#seasons change people don't etc

[vivitalks]

not to be like "dreams do come true" on the Jaded Cynics Dot Com website but when i look back at tag/ask games i answered from my high school days every question of "dream trip/vacation" is always "new york city" and. fuckin here i am less than a year out of college living and working in new york city. so like. dreams do come true

[atdawn]

up late crying my eyes out over bbc merlin what else is new

[dirt-goth]

Not sure what I expected but I'll keep it real it was not MakeDamnSure as my most played song this year

[xcziel]

.

[alltimefail]

ATTENTION DEAD BOYS FANDOM:

We have some unfinished business and a case to solve: The Case of the Curious Cancellation! 💀🔎

Here are the ways you can help (be sure to read until the end).

I'm not sure how many people here on Tumblr are also over on DBDA Twitter, but there have been MANY developments in the last 24 hours and it's important for all of us to be on the same page if we're going to have a chance in hell of saving our show.

First and foremost, we need to get Dead Boy Detectives in the Netflix Top 10 again. This means running it as much as possible. Read about that below:

(SOURCE x)

As the graphic says, the goal is to have it running on a loop constantly, as much as you physically can. Be sure to have some level of volume on or else it won't count. If you're on Twitter be sure to post your rewatch (photos of your tv, commentary, etc.) with the hashtag #ReviveDeadBoyDetectives !!!

Also, there's no better time to do this: the Tweet below brings up a great point! 👍

(SOURCE x)

Second, and easiest thing: KEEP TALKING ABOUT THE SHOW AND CREATING CONTENT ABOUT THE SHOW. Analysis, fics, fanart, shitposts, gif sets, memes, tik tok videos, so on - do not stop! Reblog other people's stuff and talk about it! Give fics kudos, comment, make fic rec lists and post that WIP or sketch! The most important thing to remember is to TAG YOUR POSTS AND CREATIONS. We need to trend!!! On Tumblr make sure you continue tagging your posts as you probably already are (look at my tags on this post if you need help, and remember not to use "DBD" on here because that is another fandom! We use DBDA here). On Twitter you want to use the hashtag #ReviveDeadBoyDetectives for the rewatch and #SaveDeadBoyDetectives is a popular one, too. You can also use #DeadBoyDetectives. Hell, I usually use all three if I can! Hashtag every post you make about Dead Boys, no matter how annoying or "cringe" you may feel. Flood the fucking tag and do not stop.

Third, everyone needs to sign and keep circulating the petition. We've surpassed 5,000 signatures in a day which is fantastic, but we need more. Get everyone you know to sign it; tell them it takes no more than 15 seconds. Be annoying until they do it just to shut you up.

Fourth, request "Dead Boy Detectives Season 2" through Netflix's support website. It's a small thing but if we all do this a couple times a day it will get their attention. They really do vet these suggestions, and an influx of requests for a canceled show will raise eyebrows.

Lastly, if you decide to write Netflix (via email or a letter - their office address has been floating around) please remember to stay concise and professional. Don't curse at them, don't call names. State that you are disappointed with the cancellation of the show, maybe add an anecdote about what it meant to you, and I would even recommend attaching some articles that emphasize people's displeasure with the platform abandoning shows on a whim and Netflix's flippant attitude toward queer shows in particular. Dead Boy Detective Agency on Twitter has retweeted every article on this topic so far, you can find their page here.

You can also use graphics such as the ones below to affirm that the cancellation was unjust.

(Source 1, Source 2)

I know this feels like a lot: know your limits and take care of yourself. Whether you do every single one of these things or just a few of these things, every llittle bit helps!

Even in the worst case scenario where nothing changes, this gesture will mean so much to everyone who made this show. We owe it to the writers, cast, crew, and each other to TRY. We can all agree that this show deserves at least another season and if Netflix isn't going to do it, they need to be open to selling it to someone who will. We cannot keep allowing them to axe these queer and diverse shows with little regard for their customers and their employees, but also because it sets a harmful standard in the industry that is destroying television.

Let's crack this case and bring our agency back! I truly believe in this community!! 💜 We can do this!!

If there are any spelling errors or issues with links let me know! I did this on mobile because I want to mobilize this information as quickly as possible! I'll be adding on to this with new developments and can answer any questions you all might have. Lets save our show!

[themultifanshipper]

Who knew practicing your makeup skills on Lando and Oscar would lead to this.

Vaguely based on the time I did my ex's makeup and we got unbearably horny because of it

Warnings: filth, absolute filth, smut, threesome, spit, PinV sex, PinA sex, double penetration, the inherent eroticism of doing someone's makeup, the inherent eroticism of landoscar in the same room, Landoscar being kinky little fuckers. I'd say pwp but tbh the plot is like 3 sentences.

You'd spent two years being a makeup artist on the formula 1 media team. Which was great, it payed well, you'd made some great friends, you traveled all over the place. It was a lot of people's dream job, really.

But you had to admit you were getting bored of covering zits and five o’clock shadows all the time (and hickeys but shhhhhh) and you were hoping for a bit of a change of routine.

That change came in the form of an offer to become the official f1 Academy makeup artist.

Sure it wasn't exactly Cirque du Soleil but at least you'd get to do a bit more than just pandering to male egos.

So before the end of the season, you thought you'd get a bit of practice in by doing some of your friends makeup.

The problem was the only friends you had access to while traveling were formula one drivers, or in other words, men.

So you roped your two best friends in the paddock Lando and Oscar into letting you do their makeup one afternoon, in the comfort of their motorhome bathroom, where the lighting was best, and the presence of a sink was convenient.

You grabbed a chair from the other room, which happened to be quite large, so it took up most of the space in the bathroom.

You did Oscar's eyes first, that way you could alternate between the two so they wouldn't have to stay still for too long.

You instructed Oscar to close his eyes, then you stepped closer, shaking the tube to get the liquid flowing.

Having Oscar under you, so pliant and at your mercy with his eyes closed sent a shiver up your spine and you hesitated for a second, you mind conjuring up other scenarios where you two could be in this position. Then you quickly came to your senses and eagerly applied the black liquid in a sharp wing.

The angle was a bit weird but you got through it, and when he opened his eyes to look at you, your breath caught in your throat. He was beautiful. Not in a particularly feminine way but it really fucking suited him, it made his deep brown eyes stand out. You were almost jealous.

Then it was Lando's turn. They swapped places, Lando settling on the chair while Oscar sat on the floor.

You uncapped the lid and went to start Lando's liner, but the angle was even worse due to their slight height difference.

You huffed. “Hang on I need to get closer, this is killing my wrist.” You thought for a second. “Can I sit on your lap? I promise it'll be quick”

Lando’s eyes widened a fraction but he nodded and you straddled his thighs, your legs on either side of his.

Plot twist, it was not quick. He couldn't keep still long enough and you kept having to stop to let him scratch his nose, beard, neck, etc…

You got a bit frustrated at his fidgeting so you grabbed his jaw, perhaps a bit harder than intended, and held him in place.

“Stop moving!” you ordered, and he became weirdly stock still suddenly.

In your concentration you didn't notice how close your face had gotten to his, and how his pupils dilated more and more, the closer you got.

You shifted on his lap as you tried to get the right angle to do the last part, but you must have hurt him because he gasped and scrunched his eyebrows together as his hands flew to your hips to stop you from moving.

“Shit, you ok? Did I hurt you?”

“Nope, no it's fine just…” he exhaled shakily “just don't move around too much” he gulped as he avoided eye contact. His breathing had picked up a bit and you didn't want to make him any more uncomfortable so you hurried the rest. But you had to admit, sitting on Lando's lap with his hands squeezing your hips was making you hot, and slightly dizzy.

Oscar was looking curiously at the interaction from the floor, eyes darting from your faces only a few inches apart, to where Lando’s leg was starting to twitch, to his hands on the meat of your hips, to the way your fingers were digging into his jaw to keep him still.

You managed to finish quickly, and as you got off him you noticed the mirror was starting to steam up a little bit. What you didn't see was the way Lando adjusted his pants before getting up to let Oscar have his turn.

“Holy shit, mate. It looks really good on you” Oscar was almost in awe as he got up, now slightly higher than eye level with Lando.

The two of them sort of stood there looking at each other’s eyes with an intensity you'd never seen in them before, then seemingly remembered where they were before clearing their throats and shuffling around awkwardly to switch places.

"You wanna..."

"Yeah, thanks"

You took the lipstick out of your bag, applying a bit to a brush before grabbing Oscar's jaw the same way you had Lando’s, and tilting his face upwards. His hand naturally came to rest on your waist as you sat down on him, you didn't mind. He swallowed and the movement of his adam's apple caught your eye.

“You okay?” you whispered, looking into his eyes from above.

“Yeah” he replied, the deafening silence that followed almost overwhelmed you so you quickly started swiping the brush over his bottom lip.

You took the liberty of using your thumb to wipe some excess off, and it grazed Oscar's tongue.

He gasped and you swore, about to apologise, but when you looked at his eyes you were shocked to find them closed, as Oscar opened his mouth just a fraction more, inviting.

When you didn't say anything or move for several seconds, he looked up at you through lidded eyes and you understood. He was turned on.

You didn't dare move. You glanced at his lips then back up to his eyes and he did the same.

“Oscar…” You breathed out, barely even loud enough to be considered a whisper.

In guise of a response, he pressed your hips down and rolled his upwards, and the groan he let out was almost akin to whimper. He was so hard you could feel him through all the layers.

You chanced a glance down to where Lando was sitting and the look that met yours was overwhelming. He looked like a siren, painted eyes also lidded as he looked at you and Oscar, mouth hanging half open as his hand palmed his obvious erection through his joggers.

“You two are so fucking hot” he whispered, and you looked back at the man you were currently grinding on. Oscar looked so fucked out you might have blacked out for a second, dropping the makeup brush on the counter and grabbing Oscar by the hair to pull his head back ever further, exposing his neck. You trailed kisses along his jaw before settling below his ear to bite at it lightly.

“You want to fuck me, Osc? Give this little freak a show, huh?” You ground your hips down harder and he groaned out a curse at the ceiling before sliding a hand around your neck to close the gap between you.

His lips were slippery thanks to the half-applied lipstick, but he made up for it by sucking your bottom lip into his mouth and your hips stuttered against his as you felt Lando's hands start to work at your clothes…

You weren't sure when the plan changed, but you found yourself riding Lando instead of Oscar on the chair, while Oscar guided your hips at a leisurely pace as he sloppily made out with Lando over your shoulder.

You haven't truly lived until you've witnessed that.

Suddenly Oscar had a thought and slowed your hips down to a slow grind. You were sweaty and your legs were aching so you were thankful for the break.

“Can you take us both?” Oscar asked.

You and Lando froze. You frowned at each other.

“What?”

“Do you think” he started, trailing sloppy kisses down your back, hands going lower and lower. “you can take us both?”

“As in…?” you trailed off as he got to the dip in your lower back.

“As in both of us…” his hands came down to spread your ass as he kissed the end of your tail bone. “… at the same time.” His thumb stroked over your rim and you shuddered in Lando's embrace.

“I've never done that before” but you could feel yourself getting wetter at the prospect.

“Do you want to try it?” Oscar asked, still level with where you and Lando were joined.

You didn't take much convincing, and as soon as he had your consent, Oscar surged forward and licked a stripe from where you were split open by Lando, up to where his last kiss had landed.

You moaned as he spread you open and and spat straight onto your puckered hole, watching his spit slide down your skin to Lando's cock inside you. Lando swore as you tightened around him and pulled out so that he wouldn't come too soon. You took the opportunity to arch your back, presenting yourself to Oscar as Lando stroked your hair and kissed you sweetly.

Oscar wasted no time, he dived in with expert precision, stretching you out with his tongue, then a finger, then two, dipping them in your cunt first to get them nice and wet.

Soon enough you were panting into Lando's chest and dripping over his thighs, overwhelmed by the new sensations taking over your body. When Oscar got to four fingers he pulled out and gave your ass a quick spank before dipping his cock into your wet folds once.

When his tip breached your rim, he stopped to let you adjust for a second, before continuing to slide into you slowly.

The drag of his cock inside you was unlike anything you'd ever felt before, and you felt like you were going to come any second, just from that.

Lando chose that moment to slide back into you, slightly less on the edge than before, but as soon as he was fully inside and nudged your g-spot you came with a shout as your body clamped down on the two cocks inside of you. The feeling so intense you swore you could see colours burst beneath your eyelids as the waves crashed over you and wetness dripped between the three of you.

Oscar groaned as he realised you were squirting, probably also for the first time.

Lando couldn't help himself, his hips moved of their own accord as he chased his high, and the stream just kept flowing as Oscar followed his lead, both men incredibly close to orgasm themselves.

The feeling of the two of them filling you up with their cum was peculiar but indescribably erotic as you came down from your high with them.

Turns out the worst part of aftercare with Lando and Oscar, was having to instruct them on how to remove their (now slightly smudged) makeup.

Your legs were too unstable to move so you barked orders at them in the bathroom until they were done. Then they came to bed and lay on either side of you, hands wandering over each others bodies as the three of you drifted into bliss

Looks like your days of covering hickeys weren't quite finished yet.

[lc-holy]

Here's a summary of the latest information we have on Miraculous special episodes and season 6.

(Please be respectful in the comments and tags on this post or create your own).

Special episodes:

- I think you already know, but the special London episode will be broadcast on October 5 on Disney channel France at 9:00 a.m. (French time).

A trailer has been released on the official Miraculous Ladybug France Youtube channel. A second trailer was released at the TFOU press conference. (video available on TF1Pro).

-The Tokyo special is currently in production, and will feature 3d and 2d animation.

-Thomas replied to someone who asked about a spin-off of the Paris special with Shadybug and Clawnoir: “If all goes well, it should become a comic book series.”

Season 6:

-The season 6 trailer was also broadcast during TFOU's press conference, it's the same trailer shown in June at Annecy. And they've added a few new sequences at the end of the trailer.

(The trailer probably contains some unfinished animation.)

-The September issue of Licensing Magazine still announces Season 6 for the end of 2024, but with no further details.

For those wondering why there's an animation change in season 6, here's what Thomas answered on Twitter:

-"It was necessary as the assets we had didn’t work anymore with newer maya versions. We needed to switch to something that will last at least for the next ten years."

-"There's a big improvement in the design, which I've been waiting for, and a big improvement in the animation, which goes beyond what I'd hoped for. It's only in terms of rendering that we still have a few technical issues to sort out, but there too, it will be much more beautiful."

For those wondering why Adrien doesn't have any new clothes in season 6, Thomas replies: "Very good question, you'll understand."

One last thing:

Even if you don't like the new animation, don't harass the writers, don't harass the animators, don't harass the new animation studio, don't harass Zag etc...

Be respectful of all the people who work hard on the series. Be patient and wait to see the final result. And even if you don't like the end result, at least give yourself time to get used to it.

[flying-fangirls]

Not to be an English major, but my genuine favorite part of Malevolent is how it handles its themes. Overall Malevolent tackles such profound and interesting ideas to chew on, but it's specifically the approach it takes to those ideas that really gets me going.

For example, one of the major themes across several seasons and characters is identity. The podcast asks pretty standard questions like "How do you define yourself?" and "How do others define you?" But it doesn't choose to stop there! It constantly expands on that idea, and it also asks things like "Which of those definitions is the 'real' you?" and "Are any of them right, are any of them wrong?" and "Is there even a singular definitive version of you?"

Malevolent works out from one idea and poses all these rich lines of discussion and questioning, and then just. Doesn't provide an answer! Or, at least, not a single, one-size-fits-all answer. Instead, it gives us multiple possibilities:

John's arc tells us that your identity is what you make— what you say, what you decide— and no one else's definition of you matters. Arthur's arc tells us that you can get stuck in a rigid, self-deprecating personal identity, so you need others' perspectives to help you see and love the real "you." Larson's story tells us that you do not have the right to selectively accept/deny parts of your identity and actions, and that others can see the whole of "you" whether or not you take accountability for it. Noel's story tells us that you can choose what parts of your past define you, and that leaving behind all the other versions of yourself can be beautiful and empowering. Kayne's story tells us that leaving behind other versions of yourself is akin to murder, killing off the pieces that you don't like and pretending like you've evolved past your own self. Yellow's arc tells us that your identity is fluid and can easily be influenced or manipulated by what others tell you, and by that point you've changed your own self-definition to something entirely new that can be just as true or untrue as the old you.

With all of these characters and with every other character throughout the show, we get a unique answer to the question "What is identity?" And if you look further at all the characters, you can break down their different arcs over the seasons and find even more answers just within that one character's development and story. And some of the answers we get correspond, and some of them contradict, and none of them are the right answer, and all of them are the right answer.

Malevolent takes one idea, and then it crafts an incredibly nuanced and humanistic exploration of said idea that adapts with respect to whatever situation or character it is applied to. And it uses this approach with all of its themes: identity, morality, guilt, grief, love, hope, etc.

Malevolent knows that life is messy, that people are complicated and contradictory and diverse and ever-changing, that no part of the universe or humanity can ever be explained or defined in a simple manner. Malevolent knows all that, and it wants to help us understand that too.

Malevolent shows us that nothing can ever be easily understood or answered, and it shows us that that fact is beautiful.

[akajustmerry]

I would also really encourage people to read up about Russell T Davies and Julie Gardner and how they treated Eccleston while shooting season 1 of Doctor Who in 2004/5. A good place to start is Eccleston's memoir where he writes in detail about how insensitive RTD and BBC producers were to his health struggles, and the rights of the crew which Eccleston helped fight for that got him blacklisted by the BBC. There are also plenty of interviews where Eccleston talks about how hard he had to fight Russell on using his natural accent. RTD was also showrunning Doctor Who and Torchwood the whole time John Barrowman was sexually harassing cast and crew. When I say I don't like RTD Who it's not just a subjective thing of not liking his ideas, there's very tangible reasons to do with how he's treated people in the past. I hope he's changed, learned lessons, etc. But the BBC have made a huge effort to bury this stuff because it's bad publicity for them, and people really need to remember he's not the perfect showrunner the PR hype wants you to believe. Don't fall for nostalgia.

[limonmelon]

One idea which I think is central to IWTV is the idea that becoming a vampire is the antithesis of improvement - stagnation. Your hair can't change length, your body will never grow, and as we know with Claudia, your hormones don't even change and you can be perpetually stuck in puberty.

But I love how this is reflected even in the vampire's art and creations throughout the show. The first song we see Lestat play on the piano is a jazz interpolation of a Bach song, his other song a piece created just to goad Louis back to him. Louis's photographs are derivative, and he has no patience to wait for his shots in order to actually capture the essence of his subjects, even if he has a good eye for art, and he drops photography quickly after one criticism. Claudia, who can't ever mature out of her teenage body, can't even make another vampire. The Théâtre des Vampires is struggling before Claudia becomes their main attraction, but it's not her acting that brings people - as we see her giving half-hearted performances to a crowd that barely seems to notice - but her exploitation. Armand had been a muse and model for other artists while alive, but he has no real motivation to make art, and he runs plays for 50 years until they're tired to a half-empty audience. He can also recognize good art, but he can't seem to make it himself. And they all have a horrible attitude towards criticism of their creations as well, sometimes even getting violent in their rejection of the words of critics or other vampires.

But you know who does create, and improves over time? Daniel. While he may have been terrible at interviewing Louis the first time, which he acknowledges, part of the reason he comes back to interview Louis again is because he knows he can do better. Over time he has become a great journalist and interviewer, winning Pulitzer prizes, writing books, working for major newspapers, even having his own Masterclass. He doesn't stagnate with technology, we see him using his laptop and talking about how his cell phone has become the great equalizer in the world or reporting. Being human has allowed him to grow and change and improve, to learn how to be better.

So I'm really curious to see how the handle Rockstar and Vampire Lestat next season, how his music is created, how in-universe critics are responding to it, etc. especially after this recent glam rock Rocky Horror-esque song has been released. I also wonder if being a vampire has changed how Daniel works as a journalist, especially now that we know his role in the next season will be him interviewing Lestat in this MTV Behind the Music documentary setting.

[quasi-normalcy]

Actually my concept for a Star Trek series would be something like:

It's 10,000 years in the future (or some big number, it's kind of arbitrary. It's a hell of a long time after anything we've seen, anyways)

The Federation and the Borg have long-since merged into a galaxy-spanning hyper civilization

Most sentient life in the galaxy is connected in a sort of utopian hivemind, but you can opt out. There are entire worlds that are just like...wilderness preserves for weird "throwback" types who value their individuality, unique cultures, etc.

The Civilization basically has a sort of collective midlife crisis and decides that it's stagnated; it hasn't really changed its technology or modes of living in thousands of years and it decides that cultural stasis is a sort of death (there's probably some kind of event to touch this off in the pilot)

Their solution is that they need to start exploring again to encounter new ideas, but all of the other galaxies are damn far away

But the Federation-Borg (Forg?) can't really operate over those distances, because they're out of direct contact with the rest of the hive and their units find this existentially terrifying

So they need to recruit a bunch of people from these weird throwback planets to go out and explore for them in a fleet (or in one really big ship with a bunch of, like, Enterprise-sized support craft)

Except these people have tensions because they all come from different sorts of cultural perserves. And some of them don't even think that they *should* be helping the Forg expand

The entire first season just shows their long, long journey through intergalactic space toward the Andromeda galaxy with just a few rare pit stops at isolated star systems all alone in the void

(Maybe, like...a haunted starship that has been floating in the night for half a billion years or something)

All of the aliens that they encounter are really weird and gnarly because this is outside the galaxy, so there should be no humanoids

They eventually get caught up in a bunch of shenanigans between rival gods and the like.

[totalswag]

nonsense — DREW STARKEY

authors note i've wanted to write a singer!reader drew fic for the longest time. i've read some singer!reader fics lately and it gave me some inspiration to write my own. i hope you guys enjoy reading. this was also requested by an anon not long ago, so if you’re reading this enjoy 🩵. the song choice is nonsense and just think to when sabrina is performing this song at coachella.

summary performing at coachella for the first time with friends and your lovely boyfriend supporting you in the crowd.

warnings none!

Coachella.

This is your first Coachella where you are performing. You will be playing live in front of millions of people. This is the last weekend for the festival.

Tens of thousands of people travel from all over the world to attend Coachella. The festival features sculptures, art installations, and other open events in addition to music.

When your manager called you about being invited to perform you couldn't believe your ears. Now, here you are about to step on stage.

Standing in a circle backstage with your crew, discussing everything you've prepared for over the last few days and having fun out there. This is what you always do before a show.

Second weekend of the festival.

Walking on stage seems like a surreal experience for you. Looking around, you can sense the intensity of the enormous crowd in front of you.

The weather was lovely, with the sun still shining and the breeze brushing over your skin. 

"Hello Coachella, my name is Y/F/N, what's yours?" You smile into the microphone while waving away.

You began by introducing the crowd to yourself, your backup dancers, your music, if everyone is having a great time, etc.

Interacting with your fans is one of your favorite parts of singing on stage. You value your interactions with them since you like conversing. When you read comments on your shows, they usually mention how fascinating you are.

After singing a few songs from the set list, you took a little breather and spoke to the crowd saying a joke, making them laugh.

You begin the next song by sipping from an old-fashioned soda bottle while seated in a chair. As you take a seat, you glimpse your boyfriend, Drew, along with a couple of your friends and security. 

You two make eye contact. Butterflies fill your stomach. You offer him a small wave, and he smiles and turns around, presumably blushing.

Fans up close captured the brief interaction with their phones out. We'll see it on social media later today.

Drew and you began dating in the midst of season three of Outer Banks. The first outing was Pougelandia, and fans began to speculate about your relationship because it came out of nowhere.

To be honest, Madelyn Cline and you were close friends before she began filming season one of Outer Banks. She’s the one who introduced you to Drew.

"The last song I'll be playing for you guys is nonsense, so if you know the lyrics, sing along," you cheer, lifting your free hand in the air, moving it around with excitement.

"Is it possible we get my amazing dancers out here," you turn around, pretending you have no idea where they went, "guys come out here, we could perform some sort of choreography, you know" as you gaze at your dance crew coming out the set.

Nonsense is about Drew.

It is one of your favorite songs that you have written. When you first released it, many were unsure who it was about until photos of Drew and you emerged.

Think I only want one number in phone

I might change your contact to "don't leave me alone"

You said you like my eyes and you like to make 'em role

Treat me like a queen, now you got me feelin' thrown, oh

You dance with your dancing crew, who are behind you and moving in sync. The choreography is muscle memory for you guys because you've been performing this song for a few years now.

But I can't help myself when you get close to me

Baby, my tongue goes numb, sounds like "bleh bleh bleh"

I don't want no one else (no no) baby, I'm into deep

Here's a little song I wrote (a song I wrote) its about you and me

When you sing the last line of the pre-chorus, you gesture to Drew in the audience, who moves his head side to side while listening to you sing and blushes when you point to him. You giggle into the microphone.

Fans started cheering louder as they watched you motioning to your lover in the audience.

You continue to move around stage all throughout the song.

You go around the center of the stage as your backup dancers finish their final few dances. One of your backup dancers grabs a chair for you to sit in.

At the end of nonsense you always come up with rhymes. Started doing this after the first performance and can't stop doing it.

Told him he makes me weak to my knees

Everything about him just so dreamy

By the way he's name Drew Starkey

When you say your boyfriend's name, the crowd cheers. You saw his response as he mouthed the words "I love you," dropped his jaw, and put his hands over his heart.

"Coachella, you've been amazing to me these past two weekends. Thank you so much. Can we please give a huge around of applause for our amazing dancers, come on out guys!" Excitement in your voice when you call your dance crew out on stage.

Once you guys made it off stage, you guys began cheering with a bunch of energy. Everyone gave each other hugs.

"Water is calling my name right now" you groan with urgency.

Approaching your manager, holding a cold water bottle for you- thanking her a few times as you open the bottle. You were about jugging down the water when you heard Drew's voice approaching.

"Hi baby," you squeal, dragging the y in baby, and rush into Drew's arms, wrapping your arms around his neck. Being in his arms sends relief in your body.

He smells so good.

He chuckles, "You did so well out there, so proud of you," and delicately places you on your feet.

"Thank you," blushing to the point where your cheeks were red. "Did you enjoy the outro of nonsense?" You inquire with curiosity, despite the fact that you already know his response.

He softly grins that makes your heart flutter, "Mhm yeah I did" kissing the top of your head, wrapping his right arm around your shoulder, pulling you closer to him.

"Why don't we get something to eat?" "How's that sound, baby?" Drew asks, his arm still around you.

Your ears and eyes light up from his request, “obviously yes.”

Before leaving you heard the voices of friends turning the corner. The rest of your friends, as well as Drew's cast members who are also your friends, returned to stage, thrilled to see you.

It was so good to see them.

Drew and you returned to the van to change, drove to the Airbnb to relax before returning to watch other artists perform after the sun had set with your friends.

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[psychicbergara]

so some things to clarify before i say anything:

watcher is NOT deleting their videos or archiving their old stuff on youtube, it's still going to be there for everyone to watch!!

they will upload new content on there but only the season premieres of their shows

i think a lot of people are forgetting that they're still, essentially, a small company with a small group of creatives trying to make a living

all this to say-- i get that it's frustrating and upsetting for a lot of people (and honestly myself included at first bc im going through some financial stuff rn) and i do think there should be a better middle ground for those who cannot afford this, especially for people in other countries.

but i think a lot of us are forgetting that they are independent content creators who have to support their own staff and crew, give them livable wages, while also finding ways to be sustainable for the future. they are not a Corporate Streaming Site. a bigger budget with better quality shows costs money unfortunately so they had to find a solution that was better for them. and it does suck because this ostracizes a lot of their audience (seen from most of the backlash). so that's why im hoping they eventually find something for those who can't be able to pay in the future since most of their audience seems like they can't afford it. which i totally get in this economy 😭

we also don't know how much content they'll put out on the streaming site- if it's gonna be daily content, weekly, etc, it might change from their usual youtube schedule.

i'm still excited for them!! this is a huge step forward for them especially since they can control whatever they produce now vs having to be controlled by a media conglomerate. and eventually, i hope i can support them. i'll still be here bc i love them. but i get why people are upset about this, but again, please don't spread misinformation!! their old stuff is still gonna be on youtube. so let's wait and see y'all 🙏🏽

[noneorother]

I broke down the hilarious amount of "Aziraphale tartans" so you don't have to.

I've been slowly going bonkers collecting the amount of times members of the cast/creators and fans of Good Omens over the years have referred to various things as "Aziraphale's tartan". Even on merchandise, I've seen wildly varying opinons about what pattern Aziraphale's tartan actually is. Your resident graphic designer has decided to sit down and just do the damned thing*. Exhibit A) Tartan Origin

Sarah Arnett posted this image to her instagram in 2019, having created "Heaven's dress tartan for the character Aziraphale". However, the only time I've actually seen this pattern used in good omens is in the season 2 announcement poster made by Mickey, and maybe on a pair of socks Aziraphale wears in season 1, (but I'm not convinced).

So here's what that looks like. Note I've rotated the original pattern 90 degrees clockwise in my final pattern (far right) for reasons that will become clear shortly.

Exhibit B) Aziraphale's Bowtie, Thermos, Notebook etc.

This is the tartan that Aziraphale actually wears for most of seasons 1 & 2.** It's a recoloured version of the Exhibit A), and has been rotated 90 degrees on it's bowtie application so that the darker bars run vertical, and not horizontal. The problem is, while the direction of the pattern on his accessories doesn't change, it does on the bowtie. You can see examples of the tartan going right OR left in both season 1 and 2.

Exhibit C) Aziraphale's Brown Bowtie...

This Tartan isn't just a trick of the light. For the first park bench scene in season 1, Aziraphale is wearing a version of his regular bowtie, recoloured in brown and rotated 90 degrees, so that it fits with the direction of the original Exhibit A) Tartan, but not with the direction of the tartan on his Exhibit B) regular bowties. This bowtie was made special, from cloth cut in the opposite direction.

Exhibit D) Aziraphale's Magical Cravat!

Now this is where it starts to get interesting! I haven't seen many people discuss Aziraphale's magician disguise from season 1, but his cravat actually has both Exhibit B) and Exhibit C) tartans to create a contrasting double sided tartan: the outward facing brown, and the hidden, inward facing blue (according to costumer, because of lack of enough brown).

Exhibit E) Saraqael's and Muriel's Tartan

Don't be fooled, Saraqael's and Muriel's tartan may look similar in colour to Aziraphale's, but when you pick it apart, it's got inverse colours, and mildly squished horizontal striping. If you note the orange boxes in each picture, you can see the ratio of the blue stripe to the vertical stripes in each tartan is different, while keeping the overall pattern and ratio in each direction the same. Exhibit E) has a square intersection. It's also usually woven much larger. This tartan also introduces a small sliver of hunter green into the beige/blue/purple palette that's been seen so far.

Exhibit F) Gabriel's Tartan Blanket

Like the others, Gabriel's S2E1 blanket is a variation on the original Heaven's Dress Tartan. It's got very squished horizontal striping though, and is woven even larger than the Saraqael Tartan. Most noticeably though, while it has the same grey vertical striping as Exhibit E) it's now got even more green in it, and the purple is gone almost entirely (save one line).

Exhibit F) Have a bonus Crowlee Tartan from the Season 1 body swap miracle that matches none of these.

It's silver silk though. Can I get a wahoo....?

__________________________________________ *Disclaimer: I am not Scottish, and definitely not an expert in tartan, just a tired graphic designer. If you want tartan expertise, you can go here (although I don't really agree with what they say about the main colour pattern) https://livebloggingmydescentintomadness.tumblr.com/post/189300035060/a-discourse-on-tartan

**In order to deduce colours, I've used high quality BTS footage or photography in neutral lighting whenever possible. Especially in season 2, colour grading and post processing of the final show make colour matching between scenes and/or seasons impossible.

[ask-whitepearl-and-steven]

I really admire your work at AU, for me it's one of the best in Steven Universe and my question is whether from the beginning you had already planned that the fusions with Rose would have different weapons than those with Steven (even though they both have the same shield) or it's something that was thought about after a while.

I will admit that I honestly don't remember at which point I decided to change up the weapons.

I knew that I wanted to do something different with Smokey, but I think when I originally drew the Season 3 finale, I made the decision to give Rainbow a fan right there and then. It just seemed more in line with Rose and Pearl together - after all, a fan is used to create metaphorical distance (hiding behind it, secrets, etc) as well as a physical one (it's huge, and it blows people away).

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]