#sara jackalope’s art

[saradrewitt]

I swear he has the most cunty energy out there

[copiousloverofcopia]

I've been so busy with work I haven't shared yet but....

Here is my incredible commission from the super sweet and talented @sarajackalope!

❤️‍🔥I am so in love with these I have no words!❤️‍🔥

🜏Thank you so much ghestie!!!!!⸸

[penna-nomen]

20 Questions for Fic Writers

thanks for the tag @a-noble-dragon

How many works do you have on ao3?

78

What’s your total ao3 word count?

934,082

What fandoms do you write for?

White Collar, The Good Place, Supernatural, Discworld, Doctor Who, Leverage, Psych, Murderbot Diaries, Jane Austen novels, and more

Top five fics by kudos:

1 Caffrey Conversation

2 Choirboy Caffrey

3 By the Book

4 Bouquet

5 Caffrey Envoy

Do you respond to comments?

I try to. I think I keep up on AO3, but the email issues on FF have been a trial.

What is the fic you wrote with the angstiest ending?

Oh, that's tough. I don't tend to end with angst. I'd say probably:

The Late Ambassador Spock

Do you get hate on fics?

There have been a few negative comments, but I don't recall any that were outright hate

Do you write smut?

Nope

Wildest crossover:

There have been some interesting combinations when I've written crossovers for exchanges. One that jumps to mind is:

Universal Truths of Time Travel - A Doctor Who and Pride & Prejudice crossover

Have you ever had a fic stolen?

No, I don't think so

Have you ever had a fic translated?

Maybe? Someone reached out to ask permission and I agreed but they never got back to me with a link

Have you ever cowritten a fic before?

Sort of? I wrote an epilogue to one of Silbrith's stories:

Dawn of the Jackalopes

All time favorite ship?

Oh, that's tough. In terms of writing, my favorite romantic ship has been Neal Caffrey & Sara Ellis of White Collar, and my favorite friendship has been Neal & Peter. In terms of being the audience, I adore Murderbot and its friends, especially Murderbot and ART.

What’s a wip you want to finish but doubt you ever will?

Once I started outlining something I called Operation Athena, which was a retelling of one of my Caffrey Conversation stories from the POV of the women. It sounds fun, but I don't know when I'd find the time to write it.

What are your writing strengths?

Why do I go blank on this type of question? I remember getting positive comments about the way the plot threads intertwine and reappear in the Caffrey Conversation series, so let's go with that

What are your writing weaknesses?

At the moment, it's staying focused long enough to make progress.

Thoughts on dialogue in another language?

Once in a fandom charity auction I won the services of someone who speaks French, and that resulted in lines in French in By the Book. Otherwise I'm always too worried about making mistakes.

First fandom you wrote in?

The first one I wrote down was a birthday present for a friend based on the musical Annie. The first I published was in White Collar.

Favorite fic you’ve written?

Oh, how do I chose? Caffrey Conversation is dear to my heart as the first one I published.

Open tag to my fic writing friends! I'd love to see your answers

[ajcabalu]

The organizers of Jackalope Arts (Sara et. al) put on a good show in multiple cities across this fair land. I participated at theirs in conjunction with the Downtown Burbank Arts Festival, 2023 installment, paying homage to what perhaps is my favorite film, parts of which Zemeckis coincidentally shot on the streets of Burbank, I learned from one of the aunties in the pictures above.

Just imagine a Delorean behind the pose-folks and the image is complete! Who did it best? Thanks again goes to Lele S. for coming to help. Most proud of those letters, DANG!

[gammija]

Okay, i got it out of my system. now back to tma

[lucindarobinsonvevo]

This week, a record made and released by close collaborators Eerie, Indiana and Heart on a Chain received a re-release with a deluxe edition to celebrate its 20th birthday 

Though the front cover of Marshall’s Theory of Believably, the joint album by bands Eerie, Indiana and Heart on a Chain names only those two bands, the project was a collaboration between all the members of the Indiana seven. The Indiana Seven were a close group of collaborators who had a close working relationship in the 90s, creating iconic tracks and albums. The cover, which depicts a lone man in a ghost costume was shot by Sara Sue, an artist/photographer who shot most of the Eerie, Indiana’s album covers, and a track labeled ‘we gave this track to Tod’ features the enigmatic artist known as Tod, who also helped on the band’s delayed record Broken Record. The album art is different from the works of both bands, with Eerie, Indiana frequently having a sort of DIY feel to their photoshoots and Heart on a Chain tending to the more abstract kind. These particular photos (remastered for the deluxe edition) depict various band members in the dessert wearing a sheet over their heads with large black eye holes. The cover is Holmes, peering from behind a large unlit bonfire at the viewer. The title is written in the handwriting of Janet Donner, who also features as the figure on the CD itself. Teller features on the back of the album, and the back page of the liner notes, waving goodbye. Inside the liner, there are images of X, with Monroe being absent, apparently due to having a broken leg at the time of the shoot following an incident at a waterpark.

The album features twelve tracks, with many of them focusing on the idea of cryptids and other mysterious entities to make up the metaphors of the song. On the idea for the Album, Donner said: We wanted to talk about love as we knew it. This broad, mysterious concept that so many people in their twenties make love out to be.” On what she thinks of love now, Donner then remarked: Love is being glad the world hasn’t ended yet. I’ll leave you to make of that what you will. On the album, both X and Teller have cited the other as an inspiration behind the tracks, which will not come as a surprise to anyone who frequently listens to Eerie, Indiana as the pairs sometimes tumultuous relationship is often at the center of the most controversial and interesting projects done by the band. But this album is, more than anything else, a happy one. 

The first single released from this album was the track ‘Sometimes I Almost Miss You’ in the one-two punch style of Eerie, Indiana the track is titled like a break-up but is a love song. Over an energetic guitar track and drum machine, Monroe sings about the heart transplant she’d had some years before and how she believes that she can still feel the donor even though he’s (according to the lyrics) long gone and sweetly resting. The track is careful to avoid any religious implications, instead suggesting that the donor (who has since been identified as Devon Wilde) instead rests inside her chest. With X on the guitar and Holmes on the drum machine and (of all things) the triangle, Teller is free to singe verses from the perspective of the heart donor, viewing the world from inside Monroe’s chest while Donner provides very beautiful backing harmonies. The overall mood of the track is one of quiet love and happiness, as well as gratefulness to the young boy who gave her the second chance. Those familiar with the work of Heart on a Chain know that the transplant features heavily in their songs and it’s no surprise to see it here. 

The second track released in the work was ‘Me and My Jackalope’ and fueled rumors about a relationship between Teller and his bandmate, Dash X. At the time, both were closeted at the request of the label to avoid scandal. “Being in the closest literally almost killed me.” Teller would reflect later, interviewing for a project he did, releasing tracks for an LGBT themed album in the 2000s.”The funny thing is, I don’t think anyone who listened to us gave a damn. We’d go on stage, and we used to stand so close our knuckles were almost touching getting up in each other’s face and people would just go crazy.” Me and My Jackalope is, as you may have guessed, a song about impossible love. A love that the singer, in this case, mostly Teller, keeps hidden under his bed, only bringing it out to play when he’s alone. It’s a slow, sad track with Teller crooning to his animal “If they saw you, then they’d send you away.” Both Holmes and Monroe are credited as writers on the track, with the usual Eerie, Indiana flavor of complicated guitar playing set aside in favor of Donner and a violin and Holmes playing an assortment of other instruments. 

The third and final promotional single was meant to be Skylines, which lyrics from are also featured on the inside booklet of the album however at the last minute it was swapped out to the Meatloaf cover in the center of the album, Midnight at the Lost and Found due to ‘label meddling’ after it was decided they needed another upbeat track after Me and my Jackalope. The track is nothing special, a seemingly typical Eerie, Indiana cover. Eerie, Indiana frequently covered Meatloaf and Jim Stienman tracks, hoping to work with one or the other someday. Sadly, this collaboration never came to be. But it’s a fun song, much like the original version from the 1983 album by Meatloaf. Somewhat of a deep cut by today’s standards, but it’s fun. Which I think was probably the mission statement of this album if Dash X is to be believed (Yes, that’s his stage name, no I do not know his real name). ‘We were a bunch of 20 something friends given a studio and a year or two to do whatever we wanted. So we did whatever we wanted, which was being weird.’ 

Skylines and it’s reprise is a group effort, with every member of the group joining in with the writing process to produce something that could have gone astray but managed to come together into something coherent. Skylines covers the re-treaded ground of many bands, it’s a song set about missing people while on tour. Set against New York’s bright, iconic skyline the track is mostly led by Donner as she wonders what her lover is doing right now. Her lover, played by Teller wonders about if his lover will stay in New York, swept up by the bright skylines, and pleading for them to simply be theirs. The track has backing vocals from all of the members involved, including Holmes who mostly shies away from singing parts. ‘It’s not that I don’t love to sing.” He explains, “I’m just not very good at it. Marshall was always the singer, I’m much happier playing the drums, or a cello or something.” 

The final track on the album, clocking in at nine minutes, is Cryptids (I Still Believe in You and Me). This track shows off the impressive guitar skills of Teller and X, this time paired with the violin playing from Donner who shows she can keep up with the boys by playing speedy, intense sections with precision. This Dash X penned track also has extensive work by Holmes on the drums and a solo from a very jazz saxophone in the third act. Ultimately, the song doesn’t quite come together, feeling disjointed and a little over-complicated. But...Maybe that’s how it’s meant to feel. Dash was never brought into Eerie, Indiana as a writer, he was brought on to foil with Marshall on stage and because he was the only person the label could find that could play the punishingly difficult riffs Teller produces. On his Instagram speaking about pride X has suggested that a lot of his music was changed during production because it was too overtly about men, while Donner and Teller both proficiently changed pronouns in there songs, or stuck to calling their love interests you. 

The album has three tracks that feel like filler, the intermission track which is not unusual on the cinematic, large scale Eerie, Indiana albums, a seemingly ‘story’ track called ‘Lost in Time’ which is a piece of Holmes poetry performed by Donner and an odd little track called ‘We Gave This One To Tod’ While the enigmatic Tod was often credited on Eerie, Indiana albums and opened for them at live shows he never quite reached the level of recognition his peers did. However, seeing the bizarre and experimental nature of his work, and his goth and punk leanings I think it’s safe to assume he was happier underground than his friends were blinded by the lights of showbiz. This piece features heavy synths and a drum machine. It doesn’t hit for me, but perhaps for a fan of Tod, it could be a holy grail. 

On this version of the album, known as the deluxe edition, we’re given three additional tracks. A demo version of Elvis and the Mothman, which is lyrically the same slowed all the way down with the shouting chorus replaced with a mouth against the mic crooner style. The released, upbeat anthem style track is a far better fit for the album. Baba Yaga in Heels is a Heart on a Chain only track, perhaps why it was discarded. It features a techno style dance beat, with the lyrics being about a night out with Baba Yaga, a Banshee, and a harpy. Ultimately, the lyrics are not that impactful but they don’t need to be. The final listed track is a cover of Meatloaf’s Bat out of Hell, which lyrically and sonically is almost identical to the original. 

Overall, what Marshall’s theory of Believability tries to do is ambitious. It’s an album between two experiential groups of friends trying to make something that they enjoy. But it’s not the best work of either group, which is a shame because it could have been something very special if they were given a little more time to work out some of the kinks and if they pruned some of the tracks that are superfluous to the story of the album. I’m happy to have a copy in my collection, but honestly, I’d rather listen to something the group produced independently anyway. 

[longlistshort]

Tierra Whack- Unemployed

Things to do in Los Angeles this weekend (11/14-11/17-19)-

Thursday

Ronald Rael, the Chair of the Department of Architecture at UC Berkeley, will engage in a presentation and discussion about art making at the US_Mexico border with W|ALLS featured photographer, designer, craftsperson, and founder of Art Made Between Opposite Sides (AMBOS) Tanya Aguiñiga at Annenberg Space for Photography. (free but register)

Artist Vishal Jugdeo will be discussing his work at The Hammer

Maxo Kream is performing at the Echoplex with Q Da Fool and Slayter

The KVB, Numb.er, and Houses of Heaven are playing at The Echo

Filmforum at MOCA (Grand Avenue location) is showing All That You Can’t Leave Behind, a program of films both personal and political featuring new works by Essi, Ja’Tovia Gary, Darol Olu Kae, Rhea Storr, Sara Suarez, and ariella tai. Filmmakers Suarez and Kae will be in-person to discuss their work.

Polo & Pan are performing at The Novo

Twin Peaks, Post Animal, and Ohmme are playing at the Teragram Ballroom

Friday

Sylvan Esso are performing WITH at the Walt Disney Concert Hall with Hand Habits opening (also Thursday)

Constitutional Happy Hour returns to The Hammer with Loyola Law School professor Jessica Levinson discusses impeachment—Article II. (free)

Metro Art is having a free screening of Richard Linklater’s animated film Waking Life

Frankie Cosmos is playing at 1720 with Stephen Steinbrink, Dear Nora, and Lomelda

James Supercave is playing at Civic Center Studios with “surreal dance act” CAPYAC

Hovvdy are playing at Moroccan Lounge with Nick Dorian and Carolyn Says

Friday and Saturday

Adult Swim Festival 2019 is taking place at Banc of America Stadium in DTLA. On Friday performers include Dethklok, Captain Murphy, Leikeli47, Health, and more. On Saturday Vince Staples, Jamie XX, 2 Chainz, Tierra Whack, clipping., Freddie Gibbs & Madlib, and more will perform, along with a live version of The Eric Andre Show. There will also be screenings, games and attractions, and more.

Spaceland and Other Music are hosting The Get Together 2019 Label Fair and Music Festival at The Geffen Contemporary at MOCA. On Friday Joe Kay, Marco McKennis, and Full Crate are performing. On Saturday is the Record Label Fair and performances by Anna Wise, William Basinski, and more. In the evening, Lee Fields will be perform backed by El Michels Affair, as well as Bobby Oroza, Brainstory and Holy Hive.

Saturday

Artists Gilbert & George will be in conversation with critic Jonathan Griffin at Sprüth Magers (free but RSVP)

GRMLN are playing at The Smell with Foliage

Jidenna is performing at the Belasco Theater

Artists Constance Mallinson and Jeffrey Vallance will be discussing collecting, curating and making art at Edward Cella Art & Architiecture

For the 7th year, Gabba Gallery is having its affordable art show Wishlist and tonight is the opening

Jonathan Bree is playing at Lodge Room with Ryder the Eagle and Nico Turner

Mating Ritual are playing at the Teragram Ballroom with Superet and Low Hum

Saturday and Sunday

Bridge-s, is a performance series at The Getty curated by Solange Knowles and features a new performance by Gerard & Kelly, with a special musical score by Solange featuring Cooper-Moore, brought to life by a group of dancers and musicians across Getty’s iconic architecture. The performance piece takes place all day around the center and also includes film screenings and an artist talk with British-Ghanaian philosopher Kodwo Eshun.(free)

Jackalope Indie Artisan Fair returns for two days to Pasadena’s Central Park

Sunday

From 12:30- 2:20pm LACMA is offering a free taste of the Japanese Nebuta Festival with a large paper lantern float depicting Japanese folk hero Kintoki by Nebuta Master Hiroo Takenami on display and a series of short performances by taiko drummers, flute and hand cymbal players, and dancers taking place in front of the float.

LAXART is hosting a performance of the in progress, debut play Lives of the Performers, by critic and writer Hilton Als. Free, first come first served. (also on Monday)

The Annual Tree Lighting celebration with performances and fireworks is happening at The Grove

Ghostland Observatory are playing at The Regent Theater with MUNYA

The Ocean Blue are playing at the Echoplex

[foryourart]

Image courtesy of LACE (Los Angeles Contemporary Exhibitions).

Thursday, November 16

Walt Disney Imagineering Day, CalArts (Valencia), 3:30–7:30pm.

Historia Plantarum, The Huntington (San Marino), 4:30–6pm.

Natuzzi Italia: The Harmony Chain, Palm Springs Art Museum (Palm Springs), 5pm.

Art Workshop with Narsiso Martinez, Long Beach Museum of Art (Long Beach), 5–7:30pm.

Luchita Hurtado: Figures and Icons, Annenberg Community Beach House (Santa Monica), 6–8pm.

Artist and scholar walkthroughs: Marisela Norte, Hammer Museum (Westwood), 6pm.

Select Photographers, The Perfect Exposure Gallery (Mid-Wilshire), 6–9pm.

BORDERS and NEIGHBORS: Craft Connectivity Between the U.S. and Mexico, Biscailuz Gallery at El Pueblo Historical Monument (Downtown), 6–9pm; talk, 7pm.

The Provocateurs: A Master Series, California African American Museum (Downtown), 6–7pm.

Fantasies and Fallacies, Consulate General of Mexico in Los Angeles (MacArthur Park), 6pm.

MCASB Presents: Third Thursday Studio: Colors | Mixing in Action, Museum of Contemporary Art Santa Barbara (Santa Barbara), 6pm.

Tria Giovan: The Cuba Archive: Photography from the 1990s, Annenberg Space for Photography (Century City), 6:30pm.

Folklore, SADE LA (Lincoln Heights), 7–11pm.

BEN SAKOGUCHI: BOMBS, POTTS (Alhambra), 7–9pm.

Paul Brach Lecture Series: Young Joon Kwak, CalArts (Valencia), 7pm.

Film Night: The Pearl, Laguna Art Museum (Laguna Beach), 7pm.

ARTISTS IN CONVERSATION: Featuring Ken Gonzales-Day, Skirball Cultural Center (Brentwood), 7:30pm.

Cold War/Cold World Book Launch, LACE (Los Angeles Contemporary Exhibitions) (Hollywood), 7:30pm.

Altius String Quartet, Santa Barbara Museum of Art (Santa Barbara), 7:30pm. $20–25.

ARRAY @ The Broad: Daughters of the Dust, The Broad (Downtown), 8pm.

ROOTS LIKE SNAKES BRING PRAYERS TO LAKES, AWHRHWAR (Highland Park), 8–10pm.

Friday, November 17

School of Music Visiting Artist Series: Richard Barrett and Milana Zaric, CalArts (Valencia), 11am–1pm.

STORY TIME AT THE FOWLER, Fowler Museum (Westwood), 11:30am–12:30pm.

Chase Hall: Saturday-Mornings, Depart Foundation (West Hollywood), 6–9pm.

Course: One-Day Workshop: Bon Vivant Studio, LACMA (Miracle Mile), 6pm.

Johan Miranda - Alienated, The Loft at Liz's (Mid-City), 7–9pm.

CRAZY4CULT, G1988 (Fairfax), 7–10pm.

It was quite a fiction, Human Resources (Chinatown), 7–10pm.

Ian Swanson: More than ever, wholesome pleasure, As It Stands (Lincoln Heights), 7–10pm.  

TINY TREASURES XII, Cactus Gallery (Glassell Park), 6–9pm.

LATIN RHYTHMS: SAMBA DANCE CLASS, Museum of Latin American Art (Long Beach), 7–9pm.

Villa Theater Lab: The Suppliant Women, Getty Villa (Pacific Palisades), 7:30pm. Through November 19.

WHAP! Lecture Series: The Cold World and the Collective Subject, CalArts (Valencia), 7:30pm.

Refuse the Hour: William Kentridge, CAP UCLA (Westwood), 8pm. Also November 18.

BUTTNEKKID, MuzeuMM (West Adams), 8–11pm.

Opening Party for Tattoo Exhibition, Natural History Museum (Downtown), 8pm–12am.

Vadya Vrmda, CalArts (Valencia), 8–9:30pm.

EXO//ENDO performs Ulrich Krieger: Black Sun Rebirth and Braden Diotte: General Manifest, REDCAT (Downtown), 8:30pm. $12–20.

LAXART FALL BENEFIT party 2017, Union (West Adams), 9pm. $15.

Saturday, November 18

Inside the Robot: Reconsidering Cybernetics after Juan Downey, Pitzer College (Claremont), 9:30am–3pm.

Collection/s: WCCW/five at The Huntington, The Huntington (San Marino), 10am–5pm.

Jackalope Arts, Central Park (Pasadena), 10am–4pm. Continues November 19.

Symposium on Mike Kelley's Kandors, REDCAT (Downtown), 10:30am–4pm.

Fall Yoga Series, Women’s Center for Creative Work (Frogtown), 10:30am–11:30am. $12–15.

Francisco Toledo, Latin American Masters (Santa Monica), 11am–6pm. 

Resistance, Delay, Accumulation, and Mobilization with Luis Lara Malvacías, Pieter (Lincoln Heights), 12–3pm. Continues November 19. $30–50.

ECF Annual Art Sale + Open Studios, ECF Art Studios (San Pedro, South L.A., Downtown, and Inglewood), 12–4pm.

The Eleven Commandments Of Typography, Women’s Center for Creative Work (Frogtown), 12:30–3pm. $24–30.

Holiday Trunk Show with Mara Abboud, Santa Barbara Museum of Art (Santa Barbara), 1–4pm.

FRANK ROMERO IN LIVING COLOR, Tobey C. Moss Gallery (Fairfax), 2–4pm. RSVP to tobeymoss@earthlink.net.

Talk: Symposium—Ancient Maya Figurines: Ritual, Royalty, and Regular Folk, LACMA (Miracle Mile), 2pm.

Artist talk: Sandy Rodriguez, The Loft at Liz’s (Mid-City), 2pm. Also November 25.

Performance: Phyllis Green: Life After Life After Life, Chimento Contemporary (Downtown), 2–4pm.

Jacqueline Kiyomi Gordon: Not Exactly B-Flat, 356 Mission (Downtown), 2–5pm.

Family ArtLAB: Tu Arte/My Art, Museum of Contemporary Art San Diego (San Diego), 2–4pm.  

Preserving Pico: A Workshop on the Preservation of Photographs, The Pico Branch Library in Virginia Avenue Park (Pico), 2–5pm.

PASSION AND PRESENCE, MEMENTO AND MYTH, KELLOGG UNIVERSITY ART GALLERY, CAL POLY POMONA (Pomona), 2–5pm; artist talk, 3:30pm.

Artist talk: Don Adler: Birth/Rebirth, Carol Kleinman: Reflections, Shelley Lazarus: Nouns, TAG Gallery (Santa Monica), 3pm.

Revolution and Ritual: The Photographs of Sara Castrejón, Graciela Iturbide and Tatiana Parcero Latin Dance Performance, Williamson Gallery, Scripps College (Claremont), 3:30pm.

A Reading of Poems from John Binder’s Before First Light, Beyond Baroque (Venice), 4pm.

Generation Art, 2017, Porch Gallery (Ojai), 4–6pm.

Analia Saban: Where We Start From, Gemini G.E.L. (West Hollywood), 4–7pm.

Course: One-Day Workshop: Bon Vivant Studio, LACMA (Miracle Mile), 4pm.

Beginner’s Guide To MailChimp, Women’s Center for Creative Work (Frogtown), 4–7pm. $16–20.

Shana Lutker: a.k.a. Public Opinion and Harmony Hammond: Recent Paintings, Susanne Vielmetter Los Angeles Projects (Culver City), 5–7pm.

Auctions, SANTA MONICA AUCTIONS (Santa Monica), 6pm. Continues November 19.

Closing Party: On Edge, Arena 1 Gallery (Santa Monica), 6–9pm.

Anastasia Douka and Shana Hoehn: It would go, Klowden Mann (Culver City), 6–8pm.

Tomoharu Murakami, Kayne Griffin Corcoran (Mid-City), 6–8pm.

Carla Issue 10 Launch Party, the Landing (Mid-City), 6–9pm.

Ramiken Crucible Presents Nolan Hendrickson, VENUS (Downtown), 6–8pm.

Austyn Weiner: Here’s Your Fucking Flower, Ibid (Downtown), 6–8pm.

George Egerton-Warburton: English, Chateau Shatto (Downtown), 6–9pm.

Henry Flynt: Thinky Art & Fantasy 1987 - 2017, The Box (Downtown), 6–9pm; performance, 8pm.

They Think They Think, Jace Space (Downtown), 6–10pm.

ONE YEAR: the art of politics in LA, Brand Library & Art Center (Glendale), 6–9pm.

The 15th Annual Opening Night Benefit Concert An Evening with Matthew Morrison, Palm Springs Art Museum (Palm Springs), 6pm.

Opening Celebration: Cold War Spaces, The Russians, and Vessel of Change, Wende Museum (Culver City), 7–11pm. $100–275.

Son of Mr. Green Genes, Fabien Castanier Gallery (Culver City, 7–11pm.

Torey Thornton: When you look in eyes you can only look into one at a time, unless you’re further away and aligned perfectly with mirrored feature spacing, Moran Bondaroff (West Hollywood), 7–9pm.

Wishlist 5, Gabba Gallery (Koreatown), 7–11pm. 

Cornerstone Theater Company Presents Magic Fruit, The Shakespeare Center of Los Angeles (Downtown), 8pm. $20 suggested.

PST: LA/LA Regional Weekend, various locations (Inland Cities), various times. Through November 19.  

Sunday, November 19

Painted in Mexico, 1700–1790: Pinxit Mexici, LACMA (Miracle Mile), 10am–7pm. 

Holy Trinity Area Tour, Angels Gate Cultural Center (San Pedro), 10am.

ANNUAL FOWLER TEXTILE COUNCIL SALE, Fowler Museum (Westwood), 11am–3pm.

Babe, Hammer Museum (Westwood), 11am.

Community open house, Wende Museum (Culver City), 11am–5pm.

Family Artmaking Workshop, Long Beach Museum of Art (Long Beach), 11am–3pm.

Symposium and Opening Reception, American Jewish University (Bel-Air), symposium, 12–3pm; reception, 3–5pm.

Gift of Art Exhibition & Sale, FM Fine Art Gallery (Hollywood), 12–4pm.

KIDS IN THE COURTYARD: PRINTING WITH PLANTS, Fowler Museum (Westwood), 1–4pm.

Stand in Solidarity with Leonard Peltier, Main Museum (Downtown), 1–4pm.

Family Art Studio, Laguna Art Museum (Laguna Beach), 2–4pm.

In Conversation: Charles Ray & Anthony Miserendino, Moskowitz Bayse (Hollywood), 2pm.

6 Flags BBQ: Rubén Ortiz-Torres and Reología: Javier Fresneda, DXIX Projects (Venice), 3–6pm.

Simon Doonan on Mundo Meza, West Hollywood Council Chambers (West Hollywood), 3pm.

Orgasmic Yoga: Dr. Victoria Reuveni, Pieter (Lincoln Heights), 7–10pm.

Barmey Ung/Sean Renner, CalArts (Valencia), 8–10pm.

Monday, November 20

High Desert Test Kitchen November ingredient: acorn, Copper Mountain Mesa Community Center (Joshua Tree), 7pm.

Diego Rísquez’ American Trilogy: Amérika, Terra Incógnita, REDCAT (Downtown), 8:30pm.

Tuesday, November 21

Caravaggio: Masterpieces from the Galleria Borghese, Getty Center (Brentwood), 10am–5:30pm.

Film: Mexican Spitfire, LACMA (Miracle Mile), 1pm.

Lecture - The Ecology of Eternity in a Song-Dynasty Buddhist Monastery, The Huntington (San Marino), 7:30pm.

Wednesday, November 22

Soundbath With Chakra Crystal Singing Bowls Series, Women’s Center for Creative Work (Frogtown), 7:30–8:30pm. $16–20.

[saradrewitt]

I don’t think I’ll finish this but I’ll post it anyway. Here’s Cardinal Copia because I miss him.

Please come home Cardi

[saradrewitt]

I never draw Peemo so have a Peemo 😊

[saradrewitt]

Here’s some papas

[saradrewitt]

So I found out that Terzo was a cardinal before becoming Papa

[saradrewitt]

I swear to god he comes off as a guy who likes pink stuff | Papa IV getting ready for a ritual💖

[saradrewitt]

These are very old Cardinal Copia sketches but I’ve never shared them. Also this was from a mini comic with my sister of sin oc at the time and just never finished it so enjoy these little doodles!

Ft. My annoying ass watermark

[saradrewitt]

It’s Copia day everyday, have some Copia sketches

[saradrewitt]

Papa Secondo🖤💚💛🧡

•

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I’ve never done a art piece with the selected color pallets so I wanted to try it out. It was hard but I think I pulled through! Here’s the color palette!