#sapko

[bamf-jaskier]

Who the fuck is Keira Metz - a Primer

Keira Metz was one of the youngest sorceresses, a member of the Lodge, and a fierce fighter who sided with the Northern mages at Thanedd. She is mentioned in Blood of Elves and appears in Time of Contempt, Baptism of Fire, and Lady of the Lake.

If you are interested in Witcher book content and have questions or just want to chat about them, I made an 18+ discord server here for anyone to join :)

With that, Hi! I’m Aaliyah and this is Part 9 of my WTF series --- a crash course in subjects from The Witcher Books.

Book Spoilers (duh)

Okay, so let me start out by saying Keira has a special place in my heart because she is one of the most ready to fight and crass sorceresses. She is ready to tussle at any given moment and I love that about her. If this was an anime she is the shonen protagonist.

While she’s mentioned in Blood of Elves, we first meet her at the Banquet at Thanedd. Which, if you don’t know a lot about you can read a summary here. 

I’m trying not to just put long quotes in these posts but I have to just show y’all this scene where Marti and Keira are talking to Geralt because it shows so much about her character:

Before the Witcher had regained the power of speech, a short, slim sorceress with long, straight, straw-coloured hair came over to him. He recognised her at once–she was the one in the horned agama skin slippers and the green tulle top, which didn’t even cover a minor detail like the small mole above her left breast.

‘I’m sorry,’ she said, ‘but I have to interrupt your little flirting session, Philippa. Radcliffe and Detmold would like to talk to you for a moment. It’s urgent.’

‘Well, if it’s like that, I’m coming. Bye, Geralt. We’ll continue our flirting later!’

‘Ah,’ said the blonde, sizing him up. ‘Geralt. The Witcher, the man Yennefer lost her head over? I’ve been watching you and wondering who you might be. It was tormenting me terribly.’

‘I know that kind of torment,’ he replied, smiling politely. ‘I’m experiencing it right now.’

‘Do excuse the gaffe. I’m Keira Metz. Oh, caviar!’

‘Be careful. It’s an illusion.’

‘Bloody hell, you’re right!’ said the sorceress, dropping the spoon as though it was the tail of a black scorpion. ‘Who was so barefaced… You? Can you create fourth-level illusions?’

‘I,’ he lied, continuing to smile, ‘am incognito. Do you think Yennefer would bother with an ordinary witcher?’

Keira Metz looked him straight in the eyes and scowled. She was wearing a medallion in the form of an ankh cross; silver and set with zircon.

‘A drop of wine?’ he suggested, trying to break the awkward silence. He was afraid his joke hadn’t been well received.

‘No thank you… O fellow master,’ said Keira icily. ‘I don’t drink. I can’t. I plan to get pregnant tonight.’

‘By whom?’ asked the fake-redheaded friend of Sabrina Glevissig, who was dressed in a transparent, white, georgette blouse, decorated with cleverly positioned details, walking over to them. ‘By whom?’ she repeated, innocently fluttering her long eyelashes.

Keira turned and gave her an up-and-down glare, from her white iguana slippers to her pearl-encrusted tiara.

‘What business is it of yours?’

‘It isn’t. Professional curiosity. Won’t you introduce me to your companion, the famous Geralt of Rivia?’

‘With great reluctance. But I know I won’t be able to fob you off. Geralt, this is Marti Södergren, seductress. Her speciality is aphrodisiacs.’

‘Careful,’ chorused Keira and the Witcher. ‘It’s an illusion.’

‘So it is!’ said Marti Södergren, leaning over and wrinkling her nose, after which she picked up a goblet and looked at the traces of crimson lipstick on it. ‘Ah, Philippa Eilhart. I should have known. Who else would have dared to do something so brazen? That revolting snake. Did you know she spies for Vizimir of Redania?’

‘And is a nymphomaniac?’ risked the Witcher. Marti and Keira snorted in unison.

‘Is that what you were counting on, fawning over her and flirting with her?’ asked the seductress. ‘If so, you ought to know someone’s played a mean trick on you. Philippa lost her taste for men some time ago.’

‘But perhaps you’re really a woman?’ asked Keira Metz, pouting her glistening lips. ‘Perhaps you’re only pretending to be a man, my fellow master of magic? To remain incognito? Do you know, Marti, he confessed a moment ago that he likes to pretend.’

Basically, Keira is a menace and I love her for that. She makes up this entire excuse about why she can’t drink as a reason for her to be sober during the Coup and won’t stop taunting poor Geralt who didn’t ask to be here and just wants to support his goth wife.

During the Coup, Keira is once more an absolutely violent menace.

The light which made the details visible emanated from an orb suspended above Keira Metz’s head–a sorceress with whom Geralt had been chatting at the banquet the previous evening. He barely recognised her; she had exchanged her flowing tulle for severe male clothing, and she had a dagger at her side

‘Handcuff him,’ she ordered curtly. A set of handcuffs made of a bluish metal clinked in her hand.

‘Don’t you dare put those on me!’ yelled Terranova. ‘Don’t you dare, Metz! I am a member of the Chapter!’

‘You were. Now you’re a common traitor. And you will be treated as such.’

‘And you’re a lousy whore, who—’

Keira took a step back, swayed her hips and punched him in the face with all her strength. The sorcerer’s head jerked backwards so hard that for a moment Geralt thought it would be torn from his trunk. Terranova lolled in the arms of the men holding him, blood streaming from his nose and mouth. The sorceress didn’t strike him a second time, though her fist was raised. The Witcher saw the flash of brass knuckles on her fingers. He wasn’t surprised. Keira was very lightly built, and a blow like that couldn’t have been dealt with a bare fist.

She punches Terranova in the face with brass knuckles on. And it gets even more wild. Because later in the coup Geralt runs into Keira again.

‘He managed to get to the foot of the palace wall undetected and had been looking for a way in when Keira had fallen on him, and the two of them tumbled into some blackthorn bushes.

‘I’ve lost a tooth,’ said the sorceress, gloomily, lisping slightly. She was dishevelled, dirty and covere in plaster and soot. There was a large bruise on her cheek. ‘And I think I’ve broken my leg,’ she added, spitting blood. ‘Is that you, Witcher? Did I land on you? How come?’

‘I was wondering the same thing myself.’

‘Terranova threw me out of a window.’

‘Can you stand?’

‘No, I can’t.’

‘I want to get inside. Unnoticed. Which way is it?’

‘Are all witchers,’ said Keira, spitting blood again, groaning, and trying to prop herself up on an elbow, ‘insane? There’s a battle going on in Garstang! It’s kicking off so badly the plaster’s falling off the ceiling! Are you looking for trouble?’

‘No. I’m looking for Yennefer.’

‘Oh!’ said Keira, giving up her struggles and lying on her back. ‘I wish someone would love me like that. Carry me.’

‘Another time, perhaps. I’m in a bit of a hurry.’ ‘Carry me, I said! I’ll show you the way into Garstang. I have to get that son of a bitch Terranova. Well, what are you waiting for? You won’t find the way yourself, and even if you did, those fucking elves would finish you off… I can’t walk, but I’m still capable of casting a few spells. If anyone gets in our way they’ll regret it.’

I cannot stress how wild this series of events is. Geralt is looking for his goth wife. And then Keira FALLS on him from a window, breaks her leg so much so that the bone is sticking out and proceeds to convince Geralt that he has to carry her back to the battle while she shoots off spells. This is a woman who lives for the fight, who will not quit.

And this love of the fight is seen through the rest of the books as well. In Lady of the Lake, when talking about hunting down Vilgefortz, Keira gets quite a bit more crass than most sorceresses often do:

‘Thus, we’ll have a perfect opportunity,’ Keira Metz called in an excited voice, ‘to rescue Ciri and strike at Vilgefortz at the same time. We’ll scorch the ground beneath the rascal’s arse!’

And the visual of this scene also from Lady of the Lake:

Keira Metz appeared standing behind Sabrina’s back, looking like the purest hell with camouflage painted on her face.

Let’s just say if the Lodge has a fistfight, no magic, my money is on Keira.

Then, of course, she ends up joining the Lodge in Baptism of Fire and this is where I want to mention the narrative ties between Keira and Triss. Because they are both the youngest of the sorceresses and they are constantly paired together whether that’s on mission or sitting next to each other or being grouped together. 

Even in Blood of Elves, when Triss is talking about the war while visiting Kaer Morhen, she brings up Keira as her contemporary.

‘That’s why I’m on Foltest of Temeria’s council and sit with Fercart and Keira Metz. We deliberate on how to stop war from breaking out and, should it come to it, how to defend ourselves. Because war is constantly hovering over us like a vulture. For you it’s an adventure.’

Her and Triss both judge Assire, a Nilfgaardian sorceress, together:

‘Bloody hell,’ Keira muttered, wiping her forehead. ‘Haven’t they heard of glamarye or beautifying spells down in Nilfgaard?’

‘Apparently not,’ said Triss out of the corner of her mouth. ‘They don’t seem to have heard of fashion either.’

Rita flat out states they are the youngest:

“Rule me out, rule out Keira and Triss even, the youngest among us.”

As I said, they often sit next to each other:

Opposite Fringilla Vigo sat Triss Merigold in a bright blue, high-necked dress. Next to Triss sat Keira Metz, who remained in the shadows. Her large earrings held faceted citrines that flashed again and again with a thousand twinkles, attracting the eye.

And are assigned missions together:

“No, I have not forgotten. If there is going to be a legend, one must have the proper version and one in our favour. I’ll entrust this task to you, Sabrina. Take Keira and Triss and take care of it. See that no trace is left.”

I am mentioning this because when I made my Coën post back before S2 came out I talked about how Lambert and Coën have this sort of narrative foil vibe where they are both witchers of similar ages but vastly different temperaments and people did not seem to see it. And then S2 came in hot with the Lambert and Coën so I’m just saying don’t be surprised if a similar thing happens here. ((I felt SO vindicated by S2 because no one listened to me when I talked about hose those two have untapped potential and I was RIGHT)

Keira ends up voting against Ciri when the Lodge is voting on whether or not they should let Ciri go after Geralt in the last book --- because she doesn’t think Ciri has any real interest in The Lodge -- and she’s fairly correct, but Keira doesn’t really have any personal connection to Ciri. From Lady of the Lake:

‘I’m against it,’ said Keira Metz. ‘For purely practical reasons. I also like the girl and Geralt delivered me out of the hands of danger on Thanedd. It is a sentiment that I long ago got rid of, but I do not deny that it was pleasant to me. I could repay him this way. But will not. Because you are wrong, Sabrina. This girl is a witcheress and is trying to be smarter than us. In short, she is just trying to get away.’

She’s never as passionate about Ciri as many of the others such as Triss, Philippa, and Rita. Keira really is with The Lodge because she wants to kick some ass and come out on top. 

I think Keira is a very fascinating character because she’s much more crude and excited to get her hands dirty than Northern sorceresses are expected to be. She doesn’t have the extremely high femininity performance of the others but at the same time she stills judges Fringilla and Assire and is still very shallow.

Overall, she’s a really spunky and upbeat character with brass knuckles she is not afraid to use. 

Another post for one of my fav artsist @thence-we-came-forth may all your dreams of Lodge character art come true!!!

[dadralt]

full quotes under the cut!

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[keirametzbrassknuckles]

Anyway, lest we forget, Lambert canonically has knuckle tats that say BABY WOLF

[limerental]

I just said last week that I haven't written much gorey violence for somebody writing in this Fandom for so long and now I have. Amen.

[hanzajesthanza]

yesterday i saw a man in the grocery store who looked almost exactly like regis … except for the fact that he had a soul patch. “new facial hair that regis would not have,” now unlocked.

though, since regis’ facial hair or lack thereof is never described, i don’t really have a very strong argument against it, except “… no”

[cahirdyffryns]

me when people inevitably start writing about Cahir’s sisters and then don’t give them the same names I have

[wilczmin]

hehe new witcher book is in the works, yall.

[essskel]

forcing myself to draw dandelion as a blond literally sobbing choking shaking with fear. he’s a brunette in my heart. in my soul, even

[witch-and-her-witcher]

- Lady of the Lake

The humanity of a little hedgehog man who just wanted warmth and kindness in a long-forgotten memory.

[fandomwarehouse]

Nilfgaard: We bring peace to the North!

The North:

[bamf-jaskier]

For everyone wondering the difference between Jaskier and Dandelion:

Dandelion would say no homo bro and Jaskier would kiss the homies goodnight

[roughentumble]

i just really love when characters are forced to wonder what their obvious deviance from what is considered standard humanity means in relation to their self-evident sentience, i.e. am i a person if i am no longer/never was a human, can "man" as in "mankind" transcend humanity if the being in question shows enough "higher thought", when is something a person

and while i would NEVER claim geralt as a monster, because he patently is not, i think the way he questions his humanity 100% falls into this type of thinking, and i love it, and i think about it, and i love chewing on it, and i love philosopher geralt trying to unwrap the puzzlebox of his own feelings and his own importance and his own autonomy and where he fits in the world

which is why i love slapping horns on him

[definitely-not-iorveth]

a couple days ago, a stream featuring andrzej sapkowski came out, supposedly announcing a new book in the witcher series (see link below).

i've watched it, and personally, considering the context, i would reign in my enthusiasm until some kind of official announcement.

i'm including the notes of what he speaks about, for anyone interested.

the first short story started with the title: a male form of the polish word wiedźma (witch) doesn't exist, so sapkowski came up with one. the idea for the story came afterwards.

the first short story was supposed to be a one-time thing. he never expected to write a continuation.

he didn't do any research for the witcher books beforehand because 1/ it's a fantasy book, so he's allowed some leeway & 2/ he already accumulated a lot of knowledge throughout his life by the time he started writing. some research on things was needed during the process, but not a lot of it.

he did do beforehand research for a different, more historical series he wrote afterwards (trylogia husycka).

he once again stresses that the book series is not based specifically on slavic mythology - that was something made up by journalists. he took inspiration from various mythologies indiscriminately, and the plot was more important to him than using any specific sources.

he doesn't remember how many short stories he wrote for the witcher.

back when he started, there was no point in sending manuscripts to publishing houses, because the publishers were not interested in polish fantasy books, preferring the foreign ones. instead, an aspiring writer's best bet would be to send a short story to fantastyka (means fantasy, but only as a literary genre), a magazine that published fantasy & sci fi short stories. at some point he got tired of publishing short stories though, and he sent his manuscript in (he says he doesn't remember what book that was). it was successful, and it encouraged more authors to do the same.

he regrets writing under his real name and not under a literary pseudonym.

nilfgaard's similarities to ancient rome are accidental, and nilfgaard should not be interpreted as based on it. sapko came up with it as an aggressive fantasy nation that wants to take over the world, with no deeper meaning behind it.

first map created for the witcher was the work of the czech translator, and most subsequent maps were based on it (or, as sapko puts it, stolen.) "why i never created a map? pettiness." all fantasy books of the time had a map, so he decided his wouldn't have. and so it doesn't.

the witcher comics were parowski's idea (a witcher fan & comic book author). sapkowski didn't participate in its creation. he tried to give his input about the drawings at first, but the artist basically told him to go fuck himself.

he has a cat

he used to be a senior sales representative, and it gave him some knowledge about sales, banking, currencies and economy which he was able to work into the plot of his stories

he reads at least 50 books per year. of recent works, he recommends madeline miller's circe, steven king's two new books, v.e. schwab's the invisible life of addie larue, peng shepherd's the cartographers, herve le telier's the anomaly, r.f. kuang's babel, holly black's book of night. he considers the above the literary events and fantasy milestones of the past few years.

his commentary on people who study and analyze the witcher and its themes: "they come up with things i never could have come up with." he claims he never assigned any specific philosophy or meaning to his works, but he's happy to read the works of people who do.

he says he didn't base any of his characters on himself in any way. at the same time, his opinion is that it's difficult to write a character that doesn't retain some of the author's qualities. however, the characters are in their own setting and their own story. in his words, "you don't write books about yourself. you write books about characters that you come up with, and you give them their own qualities. […] who cares who i am? the reader is interested in who the witcher is, or who the other characters are."

when asked why geralt is different than the other witchers (more sensitive, kinder), he responds that it's because he's a made up character that's supposed to be interesting for the reader, so he needs to be distinguishable from others. a book is supposed to be interesting, and creating an interesting character is one of the ways to achieve it.

when asked why the smell of yennefer's perfume is so specific, he just says that he made it up and perfume like that doesn't exist.

witchers, although they use magic, are a completely separate group from the sorcerers in the book. there are no common points between them. witchers are also not a reference to any specific mythological archetypes or characters.

he doesn't like announcing what he's doing, because he changes his mind a lot, and doesn't always finish what he starts.

he does say that he is working on a new witcher book and that it should come out within the next year or a couple. considering the context of his words, however, i would consider it as more of a 'maybe' than an actual announcement.

[kuwdora]

The Witcher Netflix - 3x08 Episode Reaction In season 3 of The Witcher Netflix we got our first look inside the Nilfgaardian Empire. I was taken by surprise because sometimes I think the show isn't subtle with certain things. Sometimes showing without telling. Or telling without showing in a way doesn't offer viewers enough information to understand the impact of a creative choice. The glimpses we got of Nilfgaard are, in my opinion, a subtle bit of worldbuilding that doesn't lose its impact without showing too much or telling too little. In the books Nilfgaard's culture and history, its military strategy--it's all pastiche from different historical empires. That is a hallmark of Sapko's style. I'm sure other people have spoken more definitively about that on tumblr and elsewhere. CDPR absorbed a lot of Roman Empire influences from the books for its own take for Nilfgaard. And now we can see TWN's production is also picking up on that as well and going with Eastern Roman Empire (Byzantine) flavor. So let me share a few screenshots from episode 3x08 that caught my eye. This is a mini-commentary with some thoughts, not a deep analysis. We had this establishing shot of a Nilfgaardian city (which I'm presuming to be the capital). This looks like Constantinople to me.

A modern day photo of Constantinople ruins for comparison:

Next we have Emhyr with several men dressed in what comes off as very Eastern Orthodox-inspired vestments, right down to the monastic headwear (mitre, I think?). I'll leave more the in depth TWN and costume critical takedown to perseruna. But those hats definitely kept screaming Eastern Orthodoxy at me and making me circle back to Eastern Roman Empire.

And finally we have this scene of Francesca and Fringilla in the church. In all of my groupchats everyone was losing their mind about their conversation and heartbreak. But I was losing my mind over the fact that they were a) in a Nilfgaardian church or temple and b) this shot was framed in such a way to show us the statue of an ambiguous church figure in the background. Standing in between Fringilla and Francesca, no less.

I can't help but think this might be a statue of the Nilfgaardian Emperor who, in the books, is implied to be a prophet or important figure in the religious sphere.

"...Recently the main topic of preaching has been of a Saviour who will come from the south. From the south! From beyond the Yaruga!” “The White Flame,” muttered Demavend. “White Chill will come to be, and after it the White Light. And then the world will be reborn through the White Flame and the White Queen… I’ve heard it, too. It’s a travesty of the prophecy of Ithlinne aep Aevenien, the elven seeress. I gave orders to catch one cleric who was going on about it in the Vengerberg market place and the torturer asked him politely and at length how much gold the prophet had received from Emhyr for doing it… But the preacher only prattled on about the White Flame and the White Queen… the same thing, to the very end.” -Blood of Elves

(thank you to @akilah12902 for sourcing this quote for me when I was looking for help!) This just reaffirms my thoughts that Fringilla and Francesca are arguing before a statue of Emhyr. A surprising amount of symbolism for this scene and show. Anyway. This was my main takeaway from 3x08. It was nice to be pleasantly surprised by this.

[hanzajesthanza]

i loveeee being in a fandom where the work of media in question is complete. it's finished. it's done.

we don't have to wait around for the next book or watch as the series gets dragged out and beaten like a dead horse for a neverending amount of cash flow.

the creator had a vision, he stuck to it, he executed it, and now we have "the work"—an established body of canon which we can talk about and discuss, without having to say "unless this gets changed or modified in future installments." there is a set number of short stories, a set number of books. asides from the comments of the author himself said in interviews and opinions remarked upon in essays and other works, there is nothing more we have to be prepared to risk everything on. the story is complete. it has been told. everything we know has already been written down.

i know some, or more likely, most people cannot stand it when there are no new or upcoming additions to the work of a fandom, nothing to "look forward to." but i love it. please don't give me any more, this was more than enough to deal with, i'm still working on this, honestly. rather, what i'm "looking forward to" are interpretations, analysis, and other work from fans from which we can generate—ourselves—ongoing discussions and arguments which will last us forever.

i don't want hype. i want love.

[the-butch-of-blaviken]

Sapko really didn’t have to write that scene far into the future in TotS where the three diggers from the archeologists’ team steal Half a Century of Poetry before anyone has a chance to read it and burn it 🥲🥲🥲 why did he do that 🥲🥲🥲🥲 literally no one was forcing his hand