wip inspiration tag 🌟
got tagged by @encrucijada
there are A LOT of places of inspiration for my personal writing project roadtrip! and if i had to list them all i’d have pages and pages of bits of inspiration from so many different places but i think i can gather the core wells of inspiration...
list: the Northern Lights trilogy, the Oh Hellos, Aristotle and Dante Discover the Secrets of the Universe, Nausicaä of the Valley of the Wind, Castle in the Sky and Sprited Away
ROADTRIP! : sam, a transmasc youth, and his furry ever-companion soulmate kaid live in sunshine arizona with their new rambunctious friend who moved into the neighboring town a year ago, chelsie who has two furry companions of her own named cosmos and chrysanthemum. high school hell, summer shenanigans, friendships, chaos and fun ensue until a girl named aubry shows up in the middle of the desert following a series of strange occurrences. a week later, the three of them take a short walk and don’t return home. they find themselves in a new world, and, well, quite a few new worlds after that. they need to find a way home and they’re determined that nothing stops them, so they journey into a ever shifting, strange, curious and beautiful multiverse that unfolds before them.
this story is about changes and grappling with them, queerness (trans, lesbian/gay mostly), self discovery and becoming, love, family born into, made and found, faiths, destiny is fake, essentialism is bogus, war is hell, different kinds of trauma, the pace of healing, growing pains, be gay do crime, love for humanity, displacement and belonging, oppression and fighting it, the power in being kind gentle and merciful, and how hugs, hand holding and forehead kisses go a long way. theres a lot more but the hugs are extremely important!
The Oh Hellos
entire arcs in this story have started as seeds planted by me listening to the oh hello’s but especially the albums eurus and the other four winds albums, dear wormwood, and into the deep dark valley. ive got a deep emotional connection to their music and since i found them back in 2019/2020 which happened to be the time i started writing this wip. there are whole albums in my character playlists. they are this music on a certain level. the grip maggie and tyler heath have on me is criminal
HDM
daemons, angels and the multiverse concept not only totally ripped completely off from this series but also extremely yassified and hit with a transgenderification beam. transdimensional travel as a metaphor for being trans. a angel fabricating a physical body as a metaphor for being trans. rainbow colored openings to other worlds hint hint nudge gay. answering the age old question “trans people daemons gender what?!” with “lol whatever i have a 4D understanding of gender you wouldn’t get it”. using daemons as a way to talk about queerness, gender etc etc. also us american evengalicalism fuckin sucks, lets talk about that and religious trauma without demonizing “religion” as a whole!! this inspired me to think about the beauty of faiths instead of its ugliest sides but also honor the horrific trauma a certain brand of christianity causes. also what if this multiverse concept was executed better and the story was actually satisfying??
Nausicaä of the Valley of the Wind, Castle in the sSky (and some other ghibli movies)
okay nausicaä actually inspired a big latter part of roadtrip, mostly its solarpunk elements and focus on ecology, post apocalyptic world and humanity. and insects! castle in the sky is where i got the floating island idea from. some honorable mentions are spirited away, its one of my earliest memories of other world concepts in fiction i remember from when i was a kid, ponyo which is the favorite movie of my character chelsie + some ocean imagery sprinkled here and there and sam loves princess mononoke (this movie helped radicalize me)
Ari and Dante
the slice of life vibes, desert setting but arizona instead of el paso texas, a mexican main character, just taking it easy and being emotionally honest when writing and telling a story is something i learned from benjamin alire sáenz because its one of the first places in literature it really stuck out to me. that you choose your own methods for writing, whatever works for you even if it strays from ‘traditional’ literature structure. realizing a chapter could be 1 paragraph freed me, but now i wish i’d actually let myself apply the guy’s advice. this book had a profound effect on me when i read it at 17, it got me through a lot and its lived inside my head and my soul ever since. rent fuckin free. changed me on a molecular and spiritual level and im so glad it did
honorable mentions: a bunch of different science fiction media, fantasy media, real life locations like arizona, my own state, cartagena columbia, costa rica, peru and about a thousand other places, ecology and the concept of interconnectedness herself, class struggle, queer history, catholic imagery, ‘80s aesthetics, many romance languages, my friends and their many backgrounds, many different cultures, angelology, world history, revenge and spite but also self indulgence and falling in love with writing
gonna tag: @shapeshiftersandfire!
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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