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#she just likes ochako because it gives Hori an excuse to draw girl on girl touching
problemswithbooks · 1 year
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God can hori be any more heavy handed with the "DONT YOU WANT TO BE NORMAL NORMAL NORMAL" bestie, shes drinking other kids blood, thats not just "not normal". This weird retcon thing is annoying, Idk why hed bother putting her backstory in when he didnt give much of a shit about it 😭
The thing is, I actually don't think trying to say Toga's blood drinking is normal is necessarily bad or something that can't be done well. Quirks are a major part of the world and the story overall--it's not that far fetched that blood drinking might be a normal thing a person with a Quirk would want to do. If people can accept people that can make explosions which could also be dangerous to kids and people (and very much was for Izuku) then it's not a huge stretch to accept that blood drinking for Toga is normal and she should be accepted as such.
The issue is that Hori didn't really make that the issue. I don't think he really sees it himself given how he wrote Mineta, but Toga's main problem and why shes not accepted is a matter of consent not because she's seen as a creep.
This is why her backstory doesn't work very well, besides the fact it's way to late and very short. Yes, her parents freak out about her Quirk and obsession with blood. The problem is that they don't freak out for zero reason and are the only ones who reject her.
No child should be drinking the blood of birds. Whether she killed it or not, birds carry many diseases and parasites harmful to people. Her father shouldn't have hit her (because, I guess he did even though it's poorly conveyed), but the shock given what she's doing is understandable. Especially if they think she killed it (which is weird, and suggests she might have done something they found disturbing before this or were bad parents regardless of her Quirk).
Then they yell at her because she's biting her finger bloody. That's self harm and something you would want to send a child to therapy for. Sure, the counselor didn't help, but it's not like they can give Toga what she wants.
That's hammered home when they yell at her again when she drinks another kids blood. Hori messes up and doesn't show us what happens so we don't know if she hurt this other kid, or if they were scared of her or if they were fine with it.
Just giving us a look at her parents reaction doesn't give us any idea how she was seen by her peers. Because of that it's hard to make the case that she was only rejected for her Quirk alone, rather then her actions. In fact the only time we see other students they say she was popular and well liked until she attacked a boy in the class.
Given how young she looks when her parents yell at her for sucking another kids blood, and the fact she fled school after she attacked her crush, it appears these were separate events. If that was the case people in her school might have already heard about her sucking a kids blood earlier, and clearly not cared. In the very least we have to assume they knew her Quirk involved blood because Hori doesn't make any suggestion that it was hidden.
And that's why the theme of acceptance and Toga being normal because blood drinking is a part of her falls flat. No one ever said shit about her Quirk ever, except for her parents in sparse flashbacks. Ochako never thinks her blood drinking is gross nor do any of the the other Heroes or class 1A students. Hell, Tenya doesn't even bad mouth Stain for drinking blood even though he hated the guy so much he wanted him dead. This doesn't make it seem like the world rejected her for her Quirk.
No, the entire problem is that Toga doesn't understand consent or boundaries. We never see her ever ask anyone, even as a kid if she can drink their blood (that would have been a better scene then her drinking birds blood imho) and get rejected and told off and bullied/ostracized for her desire. Which if that did happen would explain why she never asks again and feels no one will accept her.
And, you could blame her parents and the therapist for this, but I'd just wager Hori doesn't really grasp that consent is the issue here. Mainly because Ochako never addresses it in anyway, even though she does bring up Toga's crimes. She offers her blood to Toga for life, but does not say that difference between Toga drinking her blood as opposed to anyone else's is because she is giving permission.
In the end Toga doesn't learn anything and just gets what she wanted given to her. Maybe Hori will address this next chapter but it really should have been brought up sooner. That or he should have had Toga actually not be accepted what-so-ever and shunned by all her peers for her Quirk even before she attacked her crush.
And this is part of the reason I really don't like the queer reading of the chapter is because by doing so it is suggesting that queer people are dangerous. If we read Toga's blood drinking as the same as kissing--which she seems to say (though her expression while drinking blood suggests something more...problematic) then she has been going around kissing people against their will to fulfill her own needs. If we read this as queer, is the story not saying that repressed gay people will sexually harass people because they can't understand consent when they inevitably snap?
I'm not saying this was or is Hori's intent. I think it's pretty clear he just didn't see how big an issue of consent there was with Toga and her Quirk. He wanted it to be all about how she wasn't accepted as normal, but didn't put in the work of showcasing that well. He has a lousy track record with female characters getting way less attention and with his rush to finish on top of that, Ochako and Toga got screwed with a half baked climax. Unfortunately that's also left it with less then great implications if you think about it for a coupe of minutes.
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Alright, chapter 8! And man is there a lot to talk about here. I don’t really have any pre-content things to say, so we’ll just hop right into it today!
[No. 8 - Rage, You Damned Nerd]
I swear, this first page has a LOT to talk about on it, so I’ll go from panel to panel and do some rambling thoughts on each segment. 
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First off, UA doesn’t actually handle the costumes the kids get! It’s support companies affiliated with the school that does - which makes sense, since the school has to focus on teaching their support students before letting them get their hands on actual costumes that these kids might be fighting in.
I mean, they seem to be allowed to practice on like, minor support stuff (read: Mei making Izuku his new gloves post-Nighteye or somewhere around there) but not full costuming, which is… actually a bit reassuring? But also explains some of the lag time in getting costume repairs / upgrades since they’re probably busy companies. It also explains why there probably aren’t major alterations to any costumes besides between the summer and winter variants, since it would be time-consuming to remake these costumes so regularly.
(It still doesn’t excuse some of the costumes the kids got, but that’s more on the whole ‘eye candy’ thing for readers than actual practicality, so whatever.)
(Also, I can’t get over the fact that Snipe has a support company. Fucking Snipe. Guess we know another canon or likely-canon Support teacher.)
Next we get a preview of what the kids sent in for specifications for their costumes:
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We get a bit of insight into a few of the characters - as background stuff, we get Shouji, Mineta, Aoyama, and Sato. Mineta got pretty dunked on for char design and costuming, and Aoyama’s costume almost looks like a magical girl outfit like this, which honest to god would have been fantastic to see him in. More interesting (at least to me) are the other three: Ochako, Tenya, and Katsuki.
Ochako first, because that pressure point thing is interesting, and I dunno how often those actually come up in fics besides a passing mention, like. What if her support bracelets / neck piece broke during training / a mission / whatever? Would she suddenly have to fight through the nausea? By the point of current canon (War Arc) she’s probably trained enough that she doesn’t need them as much, but man, it could be an interesting little thing to explore, like, post-Kamino.
Tenya is a bit surprising, since we know he comes from a well-off hero family. Logically, this was before the whole Hosu / Ingenium plotline was really developed, so Tenya didn’t have that to fall back on, or it could be argued that the support company that Ingenium is associated with also works with UA. Alternatively, it could be that either Tenya didn’t want to rely on his family (which seems silly when they’d know how to work with his quirk best) or UA is very firm on ALL costume stuff going through them…
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But then again, Katsuki. Oh god, Katsuki. What fucking support company looked at this kid and went ‘yeah we should give him a way to store more explosives AND give him bombs’ and just. Did so. Why did UA not vet that. Maybe the support company didn’t realize how strong his explosions were without the gear, but UA, man, I just. I suppose they had no way of knowing how reckless he’d be with them, but honestly, after the battle trials, they should have been fucking yoinked from him so damned fast. 
Anyways, onto other parts of Katsuki’s costume, we see he’s a fucking dork. Possibly what lowered their guard. ‘Something scary’ and ‘Dynamighte all over’. What the hell, kid. At least your designer stuck close to your design… including the huge-ass clunky gauntlets. Man, the Musketeer Trio movie poster ones are so much better looking and so, so streamlined. Works of art, they are.
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Moving on, we get a bit of a flashback to ~three weeks ago, which by the calendar would be around March 20th? So a few weeks after the Entrance Exam. And Izuku is only NOW getting around to updating the quirk registry? Izuku baby seriously, how the FUCK did none of the UA staff notice the ‘quirkless’ on your application form at any point before this?
But yeah, he’s worried about his registry, so he calls Toshinori, who explains the update process. It gives the example of someone who might alter their stuff with updated information, with one or two allowed - though major ones aren’t accepted. Toshinori then says it’ll probably be okay since he started with nothing, then tries to correct himself to ‘definitely’, only to get cut off because Izuku accidentally hangs up in a panic when Inko calls out that she’s home. Haha poor Toshinori, and poor Izuku, the two anxious dumbasses. 
Anyways, moving on from that is Inko showing off the jumpsuit she made, with Izuku surprised. She admits it’s not the coolest, but she based it off of the design in his notebook (the one we saw back in chapter 1). She tells him she regrets giving up on him back then, and how he never quit regardless of her faith. She apologizes and says from there on she’ll be cheering him on with all she’s got. 
Izuku’s narration notes that it’s a symbol of his mom’s love, and that he couldn’t wear anything else, even if it’s not ‘efficient’ or ‘cutting edge’. (Or even at all decent looking.) And it’s also hinted through the present thoughts on it that it’s meant to be an homage to All Might (the smile and the hair pieces) which is just such a dorky thing.
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We get to the wide-spread of hero costumes, which- wait a second.
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That’s Momo’s initial hero costume design???? Why did Hori not stay with that??? It’s a LOT better than the stuff we’ve seen her in later! Like, sure, it’d still be improved with the main opening being her stomach and not her chest, but this still looks like actual human clothing and not a sexy Halloween costume variant of her hero uniform. Fucking hell, now I’m even more mad.
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Tsuyu’s costume meets the approval of the discord server as basically ‘no changes needed’ asides from maybe the goggles being a bit bulky.
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Tenya’s costume, I’m sorry, I know it’s an homage to your brother / family, but were the additional pipes really needed? Also, the helmet isn’t a bad idea since he goes fast, and bugs in the mouth/teeth have to suck, but it just looks so damned Gundam-y I can’t help but laugh a little.
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Shouto… nah, too easy a target.
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Aoyama is Aoyama. I’m actually a bit disappointed now that it’s not a magical girl costume, but alas, I suppose even Hori couldn’t be that brave.
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Kaminari… I forgot he had that headset thingy. 
Don’t really have much else to say about anyone else, so let’s move on.
Izuku bugs out a bit about Ochako’s costume/appearance, while she compliments his more practical looks and laments not being specific, saying it’s a bit too puffy and curvy for her. Which means it’s more the accessories which seem to be her issue with it over the main costume itself? Huh.
Anyways, after All Might confirms they’re all there, he notices Izuku’s headpieces, which are a match to his costume, and has to turn to muffle a laugh for how obvious a reference it is. Tenya steps up, asking whether they’ll be doing cityscape maneuvers again since it’s the same field used in the entrance exam. Izuku thinks to himself how cool Tenya’s costume is, while All Might explains that they’re moving onto step two - indoor anti-personnel battle training!
He explains what while villain battles are most commonly seen outdoors, statistically the worst crimes and villains are more likely to be found indoors. Confinement, house arrest, black market deals… the clever villains luck indoors to avoid heroes. Which is why the class will be split into teams of two and pit against each other, heroes versus villains style!
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Ah, Tsuyu. Calling him right the heck out, as expected. All Might then notes that in this scenario, the fight won’t be against disposable robots. 
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This entire page is just fucking hilarious. The class and all their questions while All Might is shaking with nerves. The fucking cheat sheet he uses to try to get back on track. Him being questioned on the lot drawing, and shaking while Izuku accidentally ends up covering for him. I just. All Might was not prepared for this mess and it shows. He was doing so much better when it was the one on one stuff with Izuku.
But yeah, Izuku notes the scenario is like from a western comic plot, and he’s also the one who ‘realizes’ the lots are like when heroes from different agencies have to team up for emergencies without prior warning. 
Lots are drawn, and we have our teams:
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Izuku’s so stressed out because he still can’t really talk to her, while she’s excited to be teamed up and calls it ‘fate’ that it happened. All Might draws the first two teams to participate, and… team Izuku and Ochako (as the heroes) versus team Katsuki and Tenya (as the villains). Both Izuku and Katsuki are alert from this development…
Which makes this a good point to cut off, since it’s halfway through and we got a lot of information to chew on already. Second part should be out this weekend (hopefully). 
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problemswithbooks · 2 months
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BNHA Ch. 429
So, I guess Toga is dead, and people are losing it.
I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.
I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.
Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.
As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.
In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.
It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.
Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.
This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.
So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?
Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.
That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.
We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.
The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.
If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.
#bnha 429#bnha spoilers#bnha critical#bnha#idk i just feel bad for the guy#i think he's sexist as shit#but no one deserves to work under such bad conditions#and frankly idk how any weekly story turns out any good#especially when its gone on for so many years#like when you think about it the chapters aren't even real full chapters#they're like half or even a quarter of a chapter that you'd find in a book or monthly manga#of course you're your going to have an incoherent story when you write like that#I mean the only other thing written like that are some fanfictions#and those authors can and often do go back and edit things#heck I've seen some that go on hiatus with the specific purpose of overhauling the entire backlog of chapters to make it a better overall#and I think part of why BNHA is perhaps worse then other weekly shonen is because he had a lot he wanted to say#on top of trying to find things that kept him invested in a story he clearly was tired of writing#I mean Lady Nagnat is great example#he watched a movie and thought the female assassin character was cool and it got him excited to draw/write#so he shoehorned in this character that was really only there because she made the story more fun for him to write and draw for a while#like American comics aren't great either when it comes to consistency or coherent plots sometimes#but I do wonder if BNHA might have been better if Hori could have left a story bible and basic outlines of what his plans were#and then someone else could have worked on it instead#because he really didn't seem very into by the end of the first war arc#like I think he wished that had been the end#but it wasn't and he was really tired and burned out#and probably already working on fumes
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