelectronica]

COSUIN ROCK 2024 | COSQUIN ROCK 2024 GRILLA | TRAP ARGENTINA | BUENOS AIRES | TRAP ARGENTINA| 2024 MUSICA |MUSICA ELECTRONICA 2024 | RAP ARGENTINA | TRAP ARGENTINA MIX | MUSICA 2024 | ELECTRO | TRAP ARGENTINA | TRAP ARGENTINA MIX