#shatto

[oldshowbiz]

Follow Up (1959) featuring the familiar Los Angeles “shotgun signs” 

[hauntedbystorytelling]

Ron Bull :: Cindy Shatto dips her head into a downturn in the final of Olympic platform diving. Canada, July 25th, 1976. | src Getty Images

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[fearsmagazine]

SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW - Review

DATES: Sunday, Oct. 1, 2023 to Jan 1st, 2024 COMPANY: Cooper Jordan Entertainment THEATER: AMT Theatre, 345 West 45th Street, new York, NY ACTORS: Bart Shatto, Adam Parbhoo, Jill Owen, and Donnell Johnson. CREW: Created by Cooper Jordan; Book Zoe Ann Jordan; Music & lyrics by Patrick Spencer & Anthony De Angelis; Directed by Stephanie Rosenberg; Music direction by Leigh Pomeranz; Sound Designer Ryan Gravett; Fight Director Dan Renkin; Production Manager Sarah Thurmond; Production Stage Manager Gabrielle P. Guagenti

SYNOPSIS: “SAW The Musical captures the events of the first movie, parodying the Saw that started it all. Lawrence Gordon and Adam Stanheight find each other for the first time in the bathroom trap. Will they follow "the rules" as they discover each other's secrets? Will they escape the game in time and “saw” right through? A love story with fluidity (and lots more fluids), SAW The Musical: The Unauthorized Parody pushes the boundary on sexuality and how to love.” -Press Release

REVIEW: Even though they are related, there's a fine line between comedy, parody and satire. A satire can be painful, and not necessarily in a good way. SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW, after a run in Philadelphia comes to New York Off-Broadway this Halloween season.

The plot follows that of James Wan & Leigh Whannell 2004 film and mixes in a healthy bunch of musical numbers and satire. One of the key driving forces of the satire is the quickly blossoming sexual tension between Adam and Dr. Gordon. Other characters from the film, Jigsaw, Amanda and Zep receive some coverage and you can’t have “Saw” without the puppet, even making an appearance on a tricycle. The sexual innuendos felt crafted more for shock value than to be witty, as they fell flat on this viewer’s ears and seemed more sophomoric than cleaver.

In contrast, several of the songs were funny and witty, several feeling also sophomoric. As a fan of Monty Python, I’m also a fan of their song book. They could be off-color and vulgar, but had sharp witted lyrics and you understood the satire. Songs like “Saw Right Through,” "I'm Your Heroine," “I Want to Play a Game,” and “Pig in a Wig” come close, while songs like “Filthy Things” felt like they were pounding home the joke at the audience’s expense. The musical tracks were played over a nice sound system. However, there were a few times where the singers were off key. Actress Jill Owen had some of the best musical numbers in the show, but alas she was off key a few times.

The trio of actors are put through their paces with numerous scene changes and custom swaps that leave them little time to catch their breath between songs. During the performance I attended the blackouts were rather long and one of them they rest the musical cue as the actors were not ready by the end of the first go round. The production felt a bit chaotic as the costumes and props constantly felt a tad out of place. At one point the puppet seemed to be falling apart.

I went into SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW with a clean slate, no expectations, hoping for a few good laughs. There were times I felt the play dragging, the energy levels dipping between musical numbers. I didn’t have a bad time, just not a good one. Granted it is an Off-Broadway production, staged in a black box theater, and there were some likable things about the production. The level of the performance I attended felt more like an off-off-off Broadway production and left me feeling less invigorated and feeling more like I needed a nap. It could have been an off night, as I saw the play a week prior to its opening night, but I still have a few issues with the writing that make for a lackluster recommendation.

SAW THE MUSICAL: THE UNAUTHORIZED PARODY OF SAW begins performances on September 16, 2023, at AMT Theater, located at 345 West 45th Street. It will play on Saturdays at 11 PM and Sundays at 5 PM (after 2pm & 8pm Broadway curtains come down), running 100 minutes with no intermission. Tickets are $41-$113 (incl. fees). Extremely limited “Super Saw VIP Front Row Seats” including The Bathroom Mirror Merch Box are available for every performance for $113 total ($110 + $3 fee), VIP Front Rows A-B at $98 ($95 + $3 fee), Premium at $78 ($75 + $3 fee), Orchestra at $61 ($58 + $ 3 fee) & Rear Orchestra / Mezz at $41 ($38 plus $3 fee) and are available by visiting SawtheMusical.com or at the AMT Theater Box Office in person or by calling 646-543-4385. All VIP Seats include “Pictures with Pigs in Wigs” on Stage following the performance.

Review By: Joseph B Mauceri

[lil-prince-who-did]

hat evhavin nightsmFres jud wana go bac to dleeo m so tiredfwneed hewd t be queit

[loveerran]

Could you elaborate on the JS sealing practices?

Great question! Thank you :)

What I am referring to (in this post) is the breadth and depth of the sealing power as envisioned and implemented by Joseph Smith and practiced in the early church. The original post speaks to how our family is more than just direct line descent or blood relations.

I've previously noted that 9 of Joseph's first 12 plural sealings were to women already legally married. Today, we regularly seal deceased women to more than one man (and deceased men to more than one woman) if they were married to more than one individual in mortality. We understand it will all be sorted out later.

But more interesting to many of us is the notion that sealings were performed for things other than marriages and the sealing of direct-line ancestors to direct-line progeny. Consider this account from the diary of John M. Bernhisel relating a sealing between friends and cousins, aunts and nephews and so on:

"The following named deceased persons were sealed to me on Oct 26th 1843, by President Joseph Smith: Maria Bernhisel, sister; Brother Samuel's wife, Catherine Kremer; Mary Shatto, (Aunt); Madalena Lupferd, (distant relative); Catherine Bernhisel, Aunt; Hannah Bower, Aunt; Elizabeth Sheively, Aunt; Hannah Bower, cousin; Maria Lawrence, (intimate friend); Sarah Crosby, intimate friend, /died May 11 1839/; Mary Ann Bloom, cousin."

A Gospel Topics essay notes early sealing practices may have been intended to extend family ties "both vertically, from parent to child, and horizontally, from one family to another".

Of additional interest is how proxy ordinances for the deceased, including proxy baptisms, could be performed by someone of any gender, prior to Brigham Young clarifying the same gender requirement in 1845. We also note non-related individuals were sealed by adoption to Joseph Smith, Brigham Young and other church leaders, including men sealed to men as father/son adoptive pairs.

Some believe our current evolution in practice aligns itself more closely to God's will and the original practice was at fault or incomplete. However, I give Joseph's expansive vision a lot of room. And the truth is that non-family, non-lineal sealings were performed by Joseph and others. Will those sealings be honored in the eternities, or will they be null and void? I have a hard time believing the latter. And what of OP's case for "the spinster aunt who had no kids but made sure that three of the six kids her sister abandoned survived into adulthood"? Church doctrine is big on adoption already, and I can only imagine that relationships like found family and adoption continue in the eternities.

To me, the sealing vision feels more expansive than our current understanding and practice may be.

[sawthemusical]

We welcome our brilliantly talented cast to play our Off Broadway game this year! We're excited to see what they have in store for Saw The Musical: The Unauthorized Parody Of Saw!

Dr. Gordon/Zepp: Bart Shatto Amanda/Jigsaw/Alison: Jill Owen Adam/Diana: Adam Parbhoo Dr. Gordon/Zepp (1st u/s): Patrick Voss Davis Amanda/Jigsaw/Alison (swing): Gabrielle Goodman Amanda/Jigsaw/Alison (1st u/s): Morgan Traud Adam/Diana (swing) & Gordon/Zepp (u/s): Danny Durr Amanda/Jigsaw/Alison (2nd u/s): Jessica Morilak Adam/Diana (1st u/s): James Lynch Adam/Diana (2nd u/s): Thomas Skea Voice of Det. Tapp: Donnell Johnson

[abwwia]

Rising New Zealand artist Emma McIntyre has gotten representation with David Zwirner, one of the world’s biggest galleries. The 33-year-old painter is now the youngest artist in Zwirner’s stable. | photo Brad Torchia | https://www.artnews.com/art-news/news/emma-mcintyre-david-zwirner-representation-chateau-shatto-1234697744

[booklindworm]

Amatakka word list part 10

sehpamee - amee bark, the inner bark has a sweet-spicy flavor, similar to cinnamon (not gendered) [fialleril, January 02, 2017]

sehpu - bark, bast (not gendered) [BLW]

selentakka - Sleantah, another slave creole, a mixture of Túathcanúint, Twi'lekian Ryl, Basic, and some other languages; influenced by Amatakka and influencing Amatakka (not gendered) [Amatakka translation: BLW]/[Sleantah is from a fanfiction, I just don't really remember which]

sese - fly, flying insect (n) [BLW]

shammanu - Dragonsnake, a great aquatic dragon living in (among other places) the waters of Nal Hutta (n) [TCW Hunt for Ziro //translation by BLW]

sharu, shamaru - sluice, apply water, irrigate (not gendered) [BLW]

shashtu - bowl, cup (not gendered) [BLW]

shatto - fast, faster, from Huttese shado (not gendered) [BLW]

shem - knowledge, knowing (not gendered) [conjecture re: shmi, shmina]

shihrapalu - space!jerky, jerked meat of a dewback or a bantha; one of Tatooine's few exports [BLW]

shihr-kild - meat from dewbacks (not gendered) [BLW]

shihr, shihrtu - meat, meaty (not gendered) [BLW]

shihr-sihru - meat from rats (not gendered) [BLW]

shiik - Tatooine red beer, a common beverage with very little alcohol, cheaper than water or fresh milk (not gendered) [Naasade DS 20 Mirage //translation by BLW]

shmi - 1 wise person, wise one (n) [DAV 15 Children of the Force]

shmi - 2 first name of Shmi Ekkreth, she who sees the way [Naasade DS 2 Ruin]

shmina - 1 wisdom [DAV 15 Children of the Force]

shmina - 2 one of the symbols Anakin carved into Leia’s lightsaber in the Double Agent Vader ‘verse [DAV 15 Children of the Force]

shubbe - nausage, a sausage or otherwise cooked and prepared dish from ground meat or bread leftovers, along with salt and spices; likely served with eperu-lappa (dustcrepes) [The New Jedi Order: Star by Star //translation by BLW]

shulku - fit, suitable (not gendered) [BLW]

shursu - root, foundation, base (not gendered) [BLW]

shutinnu - bat, any flying mammal (n) [BLW]

shutinnu-sudu - whirling bat, whirlbat, animal hunted on Nal Hutta (n) [WotC Tempest Feud //translation by BLW]

sidi-qish - sidi gourd, item of produce found at the Mos Espa marketplace (not gendered) [TPM][Episode I The Visual Dictionary]

sihra - rat (n) [BLW]

silya - 1 a (medicinal) plant, it withstands "a thousand ailments" (not gendered) [BLW]

silya - 2 name of a member of the Darklighter family on Tatooine, Silya Yanome (f), Biggs' step-aunt [ANH novelization]

si - way, a way of thinking, religion, teaching (not gendered) [BLW]

skal - aggression, fight (not gendered) [conjecture re: depuskalta]

skaldepan - gladiator, unfree guard or soldier, literally aggression on a leash (n) [BLW]

skalta - killing, killer, winner (of a fight) (not gendered) [conjecture re: depuskalta]

skutz - scurrier, a rodent native to Tatooine, often considered a pest (from Huttese) (n) [SW Galaxies //translation by BLW]

slikatakkan - Ancient Klatooinian, a (by now rarely spoken) language of Klatooine; the Klatooinian natives usually speak only Huttese [Dangerous Covenants //translation by BLW]

spida - speeder, from Jawaese speeda (not gendered) [BLW]

sudu - whirling, spinning, swirling (not gendered) [BLW]

suru - canal, ditch, puddle (not gendered) [BLW]

sylo - poet, story-teller, from Ryl siolo (n) [BLW]

tabtu - salt for preserving meat, fish (not gendered) [BLW]

tag, tagr - white (not gendered), the color of the white-hot noonday suns, a powerful, multivalent symbol that can mean strength, ferocity, heat, and death [fialleril, June 01, 2016 //translation by BLW]

ta - hide-out, shelter, a safe place (not gendered) [conjecture re: chelik-ta]

tahu - to murder, to kill violently (from the Rakatan word for death, tah) (not gendered) [BLW]

takka - tongue, language, dialect (not gendered) [conjecture re: amatakka]

tak - tan, light brown, brown (from the Ryl word), a neutral color - gradations of brown and tan are the colors of the desert, the baseline of life [fialleril, June 01, 2016 //translation by BLW]

tando - fix, from Jawaese tando (not gendered) [BLW]

tapa - thank you, from Jawaese taa baa (not gendered) [BLW]

tar-levu - latke, literally potatoe-heart (not gendered) [@skywvlked, 04.18.2017]

tar- - made from root-vegetables and tubers, especially ansar root (not gendered) [fialleril, January 02, 2017]

tar-mish - dumplings, literally potatoe-ball (not gendered) [fialleril, January 02, 2017]

tavekriti - little red bird, one of the epithets of Ekkreth (n) or (o) [@triscribe, August 12, 2018]

tavetabtu - red salt (not gendered) [BLW]

tavru - red (not gendered), the color of Ekkreth, and therefore symbolizing courage, mischief, secret knowledge, disobedience, and laughter [fialleril, June 01, 2016][@triscribe, Apr 20th, 2020]

te masu em anu - expression of love; literally means “You are my freedom” (originally te masu em lukkema) [fialleril, January 02, 2017 //slight changes by BLW]

te masu nu - you are called, your name is [fialleril, December 05, 2017]

te masu - you are, you have, you represent [fialleril, December 05, 2017]

tematta - help, assistance [conjecture re: tematta nel uttar]

tematta nalla - midwife (n) [Amatakka, conjecture]

tematta nel uttar - "help from the core (worlds)." It's an idiom that's most commonly used to mean either "help that is never coming" or "help that just makes everything worse." [fialleril, June 01, 2018]

tena - 1 that which grows, that is, a plant (not gendered) [fialleril, august 16, 2016]

tena - 2 given name of Tena the Unfettered, the first to hear the voice of Ar-Amu in the whirlwind, it was she to whom Ar-Amu first made the promise that her children would one day be free (f) [fialleril, august 16, 2016]

tenarakin - 1 growth-bringer (n) [DAV 9 Trickster Steals the Moon]

tenarakin - 2 one of the three moons of Tatooine (n) (a Tatooine word); the Hutts call it Guermessa [DAV 9 Trickster Steals the Moon]

tenar - growth (not gendered) [conjecture re: tenarakin]

siolo is from the Star Wars Roleplaying Game Galactic Campaign Guide.

[aefeafee]

3月11日是抗議中共侵略西藏藏人起義65週年紀念日，洛杉磯中共領事館藏人朋友四大人權組織將聯合和平抗議中共👊 歡迎大家與西藏朋友一起聲討中共暴政！ 日期：2024年3月11日 時間：4:00 PM -7 PM 地址：洛杉磯中國領事館門前 443 Shatto Place, Los Angeles

[galilahzdanowicz]

为了自由战胜恐惧西藏反抗纪念日活动

日期：2024年3月10日星期天下午1时至下午4时 地点：洛杉矶中国领事馆门前443 Shatto Place, Los Angeles

为纪念1959年3月10日拉萨藏人在布达拉宫广场上的勇敢抗暴中牺牲的生命，我们号召大家在3月10号都上街用行动支持这些为了自由战胜恐惧的藏人！

希望有志之士一起加入我们的队伍，如有忌讳请带口罩、墨镜参与，可通过此链接提交报名表格（可匿名）。

活动方 美国藏人社区 freetibetusa@gmail.com

[zeebdeslauriers]

为了自由战胜恐惧西藏反抗纪念日活动

日期：2024年3月10日星期天下午1时至下午4时 地点：洛杉矶中国领事馆门前443 Shatto Place, Los Angeles

为纪念1959年3月10日拉萨藏人在布达拉宫广场上的勇敢抗暴中牺牲的生命，我们号召大家在3月10号都上街用行动支持这些为了自由战胜恐惧的藏人！

希望有志之士一起加入我们的队伍，如有忌讳请带口罩、墨镜参与，可通过此链接提交报名表格（可匿名）。

活动方 美国藏人社区 freetibetusa@gmail.com

[vergozunilda]

为了自由战胜恐惧西藏反抗纪念日活动

日期：2024年3月10日星期天下午1时至下午4时 地点：洛杉矶中国领事馆门前443 Shatto Place, Los Angeles

为纪念1959年3月10日拉萨藏人在布达拉宫广场上的勇敢抗暴中牺牲的生命，我们号召大家在3月10号都上街用行动支持这些为了自由战胜恐惧的藏人！

希望有志之士一起加入我们的队伍，如有忌讳请带口罩、墨镜参与，可通过此链接提交报名表格（可匿名）。

活动方 美国藏人社区 freetibetusa@gmail.com

[fearsmagazine]

SAW THE MUSICAL : THE UNAUTHORIZED PARODY OF SAW gets NY debut September2023

After a wildly successful run in Philadelphia, Cooper Jordan Entertainment will bring SAW The Musical: The Unauthorized Parody of Saw Off–Broadway this fall. Created by Cooper Jordan (DEX! A Killer Musical, The Rat Pack Undead), SAW The Musical has a book by Award -Winning Writer Zoe Ann Jordan (Virtuoso - NYCHFF) and music & lyrics by Patrick Spencer & Anthony De Angelis (An Axemas Story), and directed by Tony Award Winner Stephanie Rosenberg (Easter Bunny HOP! LIVE; Co-Producer: Moulin Rouge! The Musical, Anastasia) with music direction by Leigh Pomeranz (DEX! A Killer Musical). It will begin performances on September 16, 2023 in, advance of its opening on Sunday, October 1, 2023; the limited run is slated to run through January 1, 2024 at the AMT Theater (345 West 45th Street) in Midtown’s Theater District.

SAW The Musical: The Unauthorized Parody of Saw premieres Off-Broadway Fall 2023 in New York after its smash out-of-town tryout in Philadelphia last year! One of the most thought-provoking horror films of all time now is…a musical . SAW The Musical hilariously captures the events of the first movie, parodying the Saw that started it all, following from where Lawrence Gordon and Adam Stanheight find each other for the first time in the bathroom trap. Will they follow "the rules" as they discover each other's secrets? Will they escape the game in time and saw right through? A love story with fluidity (and lots more fluids), SAW The Musical: The Unauthorized Parody of Saw is Little Shop of Horrors meets Avenue Q , pushing the boundary on sexuality and how to love. {!Parental Advisory: Explicit Content}

"SAW The Musical: The Unauthorized Parody of Saw brings the iconic horror film to life on stage with a wickedly funny twist. Now is the perfect time to laugh at the macabre as we blend horror and hair-raising laughter, creating a unique musical experience that's both hilarious and thrilling. Get ready for a love story entangled in traps, secrets, and unexpected humor, pushing the boundaries of entertainment with a dash of explicit fun." Cooper Jordan, Creator and Producer

SAW The Musical: The Unauthorized Parody of Saw stars Bart Shatto (Bart Shatto Broadway (Dracula: the Musical - Quincey Morris), Tony- nominated War Paint) as Gordon, Adam Parbhoo (NY: Home’s Kitchen) as Adam, Jill Owen (NY Easter Bunny HOP! LIVE;) as Amanda/Alli/Jigsaw and Voiceover for Detective Tapp is by Donnell Johnson, with Danny Durr (National Tour: A Christmas Carol), Gabrielle Goodman (NY: Open, Stay), Patrick Voss Davis (Film: Lucky Louie. Regional: Newsies), James Lynch (New York: Baby Powder), Thomas Skea (Film: Out of Water), Morgan Traud (Regional: Mame), Jessica Morilak (“A Sketch of New York”). Additional cast TBA

The creative team includes Sound Designer Ryan Gravett (Sound Designer), Katie Reif (Associate Sound Designer), Dan Renkin (Fight Director), Sarah Thurmond (Production Manager), and Gabrielle P. Guagenti (Production Stage Manager). The Musical is produced by Cooper Jordan, Saw The Musical Parody LLC, Stephanie Rosenberg, Katie Reif and more to be announced. Cooper Jordan is the Lead Producer.

SAW The Musical: The Unauthorized Parody of Saw begins performances on September 16, 2023, at AMT Theater, located at 345 West 45th Street. It will play on Saturdays at 11 PM and Sundays at 5 PM (after 2pm & 8pm Broadway curtains come down), running 100 minutes with no intermission. Tickets are $41-$113 (incl. fees). Extremely limited “Super Saw VIP Front Row Seats” including The Bathroom Mirror Merch Box are available for every performance for $113 total ($110 + $3 fee), VIP Front Rows A-B at $98 ($95 + $3 fee), Premium at $78 ($75 + $3 fee), Orchestra at $61 ($58 + $ 3 fee) & Rear Orchestra / Mezz at $41 ($38 plus $3 fee) and are available by visiting SawtheMusical.com or at the AMT Theater Box Office in person or by calling 646-543-4385. All VIP Seats include “Pictures with Pigs in Wigs” on Stage following the performance. SAW The Musical contains mature content and is not recommended for children under 16.

[candacehughes]

shatto del monun must return to candace marie hughes. on. paid.

[s4lvo-blog]

I provini di The Club, con Shatto (Ubaldo Pantani) e Marcia (Lucia Ocone)