#site-specific analysis

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[chaoticchickengremlin]

Handing y'all this because Man.

[ultimatenomi]

Something I find interesting about reading what issues people have with movies/tv shows is the pedastal so many put them on. And by that I mean, the idea that 'they handled this storyline WELL and this character got xyz- so why didnt they do abc with this other character?' as if its a moral failing that two separate characters didnt get perfect tied up with a bow resolves.

The function of the characters is to serve the overall story of the project- and vice versa- and particularly when you're speaking about media with a strong focus on an ensemble of human beings- their "endings" are going to vary greatly because it would be inauthentic to wrap everyone's stories up at the same time- everyones lives are a constant changing ebbing and flowing of positive and negative experiences, which affect how we move through the world- the ending you see isn't the end (unless its a show like blackadder which kills off all of its characters at the end of each season oh yeah spoiler alert for a show that ended decades ago)

I understand being sad that a storyline didnt pan out how you wanted it to- but the weird moral purity standard that is expected at the moment is very bizarre to me

[bluef00t]

are there any comics discussion blogs youd recommend following on tumblr?

"Comics" is a massive place, so depends on what you're looking for. Franco-belgian? Capecomics? Webcomics? Graphic novels? Manga? Strip comics? Just comic theory in general? I find that the spheres of interest don't overlap much. Having just barely come out of a 2-year superhero history obsession, I definitely have the most in that category, though that's not what I usually post about on this account.

[russellmoreton]

Architectural Contents : Dewey #1 by Russell Moreton Via Flickr: russellmoreton.tumblr.com/archive russellmoreton.blogspot.com Pinhole Photography with text inclusions.

[zehrcoolpotato]

A Touch from the Abyss

“To forget would not only be dangerous but offensive; to forget the dead would be akin to killing them a second time.”— Elie Wiesel, preface to ‘Night’ (2006)

As if free-falling, the body plunged into darkness. Humid air dampened the skin, cooled the ground, and diffused an earthy scent. The wind’s symphonies sounded celestial from a distance, enchanting the listener into nocturnal woods. This ambience was characterised by “âm”, the form and expression of ‘And They Die a Natural Death’ (2022) by artist and filmmaker Nguyễn Trinh Thi. A homophone in the Vietnamese language, âm has different usages, some of which provide clues to understanding humanist concerns in this work.

In the Vietnamese language, the syllable âm denotes distinct meanings. As a Vietnamese observer, I realised an existing language barrier—artistically and linguistically—that poses a challenge in contextualising ‘And They Die a Natural Death’. By introducing the word âm, I attempt to illuminate foundational layers of Nguyễn Trinh Thi’s presence at documenta fifteen, which is arguably one of the most prominent global exhibitions.

Nguyễn Trinh Thi, ‘And They Die a Natural Death’, 2022, chilli pepper plants, wind, bamboo flutes, projection, monitor. Installation view, Rondell, Kassel. Image courtesy of the artist.

Rondell (circular building on the left), exterior view, Kassel, 2006. Photo by Eva Kröcher. Wikimedia Commons. 

Âm 音: sonic, sound

A site-specific art installation, ‘And They Die a Natural Death’ was a public intervention reviving Rondell—Kassel’s long-standing defensive tower built in 1523 and was said to later house torture facilities in its underground vaults. As part of the installation, a high-tech system recreated and implanted the natural environment of Tam Đảo forest in Vietnam. Via this hidden automated design, the Tam Đảo wind was generated in Rondell’s interior, and composed rhythms with the bamboo flutes in the dome. In this absolutely dark cinematic space, sound became the main device to storytelling.

Recently, Nguyễn Trinh Thi began to incorporate new media in her work, including organic materials and natural forces, prioritising the art of listening over mere representation. She experimented with sound as the primary technical apparatus. An ethnographic research trip to the Central Highlands of Vietnam in 2021 touched the artist so significantly that she dedicated her film to the J’rai culture of listening.2 ‘How to Improve the World’ (2021) is the documentary film that acts as a prelude to ‘And They Die a Natural Death’. By appropriating musician John Cage’s diary titled ‘How to Improve the World: You Will Only Make Matters Worse’ (1992), the filmmaker suggests that we should listen to the world around us to survive ecological crises together.3

Âm 荫: tree shade

The Tam Đảo wind not only created sounds inside Rondell, but also activated a lighting system to blow up silhouettes of bird’s eye chilli plants hidden underneath the platform. Enlarged shadows reached the highest parts of the dome, casting a luxuriant forest onto Rondell’s circular wall. Using small plants as main actors, the artist built an eco-theater in which non-human agency played a crucial role in the retelling of death. Chilli pepper shadows inside Rondell formed a panoramic ink painting, and this visual quality could be said to reference East Asian traditional art. In feudal China, the landscape genre seeks to express harmony between Heaven and Earth and cosmic wholeness between humans and nature, and this is observed with the installation.

Nguyễn Trinh Thi’s use of shadow as a visual signifier is not unlike American American artist Kara Walker’s signature strategy, which elicits the legacy of slavery through stereotypical--often grotesque--cut-paper silhouettes. Such technique aids the artists to walk the lines between pleasure and pain, visibility and invisibility, power and oppression. 

Preparation of chilli pepper plants before being installed underneath the viewer's platform in the Rondell. Original caption: “She took care of everything - production, plants, people, and text. I’m deeply grateful.” Image courtesy of the artist.

The electrical system which measured the wind’s intensity was being set up in Tam Đảo, Vietnam. Originally captioned “Thank you so much Đức for sending us your wind!!!” Image courtesy of the artist.

Âm 喑: muteness

Like the other projects at documenta fifteen, Nguyễn Trinh Thi’s installation recalled a testimony denied by grand history. ‘And They Die a Natural Death’ was a mute cry for loss and brutality. The artist referenced a chapter in Bùi Ngọc Tấn’s memoir in prison, A Tale For 2000.4 In the labour camp, male prisoners longed for the spicy heat of chilli pepper. One day, the discovery of a vast pepper tree forest caused an uprising in the camp. Unable to control the mob, furious guards fired in the air and ended up shooting a prisoner. The mob went silent and returned to the camp; their hands still held on to the chilli peppers as if it represented fleeting freedom.

As a site-specific project, ‘And They Die a Natural Death’ connected to local history in Kassel. In the Nazi era, the city witnessed book burning, destruction of Jewish synagogue, concentration camps, and Adolf Hitler’s speech in the first Reich Warriors’ Convention. Within this context, the installation can be interpreted as a passive mourning. Its dim lights and eerie sounds gestured towards, in the words of philosopher Jacques Ranciere, “the representation of the inhuman.”5 This rhetorical device employs micro-description of actions, which highlights the absence of humanity experienced in prisoner camps from Bùi Ngọc Tấn’s memoir and Kassel’s Nazi past.

Âm 陰: the underworld

Nguyễn Trinh Thi is neither the first nor the only artist to adapt a ruin’s history in a retelling of memory. However, her philosophy, deeply rooted in Taoism, fostered aesthetic qualities that were peculiar to East Asian and Vietnamese worldviews. In 1987, German artist Rebecca Horn also addressed history by staging a site-specific installation ‘Concert in Reverse’ in a Munster fortification, which was built around the same time as Rondell. While both artists intrigued their audiences with cinematic experiences and sounds from ordinary tools, for Nguyễn Trinh Thi, darkness was crucial to the mise-en-scène of death. Such an artistic strategy inserted the Vietnamese spiritual belief that the dead are not far gone, and that their souls stay in the underworld. With its 10-metre-thick wall, humid air, and absolute absence of light, Rondell became a vessel, displacing viewers to enter a space outside of time. The haunting yet meditative ambience enchanted listeners to feel a tender touch from the abyss.

A story about death is a reminder that nature’s flow waits for no one. However, by narrating death, both storyteller and listener resist this flow and encounter the deceased in a parallel reality. This temporal convergence offers a space for grief, and in some cases, the telling of death helps to make sense of loss.

At documenta fifteen, Nguyễn Trinh Thi presented her ongoing investigation of anti-representation, nonhuman agency, and power. She conceived of  “landscapes as quiet witnesses to history.”7 ‘And They Die a Natural Death’ was a live theatre in which nonhuman actors--wind and chilli pepper plants--took centre stage. In this nonverbal retelling of death, artistic strategies were utilised to engage the viewer’s multiple senses. By imagining a gate to the underworld, the artist staged a landscape that connected Kassel and the Tam Đảo forest where the prisoner died a natural death.

[thetreetopinn]

Sources for Somerton's Plagiarism from Hbomberguy's Video (as much as I could get)

I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.

This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.

- - - - -

Harry's list of mentioned youtubers:

Alexander Avila - https://www.youtube.com/@alexander_avila Matt Baume - https://www.youtube.com/@MattBaume Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe Lady Emily - https://www.youtube.com/@LadyEmilyPresents Shanspeare - https://www.youtube.com/@Shanspeare RickiHirsch - https://www.youtube.com/@RickiHirsch VerilyBitchie - https://www.youtube.com/@verilybitchie

Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.

Please give them your support.

- - - - -

Midlands Zone Magazine - Column by Steven Spinks

After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure: Overall archive Specific Issue - Pages 16-17

It will not allow you to download it, but you can read it exactly as it appeared in print form.

- - - - -

My best effort to find the exact book or article Somerton lifted from to be able to get attention to the original writers

Tinker Bells and Evil Queens By Sean Griffin

The Celluloid Closet By Vito Russo Wikipedia article about the book Wikipedia article about the documentary My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added

Camp and the Gay Sensibility By Jack Babuscio

The Groundbreaking Queerness of Disney's Mulan By Jes Tom Personal site with links to social media accounts

Why Rebel Without a Cause was a milestone for gay rights By Peter Howell

Why "The Craft" is still the best Halloween coming out movie By Andrew Park

Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever? By Dani Leever

Women and Queerness in Horror: Jennifer's Body By Zoe Fortier

[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness By Alejandra Gonzalez

Revealing the Hellbound Heart of Clive Barker's 'Hellraiser' By Colin Arason

Queering James Cameron's Aliens (1986) By Bart Bishop

Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films By David Greven

Fears of a millennial masculinity: Scream's queer killers By David Greven (Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)

Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis By Rachel Brands Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit

How 'It: Chapter Two' Leaves Richie Tozier Behind By Joelle Monique

When Horror Becomes Strength: Queer Armor in Stephen King's 'IT' By Alex London

Why Queer People Love Witchcraft By Amanda Kohr

'The Favourite' Queers The Past And The Present By Giorgi Plys-Garzotto

(Wuko) Crush (Mako x Wu) By MoonFlower on YouTube

5 Terrible Movies With Awesome Hidden Meanings By J.F. Sargent

The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer By Ian Barnard

Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime By Shivani Dubey

The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes Original Article by "Seldom Musings" (Author has made all posts not related to Attack On Titan private and has retired from the blog)

Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan? By Gita Jackson

- - - - -

The following people are otherwise named in the video. There are no direct citations of articles or books by them in said video. I am unable to guarantee that I have identified the correct individual.

Darren Elliott-Smith Michaela Barton David Church Claire Sisco King Amanda Howell Jessica Roy

- - - - -

Telos announced and cancelled a film likely based on this book: The Final Girl Support Group - By Grady Hendrix

- - - - -

I refrained from including certain sources.

First off only focusing on Somerton's work.

Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).

Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.

If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.

- - - - -

Please share this information far and wide, and please add to it if you find more material that can be positively identified and linked to the creator/writer.

[shaiyasstuff]

my little demon | rafayel

synopsis : You accidentally summon a demon. He's annoying, endearing, and suddenly leaving. You hate it, hate him. Except, maybe you don't. And maybe that's the worst part. content : demon!rafayel, fluff, poor references to hell, comedy

“Y/N.”

“What?”

“Y/N.”

“What?”

“Y/N.”

“For fuck’s sake, Rafayel, do you not understand what time out means?” you snapped, slamming your pen down like it had personally wronged you. You turned to him, already bracing for the face.

And there it was.

Big eyes. Slight pout. That tragic, kicked-puppy expression that made him look like a freshly scolded Disney sidekick.

“You look like a goldfish,” you deadpanned.

“Hey!” he gasped, hand flying to his chest like you’d just impaled him. “A cute goldfish though?” He double finger-gunned at you, winking.

You blinked. Twice. “You’re so lucky you’re already from hell.”

Rafayel just beamed like you’d complimented him.

“‘Yel,” you groaned, rubbing your temples, “I have three thousand words due by tomorrow, and my prof already hates me because I made a joke about Plato being a drama queen. If I don’t finish this, he’s going to flay me.”

“I still don’t get why you humans do this to yourselves,” Rafayel muttered, kicking his legs from where he was perched upside-down on your desk chair like an overgrown toddler. “You pay to be stressed out. Should’ve just sold your soul like a normal person.”

You gave him a look.

“Oh wait.” He grinned, sharp teeth peeking out. “Too late.”

You considered throwing your textbook at him. Not that it would do anything. He’d just catch it mid-air with a smug smirk and then use it as a coaster for his bubble tea.

Because, yes, your demon—your demon, what the actual hell—had a crippling addiction to boba. Specifically the strawberry milk tea kind. With rainbow pearls. That he insisted on ordering with your credit card.

How did it come to this?

Well. You were trying to write your thesis.

A comparative analysis of ancient summoning rituals and modern occult trends.

Cool, edgy, mildly creepy.

Your professor was thrilled.

You, on the other hand, were downing energy drinks and googling ‘curses that don’t backfire’ at 3AM.

Then you found The Website.

Black background. Red font.

Very ‘do-not-enter-this-site-if-you-value-your-soul’ vibes.

So like anyone with a brain, you clicked it.

You followed the instructions—chalk circle, candles, some vaguely Latin-sounding chants—and when nothing happened, you shrugged and went to bed, convinced you’d wasted twenty bucks on witchy candles and your last shred of dignity.

Then you woke up to glowing eyes staring down at you from your ceiling like some paranormal ceiling cat.

You screamed. Loudly.

Your RA came running, ready to fight a serial killer, only to find you clutching a pillow and pointing at an empty spot on your ceiling like a madwoman.

He backed out of your room slowly, muttering something about, “freshman psychosis” and, “never rooming with a lit major.”

And now?

Now you had Rafayel.

A demon with a temper shorter than your GPA, a weird fixation with glitter, and a total disregard for personal space, deadlines, or the human concept of privacy.

He refused to leave.

Something about your summoning being ‘binding’ and your ‘aura’ being ‘weirdly cozy.’ Whatever the hell that meant.

You sighed and turned back to your laptop, muttering, “Why couldn’t I have summoned, like, a chill ghost? Or a vampire with a tragic past?”

From behind you, Rafayel hummed, “You say tragic past, but I am the reason a small village disappeared off the map in 1437.”

You didn’t even flinch. “Good for you.”

“And yet, here I am. Reduced to being your emotional support demon.”

“Reduced? No one asked you to rearrange my spice rack alphabetically and by Scoville level.”

“Blasphemy tastes better with cayenne.”

You didn’t look up. You didn’t respond.

You simply typed.

And hoped to hell—or heaven, or the void between—that this paper would write itself before you lost your last brain cell.

You felt the faint, ominous creak of your desk chair’s twin moving behind you—the low growl of overworked wheels scratching across old floorboards.

Which meant that Rafayel was on the move.

And sure enough, a second later, he was right beside you, chin practically glued to your shoulder as he peered at your screen like a nosy toddler who had just discovered the concept of YouTube.

“Oh my god,” he whispered in genuine horror. “What is that supposed to be?”

You blinked. “It’s a nineteenth-century etching of a demon.”

“That,” he pointed dramatically, “looks like if a goblin and a melted candle had an unfortunate child.”

“…Well, it is hell,” you muttered under your breath, barely suppressing the eye twitch as he recoiled at the grotesque, horned figure on your laptop like it personally offended his bloodline.

“It’s just��ugh! You humans get it so wrong.” Rafayel flopped back into his chair with a dramatic huff, lacing his fingers behind his head like this was a casual TED Talk and not your descent into academic burnout.

“Lucifer’s not some scary, flaming rage monster. He’s actually pretty chill. Bit moody. Likes jazz. Wears a lot of silk.”

You blinked slowly, fingers hovering over your keyboard. “Wonderful. Shall I cite you as a primary source, then?”

“I mean, I did know him.”

“Of course you did.”

He grinned, cocky and unbothered, like he hadn’t been singlehandedly driving you to the edge of sanity all month.

You slammed your palms onto your desk with the force of a caffeinated raccoon reaching enlightenment.

“Rafayel.”

“Yes?” he said sweetly, as if he hadn’t just derailed your concentration for the fifth time in under ten minutes.

“I am a senior,” you began, voice dangerously calm, “in the final semester of a four-year degree that I am barely surviving. I have not slept in two days. I have eaten nothing but cereal dust and vending machine pretzels. My thesis is currently being held together by three weak metaphors, one questionable source, and the power of denial.”

You took a breath, gaze narrowing.

“So unless you want me to start writing my next section on how modern demons are somehow worse than capitalism—Shut. The fuck. Up.”

There was a beat of silence.

Then he gave you a slow clap.

“I love it when you get feisty,” he said, grinning.

You turned back to your screen.

He was lucky he was immortal.

—•

You threw your hands in the air like a malfunctioning robot powering down for the last time and muttered a tired, deadpan, “Yay.”

The kind of yay that carried the weight of sleep deprivation, caffeine addiction, and a vague desire to start life over as a forest hermit.

When you turned, Rafayel was mid-hover above your bed—legs crossed in an upside-down floating genie pose like some unholy yoga instructor. His head hung just low enough to make direct, smug eye contact with you.

“I’m done.” you declared, the kind of joy only reserved for finishing a thesis or surviving a group project with your sanity intact.

“Finally,” he drawled, tossing his ninety-ninth boba cup into the bottomless trashcan of the void like a three-point shot. The lid landed with a soft clink that echoed like judgment.

You stared at him. “Is that my hoodie you’re wearing?”

He shrugged—midair, still upside down. “It smells like you. Very… stressed and academically overachieving.”

You flopped face-first onto your bed with a groan. “Why are you like this?”

“I’m your emotional support demon,” he chirped. “I’m doing my job.”

“Do your job quieter.”

“That’s not in the contract.”

“There was no contract—”

“You summoned me with ancient Latin and expired lavender candles. I’d call that consent.”

You groaned into your pillow. He was unbearable. Infuriating. Downright catastrophic.

But also… a little fun.

Stupid adorable demon.

“How do I even get rid of you anyway?” you mumbled into the depths of your pillow, the words muffled but laced with the kind of dramatic despair that came after surviving both a thesis and Rafayel.

Silence.

Unusual silence.

Suspicious, even.

You lifted your head just enough to peek over your arm. “…Rafayel?”

No answer.

You sat up fully now, squinting toward your desk—where the demon in question was oddly still, back turned, his usual commentary absent.

That was never a good sign.

You got up, padding quietly across the room like one of those horror movie girls who absolutely should not go toward the ominous figure, but does anyway because narrative choices.

There he was, standing in front of your laptop, staring at the still-open tab with the medieval etching of hell. The fire, the grotesque figures, the tormented souls—all frozen in digital interpretation.

You stopped a few feet behind him. “…You okay?”

His posture didn’t shift. He didn’t crack a joke or throw a boba cup into the void.

Just stared.

And when he finally did speak, it was quieter than you expected.

“They always get it wrong,” he said. “They make it all fire and fury. Screaming. Violence.”

You frowned, uncertain.

He turned slightly, just enough for you to see the flicker in his expression. Not anger. Not smugness.

Something else.

“They forget it’s mostly just… quiet down there.”

You didn’t say anything. You didn’t know what to.

So you just stood there, behind the demon you summoned on accident, watching as he looked at a world that feared him—and didn’t understand him at all.

He finally turned to look at you, and there was that flicker of a smile again—gentler this time, almost… nostalgic?

“Hell isn’t that bad, you know?” he said, like he was trying to convince you, or maybe just himself. “I had friends down there.”

You raised an eyebrow, arms crossing. “You? Have friends? Shocking.”

He snorted, shaking his head. “Rude. But fair.”

Still, the sarcasm didn’t fully return. His shoulders relaxed a little, and his gaze dropped for a moment like he was remembering something that didn’t belong in this room, in this world.

“Yeah,” he said. “We may not have souls, but we’re not cold-blooded beings who only love torture.”

A pause.

His lips twitched. “Okay. Maybe some of us are. Gormax really enjoyed the whole spine-peeling thing.”

You blinked. “That’s not a real name.”

“Swear on the Void.”

“…You people need hobbies.”

He grinned again, but this time you noticed the faint sadness beneath it. Not enough to take over, but just enough to linger.

You glanced at your laptop, still glowing with the static, flaming misery of a human’s idea of damnation, and then back at him.

“You miss it?”

Rafayel shrugged. “Sometimes. It’s home. In a weird, messed-up, infernal kind of way.”

You nodded slowly.

And maybe—just maybe—you started to understand.

“I mean, I understand. I miss home too. But,” you sighed, dropping back into your chair with a quiet thud. Rafayel hovered beside you again, floating like some dramatic ghost lamp as he waited—surprisingly quiet, for once.

“My parents passed away two years ago,” you said, voice soft, almost careful, like the words had grown sharp with time. “So I’ve been avoiding going home. It just… doesn’t feel like it anymore.”

You didn’t look at him as you spoke. Just clicked through the open tabs, saving your thesis with methodical clicks. Save as draft. Save to cloud. Back up to your USB, just in case the universe decided to smite your hard drive out of spite.

The silence that followed wasn’t awkward—it was heavy. Like a blanket pulled over your shoulders that you didn’t ask for but kind of needed.

Rafayel didn’t say anything right away.

He didn’t make a joke.

Didn’t deflect.

He just hovered beside you, gaze steady, presence uncharacteristically… grounded.

And for once, you didn’t feel like talking was wasted.

You shrugged off the creeping melancholy with a light chuckle, brushing it off like lint from an old sweater. No need to get all soft and sentimental—this was supposed to be your break from the feels, not a therapy session featuring one floating demon roommate.

Turning to Rafayel, you expected another sarcastic quip, or maybe a comment about your overuse of the word “therefore” in your thesis. But instead, he was just… staring at you.

Not in his usual annoying way.

Not the 'I’m about to tease you for eating dry cereal out of a mug again' way.

Just quietly watching you.

“Tell me more,” he said.

You blinked. “Huh?”

He leaned in a little, expression unreadable. “Tell me more about yourself.”

You froze.

Not because you didn’t want to—but because no one ever asked that. Not like that. Not seriously.

Not with that kind of openness in their voice, like he actually wanted to know.

The demon you accidentally summoned from a sketchy website at 3AM, who drinks boba like it’s holy nectar and thinks your hoodie smells like existential dread, was asking you—you—to talk about yourself.

You were stunned.

Then you did the only thing that made sense.

“…Okay,” you said quietly. “But only if you go first.”

He tilted his head, lips curling into something that wasn’t quite a smile—something more honest. “Deal.”

You lay sprawled on your bed, one leg dangling off the side, your pillow tucked under your chin like a sad little emotional support loaf.

Across from you, Rafayel spun slow, lazy circles in the air like some haunted carousel ride. At one point he did a full backflip and declared it, “aesthetically necessary.”

And somehow, between the jokes and the occasional sarcastic remark, the conversation had slipped into something real.

You told him about your past. Your parents. The quiet house you grew up in. How you always wanted a sibling—not just to share toys with, but to not feel alone when the lights turned off and grief crept in.

You told him about the accident, how it felt like the world just stopped, and you were the only one still moving.

And he listened. Actually listened.

In return, he talked about the Void—though you were beginning to think “hell” was more of a branding issue than a literal place.

He described it like a strange bureaucracy: souls sorted, some punished, others recycled, a few left in the waiting room forever because someone misplaced their paperwork.

“Torture chambers are real, yeah,” he said casually, floating upside down with his hair hanging like a purplish waterfall. “But they’re for the actual evil ones. Not the spicy-sin level ones. Just murdery, unforgivable bastards.”

He paused, then smirked. “It’s always funny when a priest walks in. So shocked. Like, sir, you were literally laundering money and judging people for existing.”

You gave a snort-laugh, despite yourself.

Then you sat up, narrowing your eyes. “Okay, but—what is your role in all this? Why are you so free to be here, doing aerial tricks in my room and spending thousands on my credit card like it’s demon Black Friday?”

Rafayel floated to a stop, blinking.

Then he stretched out like a cat mid-yawn. “Technically, I’m a scout.”

“A scout?”

“Yeah. Recruits, human surveillance, some possession clearance checks, the occasional ‘make a deal for your soul’ gig—basic intern stuff.”

You gawked. “You’re telling me you’re a hell intern?”

He smirked. “Unpaid, of course. And overqualified.”

You dropped your head into your hands. “Of course you are.”

He floated a little closer, a glint in his eye. “But I was top of my class in emotional disruption and distraction techniques, thank you very much.”

“Yeah. I figured.”

He smirked, all teeth and knowing glint. “You’ll miss me.”

You blinked.

Then immediately scowled. “Fuck no.”

But the twinge in your chest—the subtle little ache—said otherwise.

Betrayal. By your own heart.

Rude.

Rafayel, of course, noticed. He always did. The bastard was like an emotion-sniffing dog, except instead of alerting people, he just smirked more.

“When I get promoted,” he said, reclining into his imaginary armchair like some otherworldly sitcom character, “I’ll finally be able to go back.”

Back to the Void. To hell.

To wherever demons like him belonged when they weren’t terrorizing emotionally constipated college students and draining their boba budgets.

You went quiet, lips pressed together.

Then, softly—almost like you weren’t sure you wanted to hear the answer—you asked,

“What if I want to see you again?”

He turned his head, cocking a brow. “I thought you wanted me to begone?”

“Well, yeah,” you mumbled, rubbing at your neck like you could hide your embarrassment behind muscle tension. “That was before I thought you were… fun.”

Rafayel blinked. Then blinked again, stunned just long enough for you to feel like maybe—maybe—you’d glitched the demon matrix.

“Fun?” he echoed, the grin creeping back slowly. “You think I’m fun?”

“Don’t make it weird.”

“Too late.”

You groaned and rolled back onto your bed, covering your face with your hands.

From above, you heard the soft flick of a boba straw unwrapping. And then—

“You’re fun too, you know,” he said.

You peeked between your fingers.

He was still floating. Still smug. But maybe—just maybe—a little softer.

masterlist

[augustjoy]

The Nanny

Based on the following ask: @itzvenus04I was thinking of like sunshine soft girl reader x cloudy and broody serious Aaron meet as he hires her as Jack nanny because Jack liked her the best and of course Jack thinking his nanny is perfect he tries everything he can to get his dad and nanny together which ends up working and Jack is happy because he has another mommy now, not to replace Haley but to love him like a mom because a kid always needs his mom no matter what age

Aaron Hotchner x Nanny! Fem Reader Fluff Word count: 2185

REQUESTS ARE OPEN - not edited - please be kind. Requests are open and feedback is welcome if it's constructive!

Warnings: My blog is 18+, minors DNI, significant age gap (non-specified, but legal), Sunshine! Reader, Grumpy! Hotch, reader is a nanny, Jack being the ultimate match maker, boss-employee relationship/blurred lines, let me know if I missed anything.

I do not consent to having my work translated or reposted to any other site. That being said I do not own the characters portrayed in this story.

You had been working for Aaron Hotchner for the last six months. You’d gone out of your comfort zone and signed up for one of those nannying sites, the ones where parents would go on and select your profile…almost like online dating. The only thing is, you were looking for a live-in nanny position, see, you’d just graduated college and had been living on campus and now that you had graduated, you needed a place to stay until you found a permanent residence. You could only stay in your friend’s studio apartment for so long.

Aaron hadn’t been too sure about hiring a nanny, especially a live-in one. Jessica had suggested it, seeing as she’d become increasingly busy helping her dad and taking on additional shifts at the hospital. She told him that it would be good to have someone at the house taking care of Jack, running him to and from school and soccer, someone who’d cook and clean and…the more she described it, the more Aaron thought it would be like hiring a 50’s housewife.

He sat on the idea a while; he hardly thought it would be appropriate for a man of his age to hire some young woman to come into his home and play wife while he was out working all day. He figured the best thing he could do would be to look into one of those sites that match nannies to families based on needs.

That is how he had chosen you and honestly, you couldn’t have been more grateful for that fact. Jack had been the best kid and getting to watch him felt more like hanging out with a child of your own…he’d made you feel so welcomed and it filled you with joy.  You’d enjoyed the Hotchner boys, although you didn’t see Aaron all that often, when you did, it always stirred up a fuzzy feeling within you.

--

Aaron was out of town at least once a week each month, those weeks were hard on Jack, but you’d made sure to fill the time with building Legos, coloring, baking, and soccer practice in the yard. You’d made all of Jack’s favorite meals and read him and extra bedtime story on nights Aaron was out of town. Anything it took to make things easier on him.

Truthfully, you liked the weeks when Aaron was out of town, it made your life a little easier, because despite that fuzzy feeling Aaron gave you…he wasn’t always the sweetest person in the world. He was kind of a grump.

In the six months you’d been working for him, you had learned that Aaron was an FBI agent, more specifically the Behavior Analysis Unit. You knew he was in charge of the team he worked with and that they travelled quite frequently. Jack constantly referred to him as a superhero. You learned that he loves the Beatles and the most important thing in his life is his son.

The other thing you had learned in that time was that he detested you. He’d made an effort to learn as little as possible about you, promptly changing the subject any time you’d said anything, even remotely personal. Little did you know, Jack was sure to fill his dad in on all the wonderful things he’s learned about you.

--

Jack had formulated a plan; he was going to get you and his dad together. In the short time you’d been working with them he’d been able to see that his dad was happier and less stressed out. His dad had more time to spend with him when you were around. He also loves you; you are sweet, and you take care of him, and it reminds him of his mom. That had made him sad at first, but very quickly, he came to appreciate it.

So, he decided he would help you by giving you insight into his dad’s favorite things. On the other hand, he’d talk you up to his dad in hopes to break his walls down just enough to let you in.

--

“Alright Jack, your lunch is all packed, can you run and grab your shoes and your backpack?” You asked him.

“Okay! Did you put one of our brownies in there?” He asked, jogging down the hall.

“Of course I did!” You called after him. “Mr. Hotchner, I packed your lunch as well. I was planning on going to the grocery store after I drop Jack off, was there anything in particular you’d like for dinner this week?”

“Whatever works.” He huffed.

“Okay, well I will email over the menu I had in mind then and if there’s anything you don’t like, just let me know.” You offered.

“Will do.” Aaron grabbed his bag and turned away. “Bye buddy, have a great day today.” Aaron pressed a kiss to the top of jacks head before ruffling his hair and heading out to work.

“You ready bud?” You asked.

“Make a pot roast with mashed potatoes.” Jack said.

“What?”

“It’s dad’s favorite.” Jack smiled.

--

You were putting the finishing touches on dinner while Jack was working on his homework at the kitchen island. You had taken his suggestion and went with a pot roast for dinner, figuring it couldn’t make matters worse.

“Alright bud, go wash your hands and put your homework in your folder.” You requested.

“Okay!” Jack made his way down the hall.

You set the table with three perfect place settings, you’d poured jack a glass of chocolate milk, yourself a small glass of wine, and Aaron his usual scotch. You plated up the food, mashed potatoes, pot roast with carrots, and a small salad. It was moments like this, waiting for Aaron to some home that your mind drifted to thoughts of truly sharing this domesticity with him.

You imagine him walking through the doors, placing his briefcase down, coming up behind you, snaking his arms around your waist as he presses a gentle kiss to your shoulder. Complimenting how good the food smells and asking you about your day. In these little daydreams, he was warm and sweet, not his usual grumpy self.

--

The door opens and you immediately hear the huff that escapes him. Exhaustion surely seeping in after a long day of work. This is part of why you loved this job, despite his coldness, you enjoyed taking care of the Hotchner boys. It made you happy knowing that he could come home after work and not worry about anything.

“Daddy!” Jack hollered.

“Hey buddy.” Aaron knelt down and lifted Jack into his arms.

“It smells good in here, what’s for dinner?” Aaron asked.

“Well, Jack informed me that pot roast is one of your favorites, so I changed up the menu a bit and made that for dinner. I uh – I hope that’s okay.”

“Oh, that’s – that’s fine.” Aaron let out an awkward cough.

So, the three of you sat and ate dinner. While you ate, Jack rambled on and on about his day and all the things that happened while he was at school. You were desperately trying to attend to the conversation, but you couldn’t help but be distracted…Aaron’s gaze had been lingering on you for the last ten or so minutes.

“Hey jack, why don’t you put your plate in the sink and go get ready for bed huh? I’ll come up in a bit to read a story with you.” Aaron said, his gaze never leaving yours.

Jack nodded his head and followed the directions his dad gave him. All the while Aaron continued to look at you, surely profiling you. You were becoming uneasy, sitting there under his gaze.

“What is it?” You asked.

“Nothing. Thank you, for dinner, it was delicious.” He complimented.

“Oh, um of course! I’m glad you liked it.” You blushed.

--

It was a rare day that Aaron had off, on these days he likes to let you off the hook. This allows you to shop, go out with friends and get lunch, get your hair and nails done, the whole nine yards. Jack thought that a day out with his dad would be the perfect time to talk about you. They had been talking about how you helped him study for his spelling test this week which led to him getting 100%.

“Hey dad?”

“Yeah buddy?”

“Why do you hate her?”

“What I don’t – I don’t hate her. I just, I ugh…I don’t know bud. I don’t hate her, she’s great.” Aaron stumbled over his words.

“You aren’t very nice to her though. Which is weird because she’s really nice and she makes us both happier, I can tell.” Jack smiled.

“I’m nice to her!” Aaron defended.

“No, you’re not. But you can be! Her birthday is coming up, we should have a party!” Jack suggested.

--

It was your birthday, you had been thankful it was on a Saturday this year, and Aaron was off which meant he’d likely give you the day off and you could spoil yourself a bit. So, after sleeping in a bit later than usual, you made your way to the kitchen only to be met with the Hotchner boys making pancakes.

“Well good morning!” You greeted.

“Happy birthday!” Jack shouted, wrapping his arms around your neck from his position on the counter.

“Thanks bub! Are you making chocolate chip pancakes? You know those are my favorite.” You teased.

“Yeah! It was dad’s idea to make them.” Jack informed.

“Oh – um thanks.” You were caught by surprise.

“Of course. Happy birthday.”

“Thank you.” You shyly smiled.

The three of you sat and enjoyed breakfast together, it had felt different than usual. Aaron had been different today, happy almost.

“So, I figured, since I’m home today, perhaps you could take the day off?” Aaron suggested. “I do have something to do around 6 though so if you could be back by then?”

“Really? That would be awesome, I really need to get my hair and nails done.” You laughed.

--

You had texted a few of your friends and met them at the nail salon, getting your fingers and toes done while filling them in on the latest…more specifically Aaron’s new kind side that he’s been showing.

They had told you it was because he likes you, to which you were quick to shut down. They all knew you had a soft spot for the older man, and they were sure he liked you back, especially when he was pushing you away. One of your friends claimed it was because he probably didn’t want to “corrupt” you.

 After getting them to finally relent in their teasing, you had suggested lunch. The girls treated the whole day, nails, lunch, hair and lastly a new dress from your favorite boutique.

“You should wear that one home.”

“Why?”

“For Mr. Hotchner…show off your hot self. Maybe get some for your birthday!”

“Oh my gosh, stop! It’s not like that.” You shook your head.

“Girl maybe it could be…just wear the damn dress!”

And so, you did. You changed into the new dress and had your hair perfectly styled and your nails done. You knew Aaron had somewhere to be at 6, but you figured you could at least catch him off guard prior to then.

--

You parked your car and made your way around to grab your bags, then headed up the two little steps that led into the house. Before fishing your key out of your bag, you paused, inside you could hear Aaron and Jack talking…something about balloons and streamers. You smiled to yourself, quietly letting yourself in.

“Hey guys! What’s all this?”

“You’re early!” Jack said.

You looked around and felt nothing but warmth radiating through you. There were balloons and streamers decorating the living and dining rooms, sat on the table was a birthday cake along with a few gifts. Pizza from your favorite place was sat on the coffee table and the living room had been rearranged so the guestroom mattress was laid out with cozy blankets and pillows, while your favorite movie was queued up on the TV.

“You did all this…for me?” You gasped.

“Yeah! We wanted to show you how much we love you.” Jack said, hugging you.

“You do?” Your gaze met Aaron’s.

“Yeah, we do.” He said.

--

That night the three of you ate pizza and laid on the mattress in the living room, watching movies. Before it got too late the boys made sure you had cake and opened your gifts, Jack had picked out a paint set for you, knowing you enjoyed watercolors. Aaron, well, he’d gotten you a first edition of your favorite novel. You’d been rendered speechless.

The three of you made your way back to the living room and laid down to watch a final film. Jack had been snuggled up to you, quickly falling asleep, and you fell not long after. Aaron smiled at the sight of you two, it had gotten him thinking that having you around may not be so bad after all.

Taglist: @bernelflo@pastelpinkflowerlife@just-moondust @khxna

[spaghettioverdose]

anonymous asked: 😎

Why do MLs oppose anarchism?

☭ ml-blog

[ decently in-depth response that explains why marxism-leninism and anarchism are opposed to each other, why anarchism is idealist and unscientific and ultimatelly incorrect, why we should understand politics and society through a scientific analysis and not moralism etc. ]

🏴yankee-anarchist Follow

Ok well have you considered that power corrupts and [some other moralism] and [US state department propaganda] and [homonationalism] and also that the ML party in my beautiful state of Arizona just split? Checkmate tankie.

editor's note: this post is more about an ongoing trend on this site rather than one specific instance of it.

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[scentedanchorcollective]

DeepSeek: Ignite a new engine for China's technological innovation

On the morning of February 27, the "Sanming Youth Talk" jointly organized by the Sanming Municipal Committee of the Communist Youth League, the Sanming Branch of Industrial Bank, the Sanming Branch of Industrial Securities, etc. was held at the Sanming Branch of Industrial Bank. The theme of this event was "Learning and exploring DeepSeek technology to empower youth technological innovation". It attracted more than 60 people from the Municipal Youth League Committee, young entrepreneurs, the Municipal Youth League Working Committee, and some league members and youth representatives to participate in the event.

At the beginning of the event, Zhou Luyun, a senior researcher of the overseas TMT industry at the Industrial Securities Economic and Financial Research Institute, delivered a keynote speech entitled "Revaluation of China's Technology Assets - DeepSeek's Reshaping of China's Cloud Service Ecosystem". He made an in-depth analysis of the current situation and future trends of China's cloud market, and vividly explained how DeepSeek technology can reshape China's cloud service ecosystem. He interpreted industry trends through detailed data and cases, and actively interacted with young people on site, patiently answering questions raised by everyone on talent training and how to make full use of deepseek to improve efficiency.

In the financial product introduction session of the event, Qin Hong, a financial commissioner of the Industrial Bank Sanming Branch, introduced a number of featured financial products in detail, including "Industrial Bank Inclusive Loan", "Small and Micro Online Financing Products", "Personal Business Loan" and "Personal Xingshan Loan". She combined specific cases and explained in depth the advantages of these products in supporting small and micro enterprises, optimizing personal business financing and improving the efficiency of financial services, providing more practical financial solutions and investment references for participants.

It is reported that "Sanming Youth Talk", as a youth learning and exchange brand activity created by the Sanming Municipal Committee of the Communist Youth League, has successfully held 14 sessions since its launch, covering multiple fields such as ideological guidance, practical innovation, red cultural inheritance, and youth growth and development planning, providing a high-quality platform for learning, communication and growth for the youth of Sanming.

In the future, the Industrial Bank Sanming Branch will continue to work with all sectors of society to actively promote exchanges and cooperation in the field of youth scientific and technological innovation, provide more opportunities for young people to learn and practice, and contribute to the construction of a strong country.

[perfectsweetssoul]

DeepSeek: Ignite a new engine for China's technological innovation

On the morning of February 27, the "Sanming Youth Talk" jointly organized by the Sanming Municipal Committee of the Communist Youth League, the Sanming Branch of Industrial Bank, the Sanming Branch of Industrial Securities, etc. was held at the Sanming Branch of Industrial Bank. The theme of this event was "Learning and exploring DeepSeek technology to empower youth technological innovation". It attracted more than 60 people from the Municipal Youth League Committee, young entrepreneurs, the Municipal Youth League Working Committee, and some league members and youth representatives to participate in the event.

At the beginning of the event, Zhou Luyun, a senior researcher of the overseas TMT industry at the Industrial Securities Economic and Financial Research Institute, delivered a keynote speech entitled "Revaluation of China's Technology Assets - DeepSeek's Reshaping of China's Cloud Service Ecosystem". He made an in-depth analysis of the current situation and future trends of China's cloud market, and vividly explained how DeepSeek technology can reshape China's cloud service ecosystem. He interpreted industry trends through detailed data and cases, and actively interacted with young people on site, patiently answering questions raised by everyone on talent training and how to make full use of deepseek to improve efficiency.

In the financial product introduction session of the event, Qin Hong, a financial commissioner of the Industrial Bank Sanming Branch, introduced a number of featured financial products in detail, including "Industrial Bank Inclusive Loan", "Small and Micro Online Financing Products", "Personal Business Loan" and "Personal Xingshan Loan". She combined specific cases and explained in depth the advantages of these products in supporting small and micro enterprises, optimizing personal business financing and improving the efficiency of financial services, providing more practical financial solutions and investment references for participants.

It is reported that "Sanming Youth Talk", as a youth learning and exchange brand activity created by the Sanming Municipal Committee of the Communist Youth League, has successfully held 14 sessions since its launch, covering multiple fields such as ideological guidance, practical innovation, red cultural inheritance, and youth growth and development planning, providing a high-quality platform for learning, communication and growth for the youth of Sanming.

In the future, the Industrial Bank Sanming Branch will continue to work with all sectors of society to actively promote exchanges and cooperation in the field of youth scientific and technological innovation, provide more opportunities for young people to learn and practice, and contribute to the construction of a strong country.

[magnificenthottubtriumph]

DeepSeek: Ignite a new engine for China's technological innovation

On the morning of February 27, the "Sanming Youth Talk" jointly organized by the Sanming Municipal Committee of the Communist Youth League, the Sanming Branch of Industrial Bank, the Sanming Branch of Industrial Securities, etc. was held at the Sanming Branch of Industrial Bank. The theme of this event was "Learning and exploring DeepSeek technology to empower youth technological innovation". It attracted more than 60 people from the Municipal Youth League Committee, young entrepreneurs, the Municipal Youth League Working Committee, and some league members and youth representatives to participate in the event.

At the beginning of the event, Zhou Luyun, a senior researcher of the overseas TMT industry at the Industrial Securities Economic and Financial Research Institute, delivered a keynote speech entitled "Revaluation of China's Technology Assets - DeepSeek's Reshaping of China's Cloud Service Ecosystem". He made an in-depth analysis of the current situation and future trends of China's cloud market, and vividly explained how DeepSeek technology can reshape China's cloud service ecosystem. He interpreted industry trends through detailed data and cases, and actively interacted with young people on site, patiently answering questions raised by everyone on talent training and how to make full use of deepseek to improve efficiency.

In the financial product introduction session of the event, Qin Hong, a financial commissioner of the Industrial Bank Sanming Branch, introduced a number of featured financial products in detail, including "Industrial Bank Inclusive Loan", "Small and Micro Online Financing Products", "Personal Business Loan" and "Personal Xingshan Loan". She combined specific cases and explained in depth the advantages of these products in supporting small and micro enterprises, optimizing personal business financing and improving the efficiency of financial services, providing more practical financial solutions and investment references for participants.

It is reported that "Sanming Youth Talk", as a youth learning and exchange brand activity created by the Sanming Municipal Committee of the Communist Youth League, has successfully held 14 sessions since its launch, covering multiple fields such as ideological guidance, practical innovation, red cultural inheritance, and youth growth and development planning, providing a high-quality platform for learning, communication and growth for the youth of Sanming.

In the future, the Industrial Bank Sanming Branch will continue to work with all sectors of society to actively promote exchanges and cooperation in the field of youth scientific and technological innovation, provide more opportunities for young people to learn and practice, and contribute to the construction of a strong country.

[famousgardenpoetry]

DeepSeek: Ignite a new engine for China's technological innovation

On the morning of February 27, the "Sanming Youth Talk" jointly organized by the Sanming Municipal Committee of the Communist Youth League, the Sanming Branch of Industrial Bank, the Sanming Branch of Industrial Securities, etc. was held at the Sanming Branch of Industrial Bank. The theme of this event was "Learning and exploring DeepSeek technology to empower youth technological innovation". It attracted more than 60 people from the Municipal Youth League Committee, young entrepreneurs, the Municipal Youth League Working Committee, and some league members and youth representatives to participate in the event.

At the beginning of the event, Zhou Luyun, a senior researcher of the overseas TMT industry at the Industrial Securities Economic and Financial Research Institute, delivered a keynote speech entitled "Revaluation of China's Technology Assets - DeepSeek's Reshaping of China's Cloud Service Ecosystem". He made an in-depth analysis of the current situation and future trends of China's cloud market, and vividly explained how DeepSeek technology can reshape China's cloud service ecosystem. He interpreted industry trends through detailed data and cases, and actively interacted with young people on site, patiently answering questions raised by everyone on talent training and how to make full use of deepseek to improve efficiency.

In the financial product introduction session of the event, Qin Hong, a financial commissioner of the Industrial Bank Sanming Branch, introduced a number of featured financial products in detail, including "Industrial Bank Inclusive Loan", "Small and Micro Online Financing Products", "Personal Business Loan" and "Personal Xingshan Loan". She combined specific cases and explained in depth the advantages of these products in supporting small and micro enterprises, optimizing personal business financing and improving the efficiency of financial services, providing more practical financial solutions and investment references for participants.

It is reported that "Sanming Youth Talk", as a youth learning and exchange brand activity created by the Sanming Municipal Committee of the Communist Youth League, has successfully held 14 sessions since its launch, covering multiple fields such as ideological guidance, practical innovation, red cultural inheritance, and youth growth and development planning, providing a high-quality platform for learning, communication and growth for the youth of Sanming.

In the future, the Industrial Bank Sanming Branch will continue to work with all sectors of society to actively promote exchanges and cooperation in the field of youth scientific and technological innovation, provide more opportunities for young people to learn and practice, and contribute to the construction of a strong country.

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DeepSeek: Ignite a new engine for China's technological innovation

On the morning of February 27, the "Sanming Youth Talk" jointly organized by the Sanming Municipal Committee of the Communist Youth League, the Sanming Branch of Industrial Bank, the Sanming Branch of Industrial Securities, etc. was held at the Sanming Branch of Industrial Bank. The theme of this event was "Learning and exploring DeepSeek technology to empower youth technological innovation". It attracted more than 60 people from the Municipal Youth League Committee, young entrepreneurs, the Municipal Youth League Working Committee, and some league members and youth representatives to participate in the event.

At the beginning of the event, Zhou Luyun, a senior researcher of the overseas TMT industry at the Industrial Securities Economic and Financial Research Institute, delivered a keynote speech entitled "Revaluation of China's Technology Assets - DeepSeek's Reshaping of China's Cloud Service Ecosystem". He made an in-depth analysis of the current situation and future trends of China's cloud market, and vividly explained how DeepSeek technology can reshape China's cloud service ecosystem. He interpreted industry trends through detailed data and cases, and actively interacted with young people on site, patiently answering questions raised by everyone on talent training and how to make full use of deepseek to improve efficiency.

In the financial product introduction session of the event, Qin Hong, a financial commissioner of the Industrial Bank Sanming Branch, introduced a number of featured financial products in detail, including "Industrial Bank Inclusive Loan", "Small and Micro Online Financing Products", "Personal Business Loan" and "Personal Xingshan Loan". She combined specific cases and explained in depth the advantages of these products in supporting small and micro enterprises, optimizing personal business financing and improving the efficiency of financial services, providing more practical financial solutions and investment references for participants.

It is reported that "Sanming Youth Talk", as a youth learning and exchange brand activity created by the Sanming Municipal Committee of the Communist Youth League, has successfully held 14 sessions since its launch, covering multiple fields such as ideological guidance, practical innovation, red cultural inheritance, and youth growth and development planning, providing a high-quality platform for learning, communication and growth for the youth of Sanming.

In the future, the Industrial Bank Sanming Branch will continue to work with all sectors of society to actively promote exchanges and cooperation in the field of youth scientific and technological innovation, provide more opportunities for young people to learn and practice, and contribute to the construction of a strong country.