#skip the tutorial fanart
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Oh yeah these three lol. Does anyone even know who these guys are?
#skip the tutorial#jaymoji#failboat#skip the tutorial fanart#jaymoji fanart#failboat fanart#my art#<3#ibispaint art#mcyt fanart#fanart#do they count as mcyt? ik skip is mainly known for mcyt but not dan or jay#dan makes mainly kirby content. and i think jay does splatoon or something?#but they all play minecraft together lol
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omg :3 mirabelle :3 mira mirabelle :3 miraaaa :333
#my honest reaction with her#at least 80% of the time going up the house i wouldnt skip the tutorial just to make her happy...#zach creates#my drawings#isat#isat mirabelle#in stars and time fanart#in stars and time#i like her dress :3
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chapter 13! wow, hope you guys handled that 48 hour period well! :D
hope nothing too crazy happens which might be hinted at in that silly lil picture i drew!
full clean sketch that i saved cuz i thought the whole pose looked really cool, but the crop was more dramatic, so i cropped it, whatever. it's under the cut is my point
#gravity falls#gravity falls au#H!MBAW!AU#stanley pines#stanford pines#fiddleford hadron mcgucket#stan pines#ford pines#fiddleford mcgucket#fiddauthor#my art#digital art#ao3#didnt know how to draw fur before this#looked up exactly one tutorial on ytb#skipped through it cuz i didnt like the audio mixing#came out of it hearing uncle roger in my head (use fingaaa hayaa) but im pretty sure it worked out in the end#at least a lil bit#i finished this on the day arcane season 2 act 2 dropped#i was sitting in my chair like THIS COULDVE BEEN SUCH A BANGER WARWICK FANART NOOOOO#not that i regret enriching my fanfic experience with art BUT I COULDVE DRAWN WARWICK BROOOOO#'so draw warwick?' the vibe is off now id never finish it 😔
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NoNameSMP! Branzy and Skip but Branzy is a dragon hybrid which was hunted to (almost) extinction and thanks to that he cannot fly due to his damaged wings, so Skip decides to fix Branzy's wings so he can make fun of him by showing that he flies better w his elytra
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My favorite mod reviewers
(You should really check out SkipTheTutorial on YouTube!)
#skip the tutorial#failboat#branzycraft#jaymoji#jaymoji fanart#branzy fanart#failboat fanart#skipthetutorial fanart
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mmmm i still watch this guy i just draw him so much
#my art#digital art#skipthetutorial#skip the tutorial#skippy t#minecraft#minecraft youtube#youtuber#minecraft fanart
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nonametober day 5: spy (family)
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some doodles
#ohh i love turning basic skins into complex designs#kolanii#kolanii fanart#sandiction#sandiction fanart#skipthetutorial#skip the tutorial#skipthetutorial fanart#mcyt#my art#froggiesir art#art#fanart#no name smp#i mean i dont watch that but sandiction and skip are in it right?#so#ig that counts
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no name and the july series got me a certain way
hes so red slime to me a little bit. more red than slime
#skipthetutorial#skip the tutorial#skippy t#mcyt fanart#branzycraft#branzy#is also here minorly#fanart#amperceterart#no name smp#nnsmp#the july series#sys art#brz
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HEY IT WORKED HE ACTUALLY LOOKS. LIKE ACRONIX MORE
If you don’t mind my asking, how draw time twins hair? Krux looks to much like a Hershey’s kiss and I dunno how to draw long hair that ain’t wavy without it looking like a plank😭
I hope these lil process things I've drawn up help! Their hair is seriously my favorite things about them to draw
As I've shown in these it's mostly thinking about the direction the hair is moving in and what it may be interacting with / laying on top of!
And honestly?? Doing this has made me realize that Acronix's hair being in a ponytail is one of the reasons that I DON'T have alot of trouble drawing it,, why is trying to get the hair part and head shape right on long straight hair so HARD
#Never skip a mayday art tutorial guys this is a life saviour for real#I just gotta practice more#Hopefully you don't mind if I do ^^#Ninjago acronix#lego ninjago fanart
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Hello!!! I love your art so much, especially the way you render!! Do you have any tips, tutorials, etc on rendering?? Be as detailed or curt as you like, I'm just hoping to improve my skills -- and I hope to see more art from you, in any form!!! You're a fantastic artist !!!! Have a good day :)
Sorry for the delay in answering this, I wanted to answer it well!!!
Here's my typical 5-step process:
flats
he has been flatted. You'll notice I also colored the lineart at this stage as well! Also, I do work with the background at the same time, but I have hidden it here for simplicity.
2. Cell shade shadows
I used to skip cell shading and just ball with my rendering, but I have found starting out like this is much faster!!
3. Airbrush shadows and colors
I did two things here, one is just a touch of airbrushing the colors into eachother, to help make everything more harmonious. The other is to airbrush colors onto my shadows! I set that layer to multiply, and mess around until something looks a little like I want.
4. Painting
This is the time sink - there's no getting around it, it just takes forever!! It's a lot about making the dark areas darker, and artifically injecting some color diversity - I like to diversify shades, and just slap on slight hue shifts as i go, and if it sucks I just paint over it some more. I draw different colors into eachother (look at the black shirt above, see how i bring in the tan and whites into the grey?) and add detail and texture. It's a little hard to explain beyond that, hmm... Do let me know if you have specific questions about it!
5. bedazzle and effects
I add extra highlights to the highlights, maybe a sparkle or two on a hard edge, hash lines for texture, and occasionally I also do screentones in shadows. Also, importantly, i blur things that shgould be out of focus! See on the arms and legs here - the bottom image has them blurred more intensely the further they are from the focal point. It's a small thing, but this effect goes a long way!
Annd done!
It's the little things that make a rendered piece sing! A balance between detailing and speed is a tricky one to figure out - I'm still working on that myself!
Also, there's two different ways I render at the moment, one is the quick-messy for sketches, which is what I've done for most of my fanart lately, but I assumed that you were asking about my full process so I went into detail on that. Tho if you're curious about my sketch rendering, anyone is welcome to ask me about that as well!
(there is little method to this madness though, haha)
Omg wait I had forgotten, a few months ago i was making a mini art guide about some tips and tricks
I lost motivation but if anyone is actually interested do let me know and maybe i'll finish it hjsdhjfghjs
Anyway, thank you so much anon!!!!! wah!!!!!!! Your kind words mean the world to me ;w; They fill me with strength and joy1!!!!!! thank you so much!!!!!!!!
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Hello, Swen!
The final steps are upon us. It’s time to put your works in the Swan Queen Winter Solstice collection, so they can eventually be revealed to the fandom! 💜
The deadline for posting your work(s) is midnight EST on January 20th unless you’ve asked for an extension. (Click HERE to check what time that is in your area.)
Without further ado, let’s do this!
1. HOW TO GET TO THE COLLECTION
To start, head directly to the collection by clicking HERE, and then hit the Post to Collection button to submit a work to it.
If you have participated before in similar events, then feel free to skip the rest of this tutorial and create your work in the collection (the only exception might be if you’re posting a video, because we have a special formatting we’ve provided for displaying them on mobile. You might want to check it out in section 6.3).
2. TAGS SECTION
The first section that will show up when you create a new work is the Tags section. Here you will add information about your creation: Rating, Archive Warnings, Fandom, Category, Relationships, Characters, and Additional Tags. It will look similar to the image below:
The Rating and the Archive Warnings are very important steps, so please make sure they are accurate to your work. Make use of any of the options for Archive Warnings that might apply, keeping in mind that ‘No Archive Warnings Apply’ should only be used in case none of the others such as ���Graphic Depictions of Violence’ or ‘Underage’ appear in your work. Otherwise, if you’re trying to avoid spoiling your plot for any reason, ‘Choose Not To Use Archive Warnings’ is a good option.
In Fandoms, you could add another besides Once Upon a Time (TV) if your work has a crossover; in Relationships, and Characters, feel free to add any others that might appear in your work besides Emma and Regina in case they’re crucial to the plot.
Additional Tags can include anything you feel might also apply to your creation, and that also might help people search for it.
If there are any specific warnings you’d like to clarify, add them in. Is your plot set in an alternate universe? Or maybe it includes bed sharing? Are they being idiots in love? (Always.) Maybe they’re trapped together? Is there lots of fluff? Mutual pining? Angst? (Well, now that would be a plot alright.)
Just don’t add too many to avoid overwhelming anyone, of course.
3. PREFACE SECTION
Now, to introduce your work to people. How will it be named and remembered? Here’s more or less how the preface section will look like once you’ve filled it in:
In your Work Title, you name your creation. In Add co-creators, you only check it and add the name of your collab creator in case you have one. You put your Summary in its text box, explaining some of your plot — for writers and artists both, we recommend not leaving your summary blank! It gives a bit more insight into your work.
Specifically for artists — in the title, adding [Art], [Fanvid] or [Fanart] to the end of your title helps make it recognizable in the collection. (An additional tag with the same thing wouldn’t hurt, too!)
After that, we have Notes. You can have them at the beginning by checking the little box, or at the end (or both!). The first one is a good place for you to thank betas, cheerleaders, explain a bit about your idea, inspirations; while the second one can be another place to thank everyone, talk a bit more about your process, and remind everyone that comments are very very welcome.
If your work has multiple chapters, we recommend not marking ‘at the end’ for now unless you’d like for the same note to appear at the end of every chapter!
4. ASSOCIATIONS
Firstly, please check that SQWinterSolstice4 is still there in Post to Collections / Challenges — if you clicked directly on the link beforehand, it should be. If you don’t see it, type it in and you should be good to go.
It’s possible to Gift this work to someone, too. You could gift it to your beta, cheerleader, or just a friend. Just type in their AO3 name.
This work is a remix, a translation, a podfic, or was inspired by another work — you can mark this if you worked with another creator. Just get the work’s URL from your collab partner, paste it in its box and AO3 will do the rest.
This work is part of a series — in case you’re writing multiple works set in the same universe, for example, you can mark this and create a series. Otherwise, feel free to skip it altogether.
This work has multiple chapters — as seen in the image above, when you mark the option you can type in the amount of chapters your work has, as well as name your first chapter. If your work does not have multiple chapters, just leave it unmarked.
Set a different publication date — do NOT mark it just yet! Once you receive your email with your reveal date, we will provide further instructions about this and when to change the date. If you set it to something different now, your work won’t show up at the beginning of the SQ tag once it’s revealed, so leave it alone for now.
Choose a language — select English and that’s it!
Select work skin — if you have worked with HTML/CSS before and have customized something for your work, select your work skin here. If not, leave it blank, or refer to 6.3 in case you’re posting a video.
5. PRIVACY SECTION
This section is completely up to you. While ‘Only show your work to registered users’ and ‘Only registered users can comment’ might limit mean comments, they can also make it harder for people to comment in general. ‘Enable comment moderation’ means you’ll have to approve comments before they show up on the page, so it’s a more viable option. Consider what’s best for you.
6. WORK TEXT SECTION
Here is where you place your work.
6.1 — Fics;
6.2 — Fanarts, fanmixes etc;
6.3 — Fanvids.
6.1. FICS
While you can use the HTML editor, we recommend switching to the Rich Text editor so you can directly paste your story from Word or Google Docs. Otherwise, your fic might lack spaces between each paragraph, making it harder to read. Most of the basic formatting will be retained from the original, such as bold, italics, paragraph division, etc so please make sure to change to Rich Text before pasting your work.
If everything worked so far and feels correct, please refer to item 7.
6.2. FANARTS, FANMIXES ETC
Also using the Rich Text editor like shown above, to add an image click on Insert/edit image:
This is what will pop up once you do:
In Source, AO3 asks you to paste in the url of your work. There are a few options to get one. The easiest one is to post it privately on your Tumblr, grabbing the url from it. Please remember that anywhere you post it to get this url has to be private, since it hasn’t been revealed yet. Your URL has to end in .png, .jpg, .gif to be valid. AO3 also provides a few alternatives, if you want to check it out.
Next, we have Image description. Here you’re able to describe your work for people who use screen readers.
For Width and Height, leave it blank for now and see how your image looks posted before altering it. If it looks fine for all screens, then you don’t have to change it.
You might have to write something in the text box in order to have the image show up.
If everything worked so far and feels correct, please refer to item 7.
6.3. FANVIDS
Remember: your video has to be set to private until its reveal date! The following tutorial works for Youtube videos. It might not work if you’re posting it elsewhere.
If you head to your video, you’re able to click on Share and then Embed and copy the code for your video. While pasting that code on the HTML editor on AO3 works fine, it leaves it badly displayed on mobile. For this reason, we found a code from pigalle that embeds a youtube video and scales it correctly for any smaller screens.
It may be a few extra steps, but it does look a lot nicer for mobile viewers.
The first step is to create your own work skin so you’re able to apply it to your work. (You might have to save your work first as a draft in order to have your work skin showing up as an option to choose from. It’s necessary to refresh the page so the work skin shows up.)
So, to create your work skin, head over to your profile on the top right, then click on My Dashboard.
There, click on Skins, then on the button My Work Skins, and, last but not least, Create Work Skin.
Next, in the About section you can fill it in with any Title you’d like, as long as the Type is set to Work Skin. The description, preview and apply to make public options are not necessary, so you may skip them.
Now, for the CSS part. The CSS is what sets the properties and values and decides how the HTML will look like. What matters is just pasting the code below in the box. You don’t have to alter it, just copy and paste it:
#workskin .mobilevideo {
position: absolute;
top: 0;
left: 0;
width: 100%;
height: 100%;
}
#workskin .videoscale {
position: relative;
height: 0;
padding-top: 56.25%;
}
#workskin .videocontainer {
max-width: 100%;
width: 560px;
}
After that, just click on Submit, and that will mean your Work Skin has been created!
Back to your work, in the Associations section, Select Work Skin should have your recently created one as an option. Remember that you might have to refresh the page for it to show up, so make sure to save it as a draft first so you don’t lose any changes you made.
And then, in the HTML editor of your work, paste the code below:
<center><div class=”videocontainer”><div class=”videoscale”><p><iframe class=”mobilevideo” src=”https://www.youtube.com/embed/VIDEO ID HERE” width=”560” height=”315” frameborder=”0” allowfullscreen=””></iframe></p></div></div></center>
Then, when you go to your video on Youtube, grab the ID portion of it like the one highlighted below:
Simply copy and paste that into the code where it says VIDEO ID HERE, like shown in the picture below as an example:
Sometimes, this code only works if you substitute all quote marks when you paste it.
If everything worked so far and feels correct, please refer to item 7.
7. POST SECTION
And that’s it! Please double-check if everything is correct, though you’ll be able to edit it later. If you’d like to take a look at it first, click on Preview. If you’re confident about it, just click on Post.
If you’ve clicked on Preview, it will show how your work looks like on AO3. If something’s amiss, go back to the previous page by clicking on Edit. If it’s good to go, just click on Post — it’s the only way to have it be submitted to the collection, otherwise we won’t have access to it.
7.1 HOW TO ADD CHAPTERS AND EDIT YOUR WORK
If your work is one with multiple chapters, or you’d like to make it one, on top of the posted work you’ll find several buttons. Clicking on Add Chapter or Edit will provide you with the option to create a new chapter for your work.
In case it only has one chapter and you’d like to edit it, just click on Edit and you should find the same page from earlier. Simply scroll down until you get to the Work Text section, and then click on the Rich Text button to edit your work.
8. HOW TO FIND YOUR WORK LATER
Once your work is posted as a Mystery Work, you can bookmark the page on your browser — the url will not change after it’s been revealed. It’s the easiest way to not lose track of where your work is and edit it later.
But don’t worry! If you lost your work’s url, there are a few ways to get the url and save it.
On your dashboard on AO3, there is an option on the sidebar that says WORKS. From there, you can either click EDIT WORKS (which displays all your works) or WORKS IN COLLECTIONS (which displays all your works currently in a collection). Either option will show you your unrevealed work.
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There we go! Now you’re all set. Thank you so much for submitting your work!
We will be emailing you your reveal date(s) soon, so don’t worry if you hear someone has already gotten it and yours hasn’t arrived yet. In the email you’ll have more details on what to do for your reveal day, so please make sure to check your email so you don’t miss it!
If you have any questions, please contact us at [email protected] preferably or create a ticket in the Discord server and a mod will get in contact as soon as possible.
Sincerely,
Swan Queen Winter Solstice Mods
#swanqueen#swan queen#swan queen fanart#emma swan#regina mills#sq winter solstice#sqws#ouat#swen#swan queen fan event#posting tutorial#ao3 collection#SQWS 4
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They are flying!
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Will you be my sensei and show me how to draw the anime body, including the hair? I want to draw anime and manga on my own, but I'll need some help. I'm using Krita to help me begin my journey. Tutorials would be much appreciated, especially to those who want to learn how to draw like me!
I don't know if I'm able to make good step by step tutorials, but I can share with you the resources I've been using to practice!
Before anything though, I need to warn you that I'm still very much a beginner myself, so my advice might not be much worth at all. I mean it, I'm not trying to be humble or self-deprecating, I've only been drawing while taking art seriously for a total time of ~6 months, and you'll probably realize as you yourself get better, my current art output is extremely amateurish.
With that out of the way, I'm going to go into a LOT of detail and add several picture examples of what has more or less worked for me under the cut. I'm really sorry for the excessive amounts of yapping xD
First of all, the methods I've used that I felt have helped me retain knowledge the most were Oriday's "Blind Method" + Naoki Saito's "Fastest Way to Improve Illustration". The methods are extremely similar, they both have videos on Youtube explaining them more in depth, please check them out if you want:
The basic TL;DR of what you'll want to do is, find a pro illustrator you like/wish you could draw like them, and do copy studies of their drawings. I specifically like Oriday's way where he iterates his copies in 3 steps.
You take an illustration you like and do a full copy. Trace some parts of it if you need to, the point here is to understand the specific stroke directions that the original artist did and try to figure out why they chose those strokes specifically. After you finish copying, overlap your copy on the original and mark up what you got wrong.
Do another copy, but now do it from memory. Do it even if you feel like you don't remember it well or it's coming out badly. When you're done, once again put it side by side with the original and take note of the parts where you feel you went wrong. Make sure to make mental notes of the differences and what the correct way is.
Do ANOTHER copy from memory, this time trying to keep in mind the parts that you got wrong in the last one. Again, after you're done compare it with the original and take note of the things you got wrong.
I started these months later in my journey and haven't been very diligent about them, but ideally you shouldn't be like me and do this exercise at least once daily. xD
Here, if you want to see an example of what types of practice I've done: Since I really wanted to draw good looking fanart of Nico, I took copies of the anime settei and started making both full and blind copies of it. See here:
The great thing about anime settei is that they usually have heads and bodies in all angles. They're meant as reference material for pro animators to draw, which makes them amazing reference material for learning to newbies like us!
I got those Nico character settei from a website called setteidreams. It has settei from a lot of different anime, so you can browse for an anime with a style you like and start doing your copy studies from those.
Here you can see an example of the types of copy studies I was doing during my first month of art drills:
I was heavily focusing on that head and shoulders game at first, as you can see xD
I wasn't doing the full 3 iteration of the copies every day. I mostly just tried to at least sit down and do one copy a day minimum, since I noticed that skipping even just a couple of days of practice made me forget some info I had learned.
At first I was taking FOREVER on each copy and struggled a lot even with simple faces, but as I kept doing it daily, I noticed that I kinda started to get the hang of general face proportions and where stuff should be placed in most basic face angles. I'm still not perfect right now, but I have a much better sense of how a "Love Live-like" anime face should go than I did before I started this.
I wasn't as diligent with copying full body illustrations... you'll probably notice that many of my earlier comics tended to cut out the rest of the body and just had a lot of head and shoulder shots. The reason is that I just wasn't practicing bodies for a long time xDD
Anyways, as I moved along I started realizing that I was still REALLY bad at drawing full bodies (I still feel like I suck at drawing full bodies even now).... so over the months I started doing stuff like gesture drawing sessions where I'd look up a batch of random poses on pinterest and did copies of them. The intent of gesture drawing isn't to get the full details, but rather to try to get the overall gesture lines of the reference in the simplest way possible. Here's an example of some of my gesture practice sessions I did (the first few ones I was going way too into the body details imo which is not supposed to be the point):





I haven't been very diligent with these, and to be honest I'm not sure if I've learned much from doing these (at least not compared to the iterative copy method from before)... They just seem to come out fine or badly randomly to me... xD I'm sorry I can't offer much advice here.
Next are these: I don't do these a lot, but here are some examples of full attempts at colored "copies" of illustrations I really like. Here are some side by side examples:
As you can see I tend to get really lazy with them and leave them unfinished, which probably explains why I still suck at coloring so much xD I do feel like these have helped me retain some knowledge though. Much more so than the figure drawing sessions.
I can't specify enough how important the iterative drawing method was for me, by the way!!! When I started out, I had been doing my drills for a couple of months now and when I drew using reference, the result would start to look more refined, but when I tried to draw 100% from imagination, I would return to using my old methods and fall back on my old bad habits, and my doodles would end up looking like my art from before I started practicing!! This did NOT change and I did NOT start getting better at drawing from imagination until I started incorporating the blind copy method into my drills!!!
Here are some examples of 120% FULL EFFORT illustrations from imagination I drew from before I started this whole iterative practice exercise:
Not good at all compared to what I felt I should be capable of, coming from my reference practices!!
Those are examples how my imagination drawings would ALWAYS look AT THEIR BEST, with a couple of outliers where I'd get lucky and the art would look decent.
Please note that the decent looking ones were alwaysthe exception and NOT the rule, and I would not be able to consistently replicate them if I tried.
Anyways.... After using the iterative drawing method, here are some random lower effort doodles 100% from imagination that I drew as warmups from the past couple of weeks:


See the following, I can now much more consistently draw stuff like this from imagination:


I still get a lot of duds, but in comparison to before the proportion of decent ones vs bad ones are much more in my favor, as long as I make sure to put proper thought and time to the drawings, unlike before where I might get something bad no matter how hard and for how long I tried hitting myself against the wall.
Again, I need to mention that even after I started doing my copy practices, my drawings from imagination would consistently look like those older bad ones, and only started really improving AFTER I started the iterative drawing practice method!!! I know it must be annoying and I'm repeating myself a lot but this was a super important revelation for me xD
Anyways I don't have much else to say... Just watch the oridays video and follow his practice steps is my advice.
On some other things:
A lot of people try and LOVE the Loomis Method. You can find his book "Fun With a Pencil" by Andrew Loomis for free online. I did try it for some time during my art journey, but I never felt I was actually getting results at drawing the pretty anime girls I wanted with it xD.... It's REALLY popular though so it might be worth a try for you!!
You might also want to check out DrawABox. I did go through all of its exercises steps before I started doing the iterative copy method. I didn't feel like it really helped me much at the time, but it might be a good thing to do in principle before immersing yourself in copies, if only to get a very basic foundation. Like the Loomis method, many people love it.
One last thing: doing your practice drills is important and good, but don't get so focused on the grind that you ignore doing full-effort original pieces from scratch. Like in my case there's my comics for example. It will be the way you'll be able to put to the test what you've learned. It's really important, please don't skip it!
That's honestly all I have. It's worth mentioning again that I'm also NOT very experienced at drawing. I'm still basically starting out, this is just what I felt has worked for me the most effectively...
If you have more questions or anything don't be afraid to ask, I don't mind sharing what resources I've used! I'm happy to see more people join me on this rocky road to try get good at drawing xD
Oh and about Krita, I've only ever used Paint Tool Sai and Clip Studio Paint, so I'm afraid I won't be able to help you much with the tool, sorry.
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I just saw ur Pathfinder: Kingmaker art, I´ve never played any pathfinder games, do you recommend this game? It´s not too expensive so I was thinking since I like ur fanart I might as well get it :D
yes, totally! i really enjoyed this game :-) i'd recommend it with some warnings. like, don't be afraid to turn down difficulty in combat and in kingdom management, the game is pretty janky in places and there are moments where the difficulty really spikes. i think the tutorials also don't always explain systems well, and sometimes give you pretty bad advice. but there's a lot of options to customize the game and make stuff you don't like easier! so do customize the game to your liking if you need it. and save a lot, cause sometimes nothing major happens for two months but then you skip two weeks ahead and fifteen things happened and your kingdom is in shambles.......
but i really really liked the main story & the pace of it. the way the threats proggressively increase, the roleplaying options and the way the story accounts for your choices and personality, amazing. and the companions, i ended up liking a lot of them, almost all the ones i had. i missed out on a lot of them, but even that is something i liked : the game is willing to let you miss out on things and make bad choices. it's nice! makes it feel more real
my favorite memory from this game is forever when something happened that made me feel so betrayed and crushed i had to like, sit there for a while and then think about it for an hour to process what happened. i couldn't sleep cause i was so mad. so, i think that's really good! not that many games have done that to me! kingmaker has my endorsement
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Welcome to The Bad Batch Appreciation Week 2023!!!
The time for appreciating Clone Force 99 is near! The prompts have been revealed HERE, so we must set some rules. Seems fair, right? So, here they are:
Event Info & Rules
TBB APPRECIATION WEEK is a week-long, prompt-based creation challenge to celebrate our love for the Batchers and the show. There are 7 groups of prompts—one for each day of the week—, which can be used, skipped, or combined in any way you’d like. They are meant to be an inspiration without being taken literally (i.e., you don’t have to include the exact wording of prompts in your work). Feel free to interpret them at your convenience. For example, if the prompt is “anooba”, you can create either something about the animal, use it as a name/mascot of a sports team in your modern-day/our Earth AU, or as an analogy for someone with a voracious appetite. It’s up to you.
Each group contains a character plus 5 different prompts (SFW, AU/Trope, Dialogue, NSFW, and a color palette). As it says above, you can use any, some, or all of them. Also there's also a short list of jokers/alternatives that you can use only one time each to replace any of the main prompts. The idea is to give everyone as much creative freedom as possible. The participants can create works in any media they choose, including but not limited to: writing, art, edits, gifs, videos, playlists, cosplays, etc. The only restriction is that it needs to be focused on The Bad Batch.
Also, people can participate as much or as little as they want, meaning that you don’t have to do ALL the days if you can't/ don’t want to.
Collaborations are welcome and even encouraged. For example, if an artist and a writer want to work together, or a writer and a podficcer, or two writers, go for it!
When uploading TBB Appreciation Week content to your Tumblr blog, be sure to mention this blog and add the following hashtags:
#tbbaw2023
#the character of the day
#day 1, #day 2, #day 3, etc… (the corresponding day)
#medium (gifset, fic, podcast, fanart, etc.)
#trigger warnings, if applies. (Please do NOT to add “tw” in front or at the end but only use the word/trigger itself, because the way Tumblr tag blocker feature works, it makes it harder for people to block the right tag.) (List of trigger warnings)
#prompt(s) used
#nsfw (only for NSFW content)
#any other relevant tags go here
PLEASE BE DILIGENT WITH YOUR TAGGING (both by mentioning the blog and putting the necessary tags). That'll ensure that your post will be reblogged on this blog.
I'll do my best to reblogged everyone's posts, but if it passes 2–3 days and I haven't posted yours, please let me know.
In addition, you can also add your work to the Ao3 Collection if you want.
If you are posting NSFW fics or art on Tumblr, I ask that you use the Keep Reading break and/or the Community Labels to hide the NSFW portion of your work; and please, give the proper warnings; (If you don't know how to do a keep reading break on mobile, go to this tutorial). On Ao3, please, use the correct rating and warnings as well.
There won't be censorship in this event, so everyone is free to create whatever they want. Participants are expected to hold judgment to themselves of others and their works, even if they don't agree with or find it repulsive. That means that harassment of anyone or anything that they post (even if said work is something you personally find morally reprehensible) WILL NOT BE TOLERATED. Anyone that breaks this rule will be banned from the event. Curate your own experience by blocking what upsets/squicks/triggers you, and leave everyone else alone. That's the importance of the correct tagging, as it says above.
If an author or artist has asked for constructive criticism, you may give it (with constructive being the keyword). However, refrain to give any of the unsolicited kind, as it can be discouraging for the author or artist.
Important!! Show support to other participants by liking, reblogging, AND commenting. But most of all, HAVE FUN!!! This is meant to be a lay-back event to show love for our favorite characters.
I'm looking forward to seeing what you all come up with!
If you have questions, you can check out the F.A.Q post. But if you don't find there the answer you're looking for, send me a message to the ask box or a DM, either in this blog or my fandom blog @nimata-beroya.
Thanks for reading, and happy creating!
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