musings on grief
Evan Knoll, Grave of the Fireflies, Stephen Dobyns, Pablo Neruda, Donte Collins, Vincent Van Gogh, Natalie Diaz, Hannah Lock, @metamorphesque , Anna Akhmatova, Ocean Vuong
buy me a coffee
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Stephen Dobyns
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on rage; on violence; on grief.
Sue Zhao, Where to begin? / Dylan Thomas, Do not go gentle into that good night / Stephen Dobyns, Song For Putting Aside Anger / Vasili Pukirev, The Unequal Marriage / Sylvia Plath, Elm / Nicola Samori, Unknown / Kayleb Rae Candrilli, Sand & Slit / Kai Samuels-Davis, 2014 / Adrian Ghenie, Pie Fight Study 2 / Anne Carson, Grief Lessons: Four Plays by Euripides / Karl Bryullov, The Last Day of Pompeii
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Your name was the thread connecting my life; now I am fragments on a tailor's floor.
Stephen Dobyns
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The snowflakes in the high beams looked immense.
"The Church of Dead Girls" - Stephen Dobyns
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Fragments
Now there is a slit in the blue fabric of air.
His house spins faster. He holds down books,
chairs; his life and its objects fly upward:
vanishing black specks in the indifferent sky.
The sky is a torn piece of blue paper.
He tries to repair it, but the memory
of death is like paste on his fingers
and certain days stick like dead flies.
Say the sky goes back to being the sky
and the sun continues as always. Now,
knowing what you know, how can you not see
thin cracks in the fragile blue vaults of air.
My friend, what can I give you or darkness
lift from you but fragments of language,
fragments of blue sky. You had three
beautiful daughters and one has died.
Stephen Dobyns
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Each thing I do, I rush through so I can do something else. In such a way do the days pass---a blend of stock car racing and the never ending building of a gothic cathedral. Through the windows of my speeding car I see all that I love falling away: books unread, jokes untold, landscapes unvisited...
Stephen Dobyns
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Where We Are
(after Bede)
A man tears a chunk of bread off the brown loaf,
then wipes the gravy from his plate. Around him
at the long table, friends fill their mouths
with duck and roast pork, fill their cups from
pitchers of wine. Hearing a high twittering, the man
looks to see a bird—black with a white patch
beneath its beak—flying the length of the hall,
having flown in by a window over the door. As straight
as a taut string, the bird flies beneath the roofbeams,
as firelight flings its shadow against the ceiling.
The man pauses—one hand holds the bread, the other
rests upon the table—and watches the bird, perhaps
a swift, fly toward the window at the far end of the room.
He begins to point it out to his friends, but one is
telling hunting stories, as another describes the best way
to butcher a pig. The man shoves the bread in his mouth,
then slaps his hand down hard on the thigh of the woman
seated beside him, squeezes his fingers to feel the firm
muscles and tendons beneath the fabric of her dress.
A huge dog snores on the stone hearth by the fire.
From the window comes the clicking of pine needles
blown against it by an October wind. A half moon
hurries along behind scattered clouds, while the forest
of black spruce and bare maple and birch surrounds
the long hall the way a single rock can be surrounded
by a river. This is where we are in history—to think
the table will remain full; to think the forest will
remain where we have pushed it; to think our bubble of
good fortune will save us from the night—a bird flies in
from the dark, flits across a lighted hall and disappears.
Stephen Dobyns
The passage from Bede, on which the poem is based, is, in A. M. Sellar’s translation of Bede's Ecclesiastical History of the English People (G. Bell and Sons 1917): The present life of man upon earth, O king, seems to me, in comparison with that time which is unknown to us, like to the swift flight of a sparrow through the house wherein you sit at supper in winter, with your ealdormen and thegns, while the fire blazes in the midst, and the hall is warmed, but the wintry storms of rain or snow are raging abroad. The sparrow, flying in at one door and immediately out at another, whilst he is within, is safe from the wintry tempest; but after a short space of fair weather, he immediately vanishes out of your sight, passing from winter into winter again. So this life of man appears for a little while, but of what is to follow or what went before we know nothing at all. If, therefore, this new doctrine tells us something more certain, it seems justly to deserve to be followed.
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Your name was the food I lived on;
now my mouth is full of dirt and ash.
To say your name was to be surrounded
by feathers and silk; now, reaching out,
I touch glass and barbed wire.
Your name was the thread connecting my life;
now I am fragments on a tailor's floor.
“Grief” by Stephen Dobyns
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Prague
Stephen Dobyns
The day I learned my wife was dying
I told myself if anyone said, Well, she had
a good life, I’d punch him in the nose.
How much life represents a good life?
Maybe a hundred years, which would
give us nearly forty more to visit Oslo
and take the train to Vladivostok,
learn German to read Thomas Mann
in the original. Even more baseball games,
more days at the beach and the baking
of more walnut cakes for family birthdays.
How much time is enough time? How much
is needed for all these unspent kisses,
those slow walks along cobbled streets?
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And the nails, how carefully they had been trimmed.
"The Church of Dead Girls" - Stephen Dobyns
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I recall their pinkness when he waited on me at his pharmacy, the neatly pared cuticles, the buffed nails.
"The Church of Dead Girls" - Stephen Dobyns
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c’est lundi, que lisez-vous ?
c’est lundi, que lisez-vous ?
C’est lundi que lisez-vous » est un rendez-vous créé par Mallou et s’inspire du It’s Monday, What are you reading ? par One Person’s Journey Through a World of Books. il a ensuite été repris par Les paravers de Millina.
Le principe de ce rendez-vous est simple, il faut répondre à trois questions chaque lundi:
Qu’ai-je lu la semaine passée ?
Que suis-je en train de lire en ce moment?
Que vais-je…
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