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#sword art online: hollow realization
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I decided to do some SAO art and draw Philia as she appears in the Sword Art Online RE: Hollow Fragment video game and Strea as she appears in the Sword Art Online: Hollow Realization video game!
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zodiac-senpai · 7 months
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"No character is perfect" Okay, explain Kirito ⚔️
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nachtvale101 · 4 months
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Got around to finishing the main campaign for SAO Lycoris, and goddamn, I take back all the downbad thoughts I've had about Hersyrian up until that point LMAO (well mostly, he is still quite pretty)
Also MEDINA
Philia, Premiere, and Itsuki will always take up my top 3 favorite gameverse characters, but if there was ever a contender to threaten one of their spots, it'd be her. She is so <33333
Anyway now I'm making my way through the extra post game content before I start the DLCs. The first apostle quest has reignited my once dead Kirisinon heart fr
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Also Yujikiri
Decent chunk of fuel to be found in Lycoris. In the gameverse in general tbh xD, and I will eat it up every single time
I love them <33
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softboysora · 1 year
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Hollow Realization Silica
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sterlinggalaxy13 · 3 months
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Klein, Leafa, and Asuna
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blysse-and-blunder · 4 months
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in lieu of a commonplace book
saturday, jan 27, 2024
*brennan lee mulligan voice* heeeeeeeelllllllllllllloooooooOOOOOOOOO one and all and welcome back for another thrilling episode of...whatever this is. thank you for being here.
It's 2024! Say hi, intrepid heroes!
reading recently finished:
-orwell's roses by rebecca solnit (audio) - glad I listened, ultimately very gratifying - history, criticism, extremely lush garden-filled prose and love for growing things - nona the ninth by tamsyn muir - felt so much about [redacted] it made me cry. i can unblock ALL THE TAGS NOW - the blue sword by robin mckinley (audio) - catching up on old school fantasy continues -when the angels left the old country by sacha lamb (audio) - beautiful. not not in conversation with good omens but doing something different.
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recently begun: -the ministry of the future by kim stanley robinson - can't decide if it's a scifi novel or a policy brief about ways to combat climate change- reading on my mom's recommendation -babel: an arcane history by r.f.kuang - withholding judgment, but i know you probably want me to hate it and so far i don't, really! to my own surprise -the shadow of the wind by carlos ruiz zafrón (audio) - spooky, post-modern but incredibly good at sounding like it is of the time it depicts. many thoughts on the audio book narrator's accent work, most favorable -one corpse too many by ellis peters. wild that i have only just begun reading the cadfael mysteries
listening last week was about discovering and putting on continuous loop the group trousdale on the recommendation of @m2pixie (!) and other trusted friends; the energy, the harmonies! they fill a girl group void i didn't realize i had, it feels like the best kind of throwback, like old chicks or something, some desperately needed bops. exhibit a: bad blood.
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today my daylist introduced me to joy oladokun and i'm so glad it did. love her vibe, love this cover art. had to take a picture of my desk, the visuals were so satisfying.
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watching the newest series of netflix's lupin!! so far i'm really, really enjoying where this season has been spending most of its time-- the new characters, the new heists, the new stakes. especially fun to watch with friends where we can all shout about the mrs doubtfire of it all, the betrayals, the misdirection, the 'he can't keep getting away with this!.' the original lupin series will always bring back memories of watching it in early lockdown; i'm glad that there's this now to think about and remember instead.
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playing hollow knight hollow knight hollow kniiiiiiight. bought it a few months ago when it was on sale, after hanging out and watching @dimir-charmer stream for us a bit, but playing it yourself is a different game. i'm having a blast. it's becoming a problem. i'm having to be so so good and mature in how much i let myself just get suckered in to a full day spent in my little buggy maze adventures. the temptation to keep going until i've made a meaningful advancement of some kind (today: got the longer nail! last time: beat hornet! saved zote the mighty, got the baldur shell charm, and beat the gruz mother!) is very, very real. have also gotten around this by listening to lots of lo-fi hollow knight beats to relax and study to while being 'productive.'
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(found this screenshot online, and holy extra health batman)
making pancakes. lots and lots of weekend pancakes. sent a bunch of mail since new year's, and have some new arts and crafts (charcoal pencils!! those little paper cone blender guys! better paper) to fuck around with next time i want to get ~artistic. watch this space.
working on teaching is so all-consuming. it's great, i love it. the course (maps class! if you see that tag, this is that) is going well, i think! first three lectures down. the students i've gotten to know i really like, the material has yet to get old (see one - do one - teach one is so real. i understand this class now, finally, in a way i don't think i did just being the TA, even after three times). it takes so much longer to just copy-paste-change color and font on slides than it should! i've regularly been getting four-five hours of sleep on monday nights before teaching on tuesdays, but it has meant that i don't have the brain space to be self-conscious while i'm 'on', i just. go. having fun selecting teaching 'fits, having (less) fun handling all the students who joined in the second or third week and need help with catching up, but it's not their fault there was a waiting list and lots of turnover.
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(petrus roselli - portolan chart of the mediterranean, 1466)
non-teaching: - student letter of recommendation for dental school (DONE) - conference panel proposal (due 1/31) -submit revised conference paper for that prize (due 1/30) -send draft of grant application to A for her to be able to write a letter of recommendation (due IMMEDIATELY WHY ARE YOU ON TUMBLR) (you have until 2/15 to fix it but she needs the draft!) -chapter 3 edits (lmao) -read for that other course you're meant to be the TA for (oops) - give i. feedback on her thing (tonight) -RAship hours (c'mon these are actually paid work, please do them)
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A Retrospective on Sword Art Online's Aincrad Arc
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What you’re about to read was originally going to be a review of the first volume of the Sword Art Online series. Then after reading it along with the second volume, I realized that they were so interconnected that it only made sense to combine the two into one review. After that, I had a realization–most people reading this have probably already watched the SAO anime. Meaning that reading this would pretty much be redundant since it’s a pretty one-to-one adaptation. Even if you liked the anime, there’s no payoff in reading the light novels, since the anime has the superior version of the Aincrad arc. Needless to say, this review became more of a slightly below-surface-level view of Sword Art Online as a series, Reki Kawahara’s growth as a writer, and what you would be better off reading if you wanted to learn more about Aincrad. Please excuse the title, I couldn't think of anything better to name it.
Believe it or not, it’s been almost eleven years since Sword Art Online first aired. For those who don't remember, it was a huge deal when it aired. It was probably the biggest anime back in 2012. It was also the most panned, with many calling it overrated or saying it just plain sucked. While some of the criticisms were over the top, it was understandable why many didn’t like SAO–there were many better anime that aired that year that only got a fraction of attention it did. Many of SAO’s plot points, especially in the second half of the show, were rightfully slammed for being inconsistent about Asuna’s personality and the way it handled Kirito’s and Suguha’s relationship. After a while, it became ‘cool’ to hate on SAO. After all, it was a mediocre-at-best anime that became immensely popular despite said setbacks. I’ve always had a soft spot for SAO–for a series that wasn’t that good overall, it does maintain to keep being interesting, which at the very least is what you want. With that in mind, I decided to re-read the first and second volume to see how it holds up, years later after the hype.
For those who’ve already watched the first season of Sword Art Online, the first two volumes cover roughly the first half of it. It begins with Kirito, our protagonist, playing the game Sword Art Online, a Virtual Reality Massive Multiplayer Online Role-Playing Game (VRMMORPG). The game is played on a device called a Nerve Gear, a state-of-the-art VR headset that simulates all five senses. For Kirito and the ten thousand players that were able to log on and play SAO, they’ve just unwillingly signed up to be trapped in the game’s world (Aincrad). The game creator, Akihiko Kayaba, states that he’s holding them captive until they’re able to reach the 100th floor of the game’s map and that anyone who dies in the game also dies in real life.
I don’t think it’ll come as much of a surprise when I say that this book isn’t good. With all of the knowledge and lore I know about the Sword Art Online series, SAO volume 1 is alright–but on its own, it’s flimsy and hollow. After the big reveal that Kirito and everyone else in the game are trapped in there, there’s a two-year time skip, which in my opinion is a huge mistake. What the reader knows of SAO and Aincrad from this volume is almost at an elevator pitch level, assuming that this is their intro to the series. For now, we almost know nothing about the world around us–we just know about how powerful and cool Kirito is.
Most of our perspectives on this are warped because most of us already knew about Sword Art Online from the anime, which had a completely different pace from this. It’s why I’m including the second volume in this review as well. This volume skips most of the world-building and spends an extensive amount of time showing us what ends up being the final boss fight, along with Kirito and Asuna being together, although we as a reader don’t know that much about her or why she fell for Kirito in the first place. Funny thing is that the Aincrad Arc part of the anime takes parts from other entries in the light novel series–from Volume 8 (which is a collection of short stories, like Volume 2), Material Edition 1 (which I don’t even know is translated into English officially), and Progressive Volume 1 (written four years after the first volume was published, and is a ‘spin-off’ that expands on the Aincrad arc). To put in perspective how much this volume is lacking in detail, the anime adaptation only uses material from the first volume in episodes 1, 8-11, 13, and 14. That’s a whole lotta gaps! Compare that to the second half of the anime–the Fairy Dance Arc. It adapts from volumes three and four chronologically, and it shows in an obvious decline in plot quality. There are other reasons why that is, but that’s not relevant here.
I mentally tried to put myself as a reader that didn’t know anything about Sword Art Online before opening this book, and this was the interpretation I got: This volume leaves a lot to be desired. We know that Kirito is perhaps the most powerful person in the game. We know that Asuna is in love with him. We know that many have gotten used to life in Aincrad and have given up all hope of returning to the ‘real world’. But we don’t get to see them transition into that. All we get is the tail end, where life is already settled in. It zaps most of the fun out of it. It straight up didn’t make sense how THIS became popular enough to be animated in the first place–it is, until I did some more research on how this light novel came to be.
At the beginning of the afterword for Sword Art Online Volume 1, Reki Kawahara, the author writes “The volume of Sword Art Online you hold in your hands now was my first novel, written for the Dengeki Game Novel Prize in 2002.” He actually never submitted it, due to it being too long to enter, and instead published it online. The web version of Sword Art Online, which ran from 2002 to 2008, had popular support, but it wasn’t what got it published as a light novel. He won the Dengeki Novel Prize in 2008 with his story Accel World, allowing himself to finesse his way into also have SAO published as well. So basically, what we’re reading is the most juvenile writing that Mr. Kawahara had to offer. Due to it being not how he got his foot in the door, SAO was left on the back burner for Accel World. That being said, the web novel had LOADS of content, which made it more feasible for Kawahara to be able to publish both it and Accel World at the same time, even if the writing quality wasn’t up to Kawahara’s now-seasoned standards.
The second volume of Sword Art Online contains four short stories–stories that were sorely missing from the first volume. For the theoretical person in my head who has only read the first volume, and knows nothing else about the SAO universe, this volume gives some life to Aincrad and the society that formed in-game.
The first story, titled The Black Swordsman, starts on the 35th floor of Aincrad. Our hero runs into Silica, rescuing her from a mob of NPC monsters. Kirito and Silica go on a quest to revive Silica’s Tamed Monster, Pina.
This story introduces the concept of ‘Kirito, the older brother’–something that those who’ve seen the later half of the first season of Sword Art Online know full well about (many would claim that they know ‘too much’.) While Kirito admits that he’s helping her because she reminds him of his real-life sister, their relationship is nowhere near as weird. I have to say though, there were still some ‘sus’ moments. The one that comes to mind is Kirito saying “Level is just a number”. I cringed at least a little reading that, even if the context is way less insidious than expected.
Other than that, it was an alright story about the difficulties of being a young girl trapped inside Sword Art Online. While Kirito is also young (he’s only two years older than Silica), he’s had years of prior gaming experience before SAO, along with also being a beta tester. Silica, being only thirteen (and a girl), for better or for worse, has a constant stream of fellow players wanting to play with her. Her naivety gets her into trouble, being only saved by Jes-...I mean Kirito. This story also gives us a more in-depth look at the mid-level players of SAO. Silica, being ‘mid’ herself, doesn’t fight on the frontlines, and instead makes her living exploring already cleared dungeons in the lower levels of Aincrad. It’s a pretty good gig if you want some excitement in your life, but aren’t crazy (or strong) enough to be on the front lines. Probably beats subsisting on apples and being harassed by Army assholes in the Town of Beginnings.
The second story, titled Warmth of the Heart, features our hero with the blacksmith Lisbeth, who both go on a quest to the 55th floor to obtain a new mysterious metal–a metal so rare that it has not been dropped in-game yet.
This story was by far the worst. I feel bad for Lisbeth, because the entire reason for her existence is to be another girl to pine after Kirito. Yes, as you would expect, Kirito’s Law1 is in full force in this story–Lisbeth, swept by the enigma that is ‘Kirito’, falls for him in no time. Are there really no other honorable men in Aincrad other than Kirito? Well, of course, there’s Agil and Klein, but they’re adults. Lisbeth, while older than Kirito, is still a teenager. Not that age has ever stopped someone in Sword Art Online, but you’d think that there’s at least one other Japanese teenage boy stuck in the game that is as honorable, or even as nice, as Kirito. Guess not, considering that most male players in the game that aren’t Kirito and friends turn out to be huge sickos most of the time. Guess being trapped in a video game world with little hope of ever coming back gets to you after a while. Cabin fever did a number on more than a few men in Aincrad.
Anyways, back to Lisbeth–this story kinda rubs me the wrong way due to the way it establishes her character–someone who will only feel unrequited ‘love’. In scare quotes because it’s a ‘love’ that comes from being stuck with him for a day. Replace her with any other female blacksmith, and the story would’ve gone the same. Because he’s Kirito, and you’re supposed to want to be with him forever. It isn’t like Lisbeth is bland or anything. From what little we know about her, I like her. It’s just disappointing that her purpose (for now) is to be a side-piece of Kirito’s theoretical harem. She’ll never get what she wants because she’s not Asuna. Her fatalist interpretation of Kirito’s and Asuna’s relationship combined with her inability to move on traps her in Kirito’s ‘friendzone’, for a lack of a better term. Needless to say, this story doesn’t pass the Bechdel Test.
The Girl in the Morning Dew is the third story, featuring Kirito and Asuna shortly after they got married in-game. They come across a little girl named Yui, who collapses near the two while they’re venturing out to a remote part of the forest on the 22nd floor to look for a rumored ghost. Yui, not a ghost, nevertheless lacks a Color Cursor, something that every living object has in Sword Art Online. Kirito and Asuna, never one to not help someone in need, help Yui try to find where she came from.
Out of all of the chapters, this one is the best by far. The worldbuilding is a good thing to see. I mean, we gotta know about Aincrad first if we’re expected to care about it. A lot of the chapter is set in the Town of Beginnings, the starting town in Sword Art Online. It’s still the most populous town in all of Aincrad two years after the ‘game’ started. Most people who still live there are those who’re afraid to go outside the town’s walls. There’s also the Aincrad Liberation Force (known as the ALF, or simply as ‘The Army’), the largest guild in SAO with more than a thousand members, who make the starting town their base. It was nice to come back to where it all started, since Kirito stayed in here for all of one day the first time he was here.
This chapter delves into the conflict within the higher rungs of the Army and offers a very interesting insight into what happens when leadership breaks down. One faction of the ALF has turned to ‘taxing’ (extorting) the citizens of the Town of Beginnings–who’re probably the least well-off out of all of the people trapped in Sword Art Online, considering most of them haven’t even left the town. In typical SAO fashion, these ‘taxers’ are unnecessarily evil–they would take candy from a baby and laugh about it. Another victim of cabin fever. Caught between this is an orphanage run by a woman named Sasha, who houses twenty kids that’re stuck in SAO without a parent or guardian. There’s a lot about The Army that could be expanded, but since this is a series about Kirito, all we need to know is that they’re the closest thing Aincrad has to a form of government. Did you know that ‘The Army’ is actually a combination of two guilds, the ‘Aincrad Liberation Squad’, a front-line clearer guild, and ‘MMO Today’, a mutual aid organization that aimed to spread info about Sword Art Online and resources equally. 
The final story, titled Red-Nosed Reindeer, is also the earliest story chronologically, taking place in December 2023, almost a year before Kirito and everyone else finally broke out of Aincrad. The story is also the only one where Kirito is the lone narrator.
This story hearkens back to an earlier time in Kirito’s Sword Art Online playthrough, when he briefly joined the ‘Moonlit Black Cats’, a small guild whose camaraderie was a welcoming surprise to the lone-wolf Kirito. Kirito hides his actual power level, pretending to be only two or three levels higher than the rest of the guild, while in actuality he’s Kirito, the all-mighty slayer of bosses and wooer of around half of the women he talks to. Nevertheless, things go horribly wrong one day when one of the members accidentally sets off a trap in a labyrinth, ending up killing four of the guild members and driving the remaining member to suicide. This memory still haunts Kirito months later, believing that he is the reason why the Moonlit Black Cats were killed. He’s especially guilty about Sachi, who Kirito was mentoring and teaching sword skills to.
While it’s woefully the shortest, Red-Nosed Reindeer is easily better than the first two stories. It’s the only insight that we get to see of the ‘early days’ of Sword Art Online, with all of the other stories in the book taking place in 2024, the year after. Our visit with the Moonlit Black Cats is only brief, getting only a little bit more than the cliff notes on them, but at least we got to meet them.
These four stories add some flair to the Sword Art Online universe, but still leave a lot to be desired. Aincrad is a vast and wonderful world, filled with ten thousand people’s stories–two volumes are better than one, but there’s still tons of meat on that bone. Mr. Kawahara agrees as well, regretting that the Aincrad storyline is only solved in one volume. To correct this, he started the Sword Art Online: Progressive series in 2012.
The Progressive series starts from the very beginning. I mean, the very beginning. The first volume only covers the first two floors. Kawahara, in his afterward for the first volume of Progressive states that “I wrote the story [Sword Art Online] as a submission for the Dengeki Novel Award, so I had to finish the story with the game being beaten, right in the very first installment.” Wow. So that explains why it was wrapped up so soon. The first volume quite literally was what he was going to submit in 2002. In a sense, it’s actually very cool, since what we’re reading is pretty much the first thing he wrote. One of the payoffs of reading the series is seeing the growth in Kawahara’s writing.
Continuing on, he also says that “Later on, I wrote a number of shorter prequel stories that filled in gaps (see Volumes 2 and 8), but they’re more like little episodes, and don’t focus on the meat and potatoes of the players advancing through the game.” Okay, so we did read Volume 2, but I’m not going to read Volume 8. This review is already long enough as it is. Moving on, I’m so glad that he gets that what supplements he wrote are substandard, especially for a great concept like Sword Art Online. They just don’t quite scratch the itch for people like me.
Moving backward, it’s pretty absurd to see an author so freely critique and criticize his most known and successful work. It was popular enough to have people begging him to write more when it was a web novel. It was somehow impressive enough to have it published as a light novel, which then had an anime adaptation that blew up in popularity, and since then has had several sequels and even a spin-off. It’s a staple ‘starting anime’ to this day, nearly a decade after it aired. It makes me respect him a lot to admit what he really thinks, and try to ‘rectify’ it in a sense. The Progressive series contains many ret-cons of the original novel. The biggest to me is when Asuna and Kirito meet–in the first volume, Asuna and Kirito are just kinda together forever already, and we’re supposed to care about it–but in Progressive, they meet a lot earlier. On the first floor. This change is for the good, because we get to see their relationship from the start. We get to see them slowly become lovers, rather than be dropped off via timewarp to literally a week before they get married. There are also characters from the original novel, like Agil and Kiabou, along with new ones.
So, is it worth it to read the Sword Art Online series? To be quite honest, I think it’s only worth reading the Progressive series, and that’s if you’re into the concept of Sword Art Online. I’ve only read the first volume of the Progressive series, and while it's miles better than the original series, it still wasn’t great. That’s only the first volume though. Kawahara has written a total of eight Progressive volumes–usually releasing them once a year. The funny part is that the SAO light novel series didn’t have an original arc until 2017. The guy got 18 volumes of content from what was basically something he wrote for fun. I know light novels aren’t the longest things, but that’s a lot of words! So basically, this arc up to the Alicization arc was already written by 2008, and Kawahara was only able to write new arcs when the light novel caught up to where his web novel was when the series was originally published. That’s quite a mind boggle. It also pieces together why it became big enough in Japan to warrant an anime adaptation. Since there was already a web novel, Japanese readers had the opportunity to read past where the light novel is, if they didn’t ready before reading SAO. The context it was released makes it suffer from poor-quality writing and bad pacing, but those gaps could be filled by the web novels, which were only ever released in Japanese. The light novels began being translated into English in 2014, two years after the anime aired. Most of those who bought the light novel had already watched the anime. This means that my theoretical person whose first experience with SAO is with these light novels was likely a larger minority than I originally thought. Sword Art Online really is a weird series!
It might be worth a read of the main series–only after you’ve read all of the Progressive series that is. I mean, it’s up to you. The anime series has adapted the light novels up to the end of the Alicization Arc. You could either watch it or read it. That is, if you wanted to in the first place, which I highly doubt.
‘Kirito’s Law’ is a slight deviation from the more well-known ‘007’s Law’–basically, any woman who interacts with Kirito for more than four hours has a fifty-fifty chance of falling in love with him. Unlike ‘007’s Law’, these women pass away ten times less often. These two terms were made up by me at the time of writing this.
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alien terminator deluxe cheats
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streamlink-boutique · 4 months
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Sword Art Online Hollow Realization Delux Edition
2026. Sword Art : Origin, un nouveau VRMMORPG, a émergé. Kirito rencontre un PNJ mystérieux et reçoit un message codé. Ce jeu est bien différent de celui dont il s’est échappé. UNE HISTOIRE ORIGINALE supervisée par Reki Kawahara, créateur de Sword Art Online. UN MONDE IMMENSE qui se prête à l’aventure. UN MODE MULTIJOUEUR pour profiter du jeu à 4 joueurs. UNE SENSATION DE RETOUR AUX SOURCES grâce…
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seahdalune · 5 months
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Seana’s 2021 art highlights (a thread)
(Note: this is a reupload of a thread i did on twitter a few years back. so these are really old.)
January: uh. nothing noteworthy. just a few refs here and there.... that i’ve been using for the entire year. eesh. i should update them.
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there’s also this thing i didn’t upload... i didn’t like how it looked, and scrapped the whole drawing for later concepts (my god it’s atrocious! mainly the coloring. sheesh.)
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February: Nothing much here either? there’s this and UGH it’s fuckin. ugly. this is also the only instance of me drawing Marr properly.
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this IS, however, the month i concentrated on making my Moldy plushie so... all is excused.
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March: gh. more refs. and another poor scenery art piece... remind me to draw more backgrounds. this was the month school started so i didn’t have time to properly draw. lots of sketches here and there though. i realize this is also the month i made Charlie and Mia. does anyone remember Mia? i known everyone remember s Charlie. [note: the reason for this comment is because i had asked every one of my friends to draw Charlie at some point (when they asked for art requests).... but never for Mia. the reasons for that are complicated.]
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April: here is a Bo. i made flowerfolk a thing. more lore sketches. halfass’d sea. i need to draw more water. Lorem ipsum. blah. blah.
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May: birth month. remember deactivating because of tests. Korean school whoopin my ass. nothing was fucking done! i drew Hollow Knight because i like Hollow Knight. [i also watched Sword Art Online Abridged around that time. see if you can spot one of the jokes.]
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i drew ref art for my raffle winners but i’m not keen on resharing gift art. [fun fact: i am now! see them in their greatly watermarked glory:]
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June: kurookoo. mushroom. nothing done, nothing done. i remember i had a time limit on my laptop everyday which is probably why i drew less on my laptop.
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there is, however, lots of sketches. some of my favorites.
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and some objectsona art. i did not draw him too often. i wonder why.
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July: ...uh? there is no art from July. i remember going on a trip that month. moving on.
August: started going to international school that month. i apologize for all these scribbles. we will be getting proper drawings very soon.
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September: i am free from this art block curse!! thanks Ekura.
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also some more sketches. Raz and Mwa inspired me to make some bug OCs.
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ruethenerd · 7 months
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I'm on Twitch now!
So, I started streaming on Twitch a couple weeks ago, and now that I've gotten more comfortable with it some changes are coming this week, or next.
I mostly stream Genshin Impact, and while it's fun, I stream three days a week. Monday, Wednesday, and Friday. Below is a poll for which game you'd like to see me play on Wednesdays going forward.
Follow my Twitch here! > https://www.twitch.tv/scatterbrainrue
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A little over a week ago I played and completed Sword Art Online RE: Hollow Fragment and now I am going to talk about what I liked and didn’t like. Remember, there will be spoilers!
What I liked:
The actual gameplay and combat are really fun and the only reason I kept playing the game.
What I Didn’t Like: 
The player customization sucks and doesn’t make sense for the story. Like, you let me change my look and name the character whatever when all the story moments call the main player character Kirito and it just doesn’t make any sense to me and this isn’t the first SAO game to do this as Hollow Realization does this too.
The story is the basis of what SAO is. You start on floor 76 and you have to clear from 76 to 100 and that is the entire game. It’s kind of monotonous.
Floors will often reuse the same enemies and music and it makes me feel like they only made like 4 music tracks for the whole game.
What I Think Is Weird And Creepy:
Why the fuck does this game have a romance system? Yes, other SAO games I’ve played has it too and I find it weird and creepy in every SAO game! All of the characters you can romance are not even of age and it’s just super weird to include a romance system in a game like this.
Now, I know how this looks. Yeah I can’t really recommend this one, even as a person that likes the original SAO and SAO II (and HATES the Alicization seasons with a passion). Compared to something like Hollow Realization, this one is just doing the same thing over and over and also having very strange and sometimes weird and creepy interactions with other characters. 
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zodiac-senpai · 1 month
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YujiKiri "Arm-Wrestling" 😈
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bandainamcous · 5 years
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Sword Art Online: Hollow Realization Deluxe Edition is now available on Nintendo Switch! Discover the spectacular world of Ainground with Kirito and friends! Order your copy and start playing today
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sterlinggalaxy13 · 3 months
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Yuuki
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mat2modblog · 5 years
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One of these things is not like the others.
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