#sacrifice the children

[theindescribable1]

Hey... *gives you 12 Furby Indes* CLONE SAGA 2023 OF FURBY!!! *Scurrying away*

NOOO NOT FURBY ME!!! FRITZ!! RUNNN!!! SACRIFICE THE CHILDREN!!! AHHHH

@essentially-a-worm-on-a-string ITS HAPPENING AGAIN... THE CLONE SAGA!!!

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[awesomecooperlove]

NEW WORLD ORDER AND FREEMASONRY

[tavina-writes]

I started writing yet another tag essay in the notes of a different post where OP posited that the reason established relationships that are rock solid or functional are hard to write and find in fiction because there's missing tension due to the lack of will they won't they, and how one way to solve this in a story is to make the characters insane about each other. (The post is here.)

And don't get me wrong! I like when characters are a little or a lot unhinged about each other! and I also like relationships that self destruct, tragedies that end badly, and all that jazz I enjoy these things a lot! They're good things!

But I'm thinking about relationship tension again and how like, okay yes sometimes we want our characters confess they're in love with each other and get together and sail off into a soft epilogue, etc. This too is love!

But I think fundamentally to deny the fact that two (or more) people can love each other deeply, be totally committed to each other, and yet still have difficulties and life problems to tackle together is an underexplored facet of romance. The mundane of this is where the real romance lies on our day to day as people, and I find this so...rarely? tackled in fiction?

Maybe this is because I'm ace, but I feel that there's a distinct? vibe to these sorts of mature and enduring romances where like, the love is there, the commitment is there, but we still have moments we need to work for it because that's life and we work for it because we find each other worth it.

What is more romantic than compromise with someone you care for deeply? What is more romantic than tackling problems together and trying to come to an agreement and sometimes not being able to but still having done your best and accepted the outcome anyway?

What is a long lasting relationship that isn't about give and take and growing together or coming apart? Aren't those stories interesting? How could any long lasting relationship where people are deeply in love with each other be boring when like, to BE in a relationship with someone for ten, twenty, thirty, sixty years and come out the other side of that saying 'you're the one, you're still the one, you've always been the one' is one of the most wild and rare type of relationships to have?

What sort of sacrifice and compromise and work it takes to build that sort of relationship, isn't that interesting? To persist despite moments of doubt and periods of despair and all the work it takes in mundanity? all the trials a relationship like that has to survive and has survived, isn't that still tension? isn't that still interesting?

Maybe it's just me that I find this more interesting than "will they? won't they?" Either they will or they won't but when I'm reading a romance they mostly will! But do they have what it takes to stay there? And if they do isn't that one of the most interesting things in the world to look at?

Isn't that also love?

[mistyriousness]

🎶”Married Life” Intensifies🎶

So, any other COTL fans out there?

[gemhoundwings]

Which couple is your favorite?

someone take the poll option away from me o.o

[chloecherrysip]

I don't know where I'm from. My earliest memory is arriving. I was so lucky they found me! They took me in, raised me like one of their own, and when I was ready, they made me their princess.

[fromtheseventhhell]

Team Green calling Rhaenyra every misogynistic slur under the sun for the crime of having sex just for Alicent to be having sex with Criston while Blood and Cheese happened is pure comedy

[panharmonium]

funniest and most heartwarming thing i rediscovered on my rewatch is when karin roasts sakura about poisoning naruto and then kakashi, who loves all of his kids very much and understands their behavior and isn’t upset with them about their choices but has also been under ABSURD amounts of stress for all of season 10, just bursts out laughing ❤️

[harlivies]

 “You aren’t worried about your position?” “I like this position. It’s quite comfortable.”

[confusedhomicidalrage]

[bbygirl-aemond]

the children of the forest will always be so interesting to me for many reasons but primarily and originally this one. thousands of years ago, they used their magic to turn this map:

into this one:

during their war with the first men, who were invading westeros. it's part of what led to the pact between the two groups.

do you see the difference? take a closer look:

these bitches made the stepstones.

they broke westeros and essos in two.

they broke a continent.

[moeblob]

And then she threatens to kill him if he doesn't man up and say that while looking her in the eye (and then he apologizes while looking at her in the eye because he cannot be directly rude).

[nightswatchdisbandmentera]

Seven, Brienne thought again, despairing. She had no chance against seven, she knew. No chance, and no choice.

She stepped out into the rain, Oathkeeper in hand. “Leave her be. If you want to rape someone, try me.”

- Brienne VII, AFFC

“I know the cost! Last night, gazing into that hearth, I saw things in the flames as well. I saw a king, a crown of fire on his brows, burning … burning, Davos. His own crown consumed his flesh and turned him into ash. Do you think I need Melisandre to tell me what that means? Or you?” The king moved, so his shadow fell upon King’s Landing. “If Joffrey should die … what is the life of one bastard boy against a kingdom?”

“Everything,” said Davos, softly.

- Davos V, ASOS

Ned had heard enough. “You send hired knives to kill a fourteen-year-old girl and still quibble about honor?” He pushed back his chair and stood. “Do it yourself, Robert. The man who passes the sentence should swing the sword. Look her in the eyes before you kill her. See her tears, hear her last words. You owe her that much at least.”

[…]

“I will not be part of murder, Robert. Do as you will, but do not ask me to fix my seal to it.”

For a moment Robert did not seem to understand what Ned was saying. Defiance was not a dish he tasted often. Slowly his face changed as comprehension came. His eyes narrowed and a flush crept up his neck past the velvet collar. He pointed an angry finger at Ned. “You are the King’s Hand, Lord Stark. You will do as I command you, or I’ll find me a Hand who will.”

“I wish him every success.” Ned unfastened the heavy clasp that clutched at the folds of his cloak, the ornate silver hand that was his badge of office. He laid it on the table in front of the king, saddened by the memory of the man who had pinned it on him, the friend he had loved. “I thought you a better man than this, Robert. I thought we had made a nobler king.”

Robert’s face was purple. “Out,” he croaked, choking on his rage. “Out, damn you, I’m done with you. What are you waiting for? Go, run back to Winterfell. And make certain I never look on your face again, or I swear, I’ll have your head on a spike!”

Ned bowed, and turned on his heel without another word.

- Eddard VIII, AGOT

“I know what I swore.” Jon said the words. “I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. Were those the same words you said when you took your vows?”

“They were. As the lord commander knows.”

“Are you certain that I have not forgotten some? The ones about the king and his laws, and how we must defend every foot of his land and cling to each ruined castle? How does that part go?” Jon waited for an answer. None came. “I am the shield that guards the realms of men. Those are the words. So tell me, my lord—what are these wildlings, if not men?”

- Jon XI, ADWD

Them 🫶🏽

[novalizinpeace]

making a last review to the trailer for my Au, i come to realise something... creepy.

WE KNOW the most majority of the experiments were created after Orphans, not just Catnap, our previous best example was Mommy Long Legs (that was created after a girl named Marie Payne).

Even when we see that they don't neccesary stay with a children mentality ('cause MLL act and speak like a grown woman, and as we see in the trailer Dogday also have a man voice), probably a lot of them does, specially those that were created not long after Playtime Co. shutdown (aka didn't have time to grown in mind).

Whit this in mind, this scene with the ''sacrifices of the heretics'' shows a lil' more dark scene that we originally think.

You see, Catnap decided to judge all the toys with the same rules, but while some of them were old enough to grown a conscience of their situation (aka ''grown'' in mentality) to remain docile even when they were against the prototype's ideals (like the big Dogday), probably those that were ''heretics'' in Catnap's eyes were just, acting like children, children that were afraid of what happens to them and were not okay with the rules Catnap want them to follow, so they end up like... this.

[unreal-unearthing]

Shout out to cole weaver (guy who wrote the most recent tmagp episode) for writing a case tailor made to haunt me personally.