#takashiyamazaki
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凄い事に気づいてしまった! 2024年3月10日 米国アカデミー賞で「ゴジラ・マイナスワン」が視覚効果賞を受賞! 3月10日は79年前1945年に東京大空襲があった日 そして1954年の「ゴジラ」第一作ではゴジラの関東侵入路は東京大空襲の爆撃機と同じルート(「シン・ゴジラ」でも) 79年経って記憶が薄らいだ証拠か日米のわだかまりが解消された証拠か。 亡き母は千葉で庭に落ちて来た不発の焼夷弾をバケツの水で消した、と良く自慢していた 合掌 I realized something amazing! March 10, 2024: Yamazaki Takashi's "Godzilla Minus One" won the Best Visual Effects Award at the U.S. Academy Awards! March 10 was the day of the Tokyo Air Raid 79 years ago in 1945. And in the first Godzilla movie of 1954, Godzilla's entry route into Kanto was the same route as the bombers of the Tokyo Air Raid (also in "Shin Godzilla"). Whether it's evidence that the memory has faded after 79 years, or that the hard feelings between Japan and the United States have been resolved, my late mother used to boast that she had wiped out an unexploded firebomb that had fallen into her garden in Chiba with a bucket of water. RIP
https://note.com/takigawa/n/nd45b2816ef77
#東京大空襲#takashiyamazaki#academy#academyawards#アカデミ���賞#アカデミー🏆#山崎貴#ゴジラマイナスワ���#ゴジラ#3月10日#tokyoairraids#godzillaminusone#godzilla#march10
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🎞️Godzilla Minus One (2023) 🎥Takashi Yamazaki 📷Kōzō Shibasaki
#TheMostBeautifulShotsInMovie#Shot#Movie#Peliculas#Cine#Cinema#Pelicula#Movies#OnePerfectShot#Cinematography#TakashiYamazaki#GodzillaMinusOne#RyunosukeKamiki#MinamiHamabe#YukiYamada#MunetakaAoki#HidetakaYoshioka#SakuraAndo#KuranosukeSasaki#Godzilla#Gojira
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Godzilla Minus One ★★★★
As Godzilla Minus One concluded, cheers erupted from the audience – what a thrilling ride! Despite American adaptations, director Takashi Yamazaki remains faithful to the historical and cultural essence, leaving a significant impact.
Beyond Godzilla, the film follows Koichi Shikishima (Ryunosuke Kamiki), a WWII kamikaze pilot who abandons his mission and grapples with survivor's guilt after Godzilla strikes Odo Island. Shikishima's chance at redemption arises as the massive lizard approaches Japan.
Godzilla Minus One explores Japan’s wartime treatment of soldiers, delving into Shikishima's journey of forming a makeshift family and coming to terms with the demands placed on kamikaze pilots. The film avoids flashy action, emphasizing danger and Shikishima's healing opportunity in Godzilla's presence. The climactic battle strategically traps Godzilla.
The superb visual effects prioritize realism over CGI exaggeration, presenting authentic city destruction. Yamazaki's approach serves the plot, not overshadowing it. Godzilla Minus One pays respectful homage to the iconic monster, treating it intelligently and delivering an enjoyable experience for Godzilla enthusiasts.
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L'incasso mondiale del film Godzilla Minus One supera i 10 miliardi di yen Il film è anche nella rosa dei candidati alla 96esima edizione degli Oscar per gli effetti visivi. Info:--> https://www.gonagaiworld.com/lincasso-mondiale-del-film-godzilla-minus-one-supera-i-10-miliardi-di-yen/?feed_id=417538&_unique_id=6585787f04a20 #Godzilla #GodzillaMinusOne #Godzilla1.0 #TakashiYamazaki #ゴジラ #ゴジラ1.0
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https://youtu.be/OPIKfDGmNaM In a world of escalating budgets - and along with it, escalating risks - there are a handful of directors who have brought in incredibly epic films on comparatively minimal budgets. Gareth Edwards - a former Godzilla director himself - recently delivered a visual feast in The Creator for $80m (incredibly frugal compared to most modern blockbuster budgets that fly well above $200m), while the VFX director, writer and director of Godzilla Minus One Takashi Yamazaki made his film for $15m (to put it into perspective, six episodes of Marvel's Secret Invasion cost $212m, enough money to make Godzilla Minus One 14 times over). With decades of Lucasfilm innovation as an independent company, changing the VFX world to allow dazzling visuals on tight budgets, Yamazaki would seem to be a logical choice for future Star Wars projects brought in on a tighter budget, something the multi-tasking director would very much welcome. ShlashFilm: Yamazaki-san, you've done movies based on a lot of big manga and properties like "Godzilla." I'm curious, is there one dream project that you haven't done, one property or franchise that you want to play with? Yamazaki: I watched "Star Wars," and that's how I ended up being a filmmaker, and I'm really hoping I will get a call and they will me bring me on "Star Wars." I think a more Japanese or even just Eastern take on "Star Wars," I think, would be really, really interesting, so I hope they call me up. [amazon box="0744087341"]
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#GodzillaMinusOne (2023), #action #scifi film by #TakashiYamazaki is the 37th film in the #Godzilla #ゴジラ franchise.
It was a recepient of multiple awards including #Oscars2024 Best Visual Effects.
It is streaming online on Amazon #PrimeVideo.
#Godzilla Minus One#Godzilla#ゴジラ#ゴジラマイナスワン#action#scifi#movie#movies#Takashi Yamazaki#Oscars 2024#best visual effects
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Godzilla Minus One won the Saturn Award for Best International Film, adding to its impressive list of accolades.
In his acceptance speech, director #TakashiYamazaki expressed gratitude to fans and confirmed that he is actively working on the next #Godzilla movie. While details remain limited, Yamazaki’s role in writing, directing, and visual effects hints at another ambitious installment in #Toho’s legendary #Kaiju franchise. With the film still in early development, fans are eagerly awaiting more information about Godzilla’s cinematic future.
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MOVIE QUOTE OF THE DAY:
“Is that . . . Godzilla?”
Minami Hamabe in Godzilla Minus One
#GodzillaMinusOne #TakashiYamazaki #MovieQuotes #MovieQuoteOfTheDay

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Finally got to watch ‘Godzilla Minus One’. It was EVERTHING!!! #GodzillaMinusOne #Godzilla #Kaiju #TakashiYamazaki

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Weiss Schwarz Cardcaptor Sakura Clear Card Supply Set bought from Oblivion Games at Tampa Bay Comic Con: CCS/WX01 Booster Pack 4: 060 R Sakura: Slip of the Tongue 028 U Rare Cheesecake Recipe (Uhhhh... my kanji is a bit rusty, like 0.00001% efficient) 088 U Sakura: Hospitable 054 CR Release! RECORD! 018 C Takashi Yamazaki 046 C Nakuru Akizuki 071 C Sakura: Irresistible Pull 091 C Momo #tampa #fl #tampabaycomiccon #tbcc #tbcc2022 #obliviongamestampa #weissschwarz #tcg #supplyset #boosterpack #cardcaptorsakura #cardcaptors #clearcard #sakurakinomoto #kero #momo #lisyaoran #chiharumihara #takashiyamazaki #nakuruakizuki #akihoshinomoto #yunadkaito #catchyoucatchme #tsubasachronicles https://www.instagram.com/p/Cg12Iq1rs1w/?igshid=NGJjMDIxMWI=
#tampa#fl#tampabaycomiccon#tbcc#tbcc2022#obliviongamestampa#weissschwarz#tcg#supplyset#boosterpack#cardcaptorsakura#cardcaptors#clearcard#sakurakinomoto#kero#momo#lisyaoran#chiharumihara#takashiyamazaki#nakuruakizuki#akihoshinomoto#yunadkaito#catchyoucatchme#tsubasachronicles
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GKIDS Nabs LUPIN THE 3RD: THE FIRST for US Theatrical Release
Here he comes, right on time!
After a successful run in Japan, LUPIN THE 3RD: The First will be making its way to US cinemas thanks to GKIDS. The film distributor behind Studio Ghibli Fest and US releases of films like Weathering with You announced the acquisition today:
Get ready for our next heist. GKIDS is proud to announce the acquisition of the North American rights to LUPIN THE 3RD: THE FIRST. #LupinIII #MonkeyPunch #ルパン三世 #TakashiYamazaki pic.twitter.com/7101WIrkCl
— GKIDS Films (@GKIDSfilms) March 26, 2020
The film, directed by Takashi Yamazaki (Stand by Me Doraemon, Dragon Quest: Your Story) is the first-ever CGI film in the long-running Lupin the 3rd franchise. Plans are in place for both subtitled and dubbed screenings. No dub cast has been confirmed at this time.
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A summary of the film from GKIDS:
The iconic “gentleman thief” returns in an action-packed adventure, as Lupin III and his colorful companions race to recover the Bresson Diary, before it falls into the hands of a dark cabal that will stop at nothing to resurrect the Third Reich.
More information on the theatrical release will forthcoming from the @GKIDSfilms Twitter account.
Source: @GKIDSfilms on Twitter
Ready to binge-watch Lupin the 3rd? Start from the beginning here on Crunchyroll!
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#31moviesin31days: 26)Parasyte: Part 1 (2014, d. Takashi Yamazaki): Humans find themselves no longer at the top of the food chain after shape-changing parasites start taking over people's heads and feeding on the others. After a teenager named Shinichi manages to confine his parasite to his right hand, they must learn to work together to protect the world and ensure their own survival. I give it 9 sentient hands: ✋👌☝️✌️🖕🖖🤘🖐👋 #Parasyte #ParasytePart1 #TakashiYamazaki #ShotaSometani #AiHashimoto #HitoshiIwaaki #HorrorMovieChallenge #31in31 🎃
#aihashimoto#hitoshiiwaaki#parasytepart1#31moviesin31days#shotasometani#takashiyamazaki#31in31#parasyte#horrormoviechallenge
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Lupin is going on his first CG Adventure in latest film!
Lupin is going on his first CG Adventure in latest film! #LupinTheThird #MonkeyPunch #Anime #TakashiYamazaki #3DCG #Crunchyroll #Funimation

It was announced that everybody’s favorite Gentleman thief is coming back to the Big Screen in the Franchise’s very first 3DCG animated feature film titled, Lupin the 3rd: The First. The person who will be writing and directing the film is Takashi Yamazaki, who is well known for his work on Space Battleship Yamato and Stand by me, Doraemon. While this is the Franchise’s first 3DCG Feature Film,…
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#Lupin the 3rd#Lupin the 3rd The First#Monkey Punch#Space Battleship Yamato#Stand by me Doraemon#Takashi Yamazaki#Teaser Trailer
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Godzilla Minus One vince l'Oscar ai migliori effetti speciali Il nuovo film del franchise di TOHO ha gareggiato contro Il Creatore, Guardiani della Galassia Vol. 3, Mission: Impossible - Dead Reckoning Parte Uno, Napoleon. Info:--> https://www.gonagaiworld.com/godzilla-minus-one-vince-loscar-ai-migliori-effetti-speciali/?feed_id=438125&_unique_id=65ee9fa21c783 #Godzilla #GodzillaMinusOne #Godzilla1.0 #PremioOscar #TakashiYamazaki #ゴジラ #ゴジラ1.0
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La película ha sido todo un éxito y su director, ha revelado que quiere para la secuela. https://www.cinemascomics.com/los-planes-para-la-secuela-de-godzilla-minus-one-mas-kaijus/
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Godzilla Minus One has surged on the Netflix charts, earning acclaim as possibly the best #Godzilla movie ever.
While the Blu-Ray/4K set is coming to North America this September, Netflix subscribers can enjoy the film and its newly announced black-and-white version, #GodzillaMinusOne Minus Color, set to debut on August 1st. Director #TakashiYamazaki believes this version is scarier and explained to the LA Times that the monochrome rendition adds special effects to enhance its realism, aiming for a style reminiscent of classic monochrome photography.
This release, reflecting the origins of the kaiju's first colorless appearance, offers a chilling new take on the legendary monster.
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