#story: the great divide

[eldritchocs]

make a character with bioluminescent markings they said, itll be fun they said

[highfantasy-soul]

Ready for a hot NATLA take?

The live-action DID include an adaptation of The Great Divide episode.

Instead of Sokka identifying with the war-like, meat eating, not prim and proper tribe and thinking 'yeah, I identify with them, therefore I'm on their side and will argue they can't be wrong' he identified with Sai, the mechanist where Sokka saw reflected his desire to be more than a 'great warrior' but also to use his mind and ingenuity to help his friends - therefore he didn't want Sai to be wrong.

Instead of Katara identifying with the prim and proper, well prepared, educated and clean tribe and thinking 'yeah, I identify with them, therefore I'm on their side and will argue they can't be wrong', she identified with Jet the freedom fighter where Katara saw reflected her anger, pain and desire to fight back against the fire nation as well as create a community to help people who were harmed be healed - therefore she didn't want Jet to be wrong.

The live-action was able to take the theme and lesson from one of the most maligned episodes of the animated series and reframe it within other plot lines to make it so much more poignant and nuanced, pushing forward a lot more character development than 'Sokka is dirty and lazy, Katara is uptight and prissy'. The live-action took the lesson and actually tied it to Katara and Sokka's core character motivations that will have arcs for them rather than surface-level character traits that never really change.

Anyways, the live action adaptation of Avatar the Last Airbender is really good and y'all should watch it - or rewatch it with an open mind to why they combined/altered the story elements they did. The writers clearly understand this world and the story the OG was trying to tell.

[doubledyke]

Once I head someone say Sarah is the only really necessary or meaningful female character, and that Nazz and the Kankers are pretty much disposable; ''Nazz has no personality, and the Kankers are absent from 50% of episodes and are just a Diabolous ex-machina ending when they appear. The could work very well without any of them.''

What do you think of this?

are they implying that she's only "meaningful" because she's related to ed? because...yikes dog. sarah serves a pretty similar role to the kankers in that she foils the scams and pranks and acts as an obstacle and/or deterrent. an antagonist. but the way they fulfill the role and the reaction they get from the eds are different in ways that i'm too lazy to get into at the moment.

now i could genuinely be missing something because i've never taken a class on media analysis or whatever the fuck, but i truly don't get what people mean when they say nazz is uniquely lacking in personality. i'm not saying eene has excellent, fleshed out female characters, but some people act as if 1) any of the non-eds have highly complex personalities that are explored canonically 2) being kind, outgoing, flirtatious, sporty, etc. aren't personality traits. just because someone doesn't like her personality doesn't mean it doesn't exist. and we know just as much, if not more about nazz's interests than we do the kankers. or jonny: he likes wood, is laid back and seems to enjoy superheroes. or kevin: he likes bmx. he's a bully. he has a crush on nazz. he's buds with rolf, whose backstory we probably know the most about after the eds (maybe even more?). then there's jimmy who lowkey has a great, complex personality.

seems like since nazz is pretty, is into stereotypically "girly" things and is nice, people consider her a "bad" (female) character. which to me is hilarious and ironic. these are the same people who call the kankers "evil". like okay... 😂

this idea that all female characters are supposed to be virtuous geniuses... it's a show about 3 dumbass preteen boys. there are tons of female-led shows available out there, and female main characters galore. these people should go watch em. seriously. im tired of hearing about it frankly.

oh and if edd was canonically a girl, people would hate her and call her a mary sue 👍

[rmorde]

Was willing to give the new A:TLA live action a chance... But then they decided to ruin Sokka's character by removing the starting point of his character arc.

Yeah. Not gonna watch.

Reading some articles about it. Yeah. I don't fucking trust it one bit when it seems like they are going to make Ozai sympathetic - sanding down everything that makes him so evil.

Disgusting.

[undercat-overdog]

Paging through a timeline today and the First Age was so very long ago even in what you might call the early Second Age. There is more time between the founding of Eregion (c SA 700) and the War of Wrath than there was in time in the entire First Age (about 600 years); Aldarion, living around the same time as the raising of Ost-in-Edhil, is six generations removed from Elros and the five generations between were all born in the Second Age: how different the lives of our own great-great-great-grandparents! And that's the earliest Second Age. By the time Eregion falls, 1700 years have passed since the Silmarils were set in their resting places; the Last Alliance happened around 3600 years after the Nirnaeth. And another three millenia in the Third Age! "Before the fall of Gondolin and Nargothrond in elder days" has very much the air of "a long time ago."

The First Age is so removed in time - and space! - from later events. Sometimes I feel this isn't appreciated enough. The Second and Third Ages have their own stories.

If anything, I think the First Age can be overrated in importance? Well, not in its own right, but in discussing later events.

[one-winged-dreams]

ANYWAY, just watched a video of Gunner Wright promoting the Dead Space remake and hearing him say “Be brave, suit up, and cut off those limbs” has got me like

[i-amusemyself]

being a student from The North and going to uni anywhere below northampton just means finding an endless stream of upper middle class southern wankers eager to laugh that they've "never been north of the Watford gap" like its some sort of valid personality trait. like okay cheers for confirming that you're a narrow minded bubble-dwelling fuck 🙄

[muirneach]

what people do not understand about westerns is that they do not have to be good. they have to be about a really weird and horrible guy who is in a situation. in the desert. and literally what else could you want

[moonilit]

Please talk about this fic you read, I want to hear all about it ❤️

What can i say im losing my mind about it, I don’t know if I should gush about how much i love the world of ffvii and its characters or that fic specifically because that’s where the fic is from (actually two fics by the same author)

long long long rant ahead:

Its by kzam and I literally couldn’t stop reading! Seriously they are so good!! Even Catalyst that is a Cloud/Genesis pairing?? I wasn’t sure about or how would they work out? And im sure they never really met in canon so how would they work? But because their other work were amazing i jumped in because, sure why not and OH MY GOD that is one of my favorite Clouds of all times! Seriously I loved the comedy pits, it was literally the highlight in catalyst for me, so naturally and not forced.

Then there is takes one to know one that is my favorite by far like Zack is so in love y’ll someone help him 😭

he fucked up when he first met cloud and told him he was only interested in one night and cloud was like ‘yeah no, i like you as my bff’ and he fucked up, zack fucked up because he ended up developing actual feelings like those four chapters are so painful (in the best of ways) like the pining is so strong it’s creating it’s own magnetic field 😭 Zack just had to pull through Cloud just seeing him as a friend god that was so painful to read (but we all know how this story ends ;))

like im making it sound like its pure romance but there is actually a plot and the fic isn’t even from zack pov, It’s just so painful and amusing to see what zack does from cloud pov and seeing how cloud doesn’t really pick up on it, just makes you feel more for zack. That idiot, did u really had to open ur big mouth!??

Im so not over how much i loved both of these two fics, they are officially on my top tier list I can’t even organize my thoughts about them!

They are good fics and even better for people who don’t know much about ffvii universe, it’s pretty much a modern au and any unique concepts to its world are explained within the story well, so no one will feel lost

Thank u for giving me the opportunity to just gush about them i was about to explode!!!

[whats-in-a-sentence]

My story is told, and my harp is unstrung,

Farewell to the heroes whose deeds I have sung:

Their praises must live in the songs of the just,

When the bones of the minstrel are crumbled to dust.

Only fiction provides neat endings. The Rosewood raid did not end the violence along the foot of the range.

"Killing for Country: A Family History" - David Marr

[eldritchocs]

beware the scourge of nandaral

thinking about muna and their oathbreaker arc, a good 5,000 years before the campaign starts

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[idiopathicsmile]

School Gymnastics: A Tragicomedy

So one day when we were in third grade, our P.E. teacher divided us into girls and boys. (I don’t remember what the boys had to do. Wrestling? Tackle football? I don’t know, probably not at age nine, but that’s not the point. Gladiatorial combat? I still don’t really understand kids’ sports.)

What matters for this story is that all the girls had to do gymnastics. Now—and I suspect this won’t surprise you if you know literally anything about me—I was always terrible at any form of school athletics. I am intensely, almost impressively uncoordinated. This doesn’t affect my life much at 36, but it was often a miserable way to be a kid. The only playground game I liked was playing pretend, because when you are playing pretend, you don’t have a bunch of people ostensibly on your side screaming in your ear, “Pretend faster! Pretend over there! Pretend with greater accuracy!”

Anyway, gymnastics and my clumsy, doughy little body. I couldn’t do a cartwheel. I couldn’t do a backwards somersault. I couldn't do any of it. We had an entire unit on this business and I literally did not learn how to even safely attempt a single move besides the log roll (lie flat and roll sideways on your belly). In retrospect, this seems like maybe it was in part a teaching problem, not a me problem, but that’s actually not the point either.

The point is, at the end of the unit, we were told to divide ourselves into little teams and choreograph a group gymnastics routine. My group, faced with my long list of limitations (more limitation than girl, really) decide my role will be to just forwards-somersault around the rest of the group as they do their moves. (This is itself kind of embarrassing but trust me, it is but the appetizer.) My friend Ashley has the Lion King soundtrack and we all agree that it is a great choice. The movie has only come out a couple of years earlier, and it of course features some funny, peppy options. 'Hakuna Matata'? 'I Just Can't Wait to Be King'? It's all coming together.

Carried on a wave of youthful enthusiasm, none of us even think to double-check which track Ashley has picked. Foreshadowing!

So the day of the performance comes. Another group goes right before us. They had picked “Wannabe” by the Spice Girls, which was a huge hit at the time. I mean, it still is because it’s a classic, but then it was big and new. They step onto the mat and immediately begin to do choreographed dance moves, which they have worked into their routine. We had not thought of this. Oops. Dance moves, of course! So they incorporate the necessary gymnastics, it goes over really well, the energy is high, and now it’s my group’s turn.

I take my place at the edge of the mat, the mat we are required to stay on for the length of the piece. Ashley cues up the track she’d chosen.

A song starts up. Instantly, I recognize it from the movie. It is the very slow instrumental music that plays when Simba realizes his dad is dead.

‘Well, this is not optimal,’ I think. I've been on this planet for nine years; I can see that much. But it’s too late to change the track, and so I tell myself, ‘It’s okay. I’m a performer. I can sell this.’ I put on an extremely solemn face and begin to execute a series of the world’s saddest somersaults.

Friends, when I say “sad” I mean it, in every possible sense of the word. Picture a nine year old with the gravest possible affect, determinedly doing somersaults to the slowest, most serious music she can imagine, in a careful ring around her friends who have actually learned any gymnastics whatsoever. Okay, now as the music starts to pick up and get more hopeful, imagine she gets real dizzy and in front of everyone, she rolls all the way directly off the mat, careening dangerously towards the assembled students.

Somehow, I roll myself back onto the mat, we survive what feels like hours of humiliation, we stagger away, and I blessedly avoid adding “puking my guts out in front of all of my peers” to my very short list of gymnastics tricks.

Later, I asked Ashley what in the world possessed her to choose that song.

“It didn’t have any words,” she said.

(There was absolutely no rule against using songs that had lyrics.)

Anyway, that’s why being an adult is better than being a kid.

I may have to do laundry and make my own dinner and wrestle with more complex existential angst, but you know what I haven’t been asked to do in like 26 years? Somersault for three minutes straight to the musical shorthand for “this cartoon lion cub has no choice but to process the weight of unimaginable grief for his dead dad.” And you know what? If I live another 50 years, I can be pretty confident nobody will ask me to do it then, either.

[cleoselene]

In economics we divide the population into income quintiles -- top 20%, bottom 20%, etc

The Biden Economy has been very, very good to the bottom 20% -- I know because I am in that quintile and under the Biden Presidency I have seen multiple SNAP increases, the best COLA adjustments for Social Security in four decades, Medicare now pays my utilities, and because I'm part of the Affordable Connectivity Program, they can now never turn off my internet even if I can't afford to pay the bill.

The problem with the poorest people being the one who benefits the most? Is that it doesn't resonate as a media story. The media is not catering to that bottom quintile -- we don't have the expendable income their advertisers are seeking.

But if you want to elect a POTUS who is honestly helping the people who need it the most, you should be an enthusiastic Biden supporter. It won't make splashy news headlines, you're not even going to find MSNBC going GUESS WHAT THE POORS ARE DOING BETTER all the time because it's really not a sexy story. But it's a real story. A true story.

I'm just really sick of the pseudo-leftist takes that characterize Biden and the Democrats as 'conservative' or assertions that they don't have policy platforms except 'we're not the Republicans.' Such commentary sounds intelligent but only in the way Libertarian commentary sounds intelligent: you have to not think critically at all to some to such absurd conclusions. Democrats are working within a broken system and doing the best they can. You wanna fix the system? Great, I'm onboard, but smearing the only people trying to help is not going to get you anywhere.

[hoshigray]

𝐏𝐥𝐞𝐚𝐬𝐞 𝐋𝐨𝐯𝐞 𝐌𝐞 [𝐍𝐎𝐓]!! | a JJK series

𝐒𝐞𝐫𝐢𝐞𝐬 𝐒𝐲𝐧𝐨𝐩𝐬𝐢𝐬: “GO FUCK YOURSELF, SATORU GOJO!” “BETTER THAN FUCKING YOU!” It’s no secret to anyone on this Earth that you and Gojo cannot stand each other. Despite that, the world seems amused to put these two star-crossed lovers haters in the same space. Or worse, have them dwell deeper into their feelings for one another…

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: Gojo x fem/afab! reader - explicit content; minors DNI - modern + college AU - frenemies to lovers + mutual pining - fluff + angst + misunderstandings - first kiss - virginity loss - Gojo and reader are at least age 20 - secret relationships; implied friends-with-benefits - sex in shared rooms; college dorms + hotel suite - college parties - use of party games (seven minutes in heaven) - confessions - mention of drug/alcohol abuse - humor bc Gojo and college, lol - Gojo is a cocky, tactless sweetheart, nothing new - cameos of other characters + explicit content will be listed in their respective fics (within the contents).

𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞: when I say that I had this series planned out, I mean like mid-October last year planned out, lmaoo!! I'm honestly so psyched to do this series, as it's one of my favorite tropes + relatively short as I'll be busy irl, but we'll do what we can!! i was lowkey feeling this concept when i was re-watching Ranma 1/2 and figured it would work great with Gojo. So, here's to hoping i can properly execute my thoughts with this series, hehehe~

reblogs + comments are appreciated wholeheartedly ❤︎ gif header made by me + fic dividers used are provided by the wonderful @cafekitsune and @animatedglittergraphics-n-more!!

𝑳𝒐𝒗𝒆 𝑰𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑨𝒊𝒓...

All the material below contains explicit 18+ content, so minors do not interact.

₊˚⊹♡ 𝐒𝐞𝐯𝐞𝐧 𝐇𝐞𝐥𝐥𝐢𝐬𝐡 𝐌𝐢𝐧𝐮𝐭𝐞𝐬 𝐨𝐟 𝐇𝐞𝐚𝐯𝐞𝐧 (Feb 1st)

The start of the spring semester is supposed to be fresh and new, not be cramped up in a closet with your frenemy at a party! And what's worse: you actually like the feeling of his lips on yours!?

₊˚⊹♡ 𝐇𝐚𝐭𝐞 𝐭𝐨 𝐋𝐢𝐤𝐞, 𝐋𝐨𝐯𝐞 𝐭𝐨 𝐇𝐨𝐥𝐝 (Feb 7th)

Is it possible to wish to be in the embrace of someone who makes you want to throw them off a cliff? You seem to think so, and the same goes for Gojo. But alas, good things always come to an end, even when not meant to be...

₊˚⊹♡ 𝐒𝐮𝐝𝐝𝐞𝐧𝐥𝐲, 𝐈 𝐇𝐚𝐝 𝐚 𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞 (Feb 14th)

Going on a date with the guy who broke your heart is something you’d never thought would happen – especially on Valentine’s Day! But it’s just for him to be in your good graces again, nothing more…Yeah, go ahead and tell yourself that.

𝑨 𝑳𝒐𝒗𝒆 𝑳𝒆𝒕𝒕𝒆𝒓 𝒇𝒐𝒓 𝒀𝒐𝒖!

Would you like to be tagged when these pieces get released? Lmk in the replies, please, and thank you!

𝑻𝑨𝑮 𝑳𝑰𝑺𝑻 𝑪𝑳𝑶𝑺𝑬𝑫!!! Have made a list of the first 50 ppl who asked, but don't worry!! Check back for the stories when they're posted on their respective dates!!

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 ❤︎ These stories have been written by the original poster (me). Do not steal, edit, copy/plagiarize, or post any of my works on your own accounts, in or out of this app. Please and thank you.