#someone cooked here

[stretchedbumhole201]

i know his account got hacked but this is killing me

[beargyufairy]

They look so good and just for an opening?!

Every single character cooked!! Absolutely devoured their looks!!

And why is it that Natsu looks the best (in my opinion)?! I love how he’s just casually standing on the seat!! And the glasses with the suit ugh I love it

[fromcoomcave]

WIP for TF2 Support Zine (another one)!!! @tf2supportzine

[001ncemeterydr]

JossGawin on Grabfood June 19,2025

[sorashard11]

Bloist

Idk I just like him

Not too bad [proud]

[7emperance]

slime talking like a teenage girl in casual conversation always kills me

[airforcekitties001]

My own Kota design , combined deku and dynamight for this one.

PUSHING THE "DEKU AND KOTA/BATMAN AND ROBIN" AGENDA🗣️🗣️🗣️

[ace-of-rabbits]

i hate him so much (click for better quality)

You can get prints here

alt versions under the cut

[insanekaenadian]

「mini amv」 JJK x Talk My Shit - Childish Gambino

.・。.・゜✭・.・✫・゜・。 。・゜・✫・.・✭゜・.。・.

.・。.・゜✭・.・✫・゜・。 。・゜・✫・.・✭゜・.。・.

「They wanted me dead, they hate when I'm breathin'」

.・。.・゜✭・.・✫・゜・。 。・゜・✫・.・✭゜・.。・.

Song: Talk My Shit Artist: Childish Gambino ft Amaarae & Flo Milli Anime: Jujutsu Kaisen (S2 - Hidden Inventory mostly) Watch it on: Youtube Shorts // Tiktok

[hotcat37]

Y'ALL I BOUGHT THE CUTEST LILL CROCHETED KÄÄRIJÄ ON ETSY 😭😭

Just a little guy 🥲

[youguysmakeabsolutelynosense]

ALEX ALBON P2 STOP THE FUCKING CLOCK

[fuckatron-3000]

The gang as mitski albums :P

[zekkomite]

this guy was cooking i might draw this

[magnoliapromenadegalleria]

I don't know what hairstylist in Thailand laid their hands on that unit, but their hands are blessed. The layered bangs with the 613 on top, and the black underneath? Lace where? Stiff where? TUH!

[silvadour]

Jujutsu Kaisen (2020-) -Shibuya Incident- Ep. 41 - Thunderclap, Part 2 Screenplay: Hiroshi Seko (瀬古 浩司) Episode Directors/Storyboards: Itsuki Tsuchigami (土上 いつき), Hakuyu Go (伍 柏諭), Harumi Yamazaki (山崎 晴美) Key Animator: Vincent Chansard

[xyzzmy]

The 2024 Nosferatu directed by Robert Eggers is nothing short of a masterpiece that intertwines beauty with terror in a way that is almost hauntingly poetic. From the very first frame, the film envelops you in an eerie atmosphere, where every shadow feels deliberate and every sound, from the delicate rustling of wind to the ominous hum of a distant organ, carries a weight of foreboding. Eggers, with his sharp eye for detail, creates a world that feels both timeless and otherworldly, pulling you into a kind of dark reverie.

What stands out most is the way Eggers crafts his visuals. The black-and-white aesthetic, which evokes the early days of cinema, is not just a nod to the 1922 classic but rather an intentional choice that deepens the sense of isolation and desolation. The contrast of light and shadow is simply mesmerizing. There's a ghostly quality to the way it interacts with the characters, particularly the eerie, contorted figure of Count Orlok. His skeletal frame, his otherworldly movements, and that gaze that pierces through the screen; Eggers uses every inch of the frame to capture his haunting presence.

The cinematography itself is a work of art. Every scene is composed with such care and precision that it feels like a living painting, where each angle, each movement, feels like it could be frozen in time. The way the mist swirls around the edges of the frame, or how the camera lingers on Orlok’s silhouette, slowly creeping through the darkness,these moments aren’t just unsettling, they’re breathtaking. It’s as if Eggers is using the visual medium to tell a story of beauty in the grotesque, a dance between the sublime and the horrific.

And let’s not forget the sound design. It’s subtle but powerful. The soundtrack weaves through the film like a whisper in a dream, never overpowering but always present, pulling you deeper into the film’s somber world. It’s like every note carries the weight of centuries of tragedy and sorrow.

There’s something deeply poetic about the entire experience. The beauty of Nosferatu doesn’t lie in the conventional sense of elegance or grace; it lies in the way it evokes raw emotion, how it unearths the dark corners of our fears and desires and transforms them into something undeniably captivating. It’s a love letter to the unsettling, a delicate balance between art and horror that leaves you both entranced and unnerved.

(Side note : I absolutely love these two posters)