#sidonie caron

[mamagraf]

SIDONIE MAMAGRAF LAMINA.

Obra de la artista Sidonie Caron. Titulada: Fertile Valley. Expuesta en la Gango Gallery ( Portland, Oregon). ©Sinodie Caron. Published by Gango Editions.

Medidas:95x41cm.

[boricuacherry-blog]

Born Sidonie-Gabrielle Colette in 1873 in a Burgundian village 115 miles south of Paris, Colette went on to become a legend of French letters and a celebrated author. She wrote more than 30 books and was made a member of the Belgian Royal Academy, the prestigious French Academie Goncourt and a grand officer of the French Legion of Honor, before becoming the first Frenchwoman ever accorded a state funeral in 1954.

Throughout her life, Colette's allegiances would remain unabashedly provincial. "I belong to a place I left behind," she wrote of Saint-Sauveur-en-Puisaye (she lived most of her life in Paris). She also made no bones about her voracious love of food.

Colette's mother, Sido, was the daughter of a mulatto merchant from Martinique and a French woman from Versailles, and had grown up in a bourgeois but politically liberal milieu in Brussels. Even as a girl, Colette could see that her mother felt a deep nostalgia for the refined life she had left behind. Unlike her mother though, Colette didn't see the villagers as "other," because she was one of them and always would be.

One of her most famous books, Cheri, was of a portrayal of a middle-aged woman who seduces her stepson and instructs him in the art of love. Franco-American actress Leslie Caron famously played the role of Gigi in the 1958 film of the same name.

One review writes of the book:

Cheri is the sort of book which endears itself to the reader partly because of its subject, but more because of the manner of its telling. Its delicacy of sentiment, its tenderness of mood when concerned with matter not usually delicate or tender, makes the reader forget that Mme. Colette is writing of a gigolo and a courtesan and accept her characters as creations worthy of more intimate sympathies. When we first see Fred Peloux, more intimately known as Cheri, he is a petulant boy of 19 with a feminine taste for jewels and the disposition of a very spoiled child. He is living with Lea, a friend of his mother's, who is half mistress, half nurse to the boy. In fact, his pet name for her is Nounoune, reminiscent of childhood relationships. She has made him over, by feeding him and making him exercise, transforming him from a neurotic, barely nourished child into a handsome young man who depends on her body for his pleasure and her management for his ease of living. Until Cheri marries a young convent educated girl, Lea didn't realize that he was to be her one true love. Cheri, after the experience of an older mistress, finds little satisfaction in his young bride, and his return to Lea in the climax of the book is dramatic and moving, the more so because it is followed by the stoical acceptance, on the part of Lea, of the recognition of her age.

"There's a blunt positivity in Burgundians and definitely in Colette's writing," said Caron. "The countryside of Burgundy is peppered with stocky, solid farms that each had round towers - to raise pigeons I think. Never refined or coy, the architecture of those rich farms didn't go for ornaments of style and neither does Colette's writing."

Colette's village life had ended when at the age of 20 she met Henri Gauthier-Villars, 14 years her senior, who took her to Paris as his wife. One day, interested in her stories of school life, he encouraged her to write them down. He then sent them off to an editor - under his own name - and so were born the Claudine novels, which made him famous. By the last volume, entitled Claudine Married, Colette was reporting on a menage a trois almost in real time, with the protagonists so lightly disguised that the other woman, the American wife of a wealthy French mining engineer, had the novel pulped. But Colette's husband, wily as ever, had retained copyright, and it was rushed out regardless. Her husband was also unfaithful to her and, Colette biographer Judith Thurman suspects, gave her gonorrhea. After thirteen years, Colette became disillusioned and divorced him. She later married Henri de Jouvenel, a news editor, who she would have a daughter with. Year after year she turned out novels, many of them thinly disguised autobiographies. By 1927, eminent writer Paul Claudel was calling her "the greatest living writer in France."

Colette's marriage to Jouvenel ended in divorce though, in 1924, due partly to his infidelities and partly to her affair with her 16-year-old stepson, Bertrand de Jouvenel. She had been waiting a regular column in Le Matin, where Jouvenal had been her editor. Their separation forced her to sever ties with Le Matin.

With Cheri in 1920 being her most famous book, she also wrote the 1944 novella called Gigi, which was dramatized for Broadway by Anita Loos, and made Audrey Hepburn, who was selected personally by Colette for the movie part, a famous actress. The plot focuses on a young Parisian girl born into a family of demimondes, who is being groomed for a career as a courtesan to captivate a wealthy lover, but ends up defying tradition by marrying him instead.

In 1935, Colette married her third husband, Maurice Goudeket, a Jewish man 16 years her junior. In these later years he cared for her as she became crippled with arthritis, although she continued to write during those years and published L'Etoile Vesper and Le Fanal Bleu, in which she reflected on the problems of a writer whose inspiration is mainly autobiographical.

While Colette married three times, she always also knew that the shock of marriage contained something greater than her own experience of any specific man: it ended any sense of independent sovereignty. And that existential shock reverberates through her fiction - from the offhand but sincere worry the courtesan Lea displays for the her self-absorbed teenage lover Cherie when he is about to marry, to the masterful, quiet short novel The Cat, in which a boy marries "an amorous and untamed young woman." Marriage, even to someone who is kind and true is, as she puts it in The Vagabond, a "long-drawn out voluptuousness, suspended, fanned, renewed, the winged fall, the swooning in which one's strength is renewed by its own death."

Colette was a woman who wrote novels, short stories, essays, memoirs and as a journalist reported on everything from domestic violence to the front lines of the first world war, from anorexia to literature, from fashion and cooking to fake orgasms. She wrote a libretto for a Ravel opera and scripted pantomimes - in which she acted. She was a successful mime and dancer, opened a chain of beauty salons (demonstrating makeovers on her daughter) and was an enthusiastic early adopter of everything from sushi to weightlifting, perms to acupuncture and facelifts. She was for awhile the literary editor of Le Matin, had three marriages, with men and women (she had a relationship for six years with a cross-dressing noblewoman), and with her second husband's 16-year-old son. And even when she conceived her daughter, Colette de Jouvenel - also called Bel-Gazou - she didn't let that get in the way of living her life. She was also a huge cat lover with one of her books focusing on a love triangle between a man, a woman and a cat:

The Cat [La Chat] tells of a love triangle involving Camille, her husband Alain and his Chartreaux cat Saha. Camille loves Alain, but Alain loves his cat.

Camille becomes so annoyed with his obsession for the dainty little Chartreuse cat with her lady-like ruff and her golden eyes, that she pushes the cat off a balcony to what she hopes is her imminent death. But little does Camille know, Saha isn't on her 9th life yet. Alain finds out and divorces Camille, moving back into his mother's basement with his cat.

The attention of any bibliophile cat owner is bound to be grabbed by The Cat. Readers will find Alain flung on the cool expanse of sheets with his cat Saha purring full throatedly while her owner sighs, and his woman leaves.

[moreroom4happiness]

Sidonie Caron

Coastal Memory II

[thecrownnet]

THE CROWN FOR YOUR EMMY CONSIDERATION

The Crown season 4 FYC in the following categories of

PRIMETIME EMMY AWARDS -

OUTSTANDING DRAMA SERIES

OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES

OLIVIA COLMAN

EMMA CORRIN

OUTSTANDING LEAD ACTOR IN A DRAMA SERIES

JOSH O'CONNOR

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES

GILLIAN ANDERSON

HELENA BONHAM CARTER

MARION BAILEY

ERIN DOHERTY

EMERALD FENNELL

OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES

TOBIAS MENZIES

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES

CLAIRE FOY

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES

CHARLES DANCE

OUTSTANDING DIRECTING FOR A DRAMA SERIES

"FAIRYTALE"

BENJAMIN CARON

OUTSTANDING WRITING FOR A DRAMA SERIES

"WAR"

PETER MORGAN

OUTSTANDING CASTING FOR A DRAMA SERIES

ROBERT STERNE

OUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (ONE HOUR)

ADRIANO GOLDMAN ASC, BSC, ABC

OUTSTANDING PERIOD COSTUMES

AMY ROBERTS

SIDONIE ROBERTS

GILES GALE

OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES

"FAIRYTALE"

YAN MILES, ACE

"AVALANCHE"

PAULO PANDOLPHO

OUTSTANDING PERIOD AND/OR CHARACTER HAIRSTYLING

CATE HALL

EMILIE YONG MILLS

SAM SMART

SUZANNE DAVID

DEBBIE ORMROD

STACEY LOUISE HOLMAN

OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)

MARTIN PHIPPS

OUTSTANDING MUSIC SUPERVISION

SARAH BRIDGE

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

MARTIN CHILDS

MARK RAGGETT

ALISON HARVEY

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

LEE WALPOLE, MPSE

ANDY KENNEDY

SAOIRSE CHRISTOPHERSON

JEFF RICHARDSON

TOM WILLIAMS

CATHERINE THOMAS

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

LEE WALPOLE, MPSE

STUART HILLIKER

MARTIN JENSEN

CHRIS ASHWORTH, AMPS

OUTSTANDING SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE

BEN TURNER

REECE EWING

ANDREW SCRASE

STANDISH MILLENNAS

OLIVER BERSEY

JONATHAN WOOD

DAVID FLEET

JOE CORK

GARRETT HONN

OUTSTANDING STUNT PERFORMANCE

CHRISTIAN COLE

Photo: Isso Veludo/Olivia Colman Source

[platonicshipcc]

The Crown Emmy nominations

Outstanding Drama Series

The Crown • Netflix • Left Bank Pictures in association with Sony Pictures Television

Outstanding Lead Actress In A Drama Series

The Crown • Netflix • Left Bank Pictures in association with Sony Pictures Television

Olivia Colman as Queen Elizabeth II

Outstanding Supporting Actress In A Drama Series

The Crown • Netflix • Left Bank Pictures in association with Sony Pictures Television

Helena Bonham Carter as Princess Margaret

Outstanding Writing For A Drama Series

The Crown • Aberfan • Netflix • Left Bank Pictures in association with Sony Pictures Television

Peter Morgan, Written by

Outstanding Directing For A Drama Series

The Crown • Aberfan • Netflix • Left Bank Pictures in association with Sony Pictures Television

Benjamin Caron, Directed by

The Crown • Cri de Coeur • Netflix • Left Bank Pictures in association with Sony Pictures Television

Jessica Hobbs, Directed by

Outstanding Production Design For A Narrative Period Or Fantasy Program

(One Hour Or More)

The Crown • Aberfan • Netflix • Left Bank Pictures in association with Sony Pictures Television

Martin Childs, Production Designer

Mark Raggett, Art Director

Alison Harvey, Set Decorator

Outstanding Casting For A Drama Series

The Crown • Netflix • Left Bank Pictures in association with Sony Pictures Television

Nina Gold, Casting by

Robert Sterne, Casting by

Outstanding Cinematography For A Single-Camera Series (One Hour)

The Crown • Aberfan • Netflix • Left Bank Pictures in association with Sony Pictures Television

Adriano Goldman, ASC, BSC, ABC, Director of Photography

Outstanding Period Costumes

The Crown • Cri De Coeur • Netflix • Left Bank Pictures in association with Sony Pictures Television

Amy Roberts, Costume Designer

Sidonie Roberts, Assistant Costume Designer

Sarah Moore, Costume Supervisor

Outstanding Period And/Or Character Hairstyling

The Crown • Cri De Coeur • Netflix • Left Bank Pictures in association with Sony Pictures Television

Cate Hall, Department Head Hairstylist

Louise Coles, Assistant Department Head Hairstylist

Sarah Nuth, Hairstylist

Suzanne David, Hairstylist

Emilie Yong, Assistant Department Head Hairstylist

Catriona Johnstone, Hairstylist

Outstanding Music Composition For A Series (Original Dramatic Score)

The Crown • Aberfan • Netflix • Left Bank Pictures in association with Sony Pictures Television

Martin Phipps, Composer

Outstanding Sound Editing For A Comedy Or Drama Series (One Hour)

The Crown • Aberfan • Netflix • Left Bank Pictures in association with Sony Pictures Television

Lee Walpole, Supervising Sound Editor

Andy Kennedy, Sound Designer

Saoirse Christopherson, Sound Effects Editor

Juraj Mravec, Sound Effects Editor

Tom Williams, Dialogue Editor

Steve Little, ADR Editor

Tom Stewart, Foley Editor

Anna Wright, Foley Artist

Catherine Thomas, Foley Artist

[polkadotmotmot]

Sidonie Caron

[grantmkemp]

Sidonie-Gabrielle Colette, author, mime, actress, and journalist, her most critically acclaimed work, Gigi was published when she was aged 72 .... Read more below

Born 147 years ago today, 28th January 1873, Sidonie-Gabrielle Colette, was a French author and woman of letters nominated for the Nobel Prize in Literature in 1948; also known as a mime, actress, and journalist. Colette was born in the village of Saint-Sauveur-en-Puisaye in Burgundy. She departed from village life for Paris at age 20, marrying the music critic Henry Gauthier-Villars, who was known in the literary world as Willy. Her husband grew interested in the stories of her school days and asked her to write them down. The four Claudine stories: Claudine à l'école (1900), Claudine à Paris (1901), Claudine en ménage (1902), and Claudine s'en va (1903) – appeared under his name. The four are published in English as Claudine at School, Claudine in Paris, Claudine Married, and Claudine and Annie. The novels chart the coming of age and young adulthood of their titular heroine, Claudine, from an unconventional fifteen-year-old in a Burgundian village to a doyenne of the literary salons of turn-of-the-century Paris. The story they tell is semi-autobiographical, although Claudine, unlike Colette, is motherless. The stories grew immensely popular throughout France, even spawning memorabilia like perfumes and school uniforms. When Colette didn't want to write the stories, her husband locked her inside her room until she would write. The writer's marriage with Willy ended after 13 years. After her marriage with Willy disintegrated, Colette became a music hall dancer to support herself, she had no access to the sizable earnings of the Claudine books as the copyright belonged to Willy. Colette continued her writing career with articles about politics, fashion, cooking, and drama. Before her second marriage, she had relationships with several women, including Mathilde de Morny, or "Missy," a cross-dressing lesbian entertainer. In 1907, their kiss on stage at the Moulin Rouge caused an uproar, but the liaison wouldn't last. In 1912, Colette married Henry de Jouvenel, the editor of Le Matin. A daughter, Colette de Jouvenel, nicknamed Bel-Gazou, was born to them in 1913. During World War I Colette devoted herself to journalism. In 1920 Colette published Chéri, portraying love between an older woman and a much younger man. Chéri is the lover of Léa, a wealthy courtesan; Léa is devastated when Chéri marries a girl his own age, and delighted when he returns to her, but after one final night together she sends him away again. Colette's marriage to Jouvenel ended in divorce in 1924, due partly to his infidelities and partly to her affair with her 16-year-old stepson, Bertrand de Jouvenel.  In 1925 she met Maurice Goudeket, who became her final husband; the couple stayed together until her death The last three decades of her life were some of Colette's most notable years for her career. At age 72, she published her most critically acclaimed work, Gigi, which tells the story of sixteen-year-old Gilberte ("Gigi") Alvar. Born into a family of demimondaines, Gigi is trained as a courtesan to captivate a wealthy lover, but defies the tradition by marrying him instead. In 1949 it was made into a French film starring Danièle Delorme and Gaby Morlay, then in 1951 adapted for the stage with the then-unknown Audrey Hepburn in the title role, picked by Colette personally; the 1958 Hollywood musical movie, starring Leslie Caron and Louis Jourdan, with a screenplay by Alan Jay Lerner and a score by Lerner and Frederick Loewe, won the Academy Award for Best Picture. On her death on August 3rd, 1954, she was refused a religious funeral by the Catholic Church on account of her divorces, but given a state funeral, the first French woman of letters to be granted the honour

In the 1991 film Becoming Colette, Colette is played by the French actress Mathilda May. In the 2018 film Colette, the title character is played by Keira Knightley. Both films focus on Colette's life in her twenties, her marriage to her first husband, and the publication of her first novels under his name. - https://www.imdb.com/title/tt5437928/?ref_=nv_sr_srsg_0 . These are my colourised versions of three black, and white photographs taken in Paris between 1900, and 1902

Restoring Your Past  … Website Restoring Your Past … on Facebook

[allthingsjaneausten]

Colette is a 2018 British biographical drama film, directed by Wash Westmoreland, from a screenplay by Westmoreland and Richard Glatzer, based upon the life of the French novelist Colette. It stars Keira Knightley, Dominic West, Eleanor Tomlinson and Denise Gough.

  It had its world premiere at the Sundance Film Festival on January 20, 2018. It is scheduled to be released in the United States on September 21, 2018, by Bleecker Street and 30West, It is scheduled to be released in the United Kingdom on January 25, 2019, by Lionsgate.

Colette (2018) (screen grab) Keira Knightley CR: Bleeker Street

Set at the dawn of the modern age, Colette is the story of a woman who has been long denied her voice going to extraordinary lengths to reclaim it. Gabrielle Sidonie Colette, a young woman from a country village, marries a charismatic dominating Parisian, fourteen years her senior, known by the single name, “Willy”.  Through his auspices, she is introduced to bohemian Paris where her creative appetite is sparked. Ever quick to capitalize on talent, Willy convinces his wife to write novels—to be published under his name. The phenomenal success of her “Claudine” series makes Willy well known as a writer and “Colette and Willy” the first modern celebrity couple. Over time, lack of recognition for her work frustrates Colette, and an affair with the gender-defying Mathilde de Morny, Marquise de Belbeuf inspires her to break free, but Willy is determined to maintain his hold over her, at any cost. (Source: https://en.wikipedia.org/wiki/Colette_(2018_film)#Plot)

Sidonie-Gabrielle Colette (28 January 1873 – 3 August 1954) was a French novelist nominated for the Nobel Prize in Literature in 1948. Her best-known work, the novella Gigi (1944), was the basis for the film starring Leslie Caron and Maurice Chevalier, and Lerner and Loewe stage production of the same name. She was also a mime, an actress, and a journalist.

 I confess that I am fascinated by this extraordinary woman and her story and sad to see how unfair the world was when it came to women with talent (unfortunately it is still). Are you looking forward to it? Keira’s fans from Pride and Prejudice (2005) should be lining up to see one more excellent interpretation of yet another real-life courageous, ground-breaking woman. 0

Your thoughts are welcome!

Warmly,

Rita L. Watts

Coming Soon – Another Period Drama with Keira Knightley: COLETTE (2018) Colette is a 2018 British biographical drama film, directed by Wash Westmoreland, from a screenplay by Westmoreland and Richard Glatzer, based upon the life of the French novelist Colette.

[cinelandia]

Tráiler (V.O.S.E.) de “Colette” (2018), de Wash Westmoreland. Sidonie-Gabrielle Colette, más conocida como Colette, fue una novelista, periodista, guionista, libretista y artista de revistas y cabaré francesa que adquirió fama internacional gracias a su novela “Gigi”, llevada al cine por Vincente Minnelli en 1958 en una famosa versión que protagonizó Leslie Caron. Siendo miembro de la Academia Goncourt desde 1945, la llegó a presidir entre 1949 y 1954, y fue condecorada con la Legión de Honor. Pese a su escandalosa reputación y habiéndosele negado un funeral católico por su condición de atea, la República Francesa le hizo unos funerales de estado, de forma que ha sido la única escritora francesa que ha gozado de tal honor. Con Keira Knightley. ESTRENO: 21 SEPTIEMBRE 2018 (Estados Unidos).

[ugallery]

Artist of the Week: Sidonie Caron, The Focus

Coastal Memories (15.5″ x 32.5″) by Sidonie Caron, acrylic painting 

For Sidonie Caron, artist of the week, making art is the focus of her life. 

Gregarious and curious by nature, she explores various media and subject matter, but always in sight of the same overall purpose.

Supermoon (20″ x 24″) by Sidonie Caron, acrylic painting

“I think my ‘style’ is recognizable in whatever subjects I choose to depict,” says Sidonie. “My aesthetic is to create something beautiful with some subtlety. Consequently, my enjoyment and challenges come with whatever I choose to paint; landscapes, seascapes, abstracts and so on.”

Beach Evening (24″ x 32″ ) by Sidonie Caron, acrylic painting

She is an artist based in Portland, Oregon. She categorizes several of her paintings in a collection called the “Visual Catalogue of Portland.”

Recently, Sidonie has been painting city scenes throughout Portland. She captures the images of her city’s historical homes.

“Sadly many of them have been demolished because of ‘gentrification’ or ‘progress’ which is a shame as I feel these are part of the history of the city of Portland,” says Sidonie.  

Arable Land (25.5″ x 30″) by Sidonie Caron, acrylic painting

Whether painting the historical relics of her city, the banks of a river, the ocean, or a mountainous scene, Sidonie maintains a signature style that unites a multiplicity of subject matter.  

The role of her brushstrokes in her compositions is wonderful and complicated.

In the backgrounds, they often, bear broadened sweeps that give widening impressions. Yet, in the fore- and mid-grounds, her strokes appear as if they have a casual knack for capturing detail precisely and pristinely.

Hardstem Brushes (48″ x 72″) by Sidonie Caron, acrylic painting 

The contrast between the clouds in the sky and the reeds on the riverbank in the painting, Hardstem Brushes, illuminates this dexterous brushwork.

In this way, Sidonie’s detailed foregrounds and sweeping backgrounds enact a perspectival tidalism; where, the eye ebbs and flows in and out of wide and narrow focus.

See Sidonie’s full portfolio.

[moreroom4happiness]

Sidonie Caron

Levee,  acrylic painting on composite board

[thecrownnet]

The Crown Season 3

FOR YOUR EMMY® AWARDS CONSIDERATION:

OUTSTANDING DRAMA SERIES

OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES 

Olivia Colman

OUTSTANDING LEAD ACTOR IN A DRAMA SERIES

Tobias Menzies

OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES

Helena Bonham Carter

Erin Doherty

OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES

Jason Watkins

Josh O'Connor

OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES

Jane Lapotaire

OUTSTANDING GUEST ACTOR IN A DRAMA SERIES

Charles Dance

Mark Lewis Jones

OUTSTANDING DIRECTING FOR A DRAMA SERIES

"Aberfan" Benjamin Caron

"Cri de Coeur "Jessica Hobbs

OUTSTANDING WRITING FOR A DRAMA SERIES

"Aberfan" Peter Morgan

OUTSTANDING CASTING FOR A DRAMA SERIES

Nina Gold, Robert Sterne

OUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (ONE HOUR)

Adriano Goldman, ASC, BSC, ABC

OUTSTANDING PERIOD COSTUMES

Amy Roberts, Sidonie Roberts, Sarah Moore

OUTSTANDING PERIOD AND/OR CHARACTER HAIRSTYLING

Cate Hall, Louise Coles, Sarah Nuth, Suzanne David, Cat Johnstone

OUTSTANDING MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE)

Martin Phipps

OUTSTANDING MUSIC SUPERVISION

Sarah Bridge

OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES

Yan Miles, ACE, Celia Haining

OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)

Martin Childs, Mark Raggett, Alison Harvey

OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

Lee Walpole, Andy Kennedy, Saoirse Christopherson, Juraj Mravec, Tom Williams, Steve Little, Tom Stewart, Anna Wright, Catherine Thomas

OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

Chris Ashworth, Stuart Hilliker, Lee Walpole

*The 2020 Emmy nominations announcement has been pushed two weeks, from Tuesday, July 14, to Tuesday, July 28.

June 5: Entry deadline July 2: Nominations-round voting begins July 13: Nominations-round voting ends

[ugallery]

Artist in Focus: Sidonie Caron

  Art Beat Oregon recently interviewed Ugallery's charming Brit Sidonie Caron. She's a stunning painter, and you can't help but fall in love with her personality. Enjoy!