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jessicafurseth · 2 years ago

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Reading List, Six Months Later edition.

"I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who, somewhere along the line, misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor." - Joan Didion *** “I don’t actually think we are equipped, physiologically or mentally, to be delivered catastrophic and confusing news and pictures, 24/7. We are analog creatures in a digital world." What might news designed for 21st century humans look like? TL;DR we need hope, agency and dignity. [Amanda Ripley, The Washington Post] I Made Every Big Pandemic Life Change I Could. Now What? [Stacia Brown, The Cut] "I started noticing my age in every part of my internet experience. I get confused whenever Instagram changes its layout. I use GIFs to make jokes in Slack. I have posted song lyrics on my Instagram Story. The range of mannerisms is so broad, the signs such a staple of my online behavior for the past 15 years, that it’s not even worth trying to fight them." Millennials are the first generation to age out of the internet [Kate Lindsay, The Atlantic] "The problems with Twitter are not engineering problems. They are political problems." Welcome to hell, Elon [Nilay Patel, The Verge] "This year, I’ve noticed a new undercurrent of desperation, an almost pagan yearning for a change of season. It feels preindustrial, as if people are going to start lighting bonfires in their cul-de-sacs to cleanse the air of humidity and evil spirits." Is "cozy season" a cry for help? [Kathryn Jezer-Morton, The Cut] ... Kathryn Jezer-Morton's column on The Cut, called "Brooding", is ostensibly about parenting but it has far wider appeal than this - I absolutely loved her stories about how to raise a resilient child, and what does it mean to be an adult orphan. "I become aware that each piece of furniture will outlive me, and the house might outlive us all. The baby — god willing — will outlive me. The citrus trees will outlive him if the drought breaks. As I push the pram through the door, and unstack the things in the hallway, I ask my husband if a house can be a mother because we live inside it." If a House Can Be a Mother [Ella Baxter, Astra] "So rarely do we look at the present, innocent of fresh disaster, as a rosy beforetime: we live in the aftertime of events, some more catastrophic than others." In the Beforetime [Yiyun Li, The New Yorker] The Women Naming Their Babies After Themselves [Maggie Mertens, The Atlantic] Maternal Instinct Is a Myth That Men Created [Chelsea Conaboy, The New York Times] The Right to Not Be Pregnant [Charlotte Shane, Harpers] “There is a great freedom that comes with being older. You lose any embarrassment.” On learning to swim at 69 [The Guardian] The enduring influence of Star Wars’ bizarre jazz group [Stevie Chick, The Guardian] "For me, the deal we struck was that you’d always be here, so I don’t need to worry about doing the stuff I always did to keep you around. For you, the deal was that I’d promise to keep doing that stuff." From the archives of "Our One Fight" at Slate, the most fascinating relationship column of all times. "What’s happening now is a restlessness, a searching, a wholesale reexamination of the role that work should play in a woman’s life and identity. “If we look at the second wave of feminism, the goal was to access the things that white men had,” says Mia Birdsong, author of How We Show Up: Reclaiming Family, Friendship, and Community. But now, instead of breaking the glass ceiling, Birdsong says she and many other women would rather leave the building altogether. “I want to go and sit beneath trees, or sit in a field, or whatever,” she says, laughing." A New Take on Ambition for 2022 [Ann Friedman, Elle] "Writing fan mail creates an opportunity to take pleasure in my own intemperate passions. Articulating what turns me on about beautiful work transforms distant admiration into intimacy." The Case for Writing Fan Mail [Rachael Bedard, The New York Times] Joan Didion’s Magic Trick [Caitlin Flanagan, The Atlantic] Queen Elizabeth II: A travel icon [Conde Nast Traveller] A year on the River Thames, in pictures [Jill Mead, The Guardian] Pause [Mary Ruefle, Granta] Fiona Apple sings The Whole of the Moon

#reading list

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kingdomofheroestacticswarch-blog · 4 years ago

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Kingdom of Heroes Tactics War Cheats

Kingdom of Heroes Tactics War Guide

Kingdom of Heroes Tactics War manual is a brand new factor to help you get better at Kingdom of Heroes Tactics War. Sergey has been a freelancer in the video video games industry for more than five years&comma writing for numerous guides around the sector&duration his preferred games are mtg&comma darkish souls&comma diablo&comma and divinity&colon unique sin&period sergey does not very own consoles because a laptop is all he desires&duration we have detected that javascript is disabled in your browser. Would you like to continue to legacy twitter? Nation of heroes: techniques war is a function-playing sport released via neowiz on android and ios. Kingdom of heroes is a tale-primarily based recreation in that you are a younger could-be king arthur. The bread and butter of this game is its fight machine, and the entirety else revolves around this one mechanic. You'll pick out four heroes, each with their very own capabilities and competencies, before heading out on your selected quest. Battles are a flip-based affair and take region on a hexagonal grid, the layout of which varies between ranges. Every flip you will be able to move across the map before executing your assault and, even though maximum of the stages are small, there's a fair bit of method worried in each come across. Much like the awakening valley as properly, extra rewards are granted based to your development thru the rift stages. Similarly to regular rifts, there are time-limited occasion rifts that give you a danger to earn unique rewards for collaborating in them such as silver cash or exp fairies. There are limited number of attempts to be had for you so that you might also pick to copy certain levels closer to the end of the occasion if you can't win over the tougher levels. Whilst nation of heroes: tactics conflict imposes movement points or ap to delimit your sports in the sport, you may have a plethora of it within the early degrees of gameplay. Claudia is a sincere offensive man or woman able to touchdown vital hits in many approaches. Her quality skill is surely double attack, which fits like a bodily aoe assault, wherein she offers important hits to a whole line of enemies. If this assault is a hit, then it stuns all affected enemies for the next turns, that is a large gain. Bartholomew's pirate/archer archetype is extremely good for comboing. His first capacity, eroding shot, is directly connected to his closing capacity, lord of oceans, which assaults any distant enemy with a ten% important hit risk. All in all, the best heroes on this kingdom of heroes: strategies conflict tier list are the ones who have the highest stats and skills that can lock down enemies. Large damage allows however to attain this calls for too many sources and controlling the battlefield is a better alternative. Understand that this especially turns into obvious when you move into tower mode. There may be challenging fights so having as a minimum one hero that could manipulate enemies is simply proper. Game modes encompass adventure, area, awakening valley, rune dungeon, rift, tower of conceitedness, and guild raids. The following component that assist you to development a lot quicker is achievements. Do not suppose it's a waste of your time or whatever. Attempt to clean out all the feasible achievements in the game so that you may be able to benefit get right of entry to to such a lot of terrific items that could allow you to improve your heroes to better ranges or cause them to even powerful. Upgrading your heroes will not best make you competitive inside the pve however also in pvp. The battles all take region on a hexagonal grid in a turn-primarily based tactical struggle. With each battle, gamers ought to carefully decide wherein their characters circulate subsequent. Enemy formations can variety from a line of lower-powered enemies shielding a massive boss. Inside dungeons and after battles, players can accumulate "hero portions" to summon different heroes. There are different functions outside of the primary marketing campaign. Players can fight against others inside the area, combat a conquistador in "adjust realm" or journal a guild to take part in guild raids. Each district is split into 7 stages and finishing all stages will suffice to free up the following one. Clearing sure districts will free up the opposite regions, which function the sport's different game modes and are important as well for farming precise useful resource materials. There are missions to be aware of in each level that relates to the celebrity score you earn on the end of the struggle. You can earn three stars for completing all assignment targets and incomes a total of 7, 14, and 21 stars will earn you extra rewards that you can claim with the aid of clicking on them at the lower left side of the district window. For every team member to combination well with one another, you must recollect their elegance and roles in the team, in addition to their elemental affinities. While every hero in nation of heroes: approaches battle has his or her personal set of particular traits and capabilities, they every belong to one among five distinct instructions or roles in the game. Every one also has their personal strengths and barriers, that is why it's miles crucial to have every crew member guide one another successfully. Every other exceptional man or woman to reroll for. Also, the first-class healer in our opinion. So these are the excellent six heroes that we've featured within the Kingdom of Heroes Tactics War tier listing: tier 1. tier 2 heroes are slightly much less effective than the tier 1 heroes. But, strategically the use of them in the group can unleash extra potential - that could match the strength of tier 1 heroes. Right here's the listing of tier 2 heroes: - claudia is one of the pleasant dps heroes within the koh approaches warfare. We cannot wait to see what techniques you come up with!" Kingdom of heroes: strategies warfare is an smooth to pick out up, however hard to master rpg with flip-based totally fight that prioritizes positioning and skillful birthday celebration constructing over button-mashing to win the day. Each hero has their very own factors and equippable runes to set up, with every war being a take a look at of your wits and ability to outthink the opponent. Can you assist arthur and his knights of the spherical desk of their quest to protect the kingdom of avalon? Hero magnificence: also noted in advance, all heroes belong to 1 of the5 classes including priest, wizard, archer, guardian, and fighter. Each of them has its own role to play in the team. Seasoned rpg players would most likely have guessed their functions, such as priest heroes providing heals and support spells, while guardian is the beefy tank. It is advisable to read through the skills as well to make sure the whole setup fits your style of gameplay! Runes: rather than equipment, heroes are powered up by wearing runes.

#kingdomofheroestacticswar #kingdomofheroestacticswarcheats #kingdomofheroestacticswarcrystals #kingdomofheroestacticswarcheatscrystals

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prplocks · 2 years ago

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☆ ! star guardian twitter packscreen ! ☆

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yuvilee · 5 years ago

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5th November 2019 Student-led seminar 3

Text: Twemlow, A. (2006) No muscles, no tattoos. Available at: http://www.eyemagazine.com/feature/article/no-muscles-no-tattoos (Accessed on: 1st November 2019)

Table of content: Introduction Main part: Reality proximity against intimidation A closer view on BUTT Magazine Heritage? Conclusion Notes: Books and articles Pictures

About the author: Dr. Alice Twemlow earned a Ph.D. from the History of Design program run as a joint venture by the Royal College of Art and the Victoria & Albert Museum, London. Her research addresses design’s complex interrelations with time and the environment and manifests in writing, exhibitions, conferences, and education. She is Research Professor at the Royal Academy of Art, The Hague (KABK) where she leads the “Design and the Deep Future” readership, and an Associate Professor at Leiden University, in the Academy for Creative and Performing Arts, where she supervises design-related PhDArts candidates(1).

About the Magazines:

BUTT Magazine was founded in 2001 by Gert Jonkers and Job van Bennenkom in Amsterdam. It was a quarterly magazine for gay men, written in English and printed until 2011.

In 2005, The Guardian named it as one of its top twenty magazines(2).

Fantastic Man, founded in 2005 by Gert Jonkers and Job van Bennenkom, is a men's fashion magazine printed semi-annually. It focusses on men's fashion in their 30s with interviews of male celebrities and intellectuals with a big variety of backgrounds.

In 2008, the magazine was praised for its art direction, winning it the British D&AD award for Best Magazine & Newspaper Design(3).

Aaron Britt, in a review of men's fashion magazines for the San Francisco Chronicle, lauded:

'It comes out only twice a year, allowing the sticker shock to wear off between purchases, but you'll never throw away an issue. Fashion-forward, clever, deeply engaged with the fashion world without the half-baked political exposes Esquire insists on running, (...) is better designed, better photographed and rafts more stylish than the competition. If you buy only one men's fashion magazine, it should be this one.’(4)

Introduction

We are surrounded by advertisements of a broad variety, including fashion and beauty, telling us of contemporary aesthetics of what to wear and how to look, what kind of hair-cuts and shoes are ‘in’ this Autumn and what to look for in Spring 2020, what kind of beauty routine and diet is good for you to look like your favourite celebrity and where to buy your favourite celebrities dress look-a-likes.

In the fashion industry, models are presented as perfectly shaped: superficial, anorexic young girls and very muscular men with not a single hair on their body. In Magazines, they are presented in eclectic pictures and photo collages, with a focused layout and printed on glossy paper.

Flipping through UK’s most famous magazines like Vogue, Glamour or men focused magazines like GQ, or Ape-to-Gentleman, their aesthetics are strongly stylised and typified. I wonder how you don’t feel a tiny bit intimidated - even as an adult. How must this appear to younger people or teens trying to figure out their changing roles from child to adult and searching for role-models? How must it be for teens that don’t feel like fitting into the black and white man-woman framework?

There must be alternative aesthetics, alternatives for alternative people. How do magazines which focus on such audiences present themselves? Clean-glossy, like their mainstream counterparts? In her profile of Jop van Bennekom and some of his magazines, Twemlow presents some very different examples.

Above: My screenshot of BUTT Magazines 8-11, WorthPoint, (2019)

Above: My screenshot of Fantastic Man Spring/Summer 2010, #11 (2019)

Above: My screenshot of GQ Magazine Collage, Freeport Press, (2019)

Reality proximity against intimidation

Nowadays, Jop van Bennekom and Gert Jonkers are well known for their magazines for gay people. When being asked by James Anderson from i-D Vice online about his motivations to create BUTT Magazine, Gert Jonkers responded that he wanted

‘something for the contemporary homo. A journal for and by gay men. A meeting ground, figuratively speaking. We wanted the magazine to feel like meeting an amazing man on the train or in a bar and have a great interesting conversation with him.‘(5)

Their focus was as it seems to create something relatable, something close instead of intimidatingly perfect like fashion Magazines in the mainstream are known for. Jonkers also stresses this part: people shouldn’t be living objects for fashion or beauty ads. He reflects on the rhetorical question whether the most stylish charm isn’t actually natural charm. He underlines his previous response about the motivation as BUTT should mirror real, ‘normal un-self-aware’ men.

This strategy seems to work, as the eye-magazine shows in an interview with Andrew Sloath:

‘It has given voice and visual presence to those of us who are trying to figure out our own worlds.’(6)

Bennekom sums this up perfectly:

‘I wish Butt had been around when I was 22 and insecure (…). Other gay magazines have cut-and-paste, retouched bodies unlike any you’ve ever seen in real life and certainly not like mine.’(7)

Young Bennekom, as a graphic design student, found his inspiration in the work of fashion design students at his university in the Netherlands around the 90s. With newly founded anti-fashion magazine Purple in 1992 and a shifting fashion photography rising, he started to interview his friends and published this in the style of a Q&A.

Above: My screenshot of BUTT Magazine, Summer 2008, #23, (2019)

A closer view on BUTT Magazine

For the BUTT Magazine, this kind of interdisciplinary mix of fashion and art, the eccentric way to display people around him in their natural clothing and living style, must have been a revelation to his like-minded audience. Real people with normal body types, with hair and used looking clothing, with wrinkles and real tousled hair, set in real surroundings with imperfect but familiar settings. They could be a neighbour, a person on the street, at the grocery shop, in the pub. Their stories and themes are as casual and boring as anyone’s, although it starred gay artists and celebrities as well. In this mix of content, one might find confidence about one’s outing, clothes, thoughts, about their body shape, their hair zones, and their sexuality. It seems like this kind of exhibition of normality can liberate people. And it did. People started to imitate the Q&A style interviews and photos and sent in their own content, together with stories, letters, and so on.

Maybe it was also due to its clean layout that readers could imagine to be published and to copy this style. A design that feels like ‘nothing’ can be very complex, dense and tightly controlled in its design process, as Twemlow summarises(8).

This passion and the approachable magazine team created a more significant collaboration and value than the cheapish Zine styled papers would suggest:

‘They’re something you don’t buy and read and throw away,” says Bronson. “You end up keeping them in plastic envelopes, even though they’re kind of cheap.’(9)

Following the trend with an online presence, BUTT Magazine became an even more interactive meeting platform for its readers. Looking at the page, it, however, looks like it has not been very actively moderated in recent times.

Heritage?

While researching BUTT Magazine and Fantastic Man I was reminded of other magazines that are known to me, like the ZEIT Magazin MANN. Their visual language and layout are similar.

Another example is a rather new niche magazine from the Netherlands, called MacGuffin Magazine, related to Hitchcock’s definition in film. While I could not find a proof in time whether those examples indeed found inspiration from van Bennekom and Jonkers, the visual connection is quite clear. To be decisive on this assumption this would need additional research.

ZEIT Magazin MANN was named magazine of the week by MagCulture:

‘MANN is a standalone, bi-annual that costs €8.50 and aims to fill a gap in the German market which notably lacks obvious alternatives to the big titles like GQ and Esquire.

We’ve selected it as our magazine of the week because, quite simply, this is something that would never be produced by a newspaper in the UK.’(10)

During my research I saw MacGuffin Magazine was also named magazine of the week by MagCulture:

‘The magazine’s strangely dreamy yet academic rigor is matched with soft yet crisp design (...)’(11)

My point here is that niche and eccentric looks in magazines don’t seem like a high-selling product. I believe there is an interested audience on a broad variety of topics. While ZEIT Magazin MANN seemingly found a well-balanced position due to missing supply, it could be difficult for magazines of similar niche focus. ZEIT Magazin MANN is part of a bigger company, DIE ZEIT, hence they can rather easily advertise new magazines. What about new magazines by younger people like van Bennekom and Jonkers without big starting capital? Could new niche magazines still survive in our fast-paced culture, that mainly lives online?

Above: My screenshot of MacGuffin Magazine Issue N° 5 14th December 2017, (2019)

Above: My screenshot of ZEIT Magazin MANN 1/2018, (2019)

Conclusion:

The printed version of BUTT Magazine ended in 2011, after 10 years. A new generation and with it a modernism shift in aesthetic and culture came with a postmodern approach. A rather hipster or emotionally one with a different approach to modern gay life. Also, the style of communication and connectivity switched from MySpace, Facebook, and websites to more fast-paced means like Twitter, Snapchat, and Tinder. At the same time, porn saw changes due to Social Media.

The question here would be if a contemporary re-make still could work or if Social Media got it all covered, no need for a printed version that could be kept for years?

As Nicholas Mirzoeff portrays it:

‘(...) ‘the postmodern is the crisis caused by modernism and modern culture confronting the failure of its own strategy of visualising. In other words, it is the visual crisis of culture that creates postmodernity, not its textuality. While print culture is certainly not going to disappear, the fascination with the visual and its effects that was a key feature of modernism has engendered a postmodern culture that is at its most postmodern when it is visual.’(12).

Notes:

Books and articles

Twemlow, A. (no date) About. Available at: http://alicetwemlow.com/about/ (Accessed on: 1st November 2019).

Armstrong, S., Dugdale, J., Gibson, J., Gibson, O., Hepworth, G., McLean, G., Tod, A., Viner, K., Wells, M. (2005) 'Covered in glory’, The Guardian, 12th December. Available at: https://www.theguardian.com/media/2005/dec/12/mondaymediasection.pressandpublishing?gusrc=rss&feed=global (Accessed on: 1st November 2019).

D&AD (2008) Available at: https://www.dandad.org/awards/professional/2008/magazine-newspaper-design/16666/fantastic-man (Accessed on: 1st November 2019).

Britt, A. (2009) ‘A quick guide to men's fashion media’, SFGATE, 15th February. Available at: https://www.sfgate.com/living/article/A-quick-guide-to-men-s-fashion-media-3171839.php?forceWeb=1 (Accessed on: 1st November 2019).

Anderson, J. (2014) ‘Forever butt: discussing the revolutionary gay magazine with founder gert jonkers’, i-D Vice, 26th November. Available at: https://i-d.vice.com/en_uk/article/kz8bam/talking-forever-butt-magazine-with-founder-gert-jonkers (Accessed on: 1st November 2019).

Twemlow, A. (2006) No muscles, no tattoos. Available at: http://www.eyemagazine.com/feature/article/no-muscles-no-tattoos (Accessed on: 1st November 2019).

ibid.

Haskell, D. (2008) ‘Very Graphic Design’, New York Magazine. 27th December. Available at: http://nymag.com/arts/art/features/53148/ (Accessed on: 1st November 2019).

Morley, M. (2016) ‘Magazine of the week: ZEIT Magazin MANN, #1’, MagCulture. 5th October. https://magculture.com/zeitmagazin-mann-1/ (Accessed on: 1st November 2019).

Morley, M. (2015) ‘Magazine of the week: MacGuffin #1’, MagCulture. 17th June. https://magculture.com/zeitmagazin-mann-1/ (Accessed on: 1st November 2019).

Mirzoeff, Nicholas (1998, p. 21) The visual culture reader, London: Routledge.

Pictures

WorthPoint, (2019), [Screenshot]. Available at: https://www.worthpoint.com/worthopedia/butt-magazine-lot-issues-11-michael-1725891166 (Accessed on: 31st October 2019).

Magpile, (2019), [Screenshot]. Available at: https://magpile.com/fantastic-man/spring-10/(Accessed on: 28 October 2019).

Freeport Press, (2018), [Screenshot]. Available at: http://freeportpress.com/gq-stares-down-a-multi-channel-revenue-stream (Accessed on: 31st October 2019).

Larson, A., (2008), [Screenshot]. Available at: http://www.andreaslarsson.net/portraits.html (Accessed on: 31st October 2019).

MacGuffin Magazine, (2017), [Screenshot]. Available at: https://www.macguffinmagazine.com/issues/macguffin-the-cabinet (Accessed on: 28 October 2019).

Zeitungen und Zeitschriften online, (2018), [Screenshot]. Available at: https://www.zzol.de/objekt/18099/20180001 (Accessed on: 28 October 2019).

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ashlyreads · 8 years ago

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Wahoo, the first post of 2017! How are you all faring so far in the new year? I spent my first day of 2017 purchasing a new phone and some new books. What a way to start, huh?

Here’s what went down in books at the end of 2016 and the start of 2017.

Also, new year means attempted new look! Let me know what you think of the new layout and added sections :D

Best Nine Photos of 2016 on Instagram

BLOG POSTS

Wednesday: Playlist – Pride & Prejudice and Book Review – Upside Down: A Vampire Tale (Upside Down #1) by Jess Smart Smiley

Thursday: Christmas Book Haul and Book Review – Star Trek: The Next Generation / Doctor Who: Assimilation2, Volume 1 by Scott Tipton and David Tipton

Friday: Book Review – X-Man: All Saints Day One-Shot by Ben Raab

Saturday: December 2016 Wrap-Up

BOUGHT

“The Green Mile, Part 3: Coffey’s Hands” by Stephen King

“The Green Mile, Part 4: The Bad Death of Eduard Delacroix” by Stephen King

“The Green Mile, Part 5: Night Journey” by Stephen King

Pygmalion by George Bernard-Shaw

“Rapunzel” by The Borthers Grimm, illustrated by Victoria Lisi

The Scary Stories for Sleep-Overs Almanac by Michelle Ghaffari

*Unfortunately I could not find images for the latter two books here.*

Fear Itself: The Horror Fiction of Stephen King edited by Tim Underwood and Chuck Miller

The Dark Tower V: Wolves of the Calla by Stephen King

Kids of Appetite by David Arnold

Doctor Who: The Secret Life of Monsters by Justin Richards

Invader Zim, Volume 2 by Jhonen Vásquez

Kenobi by John Hackson Miller

Batgirl “Mindfield” (Issue #49) by Cameron Stuart and Brenden Fletcher

Mockingbird (Issue #2) by Chelsea Cain

Marvel Secret Wars “Beyond” (Issue #9) by Jonathan Hickman

Secret Wars: Old Man Logan (Issue #1) by Brian Michael Bendis

Marvel Super Heroes Secret Wars “Owen Reece Died for Our Sins” (Issue #5) by Jonathan Hickman

The X Files Season Eleven “Home Again” Part 2 by Joe Harris

Munchkin “Anti-Social Media” (Issue #9) by Tom Siddell

Martian Manhunter “We are all Different People” (Issue #10) by Rob Williams

Empress “X” (Issue #3) by Mark Millar

Hawkeye “Hawkeyes” Part One of Three (Issue #4) by Jeff Lemire

Godzilla in Hell (Issue #3) by Ulises Farinas & ERick Frietas

Guardians of the Galaxy (Issue 26) by Brian Michael Bendis

Marvel Secret Wars “The Infinity Gauntlet” (Issue #4) by Dustin Weaver

X-Men Apocalypse Wars “Extraordinary X-Men” (Issue #8) by Jeff Lemire

Uncanny X-Men (Issue #4) by Cullen Bunn

Old Man Logan “Berserker: Part Three” (Issue #3) by Jeff Lemire

REVIEW COPIES RECEIVED

Fake Plastic Love by Kimberley Tait

The Idiot by Elif Batuman

Selected: A Young Adult Sci-Fi Adventure (The Zaratan Trilogy Book 1) by Evelyn Lederman

ADDED TO TBR

Kingdom Come by Mark Waid

Batman: Dark Legends by Bryan Talbot

Wolverine and the X-Men, Volume 1 by Jason Aaron

The Face: A Time Code by Ruth Ozeki

London Belongs to Me by Jacquelyn Middleton

Animals by Emma Jane Unsworth

Legion of Superheroes, Vol. 1: Hostile World by Paul Levitz

Hellboy: Odd Jobs by Christopher Golden and Mike Mignola

Preacher, V0l. 1: Gone to Texas by Garth Ennis

Batman: Hush by Jeff Loeb

My Best Friend’s Exorcism by Grady Hendrix

Batman: The Black Mirror by Scott Snyder

A Study In Charlotte by Brittany Cavallaro

Pax by Sara Pennypacker

The Thinking Woman’s Guide to Real Magic by Emily Cory Barker

FINISHED

Faith (Issue #1) by Jody Houser, Pere Pérez, Marguerite Saugave, Colleen Doran, Andrew Dalhouse, and Dave Sharpe

CURRENTLY READING

Harry Potter y la Piedra Filosofal by J.K. Rowling

‘Salem’s Lot by Stephen King

Every Last Word by Tamara Ireland Stone

Doctor Who: The Secret Lives of Monsters by Justin Richards

Selected: A Young Adult Sci-Fi Adventure (The Zaratan Trilogy Book 1) by Evelyn Lederman

THE END

Welp, there you have it. Formatting this took ages, so no review published tonight. I’ll be back tomorrow!

Other Links to reach me at:

Instagram | booklr | Goodreads | Twitter | Etsy Follow me on Snapchat: smashleyyy92.

Happy Reading!

Monday Wrap-Up – 1/2/2017 Wahoo, the first post of 2017! How are you all faring so far in the new year?

#book recommendations #books #Monday Wrap-Up #this week in books

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galleryyuhself · 8 years ago

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25 years of Caribbean Beat magazine

In early 1992, passengers boarding planes across the Caribbean found something new in their seat-pockets: a magazine by the name of Caribbean Beat, then making its debut. A quarter-century later, Caribbean Beat has built a reputation for its vivid writing and vibrant photography exploring the Caribbean as it really is, rich in complexities and contradictions, and celebrating the best and most brilliant of our people and our culture.

To mark this anniversary milestone — and with commentary from editor Nicholas Laughlin, founding editor Jeremy Taylor, former editor Judy Raymond, as well as contributors including Mark Lyndersay, Debbie Jacob, and Laura Dowrich-Phillips — the March/April 2017 issue (#144) looks back at the past twenty-five years by revisiting some of the magazine’s most memorable cover subjects and their stories.

From Martiniquan filmmaker Euzhan Palcy — who appeared on Caribbean Beat’s first cover in 1992, and again this month — to musical stars Machel Montano, Alison Hinds, and Rihanna, from athletes Ato Boldon and Usain Bolt to author Oonya Kempadoo, the faces on the magazine’s 144 covers to date form a gallery of Caribbean icons of a whole generation.

Elsewhere in this issue, Caribbean Beat visits the remote and rugged Pakaraima Mountains of Guyana, following the route of the annual 4×4 “safari” tour. The regular “Neighbourhood” column visits Port Elizabeth, capital of tranquil Bequia in the Grenadines. And the “Layover” column offers tips for making the most of a quick stop in Barbados — from a boardwalk expedition to a rum distillery tour..

Other highlights of the new Caribbean Beat include a visit to downtown Kingston, Jamaica, where an innovative public mural project has created opportunities for the local community; a look back at the life and career of Harry Belafonte, who turns ninety this month; an eco “progress report” on the past two decades’ efforts to protect the Caribbean natural environment; and a glimpse into Trinidad and Tobago’s annual national poetry slam, a showcase for a new generation of literary and performing talent.

Anniversary throwback

Last year, a Trinidad Guardian article turned the spotlight on Caribbean Beat’s 24th anniversary, including thoughts from Nicholas Laughlin; Jeremy Taylor; and Caribbean Airlines’ Head of Corporate Communications Dionne Ligoure. Read more here, or see the article via the screenshots here.

An interview with Jeremy Taylor

When MEP turned 20 a few years ago, founding editor and Caribbean Beat publisher Jeremy Taylor shared his experience working on landmark pieces in and issues of Beat, and defying the odds by founding a publishing company which has now been running for 26 years.

The people behind the Beat

Jeremy Taylor, founding editor, consulting editor, publisher, 1992–present • Joanne Mendes, sales and admin, 1992–present • Russell Halfhide, designer, 1992–2007 • Geraldine Flower, sales, 1992–2011 • Simone Aché, sales, 1994–1998 • Reneé West, sales, 1994–1999 • Brendan de Caires, assistant editor, 1994–1998 • Kevon Webster, design and layout, 1995–present • Skye Hernandez, assistant editor and managing editor, 1997–2000 • Beverly Renwick, sales, 1997–2000 • Hazel Mansing, admin, 1998–present • Donna Benny, managing editor, 2000–2003 • Brigitte Bento-Espinet, assistant editor, 2000 • Stacy Lalbeharry, editorial assistant, 2000–2005 • Helen Shair-Singh, sales, 2000–2012 • Denise Chin, sales, 2001–2013, 2015–present • Tracy-Ann Gill, editorial assistant, 2001–2003 • Dylan Kerrigan, staff writer, 2002–2005 • Nicholas Laughlin, editor, 2003–2006, 2012–present • Tracy Assing, assistant editor, 2005–2008 • Sabrina Vailloo, editorial assistant, 2005–2007 • Laura Dowrich-Phillips, assistant editor, 2006–2009 • Mirissa De Four, editorial assistant, 2006–2011 • Caroline Taylor, online editor, 2006–present • Judy Raymond, editor, 2007–2012 • Jacqueline Smith, production, 2008–present • Aisha Provoteaux, design and layout, 2009–2010 • Samantha Rochard, sales, 2009 • Halcyon Salazar, general manager, 2011–present • Bridget van Dongen, design and layout, 2011–present • Marissa Rodriguez, editorial assistant, 2012–2014 • Yuri Chin Choy, sales, 2012–present • Desiree Seebaran, assistant editor, 2013 • Karen Washington, sales, 2013–2015 • Cindy Lavia, editorial intern, 2014–2016 • Shelly-Ann Inniss, intern then editorial assistant, 2014–present

Connect

The latest issue of Caribbean Beat is now on Caribbean Airlines planes (your take-home copy is free!); in the hands of our subscribers the world over; and on our website. You can also buy a digital edition or a digital subscription to read and save issues of Beat on your smartphone, tablet, computer, and favourite digital devices! And of course, if you haven’t already, make sure you’re connected to us on Facebook and Twitter to get all the latest Caribbean buzz.

Read the original article here: Caribbean Beat magazine marks its 25th anniversary | MEP Publishers (Trinidad & Tobago) http://www.meppublishers.com/content/index.php/caribbean-beat-magazine-marks-its-25th-anniversary/#ixzz4cwon6R00 NB: this text is copyrighted, and only limited excerpting with full attribution is permitted. For licensing and reproduction permissions, please contact MEP Publishers directly. Follow us: @meppublishers on Twitter | meppublishers on Facebook

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rebeccakingba1b · 6 years ago

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Research: Media Industries; Roles & Practices Statement of Findings

Animation is a costly process and takes a lot of time so storyboarding plays a important role of planning out a scene. Editing and refining the narrative before the production starts stops money being wasted on a scene that is cut from the show.

Storyboarding is a essential part of many other mediums as well. the process is a little different for each one.

live action film storyboards vary a lot from animated ones.

Live action characters don't need to be accurate to the actors, and sometimes the boards are created before the actors are even cast. Style changes from artist to artist and so long as the characters are recognisable thats fine. In traditional animation the characters need to resemble the model sheet because overseas studios tend to follow the storyboard to a t and because the medium so uniquely visual.

Film boards generally need only the beginning and end of the action drawn because the actors bring their own spin to characters. like in the way they behave, how they shift in a seat or a nervous tick they might have. With animators all these small motions need to be drawn out otherwise the characters lack personality. So key frames are used dictating every action big or small.

Storyboards are used in other mediums, in theatre they help in the layout of a scene. Comic books use rough storyboard drawings in the early stages to place backgrounds, figures and dialogue and In gaming storyboards give a visual overview. It is even becoming popular for novelists to write in scenes instead of chapters, and its a process JK Rowling used in the Potter novels.

I also learnt a lot about the industry in the UK and especially some UK studios and collectives including ‘Framestore’, ‘Blue Zoo’, ‘A+C’ and ‘Sun and Moon’. I was most interested to learn about Sun and Moon as I liked their style and it’s good to see there is work in the advertising industry for stop-motion animators in the UK. I also found some big budget movies and shows, predominantly Digital 3D ones were worked on here including Paddington 2, Guardians of the Galaxy, Avengers Infinity War and Star Wars.

Researching animators like Butch Hartman, Animated James and Ian Jones-Quartey gave me a peek into a career in the industry. Hartmans career went through Hanna- Barbara, cartoon network and nickelodeon and Jones-Quartley started on adventure time moving on to Steven universe and finally creating OK K.O.!.

While Hartman and Jones-Quartley took the studio route, James took an unusual route used the platform YouTube to get his work out there and formed contacts and a career through collaborating on projects on the platform and building his fan base. Through these case studies I can see there are many routes through the industry, not just with companies, studios and collectives, but freelance as well. The key thing all of these successful animators did was network and use social media. Hartman and Animated James own a YouTube channel and all three are active on twitter.

#media #industries #media industries

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