#teazel

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[itsstreetlove]

Teazels

July 2023

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[k00294140]

Disrupt - painting continuation

I finally completed the Morgan Jameson inspired painting of my main 3 flowers that I was mostly inspired by from "Death of a Field" by Paula Meehan. I did this painting as I thought it would be interesting to see these flowers alive and well on contrast to my sculptures which I will do this week of them in a bad state. I took major inspiration from Jameson's colour as I see it as stunning and something I wanted to capture. I tried a light icy blue background that I have seen in one of her pantings (see in my earlier posts) I also did some dark blue flowers that also reference that artwork. In this piece there is Teazel, Primroses and dandelions in both stages of it's life. I tried to make the canvas look bust but also have some free space so you can see large portions of the background colour which I noticed Jameson does a lot. I used Gouache and acrylic for this piece.

Here is my process

And Here's the final

[the-solitaryhyena]

Hellooo Tea! (Short for Teazel)

Pronouns: They/Them

They're just sketches because I kinda ran out of steam 🙃 unfortunately but I still love them!

[tomswifty-fr]

Glitzi comic commentary (commictary?)

Hello! I was rereading it and saw on the last page I said I would “aaaaaauuuuuhhh ... post some commentary eventually.” Of course, I never followed up on that - until now! If you haven’t read it pls do - this will have spoilers. 

(under the cut - heads up this is very long and very self indulgent. i love talking about my stuff!)

I think I’ve mentioned this already, but the comic is heavily inspired by “A Promise in the Snow” by Stan Sakai, the 8th issue of the 1996 run of his comic series Usagi Yojimbo. It’s fantastic stuff, and a really good ghost story (technically a spoiler, but like... if you know my thing is based off of his and you know how my thing ends, you know).

I would call my version fairly different. Both in terms of things like length and setting, but other aspects too, some of which were planned and some of which happened in the writing/drawing process.

The two images of Glitzi dive-bombing the one bandit and breaking their neck and then charging the one with their neck thrown back were really strong in my mind since I started planning the comic. I needed to get across that even if she’s not the most physically powerful dragon in this scene (that would be the one who ran away), Glitzi is still very strong and is a trained fighter - unlike the others, who are probably opportunists attacking random travelers. She’s also dealing with a lot of pent-up anger and frustration since this takes place almost immediately after her falling out with Margaret.

So like, not a great place to be if you are opportunists attacking a random traveler. I tried to draw the survivor’s retreat as though he had to take a running start before he could get enough momentum to get into the air, tho I’m not sure how smoothly that came through. My personal headcanon is that most dragons need some kind of jumpstart and can’t start flying from a standstill.

  Tundras LOVE to sniff.

^^ Faces of horror and despair when she realizes there’s a kid involved. Glitzi has a very strong sense of responsibility and this is her thinking simultaneously “Oh no, no way can I deal with a kid right now” and “I have to do something, I just have no idea what.” 

Some subtle foreshadowing here - Teazel reacts to the mention of his daughter and also to the question of the pills being for him. They’re not, of course. Snappers are also way bigger than Tundras on site. Fun fact :)

This was originally supposed to be a longer scene, with Teazel regaining consciousness long enough to say some actual words and Glitzi agonizing whether it would be worth the risk to try and give him some of the medicine (what if it helped? what if it made it worse?), even though the label had been made illegible when it fell into the snow. I turned it into the one line because it wasn’t necessary, plus would beg the question of why Nettle wouldn’t speak up and say it was for her, actually.

I really love this little confrontation panel. It took me forever of flipping the sketch and going back and forth to decide who was going to be standing on which side.

I ALSO love this shot of Nettle pressed against Glitzi’s chest looking up at her, seen thru Glitzi-view(tm). I was worried it wouldn’t be clear what was going on but I do think it came out good!

And this too! The expressions are good and Nettle is cute.

(The plan to leave Nettle watching Teazel and go to bring back help isn’t a bad one - flying is faster than walking, especially walking over snow with a hatchling and someone too injured to stand up. But Nettle is right here. What if they come back?)

Glitzi’s abrupt agreement to bring Nettle and Teazel with her isn’t just her having a weakness for kids, but her realizing that she’s not going to win this argument and agreeing so as to not postpone the inevitable. Glitzi is stubborn, but only ideologically - she will gladly switch strategies or even cut and run than waste energy on a fight she knows she can’t win. It makes her a very annoying enemy since you can’t actually beat her; once it looks like she might lose she's already sprinting for the hills... and then she comes back, over and over, with new tactics until she’s finally ground you down or found one that works. So yeah, it’s not gonna take much to get her to say yes here.

The line about the snow stopping was added purely because I got sick of drawing the falling snow.

I wish I was able to add a longer beat between Glitzi and Nettle heading off and the last bandit showing up to show that some time has passed, a few hours at least, but I couldn’t figure out how if I wanted to keep that interlude to a single page. Hopefully the snow drifts get that across okay.

Bandit logic :) Also, does this imply that Teazel was alone? That Glitzi is alone now? Subtle foreshadowing?  

Glitzi spent too long up north (with Margaret) and lost her wintercoat (sense of purpose and camaraderie with the rest of her order) and now she’s cold (in a pretty rough place, emotionally).

It’s not really that deep. Or it could be, I guess. This was also originally a longer scene where Nettle interrogates her about her history, we learn more about Nettle’s parents who have a whole backstory that doesn’t come up, and Glitzi admits that she’s feeling a little lost, though not why. But again, it wasn’t necessary and I didn’t want to spend several pages on an ultimately distracting conversation where nothing happens except them continuing to walk through a canyon.

Instead, Nettle says that her parents are from up north but she’s never been; she likes the Icefield and is going to stay here forever! I think this might be a little heavy handed, but hopefully that’s mitigated by someone watching them from the top of the canyon - except that they were originally looking down at Nettle, until I realized that wouldn’t work and erased her, at which point I’m not sure how clear it is that it’s from above and not just Glitzi’s foot or something.

It’s the bandit! I’m just going to post several pages now because 1) I’m proud of them and want to show off and 2) I love drawing fight scenes.

This also owes a lot to Stan Sakai because I love his fight scenes! His drawings are super dynamic and very cool!

Anyway, bandit tries to do the same thing to Glitzi that Glitzi did to their buddy right at the beginning, but some snow gets knocked loose and she has enough warning to roll out of the way before her neck gets snapped. But it puts her on the backfoot immediately and even though she’s skilled, this guy is bigger, stronger, boiling mad, and hasn’t been dragging a Snapper for half a day.

(Tundra trivia time - their manes have one of the same purposes as lions, which is to give anything who tries to bite their neck a mouthful of hair instead of like, skin and bones and vital blood vessels. Everyone knows this so it’s not usually a common target, but Glitzi’s coat is a bit patchy and hey, worth a shot.)

Then an avalanche occurs.

Glitzi is concussed, bleeding from the head and battered from not only having a mountain fall on her but also getting beat up and bit. By digging her out and keeping her awake, Nettle saved Glitzi’s life as well as Teazel’s.

I went through SO many iterations of the design for this village. Way too many for something that is very small, in a single panel background, where everyone is gonna be focused on our unconscious protagonist instead.

The house is round! Instead of a fireplace, it has a coal pit set into the floor, and instead of a solid door it has a thick curtain over the entrance/exit. Nettle’s mom/Teazel’s wife is named Rein. She’s making soup because Glitzi is injured enough she doesn’t want to risk solids, soup warms up the drinker, and soup warms up the room. A perfect food!

And the ending... I’m not sure what to say about the ending. It didn’t take me the longest to draw but it definitely took me the longest to write and sketch. The two last beats in particular, of Glitzi putting her head in her hands and Rein walking away through the village, swapped places many times. They both had to be there, but it was hard to decide which would be the actual final panel.

If anyone wants more on that specific scene, ask and I shall provide but for now I’ll skip over it. It’s uh, pretty tough.

Epilogue: Glitzi stays in the village until she’s fully recovered, which takes a while. She immediately goes back north and does not spend much further time in the Icefield. This is the beginning of her “cynical and depressed” period. She does not tell Teazel or Rein about seeing their daughter’s ghost. 

Rein is a native of the Southern Icefield, who moved to Nature territory and met Teazel there. They were happy, but she always missed Ice territory and convinced him to move back with her when they their first egg so she could raise their first child where she grew up. Along with the messy and awful feelings of having one family member die and another almost die, she also feels like maybe if she hadn’t insisted on the move, none of it would have happened. Rein knows intellectually that it isn’t her fault, but it’s still hard. Teazel doesn’t blame her for any of it and supports her as best as he can. They manage to get along and consider moving back up north, either to Nature or somewhere else, but I don’t know what they decide. It’s a hard decision either way.

Here are their scries:

Thanks for reading this far and also thanks to everyone who read the comic when I posted it originally! It was my biggest comic project I ever finished and it really meant so much to see all the awesome comments and tags. To anyone who said it made them cry: sorry lol. I cried too 🥲

[kristo-flowers]

Winter teasel can't decide which of the pictures i like best

[heaveninawildflower]

Summer Coastal Flowers.

Own photographs.

[pixelonline]

I love those stupid pet nicknames that you give your pet and they eventually learn to respond to them.

I call Teazel:

Teazely, Teazelybutt (also Teazel E. Butt), Teazaleous Euripides Butticus, my love, potato, hot potato, Teazel Easel Beazel Wheezle, Teazel Butt.

I call Parzival:

Baby, Parzibutt, Peanut Butter and Pup, Parzalious Butticus, Parzibat, Winston Churchill, Little Burr (that's his pre bark noise), *generally looks in his direction*

Tybalt Leftpaw is called Mao-mao, Tybalt, the song "if you're happy and you know it" replaced only with the word "kitty", Elephant

FYG is still new and hasn't accumulated a bunch of names yet but so far there's Figgy, Fig Newton (once he fell off the rock and I called him that. Then remembered gravity and it got funnier), Figlet, and Leeezaard.

[a-framed-dog]

Keith has a new girlfriend

[itsstreetlove]

Teazels

October ~  2021

[wordswimmer]

Teasels, one of My favorite signs of summer, in a field of wildflowers up north. #teasel #teasels #teazel #wildflowers #wildflowerseason #signsofsummer #summerflowers #chicago https://www.instagram.com/p/Bzx0-UZn2zu/?igshid=1t1q33ag0zxk9

[celebrateasimplelife]

Bees  

[teazel]

Most liked: Jul 9 2017 by: SnowPrincess @teazel_mobile #teazelcoloring #coloring #books #rainbow see more here http://bit.ly/2tMJzey http://ift.tt/2t1yny7

[k00294140]

♡✧Disrupt project✧♡

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Last week I did a lot of concept development. I looked further into the poem that I'm taking inspiration from and tried to create more ideas for pieces I could do with the workshops available to me.

Firstly I decided I should familiarize myself with flowers and so I did a flower study of Dandelions, Teazel and primroses. Some were normal studies however some are concepts on how to mix the chemical cleaning products with that flower itself. This stanza is really hitting the theme distruoy for me as it's humorous yet sad as the nature is being cleansed away. I have ideas to make these 3D sculptures however that is subject to change as the project goes on. I could possibly do some sketches of just ordinary flowers in the Me too workshop to show the "before and after".

There is this part in the poem where Meehan mentions herself walking out into the moon light in this field. She's barefoot and surrounded by mayweeds and she stands there absorbing her surroundings. Realizing this is the last moment that truly this place will be alive before all the construction. The animals still in their burrows and nests lay peacefully unknowing of the great disruption that will undoubtedly change their lives. I really wanted to do a piece for this and was thinking about doing a painting or maybe charoal I'm unsure how I want to take this. I decided I would do a above the shoulders sketch however I think it may be cool to bring it down to her waist. I tried to make her flowing hair almost resemble fire and the field is being burned away same as it's memory which dies with it's flora.

The final page is another idea I have which is to do three large pieces that show how the field is changing. In the poem we know that this once beautiful field is replaced by a housing estate with many houses with many floors. I wanted to seek this progression with the first piece being the field itself flourishing, the second the construction of the houses and the final being the houses and the field being completely gone. I brought up this idea to one of the lecturers I met in the Foley workshop. She suggested I could make this an animation with added sounds to represent the feeling in each piece. The field one would have birds chirping a slight wind sound and the ruffle of leaves the second would be harsh construction sounds and drills and finally the end would be the bust chatter if people and of children playing. I took pictures of my local area where houses were being constructed as a reference for my idea.

✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*✧･ﾟ: *✧･ﾟ:*