#so i like looking in there for t-shirts and stuff

[theyungihven]

That's What I Like ⁕ San

☆ pairing: millionaire bf san x fem reader

☆ genre: smut

☆ warnings: riding, s*x, reader isn't wearing anything underneath her shirt

☆ word count: 1.0k+

☆ author's note: this and upcoming smuts are due to my boyfriend giving me ideas, so thank him

☆ synopsis : it is day 19379 of getting your bfs attention, and today you have an idea of testing his patience while you sit on his lap

Well having a millionaire boyfriend (who's unofficially a billionaire), meant you get to spend less time with him.

So you had to come up with new and creative ways every now & then to get his attention which usually ended up with you under him and in his bed for the rest of the evening.

This week's attention grabbing prompt was skincare which you had bought earlier on your shopping trip. 

So you grab your weapons and walk to his bedroom to negotiate with him. 

He stands there, just bathed in t-shirt and shorts as he ruffles his wet hair with the towel. 

A sly smile spreads across your lips as you move towards him, determined to not let him concentrate on anything else for the rest of the evening. 

“Don't you dare give me that smile.” He chuckles, turning towards the mirror placed in front of his bed against the backdrop of the cityscape.

“I have a deal.” You say, tilting your head ever so slightly with a bright smile and he nervously smiles back.

“Your deals are the most dangerous ones, my love.” he says as he spreads his towel on the armchair placed in front of the giant glass window. 

“Just hear me out, will you?” you pout, giving him a puppy which will definitely work on him.

“Go on, my love.” he says, folding his arms as he leans against the armchair.

“so I brought this new skincare-” you start explaining to him but you’re rudely cut off in the middle.

“nope.”

“just listen to me~” 

“okay okay” he start walking towards you.

“It's a win win, I get to do your skincare and you get me, sitting on your lap, for free.”

“You're my girlfriend, y/n! What do you mean for free?” he says, standing in front you, looking down at the contents in your hand.

“But….”

"Oh great! Little missy has conditions now” he ruffles your hair and turns around to get the towel off the arm chair.

“You cannot touch me.” you state, you tone monochrome.

“this is not fair!” he protests.

“Rules are rules.” you state again but in a much playful tone this time.

“Rules are meant to be broken, Mia cara.” he says, turning slightly to get good of you and you get a good look at the smirk spread across his lips. BASTARD!

“Okay then…. Bye.” you turn around and start leaving but he picks you bridal style and makes you sit on his lap as he seats himself on the leather armchair.

“You're not going anywhere. You're gonna sit on my lap and do the stuff while I stare into your eyes and try my best not to fuck you.”  You gulp at his words.

“Yes….” You mumble, placing the bottles of skincare on the table beside it which luckily didn't drop from your hands when he lifted you midair.

“Shy already, princess?” He places his finger under your chin, forcing him to look at you. 

You shake your head in response as you pout and he chuckles because he knows you well enough to decipher your lies. You shuffle around on his lap, trying to place yourself properly on his groin and he throws his head back in defeat, which makes you smile.

His hands come up to place themselves on your hips but you whoosh them away saying, “Remember the deal, sannie.”

“You'll be the death of me one day, woman!”

“We'll talk about that later,” you say and he hums along to your words as he stares into your eyes. “What?”

“Not staring at you wasn't discussed in the deal.” he says and you can feel him getting hard under you. 

You gulp, your hands shaking as you bring up the tissue with the cleanser liquid on it. The tissue touches his skin and he hisses at the coldness of the cream. “Planning to give me a burn, lady? What is that? Icy Hot?”

“Noooo~” you clean up his skin, while admiring his facial structure and those damn lips (AGHHHH!!) while he starts talking about his work and accuses you for spoiling his manly skin. 

You're almost on the final step of applying the moisturiser when he breaks the rules, placing his hands on your hips by the excuse of ‘you were going to fall, my love’ .

He then drags up your oversized t-shirt because he knew you weren't wearing any panties underneath when your wetness started to stain the fabric of his grey shorts and then distracts you by kissing down your neck while he aligns himself against your wet entrance.

You both moan against each other's lips as you take him in, your thighs shaking in the process. “Fuck! Now that’s what I like.” He curses under his breathe when you completely take him in; your insides desperately clenching around him. “ But I can’t move if you're this tight, mia cara. Just relax~” 

“Just fuck me already, Sannie.” you say, impatience and your hormones getting the best and he obeys your order.

“As you wish, my princess.” Is the last thing he says before he picks you up and places you on the bed, rearranging your insides till the only name you remember is his.

[gingerbreadmonsters]

update: standing in literally the longest fitting room queue of all time, send thoughts and prayers

[hephaestuscrew]

"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance 

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability 

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

[romance-rambles]

modern clarence | an appropriate staring distance

While at the beach, you take a moment to appreciate your handsome boyfriend while he's taking a nap—and also when he's not.

1.2k, fluff + established relationship, reader is mc, series: none

NAVY BLUE STICKS OUT TO you the moment you open your eyes.

Your aching shoulder protests your decision to stay as you are, on your side, facing a still sleeping Clarence. Like this, he looks much younger—you're reminded of the time you had to force him to take a nap. Like this, he's simply the cute guy you managed to score not one but multiple dates with, just Clarence, instead of the incredibly smart and wonderful and kind Student Council President.

You glance at the circular table set between your two beach chairs, taking note of his glasses resting primly upon its surface. With him often having to juggle two different kinds of glasses, you'd offered to put them in your bag so that he could pack lighter. Or, as light as he can.

Right now, it's awkwardly squished behind you, miraculously still on the chair only because it's too big to fall out the gap under the armrest.

Filling in the blanks comes as easily to you as the smile on your face when you get to see your boyfriend, nearly the same one on your face right now—and the expression that goes with it is so endlessly fond that you find yourself with the urge to hit something.

Simply put, your boyfriend is a handsome man—the most handsome one, of all the men your keen eyes have gazed upon. And gazed, they certainly have. But even if they didn't have to pick, then they would gaze at only Clarence for the rest of their life..

You almost giggle at the thought, but think against it at the last minute.

But pressing your lips firmly into a thin line has the opposite effect on your budding smile. You imagine you look rather strange to anyone who passes by—what with your mockery of a wide smile and the silent scream building up in your throat, paired with the quiet thumping of your feet against the legrest.

If you were in a more private space, you would resort to kicking instead.

A proper squish to your still warm cheeks as you begin to sit up helps ease up the passion swirling chaotically across your body. You exhale, then allow your hands to slide off your face. One side of it bears the consequences of your actions more than the other.

With a one last longing at the sleeping Clarence, you start to dig through your bag for the only thing in your arsenal that could substitute for a sketchbook.

There are a few miscellaneous promotion emails waiting for you on the lockscreen. A message from Cael asking about dinner tomorrow too. Somewhere between them, there's a notice about the weather, with the temperature from an almost hour ago listed uselessly.

You swipe past them all and hurriedly slip into the camera app.

The hand holding your phone steadies itself against the armrest as you swing your legs over the edge of your chair. A thumb hovers over the capture button, vigilantly awaiting your command. The fingers of your other hand, meanwhile, busy themselves with zooming in on the captivating scenery.

With each pinch, the focus grows ever narrow—until all that remains is Clarence and nothing else.

At one point, you try to zoom into the mole under his eye, but it doesn't make for a very compelling photo. After a few attempts, quite a few of which involve staring at your screen for prolonged periods of time, you reluctantly give up.

Your pout is soon covered up by your phone. When its front camera presses against your upper lip, your gaze is free to wander back to the sleeping beauty beside you once more.

A healing effect, exclusive to him, takes hold of you instantaneously.

Eyes brimming with fondness narrow slightly. You slide off your beach chair, hands on your bent knees as you take a closer look. You can make out the shadows cast by his long lashes and the drool dribbling past his chin.

He's perfect.

You're content to stay there until your knees begin to ache, reminding you insistently that this isn't a very comfortable position to be in. As a compromise of some kind, you adjust your arms atop the nearby armrest.

It really would be better if you'd brought your sketchbook along—but, you think, remembering his workaholic tendencies, would he even bother to take a nap then?

You scrunch your nose up at the thought.

In that moment, Clarence seems sense to your presence. When you look back at him, you're greeted with the sight of confusion in his now opened, but still drowsy gaze. He blinks, and it earns him an amused grin from you.

"Morning," you say, though it's well into afternoon.

That seems to wake him up. His cheeks flush a warm pink, and he hurriedly wipes away the drool on his face, as though you haven't already committed the sight to your memory.

Clearing his throat, he responds in kind, careful to sit up in such a way that he avoids looking at you.

"You don't have to be so close...I can see you just fine."

You laugh, not unkindly. "What if I'm the one who's having trouble?"

For a moment, when he turns back to look at you, he looks alarmed. Then, his shoulders relax to the tune of a sigh, his groggy mind apparently having caught onto the fact that you were joking.

Without breaking eye contact, you reach for his glasses. But as with the issue of walking into a cave without a flashlight, even if you vaguely recall where your destination is, there's no guarantee you'll actually reach it.

"Give me a second," you mutter, your annoyance making your tone a bit too sharp.

You follow your words up with an apology. His glasses held are carefully by the frames as your sheepish gaze connects with his faintly amused one. Clarence reaches out, getting as far as grasping the slanted tips of the frame before the two of you reach a mutual agreement.

"Well." His cheeks return to being a rosy hue. He coughs politely. "If you would."

Cute. Biting your lip giddily, you shake his grip off. A quick once-over of your surroundings before you stand up shows that no one seems to be paying attention to you. And unless your friends and acquaintences have come to together to unlock the secrets of invisibility, no one you know seems to be present either.

Leaning over, you line his glasses up against his face, the tips of his frame brushing against his cheek. It takes only a moment to slot them into place—and you have enough experience with doing so that they don't snag against his ears.

It takes only a moment longer to give him an innocent peck on the lips.

"There," you murmur, not entirely satisfied with the kiss.

His Adam's apple bobs. Clarence adjusts his glasses with an awkward look that suggests he has some kind of solution to your dilemma. You, of course, beat him to the punch.

"Why—" Your voice cracks a little. "—don't we go find a different spot?"

He smiles, narrowed eyes watching you fondly. "I was about to suggest the same thing."

[quibbs126]

Not gonna lie, these armors kind of look like T-Shirts to me

Like Lotus put on some sort of sick mandolin concert and everyone got shirts there

[gottagobackintime]

I liked that we only got to see Trent look at Colin this episode. Having him observe Colin and then deciding what to do feels like a very Trent thing to do. Yes, Colin kissing Michael where anyone could see is bad if he wants to keep it a secret. And that's a conversation that I'm not getting into now. BUT, what does Trent actually know about Colin in terms of being out or not. He knows that Colin isn't out to the public, obviously, because it would have made headlines. But he doesn't know if Colin is out to his teammates and leaders. We know he isn't but Trent doesn't. He saw Colin and Michael kiss and he heard what Colin said in the latest episode. Yes, Colin brought Michael to Sam's restaurant and introduced him as his pal, his wingman. Trent could have heard that, he was sitting close by, but did he? I mean every shot we got of him he was clearly deep into his own conversation with various people at his table. Would he have picked up what Colin said, and remembered it? I don't think so.

So he observes Colin, because now he knows something new but not enough. And I know that a lot of you feel like Trent should warn him, tell him that he saw them kissing. But honestly, Colin is an adult who knows that there are no out players. He knows that it would make headlines, he knows he's not out to the team, and he still chose to kiss his boyfriend in an alley. Sure he could have been drunk or just wanted to kiss his boyfriend, consequences be damned. But he still chose to do it. So Trent has two choices, act like Colin doesn't have a clue what it's like being gay, telling him he needs to be careful because people can see him if he's kissing his boyfriend in public (which would honestly be condescending) or he doesn't say anything, he waits and sees how Colin acts, to see if he should mention anything to him. Trent has clearly chosen the latter option for now and we'll see where this goes.

There's also the "is Trent gay or not" aspect, I say he is. And if we're going with that assumption we also have to think about, is Trent himself out? Or rather, is he out to people at work. Because coming out isn't a singular event, you'll always come out. Every time you meet someone who doesn't know who you are, you'll have to decide if you're going to come out to them or not. I'm leaning towards him, not being in the closet, but rather him keeping his private life to himself and being open with friends and family. He's not hiding it and he's not ashamed, he just doesn't tell anyone, because it's not relevant when he's at work. And I say that as someone who loves reading fanfics where he is an openly gay sports journalist.

Where am I going with this? I don't know, I never know what my point is. BUT, I do think that we'll see similar scenes of Trent just observing Colin until perhaps the Amsterdam episode. And that's where he tells Colin that he knows and/or that he's gay himself. And then we might see Colin confiding in him and Trent might help him with a statement for when he's ready to tell the world. Because I do believe that he will tell the public. I don't know if it will be because he's been outed or he's doing it of his own free will. I don't really mind, I think they'll give us something that will rip our hearts out either way. But I am a believer in "gay mentor" Trent Crimm, giving Colin someone "in the business" to confide in.

[haliaiii]

Val’s Hover bike! (oc)

[icewindandboringhorror]

Misc. photos from the past year or so ~

[joyridingmp3]

not me accidentally meeting the lead singer of alt. and not recognising him

[loverdude]

Unstoppable force (I have gained like 30-50lbs over the past 6 months to a year and like half my clothes don't fit comfortably anymore) vs immovable object (clothes are fucking expensive not to mention it's hard to find stuff I like)

[idsb]

This tour hasn’t even actually started yet and I already feel so stressed it’s like my chest is caving in and I want to crawl in a hole and cry and be done with it

[the-busy-ghost]

Finally figured out how my iron works, I am unstoppable

[lightblueminecraftorchid]

getting intense joy from painting my nails wasn’t an expected outcome of my day but it is definitely a welcome one!

[mellotronmkll]

I hate all of my clothes I only feel comfortable and confident in like 4 pieces of clothing and I hate everything else but I hate shopping for clothes even more plus it costs money so I feel like I'm just stuck wearing clothes I hate and look stupid in and it's so so much worse in the summer because I own literally one pair of pants that are weather appropriate that fit me that I also don't want to kill myself while wearing and they're not even cute. But I just wear them every single day

[doodlboy]

Every year

[jellogram]

None of my clothes fucking fit me anymore and I'm like leaning over the bathroom counter gritting my teeth going "this is fine this is fine this is fine" because I'm trying to dress cute for my night out but I haven't dressed cute in so long that none of my cool clothes fit me and I look ridiculous and I want to cry. I'm trying really hard to be okay with my weight but I have this really nice leather jacket I got for my birthday a few years ago and it's too small for me now.