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#shintojo
mortemlifeness · 18 days
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My OTPs be like.
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ceo-of-ranmugi · 3 years
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I love them so much-
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kitkatixx · 3 years
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I’m glad tumblr doesn’t eat image quality like ig. Happy birthday to everyone’s favorite not-mother. A little something I’m working to finish up, but wanted to post in time for her birthday Featuring some scribbles and choice doodles from their kiddos on the polaroid
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ao3feed-danganronpa · 5 years
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The Ultimate Doll Maker
read it on the AO3 at https://ift.tt/2SRIEIU
by Coi_The_Meme_Queen
Oneshot series of Kiyo in this Talentswap au (Warning: There are sensitive stuff in some chapters. When that happens I will give a trigger warning)
Words: 973, Chapters: 1/?, Language: English
Fandoms: New Dangan Ronpa V3: Everyone's New Semester of Killing
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Categories: Other
Characters: Amami Rantaro, Shinguji Korekiyo, Shinguji Korekiyo's Sister, or as I call her, Bitchster, Saihara Shuichi, Oma Kokichi, Tojo Kirumi, I'll add others but this is the main kids
Relationships: Amami Rantaro/Shinguji Korekiyo, Oma Kokichi/Saihara Shuichi, Shinguji Korekiyo/Tojo Kirumi
Additional Tags: SISTER IS A B I T C H, Post-Traumatic Stress Disorder - PTSD, Trans Female Character, Trans Shinguji Korekiyo, Trans Kiyo tag is p empty it's my job to make it bigger, ShinTojo is very platonic, Platonic Relationships, Tea Parties, Dolls, Needles and thread, Fluff and Angst, Cuddles, Kiyo needs a hug, scissors, Lolita Fashion, Childhood Trauma, I made this on a whim at 12am, Alternate Universe - Talentswap (Dangan Ronpa), Alternate Universe - Non-Despair (Dangan Ronpa), no one's dead, Besides bitchster but, I'll give warnings
read it on the AO3 at https://ift.tt/2SRIEIU
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mortemlifeness · 4 days
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I'm bored, so I'll tell all my Danganronpa OTPs.
DANGANRONPA: TRIGGER HAPPY HAVOC (DR1).
• Naejunko, a.k.a. Naeshima (Makoto Naegi/Junko Enoshima, base).
• Leofumi (Leon Kuwata/Hifumi Yamada, right).
• Chihimondo (Chihiro Fujisaki/Mondo Owada).
• Celestaka (Celestia Ludenburg/Kiyotaka Ishimaru).
• Sakuraoi (Sakura Ogami/Aoi Asahina).
• Togafuka (Byakuya Togami/Toko Fukawa).
DANGANRONPA 2: GOODBYE DESPAIR (sdr2).
• Hinanami (Hajime Hinata/Chiaki Nanami, base).
• Komamiki (Nagito Komaeda/Mikan Tsumiki, base too.).
• Hiyoizumi, a.k.a. Mahiyoko (Mahiru Koizumi/Hiyoko Saionji).
• Kuzupeko, a.k.a. Fuyupeko (Fuyuhiko Kuzuryu/Peko Pekoyama).
• Sounia (Kazuichi Souda/Sonia Nevermind).
• Akanidai (Akane Owaru/Nekomaru Nidai).
• Monokuma/Usami, a.k.a. Monokuma/Monomi (Monosami? Usakuma?).
DANGANRONPA ANOTHER EPISODE: ULTRA DESPAIR GIRLS (udg).
• Towamaru, a.k.a. Monamaru (Monaca Towa/Komaru Naegi. Yes, proship, but I don't care).
• Daigetsu (Masaru Daimon/Nagisa Shingetsu).
• Kototaro (Kotoko Utsugi/Jataro Kemuri).
• Hiroko Hagakure/Haiji Towa (Towakure?... Haijikure?...).
DANGANRONPA V3: KILLING HARMONY (ndrv3. This part may be edited because... rewatch is planned.)
• Saimatsu (Shuichi Saihara/Kaede Akamatsu).
• Kiiruma (Kiibo/Miu Iruma).
• Yonaoma (Angie Yonaga/Kokichi Oma).
• Shintojo (Korekiyo Shinguji/Kirumi Tojo).
• Harumota (Maki Harukawa/Kaito Momota).
Danganronpa Zero, Danganronpa Kirigiri, Danganronpa Killer Killer and Danganronpa Anime will be told later. I have some plans about them... Read in detail and even rewatch some of them.
P.S. You may ask how I feel about other Danganronpa ships, so I'm ready for anything.
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kitkatixx · 3 years
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kirukiyo headcanons (long ish)
If you haven’t noticed-- these two are my otp, and v3 did them both dirty... both in terms of plot and their few interactions (hi, utdp, i’m surprised they didn’t have an event with direct interaction)
I haven’t done these formally but figured I’d drop a few of my headcanons as of now, since the ideas I have for these two are fluid, but the base nature of their relationship remains about the same. You’ll see below the cut, they’re fairly in depth and give some flavor to the characters (especially Kirumi) 
general summary 
Subtle, subtle, subtle. 
These two are experts at keeping their relationship under the table, and it takes the rest of the class--perceptive ones included-- quite a bit of time to figure out they’ve been together, even though many a student (Kokichi, Miu, Rantaro, Kaede) have made jokes about their likeness to a married couple. 
While they are more than capable of adapting to the scenario, both of them are private individuals at heart, in spite how their talents require them to be around people nearly at all times. So for Kirumi especially, she prefers someone mature who can respect her desire to keep the limelight out of her personal life. After all, she prefers to keep her home and (incredibly taxing, chaotic) work life separate... 
That being said, it is no secret to Class 79 (what I’ve dubbed the v3 cast in my HPA AU) and the upperclassmen (SDR2, DR3, THH) that the Ultimate Maid is a stubborn workaholic.
Thus, it takes a specific type of person to ‘get through’ to her-- specifically requesting her presence at refreshments, politely stopping her in the hallway for a conversation, all as cleverly disguised ‘breaks’ without infringing upon her time and duties. Even if it’s only momentary, small steps, persistence, and patience are key with her, as there is a fine line between obligation and devotion to one’s craft. 
Korekiyo happens to be able to see past the professional ‘selflessly devoted’ front that Kirumi maintains nearly at all times, having had the opportunity to observe numerous types of people in his time as an anthropologist, and given what was seen in canon, it’s fairly evident that he was intrigued, speaking highly of her post trial (he even has a FTE in her lab!) 
Initially, her insistence on wholeheartedly embodying the values of a proper maid piqued his attention, leading to him to take an interest in getting to know her more-- what makes Miss Tojo who she is, exactly? What motivates her to behave in such a way? And what of the human side of the Ultimate Maid? Such were the questions he wished to answer, and as any good researcher would do, it was necessary to approach this in a straightforward, concise manner.
Because of this unorthodox approach to getting to know her (indirectly) for a scholarly reason, Kirumi had no reason to decline his invitations to converse or shoo him away from observing her everyday duties as she would have done under normal circumstances. This in particular gave Korekiyo an advantage over many of his other peers, who would have had difficulty a) approaching her b) maintaining a sizeable conversation with her before moving onto her next task. 
Eventually, the two would find they share similar interests (Victorian customs, tea preparation, etc), and get along well with each other; the meetings that began as strictly for research evolve into moments where two friends are talking. 
Down the line, someone catches feels. 
Now as for who that could be... let’s move to the next section to answer that.
a few typical who does/is relationship headcanons:
1. Who makes the first move and how?
Korekiyo does. While Kirumi eventually does develop feelings for him first, she won’t act on them out of concern that the quality of her work will be compromised, and stays quiet. Korekiyo, however, takes a little longer after mulling over whether his emotions can be chalked up to his general adoration for all of humanity or genuine feelings for her. He does pick up on small changes in her behavior and routine-- serving his preferred meals and tea at just the right temperature, being especially open to assisting him even when she’s terribly busy, and so on, which motivate him to make the first move. Very small, but incredibly thoughtful of her. He’s always liked the details. 
The anthropologist is quite capable of being romantic if he so desires, but decides that with her in particular, it would be best to be polite and to the point. Of course, this is Korekiyo we are talking about, so he’ll still put his own twist on it-- so most likely discreetly slipping her a letter with a proper wax stamp on it expressing his feelings and a carnation, which in Japanese flower language is associated with fascination and distinction. 
The letter’s contents include notes of the uniquely human aspects of her he finds especially beautiful, and are highly specific: the faint curve of her mouth that appears for a split-second (when she thinks no one is looking) after someone receives retribution for their antics, her deft, graceful movements as she slices into vegetables and pours tea, the glint in her eye that appears after a particularly challenging request is given... the list could go on and on, he writes, but it would be far too long to be appropriate for this letter, yet Kirumi Tojo’s identity is so much more than only the Ultimate Maid. 
Lastly, it finishes with an attached sketch depicting one of the moments ‘when she is the most beautiful,’ showing her in her element... broom in hand, small frown on face, and scolding someone (read: Kokichi) After all, while many miss it, Korekiyo has picked up on the angry micro expressions that flit across her face after something particularly irritating has just occurred, and he loves them-- they make her humanity shine through. 
Subsequently, it would prompt her to meet somewhere secluded in the evening if she reciprocates-- her missing presence would be more than enough for him to take the hint. Not that she intended on doing so.
2. Who is the most insecure and what makes them feel better?
You’d think it would be Kirumi, but no, Korekiyo is, beneath his unusual charm and charisma, by a margin. After the passing of his sister, it left him hesitant to get close to people at a personal level, which contributes to how he ended up choosing anthropology-- not only to travel and experience the world when she could not, but because it allows for one to be ‘close’ to humans in a removed manner. So while he can easily wax poetry about nearly anything about humans, cultures, or a person, he does this in a very ‘scientific manner’ at times, preferring to view things as an observer rather than a participator. Of course, this aspect of him was integrated into his identity long before HPA, but it is this distanced nature that contributed to his initial indecisiveness about whether his feelings are organic, and the occasional concern about how much emotional intimacy he is obligated to show in a relationship. Luckily, Kirumi isn’t the type to absolutely need direct communication in a relationship, and is more subtle in demeanor as well.
Having been in the service industry for years and hiding her own emotions (from herself as well), Kirumi is proficient at recognizing others’ needs, and picks up on these issues seamlessly. She isn’t exactly the best at opening up either (this is an area of improvement for both of them), but still makes attempts to directly talk to him about this. Generally, their form of communication is largely nonverbal, being highly in tune with each other-- to this couple, actions speak louder than words, but issues like these are best addressed face-to-face, with words, before they fester. 
3. Who is the most romantic?
The anthropologist takes the cake here by societal standards-- his love language is giving gifts and words of affirmation, whereas Kirumi prefers acts of service (no surprise there!) but both share quality time as a commonality, and are very attentive towards each other. Regardless of the gift, Korekiyo is always sure to pick something thoughtful and practical, the way she likes things-- though now and then there’s something more material with emotional value in the mix, which she secretly likes. Kirumi is not used to people being so direct in this department with her, so while she’ll politely cite her preference for gifts as something useful, the silk gloves and other paraphernalia he gets her are a nice way to validate she has an identity outside of being a maid.
Not to mention that he has a way with words, and is incredibly proficient at finding 50 unique ways to compliment her in public, much to her chagrin (and hidden embarrassment,) but he takes pride in, citing that she should be more proud of her accomplishments. Nevertheless, Korekiyo still finds her indirect way of showing affection endearing, especially when she attempts to politely deflect compliments as ‘doing what any maid worth their salt would have done.’ 
Some things never change... even though he and the other members of Class 79 have slowly gotten her to be more open about accepting assistance from others (she’s overworked herself and passed out once!) 
4. Who can’t keep their hands to themselves?
Again, while both of them are capable of (and prefer) being lowkey in public, it’s free real estate in private, so once again, this goes to Korekiyo. His official love language isn’t physical touch, but he embodies all five of them quite well, this one very much included. 
Kirumi, on the other hand, doesn’t like PDA out of professionalism, which makes her a bit hesitant, even in the privacy of his or her room to be comfortable with it. This isn’t to say she isn’t curious or won’t even consider the possibility, but it takes her a considerable amount of time to warm up to it. Initially, the most you’ll see from them in public is subtle touches on each other’s hand-- little playful taps here and there-- which then morph into holding hands when no one’s around to see it. In private, they’re more willing to be physically close (think head in lap while reading), and Kirumi’s brushed his hair on more than one occasion. It should be noted that one of the most intimate moments the two have had was holding hands in private without any sort of fabric acting as a barrier. 
However, Korekiyo does have a cheekier side that slips out (more slyly playful to incite something interesting/fluster her) and is known to slip an arm around her waist, pulling her in close. If you squint, you might catch a faint flush on the usually unflappable Kirumi. Bonus points if this is during the evening, and a breeze blows by. Bonus bonus if this is in public, during broad daylight. 
The ‘class dad’ has to assert his dominance every now and then over the unruly children, no? 
5. Who says ‘I love you’ first?
Love comes in a lot of different forms and of course, at each person’s pace. Both of them circle around this topic and have essentially said it nonverbally before, but the first to vocalize it is most likely still Korekiyo. It’s not in Kirumi’s nature to be direct about her emotions (but for duties and professional matters, absolutely), so it’s up to him to say he loves her first. 
It’s most likely uttered in private, accompanied with a small kiss, and very quietly-- so quiet you can barely catch it, but that doesn’t matter, because only the one who needs to hear it the most will. 
conclusion
Three words best describe this relationship: mature, meaningful, and synchronized.
Both of these individuals are aloof and formal on the surface level, but if one takes the time to truly get to know them, there’s quite the intense fire burning underneath in the form of being utterly devoted to each other every step of the way. Of course, this is all done in a very reserved manner, and if they don’t want you to know about it, you won’t. 
Well, if you got here, thank you for reading all of this. I’ve liked this ship for a while, and I remember being nervous to create content-- I’m sure know how volatile fandom life can be, no? Hope you enjoyed my take and spins on their relationship, and I might post more later. 
Feel free to request or drop something in the askbox for these two.
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kitkatixx · 4 years
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“Tojo. Do you trust me?”
Finally got around to drawing a scene from my fic. Long time no talk, kirukiyo nation, but believe me, I’m still very much alive. 
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kitkatixx · 4 years
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doodles from the dual MM au gone wild ( ・᷄ὢ・᷅ )
cheated and used a base here:
https://animiesme.blogspot.com/2019/07/anime-couple-body-poses.html
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Bonus smoogi doodle!! I actually quite like her (*¯︶¯*)
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