#swiftie tapestry

[b0rnin1989]

Hey!! So for the past 2 months I've been crocheting a 1989 (Taylor's Version) tapestry. I still have a long time coming to finish it but I hope y'all like it! I'm doing this tapestry to commemorate the re-recording of 1989. Comment if you would like me to keep y'all updated! DM me if you want the pattern!

[adharastarlight]

I'm just saying, if I ever get engaged, I'm going to announce it by saying "not fucked in the head" and those who get it are invited to the wedding

[andreanakta]

OVERSIZED FLORAL TAPESTRY GOWN by @OscardelaRenta, perfect por the premiere of the #wherethecrawdadssing

[ilovebarty]

I am a Swiftie I love Taylor I would do anything to meet her. However I do not think it is right to interupt a PRIVATE wedding just to see her. This is really wrong guys and not cool even I would not go that far. Yes taylor is a celebrity but she has her own life.

Imagine this your are Taylor you go to a friends wedding because they invited you. When you arrive you are having a good time however you look out of the window and see thousands of people standing there because of you how would you feel?

[jjsnts]

100% Swiftie

check these out on https://www.redbubble.com/shop/ap/117679586

[godofsmallthings]

top five things youve crocheted 👆

omg thank you for giving me a platform to talk about my crochet!!! this got long so:

in chronological order:

1. The Cardigan. this was the first garment i finished and it took me three years of very sporadic work. finishing this is one of the most transformative experiences i've ever had (this sounds dramatic but it's true) and the high i got from it is the catalyst for all these other projects.

2. this stupid fucking lavender haze top. i embarked on the journey to make this immediately after finishing the cardigan. in hindsight, this was a big step up in terms of difficulty, and i used a different kind of yarn than what the pattern called for so all the calculations were a mess. i completely winged the back cutout (and honestly it's too wide) but i still can't believe i managed to make this. a twink at a swiftie club night complimented this for about 5mins straight so all the hardship feels worth it. but wow this was hard.

3. mesh cropped sweater/bolero/whatever u want to call it. one of the most fun things about crochet for me has been observing how fashion trends also pass through craft circles. this is a super simple and popular sweater rn, and i made it all while recovering from wisdom teeth surgery this winter. i wear this pretty frequently (wayyyy more than the cardigan) and it's surprisingly warm.

4. snoopy wall hanging!!!!!! this was my first (and only, as of yet) time doing tapestry crochet, and i was surprised with how simple it was. this was a gift for my friend who's a huge snoopy fan and she loved it :')

5. the bandana. this is pretty simple, all things considered, but it's another gift for one of my best friends, and i'm really excited that gifting crochet feels like a relatively easy thing to do with my current skill set! this was all made of leftover yarn i had no idea how to use, so it felt good to make :) also it's like...so cute?? will def be making more of these.

bonus wip!!! i'm currently working on this trinity crochet sweater vest. i love these colors sooooo much and i'm really excited about it (although i'm living in deep fear that i didn't make the panels wide enough and am going to have to improvise adding some rows to the side. if i do you will surely see me bitching and moaning on here)

[l6ndrys]

hii i saw your anika headcannons and you’re so right she would def be a swiftie. can you pls write a fic about reader and anika listening to her songs together and arguing over which album is the best😭😭😭 (im a folklore and speak now girly for life🤞🤞, hbu?)

a/n : OMG THIS IS SUCH A CUTE IDEA!! also i absolutely love speak now, reputation, and lover!! i grew up with her and her music so they hold a very special place in my heart :D hope you enjoy anon!!

i know places

anika kayoko x reader

"i know you did not just put reputation higher than folklore." your girlfriend, anika, says, sounding so incredibly disappointed in your choice. "oh come on ani, reputation was so iconic! i went to the tour, i should know"

you were both in the process of ranking your favorite taylor swift albums on her laptop that was connected to a projector, which was shining over the beige tapestry on the wall behind her bed. she rolls her eyes at you, "i mean you have a point, BUT folklore has invisible string! like come on y/n/n" she has a good point.

'call it what you want' was faintly playing over her bluetooth speaker. you looked at the rest of the options, contemplating on where to put them. you dragged speak now to the top, speaking before anika could voice her opinion, "i grew up with speak now, you can't say anything."

she opens her mouth, then closes it, realizing there was no way in fighting you over it and winning. you drag 1989 right underneath reputation, hearing a gasp from the girl, "i know, i know. i love 1989 too but i can't put two in one column"

eventually you were done with your rankings: speak now, repuation, 1989, lover, red tv, folklore, midnights, fearless tv, evermore, and debut being at the bottom. "red is criminally low, and debut being at the bottom? i should break up with you" anika joked, making you roll your eyes in response.

"yeah yeah, it's your turn. i'd like to see you choose between all of them." she cracks her knuckles, and starts ranking them, "it shouldn't be that hard."

it was not very long until you could tell she was struggling on where to put evermore and lover. "..okay maybe it is hard to choose." you snorted, "told you so."

she eventually finishes ranking them, clearly upset she had to choose between a bunch of her favorites. it went: 1989, folklore, red tv, midnights, evermore, reputation, fearless tv, lover, speak now, and.. debut.

you smirked, "i thought you said you wanted to break up with me for putting debut at the bott-"

"i don't wanna talk about it." she cuts you off, making you laugh.

[joesalw]

“Just get photographed looking cozy while on a date with his new girl (if he already has one). Enough with sad boi image.”

Exactly this. Tapestry PR - are you awake? Maybe get off your ass and do something to put your client in a better light. They don’t need to even say a word about TS. I’m sure they think it’s best just to hide Joe, but I don’t think the sad boi image is helping matters. Even the GQ red carpet, while it’s great to see him, he didn’t help himself. I would be hiring a photographer from some British tabloid to stand 100 feet away while Joe is at a pub with friends and/or a new girl having a good time. We know he is dating. We know he’s not sitting at home and worried which Swiftie is going to say mean things about him on the internet that day. Time to show the world that he is moving on and doesn’t give a fuck what his bitch of an ex says about him. Enough with the sad boi image indeed.

Yesterday i had a dream that Joe and Phoebe Dynevor were dating and they were papped in a london pastry shop and it made me so happy 😭

[taylorstribe]

OH HIII ✨ Taylors Tribe Introduction

Welcome to Uncensored Swifties, where Taylor Swift's enchanting melodies guide us through a journey of shared experiences and understanding, without fear of judgment! 🌟🎶

Hey Swifties! I'm Olivia, known as "Taylors Tribe," across social media platforms, and I'm thrilled to kick off our journey together. Let me give you a glimpse into my world. Jacksonville, FLORIDA!!! is where I call home, navigating life's twists and turns since my parents' parted ways when I was young. Growing up shuttling between mom's and dad's, I learned resilience early on. Mom found love again, and dads onto his third marriage, adding layers to my family tapestry.

On the academic front, I'm currently charting a course towards my BS in early education, juggling textbooks and life's curveballs as a full-time substitute teacher, wife, and bonus momma. Yep, I tied the knot with my middle school sweetheart, and together, we're raising the most incredible six-year-old boy. Co-parenting with his mom? Let's just say it's like living in a real-life soap opera sometimes. She's the epitome of drama, radiating those unmistakable Kim K vibes. And boy, did she make my life interesting in those early years. Running my name through the dirt, attempting to tarnish my reputation with baseless accusations, she certainly kept me on my toes. (That is a whole other story for another day, if you would like me to go into more details or if you just have questions, I will share!)

Taylor Swift? She's been my guiding star since the "Teardrops on My Guitar" music video on “On Demand” back in the day, though I once strayed into a rap and emo phase… HAHA!! Let's just say, I saw the light again! Taylor's music pulled me through some dark times, reminding me of the strength in vulnerability and the beauty in storytelling.

So here I am, ready to share, to listen, and to connect with all you fellow Swifties. Whether you're here for music, the memories, or just a sense of belonging, know that this space is yours, uncensored and unapologetically Swiftie. Let's unite, laugh, cry, and maybe even shake it off together. 🤪✨

[hikkomori-era]

Tay's Anthology: A Swiftie's Seismic Feels

Alright, co-interns, gather around as I, your humble co-intern, guide you through Taylor Swift's, our chairman, "The Tortured Poet's Department: The Anthology." This album isn't just a collection of songs – it's a captivating journey cultured in 2 years through depth of Tay's soul, showcasing the unparalled talent and storytelling prowess of none other the Chairman of the department.

From the get-go, Taylor Swift's vulnerability has been her trademark, and she wears it proudly in this album. Each track offers a window into her innermost thoughs and emotions, akin to reading pages torn from her personal diary. It's this unfiltered honesty that has endeared her to millions of fans worldwide.

But "The Tortured Poets' Department" isn't merely a journey through heartache and sorry – it's a multifaceted exploration of the human experience. Through themes of love, lost, resilience, and growth, Taylor, in her role as Chairman, create a complex series of emotions that resonates deeply with her interns on a profound level.

And let's not foget the surprises Tay has in store for us! From the unexpected announcemnt of a double album to the thrilling collaborations with industry heavywrights like Post Malone and Florence Welce, each twist and turn leaves us eagerly anticipating to what's to come. Beyond the music itself, Taylor's meticuluos attention to detail shines through in every aspect of this album. From the poetic prologue penned by Stevie Nicks in the physical album which we are looking forward have to the meticulously crafted production by Jack Antonoff and Aaron Dessner, every element contributes to the rich collection of sound and emotion that defines "The Tortured Poets Department".

And let's not overlook the bonus tracks – the hidden gem waiting to be discovered. From introspective ballads to fiery anthems each one adds another layer to the album's already rich collection and tapestry.

In the end, "The Tortured Poets Department: The Anthology" isn't just an album – it's a cultural phenomenon, a seismic event that will leave indelible mark on the music world for years to come. As die-hard Swiftie and co-interns of this journey. I for one, am eager to dwelve int oevery lyrics and melody, dissecting the album's nuances and intricacies alongside you all.

And with that, I officially adjourn this meeting. But fret not, fellow Swifties, for our journey through the "The Tortured Poets Department" is only just the beginning. In fact, I'm excited to announce that I'll be embarking on a 31-day task of dissecting each of the 31 songs from the album. Yes, you heard that right – 31 days, 31 songs, and 31 deep dives int the brilliance of the Chairman of The Tortured Poets Department. So stay tuned, mark your calendats, and get ready to join me on this epic journey through "The Tortured Poets Department: The Anthology." Let's immerse ourselve in Taylor's world and revel in the magic she has bestowed upon us again.

[allamericansbitch]

Not only Tapestry London not having comments on their Insta post about Joe at Cannes, but also his long time stylist and groomer not putting him on their main grids for the first time. They put him in stories only. They all know. How embarrassing for the fandom. Swifties be normal for once challenge.

everyone laughs at this fandom all the time like they know how sheep-like and predicable everyone is...

[b0rnin1989]

I finished my 1989 (Taylor's version) tapestryyy, I spend two and a half months on it, I think im going mad. Please tag @taylorswift and @taylornation !!!

[aspenrockymountainhigh]

This is probably going to tick some people off, and I hope it does. But I’m going to keep on sharing it and saying it. And once again, I am not a Swiftie, but I am a human being, a Dad AND, a Monstrous Football fan.

I am extremely disappointed in so many of you who think that "not being a fan" of someone means you're entitled to shit all over them.

I want to remind you of something.

Your children are watching you complain about Taylor Swift sitting at a football game, being happy, and cheering for a man she loves in what appears to be a very loving, respectful relationship.

Your Children are watching you judge a woman for literally just EXISTING and taking up space happily.

And you know what? Ms. Swift has won 324 awards? How many do you have?

She brought $5 BILLION dollars in consumer spending and boosted the U. S. economy so significantly, that leaders from other countries actually beg for her to play there?

Did you know that there are over 20 college courses about her skills as an artist, lyricist, and musician - including at places like Harvard, Stanford & UC Berkeley?

Did you know that Taylor Swift quietly donates mass amounts of money to local food banks in every city she performs in?

AND DID YOU KNOW …

That Taylor Swift was sexually assaulted by a radio DJ, and she got him fired? When he sued HER for over $3 million for defamation, she counter sued for a symbolic $1 in a court case that took 2 YEARS for her to win. And, she did that just to show women that fighting for what's right has no price tag & to never be silent in the face of oppression.

WELL IF YOU DON’T CARE BY NOW, YOU SHOULD.

Because your daughters, nieces, and your nephews are watching you run your mouth. And they are seeing the world hate a woman who does so much good, simply because she exists in their line of sight.

DO BETTER PEOPLE.

Teach your boys to respect women. Teach your girls that as women - they are ALLOWED to take up space.

Fix it. Become aware of your words. Because we all have the ability and the obligation to fight for the future of our children with simple moments. And we need to consciously choose to be better for them.

Credit to the respective owner ✍️

Read More - https://kindodds.com/loves-timeless-tapestry-the-91-year-odyssey-of-zechariah-and-shamaa/

Follow @the

[andreanakta]

@taylorswift would look flawless (even more, if that's possible) wearing this FLORAL TAPESTRY COLUMN GOWN by @oscardelarenta

🌷🌻🌺🌷🌻🌺🌷🌻🌺🌷🌻🌺🌷

[ts1989fanatic]

Taylor Swift’s “The Eras Tour” Is a Triumph of Spectacle and Stamina: Review

Las Vegas hosted a greatest hits tour unlike anything ever staged before

As Taylor Swift ascended to the stage during the opening moments of “The Eras Tour” she emerged from billowing clouds of soft-hued tapestry in a glittering rhinestone bodysuit. She presented herself as the sergeant-at-arms ready to take her infantry of Swifties into the great pop battle through the 10 eras of her 17-year career with 44 tracks over more than three hours.

The second weekend of “The Eras Tour” at Las Vegas’ Allegiant Stadium on March 24th and 25th drew locals, Swifties who flooded the roads driving in from neighboring states, and international diehards from destinations far and wide. It had been a long time since Swift played Las Vegas and she broke the dry spell in a big way. As she took the stage for night three and four of “Eras”—a sold-out doubleheader in the desert — Swift rolled in a winner.

The orientation for this grand presentation was 2019’s Lover era, which included six songs: “Miss Americana & the Heartbreak Prince,” “Cruel Summer,” “The Man,” “You Need to Calm Down,” Lover,” and “The Archer.”

“We are about to go on a grand adventure,” Swift announced prior to performing “The Man.” “I’ll be your host this evening. My name is Taylor.” This was followed by a return to the familiar “Lover”-video dollhouse set, its rooms symbolizing each one of her albums. In “The Archer,” that house became engulfed in a rain of pyrotechnics—washing away in a blast of fire instead of water.

“Eras” was quite the adventure, as Swift promised. The show was loaded with heavy artillery from albums for which she has not yet toured, including 2019’s Lover, 2020’s Evermore and Folklore and 2022’s Midnights. Overall, the career highlight reel featured 12 live debuts. Those fresh moments were backed up by a smattering from Swift’s previous albums, tours and videos from eras including Taylor Swift (2006), Fearless (2008), Speak Now (2010), Red (2012), 1989 (2014), and Reputation (2017). The motifs, arrangements, costumes, dance moves and visuals drawn from those works were sometimes presented literally and at other times more nuanced and interpretive.

Despite the callback, for Swift, there is no time like the present and this era belongs to her. “The Eras Tour” aimed to engage all human senses, offering an extraordinary 4-D cognitive experience through its innovative stage design, cutting-edge visual mapping, and top-of-the-line production values that far surpassed most of today’s touring show standards.

The stage itself featured three separate platforms made of LED displays connected by a ramp — each equipped with mobile hydraulic blocks that form different shapes, creating those picture-perfect angles that Swift thrives on. It was a massive production with pyrotechnics, indoor fireworks, and image projection technology.

Whether alone or with her dozens of supporting talents, Swift dominated the football-field-long stage. In a true test of her stamina, she never broke during the three-plus hours for anything longer than a quick change.

The second era of the night was 2008’s Fearless, where she performed its title song as well as “You Belong With Me” and “Love Story,” a toe dip back into her transition from country to pop, represented by the soft golden glow of the iconic fringe dress and the lighting treatments. This was an homage to the pin-curled beauty queen with the guitar we first got to know way back when.

Era three, evermore, featured standouts “Willow” and “Champagne Problems.” The staging consisted of massive oak-like trees while Swift sat at a moss-covered piano. She went thoroughly witchy during the cloaked “Willow” as her cadre danced around with orange-hued orbs. “I’ve been fantasizing about what [this will be like] to sing it with you,” she said during an introspective interlude before heading into “Champagne Problems” where she noted the moment, “I’m so in love with this crowd, I’m petting the moss.”

Throughout, Swift deftly balanced her goddess and huntress personas, showcasing both sides of her artistry. During her performance of “Willow” from evermore, she channeled “little Taylor riding hood,” while in era four’s Reputation, she embodied a captivating “snake charmer.” Her setlist included memorable performances of “…Ready for It?,” “Delicate,” “Don’t Blame Me,” and “Look What You Made Me Do,” a reminder of the time when she had to defend and establish herself among her peers. The unforgettable snake-wrapped microphone from 2017 reappeared, slithering up her one-legged bodysuit.

The fifth era, Speak Now, received only one nod with “Enchanted” before moving on to Red and folklore.

The crowd fell into a frenzy with Red’s coming-of-age anthems “We Are Never Ever Getting Back Together,” “I Knew You Were Trouble” and the 10-minute version of “All Too Well,” a sharp contrast to the seventh more ethereal and cottage-dwelling era of folklore, which packed seven songs and was one of the most prominently featured chapters of the night. The performers’ period attire during “The Last Great American Dynasty,” the funeral procession of “My Tears Ricochet,” and the woodsy isolation of “Cardigan” transported the audience back to the strange and isolating reality of the pandemic, which may have been too soon for some.

The biggest, baddest, boldest era was number eight, 1989, as dancers rode neon-lit bicycles for “Blank Space”, and used blue-lit golf clubs to smash an animated car, then “Shake It Off,” erupted into a dance party followed by the intense and hot pyro display of “Bad Blood.”

While the ability to change up a tour like “Eras” city by city is virtually impossible because of its scale — Swift played to the Vegas crowd in a few ways they could really own. Built into each setlist is space for two surprise songs, which Swift has promised will be wholly unique for each show.

During her first night in Las Vegas, Taylor Swift approached the front of the stage with her guitar for an intimate moment and addressed the crowd, saying, “This is what I feel like playing, and I will decide based on what I hope you might want to hear. I aim to please, but I also get ideas from things.” Swift then referenced an interview she saw with beabadoobee, the Filipino-British singer-songwriter who opened the evening.

“For beabadoobee’s first show, I will play this specific song that she wants to hear. I wrote this for my 9th grade talent show,” Swift shared before launching into the rousing anthem “Our Song” from her debut album.

Swift then took a seat at a hand-painted floral upright piano for the night’s biggest surprise. “Lana Del Rey put out a new album today,” Swift remarked. “Did you know that there’s a tunnel under Ocean Blvd … it is so good — you probably already know that… It is just extraordinary. I think she is the best that we have and so make it a priority to stream, buy, support this album and this artist. She knows I am obsessed with her and she was kind enough to make a song with me on Midnights called ‘Snow on the Beach,’” Swift said.

“She is a generous king, she did that for me and I will never forget how nice she has been… I want to do some promo for her and in honor of this brilliant album she just put out, I’m going to play ‘Snow on the Beach.’”

The second night featured the first surprise guest of the tour as Marcus Mumford of Mumford & Sons popped up to do the live debut of “Cowboy Like Me” from 2020’s evermore. She also dusted off “White Horse” from Fearless.

For the closing spectacle, Swift plunged into a virtual body of water that surrounded the stage, then swam underwater back to the main platform — thanks to the next-level production — before returning to perform more songs from her Midnights era. The crowd’s excitement remained high as she introduced new tracks such as “Anti-Hero,” “Midnight Rain,” “Vigilante Shit,” and “Karma,” which received the same level of enthusiastic reception as her previously played greatest hits.

Regardless of whether you are a fan of Taylor Swift, it’s impossible to deny the sheer magnitude, artistry, and technical prowess of this production. This greatest hits tour, undertaken during her commercial prime, is an unprecedented feat and could potentially earn over a billion dollars, making it the highest-grossing tour in world history.

The three-plus”Eras” hours became a marathon and at the end, the audience was in a state of utter exhausted euphoria. But a spectacle of this size does beg the question — once you go this big, where do you go from here?

Taylor Swift’s massive 2023 tour continues through August.

[hshouse]

for my niche harry and taylor stans: AI champagne problems bridge duet https://www.tiktok.com/t/ZT822CskG/