#safety suit

[keithtreason]

And if I was running And if I was crying And if I was scared You know I'm gonna find a way to let you have your way with me

[sunderwight]

Further speculation on Shen Yuan transmigrating in some kind of Beast:

Werewolf Shen Qingqiu.

And like, major emphasis on the wolf, in his case. Not wolfman. Every full moon Shen Qingqiu has to make arrangements for himself to turn into a gigantic silvery-white wolf that retains extremely little of his consciousness, and mostly just seems to want to do Wolf Things, though according to PIDW and all information he has on the matter, he ought to be turning into a violent and bloodthirsty predator.

However, it turns out that the wolf form does retain some awareness from the mind/soul of the human, meaning that the reason SJ's wolf was so incredibly unsafe to be around was because it was constantly trying to process SJ's trauma in wild animal terms. So, it was hostile towards the vast majority of humans and in a heightened state of anxiety, always anticipating violence (and reacting accordingly) whenever something unexpected happened. Matters were not helped by SJ's decision to try and lock himself up for every transformation, which of course freaked his wolf out even more (trapped) and resulted in self-harm as it desperately tried to escape. It was just that SJ interpreted the self-harm as a sign that the wolf was so extremely violent that it would cannibalize itself rather than go a single night without the taste of blood.

SY, who is a lot less traumatized, conversely has a much more calm and curious wolf. Like he's extremely cautious and nervous about the whole thing, because he's expecting it to be violent based on his information, and since he doesn't retain much awareness of his transformations he has little idea of what his wolf-self does. But he also isn't great at locking himself up like the original goods did, and he never really seems to wake up covered in blood or anything? Once or twice he thinks he might have hunted a rabbit, but they definitely were rabbits and not like his subconscious somehow going after children in the middle of a wilderness somewhere, because when he came to the wolf had brought the leftover bunny bits along back to the ruined temple he was supposed to be shutting himself up into.

The new Shen Qingqiu consequently gets a bit complacent about the whole thing. He can only blame himself. Maybe he should have anticipated Luo Binghe, with his boundless curiosity and interest in his shizun, would notice the oddities in his schedule and follow him out one night. Everyone's supposed to believe that he's just going to brothels and engaging in purely mundane debauchery, though, so why would Binghe doubt his story?

But he did, and so of course Luo Binghe ends up witnessing his shizun's terrible transformation into a wretched and hated beast. Stunned, the young disciple stands transfixed (no doubt in horror) in the moonlight. The wolf sees him, and though Shen Qingqiu doesn't retain much memory, he recollects the running, the leaping, the... uh... licking...?

Well. Turns out that even Shen Qingqiu's subconscious wolf mind recognizes Luo Binghe as pack, and thank goodness too, because at least he didn't attack him!

Although after that it becomes an extreme challenge to explain to Luo Binghe why he can't accompany Shen Qingqiu for his transformations every month. It's not safe, the wolf is unpredictable and Shen Qingqiu can't promise that he won't startle or suddenly change his tune and lash out, and even though Binghe's cultivation is progressing in leaps and bounds, the wolf also isn't limited to normal mortal strength. It would be able to track his scent and follow him relentlessly, chasing him down to catch and pin him beneath its massive paws, and... Binghe why is your face so red? Are you feeling alright? If it's too frightening, then let's not describe it any further, but the point is that it's dangerous.

Shen Qingqiu has to put his foot down. In the end, he has his suspicions that Binghe is still circumventing him, as he could swear he sometimes remembers running around the wilderness with company. (Binghe is absolutely sneaking out to go spend time with Wolf Shizun.) But there's nothing concrete enough to be certain. Meanwhile, Luo Binghe has at least agreed to keep it secret (for now -- probably not once the time comes for Shen Qingqiu to be put on trial) and fusses over his shizun, helping him keep track of the moon scheduling and always making sure he has a full belly before he goes into wilderness seclusion (Shen Qingqiu never says, but somehow Luo Binghe guesses anyway that he doesn't like waking up to find that the wolf had a snack during the night...)

Another hazard: lycanthropy in the PIDW setting is a curse. Like admittedly it's kind of a kickass one, but it still has tons of negative associations, most commonly befalling impoverished individuals or travelers who get bitten by wild wolf demons, and survive only to find that a piece of the wolf's spirit has gotten stuck to their own. Cultivators with lycanthropy are often associated with demons and disrepute, like Wu Yanzi, and there are countless tales of them turning on their own people or being revealed as violent, depraved criminals. It's only slightly more acceptable than being a demon outright.

In other words it's not a desirable circumstance.

And yet, for some reason, Luo Binghe is reprehensibly lapse in his protections against lycanthropy. Shen Qingqiu has told him all of the precautions he knows against it, and yet it's almost like Binghe keeps doing the exact opposite things! Listen, wolves are cool. Shen Qingqiu knows that. He's actually kind of fine with turning into one, since it seems to be less of a ravenous beast situation than he'd feared. But there are still social consequences to this kind of a thing! Luckily, it doesn't actually matter much because even with his uncharacteristic youthful irresponsibility, Binghe's heavenly demon blood protects him from ever being cursed. The only way he'd get lycanthropy would be if he deliberately let a werewolf bite him and then just refused to excise the curse, and even then, he could purge the tainted wolf spirit from him just by force of will whenever he wanted.

Seriously, though! It's only when Shen Qingqiu points out that Luo Binghe is going to make people suspicious with all his negligence towards basic precautions that Binghe finally smartens up about it.

(Luo Binghe, out in the woods during a full moon: Wolf Shizun please bite me? Bite Binghe? Then we can be together every full moon! Look here I'll stick my hand in your mouth... just, just chomp down... no don't lick... *sigh*...)

Anyway, the plot still goes mostly the same, except that when Shen Qingqiu put into the water prison it's the full moon. He expects this is part of Luo Binghe's plan against him -- Binghe probably couldn't reveal the lycanthropy without also admitting he'd known before and helped hide it, but this way, Shen Qingqiu can just get caught as a wolf by the palace guards. But Luo Binghe's just been so frazzled and distressed by everything that he genuinely forgot what phase the moon was on. Shen Qingqiu's expecting a lot of things when he wakes up after transforming in the Water Prison, but being back out of the Water Prison and snuggled up to the protagonist's chest wasn't on the list.

Turns out that after his confrontation with Luo Binghe and the Little Palace Mistress, Gongyi Xiao went to check on him and found him transformed. After Gongyi Xiao alerted the rest of the palace, the Palace Master determined that Shen Qingqiu being a werewolf was as good as a confirmation of guilt, and had the wolf dragged out to be killed. Luo Binghe intervened, Shen Qingqiu took off, and between one thing and another the whole night was spent with Huan Hua and Cang Qiong cultivators trying to catch him (for different reasons).

Of course it was Luo Binghe who eventually cornered the terrified wolf, at which point the wolf actually, finally did bite him. But when Binghe failed to react, it whimpered and went back to its usual behavior, and let Binghe lead it out of the city and off to its usual territory near Cang Qiong. The wolf then proceeded to act like an overjoyed puppy whose owner had finally come back from war, until Binghe broke down and sobbed himself to sleep. It must have curled up onto his chest afterwards.

Shen Qingqiu is deeply embarrassed, but... somehow Luo Binghe doesn't seem to be taking revenge on him?

He's going to need to treat that bite wound soon, though.

Binghe.

Binghe, you are going to treat that--

[hazmatgearguy]

Oregon Guard members learn the basics of hazardous operations ☣️

[iizuumi]

tough fight ;;

[phosphophylight-of-my-life]

it's so incredibly funny to me how himmel indirectly ushered in a new era of mages being terribly unprepared for dungeon raiding. he was so fond of 100% clearing dungeons across the continent that future mages simply had no dungeons in which to use those techniques on and just didn't learn them.

[gordon-freeman-phd]

It's time to suit up, Gordon.

[assassin-artist]

more Akaris..

[kayvsworld]

scenes that make you take a stress lap around the living room

[blackmensuited]

[lilamala]

my gay son

[cellarspider]

7/30 germs.

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We return to a movie that disrespects the archaeological importance of roads, Prometheus.

I am still not over that. I will never be over that.

This time, content warnings for continuing frat boy archaeology, cringeful application of racist terms to lily-white androids, me screeching about site contamination some more, and Apollo’s dodgeball striking this movie with a glancing blow about masking.

So, back in the theater in 2012, I had already lost sympathy for the cast. They were being set up as stock horror movie characters, they were doing their jobs in a way with a certain flair for the incompetent.

And one of them, I suspect, the movie intends to make into a “flawed but you feel for him” kind of guy. Or, I hope they intended to make him “the guy in the slasher movie who you hate and want to see die”. That’s Holloway, one of the two archaeologists. He’s robot racist.

Like, seriously robot racist. The whole crew is, David literally gets referred to as “boy” here, which isn’t so much a dogwhistle as a tornado siren. No wonder David is quietly starting to show his disdain for the human crew.

“They're making you guys pretty close [to human now], huh?”

“Not too close, I hope.”

One of the few themes the movie handles halfway competently is the parallel between the humans stumbling all over themselves as they rush to go meet their makers, while David is already experiencing the disappointment of actually meeting his, and finding out they’re a bunch of clueless assholes. Are we supposed to believe the same of the Engineers? I don’t know. They definitely think of humans as lesser, though. More to come on that later.

Because right now, an expedition is barrelling toward the alien structure–again, driving all over the FCKING ALIEN ROAD–and they’re doing it with only six hours of daylight left, because Holloway literally says “It's Christmas [...] and I want to open my presents.”

I cannot communicate how heinous this character felt. The actor did a perfectly fine job playing him, but if Charlie Holloway was real, his name would be said with the same venom as that of the man pictured below: Heinrich Schliemann, the man who found the real, actual city of Troy, and immediately dynamited a trench through the royal palace, destroying who knows how many artifacts from the period the Iliad was based off of. Yes, I picked out the most assholish-looking photo of him I could find on purpose.

Also, Holloway’s an anti-masker, apparently.

I’m going to step back for just one second and list the one practical, movie budget reason why characters might take their helmets off. The costume designers did an admirable job coming up with something that fits the general requirement of a helmet in major studio releases, prior to The Mandalorian: make the actor’s faces completely visible, because without actors with a strong sense of physical presence and voice acting, you’ll lose connection with the audience.

They did a great job with that. Unfortunately, shiny helmets are a bastard to digitally edit film crew out of. 

It’s not impossible to place lights and crew so that the audience won’t notice them. Alien certainly pulled it off. Clear plastic elements in helmets also mean other logistical challenges, though: fogging being the main one. This, and cooking your actors in a fishbowl under studio lights.

Both problems can be simultaneously combated by installing A/C fans within the helmets, but because these helmets are entirely clear, you’re limited to hiding them down near the neck, and anybody who’s done similar for a cosplay or suit will know that it’s potentially noisy and not always effective. You can actually see condensate on the helmets in the movie, though whether that’s from the actor’s breath or a deliberate choice, I don’t know.

All this adds up to increased time resetting actors (i.e. cleaning sweat off of them without disrupting their makeup), more exhaustion from said actors, and the worry that the highest-paid, plot-critical actors may decide they don’t want to do a sequel if the shooting experience is too physically unhealthy.

And then there’s also more time spent carefully arranging crew and lights to hide their reflections, or more time making some poor VFX artist erase a transparent, curved reflection from frame and replace it with something else, or make the actors more comfortable by adding the glass in later with CGI, at the potential loss of some realism. The average modern movie studio would choose one of these VFX-driven options and demand it done in a week, which is why VFX artists need to unionize.

So. I understand at least a few logistical reasons why you don’t tend to make actors wear helmets for too many shooting days. But it has to be balanced with the story. It has to feel believable. It has to fit the story. It has to not make your characters look like mud-witted morons.

As soon as they find liquid water and the oh-so-deadly CO2 levels start to drop, Holloway takes his helmet off.

“Don't be an idiot.”

“Don't be a skeptic.”

Flames on the side of my goddamn face.

Now, this is the moment a lot of people lost sympathy for the human characters, even back in 2012. It was a dumbass idea even then, in the pre-’rona years. Sadly, Millburn the biologist isn’t written smart enough to punch Holloway in the nuts over even thinking of doing this, because we have two problems with what Holloway’s doing here: Biology, and biology.

First, biology.

(https://www.turbosquid.com/3d-models/13-viruses-virus-3d-model/1071200)

Obviously, they don’t know if anything’s in the air. He could find out that humans are deathly allergic to alien dust mites. He could have just caught himself a case of space covid, which he and the lemmings that follow him can then transmit to the entire crew if he’s not kept in quarantine. They can sterilize the sealed suits, but they can’t sterilize the inside of his lungs. Yet.

Second, biology. 

Specifically, Earth biology. Do you know how carefully modern space agencies sterilize anything that’s headed for Mars, or anywhere else that might have a biosphere of its own? A lot! They sterilize everything a lot! Because microbes are hardy little bastards. We’ve never found extraterrestrial life, only precursor molecules that show the capacity for life to develop in other places. How are you going to verify you’ve found alien life, or even those precursors, if you can’t prove that your samples are uncontaminated? What happens if microbes from Earth manage to survive the trip and establish a foothold somewhere? What if they destroy native life?

This movie’s characters treat this with only a fraction of the gravitas that the cinematography does, which is part of why this remains so jarring throughout. The practical sets, the art direction, and the camerawork are all excellent. The editing continues to do its best, though it almost feels like things were cut very tight through this to speed things along and to give more time, unfortunately, to what the characters are doing. 

their crimes against my sanity are not done yet

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As a side note, rounding up some discussion from a previous entry: The most excellent artist @noordzee pointed out that the clashing artistic style of the moon and stars slapped onto the carving of Kʼinich Janaab Pakal I. In the previous post, I focused on the link between that carving and its use in ancient aliens conspiracy theories. But let's dig a bit into actual Maya iconography around celestial bodies instead.

Now, I am not an expert on Classical Maya stuff. Not in the slightest. And there is a lot of information on their art that is linguistically inaccessible to me, as a non-Spanish speaker. But out of the Maya art and writing that survived the book-burning conquistadors, we have some iconography for the moon and stars, and they don’t look like what’s in the movie.

I wasn’t able to find any specific pieces of art that contained stars, but I did find the glyph for star, ek’. 

I was only able to find depictions of a crescent moon in the context of the moon goddess, where she tends to be sitting on the crescent like a chair, or one part of it is shown behind her, almost like a tail (though I can’t be certain whether that’s due to chipped paint).

The moon by itself was somewhat harder to find. I couldn’t find any Maya depictions of it with my limited poking around of the spanish internet, but I did find a (much later) Mixtec depiction of the moon, complete with a lunar rabbit! Much like East Asian cultures, the darker markings on the moon are culturally interpreted as a rabbit shape.

Thanks again to nordzee for pointing out the dissonant art style, because the real mesoamerican art on this subject is phenomenal.

Next time, the movie will hurt me more, so if anybody else has fun facts to share or details to point out. PLEASE. Ease my pain.

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Alt text citations:

None this time. Many ramblings, though.

[eqan]

begging for baby puppy food like gremlins

[ratwithhands]

I'm drafting a sketch comic rn since my friends wanted a better visual on Emmet's lobotomizer 💀 This hopefully shouldn't take too long, here's my favourite page so far.

Not that it affects the story in any way but I think it'd be cool if the respirator and visor just form over top of his face when he needs it, like a force field. The electricity is coming from them activating and spreading over his face.

Also fun fact about Emmet and his weapon: Emmet refrains from talking about it to new recruits or people he hasn't spoken to before because it inevitably ends in disgusted faces and mental notes to not hang around him. It's one of the things he especially doesn't like about getting transferred to the JAKDF because he has to explain it to several new captains and commanders, as well as officers and recruits. In the meantime, he at least gets to utilize some more normal weaponry as he adjusts to the new people and routine.

[verc0pa]

csm doodles⛓🪚🙆‍♂️

[musingmycelium]

seeing several of these posts about the dav companion rooms and it has me 🥴🧐 since won't these be in the lighthouse? in the fade? meaning these rooms are reflections of the companions in a way few of them are able to actively manipulate. delicious.

[citree]

Well now I wanna ask for a request too :0

Uhmm my Diego/Lila and kid five AU? :0

I'm not sure about the details of your AU but i have to say, whatever these three get up to, Diego and Lila have the potential to be insufferably hilarious about the entire thing