#sharat saxena

[bollywoodirect]

37 Years of Mr. India (25/05/1987). Mr. India is a superhero film directed by Shekhar Kapur and produced by Boney Kapoor and Surinder Kapoor under the Narsimha Enterprises banner. The film's story and screenplay were written by the duo Salim-Javed, marking their last collaboration before their split. Starring Ashok Kumar, Anil Kapoor, Sridevi, Amrish Puri, Annu Kapoor, Satish Kaushik, Bob Christo, Ahmed Khan, Aftab Shivdasani, Yunus Parvez, Sharat Saxena, Ajit Vachani, Gurbachan Singh and Ramesh Deo. The film tells the story of Arun Verma (Kapoor), a humble violinist and philanthropist who receives a device that grants him invisibility. While renting out his house to pay his debts, he meets journalist Seema Sahni (Sridevi) and falls in love with her. Meanwhile, the villain Mogambo (Puri) plans to conquer India. The film was shot by Baba Azmi in Srinagar, Mumbai, and other locations in India, starting in July 1985 and concluding after 350 days. The music was composed by Laxmikant-Pyarelal, with lyrics by Javed Akhtar. The film was edited by Waman Bhonsle and Gurudutt Shirali, with special effects by Peter Pereira. Mr. India was a breakthrough for its director and cast and became a milestone in Hindi cinema for its unique superhero genre. It inspired several Indian films in later years. The film was remade in Tamil as En Rathathin Rathame (1989) and in Kannada as Jai Karnataka (1989).

[parveenbabimemories1]

Directed By ramesh sippy

Written by Javad Akhtar, Salim Khan

Cast Sunil Dutt, Amitabh Bachachan, Parveen Babi, shashi kapoor, Shatrughan Sinha, rakhee gulzar, Bindiya Goswami, helen, bindu, johnny walker, mac mohan,

Sudhir Pandey, Kulbhushan Kharbanda,

Sharat Saxena,

Produced by G.P Sippy, Suresh Sippy

Music By Rahul Dev Burman

(as R.D. Burman)

Cinematography by

S.M anwer

EDITING BY

M.S Shinde

Second Unit Director or Assistant

D.R. Thakkar

Stunts

Mohammed Ali

stunt arranger (as Mohd. Ali)

Gerry Crampton

stunt arranger

Music Department

Anand Bakshi, Asha Bhonsle, RD Burman, Kishore Kumar, usha Mangeshkar, mohammed rafi, usha uthup

P.L. Raj

choreographer

12 December 1980

Production

company

Sippy Films

Distributed by

Eros International

Rajshri Productions

Did you know

Yamma Yamma..R.D. Burman was not satisfied with Mohammed Rafi's singing in this song and was planning to re-record it. However, that never happened because Rafi passed away soon after the original recording. It was the only song which R.D. Burman and Rafi sang together.

The January 1980 edition of Stardust magazine stated that when Parveen Babi went to Europe with Kabir Bedi, there was no hope of her returning back to India. The only other actress who had a westernized image who could replace Parveen Babi was Simi Garewal. Ramesh Sippy verbally spoke to Simi Garewal and told her the role was hers. But Parveen Babi returned back to work and Simi was bumped out of the film.

Parveen Babi suffered her first nervous breakdown on the sets of Shaan. When she completed to shoot of the song Pyar Karnewale she got the attack. After this song there is a scene Parveen Babi is in the car, she stops the car, then Amitabh Bachchan sits in the car, this scene was shot when Parveen Babi came back from U.S.and she resumed work by shooting this scene.

[mgcem]

Bhagam Bhag ke Sharat Saxena Ji be like: Baat toh Sahi hai!✨️

The post is meant for entertainment purposes only and we do not intend to hurt the sentiments of any individual, community, sect or religion.

For @mgcem / MG PLUS Dealership / Distributorship,

Call/Whatsapp 080049 82291

India Ka Number One Premium White Cement Wash MG CEM aka an Advance Replacement to the Best White Cement in India & Premium Powder Based Cement Primer MG PLUS Ki Details Ke Liye, Visit 🌐 www.mgcem.com

#MG #Cem #Cement #Plus #Primer #Premium #PowderBased #Paint #Base #Coat #WhiteWash #LimeWash #First #Maharaja #Eshan #White #Ujala #Coverage #Whiteness #Wall #Putty #Smart #Lime #Gold #Balaji #Shree #Plaster #WhiteCement #MastermindGroup

[getmemymicroscope]

Apparently this story is based on that of Basic Instinct. Now I've never seen that movie, but anyone that knows movies knows about the scenes that made it controversial. And anyone that knows Bollywood knows those sort of scenes would never make it into the movie (which is fine, that's not why I was watching this movie anyways). But like, I figured there must've been something to that story, right? (Of course, reading about it now, I also read that it had overtly LGBTQ characters, which also may not have flown in Bollywood - especially in 2004.) … That, of course, means that they needed to alter the story a bit to make it flow and make it acceptable for the audience.

And - well, I don't know if they did that or just decided to leave it alone and see what happens, because, well - this is not a good movie. The acting is miserable, even with names like Manoj Bajpayee and Sharat Saxena and Isha Koppikar - folks whom you know can act. The music is horrific and the dancing, somehow, is even worse - and, on top of that, it works to automatically stunt any sort of progress that is being made in terms of tone and excitement and thrill (which, to be honest, there is essentially none). The story is bad, and predictable, and their clichéd 'reason why the criminal is doing the bad things' is, well, very cliché.

One of the biggest problems, though, is that none of our characters … well, let's go with main characters, because Sharat Saxena doesn't need to be included in this .. none of our main characters are the least bit likeable. Not at all! And, as the movie progresses, it gets even worse. I mean, maybe you think Dr. Mehak isn't so bad - but then, she's a doctor who is very clearly sleeping with her patient, so that's an ethical quandary that immediate makes my brain shut off. (Also, she's a doctor who is going to crime scenes, which makes no sense, and makes essentially no effort to hide their relationship, which also makes no sense - since she's supposed to be evaluating his mental condition for the department.) But our other two leads, right from the moment they show up, are shown to be ridiculously self-centered, self-absorbed, "I'm above the law" nobodies who you never want to even think about rooting for. It's a pain.

And probably the biggest death knell for the movie (much like Blue, yesterday) - it is so boring. Partially because of the random songs and scenes that undercut any build-up in momentum, or because of just having to spend too much time with our empathy-lacking characters, but nothing that happens is exciting in the least. There's a death, and then a visit to the crime scene - which makes sense - but that's immediately followed by Uday accosting Avantika or some random slow scene that adds little. Rinse and repeat, until the end. Her reasoning for everything makes no sense - like, so much built up hatred over years is insane. (And how did a young kid even know how to mess with the brakes in the car?!) You're just waiting for it to end, and hoping there's no more songs or new characters or any more random 'time for some emotion' scenes. Just waiting for them to officially reveal the baddie.

Yawn.

[amongxylophonesandglockenspiels]

Bollywood Movies Part CCXII: The Mollywood Takeover Part XLI

Vidya Vincent (Vidya Balan) takes up her new post as a Divisional Forest Officer during a series of tiger attacks. She works to safely move the tiger to a protected wildlife reserve while the local politicians hire tiger hunter Ranjan Rajhans (Sharat Saxena) to kill the tiger.

Sherni is a good environmentalist film that does a pretty good job showing why dangerous animals should still be allowed to live. It helps that the focus of the film is the tiger, a charismatic animal. It has good acting and a good story. I especially enjoyed Vijay Raaz as entomologist Hassan Noorani who helps the Forest Office. Favorite song is Bandar Baant (no subtitles).

Journalist Medha (Aditi Balan) and Detective Sathyajith (Prithviraj Sukumaran) separately investigate Eva Maria's (Athmiya Rajan) murder.

Cold Case is a slightly supernatural thriller. I don't remember much of the film. Favorite song is Eeran Mukil (English subtitles).

During lockdown, Jithin (Jitin Puthenchery) and Maria (Rima Kallingal) go to a clinic because of a suspected pregnancy.

Santhoshathinte Onnam Rahasyam is an interesting watch because it fully takes place in the car Jithin and Maria are driving in. It is really about Maria and Jithin's relationship and their fears and hopes, as well as the mundanity of their drive during lockdown. I enjoyed it. Favorite song is Pakalukal (no subtitles).

[bolllywoodhungama]

Naseeruddin Shah, Vijay Varma, Fatima Sana Shaikh unite for Manish Malhotra’s production Ul Jalool Ishq : Bollywood News — Bollywood Hungama

The film will be directed by Vibhu Puri with Vishal Bhardwaj and Gulzar’s involvement in the project. The shooting for the film commences on January 9.

Naseeruddin Shah, Vijay Varma, Fatima Sana Shaikh unite for Manish Malhotra’s production Ul Jalool Ishq

Manish took to his Instagram account on Tuesday to share a few photos of the cast and wrote, “Bewakoofiyan, Nadan galtiyan, badi bhool hai ishq; Sach Poochiye toh mere huzoor ul jalool hai ishq! I am so happy to announce Stage5 Production’s third film production. A beautiful film, Ul Jalool Ishq, written and directed by Vibhu Puri, starts shooting on January 9 with this supremely talented cast: Naseeruddin Shah, Vijay Varma, Fatima Sana Shaikh, and Sharib Hashmi. It is an honour to work with Gulzar and Vishal Bhardwaj, produced by Dinesh Malhotra.”

Last year, Manish Malhotra announced two of his productions. One is Bun Tikki which features veteran actors Zeenat Aman and Shabana Azmi, along with Abhay Deol. It is being directed by Faraz Arif Ansari. The second project is Train from Chhapraula, marking the directorial debut of Tisca Chopra. The film features Sharat Saxena and Radhika Apte in lead roles.

View this post on Instagram

A post shared by Manish Malhotra (@manishmalhotra05)

[philophi9999]

Watch "I Have Never Got An Award | Sharat Saxena On Salim - Javed | Kaala Patthar | Ghulam" on YouTube

KOI YE MC NAHII HAIN...😄😄

[sightego]

duplicate (1998)

[shahrukhlove]

FAVORITE SRK DIALOGUES ↳ Apka koi judwaa bhai hai? Nahi to! Mera bhi nahi

BAADSHAH - 1999

[bollywoodirect]

"Peeli dhoop pehenke tum Dekho baag mein mat jaana

Bhanwre tumko sab chhedenge

Phoolon mein mat jaana"

21 Years of Saathiya (20/12/2002). Saathiya is directed by Shaad Ali and produced by Mani Ratnam and Yash Chopra. The film stars Rani Mukerji, Vivek Oberoi, Sandhya Mridul, Sharat Saxena, Shahrukh Khan and Tabu. Songs by A.R. Rahman and Gulzar.

[salmankhanholics]

★“Randhir Kapoor gave me the name ‘Sexy’. Then Amitabh Bachchan also started calling me ‘Sexy’. Salman Khan changed it to ‘Sexy sir’” – Sharat Saxena  I did many films with Salman Khan. Unke saath bhi acchi pehchaan ho gayi hai. With Shah Rukh Khan, I think I have only done 1 or 2 films. Aamir Khan ke saath bhi 2-3 films kari hai. It’s also been great working with these guys. Jitne bhi hamare heroes hai, woh basically acche log hai. They are hard-working and don’t have any ego problems. They are just like you and me

August 18, 2021

[getmemymicroscope]

I mean, Saat Samundar Paar pretty much makes this entire movie, undoubtedly. Even now, years later, the catchiness is unmistakable. Absolutely love it.

As would be expected in an early 90s Bollywood movie, we have a 3-hour long (almost) multi-starrer action flick with traumatic, flashback-driven, backstories; confusion and mistrust amongst our stars until right before the climax; at least one song/dance for each of the couples; interspersed comedy and comic relief that is hit-or-miss; and pretty much every antagonist actor that was the rage at the time (though, maybe surprisingly, a couple of them take their turns as good guys here). I mean: Amrish Puri, Gulshan Grover, Tej Sapru, Kiran Kumar (briefly), Dalip Tahil, Sharat Saxena, Raza Murad, Vishwajeet Pradhan, and on-and-on.

And it jumps back-and-forth amongst this story, us knowing the truth even when the characters don't, until they need them to know. But thru that, we get some good scenes between the leads; some comedy from Chunky Pandey (and Gulshan Grover, as his sort-of foil); an introduction to Divya Bharti and Jyotsna Singh (also a farewell for her, as apparently this was the only movie she did); and, along with that, actresses who do actually get somewhat big roles. They even get a minute at being in charge in the climax, before Gulshan Grover somehow pulls a bunch of snakes out of nowhere (snakes that, after scaring them into dropping the guns - which, I feel you, I would've reacted the same - do absolutely nothing).

The biggest surprise, in a good way, was the Vishwatma theme music - it took me a minute when it first came on in the opening credits, but I finally did get where I knew it from: 'Mere Samne Hai,' an awesome slow-paced love song from Yaar Gaddar (which actually released two years after this movie). But that music played in the background frequently, especially in dramatic moments and during the climax fight and, honestly, while it's weird hearing what I know as music from a love song used in that way, it's pretty fitting in that way too. I really, really liked it. Post-movie, it's almost even taking over my headspace - and that's despite Saat Samundar Paar! But both are great!

The other songs are more 'meh', but the "oh oh oh oh oh" that shows up multiple times (first in Dil Le Gayi Teri Bindiya, then in Toofan, then in the final credits, which I figure is Dil Le Gayi again - which is weird, because why would you not use Saat Samundar Par at the ending?!) is pretty cool too. Especially, and this I'm completely serious about this, when Amrish Puri (and all the other baddies) start shaking a leg in Toofan. Like, so often the villains are so wooden and just 'evil all the time' and it's just ... entertaining ... to see them with this more human, onion-layer (to borrow from Shrek), "I want to dance" sort of mood (I mean, we frequently see it in a more vulgar, "ooh cute girl and I'm a creep" way, but this is less than and more just him dancing along and being like "I win, you lose" - and I'm all for it). Of course, we know what end is awaiting them while they don't, but that's the point, right - like, they might be villains, but clearly they also must enjoy something. And it's entertaining to see it come out here - something you probably would see less of now, in the shorter and usually "serious means full serious" movies, but back when you had 3 hour movies, you had the ability to throw in a comic angle to the baddies as well (again, see Gulshan Grover). Yeah, when Amrish started dancing there in that song, I definitely started laughing. ... They actually also danced in Dil Le Gayi Bindya, so clearly they're just a very dance-happy group of baddies, and I support that (as a non-dancer myself) completely. It's nice to see them have some semblance of a life. ... Of course, that doesn't chance the fact that they're all evil creeps and deserved exactly what they got. (Also, considering where she died and that it appeared to be Gulshan Grover's office, how did Naseeruddin's initial apparently 'thorough' search for his wife's killer not lead to any viable suspects?)

Bindya is no Tirchi Topi Wale, though it feels they were clearly going for that same sort of feeling with the song. But then, it's hard to recreate magic like that with the same sort of song - and they instead created it elsewhere with Saat Samundar Paar, which is one of my favoritest songs of all time.

I really did enjoy this movie - and, honestly, as I read the trivia about it, I'm glad they went with Chunky Pandey instead of Jackie Shroff. Not sure how well he would've worked in that role. But then, I haven't seen Tridev yet - so I'll add that to my list, I guess. But I guess I've just never been a huge Shroff fan, for some reason or another. Sunny Deol plays a role that I feel we've seen him in many times - before and after - and he does with it exactly what you'd expect. And I think all the leads do come together to make this pretty fun overall. Much enjoyed, even at its 2 hr 53 min runtime.

Honestly, sometimes, I really miss having these longer movies that combine everything - fun, action, romance, ridiculousness - and I wish that they'd go back to this - albeit, admittedly, less 'actresses are just here for show' story line. Like, yeah, if it is done poorly (which I know it very frequently was), 3 hours can drag, but if it is done well, 2.5-3 hrs can be a pretty entertaining movie. As this one is.

[maadalaadlahere]

THIS IS BIG - He said that I told Salman the idea & he is also excited. But i am looking for a proper vehicle to carry it forward. I hope it materialises. 🔥

...

...

#bajrangibhaijaan #bajrangibhaijaan2 #salmankhan #harshalimalhotra #sequel #nawazuddinsiddiqui #sharatsaxena #kareena #kareenakapoorkhan #kareenakapoor #salman #beingsalmankhan #salmankhanfilms #6yearsofbajrangibhaijaan #kabirkhan #maadalaadlahere

[philophi9999]

Watch "I Have Never Got An Award | Sharat Saxena On Salim - Javed | Kaala Patthar | Ghulam" on YouTube

KOI YE MC NAHII HAIN...😄😄