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#something about the original optimism and ‘look how neat stuff could be but still familiar’
stuckasmain · 2 months
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I love thinking about the Retrofuturistic world of 2001 and how fascinating it is. As it’s partly responsible for pushing the aesthetic but also just how the 60s and the space age in general had a lot of future spectating and inventing a TON of stuff that, lasted shortly then but we have versions of how. It also exists in a fascinating in between spot where it appears to “diverge” from our version of things sometime in the late 80s— and as someone who likes referencing music/film that’s great for me lol.
I love how this version of the future got to the end of the 80s then “ok the 60s had some cool plans let’s do them” when there was a technological boom to get them to the point we see in 2001. Space stations, underwater hotels- established bases on the moon and mars etc.
Anyway here’s some inspo and ideas I have when it comes to writing/drawing for the fandom:
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It’s a shame that 2010 (movie) didn’t stick as close to the world of the first film as I would’ve LOVED to see the expansion of how things looked on earth (we get some remote idea with advertised space flights but not fully). AND like I was saying before it’s a shame Clarke continued the series when he didn’t want to because all the optimism and world building sort of disappears… what I propose here and above sort of follows the initial 2.
Smart phones never become a thing. Videophone’s are more in vogue and stationary. However there’s enough booths and ones set up in homes where you wouldn’t need to carry one around
However, I’d say this world’s version of a “smart watch” would be like a small video phone and personal secretary (?) set reminders, book a few things, keep important information on.
Monorails. (Retrofuturistic, effective public transport), cars still exist but in a cleaner form
Shapes! Physicality! Funky furniture!
I really think the world would follow the grand romantic view of “Progress” where technology makes certain things conviennent but everyone has a good ethic to get along, explore, better tomorrow - hold hands type thing.
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popculturebuffet · 3 years
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Ducktales: Woo-oo! Review! or From the Top
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Hello all you happy people! And to those of you just joining this blog, welcome I review ducks, other animated shows and comics... and today’s review is special for me. For a number of reasons. For starters it’s a reminder how far i’ve come. See I always wanted to be a reviewer, ever since high school when a friend showed me a certain online reviewer whose now dead to me, and opened me up to a world of much better reviewers who i’m still fans of to this day, and ones who came after them , and after that and so on and so on. I so badly wanted a community to belong to I struggled to be a youtube reviewer but frankly lacked the talent or self confidence back then to try, so my attempts over the decade were a series of stops and starts. Of me starting to find my niche writing only to stop because I hated myself so much, and still struggle with that, i’d tell myself I could never do it, I wasn’t good enough, I wasn’t funny enough and no one cared. I kept shutting myself down AGAIN AND AGAIN, for far too long. 
But that all changed a year ago next month: I’d long been a fan of the Ducktales Reboot. I was caustiously optimistic when it was announced. The optimism came from a deep abiding love of scrooge as a character despite not having dove into his comics that deep, I didn’t have an easy way at the time, thanks to life and times and what comics I had read, and was excited to see a fresh reboot closer to the comics with my eternal boy Donald Duck back in the main character. The caution.. came from the fact that at the time we’d gotten a string of bad to medicore reboots: Teen Titans GO, Powerpuff Girl, and Ben 10 which started pretty meh but has turned into alirght from some of the later episodes I saw. I wanted to be hyped to all hell but I had no proof this wasn’t going to be another dumbed down reboot. Then comic con came, the first teaser poster dropped, and my skepticism died.
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It was perfect: a barksian art style with it’s own twists! Donald full on display! And best of all the triplets FINALLY had not only unique outfits but personalities! I’ve long went on in my reviews about how much that annoyed me and while it worked for the barks comics ever since then it’s just felt like a waste to have three characters there.. and not even the SLIGHTEST difference. 
My anticipation only grew with the full trailer, the promo posters as more and more info showed how good this series would be, how unique it’d be, and how much tw as taking what made the comics great, giving us a better distalation of that while still being very much it’s own beast. And once this episode dropped.. that faith was unfounded. Woo-oo! is without hyperbole, one of the best pilots i’ve seen, one that introduced the entire main cast perfectly, gets the series tone and mission statment out just right and in general set the stage for one of the best shows of the 2010′s (and 2020′s, even if it only lasted a year and some change). Wheras Teen Titans GO actively tried to take a dump on it’s source material, they thankfully have stopped that but it dosent’ make those early years any less grating, Ducktales was a breath of fresh air that honored the past while making i’ts own future. I tried talking about it but it was all in other failed attempts at reviewing: solo podcasts, my breif second video review career.. stuff no one rightly cared about and I just couldn’t get the hang of. 
So this is where we loop back to last year: I decided to finally try and cover it one more time, not realizing this would be my last chance as it came out anyway, and since I was doing text reviews but my output had slid in the new year, I decided to review Season 3 as it came out. If it bottomed out I could always stop.... and I just never did. I kept going, eventually finding new fans, a patreon (The other one’s an old friend of mine), and not only got paid doing what I love.. but found some peace.  I reviewed other shows as they came out, covered things i’d wanted to cover for years like life and times, scott pilgrim and x-men,. I covered other shows as they came out, found people willing to talk over my opinions and found my niche at long last. 
So that’s why the long speech folks: After almost a year of reviewing i’m properly covering the start of something that made me happier than I had been in a long time and gave me hope during one of the worst periods of ALL our lives. Something i’ve wanted to cover since I finally got started last year, and something truly amazing. So i’d be honored if you’d join me under the cut as I talk about the genesis of one of the best series Disney has ever put out. 
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Behind the Scenes Stuff:  Most details I could find were sparse. it took going back to the first month the show came out and looking at a LOT of unrelated questions to finally find out Frank and Matt outright pitched the show. This dosen’t suprise me as both are huge ducktales fans with Matt having drawn his own duck comics as a kid and Frank taking it an extra mile having sang the theme song in his first grade talent show, worked it into his vows and got his first daughter’s first word to be “Woo-oo”. It’s very clear this show as a labor of love for them something they dreamed of Disney made possible. 
Otherwise I don’t have much on the genisis of the show: It was in the earliest ideas going to be a revivial but Frank and Matt both decided against it , deciding it’d be unfair to expect kids from 30 years after the original to know the source material, and instead just starting it over outright, which was the right call especailly with Alan Young’s passing. 
Design wise I found quite a bit of concept art thanks to one website, and it’s incredibly intresting. This is why i’ve really gotten into art books: I like seeing this early stuff what characters used to be, figuring out or outright hearing from the creators mouths why they changed it that sort of thing. 
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Starting off we have some early designs for Donald, with him wearing the sailor suit as a kid but his Quackshot outfit as an adult, something I honestly wish they’d kept but get why they changed it: The iconic sailor suit both helps contrast him with della and fits his reluctance to adventure in season 1 more. I still wish that they worked the Quackshot outfit in somewhere, but they worked in so damn much, it’s hard to complain> Though I probably will make a list of “things I wished they’d worked” in at some point and i’d be lying inf I siad my mind wasn’t currently turning the gears to figure out how to work this into a fanfic. Oohhh maybe as Dewey’s outfit as an adult but blue, obviously. 
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Next we have Donald settled more into his final apperance as well as the boy’s first outfits.  As you can tell from both of these the show originally went more with the classic art style before getting the one we’re familiar with now, one I love by the way and was made to combine a classic cartoon style with the visual of the comics. Donald originally had his classic outfit before they transitioned to the more barks style one, a good call.  
The interesting bit though is obviously the boys original outfits which i’m honestly bummed didn’t make it for Huey and Louie, not so much Dewey minus the visor. I do get the changes though: The hoodie Dewey had fit WAY beter on Louie, and the lumberjack shirt didn’t quite fit the nerdier huey. Still look nice. Dewey’s is okay, but only the visor is something I really gregret them removing same with louie’s fedora. It would’ve been neat ot keep the hat thing, but have each hat be unique. Likely they simplified things to make animation easier and simply removed the hats for some reason, but it’s nice ot see these more detailed original drafts and it is VERY interesting to find that differentiating the triplets was something planned from the earliest concept art. Though given Matt and Frank said in interviews they wanted a more natural family feel, it’s not a huge surprise. 
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Scrooge like everyone BUT the boys thus far, naturally also had his original outfit at first, but like he ended up doing in the series rotated a bit, if not as much in the final product. We also see a protoype for his final design, the old coat but with a jacket over it in the last image. I also notice Donald seemed a lot more like his old comics self in the concept art with quackshot!donald. 
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Like everyone else, Webby and Launchapd were originally their 87 deisgns, though Launchpad’s slightly diffrent jacket and green scarf were changed from the start. Webby is the closest to her 87 design, and as shown in the previous Lena concept art from my “Spies Like Us and Dime after Dime” double feature, she still had her new personality. More on that in a bit. 
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Finally we have Flintheart, whose design is a bit diffrent from 87: He was a chub from day one it appears, though they’d exagerate it, and his beard was a bit longer at first like his other incarnations. 
Beakly is largely unchanged form 87, only given a coat, which would gradually be mofidied, much liekt he boys into her current outfit. 
As you can tell Beakly, Webby and Launchpad were all there from day one as they wanted them from the original ducktales just updated. 
Production wise they wanted to go handrawn, chose the style they did to have something close to the comics that felt classicly aniamteda t the same time, I feel they succeeded and wanted a show that felt like the original. I do think this show has it’s own feel but it does feel ducktales. I badly hope for an artbook at some point though as this show probably hada  LOT more intresting concept art. Seriously Disney I will PAY YOU to look at your neat art. Please. 
So they created a fully formed world and put the characters in it, wanting it to feel like the world had existed before and had throughly been explored and letting our young heroes be the watson to Donald and Scrooge’s holmes. 
Finally Della was indeed part of the initial pitch and a core idea from day one as every family has secrets and Della felt like one that had been lurking around the fringes of the story for 80 years. The rest of the production stuff i’ll weave in as we go but first one last stop, the STELLAR voice cast, none of whom outsideo f Tony i’ve talked about before sooooo...
The All Star Cast
The casting was outstanding here, with Matt admitting the cast brought a LOT to the characters, especially Ben Schwartz whose taken on Dewey was so unique and intresting they actually rewrote some of his dialouge for the pilot to fit this version better. This is far and away one of the best casts in western animation, most coming from comedy backgrounds and one or two coming from a voice acting background, but all bringing their absolute best. And since our main 8 are all in the pilot let’s run them down along with Keith Ferguson shall we?
Playing everyone’s faviorite billionare scotsman  and one of the very few to ever do so, we have David Fucking Tennant. David was their “First and only choice” and for good reason: David is a talented actor with a MASSIVE amount of stage, tv and audio drama credits. His biggest and best known role is playing the 10th Doctor on Doctor Who, which while not my faviorite (That’d be matt smith, as he’s both the one I came in on and hte one who got me hooked) he’s still  VERY close second and damn talented and I need to watch more of his tenure. Outside of that just to condense it to his ongoing roles on stuff and bigger roles: Filmwise he’s had starring roles in the Fright Night remake, You, Me and Him, Fish Without Bicycles and Bad Samartains, and is set to do a voice for the upcoming Loud House Movie, which excites me to no end. 
TV wise where most of his roles have been he got his first big starring role on the Telly with the BBC Mini series Taking Over the Asylum in the late 90′s. He’d go on to make a career out of doing mini’s for a while, also taking part in He Knew He Was Right, The Quatermass Experiment Remake, Casanova, Secret Smile.. and Blackpool. I saved Blackpool for last before we move into the Who era as if you’ve never heard of it.. it’s REALY fucking weird. It’s a jukebox musical about a man who wants to make Blackpool, a real city, into the new vegas and Tennat plays a cop investigating a case around the guy and also trying to get with his wife because they used to date and because our lead is philandering jackass. That’s already kinda nuts.. but then you get to the fact the songs are sung OVER the original songs instead of making a new version of them. It’s surreal to be sure but if you can find it it’s worth it for the handful of good numbers and how weird it looks and you can find clips of the songs on youtube if your intrested. Here’s a starter. 
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Your also welcome. He’d go on to play Detective Alec Hardy in Broadchurch to critical aclaim as well as be a part of it’s short lived american remake, would play the Fugitoid in tmnt 2007, Kilgrave in Jessica Jones, one of his few post who roles i’ve seen or heard besides Scrooge and easily some of his best work he NAILS that purple bastard perfectly, would make his own show Staged about a fictional version of himself putting on a Stage play that’s still ongoing, and is currently , along with Ducktales as it wraps up, the voice of Lord Commander on Final Space, with the character returning this season judging by the trailers to fan delight and terror. He’s a VERY talented actor and voice actor and I do hope he goes on to do more and more voice work in years to come as, with his background in radio, he was born for it. 
He was also born for this roll, playing Scrooge perfectly and easily matching Alan Young in quality, not a small feat and i’ts VERY obvious why he was their one and only choice. 
Next up is another legend, Tony Anselmo who we’ve talked about before when I covered legend of the Three Cablleros: He’s been Donald’s voice since shortly before Ducktales, hasn’t done much else but given he’s THE voice for the character and this show let him show off one hell of a range with teh voice, he dosen’t really need other credits. The man is a treasure and I fear loosing him one day and fear for whoever replaces him as they have a LOT to live up to. 
Getting into the triplets, we’re going by age so starting off we have Huey, voiced by Danny Pudi. Like most of this cast aside from Toks Ogladyve and Beck Bennet (Who I probably HAD seen on SNL but didn’t really know or look out for him on there till after Ducktales), I not only knew Danny but was a huge fan of his going in. This is due to his breakout role on the glorious sitcom Community, which sadly only had a handful of i’ts cast show up on this show. I mean you got Lin Manuel Miranda I’m sure Donald Glover would’ve said yes too. He grew up with Ducktales. Regardless his role as meta guy Abed was easily the best of the cast on that show, with Glover as troy a very close second and the two working at their best as a duo. Outside of that he’s had a few roles being a regular on Powerless, which I forgot existed and currently on Mythic Quest: Raven’s Banquet, and shockingly hasn’t done a ton of voice work. And given his performance as huey was one of the best parts of this show he REALLY, REALLY SHOULD. Please Danny. He’s also a loving husband, father and surprisingly a marathon runner. Never would’ve guessed.
Next up is SNL Alumn of 9 years, Bobby Monynihan. Bobby is naturally best known for that, my faviorite role of his being Ass Dan. That’s right bitch you know he’s going to live fore..
ASS DAN 1981-2021
He’ll be back. Outside of SNL he’s done a bunch of minor roles. He’s currently on the tragically mediocre sitcom Mr. Mayor, and voiced Panda on We Bare Bears. Hopefully he keeps up the good work as he deserves better than he’s gotten and Ducktales proves it. 
Finally for the triplets we have a rising star in voice acting, Ben Schrwartz. At the time Ducktales launched, I was a fan of his from his roll on parks and Rec as Jen Ralphio, aka older scummier Dewey. 
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Outside of his historic recurring role here he played a main role on House of Lies, a show I need to go back to, and has done other live action rolls but has REALLY hit his stride in voice acting. He started with voicing Randy Cunningham in Randy Cunningham 9th grade ninja and since then has hit the ground running: He was Rutabega on Bojack, Josh on Bob’s Burgers, and went on to complete the trifecta of blue nostalgic characters after voicing dewey by voicing Leo in Rise of the TMNT (and having one of the most unique and intresting versions of the character to play) and reprised the roll for the upcoming film. And of course he hit it HUGE by playing Sonic in the suprsingly fantastic Sonic the Hedgehog movie, and will do so again for the sequel and might even take up the roll for the games now Roger Craig Smith has retired. We shall see. Point is this guy’s at the top of his game and Dewey is part of that. Like with his brothers I can’t picture anyone else playing him. 
Rounding out the kids is Webby, played by the wonderous Kate Micucci. Kate is a lovely talented woman who mostly showed up in smaller parts, was part of the musical duo garfunkel and oates which even got their own tv show, and is currently a fairly prolific voice actor with this being her best known roll. I also had a bit of a crush on her once can you tell? Regardless besides absolutely nailing it as Webby she’s voiced Julie Kane in the crimnally short and even more crimnally not on Disney+ Motorcity, “Irma” in the 2012 TMNT cartoon, and the fact that “Irma” is in quotes should tell you how big a waste I felt it was having her NOT actually be Irma, despite Kate’s massive talent, the fact that Irma hadn’t been in anything since the 87 cartoon, and the fact that for added “Fuck you audience points” her krang form was voiced by Gilbert Godfried, who I love but whose casting feels like they wanted to make the twist as grating as possible. Good job there. 
Anyways her second biggest voice gig was as Sadie on Steven Universe, which took WAY too long to show off her absolutely tremendous singing voice. She started voicing Velma Dinkley in the mid-2010′s and has since, voiced Milo’s sister Sarah on Milo Murphy’s Law, Dr. Fox on Unikitty, and most recently voiced a sentient present on close enough who did this. 
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So yeah quite the career and like Ben she probably has a long and storied career in Voice Acting ahead. 
Next up is Beck Bennet as everyone’s friend Launchpad where he excels. He’s best known as a castmember on SNL outside of this, and shockingly hasn’t done a ton of voice work. The only other time i’ve caught him is in the same season of Close Enough as Luc, aka dude-bro satan. But like eveyrone else here who hasn’t done a lot of voice work so far or has been more selective I defintely hope he keeps going with it as he’s amazing. He and Ben will be co-starring on MODOK in May so i’m excited for that. 
Last up for the main cast is Beakly, voiced by  Toks Olagundoye, who I hadn’t heard of before this show and hasn’t done a lot outside of the two season sitcom the neighbors, the aliens one not the really terrible looking one, and a stint on Castle, but like everyone here deserves much more and if Beakly is any indication, really should stick with voice acting. 
Last up is Keith Ferguson as only he could as FLINTHEART GLOMGOLD, whose a staple in the voice acting community ever since 2000, and has had a TON of roles some of which I was unaware with him. Given Frank worked with him on Wonder Over Yonder, where he voiced Lord Hater to perfection, the two clearly have a close working relationship. He also has a close working relationship with Wonder creator Craig McCracken and has worked on all of his post-powerpuff girls show, voicing Bloo as his first major role, something I never would’ve guessed, and currently voicing Papa G on Kid Cosmic. 
Outside of Craig and Frank, he played both Karate Kid and Nemisis Kid on Legion of Super Heroes (Which really needs to come to HBO Max), Deputy Durland on Gravity Falls,  and Thunderbolt Ross on Avengers Earth’s Mighteist Heroes. He’s damn good and deserves the world for Glomgold alone and i’m glad Craig rung him up again as so far through my watch of Kid Cosmic he’s great. 
So with our cast in place, our past in place and you all likely ready to get on with it already let’s dive into the episode:
THE EPISODE: Part one Woo-Ooo!
We begin with a shot of a seagull flying overseagulls, a nice way to establish how this world works and how it bends expectations. They’d have to wait till season 3 to get a duck next to ducks but given that gag is one of the best of the series, it was worth it. 
Inside a house boat we meet Donald, Huey and Louie and get a sense of their personalities: Donald is panicked trying to get to a job interview and insists the boys wear life vests, showing his overprotectiveness and responsibility exclusive to this version. Louie stresses that Donald wear a suit instead of his normal clothes to properly impress the interviewer, showing his skill at people reading and manipulation, and Huey is making a nice, if messy, breakfast with a heartwarming message showing his heart and dedication. After finding out said Babysitter was sent to the wrong address, the boys TRY to hustle him out to stay alone.. only for Dewey to blow the scheme by starting the boat too early, letting Donald know he’s been had. Huey’s attempt to lie about it is of course the classic “Who’s Dewey?” Dewey’s caught wiring the boat and Donald throws them in the car, with Donald livid and the boys upset as their chafing at his constant overprotectiveness. 
Both sides aren’t wrong. tThe boys DID do something reckless, putting an old woman in the desert and risking their home just to go on a joyride. What they did was wrong.. but the boys AREN’T wrong for getting annoyed that he won’t let them DO anything and overly hovering over them when they CAN handle themselves as we’ll see. WE now know why: he lost their mother and his sister to her and scrooge’s recklesness. While he got therapy for his anger it’s clear he never properly got help about Della, and thus overcompensates by trying to keep what he has left of her alive. He means well.. but to them it comes off as him being manically overprotective with no good reason. They get into trouble because it’s the only way to DO anything away from him. He’s trying so hard not to loose them he almost has by the time hte series starts, and it’s telling that when they get context in Last Crash, they appricate him more from then on. They do love him, but their frustration is understandable even if what their doing is pretty damn stupid. But their also 10 and Donald’s the grown adult in therapy who should’ve dealt with this or tried to at least by now.
So with no other options Donald sets a course for McDuck manor which excites the boys who have heard of Scrooge McDuck and his exploits, each rattling off something they heard him do that fits their personality (Dewey picks him fighting a stone monster, Huey picks him uncovering a hoax and Louie picks his swimming in money. ) As Donald tries to get them to simmer down, they wonder what he’s up to
He’s up toooo.. depression. He’s in a room with his board, watching them with utter hate and sadness as they talk about cutting the invention and aviation departments. This scene plays ENTIRELY differently after the final two episodes of the season. Before it still plays well as Scrooge clearly resenting being stuck in a boring board meeting, having lost everything that made him him and just having lost his passion for life. Now? It plays as a man utterly disdainful of the men who made him give up on his daughter. While as far as he knows they did it to save his employees from his company collapsing, we know better now... and seriously where IS the rest of the board they just vanished after the Season 3 premiere.
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I don’t mind only one being fleshed out, unlike the triplets we only NEED the one I mind that they just never explained it and still haven’t. Hopefully the finale will. 
But back on the plot, it now plays as Scooge just full of hatred for them, knowing they had to do what they did, even if they weren’t emebzlling but still hating them and himself. He’s likely not even paying attention anymore because he just dosen’t CARE: he has all the money int he world.. and it couldn’t bring him his daughter back. As he sadly puts the coins he was fiddling with back and says see you tommorow he can’t even close the vault without a struggle. As we’ll see later the strength never left, it’s not like he stopped execrising.. but he has nothing left to fight for. Nothing left to care about. He could adventure agian so far.. but without Della or Donald, as we’d learn two seasons later the reason he enjoyed it again... what’s the point? He has nothing left except his money. 
This is also a nice parallel to the final Chapter of LIfe and Times. I always felt the first half of woo-ooo was a spiritual adaptation of chapter 12 of that: Scrooge meets the boys for the first time and with their help, and Donalds in the story< Webby and Launchpad here, he regains his passion and more importantly his family after driving them away> The how is very different: he did in life and times due to sinking to his lowest point morally, then cruelly dismissing his family when they tried to welcome him home and bury the hatchet despite what he’d done. Here.. he made a HORRIBLE mistake, one that wasn’t entirely on him but still cost him everything and spent the decade instead of stewing or making more money trying desperately to undo it. The end result is the same, a dried out husk of a man with nothing left to loose and no will to gain anything.
This husk has launchpad though whose introduced as his driver and while good with subs and planes.. isn’t great on the road. After that though Donald pulls up hoping to drop the kids off before Scrooge arrives. Naturally this being a cartoon and Donald having tempted fate with that Scrooge shows up telling him to jettison that Jallopy at once. And finding out who it is, apart from asking how Donald is and Donald doing the same, dosen’t sway him. The boys however freak out after finding out Scrooge is Donald’s and there uncle, with my faivriote bit of that being Dewey exiting the car via a window and rolling across the roof back in. Amazing bit of animation. Wish I had a gif of that. 
Donald makes the situation plane and angry and asks “Can you do that without LOOSING THEM”. And scrooge is so painfully disarmed by his reminder of his past mistakes and the fact his surrogate son still resents him, that he agrees before realizing “Shit I have to watch children now don’t I” as Donald drives off. As you probably guessed, this is another scene that plays differently in hindsight, if not by much: It still plays as two men too stubborn and bitter to reconcile.. but now we know the why behind both their rages it feels even sadder. They both lost the person they cared about most but as it sadly happens in real life both have dug in their heels to reconcile, both feeling their right when neither completely is. While Donald was right to be upset at scrooge and della for what happened, and is mostly taking it out on scrooge because he’s the one left... he’s held onto his anger for 10 years instead of going to help when he’s unemployed, living in a dilapidated houseboat and trying ot raise three children alone and could’ve used what help scrooge would give. Scrooge is right to be upset that Donald is just selectively ignoring everything he’s done to save Della, but is too stubborn and prideful to apologize for what he DID do wrong and feels that’s enough to make up for it when , while it is enough that donald should forgive him, still dosen’t mean he dosen’t have a lot to apologize for. Both are just too angry and too much alike, as much as it woudln’t seem so, to settle with each other and see too much of what they lost. 
So the kids follow Scrooge.. who forgets to open the door, and Beakly lets them in. It’s a nice subtle bit. After some silence, Bentina TRIES to get her old friend and now employer to talk to them, but he naturally refuses and they do the talking, asking tons of questions.. and Dewey ends the conversation by accidently pressing the “imply he USED to be something rather than is something right now “ button
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So Scrooge throws them in the twins old room, and Beakly gives them some marbles. You will give them b ack they will be counted. But another subtle touch I missed the first time is there... her sad look. She clearly doesn’t want to do this, but she has to play this carefully or else he might get mad and fire her on the spur of the moment. He’d obviously hire her back, where else is he going to get an ex spy who will both clean for him AND be his bodyguard and security. It’s a very small pool. Mostly because Beakly probably killed most of the other people who’d of fit that description during her spy days. 
Scrooge meanwhile is still rattled by Dewey’s statment, wondering if he really is a “used to be” instead of a “never left”. The fire is starting to spark again.. he just needs more kindling. And more kin. 
Meanwhile Louie and Huey marvel at Dewey’s “Brilliant’ breakout plan: hit the door knob with the sack of marbles til lit breaks. To be fair, they’ve known dewey as long as they’ve been alive and even by season 3 after he’s taken several levels in badass and cunning.. he still crashed a plane because his brother well-meaningly called him basic, and thought being nearly sacrificed the most times was an accomplishment. This is the best he could do and you all know it. It also works, so they can’t fault him for that... though he’s quickly kidnapped as are they. They wake up after the commerical break in a room with pure darkness, hung from the celing with a mystery person asking who they are and who they work for before Louie calls out for “uncle scrooge”... so she claps the lights back on and..
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Well close. But it is Webby, who cuts them down, fangirls over meeting the nephews and asks who the evil triplet is. They all point to Louie who shrugs it off. I mean it was funny enough the first time but at this point I know he’s running several fradulent charites, almost all scamming his uncle. He’s earned that title. Webby puts them on the big board and then when asked they find out she’s Webby, her granny Beakly is housekeeper.  She then asks the big questons “Are we friends now?” “If we say yes will you let us live?” “Ha good one new best friend”
She then explains she dosen’t get to leave or anything even eat a hamburger. The boys are moved by this and Louie asks what she does for fun. She leads them to the vents and while Huey and Louie are a bit relcutant, Dewey naturally goes first pointing out it’s better than the marble room. They agree and are on their way. 
Okay unpinning that pin, the crew conciously updated Webby and Beakly as neither really had a lot of purpose in the original. It was also to conciously add more actiony females to the main family lineup, as both creators, both being fathers, preferred someone their daughters could look up to and would enjoy watching. Not someone perfect but someone intresting instead of someone who often got Kidnapped and whose main charactrisitcs were “Sweet and GIRL STEROTYPE” So cleverly they KEPT her being girly, having a skirt, liking ponies. .but also gave her all the training and skill of one Cassandra Cain, a sheltered background and an adorable personality that kept the sweetness but added her probably having killed a man at some point. It worked as Webby is one of the best parts of the show. 
Likewise Beakly was upgraded from fuddy duddy housekeeper, to badass former secret agent whose also a housekeeper, and bodyguard and confidant to scrooge. Demonstrated by her talk with him as he tries to put on his diving suit and go after the jewel of atlantis, having spotted the signs to go after it in the paper.. and wanting to prove a child wrong. Beakly points out the flaws in this, and tries to get him to connect to his family. Having lost hers, it’s easy to see why.. though the how’s a mystery.. for now i’m guess. We’ll see in the finale. But she’s Scrooge’s concisence and the one who can easiest reign him in, to the point two episodes directly have our heroes have to NOT call her or else the plot was end, but have that worked into the plot so it works. She’s the calm in his storm and hte one person he needs more than anyone else even if he dosen’t always realize it. He calls family “nothing but trouble” just as Dewey passes overhead. 
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So naturally as Webby shows off Scrooge’s old treasures in a mysterious room, while the other Siblings are rightfully impressed, Dewey dismisses it as “fake” because he’s being a little shit, and they agree after seeing Donald, not knowing his reputation. The cutaway to him struggling with a stapler does not help> it’s only when Webby accidnetly uneleashes Captain Peghook, a vengeful ghost after scrooge, who gets his hand on a ghostly sword do they realize this time the monsters are real. Huey also accidently wakes up Manny, the headless manhorse! 
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Things somehow get WORSE as Scrooge finds them.. but is in no state to argue and as our heroes duck and Huey tries to divise a plan.. Scrooge get’s his spark back once agian.. it’s starting to become an ember now... and he charges in despite Dewey’s cries of “No come back your old!”. It then gets VERY badass Scrooge: Oi! Beastie! What's it gonna take to shuffle you off to the afterlife? Captain Peg-Hook: The head of Scrooge McDuck! Scrooge: [cracks his neck, flips his cane around to wield like a sword] Would you settle for his hat?
Now that is how you show how badass Scrooge is in a few lines and gestures. HE proceeds to take both out, as they’ve now teamed up, easily, tricking peghook into cutting off the head of a statue of him in the area, throwinng it at him and finsihing the ghosts buisnesss (”I should’ve been more specifiiiicccccc”) and then giving Manny the head, earning him a loyal employee for life. So our days saved, the kids have faith.. and Scrooge is still pissed. He also reveals this isn’t a treasure room but the garage in what’s easily the best gag of the first half, possibly the whole special but one iconic moment is very close in that one. Webby concedes what about the stack of old magazines or the hose or.. okay he’s probably right. He berates them only for the kids to fire back, pointing out he threw them in a room, they just wanted to spend time with him... but it’s only Dewey throwing his words back in his face that pisses him off. Scrooge bellows at them to get out, clearly having internalized everything with donald into rage and trying to justify pushing eveyrone away instead of working at it... but this dosen’t have time to actually work, nor would Beakly actually throw three children out on the curb, as he hits a mystic gong.. the third time it’s been hit. And after realizing it’s already been hit twice Scrooge is faced with Pixu, the gold hutning dragon! And guess who has a giant bin of it wanting to snack on? Scrooge naturally climbs on the thing and the kids naturally want to follow, with Webby getting her first development by proudly announcing “I’m going to eat a hamburger” then explains the metaphor. They just need a pilto.. and as Launchpad has been saying but I forgot to add in “I’m a pilot”
So we get a GORGEOUS bit of Scrooge riding the dragon over the city, getting banged up as he does before finally being thrown off.. only for the kids to catch him with the planes help and try and come up with a plan. Scrooge overcomes his anger at them not staying put, especailly since Webby brings up the right weakness: as a wise man once said...
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So they need some.. like say the Medusa Gauntlet Scrooge had in the garage.. that Louie naturally stole. Huey and Webby eyeroll him but they have what they need.. and Huey brought the hose and quickly comes up with a plan, tying scrooge in, and swinging him to Pixu. The kids hold on tight, Dewey calls his family awesome and our heroes win the day as Scrooge turns the dragon to stone, slips and falls.. and then GRACEFULLY dives into hte bin, showing off his diving skills and his badassery. The day is saved, the gauntlet and the dragon go in the bin for safe keeping and Scrooge calls the kids trouble.. and chuckles fondly. “Curse me kilts how i’ve missed trouble”
He’s impressed: Huey’s quick thinking, Louie’s pickpocketing, Dewey’s drive, and Webby’s magical knowledge all saved them. For once. .he’s happy again. And for the second time in life it took his family to remind him why he does this and show him the true fun of adventure: Getting to share it with those he love. And he finally has people to love again. He has family back, kids who look up to him and want to learn from him again, a REASON to adventure. Money and treasure and eveyrthig couldn’t bring della back.. but he at least sees now that whiel they certianly couldn’t.. they can bring him closely with what he has left. She’s gone, for now.. but she left behind three great kids who could use a mentor and Beakly brought him a fourth. And he just found out he has a pilot. The ember.. is now a raging flame. Scrooge is back. Because i’ts not the money or the glory.. it’s the thrill of it, the discovery.. and the family that makes adventuring worth while and he’s learned that lesson again. So he calls Beakly to clear his schedule.. forgetting she you know PUT A FUCKING PIN INTHE WALL the last time he asked her to play scretary and the onlyr eason she dind’t drive over the choke him to death, is that she’s probably happy he’s back on track.
Back at the interview Donald is stapled to the wall and gets the job.. not as an accountant mind but his employer needs a sailor.. and his employer is FLINTHEART GLOMGOLD. Oh boy. 
Part 2: Escape To/From Atlantis First the last bit of background I saved: Originally, Fenton and Gyro were supposed to show up here, starting a gag of Fenton showing up but not being named until “Beware the B.U.D.D.Y. System!”, setting up the sub. But the crew decided this took too much away from the focus on the duck family. The not naming him gag was also dropped, and I have two reasons why: Their given reason, which is it’d take up too much time and a logistical reason: While they gave a heartfelt pitch to Lin-Manuel Miranda, as frank wanted a strong Latino superhero to combat the lack of them on film, Frank and Matt probably thought they woudln’t get such a huge name or at least prepared for it.. and were delightfully suprised when Lin happily and tearfully agreed. So they likely scrapped it so they could properly promote the biggest name in their voice cast. Honestly it was for the best and they still go to do the idea with Drake in “The Duck Knight Returns!”, where it worked much better than it probably would have with Fenton. 
We open with the Glomgold Industries Employee Training Video! Encourging IP Theft, making things cheaper and general scumbaggery, and claming your the world’s most beloved scottish billionare. IN short the perfect introduction to everyone’s favorite insane, fake-scottish, scheming, egotistical , short sighted billionaire. As i’ve made transparent before, I fucking love the reboot version of Glomgold and he’s easily one of my favorite parts of the reboot. They clearly needded to find a new place for Glomgold in the grand scheme of things as the show was more about globetrotting adventure and family and less about getting contracts or bets about whose bigger money and more about family. While they DID do a classic bet storyline with season 2, it’s clear the old glomgold was just a bit too stiff to properly fit into this new zanier and deeper universe. 
So they instead remolded him as a half insane, knockoff scrooge, someone who PURPOSFULLY modeled himself after the guy to try and one up him, and instead of being a fairly low pitched schemer, was a bombastic idiot whose schemes were half baked, whose name was on everything he made, and whose only thing bigger than scrooge was his glorious ego. In short he was perfect for this series and perfect to show up way more often as a bumbling thorn in Scrooge’s side.. but one who COULD be effective in the right circumstances, as to not make him completely pointless. Keith was likewise the only person I could see in the roll now as with Hater he had a history of playing bombastic, egosticial morons, and made Glomgold into the enjoyable ball of ego, bombs, sharks and shouting we know and love. Some people didn’t take to this version after a while... I’m not one of those. I loved him here, I love him now, and he’s every bit as good in season 3 as he was at the start. He’s also wearing a kilt mcduck A KILT. A bit that’st STILL funny four years and 70 some episodes later. 
So we meet Gabby McStabberson and the Smashnikovs as they and Donald file in, though Donald is busy wrapping up a call with Scrooge, who assures them he has a low key day planned.. while in the sub getting ready to go to atlantis. And nearly drowning when Dewey tells Launchpad to dive while he and Scrooge are still up top. Cue credits. 
So on the sub we get our setup for the two main plots for the episode: While the main thrust of everything is Scrooge taking them to Atlantis, each leads to a diffrent plot. Louie talks to Donald and lies entirely about their day, worrying Webby.. who then reveals she just didn’t tell Beakly she took off or where she was going and encourages her to call and lie. To save time, i’m going to cover this subplot now minus the conclusion as it’s pretty simple and this review is already a day behind. Louie wants her to lie so she dosen’t worry, which is oddly sweet.. still a bit greasy, but it’s clear he means well and it shows in his own way the boy cares about Donald: Sure he’ll lie to the guy, and set up a fradulent charity to scam him.. but he also knows not to worry his dad-uncle and kows Donald is better off thinking their safe than knowing the truth. Granted it also prevents consequences for Louie.. but he’s not playing here here. He gets nothing out of Beakly not knowing the truth or helping some girl he just met, he’s just being NICE in his own twisty way. It’s a nice show of his depths: While louie will lie, cheat and steal Eddie Gurrero style, he does have a caring side underneath hit. He can read people well and while he primarily uses it to manipulate people, we’ll see time and time again that he can use it for good too and to help those he cares about. He’s nothing but supportive the whole plot, and even when he says “you can’t back that up” it’s more worrying about her and having a bit of crack than actually being a dick. 
So Webby tries lying, but is about as good as Huey is at it, saying “I’m at a friends house nothing, then makes up a clearly fake name, then says their only talking in swedish for a grandpa. Launchpad DOES help, but only by accident and snake venom. We’ll get to that. As I said this wasn’t the most complex plot. 
The main plot is our focus episode for dewey. In theory each of the kids was supposed to have one in the first five episodes: Dewey here, Webby in Daytrip of Doom, Louie in Great Dime Chase and Huey in Impossible Summit of Mt. Nevverest!. Given the last one was horribly delayed, he instead got Terror of the Terra Firmians, which in hindsight wasn’t the best spotlight episode for him. But it’s a good system; Introduce them all in the first half of the pilot then slowly focus on each one.  So now Idoloizing Scrooge, Dewey is desperate to be his sidekick and be seen as an equal and is in deep denial as scrooge instead has them all buckle up for a 17 hour ride and when Dewey questions the route, which skips the direct path.. but is clearly marked with monsters, Scrooge just snaps at him and shuts him down and disapoints the boy who only wants to prove himself to Scrooge. 
Naturally though, telling someone with that kind of need for attention and validation to wait goes poorly as he redirects the map while Launchapd is distracted.. and we find out WHY the trip is 17 hours as the direct route nearly gets them killed by mer-ducks, krakens and some sort of storm elemental. Dewey is bummed it didn’t work and annoyed to realize he’s just lumping them all together like Huey pointed out earlier. Huey is also delightful here, having brought travel bingo and sea shanties, clearly used to trips with his other uncle. And adorably taking after him. 
But Dewey’s deversion has done more than make him even MORE determined to prove himself to Scrooge whose just trying to NOT loose the son of the daughter he lost...
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The Merducks have taken up residence in the bathroom, so they have to make a pitstop. Scrooge, CLEARLY forgetting how to take a trip with children, wasn’t prepared for this but they find a frieghter and make a stop. Naturally it’s GLOMGOLD’S freighter, where his sub took off from, and he and his minons including Donald find Scrooge using the bathroom.. and the boys to Donald’s rage. Unfortunately saying ‘I’ll kill him” to a raging sociopath who takes that as a sign to kill ALL of them, isn’t a smart move. 
So while Donald tries to plan to keep his family alive, said family arrives in Atlantis with a great bit of Scrooge trying to give a big speech only for them to see it first and ooh and ah. They touch down in the city.. which is flip turned upside down. Scrooge notes hti is odd but is able to read the hieroglypchs even upside downa nd notes there’s tones of deadly traps and that they shoudl stay back and..
Huey: Dewey ran in as soon as you said traps. 
So while Scrooge tries to prevent dewey loosing his head, Donald prevents launchpad loosing his and makes up an excuse about “if their dead now we can’t tourture them later” to cover his ass. Glomgold is impressed.  Dewey is Dewcipointed that the traps are upside down, though he does trigger some snakes that get launchpad. He’s fine just delirious. And possibly slowly dying but the fact he’s lived this long is a miracle. Maybe that’s why he’s missing for most of season 3 part 2, the snake venom caught up to him and drake and fenton need to find the cure. Anyways the rest of the party stays behind while Scrooge chases after Dewey, who naturally runs ahead AGAIN. 
Donald ducks out to use the bathroom, as Dewey tries the old dance through the laser grid routine.. but forgets the part where your supposed to actually avoid it, leaving it to an unseen Donald to stop the fire traps from barbqueing his boy. IT’s a really awesome sequence that shows off Donald’s still got it even if he dosen’t want it.  Scrooge naturally works smarter not harder and simply ziplines above like a badass and berates Dewey when he tells him he took “The easy way”
“Why would you want to take the hard way?” The argument that’s been brewing all episode bubbles up and once again both sides have a point: Scrooge rightfully points out Dewey’s being reckless, has no experince and needs to listen to Scrooge and learn something. Dewey claps back that Scrooge isn’t TEACHING them, just teling them to get behind him while he does things instead of trying to actively mentor them. He outright told them he was going to teach them so while Dewey’s been a wee bit overbearing, he’s right in being disappointed that Scrooge instead just wants them to be safe. I see it as his subconscious acting up: He wants and needs the kids along and is right ot keep them safe.. but is too scared to properly mentor them after what happened to Della and is just trying not to loose anybody. His methods have been right, to keep them safe.. he’s just been so determined to save them, he can’t properly TEACH them so he won’t have to forever or explain WHY. And given the First Adventure shows that while protective he did eventually let Della and Donald pull their weight.. but here he lost so much between adventures.. he just can’e bear loosing them. Dewey also rightfully points out he just lumps them together which in any other version wouldn’t be an issue, until the reboot I had no idea which one was which here? They have distinct outfits and personalities and you had 17 hours to actually get to know them. Probably less given the shortcut but still, several hours at a minimum. It’s things like this that make the series work: while there’s plenty of internal conflicts, at their best their nuanced ones, where if one character is clearly in the wrong they have a reason, and if both are right both are also a bit wrong, versus the original where it’d be scrooge or the boys grabbing the asshole ball at times (Not always mind you but when they did it was insufferable. 
However they don’t have time to argue as the bridge goes out and Glomgold finds donald.. and another way around as a result and gets to the treasure first. Scrooge notices they have donald but once again Dewey charges in 
“Unhand my uncle” “No” “Okay wasn’t prepared for that”
Naturally both sides are a bit livid, Donald for dragging his boys into danger after being part of the reason his sister is on the moon right now, and Scrooge for working with one of his greatest eneimies.. though Scrooge has less ground to stand on because as Donald points out “I can’t keep track of ALL of your sworn enemies” I mean he has lived like .. 200 years. That’s a long enemies list and Glomgold, while the most persistent, isn’t exactly the most dangerous they probably encountered. Given the guy’s an artist with Bombs and Sharks that does say a lot about how badass Scrooge is.. and how incompitent glomgold usually is. He’s just having an on day today I guess. 
Glomgold naturally holds Donald hostage, takes what is suppsidley the jewel and leaves them to drown to death, hitting a wall to let it start leaking. HIs minons run into the rest of the heroes and a fight breaks out while naturally Donald, after even more naturally getting his ass stuck in a hole, literally, rails out at Scrooge for doing this telling him “I knew I couldn’t trust you and” “This is the spear of selene all over again”
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Scrooge’s only response is “I was not responsible for the Spear of Selene!”
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Dude you still paid for the rocket. While Della shoulders most of the blame, SHE choose to take an untested rocket, SHE choose not to come back during the turbulence YOU still built it and hid it from donald and didn’t make sure she couldn’t just take off in it. Your both to blame. And as I mentioned earlier to the least extent but still an extent, so was Donald telling his grown, adult sister whose as stubborn as she is what she could and couldn’t do. He had the right idea and was the only person trying to be an adult here in this situation.. but he still took the wrong approach with stopping her. Still he got far more ground to stand on than Scrooge, who also took his nephews out. Dewey stops both by pointing out that while yes Scrooge took them on an adventure he’s been doing NTOHING but keeping him safe and most of it was his fault which disarms donald a bit. Though Dewey is quickly distracted.. but for once by an obersvation: the gem glowing above thaem that glowed when they entered... and since the city got flipped turned upside down.. THAT’S the real jewel. Dewey asks Donald ot let it flood so they can get it and begs his uncle to trust him despite his doubts which he does. They get it and everyone’s okay and even more when they reunite with the others they find they’ve handily beaten them. To me this is where donalds walls go down a bit: he realizes he’s been smothering the kids, and that while he may hate his uncle for good reason... he’s not going to make the same mistake with them and while he lied.. Don probably realized if Scrooge had been honest Donald would never have let them go. He can trust him.. and he can trust his kids will be alright without him. 
So Glomgold naturally leaves his minions to die, but our heroes manage to make it to the sub, and Gabby asks if they can bum a ride. Not wanting to do any murders they agree. On the surface Glomgold is showing off his jewel, only for Scrooge to upstage him second’s later with the real jewel, and point out his is “nice but defintly cursed”... and right on cue Glomgold gets dragged off with an octopus and let’s off his first “Curse you mcduck!”. Scrooge offers clean water and power thorugh it, for a price because of course he does, and has offically made his grand comeback. 
We get back to Webby’s subplot, as she’s confronted by Beakly.. who naturally being a former spy easily figured it out immieditely but is only upset her grandaughter lied to her. And even at that she dosen’t raise her voice or anything about the matter, knowing it’d only make her feel worse and getting that her grandaughter needs to see the world and that much like donald, she walled her up to prevent loosing what little she had left. And since being with Scrooge is safe as with her, she can go with him anytime just tell her first kay? They hug. Awwww. 
Donald likewise apologizes, admitting that whatever has passed, he misjudged his uncle here and while not forgiving him yet, is at least willing to let him back into his life and into the boys.. on holidays and stuff at least. But fate forces his hand.. or rather his 10 year old nephew-son having left the engine on and neither having turned it off, meaning his boat goes boom and is in no liveable condition. But Scrooge has the space in his heart and mansion for them.
So as we close the kids help move the artifacts all around the house instead of just the garage while Launchapd drops the boat. While clearing out Dewey notices the painting from earlier.. and finds part of it was flipped over...
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“Mom?!” 
Now keep in mind, while nowadays Della’s inclusion in the show is one of the most famous and treasured parts of the show.. back then this was a fucking shock. Disney never really cared about the boys mother and outside of one comics story never really went into what happened. So the fact she was not only an actual important part of the plot but we’d find out was a HUGE wham moment and left my jaw dropped after seeing the episode. Like I would with the finales I had read no spoilers and had no idea this was coming but damn was it a huge and welcome suprise and how far they’d take it and how much they’d flesh her out was an even bigger one. Easily one of the best big reveals i’ve ever seen. The only better one I can think of from this series itself... is the end of season 2. But that’s for another time. 
Final Thoughts on Woo-Ooo!:
This two parter/hour long special.. is still one of the episodes best and easily one of the best pilots. It does slow down a bit in pacing in the second half, but otherwise is just an immaculate , beautiful pilot movie that introduces and fleshes out all 8 main characters, maybe Launchpad the least but enough to still work, gives us some big mysteries to work out, and even throws in Glomgold’s first apperance. It sets the tone, reverent and adventuerous but also with it’s own weird and wacky sense of humor and world building, and universe perfectly. I .. don’t have much else to say really it’s just THAT good and really worth checking out. If you somehow haven’t seen it go watch it and if you haven’t seen it in a while might be worth a rewatch before the finale. The absolutely perfect start to an amazing ride. 
Next on the Della Arc: Dewey and Webby try to figure out where Della is while Louie learns a valuable life lesson and  pisses off a killer robot along the way.
Next on the Blog: Amphibia Season 2 is back! 
Until then if you liked this review follow for more and if you could please support me on patreon. Even a buck a month helps and juicy stretch goals give you na incentive to contirbute. We’re 5 bucks away from 20 dollars a month which means a review of super ducktales and a Darkwing Duck review EVERY. MONTH. So contribute now! Until the next rainbow it’s been a pleasure. 
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ramblingguy54 · 4 years
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Escape From The Impossibin!: An Exercise Of Trust & Hope.
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So, I was predicting for this episode to have Della & Louie bonding time together, which there were cool moments with them to be sure. However, what I really liked about today’s story was how it focused on the aftermath of FOWL’s reveal to still be very much alive to Scrooge’s horror and Beakly’s greatly underlying concern. A couple of days ago before Impossibin premiered today, I chatted with some others on Discord about what this episode’s story would explore for its overall message, which the more I thought about, the more I leaned on the idea it would be centered around the notion of trust. Let’s Get Dangerous had a consistent theme of deceitful liars being revealed who weren’t whom they appeared to be, as seen with Taurus Bulba vs Drake Mallard & Bradford’s true nature being known to Scrooge at that hour special’s ending. 
Escape From The Impossibin is all about confronting the growing tension that’s become a threat to a content family lineage of adventurers, who now have to defend everything they stand for in their legacy, once again. That’s something I’ve always appreciated about DuckTales is even when it doesn’t entirely match my predictions, it finds other new ways to surprise me for what it can do. Della & Louie didn’t necessarily get the bonding time I had hoped for, which did admittedly disappoint me, but they did a serve a purpose in their own right that I’ll get to later. Anyways, the spotlight is on the older mentor figures, Scrooge McDuck and Bentina Beakly, who are all too familiar in dealing with FOWL’s antagonism before in Season 1′s episode, The Confidential Case Files Of Agent 22, that especially applies to Beakly’s past in fighting them as an agent of SHUSH for very much longer compared to Scrooge. With how much is at stake you’d very much expect there to be old feelings being drudged up, regarding Scrooge’s trust and respect for Bradford, as well as Beakly’s strict over protective nature with Webby to keep her safe from losing that optimism that makes her stand out as a beacon of hope to inspire others, which they do. FOWL isn’t like Magica or Lunaris who want to make themselves known flat out to the world with their egos. They’re very cunning and cold blooded with going about executing their plans for control of the Earth. Particularly, Bradford is the serious threat most of all because he’s the brains of this outfit giving precision in each order to those under his command. Combine Bradford’s knowledge with the muscle of Steelbeak, Rockerduck’s underhanded scheming, Gandra Dee’s scientific intellect, Black Heron’s lust for more power, and Phantom Blot’s ability to absorb all kinds of magic that gives the McDucks’ a severe scenario they’ve never faced. FOWL is the right combination to put an end to Scrooge’s adventuring because Bradford has kept a close eye on him for so many years. Bradford has seen plenty of Scrooge at his total best and worst most of all. He’s studied upon every detail of Scrooge’s life, for who knows how many years, and is finally putting all of it to use against him, where we get to see the extent of just how well Bradford can read every one of his moves. Lunaris’ intellect was simply a figurative puddle compared to what Bradford managed to accomplish with his high IQ.
The scary thing is Scrooge knows this reality himself, too. 
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That’s one of my favorite elements of Impossibin’s purpose. We get to see Scrooge seriously doubt his abilities. In episodes, like The Most Dangerous Game Night and The 87 Cents Solution, Scrooge has always prided himself in being a very sharp individual who could see every angle and any detail that others couldn’t. Bradford, on the other hand, rivals Scrooge’s thinking that puts an eerie perspective on things for the old man. Scrooge always thought to be one step ahead of the game, but then realizes that someone who’s been by his side for so very long played him like a fiddle all those years. Who’s to say Scrooge isn’t probably thinking back on stuff such as Bradford shutting down his rescue operation for Della, controlling his money usage, letting Louie hang around Bradford in The Richest Duck In The World, finalizing Gyro’s inventions, etc? Scrooge realizes he’s had a dangerous character around the family manor all those years, which makes him doubt his ability to trust himself in protecting everything that he holds importantly in life. Scrooge isn’t just thinking he’s been fooled, he’s doubting every aspect of what made him competent to begin with. Doesn’t help among this moment of self reflection Bradford is there to further rub in that harsh reality of how much he knows about Scrooge.
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This moment gave me chills because it completely put a spin upon the story’s concept. I figured that FOWL would hack Scrooge’s security system, with help from Gandra Dee’s abilities, and I’m glad it went this route, since it shows how dangerous things are this time. They’re not even safe within the confines of their own manor anymore, considering Bradford knows every nook and cranny of it. Scrooge thought only he knew the security system’s password, given its based on the amount of all money in his money bin, but Bradford covered that crucial detail, too. Bradford isn’t leaving any loose ends toward Scrooge in how he’ll go about using any little thing against him for future reference. That’s what makes the stakes higher here than compared to Lunaris’ invasion. This is a much more personal story between a clash of ideals with Adventuring vs Control. Lunaris lacked that emotional connection here Bradford is making Scrooge have to face that adds another layer of tension to this situation. Bradford wants Scrooge to know, “I have control over you. There is nothing you know that I’ve already figured out about yourself.”, and going about hacking the robotic version of himself is the best way to send home that message to him. It can also be interpreted as symbolism for Scrooge fighting his own insecurities when Bradford takes control of the robot to start attacking.
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I need you, the two most cunning individuals I know, to spot any weaknesses.
Now, Della & Louie did serve a big purpose, despite the Plot A point focusing greatly on Scrooge’s existential dilemma, for they were there to remind Scrooge of just how much of an impact his life style has had on them. Della & Louie’s teamwork together throughout the episode is a perfect way to give Scrooge a reality check reminder for how skilled they are as adventurous fighters against unknown dangers. After all, Scrooge passed on his skills to Della, who’d later pass down her intellectual skills to him, too. Again, tying into the whole theme of legacy and what not about how much family can bring out the best in each other. If it wasn’t for what Scrooge had taught them, then he wouldn’t have been saved by Louie’s defining act of being a badass, by willingly diving into the pile of money, which got hit by a gravity changing rosa rune from the robot and ended up crushing it. I wanted to see more mature Louie, so him lifting Scrooge up about how much pride he has in the family lineage was a great nod to it. That in turn, allowed Scrooge to remember why he and their family are strong together. You know, after recent events that have happened in my life, seeing legacy be explored in DuckTales Season 3 means a lot to me now more than ever.
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As for Beakly’s B Plot, in terms of how it ties into a neat bow with Scrooge’s story, shows how intense she’s getting at the notion of eventually facing FOWL again. Honestly, I’m not surprised if she’s getting flashbacks of whatever painful or traumatic events happened to her in those Agent 22 days. I mean, for God’s sake, she tells Webby to straight up incapacitate Huey, who was already so scared. Something Webby refuses to agree with as the best course of training methods to better prepare against the greater threat. Beakly’s characterization has always fascinated me with how well she guards her vulnerability, kind of like Goldie in a way, but the difference here is outta great concern for others rather than herself. My mind can’t stop thinking about this scene, as there could most likely be underlying context for why Beakly is getting so worked up over this training. It seems Beakly is carrying a tremendous weight on her shoulders, probably some heavy angst, that it looks like she wants to say, but can’t because of bigger story reasons we’ll find out later in Season 3′s final batch of episodes. Special mention to Donald Duck putting his foot down on Beakly’s very intense training session. Donald knows the trials and errors of what it means to be a parent. He was once very overly protective of Huey, Dewey, and Louie, but learned to let them experience the world for what it is and not hold them back, so I liked how it ties into Beakly’s dilemma of trying to protect Webby from FOWL’s heartless nature.
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Beakly’s plot may have not gotten much focus, but it did a very good job setting up more angst to come between her and Webby’s relationship. Things are gonna get very complicated between them when more things come to light. I’m keeping an eye on Huey’s line specifically. When he said, “The one thing we know for sure is that we trust each other, right?”, Beakly did want to bring herself to apologize of course, but I also think she was close to wanting to confess something else to Webby, too. I’m expecting this moment to be called back to when stuff hits the fan with Beakly’s past and whatever Webby’s origins are.
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Escape From the Impossibin may have unsettling stuff lurking around the corner with how FOWL managed to distract them with the security system, so they could steal away every missing mystery the family has found so far, but there’s a glimmer of light in all of that darkness. A light that is a reminder of what makes the McDuck family an unstoppable force of trust, hope, and most importantly love. Frank said that things were gonna start going into overdrive with FOWL’s battle against McDuck and he wasn’t kidding around. I’m so overjoyed were getting more episodes in November after this episode finished because that would’ve been a painful wait. Season 3 is gonna start giving things it built up a big pay off and I’m totally here for that!
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commentaryvorg · 5 years
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Danganronpa V3 Commentary: Part 0.1
This is the beginning of what is essentially something like a text-based, very-not-blind Let’s Play of Danganronpa V3? I have a lot to say about this game’s story and characters, and this gives me an excuse to talk about any and every part of it that I feel is worth mentioning as I go along.
Be aware that this will contain spoilers for the entire game, regardless of the part of the game I’m commenting on. A major focus of this commentary is to talk about all of the hints and foreshadowing of events that are going to happen and facts that are going to be revealed in the future of the story. It is emphatically not intended for someone experiencing the game for their first time.
All characters appearing in this game are fictional.
Yup, they sure throw that right in your face at the very first moment. And every single time you turn on the game after that. No other Danganronpa game does this during its startup.
This opening movie showing Danganronpa 1, 2, 3 and UDG is supposed to be an in-universe advertisement for season 53, right? But why are they acting like this season is going to be connected to the Hope’s Peak arc? That definitely was not part of the original plan.
“No knowledge of who I am. …Who I am? Who am I? I extend a hand. A hand that belongs to no-one. To take hold of my existence—”
Pregame Kaede:  “This is me. My name is Kaede Akamatsu. I just remembered who I am. Nice to meet… me.”
Uhh. I would say this part is a significant sign of what’s going on here. It sure sounds like it’s written as though the character we’re meeting here is literally coming into existence as we watch. But, this is pregame Kaede, not our Kaede. Our Kaede literally does come into existence moments before we meet her. If these lines had been used for her introduction, they’d have been a really neat hint at what was going on! But it really doesn’t make sense for pregame Kaede, who already existed as a person before this moment and is simply waking up from being unconscious.
Pregame Kaede:  “I’m the protagonist of this crazy story.”
Again, would be nice foreshadowing (especially because Kaede’s not really the protagonist), except it doesn’t really make sense here because the “story” hasn’t started yet. It’s a pretty weird thing for pregame Kaede to be saying about herself.
Ultimate Revival
Hm, the original Japanese prologue title, “Rise of the Ultimates”, is actually a better hint to what’s really going on. The localised title makes it sound like they genuinely did lose their memories of being Ultimates and are going to regain them, but “Rise” implies they’re becoming Ultimates for the first time, which they are.
Pregame Kaede:  “…A classroom?” (Yeah, this is a classroom alright. But… I don’t recognize it.) “Where am I…? What am I doing here…?” 
Pregame Kaede, you have just woken up to find yourself in a strange classroom with barbed wire on the windows. Surely you have seen enough seasons of Danganronpa to have an inkling of where this might be going.
For some reason, pregame Shuichi’s hat is the same hat that our Shuichi will continue to wear. I guess the producers had the idea for incorporating that hat into his backstory and issues when they saw his audition. Obviously, there needs to be a different in-universe reason for the writers to give him the hat than the out-universe reason that he’s the real protagonist and they had to hide his Protagonist Hair until the reveal. In-universe, the protagonist is Keebo.
The pregame characters – at least Shuichi and Kaede; we don’t hear anyone else’s name except Rantaro, who isn’t “pregame” – have the same names as the Ultimate characters. Seems a little surprising that the writers wouldn’t have picked new names for them, but I guess this isn’t Ace Attorney where everyone’s name has to be a pun. (Also, obviously, out-universely we’d have been a bit suspicious if the characters in the first half of the prologue had completely different names).
Pregame Kaede:  “Now listen to me, Shuichi… Shut up! You’re not the only one who’s confused right now!”
Pregame Shuichi:  “Ah, sorry…”
Pregame Kaede:  (After making him shut up, I retraced my steps again.) 
Pregame Kaede sure sounds a lot more selfish and less encouraging than our Kaede, doesn’t she.
So they were kidnapped and brought here. Which, uh… isn’t exactly the most logical way to bring in your successful auditionees. I could try to argue that Team Danganronpa told everyone their audition failed to try and avoid them blabbing to the general public and then went about it this way or something, but… honestly I’m just going to put this down to the rather flimsy out-universe writing for everything relating to how the outside world works. There’s going to be a lot of this in this part of the prologue. The out-universe writers didn’t want to make it too obvious what was going on, so they had to have some method of coming here that seemed plausibly like they were unwillingly being dragged into a killing game.
I’m putting it down to bad writing and not to a deliberate hint that actually the whole fiction thing was all a lie and they really were kidnapped by the Gofer Project or whatever because…
Pregame Kaede:  “Everyone pretended like nothing happened… It made me think how rotten the world is…”
…this is a very clear indication that this is not our Kaede. Pregame Kaede said in her audition tape that she had no faith in humanity, and this matches that perfectly. Even if you could argue that having wiped all of Ultimate Pianist Kaede’s memories of playing the piano would have made her less of an optimistic person (since all of her optimism is based in the reasons she plays piano), it wouldn’t have made her actively more cynical like this.
Pregame Kaede:  “But… why me? My family’s not rich and I’m no one special.”
I don’t know, Kaede, maybe because you auditioned to be in Danganronpa? This is another of the main problems I have with the way the outside world is portrayed in this game – and by “outside world” I’m including the pregame versions of the characters that we’re seeing here. It should be obvious to all of them that they’ve just wound up in the opening of a Danganronpa story! They should be celebrating!
Partly I can see that the out-universe writers are doing this to bring up the fact that right now these kids are perfectly normal non-Ultimates, but. Still.
Hello, giant humanoid mecha! Did you know this is Danganronpa, Gurren Lagann edition. Or it will be once our equivalents of Simon and Kamina actually exist.
Huh. I’m messing around letting pregame Kaede get thrown around by the Exisal, and there’s this flashing red effect on the edges of the screen, as if indicating she’s in pain, that keeps intensifying each time it happens. It stops intensifying after about four times, though; obviously you can’t actually die. That’d have cut the killing game short, heh. Although they’d probably have just picked another auditionee to take her place.
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Oh man, look at pregame Kaito’s expression. He just looks so disgusted and contemptuous. That is so definitely not our Luminary of the Stars right now. Kirumi also looks uncharacteristically nervous, and maybe Kokichi does too? But our Kokichi pretends to be nervous often enough that maybe that’s not such a huge clue in his case.
Pregame Kokichi: “Do you want me to check on what’s happening?”
This, though, is pretty telling. He’s genuinely offering to do something to help out! That is not the Kokichi we know.
Pregame Tenko: “You can’t! It’s too dangerous out there!”
I also have to wonder if our Tenko would have said this given that the person who offered to take that risk is male. It’s possible that her worry about the danger would have overridden her misandry for a moment, though.
Rantaro:  “There are 16 of us – all high schoolers. What do you think that means?”
Yeah, guys, what do you think that means? Rantaro should not be the only one here who knows what is going on. The out-universe writers probably had everyone else not also show signs of this since they wanted to hint that Rantaro in particular knows more than he’s letting on, but, still. Right now, everyone should know what this means. Except maybe Keebo.
I’m assuming that this is a Rantaro who still has his memories and identity from season 52 and is fully aware that he’s been thrown into a new killing game. That seems to make the most sense – if they forgot to give all the new characters their memories, they might have forgotten to wipe his, too. And he’s a lot more obvious about being familiar with this situation than he’s going to be after the reset.
One thing to note is that everyone’s superficial personalities – speech patterns and such – seem more or less the same as they’re going to be. Guess that’s something that’s harder to rewrite by implanting fake memories, even if you can change the actual person behind that personality?
You know, I’m not sure why Tsumugi is here in a non-Ultimate outfit if this was supposed to be the real beginning and everyone else being in non-Ultimate clothes wasn’t planned. Keebo too, for that matter. But again, the out-universe writers don’t want to give stuff away.
Also, Keebo’s wearing a hat to hide his Protagonist Hair, aka antenna. Does that mean his antenna just isn’t there right now? Is he connected to the audience yet? Are they seeing this through his eyes and being very confused?
Monokid:  “I told ya we shoulda read the script!”
Hah. That’s pretty telling. I mean, on a first watch it probably seems like they just had a script for how they were supposed to present themselves as gamemasters for the killing game, but no, it’s literally the script for this entire story.
There’s a lot of little hints like this, particularly from Monokuma and his cubs, and I’m going to have fun pointing them all out.
(However, other than that I will be ignoring most everything the Monokubs say, because all of their bits are almost entirely annoying and extraneous.)
Pregame Maki:  “Moving stuffed animals…”
Pregame Ryoma:  “On top of that, it seems like they’re calling themselves the ‘Monokubs’.”
Pregame Kaede: (Moving stuffed animals? Monokubs?) “Wait! You guys call yourselves… the Monokubs? 
On a first watch, this’d just sound like everyone’s bewildered (with good reason), but in reality, this at least is a hint that everyone knows what’s really going on here and is finally starting to piece it together. Took them long enough, though.
However, given that they’ve finally figured it out, someone should really just get it over with and blurt out, “Oh my god we’re in Danganronpa!”. They’re all thinking it now.
Rantaro:  “This is exactly what I thought it was. 
Yep, Rantaro, but you’re really not the only one who’s thinking that anymore.
Rantaro:  “Why the ridiculous theatrics—” 
Oh dear, did your previous season not have the Monokubs or anything else equally annoying and extraneous, Rantaro? Man, you got lucky.
Monosuke:  “Ya think maybe they haven’t been given their first memory yet?”
Ha. “Given” their memory. Yeah, that’s totally how memories work, right.
Pregame Kaede:  “Hey, answer my question! If you guys are the Monokubs, then—”
Oh my god, Kaede, if you’ve figured it out then just blurt it out, stop letting them cut you off.
Pregame Kaede: “I have a skill that I devote myself to… but I wouldn’t call it an Ultimate talent… 
I wonder this is actually playing the piano or something else. She could have chosen her talent because of that, but also the writers could have just given her a different talent to what she asked for.
Pregame Shuichi:  “M-Me either… I-I don’t… have anything like that…”
Meanwhile pregame Shuichi literally has nothing. He only wanted to be a detective because he thought they were cool.
Pregame Kaito:  “Y-Yeah… same here.”
Neither does pregame Kaito; like hell this asshole would have the communication and teamwork skills necessary to be an astronaut at all, let alone earlier than usual.
Kaede is still trying to butt in and ask if this is Danganronpa and still getting cut off before she says the spoilery part of that sentence.
Monotaro:  “See, according to the backstory, there’s this Ultimate Hunt goin’ on.” 
Haha, yep, that’s really all it is: a backstory.
Tsumugi:  “Umm… what are you talking about?”
Heh, and Tsumugi’s the one to act confused about that. She’s probably worried that he just said too much. In fact, for someone so apparently-not-that-important, she has a lot more lines in this scene than most other characters, which I imagine is deliberate.
This magical girl clothes-changing sequence can’t be how things really happened. On my first time I was sure this had to be meaningful and took it as a hint they were doing the simulation thing again, but I was also sceptical that they’d do the same twist twice. But yeah – it just… can’t be how this happened? I’m not sure what really did happen here. Unless they have some really weird technology in this universe.
Monokid:  “Once the seal has been broken, we’ll be in the domain of the killing game!”
Pregame Kaede:  (K-Killing game?)
And from this moment, what we’re seeing here omits a few parts to avoid spoiling us. This is finally the point at which everyone reacts to being in Danganronpa. Again, took you guys long enough, geez.
Monotaro:  “This amazing story will begin for real this time! 
Yup. It’s a story all right.
Some of the words in the background during the Flashback Light sequence are pretty telling – not only does it have a bunch of stuff relating to the piano, there’s also things like “Chatty” and “Friends”, showing that her entire personality and history are being shown to her right now, including parts that shouldn’t ever have been erased if all she erased was her talent.
There’s also “Moonlight”, which I believe is a mistranslation that should say “Clair de Lune” – it’s French for moonlight, and in Japanese the piece’s title isn’t the French name but is just the Japanese term for moonlight, so it seems someone on the localisation team missed the memo that this was referring to the piece of music and translated it into English rather than French.
I would note that Gonta was one of the characters who never spoke at all during this section, which is clearly deliberate because if he had we’d have noticed him speaking with correct grammar… except then I remembered that he uses correct grammar in the original Japanese anyway. So that’s just a coincidence. I wonder what the localisers would have done with that if he had been one of the ones to speak up.
Keebo also doesn’t say a word, which has to be deliberate. I’m not sure exactly what would be going on with him here – surely he must already have been given his “character”, because he doesn’t have a pregame identity at all.
 After the reset, our Kaede starts out reacting word-for-word the same way as pregame Kaede did – as I said, it seems that the superficial personalities weren’t really rewritten. However, everything else about the kind of people they are has very significantly changed.
Kaede:  “How rude! Don’t freak out at me like I’m some sort of monster!”
Shuichi:  “Ah, sorry…”
Kaede:  “I’m sorry too, okay? I just have no idea what’s going on…”
Tellingly, the point at which this starts to diverge from what originally happened is when Kaede and Shuichi apologise to each other for freaking out, rather than getting into an argument. Because these are both good people, and their pregame selves weren’t.
Kaede:  “Oh! ‘Gymnopédie No. 1’ by Erik Satie. Try to imagine that sorrowful melody filling your head and soothing your heart— 
Also Kaede is now a huge piano geek. Too much of a geek to realise that Shuichi probably doesn’t know the piece she’s talking about, but, she was trying to help him calm down! Kaede is good.
Heh, during the Monokubs’ exposition about Ultimates, they mention they have eligibility to run for elected office. I think you’ll find a certain Ultimate is already technically the prime minister (albeit without having been elected).
Okay, but, question. Shuichi and Kaede started out shut in these two lockers in this classroom. But this and the Flashback Light classroom are the only classrooms with lockers. That is not enough lockers for everyone. Where did everyone else start out?
Kaede:  “You’re a detective? That’s amazing!”
Shuichi:  “Ah, no… I don’t have the credentials to call myself a detective yet… I just… happened to solve a case that I came across and… now people call me that.”
Kaede:  “Not many people can ‘just happen’ to solve a case. You should be more proud of that.”
Aww, Shuichi’s lack of confidence in his title and Kaede already encouraging him.
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This series of images of Kaede growing as a pianist is really cute. Warmed me to her straight away the first time around.
Shuichi:  “That’s how you got your Ultimate title? That’s way more impressive than me…”
Kaede:  “No. That’s all I’m good for, really.”
And she seems really self-conscious about the “Piano Freak” thing, the fact that she’s so obsessed with it that she thinks she doesn’t have anything else going for her. That’s not true, Kaede! You’re an amazing person, all because of how hard you work and how much you want to make others smile 
So already Kaede and Shuichi both have a reason to admire the other for their talent – Kaede admires Shuichi’s talent because it’s much cooler and more useful than hers, and Shuichi admires Kaede’s because she worked really hard for it and didn’t just get her title by chance.
Kaede:  “But this is my first time meeting another Ultimate student.” 
Kaede seems enthusiastic to meet other Ultimates, too. I bet she’s hoping she can bond over the shared feeling of being really passionate about something, even if that something is different for each of them. No-one’s going to call her Piano Freak if they’re equally obsessed with something else themselves.
Shuichi:  “When I woke up, I was in that locker. I… don’t know how I got there… It’s like… that memory just fell out of my head—”
Not really – it got overwritten. The only one who would have had memories erased just now would have been Rantaro 
Kaede:  “We’re confused. We just need to relax, is all. Oh! Let’s imagine Maurice Ravel’s ‘Sonatine’…”
Playing music is all about influencing people to feel certain emotions, and Kaede cares so much about trying to do that to help out even when she doesn’t have a piano!
Kaede:  “When we get outta here, I’ll share it with you…”
oh no it’s not even Clair de Lune but ouch
I really like how the fragments in this game are Friendship Fragments, not Hope Fragments. Almost like friendship is one of the main themes of this game or something! It’s also neat design-wise how the first fragment is much smaller than the main petal-like fragments, because just being introduced to someone is only the small foundation for the much more meaningful friendship that might come.
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hearthandseyes · 5 years
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Pixelmator Photo for iPad
This will take awhile to get to the point so if you’re interested, buckle in for a winding, drawn out reason about why I’m not switching to Pixelmator Photo as much as I want to.
I’m an avid Lightroom CC user. I have never used Photoshop, not because I don’t want to but because I’m too stupid.
In the past I was an Aperture user and it never clicked. The catalogue was too confusing to me. Again, stupid. When it was discontinued I switched to Lightroom and have done well with it since. Adobe later released Lightroom Mobile (now the cross-platform Lightroom CC) during the time I had adopted a heavy iPhone/iPad travel workflow and I grew up with the program. Lightroom was straightforward and essentially offers the simple tools that I used in the darkroom- dodging and burning, with digital exposure and color edits.  Plus a little more.
I have had a strange fascination with Pixelmator for years.  Many times since 2012 I’ve tried to use Pixelmator which is a layers based graphics editor. The price was right and they were an Apple only product that worked to make the most of the Apple hardware. They even released a mobile app with some of the core features.  But again it’s a layers based editor and if I couldn’t figure out Photoshop this wasn’t going to help me. I looked often for tutorials to learn the software but they weren’t available like they are for Adobe products.
When Pixelmator Pro for the Mac was being released last year I was fully ready to make an attempt at using it and abandoning Lightroom. 
Why would I leave Adobe? I don’t like that I’m boxed into one system. I pay 20 dollars a month for the photography Creative Cloud account with 2 TB of data. I have to be very careful with that catalogue as I go because 2TB isn’t a lot for a full and active catalogue over years, even with mindful archiving.  And I’m managing two different photography catalogues- Lightroom and Apple Photos.  Finally, the way you import photographs into Lightroom on the iPad or iPhone is plain silly, but that’s really on Apple and we’re not going to get into file management on iOS because that’s a dead horse for now (until some future iOS iteration).
But the big reason was: “minimalism”. 
Over 2018 I started doing a deep dive into my life again. A significant breakup, several moves, and a job change made me evaluate everything. I adopted minimalism around 2009 when I started paring down my belongings and moved into a small loft apartment. When I moved to Rhode Island in 2011 I sold almost everything I owned then put an add on Craigslist to come get the rest for free and people swooped in en masse. I kept things lightweight as possible but things creep back in. My digital files were a mess. Papers kept following me around the country. When I lived on the Rez it was like Little House On The Prairie and I bought enough supplies and things to fix anything and felt I needed a lot of comforts. “Things” piled up. Tools, paint, gardening tools, furniture, home gym equipment, entertainment. By late 2016 I was maintaining 3 addresses over 3 states with homes and ‘stuff’ in all of them, a lot of it duplicated. Then I had to pack up all of the places and put them into storage and nothing makes you realize how crazy your life is than rampant disorganization, poor sleep, and putting your hands on every single thing you own. I literally started having recurring dreams about boxes of papers.
While I was traveling I couldn’t manage my physical things but I could manage my finances and digital assets. I was shocked by how many apps and pieces of software I owned or had a subscription to. I made the spreadsheet that showed monthly recurring charges and a lot showed up and were pared down. And this drew my eye to the Adobe subscription. It has jumped up from 9.99 a month to 19.99. 240 dollars a year every year. I can afford it and I use it aggressively but did I need it at that price?
iOS has become my main platform for doing everything. The iPhone alone can do most things you need and when you need the luxury of a bigger screen go to an iPad. When I watch or read reviews of any iPad people talk about how it can’t replace a computer and it makes me nuts. What does anyone do on a computer besides browse the web, shop, message your friends, watch YouTube and Netflix, and check email, and write (in that order)? iOS is fine for 99.99 percent of people except working graphics and video professionals, engineers, architects, and  medical professionals (because medical software is the worst on earth and just can’t function on anything except a 12 year old Windows PC). I find working on an iPad is far more efficient than working on a Mac both digitally and physically. The ergonomics of touch with a Smart Keyboard are just better than keyboard and mouse (there is a reason the keyboard is so short- it’s so you can reach the screen easily). I edit photos with a pencil. I manipulate windows and screens like Minority Report. When I want to read something my ‘computer’ turns into a book/magazine/comic book/magical future tablet. I believe that my next Mac upgrade will likely be the last traditional computer I ever buy.
That aside over when I evaluated my tools, a lot of software like Word and Ulysesss, Byword, Simplenote, Evernote and OneNote, were abandoned for free, excellent software that came with my devices. Notes and Pages took over drafting, writing, and note collection. iCloud Drive replaced Dropbox, Music replaced Spotify. It kept everything neat, my data and privacy were secure and organized in one place, and I took the time to master the software. Where I had limped along on Excel for decades, I buckled down and did the full Lynda.com Numbers course and for the first time spreadsheets stopped being mysterious things nerds used to optimize their lives and instead became easily accessible tools that helped me solved real problems. A lot of this was also pushed by many of the privacy concerns arising in digital ecosystems (Facebook, Google, apps sending data out that users are unaware of, etc.).
But besides managing my day to day life and writing what do I use my tech for?
 Photography.
 Could I get rid of all of these photo editing apps? I adore shooting and editing on my iPhone and I seriously considered selling all of my cameras and becoming an iPhone only photographer. But different working opportunities continue to present themselves and so I kept using ‘real’ cameras and instead focused on addressing the software. Snapseed left. It’s a terrific app but I can do everything in Snapseed with Lightroom, but better. And I don’t trust Google anyway. All of the other silly one off apps disappeared too. They were niche cases and often all I needed was to dig into Lightroom to figure out how to replace them. But could I replace Lightroom with free Apple software?
Aperture was discontinued by Apple in 2015 (and it was definitely not free). The people who fully embraced it loved it, probably in the way people love Final Cut Pro. It was a different beast than their consumer product iPhoto which most people were familiar with and used without issue, mostly for collecting their images but also for doing basic editing.  Apple replaced iPhoto with Photos (minimalism) with the emphasis on the iCloud Photos library and cataloguing. But on MacOS they were sneaking some Aperture features in on later releases like curves. It seemed like they were beefing up the Photos app for greater things and these features seemed to be mirrored onto the iOS versions of the app. With the release of the iPad Pro and the Apple Pencil it seemed like any week Apple would release some brushes but they didn’t. Instead you were stuck with very basic global edits (and of course stupid filters) and didn’t even have access to the MacOS features like HSL.
But you could open photos in other apps. Like Pixelmator for iOS. And... it didn’t work. It was a garbage dream and ultimately nothing was able to replace the features I used all the time in Lightroom CC, specifically: editing metadata, the gradient and radial filters, and dehaze. Add to that geometric perspective correction and the fact that on the Mac Lightroom CC was adding in Photoshop/Lightroom Classic features like panoramic merge and more.
When Pixelmator announced they were releasing a photography (vs graphic design) focused app, and that it was for the iPad I was thrilled. I signed up for email updates and trolled the web periodically for information. When it arrived (at the phenomenal price of 4.99) I had already preordered it. I downloaded it and got to work straight away. I love that it uses either Photos or Files for the catalogue (easier to manage and takes out a step used in Lightroom). And that’s it for the good. It uses Machine Learning. They want you to know that. They’ve pushed the hardware in the iPad. I believe it. But their big focus is on automagic edits and cropping, filter presets, and global edits. Honestly I can get that from Photos.app.
There are no brushes, no focal dodging and burning, no radial or gradient filters. It’s 2019, the iPad has this amazing Pencil, and neither Apple nor Pixelmator are taking advantage of it. If I cannot dodge or burn specific areas of a photograph, I am doing worse than I was in the chemical darkroom in 1997.
Photos.app needs to also beef up for me to use Pixelmator, specifically adding brushes and filters and one or the other needs to add the ability to batch edit photos.
In addition they need to add an iPhone app because I often edit only on my phone.  
 We’ll see what Pixelmator adds in the future.  I’m sure I’ll still be paying attention for some reason. 
Originally, about 6 months ago, this article was going to be about how I was going to switch from the yearly subscription of Adobe to Pixelmator but every time I tried to move my workflow over with serious photography I stuck with Lightroom CC because the tools are so strong.  Without those tools I’m not going to use another photo editor. And I know there are others like Affinity Photo. For some reason I’m not interested.  I just had this weird obsession with Pixelmator.
So that leaves me with what this article is about. I started deleting the original version of Pixelmator off of my iOS devices and Mac because I just don’t use it. Pixelmator became the thing to remove. It became an exercise of giving up the goat and not worrying so much about digital minimalism as using a tool that works and I that lets me be an artist.  When I’m working professionally I can’t imagine not using Lightroom. And I use Lightroom CC which is considered ‘light’ anyway (but that’s foolish and something I should address later if people want me to). They’ve also recently added the features I wanted like stitching panoramas so for me it’s feature complete. It’s just the duplication of catalogues, online space, and the monthly fee that drive me crazy.
I’ve been making attempts of various strength since 2012 to use versions of Pixelmator and I’m not sure why it has seemed so important to me. I don’t need to use an app that makes global edits to a photo when I need to brighten eyes or increase the contrast in select areas of landscapes. I just need to use Lightroom.
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ddrkirbyisq · 6 years
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Things have been pretty okay!  I think the past few weeks have been some steps in the right direction, which feels nice. General Stuff I saw Kiki in a dream the other day.  I really wonder, what they think of me, how they are doing, and if I really will ever see them again.  Haha, well, not like that's anything new, anyways.  Only time will tell. It's better to prove yourself by following through, rather than offer promises. I've been thinking a lot about regaining more of a sense of my old self, and I think I've really started to get in touch with some things and made some realizations.  Perhaps most importantly, I have remembered that feeling of calm and peace that I carried in myself.  Not all the time, for there were also many periods of uncertainty, but those times when I would be content to just be.  I think that feeling is perhaps a large part of what I have been missing in recent times.  That mode where you are conscientious about everything you do, carefully placing your movements and actions as if you were performing tea ceremony.  I tried on Friday to return back to a time of quiet in my dance as well, and I think it taught me a lot.  It amused me a bit because it went against quite a few things that I have been preaching generally when I work with others on their dancing, yet I understood so clearly that this was also an essential duality of my nature, not something to be left behind entirely. Hoping to maybe mark the return of OHC and Monthlies next month =O Tactics Ogre Stuff Tactics Ogre (specifically, the One Vision mod) is proving to really be something that I have been sinking myself into...it's been pretty great.  Despite the fact that there are no sort of "cross-job skill combos" as there are in FFT (one of the funnest parts of FFT, IMHO), there is a LOT of opportunity for customization and flexibility in how you build out your squad and characters.  I've recently been exploring a bunch of these options to see what makes sense, and have learned quite a number of things along the way. One of the main customization options is equipment.  First off, there different =types= of armor, and you can only pick two at a time to wear: Body armor which offers the best defense but is heavier, Helms which are a bit lighter but still offer good defense, Legguards which focus more on evasion, and Gauntlets/gloves which forego defense in favor of upgrading your offensive stats.  But past that, there are different classes of each, with some jobs being limited to what they can wear.  The Ninja class, for example, only has access to light armor and caster robes, so he can't go in wearing heavy tank armor.  You could focus instead on boosting evasion, but that would still probably leave you soft to magic damage.  Knights, on the other hand, can wear heavy armor, and they can't use 2-handed swords, so they also have a shield to help with their defense. But wait -- there's more!  There are "sidegrades" (not upgrades) for both armor and weapons that let you make specific tradeoffs.  For example, you can craft gloves that sacrifice some of their strength bonus and give you a bonus to magic stats instead, for mage knights.  You can take a 2-handed sword and make it deal more damage, but at the expense of speed and accuracy.  You can take the avoidance bonus from legguards and replace it with a magic resistance bonus.  There's all sorts of flexibility! It's pretty interesting because in general when thinking about equipment, you want to maximize the unit's strengths, but also want to cover its weaknesses.  Previously I was taking a bit too much of a min-maxing approach and as a result many of my units were a bit too frail.  I tried to forego defense in favor of speed (allowing my units to act faster) and all-out offense (everyone had gloves!), but I've since had to scale back on that to avoid my units dropping like flies. Recently I've changed up a few of my builds significantly.  My two Valkyries/Spellblades (Rune Fencers), for example.  Valks are sort of a tricky unit to deal with since they can be front-line units but also can cast a limited selection of magic.  Previously I had them equipped with a one-handed sword or spear, and had them basically casting support buffs, as well as throwing items around -- basically full-on support units.  That worked out sort of ok, but the problem is that they were never super great at any of their roles -- if I wanted melee damage, my warriors and knights did better, and if I wanted healing, my priest can just sit in the back and heal from afar.  The support buffs were useful for a while, but nowadays the Sword dancer can actually apply them in a huge area (and I have him do that at the beginning of most battles to cover my team).  So right now I've changed things up so now my valks both have staves, as well as mage gloves and rings which boost their magic, so they are essentially mages, but a bit tankier so they don't have as many problems being in the front line.  This works pretty well because my lineup was actually fairly low on magic damage output, so this balances that out a bit. My priest (actually called a monk) sits in the back and pretty much just does healing.  Healing doesn't really scale with stats (confusingly enough) which means I'm actually optimizing her for speed, so she has no weapon!  That said, sometimes she also casts a speed buff on herself or someone else (very nice), or casts sleep on an opposing unit (also very useful). One unit I really haven't figured out how to work with is the Familiar, which is a faerie-exclusive unit.  This unit had problems in the original game as well, apparently.  It can cast healing magic, which lead me to basically use it as another cleric...though it can also cast a bit of offensive magic.  It also has a bunch of neat TP-requiring abilities, such as some nice debuffs and a large area heal...but the problem is that in order to gain TP you need to either deal or receive *physical* damage.  Unfortunately the Familiar is also really squishy and often dies if you put it in the front lines.  So it's sort of a weird conflict that I haven't figured out.  Right now I've tried giving it a dagger and shield, and an evasion cloak to boost its survivability.  It's still a bit awkward though, as if I need a heal, it's probably more important for it to heal.  And if it's attacking with its dagger, it's not doing a ton of damage or anything.  I could give it a one-handed bow, but again, that wouldn't really do a ton of damage.  It's a weird unit. Update: I've actually had a short discussion with the creator of the mod regarding the Familiar!  He says he hasn't gotten around to a full proper rework of the class and so right now it's a support-type unit with some mediocre stats, but also neat abilities, haha, which is sort of in line with what I figured out already.  I also discovered that besides faeries, you can also have gremlins (didn't realize for some reason they are a different race altogether) and pumpkinheads (!) become familiars, so perhaps I just have the wrong stats for the unit to be effective.  I'll have to try and recruit some more faeries/gremlins to see. I've changed up my winged human Canopus, which uses the "Vartan" class, as well.  Canopus has a pretty great mobility advantage in that he can fly, which makes a huge difference in many maps.  Previously I just gave him a two-handed axe and called it a day, but unfortunately as I got further on into the campaign, that led to him flying into the enemy, getting a great attack in, and then dropping dead soon after since he was super exposed and didn't have much protection -- Vartan can't equip heavy armor!  I also realized that it didn't make quite the most sense (?) to equip him with a melee weapon as he can't equip heavy gauntlets, so he can only wear the armguards that boost dex.  It's a bit confusing because dex DOES still increase melee damage as well, just not as much (well, it depends on the weapon, really).  It would be great if he could use a 2-handed bow or crossbow, but that option ended up being overpowered so it's actually not allowed in the mod (good reasoning).  Instead of a 1-handed bow I've actually just gone ahead and given him a throwing weapon -- so still a dex weapon, and still 1-handed so he can have a shield, but does more damage than a bow at the expense of having less range...which works out because he can easily fly behind enemy lines and get up close to the squishy units at the back anyways. Anyhow, I'm actually near the end of chapter 4 (on the "neutral" route) at the moment, ready to go into the hanging gardens and deal with the dark knights.  Not sure how long until the end of the game, but that's where things really start to get crazy as you can essentially newgame+ back to the other storylines and finish other sidequests and such.  There is like infinity hours worth of postgame content so...yeah, we'll see! Melee Stuff I've realized that I need to be a little more dilligent in what I am focusing on when I am playing, lest I just keep on doing the same silly bad things over and over.  My current biggest thing is working in empty jump -> grab into my game for all characters, but here's some other notes for things that I need to work on. All characters: - Stay shielding on a platform when they are below you, angle shield down, WAIT, don't just drop through asap (I really suck at this situation right now, every time I prep for a shield drop and either get shieldpoked or fall into a waiting uptilt because I did a braindead timing) Marth: - Empty jump grab - Backthrow on platform to shield->shield drop uair - Look for fsmash out of uthrow - Uthrow to reverse fair - Fsmash on tech away when under a platform - Upair strings out of upthrow on FD - Some random edgeguarding things Fox: - Empty jump grab - Upthrow -> use up on control stick to fulljump ff upair - Upthrow -> drill reset Falco: - Shinegrab - More uptilt in neutral, and in combos Falcon: - Dthrow at edge -> REACT, either turnaround sh ff knee if close, or run out dj uair if far (we'll see if i can get the actual timing right on the dj uair, if it keeps on clanking and they're too far to hit before starting, then maybe sh out is better than run off) - Fastfall timing for sh knee to cover missed tech (I miss this like every time right now and it sucks) - WAIT before back sh knee to cover tech roll in Sheik: - Mixup between sh nair and run off dj nair to edgeguard - Empty jump grab Peach: - Waveland on platforms to catch techrolls - Upthrow -> dash attack instead of trying to regrab - A lot of float stuff
Other Stuff
Been itching to play Space Alert again at some point, haha.
Tried Baldur's Gate 2 multiplayer a bit...the BG2 interface definitely takes a bit of getting used to and...I feel like this is definitely a game that needs to be played singleplayer, really.  I feel like it also requires a lot of knowledge going in already, like if you don't know what all of these gajillion spells do, good luck trying to figure out how to use them.
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