#sfx good omens

[fuckyeahgoodomens]

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

[thesherrinfordfacility]

the bright, blessed day // the dark, sacred night

yt link✨

[theylikeholdinghands]

“Aziraphale has picked up the pace” excuse me?!!! We are getting a follow up to “You go too fast for me” and I cannot be happier.

And he’s basically playing Jane Austen’s Emma whilst Crowley is homeless?!!?

I am going to pass away… its like I’m going to watch all of my favourite fanfics come to life.

[lalie-go]

Current status:

[mx-anthony-janthony-crowley]

this tweet has some higher quality images of the SFX article if anyone's struggling to read it in some places :]

[ra1nboww0rrier]

Sooo now we know that season two Crowley lives in his car with his plants:

Crowley (to the plants): don't think because you're in here you're allowed to wilt

*blasts Queen at top volume*

Aziraphale: ...

Crowley: plants grow better to music.

🌱🎶

[styx-the-stick]

!!!

[youryurigoddess]

Aziraphale’s secret investigation and overlooked Clues

Remember this frame from Good Omens S02E06? Apparently Aziraphale had been using the empty carton box brought by Jim to store things in. It became a new home to at least two out of three “Lost Quartos” — the supposedly lost Shakespeare plays briefly but hilariously mentioned in the Good Omens book — as well as a very mysterious legal document.

Thought probably half of the Good Omens analysts here, including the ever so wonderful @fuckyeahgoodomens, who managed to find some information about the deceased John Gibson from New Cumnock (1855 - 1905).

Unfortunately the most interesting thing about this early 20th century provincial postmaster was his youngest child James (1894 - 1973), a quite famous stage (West End!) and film actor immortalized on screen in The Master of Ballantrae (1962), Witch Wood (1964) and Kidnapped (1963).

After that particular discovery the fandom-wide search seemingly led nowhere and the topic died a premature death.

And I almost figured it out seven months ago.

“But Yuri, you’re so clever. How can somebody as clever as you be so stupid?”, you probably want to shout across a busy London street at this point. Well, let me tell you. Much like Aziraphale, I'm blindingly intelligent for about thirty seconds a day. I do not get to choose which seconds and they are not consecutive.

Only tonight the stars have aligned in an ineffable way.

For those of you who don’t follow this account, some time ago I’ve realized that John Gibson isn’t the only testator whose estate was being investigated by Aziraphale right before The Whickber Street Traders and Shopkeepers Association monthly meeting.

If you watch S2 finale closely enough, you should notice that Crowley not only stress cleans Aziraphale’s bookshop — he also goes through the books and papers on his desk between the last three angels leaving the bookshop and Maggie and Nina’s intervention. A seemingly permanent arrangement of the props post-shooting, visible in detail both on Radio Times tour and SFX magazine photo shoot, sheds even more light on this detail.

The close-ups published after S2 release are legible enough to refer us to a much more prominent historical figure, Josiah Wedgwood (1730 – 1795) — an English potter, entrepreneur and abolitionist. Founding the Wedgwood company in 1759, he developed improved pottery bodies by systematic experimentation, and was the leader in the industrialisation of the manufacture of European pottery.

Long story short, I transcribed the handwritten pages abandoned on Aziraphale’s desk, found out the source and the full text of what could be identified as Wedgwood’s last will and testament, took a walk to visit his Soho workshop, and proceeded to write a lengthy meta analysis about it.

I was today’s years old when I realized that there’s something else connecting those two dead British men.

The Scottish Post Office Directory of 1903 recorded John Gibson from New Cumnock as a “stationer and china dealer” (above) operating from the shop located in the town’s post office building.

Indeed, a close look at his post office shop window in the Henderson Building (below, bottom left) reveals an artful display of fine china and pottery next to postcards printed by Gibson.

There are multiple ways to connect this surprising link with possible S3 plot points, obviously, but it’s getting late, so let’s just name the two most important ones.

You’ve probably heard of the Holy Grail, maybe from Monty Python or Good Omens S01E03 1941 flashback. Depending on the version of the story, if can be a cup, a chalice, a bowl, or a saucer — but almost always a dish or a vessel connected personally, physically and metaphysically to Jesus (unless you’re partial to Wolfram von Eschenbach’s idea that the Grail was a stone, the sanctuary of the neutral angels who took neither side during Lucifer's rebellion).

A slightly more obscure dish related to the Son of God appears in the sixteenth chapter of the Book of Revelation as a vital part of His Second Coming. The Seven Bowls (or cups, or vials) of God’s Wrath are supposed to be poured out on the wicked and the followers of the Antichrist by seven angels:

Then I heard a loud voice from the temple telling the seven angels, “Go and pour out on the earth the seven bowls of the wrath of God.” So the first angel went and poured out his bowl on the earth, and harmful and painful sores came upon the people who bore the mark of the beast and worshiped its image.

The second angel poured out his bowl into the sea, and it became like the blood of a corpse, and every living thing died that was in the sea.

The third angel poured out his bowl into the rivers and the springs of water, and they became blood. And I heard the angel in charge of the waters say, “Just are you, O Holy One, who is and who was, for you brought these judgments. For they have shed the blood of saints and prophets, and you have given them blood to drink. It is what they deserve!” And I heard the altar saying, “Yes, Lord God the Almighty, true and just are your judgments!”

The fourth angel poured out his bowl on the sun, and it was allowed to scorch people with fire. They were scorched by the fierce heat, and they cursed the name of God who had power over these plagues. They did not repent and give him glory.

The fifth angel poured out his bowl on the throne of the beast, and its kingdom was plunged into darkness. People gnawed their tongues in anguish and cursed the God of heaven for their pain and sores. They did not repent of their deeds.

The sixth angel poured out his bowl on the great river Euphrates, and its water was dried up, to prepare the way for the kings from the east. And I saw, coming out of the mouth of the dragon and out of the mouth of the beast and out of the mouth of the false prophet, three unclean spirits like frogs. For they are demonic spirits, performing signs, who go abroad to the kings of the whole world, to assemble them for battle on the great day of God the Almighty.  (“Behold, I am coming like a thief! Blessed is the one who stays awake, keeping his garments on, that he may not go about naked and be seen exposed!”) And they assembled them at the place that in Hebrew is called Armageddon.

The seventh angel poured out his bowl into the air, and a loud voice came out of the temple, from the throne, saying, “It is done!” And there were flashes of lightning, rumblings, peals of thunder, and a great earthquake such as there had never been since man was on the earth, so great was that earthquake. The great city was split into three parts, and the cities of the nations fell, and God remembered Babylon the great, to make her drain the cup of the wine of the fury of his wrath. And every island fled away, and no mountains were to be found. And great hailstones, about one hundred pounds each, fell from heaven on people; and they cursed God for the plague of the hail, because the plague was so severe.

[isaacthedruid]

assigning some of my past hyperfixations to TFW:

Dean is easy, he would love WW2 and also 1940s clothing cuz we all know he was FEEELING himself when he got his little 40s suit in time after time. Also he would get obsessed with the tragically hip after discovering them in Canada that one time he went there for the funeral but dean would eat that shit up

Sam would fucking love VFX and SFX, do i have a reason for this? no not really but boy would love that shit

Cas would have a silly hyperfixation about Hank Green's videos, why? he wants to learn everything that humans believe about the world and universe and he'd fall down a massive rabbit hole learning everything he can.

Jack would love voltron legendary defenders and infodump to cas so much about how bad the ending was. Also also also Good Omens, he ate that shit up cuz he sees himself so much in Adam

[fuckyeahgoodomens]

SFX Magazine Issue 368, August 2023

THEY’RE BACK – AND THIS TIME THEY’RE IN ALL-NEW TERRITORY. NEIL GAIMAN TALKS RETURNING FOR SEASON TWO OF GOOD OMENS

THE RASCALLY DEMON Crowley (David Tennant) and the neurotic angel Aziraphale (Michael Sheen) put aside their differences to pull off one doozy of a Hail Mary and prevent an impending Apocalypse in Good Omens’ first season. The task cemented the pair’s unconventional friendship. So what are divine beings, who have fallen out of grace with both Heaven and Hell, to do for an encore?

The answer lies with archangel Gabriel (Jon Hamm), who shows up unannounced on the doorstep of Aziraphale’s London bookshop. Suddenly, Aziraphale and Crowley are caught up in a caper of biblical proportions – but also a more intimate tale.

“It’s a mystery,” showrunner Neil Gaiman tells SFX. “It kicks off a story that doesn’t have giant consequences for the universe, even if it does have consequences for Aziraphale and Crowley. We have a lot of the marvellous Jon Hamm, who is the angel Gabriel and turns up at the beginning stark naked, carrying a cardboard box with no memory of who he is. In the same way, it is about Aziraphale and Crowley having to get involved with humanity in a way that they haven’t before.

“They get dragged in slightly against their will to try to sort out the love life of Aziraphale’s tenant,” he continues. “Her name is Maggie [Maggie Service] and she runs the record shop next to the bookshop. You’ll see the coffee shop over the road, which is Nina’s [Nina Sosanya]. The relationship between Maggie and Nina is one that Crowley and Aziraphale try to fix, and mess up, because they are not good at human relationships, even if they can do miracles.”

Truth be told, Gaiman never originally intended this arc to serve as Good Omens’ second instalment. The TV series was based on Gaiman and Terry Pratchett’s 1990 novel. The two collaborators had partially hashed out the details for a sequel to the fantasy comedy, late one night in a hotel room. This, however, is not it. Gaiman instead plotted a new narrative that could provide the connective tissue between the first season and a theoretical season three, if it happens.

“Because the hypothetical season three exists, there is a story that is there, and I didn’t feel that we could drive straight from season one into that,” Gaiman explains. “I knew what the stakes were. I knew what the parameters were. I also knew that I had David and Michael. I had the angels from plot number one.

I had demons from plot number one. And with anybody that I wanted to bring back, but didn’t have room for right now, I did not have to bring them back as themselves. “I had absolutely nothing for Madame Tracy to do in this plot, but I would be damned if Miranda Richardson wasn’t going to be in this. She is one of my favourite people in the world. She is hilarious and is so good. And I knew I was going to have a new demon replacing Crowley as Hell’s representative in London/ the UK. Miranda’s demon Shax is the best demon you could want.”

It’s late February 2022 and SFX is in Edinburgh for a set visit. A soundstage in Pyramids Studios has been transformed into a street in Soho. The visible local stores include the aforementioned book, coffee and record shops, as well as a magic establishment. In the middle of them all stand Aziraphale and Crowley, the latter in close proximity to his classic Bentley. It’s close to the end of the six-episode season, so exactly what the duo is discussing constitutes a spoiler. We can say, however, that Aziraphale has picked up the pace. Time is of the essence as Shax marshals her forces to descend on Aziraphale’s store and retrieve Gabriel.

“This is really Shax’s first time out on Earth,” Gaiman explains. “She is working very diligently and very hard in Hell for a long time. Now she is on Earth, trying to figure it all out. She’s just discovering what Crowley has known for 6,000 years, which is that if you’re a demon and come up with a brilliant plan to screw up the lives of humanity, people will get there first and do worse than anything you could have imagined! She’s coming to terms with that.

“She is having to deal with the first crisis on her watch, as well, which is the disappearance of the archangel Gabriel from Heaven. It would be fair to say that by the end of the story, she is leading as much as she can get from Hell’s requisition department – a legion of Hell – in an attack on a Soho bookshop.”

When audiences catch up with Aziraphale again, he’s enjoying his time among humans. He owns most of the block in a Soho neighbourhood, and he’s meddling in Nina’s love life. Meanwhile, Crowley has been living in his car, with his plants sitting on the back seat. He’s grumpy about his current status quo, but frequently hangs out at Aziraphale’s. The duo began as antagonists, but their history and blossoming relationship will be fleshed out in flashbacks.

“One of the enormously fun things I came up with is the idea of minisodes,” Gaiman explains. “They are 25-minute-long episodes within the episode. We have three of them over our six episodes. Each of them is like one of those chunks of episode three [in season one]. Whereas the longest one of those was four or five minutes, if that, these are full stories.

“You get to have the story of [put-upon Biblical figure] Job, and you learn Aziraphale and Crowley’s part in the story. Then writer Cat Clarke takes us to Edinburgh in the 1820s for a tale of body-snatching and attempted murder that the boys get involved in,” he adds.

“Finally, Jeremy Dyson and Andy Nyman reunite the League Of Gentlemen in a Nazi-period story that takes place very shortly after the episode in the church. That one was the only one I said had to be there, because I fell in love with our Nazi spies in the church. I kept thinking, ‘What would happen if they essentially came back as zombies, with a mission from Hell to try and investigate whether or not Crowley and Aziraphale were actually fraternising?’”

Gaiman admits that one of the greatest challenges has been filming Good Omens simultaneously with his upcoming show Anansi Boys. The two shoot within throwing distance of each other, but are both timeconsuming endeavours.

“If I could go back in time, I would go back to 16 September 2020, when Douglas Mackinnon [co-producer] and I got the phone call from the Amazon bigwigs to say, ‘We have good news for you and interesting news for you,’” Gaiman recalls. “‘The good news is we are greenlighting both Good Omens and Anansi Boys. The interesting news is you are going to have to do them both at the same time.’

“I would go back to then and I would throw myself on the call and say, ‘Neil, don’t! This is unwise.’ That we are doing them both together is great. The amount of sleep I am not getting is monumental and monstrous.

“It’s a little bit like childbirth, in that I managed to forget all the things that drove me nuts about the first one. Having said that, I managed to fix all the things that really drove me nuts making season one, which is great. We just have a whole new set of problems making season two…”

The Odd Couple - David Tennant and Michael Sheen talk character and sets for season two

Crowley and Aziraphale come off as the best of frenemies at times. Where do they stand with one other now?

DT: They are indeed. What’s different in season two is because of what happened at the end of season one, they no longer have head offices that they have to report to. They are in a very different position. Whereas before they were trying to get away with things, now they are kind of free agents.

MS: Although sort of fugitives as well. They are sort of in-between. But this amazing life they have created over a millennia, they are now able to enjoy in a slightly different way. They are not having to put on a front for their respective teams. There is a different kind of freedom.

DT: While at the same time being cut off, so they are also strangers in a strange land.

MS: That kind of connects them in a slightly different way. They have always been the only two beings who could understand each other’s position. Now they are pushed even closer together.

Now that they have the run of the place with no obligations, does that bring its own set of problems, being cut off?

DT: They have this sort of uneasy relationship. They are not entirely cut off from their head offices. Indeed, their head offices are quite keen to exploit that sort of adjacent connection, as we will see as the story unfolds. They exist in this grey area, neither the supernatural nor of the Earth.

MS: By the time we pick up their story in this series, they have appeared in time where they were kind of let alone a bit more. When we pick the story up, they are being bothered again.

The depth and the richness and the detail of what we are seeing on set here in Edinburgh is mind-blowing. How is it for you having it all in one place now, rather than having filming scattered around the UK?

MS: It’s completely changed the experience of doing it. Just being indoors… The Soho set on the first season was freezing cold.

DT: I was in a car park. Even inside the bookshop I was exposed to the elements! There’s a greater percentage of the show set here. There was a practical imperative to making it a manageable environment. If we had been in a car park, the elements might have impinged our ability to film.

Hellraiser - David Tennant is Crowley

You and Michael know these characters inside out. Do you have a shorthand?

It’s a hard thing to be objective about. Although I didn’t know Michael that well before we shot season one, it was always easy and exciting working together. It’s well-oiled now, for sure. It’s certainly fun to come to work. We enjoy bouncing off each other.

How comfortable are they about becoming involved with Gabriel?

I suppose Aziraphale is a much more enthusiastic detective. We are very much voting for the spin-off called The Azirafiles, which will follow this! As with most things, Crowley is reluctant to get involved or to exhibit any kind of energy or enthusiasm about very much. He is dragged kicking and screaming into this. Necessity forces him to get involved, whereas Aziraphale rather likes it.

Where does Crowley hang out these days?

He spends a lot of time in the book shop. He only has one friend. He can only have one friend. That is the great liberation, and also the great prison, that they find themselves in. They have no one else. They have come to rely on each other more than they ever did. And more than they care to admit.

Crowley is a rock star, in a way. Were there any particular musicians that inspired you?

Not consciously, no. The look was assembled accidentally during the first costume sessions. The Crowley of the book is of the mode when the book was written. He is more kind of Wall Street, the way he is described. We just decided that Crowley should always be of the moment he’s in. We were just trying to find a look that we felt fitted.

Divine Being - Michael Sheen is Aziraphale

How has knowing your characters better informed this series?

The first series was the first time we really properly worked together. It feels like we haven’t stopped working together since. Everything that has happened in-between plays into coming back to these characters. I am sure it is all feeding into it. It’s very difficult for us to know how that is informing the characters and their relationships.

With the flashbacks to various points in Earth’s history, is there a period of time Aziraphale enjoys the most?

One of the most enjoyable things for the audience and us is moving through different historical periods. It’s a great source of joy, and people thoroughly enjoyed that episode in the first series, so that has been expanded on in season two. But in terms of which Aziraphale enjoys the most, I think it’s not actually a period of time that we’ve seen him in on this series.

He would have been happiest at the end of the 19th century, in the Victorian era, which is considered the golden age of magic. He would have loved being with the greats like Harry Houdini. He loved the Victorian period. It was a great period of time for philanthropy and doing good works in a municipal way.

How has it been going from something dark like The Prodigal Son to a more whimsical show?

That’s the nature of an actor’s job. You go from one thing to another. In some ways, it’s even more useful to have big differences between the characters. What tends to happen, and I think most actors feel this way, is if you are playing one character for a long time, part of you yearns to play the bits the character doesn’t have. There’s a naivety and an innocence about Aziraphale. But at the same time, underneath that, there is eons of knowledge and experience.

[sharkiegorath]

Major plot speculation for Good Omens S2. Doesn't reference any leaks. Does reference the trailer, sneak peeks, the S2 opening sequence, episode titles, official promos, minisode plots, hypothetical book sequel details, a late-season vague spoiler from the SFX article, and one interview where there might've been a slip.

Gabriel was the annunciation angel. Could S2 involve a second annunciation? For the Second Coming of Christ?

EVIDENCE:

The amnesiac Gabriel knows he needs to deliver something, seemingly to Aziraphale. Like he 'delivered' the news about Jesus to Mary? Based on promos and Gabriel throughout the opening sequence, this delivery is a major thread throughout the season.

'Everyday' was going to be S1's theme song, but it was cut. Now 'Everyday' is an actual plot point in S2, maybe because it's a romantic song………..but also because something else is approaching. Something of near-equivalent importance to the Antichrist.

"The Apocalypse was just a red herring" possibly because Jesus never actually showed up - was never even hinted at besides a short scene in S1E3 - even though the Second Coming is a major part of the Book of Revelation.

One minisode is called 'The Resurrectionists', and another involves zombies. The 'Everyday' pub in Edinburgh is also called the Resurrectionist. The resurrection of the dead occurs in Revelation 20, right after the widely-interpreted Second Coming in Revelation 19.

A minute into the opening sequence, there's a sign saying 'the 2nd Coming'. I mean. It's a bit on the nose, but what's up with that. The words 'THE PAROUSIA' are also visible around 1:08 of the opening sequence. It could be the theater's name...but 'Parousia' is another name for the Second Coming.

The hypothetical sequel book would've included Jesus arriving in a "big silver plane" surrounded by angel bodyguards. Crowley and Aziraphale would also be involved. (sources) S2 is supposed to get the plot to the point of the hypothetical sequel - maybe Jesus needs to arrive on Earth first. Note that a big silver plane labeled "Thy Kingdom Airways" appears in the opening sequence, shortly before it starts raining hearts.

The trailer has Aziraphale saying "I think I may have just started a war" and something reading "surrender the angle" [sic] thrown through a window. The SFX article reveals that "towards the end", Shax prepares to attack the bookstore, to retrieve Gabriel. Unlike the Heaven/Hell dynamic in S1, Hell might be trying to stop a Second Coming because they don't have a 'counter', since the Antichrist is now human.

WEAKER EVIDENCE:

S2E1 is titled 'The Arrival'. That's the same title as episode one of the radio adaptation, when the infant Antichrist arrived.

In the book/S1, Hell was incompetent delivering the Antichrist. It makes thematic sense for the Second Coming to be botched by Heaven being equally incompetent.

Last lines of the trailer: "I'm going to get into so much trouble." "Well then, let's make it worthwhile." because fundie groups will lose their goddamn minds if this is the plot?!

and...finally....

RADIO TIMES INTERVIEW:

"Jesus is being redelivered to earth, the Second Coming is scheduled." this could be a straightforward verbal slip about the book/S1 plot. or it might actually be the overarching plot

My biggest problem with this theory is that it might be too obvious. But things like Gabriel-as-messenger and 'the parousia' make me think the Second Coming is going to be evoked somehow. In that case, maybe the angels and demons conclude it's the Second Coming, and that assumption drives some of the plot, but then it turns out it isn't.

[cloud-based-and-rainpilled]

Staged 2 thoughts!! (this will take a Year because I have a Lot of feelings)

tl; dr at the end

Hmmm I don’t see how it’s a love story yet

Staged 1 works well enough on its own but the second season is really essential as a companion piece upping the emotional ante (which is exactly how I feel about Good Omens 1 & 2 lol)

The opening scene mindfuck; The meta! We have reached levels of irony not previously seen possible

Who do I thank for the tacky Zoom interview show background? It deserves top billing

HE DOESN’T WANT THE GOLDFISH TO BE LONELY (metaphor) and then it FUCKING DIES

Celeb cameos in season 1 being all “hey! I like you!” in season 2 like “you are tearing them apart. I hate you. scum

Also the themeing of Michael Sheen and David Tennant being on their own “side” VS everyone else……….. Simon Mr. Writer Sir i see u and unfortunately i am in your walls

The writing feeling less theater-y works for the meta and I’m wondering whether they always had a second season in mind or if it’s just that well written

Was really hoping for a Colin Firth & Hugh Grant cameo ngl :/

The music didn’t annoy me as much this season since it was more of the horn oomp-pah-pah than the piano. Idk maybe my mind just changed

I didn’t know Whoopie Goldberg could be terrifying but here we are (also I forgot her name isn’t Whoopie)

“I think the wizard fucked your ass” ???

Setting up the awards and the baby was peak *pops P* comedy 🤌 Definitely needed since it gets Sad as it goes on

Welsh kink spotted!!! And so fucking blantant I was scandalized

“I’ll shove it up my ass where the rest of the excrement goes” Michael casually asking David to peg him. Nice

More bad magic. More pls and ty

Also moar Nina pls. T’was but a brief beautiful bluster in the wind

Tbh missed a lot of Michael & David’s back-and-forths VS season 1 but I get that’s… the point

Everyone agreeing David is whiney and annoying lmao get wreck’t

Also I forgot they don’t have air conditioning in Englandland ‘cause my man is sweating in every scene he’s in (unless that was intentional in which case… go on…)

The ladies!! That meta ending with the Bechdel test… I see you…

Still love Georgia and Simon’s sister (who I apparently don’t respect enough to google her name); I like Anna now too! She’s got this kinda quiet sarcastic edge I didn’t notice the first time. They all played off each other well in their 3 some (phrasing) scenes

Big amongus sus react that Anna has better chemistry with the two of them than with Michael of which there is literally zero chemistry. Compared to Georgia and David who are just electric with each other it’s honestly distracting

Actual torture watching them break down as other actors play them and drive their friendship apart, it’s fascinating to watch especially on top of it being themselves but, like, not we swear

“Am I your best friend” “No” Fuckin REJECTED !! looser!!!

Oh huh I can see how this is a love story, interesting

The David Tennant fanboy (he is a Real actor I just can’t think of his name) served juicy vomiting SFX realness

“So you’ve made love with him” BROTHER

It took me 87 years to realize warthog and mongoose were in reference to Timon and Pumbah lol <- I am not looking up how to spell this

The bannister being part of the bookshelf why did this make me laugh this hard

Ken Jeong actually reaching into the heart of everything and casually tearing into it Temple of Doom style and leaving everything to ruin lmao

I miss people getting too close to me (feral noises)

Ewan McGregor is cute and I am shallow 🥰

AU where Simon Pegg and Nick Frost did Staged and honestly it would still work aside from being dangerously heterosexual

Simon & Nick doing the Staged 1 back and forth but literally? mmmm that’s sum gud meta

Oh right I forgot the actual writer Simon’s in it too. He’s still good. I like his Zoom tantrum

Jim Parsons unconvincingly looking for his phone after he casually tells David that he and Michael are obviously in love and everyone sees it lmao

David Tennant has the unique ability to make this absolutely insane face reserved specifically for the emotion “oh shit I’m in love with Michael Sheen” which like

I could kill the Good Omens costume department rn I stg take off those fucking sunglasses I’m so mad

Ohhhhhhhh yeah this is a love story

The Frozen snowman being the big bad final boss of cunt, oof you gotta love a good villain

Michael’s monologue the only one not in the kitchen area just breaking down completely I mean *claps until my hands fall off* he put his whole pussy into it. The frustration? The despair? I mean it felt like an audition monologue (in a good way) he walked through the valley in the shadow and death and came back a broken man with a fuzzier beard

CATE BLANCHETT ZOOM SNIPE

Apparently people didn’t like Phoebe Waller Bridge in the new Indiana Jones movie which I haven’t seen but idk I thought she was pretty funny and hot here. *ding*

MOOMIN MUG SPOTTED

The use of travel as a metaphor for feeling stuck emotionally *clenches fist*

“I like silence” *screaming from the other room*

“It’s like gas filling a room” <- fascinating way to describe their dynamic, it’s specifically referring to aimless conversations that snowball and “fill up a room” but it could also refer to the palpable energy between them— like even through the abstraction of a computer screen there’s this magnetic force that’s just riveting, it’s hard to describe

“We haven’t talked about love” > Seen at 2:17 PM LMAO

Michael alone with the black frame lingering shot. Acting and editing and directing choices so simple and on point. everything hurts

Struggling to say goodbye on Zoom physically reaching out unable to leave the frame that whole scene was just. You can just feel the love through the screen, it’s so layered and intimate despite essentially being “No you hang up first”

Zoom wedding! He stayed!!

I wonder if that’s Michael Sheen’s actual best friend. That would be cute

Anna whispering and telling him “nah I know your bestie is literally an hour away but he can’t come over lol” like??? why? let them love each other I cannot handle this villain arc

“I have to bring that one otherwise my tits will explode” Wait wasn’t she drinking earlier though? #ShivRoyMoment

“I was standing outside your job for four hours because I love you” <- dog from Up moment

Yes he is legally a Hobbit

The car window as an abstraction like the Zoom boxes *continued feral noises*

The direction of David putting his hand on the window and Michael walking away only then revealing Anna and the baby far in the background? We’re in 3 dimensions and they are all painful!!

Okay yeah I get it it’s a love story but I thought this was a comedy haha right guys why does everything hurt

It ends on that meta moment between David and Georgia which I can only assume is to set up for the third season although I dunno if that was planned at the time as well. It’s ambiguous but not distracting if they didn’t make another one

tl; dr: Staged 2 is a unique and excellent addition to Staged 1. The added meta textual layer of the other celebrities breaking down their relationship based on Staged 1 allows for a lot of “hiding behind my hands so embarrassed” moments, but also by pitting them against each other, it reveals their actual love for each other through the bickering. Season 1 on its own is a nice vignette of its time but season 2 with it adds a tension and intimacy that really takes both over the top

Kinda dreading watching Staged 3 since it seems like people overwhelmingly like it less than the other two because of the loss of the Zoom format and constant arguing, but I’m already in this far deep so I’ll stick the landing

To wit— awwwwwww, they love each other!

[metatronhateblog]

Was at a convention this weekend and met an SFX artist who worked on the heavenly trial in Good Omens 2. Really amazing work and it was an honor to meet them. But I am very sad to say that we were informed that the angelic language on the pillars doesn't translate to any words or anything. So sadly they don't say anything which....sucks but it also makes me feel mildly relieved cause that's one less thing to focus on.

Keep an eye out for more meta posts coming soon.

[grntaire]

what are your thoughts on GOmens: the Musical? The (very technically crude) few performances I’ve seen were lovely songs, and I hope they get a proper budget to fulfill the vision. ideally complete with a life-sized Bentley that “drives” (on an independent platform ofc), elaborate set design, a full orchestra, personally designed costumes and lots of fun SFX to include a real flaming sword.

i haven’t seen much of it! what i have seen was some excellent acting and the pit sounded great but i really haven’t heard much of the singing. i personally feel like good omens as a musical (or in a stage adaption at all) would have to be super kitschy to make it work. as for budget there’s two wolves inside of me. imo for a musical the first expenses should be on your pit bc no matter how good everything looks, if your players don’t sound professional then the whole thing flops!

as much as i’d love fully fledged elaborate costuming and set design i really cannot imagine a good omens stage production of any kind looking like anything other than a starkid show lmao. something almost egregiously comedic and intentionally minimalistic in a high quality way.

[ingravinoveritas]

So I have question and I thought maybe you would have insights. I'm not British or American, so maybe things work differently than I understand. Michael's new drama on BBC Best Interests had started this week. I was surprised there was no interview with Michael about it from what I've seen. Usually when a TV show go on air there are at least some articles or talk shows with the main actors, so why he is so silent? He also didn't post anything about it or good omens s2, which also made me a bit worried. I know he's directing a series now but I expected he would at least post something about them. I don't want to be pessimistic but I'm preparing myself for a letdown with GO s2 promoting. Neil already said something about the fact that second seasons don't get the same level of events if I remember correctly, and he wouldn't be able to promote it due to the strike, and I was really excited about all the new Michael and David content we will get but what if there will be nothing almost? Is it a possibility? If best interests isn't being promoted by him maybe GO will not be promoted too? That will break my heart a little.

(Also I saw one episode of BI and I thought it was interesting, moving and Michael and the actor who played his wife were incredible. It is such a different character for him, his range is truelly incredible).

Hello, Anon! Again, apologies for being a bit delayed in answering this, but I appreciate you writing in to me.

So yes, Michael's show Best Interests did air a few weeks ago (I've seen almost all of the episodes and am hoping to write a review of it as I make my way through all my Anons). I can tell you that he actually did do some interviews for it--this one here in the Guardian, and this one in the Telegraph, and there might have been others that I've missed, though @invisibleicewands would probably know for sure.

I think there are a couple of things that happened with these interviews, which is that any promotion to BI unfortunately got overshadowed by the clickbait headline on the Telegraph article that ultimately led to a few clashes on Twitter between Michael and Laurence Fox (Billie Piper's ex, of all people?) about Michael's comments related to non-Welsh actors playing Welsh roles. So that, along with Michael continuously working on The Way (the series he was directing) nonstop is what I think kept him off of social media up until now.

(I will say, though, that it is curiously worth noting that Michael didn't do any kind of promotion for Staged 3, and all of that seemed to fall to Georgia and AL to repeatedly post about on their socials instead...)

As for GO 2, yes, it is true that the Writers' strike and possible impending SAG strike have thrown multiple wrenches into the proceedings (for instance, the GO 2 panel that was to have taken place at SDCC has been cancelled, as has the signing that was scheduled there). But there have already been snippets from an interview with Michael and David in SFX magazine floating around (along with another article in Radio Times that has invoked the ire of much of the fandom). Also, with any luck, you've been on Twitter today, because our Michael seems to have returned to form with a vengeance. His header photo is now one of the GO 2 photos of Aziraphale and Crowley:

And he's been tweeting up a gloriously chaotic storm this evening, after months and months of silence (and probably being locked up in Neil's basement):

My guess is that whatever kept Michael from talking before now--probably an NDA, per the contract he signed for the second season--has expired, and now he's coming out swinging. I've previously talked about the kinds of things Michael tweeted when the first season came out, but if you weren't here for that, it was basically a level of feral that he seemed to strive to surpass with every successive tweet. Given how much has happened since then, I think we are in for fandom-breaking tweets the likes of which probably go far beyond what any of us have imagined.

And--perhaps best of all--we do have one confirmed talk show appearance with Michael and David, on the One Show on BBC 2 tomorrow! (I've gotten an intriguing Anon about that as well, which I will be answering shortly.) So take heart, Anon, for all is undoubtedly not lost. It's likely that these interviews were planned well in advance, which means there could also be more interviews still to come. This press tour may not have the breadth and scope of the first season, but if Michael and David together, it's more than guaranteed to be something special.

I hope this has lifted your spirits some, Anon. Thank you for writing in! xx