#structures and light
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poorly-drawn-mdzs · 6 months ago
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Who is this sassy lost child?
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#poorly drawn mdzs#mdzs#lan wangji#a-yuan#A-Yuan knows how to to utilise his big wet eyes to get treats. What a little legend.#The crowd comments about LWJ being 'daddy' and WWX being 'the mother' are a little too 'fan-service bait' for me.#So I am personally reimagining it as another layer of 'misinterpretation of a more complex situation' commentary.#I like how the different styles of interacting with children WWX an LWJ exhibit say so much about their own childhoods.#We - human beings in the real world - take two lessons from how we were parented: What we valued and what we wish we had.#LWJ leaning into indulgence is him pushing back against his own childhood of asceticism. It's something he didn't have - so he gives it.#WWX on the other hand has been *so* defined by his drive to indulge. And here he is the restrictor!#It takes a bit more to see what's going on here. The factors are not singular.#but to keep it in theme with LWJ; I'd propose it is partly his way of establishing structure when he did not have it as a child.#Both approches are a way of saying 'I didn't have this and I wish I did.'#With LWJ it's pretty obvious why...but WWX? What is at your core? What is your regret towards a lack of restriction?#Or...What benefit do you think it gives this child to learn the harsh lessons of going without?#Did it make you strong when you were a child? Do you think it is just the nature of the world and we all must learn it?#How we interact with children is such a fascinating topic to delve into our psychology and neuroses.#In a more light hearted turn of topic:#WWX confirmed to be 'person taking the car to the drive through to order one black coffee for himself' on the triangle spectrum.#LWJ is saying 'we have food at home' as he is opening his wallet ready to order for everyone.#(Technically this is comic 213 but yippee! We are in the 200's now! Thank you all so much for reading and cheering me on!)
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pvtpunsart · 16 days ago
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Can't sleep
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crescentfool · 4 months ago
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it's that time of year again...
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fyeahygocardart · 4 months ago
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Heart of the Blue-Eyes
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woah-its-al · 5 months ago
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@zorangezest I uh I uerm I joined in on the fun and did a pannel re-draw of ur swapped starscream comic
<3<3<3
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once again original comic by @zorangezest !!!! not my original work that credit is hers!!!
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arc-hus · 17 days ago
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L’Atelier, Bordeaux - A6A
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clfixationstation · 7 months ago
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bro they need to stop dying for each other
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together forever...
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remash · 4 months ago
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house in kawasaki ~ tiachi mitsuya & associates | photos: © daici ano
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zegalba · 2 years ago
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Jean-Claude Gautrand: L'Assassinat de Baltard (1971) Located: Paris
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literaryvein-reblogs · 2 months ago
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Writing Notes: Dramatic Structure
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Dramatic Structure - the framework that allows a story’s plot to unfold.
Aristotle’s ancient Greek text on dramatic theory, Poetics, was the first written work to examine story structure.
Since then, writers and readers have used various approaches to dramatic structure to organize and analyze the plots of plays, poems, short stories, and novels.
Dramatic structure is typically broken up into acts, scenes, and plot points. Examples of popular dramatic structures include the three-act structure and five-act structure.
During the 19th century, German playwright Gustav Freytag presented a plot diagram, commonly known as Freytag’s pyramid or Freytag’s triangle. Freytag's analysis of structure—which centers around a rising action, climax, and falling action—is now one of the most common tools for storytellers.
Key Elements of Dramatic Structure
Introduction: This early part of the story includes exposition—backstory information about the setting and the protagonist, or main character. After introducing the key elements of your story, present an inciting incident—also known as an exciting force—that disrupts the status quo of the story and sets the plot into motion.
Rising action: Following the inciting incident, the main character enters a new world and moves toward a clear goal. The action rises along with the stakes as the protagonist faces obstacles and trials.
Climax: The rising action culminates in a climax, or the turning point of the story arc. At this stage, the protagonist faces their main conflict head-on, opposing the antagonistic force of the story—typically a villain.
Falling action: Immediately following the climax, the conflict between the protagonist and the antagonist unravels, creating suspense about the final outcome. The falling action is often out of the protagonist’s control.
Resolution: Sometimes called the denouement, the resolution of a story concludes the plot, tying up loose ends and answering final questions.
How to Use Dramatic Structure to Write a Story
Although there is a vast variety of methods for structuring stories, consider these general tips for how to best structure your story.
Identify your theme. Before locking in a plot structure, find the central theme of your story. Integrate the central philosophical question of your theme throughout the dramatic arc of your story.
Develop your characters. Identify the goals, desires, needs, and weaknesses of your main character. The more you develop your protagonist, the clearer your story structure will become. Alongside the main plot of your story, create subplots that develop your secondary characters, including allies, mentors, and antagonists.
Experiment with genre. Different genres include different tropes when it comes to story structure. Depending on the genre of your story, choose a story structure that either confirms or subverts the expectations of that genre.
Choose a plot structure for your story. Dramatic structures can be linear, cyclical, or non-linear with flashbacks. The most common plot structure in films and television is a three-act structure with a clear first, second, and third act. Two-act stories often include a climactic midpoint where the stakes rise or the protagonist’s goal changes.
Adapt your structure when necessary. The possibilities for potential dramatic structures are nearly endless. Be prepared to change your dramatic structure based on how your story unfolds on the page. Stay open-minded during the writing process to determine whether your dramatic structure is organic and authentic to the story you’re telling.
Source ⚜ More: Writing Notes & References ⚜ Writing Resources PDFs
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roridomyces · 2 years ago
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Triptych
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franzis-frantic-thoughts · 2 years ago
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Castiel confessed gay love and went to super hell. Aziraphale didn’t confess gay love and went to super heaven. Super homophobes stay winning.
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transingthoseformers · 2 months ago
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I know that "eyes turning red to signify a character is evil now" is a big thing in Transformers but can you imagine if that just fucking happened sometimes
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usertoxicyaoi · 9 months ago
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"Hey, you're Chihiro, right? Quite the celebrity. A man-whore with sticky fingers. I like trash like you. You'd make the perfect pet. I'll take you in."
HAPPY OF THE END (2024). EPISODE THREE.
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madcat-world · 5 months ago
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Vertical Portal (1 of 4) - Andrey Surnov
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lednet-sorrow-au-blog · 1 month ago
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Man, I love them.
Sadly Breakdown lost more than a engine.
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