“Amphibia” Emphasizes Chosen Families and Self-Acceptance
What if a Thai-American girl wakes up and finds herself in a world filled with talking frogs? Amphibia answers that question. Anne meets new friends, enemies, and tries to figure out her purpose in this strange world.
Reprinted from The Geekiary, my History Hermann WordPress blog (it will be published on there on Dec. 26), and Wayback Machine. This was the forty-second article I wrote for The Geekiary. This post was originally published on June 25, 2022.
Amphibia is an animated adventure-fantasy-comedy series by Matt Braly, an animator of Thai descent. He is also known for directing episodes of Gravity Falls and Big City Greens.
As a warning, this recommendation discusses spoilers for all three seasons of Amphibia.
Amphibia centers around a 13-year-old Thai-American girl, Anne Boonchuy (Brenda Song), who is transported by a music box to another world with her two best friends, Sasha Waybright (Anna Akana) and Marcy Wu (Haley Tju). In this wild land, filled with marshes and tropical environments, she meets talking frogs and other creatures, including a family of frogs named the Plantars.
This family is headed by the overbearing and traditional grandfather, Hop Pop (Bill Farmer). He has two kids-of-sorts: an excitable frog named Sprig (Justin Felbinger) and a spunky pollywog named Polly (Amanda Leighton). All of them live on a farm of their own in the close-knit town of Wartwood. As Anne bonds with the Plantars, she learns what friendship and being heroic means.
This all-ages animated series is filled with diversity, especially from its characters and voice actors. The latter are of Chinese, Indonesian, Pakistani, Japanese, and Thai descent. The show compliments this with wonderful animation, music, and background art.
Unsurprisingly, the series has been been nominated for four Annie Awards, one Daytime Emmy, and a GLAAD Media Award since it began airing in 2019. It includes some voice actors I'm familiar with, like Tress MacNeille and John DiMaggio, who voice characters in Disenchantment, as well as well-known gay actor George Takei.
From left to right: Sasha, Marcy, and Anne with "cool anime" powers in the final episode of Amphibia, floating the air like anime heroes or Kid Cosmic protagonists
Amphibia is more than a series centered on a girl who is adopted by a family of talking frogs. While there is the classic conflict of good vs. evil, there is also a focus on family separation, self-acceptance, and trauma. As I wrote previously, all of the main protagonists have trauma on same level or another, as the friendship between all three of them faces hardships and strains.
This is all mixed together with fantasy and sci-fi elements, and even occasionally situational comedy acts. These complex characters are written in such a way that you become invested and concerned about them, even after ending the series. The series also has plotlines focused on human and animal experimentation, and robots.
This series is part of a recent set of diverse Disney animated series. Others include The Ghost and Molly McGee, a supernatural fantasy, and will-be-ending horror comedy and fantasy The Owl House. Upcoming series such as Iwaju, Moana: The Series, Tiana, Cookies & Milk, Hailey's On It!, and Marvel's Moon Girl and Devil Dinosaur portend a continuation of this focus.
In the case of Amphibia, Braly based the series on his trips to Bangkok, Thailand where he thought he was an outsider. He also was inspired by video games like The Legend of Zelda and Chrono Trigger. In previous interviews he said he wanted to make the main character a Thai-American because there were few Thai protagonists in TV series or films that he watched as a kid. As a result, he has said he become influenced by the Mortal Kombat and Sonic the Hedgehog franchises.
In a December 2021 interview, Braly noted the themes of immigration, alienation, and xenophobia drawn from his own experiences. All of these themes are deeply integrated into the series. Some of this is heavily informed, according to Braly, by the 1990s series, Pepper Ann. Braly also noted that frogs were chosen for the series because they are metaphor for change and their connection to Thai culture.
Lady Olivia (right) looks at General Yunan (left) lovingly and tells her she wouldn't mind "settling down" in Wartwood with Yunan.
Amphibia is rightly praised for illustrating issues like emotional manipulation, bullying, and delightful characters. The series could also be praised for broadening "ethnic-racial representations" like Craig of the Creek and Elena of Avalor. This is something that groups like the socially conservative family-oriented non-profit, Common Sense Media, would praise.
A 2021 report from the organization notes that when people of color are portrayed stereotypically, it causes harmful views to be promoted among White audiences. This is coupled with underrepresentation of specific groups, such as Latine and Indigenous people, and misrepresentation of others.
Little mentioned is LGBTQ representation in Amphibia. Although it isn't as direct as other recent series, like Dead End: Paranormal Park or The Owl House, Braly stated that in the show's finale, they left it open as to whether someone thinks of Sasha, Marcy, and Anne romantically or not, as he loves shipping. He called it the "greatest expression of love for characters."
This gives queer fans who ship Marcanne (Marcy and Anne), Sasharcy (Sasha and Marcy), Sashanne (Sasha and Anne), or even all three in a relationship together some solace. This the case even if this so-called "Calamity Trio" are only be "gal pals" in the show's canon.
Even so, Sasha was hinted as bisexual in the show's final episode, and confirmed as such by Braly, as I noted in an earlier post. Her voice actress, Akana, is bisexual herself. She voiced Daisy in magical girl esque Magical Friendship Girl Squad: Origins and Magical Girl Friendship Squad. In the case of Daisy, Akana argued that Daisy was bisexual. However, other crew members argued she was a lesbian, and possibly trans, leading to confusion among fans.
Coming back to Amphibia, Sasha joins other LGBTQ characters such as Frodrick Toadstool and Toadie who were confirmed as a gay couple by the show's creator. More significantly is Yunan (Zahra Fazal) and Lady Olivia (Michelle Dockery) as lesbian couple. There's also Ally and Jess who run an Internet video channel together. Their colors are based off the bisexual and pansexual flags.
It is also implied that Mr. X, voiced by RuPaul, is gay, and there are some other minor LGBTQ characters. Similar to Sasha, the sexual identities of these characters are never directly stated. Mr. X is an effeminate FBI agent assisted by a silent assistant named Jenny. After Anne and frog family escape to Amphibia, Anne's birth family convince Mr. X to hear them out and to be on the same side against Andrias. This results in the military and FBI assisting Anne and her friends in the final episode.
The relationship of Yunan and Olivia, was embraced by reviewers like Jade King, who calls herself "TheGamer’s Queen of Gay Cartoons." Braly told King that the ship of these two characters was their favorite ship. He called it "very organic" and "awesome." Fans were jubilant about the news, and fully embraced it. It undoubtedly helped that Fazal was inspired by the protagonist of Darkwing Duck in voicing the character.
Considering that the final episode has a ten year time-skip, it makes the series ripe for a possible spin-off or continuation that happens in that time skip, with different protagonists than this series. While some are conflicted about a spin-off, the show could go a route a la Steven Universe Future, focusing on the aftermath of a victory, with Anne, Marcy, and Sasha having to pick up the pieces.
All three seasons of Amphibia are currently streaming on Disney+, YouTube TV, and Prime Video.
© 2022-2023 Burkely Hermann. All rights reserved.
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The classic fairy tale rewriting with San and Vee’s love story in Century of Love (Ep 7 – 8) :
[gif by benzatthanim] @benzatthanin
I have to admit I was inspired by this post from @mikuni14 post about the classic fairy tale rewriting idea (thanks again for the inspiration!). Quick disclaimer before starting: I know that the screenwriters and the original writer of the book were not really inspired by classic fairy tale. I just feel like the series has so many characteristics that you can find in classic fairy tale and I’ll show it to you here.
So what is a fairy tale? If I had to summarize, I would say it’s a short story where the main characters (San and Vee) must face ordeals and fights against their enemies (Evil Uncle, Rich Man who wants to live and Doppelganger of Vad / Wat). To be able to reach their goal, they will have the help of sidekicks (Tao, Tee and San’s family). Heroes from fairy tales are usually inexperienced at the beginning of the story (San is stuck in the past and full of nostalgia). They must find their way to understand the meaning of their life (In Century of Love I would say it's "what is true love?"). The classic fairy tale follows a narrative outline:
[gif by pharawee] @pharawee
1. The initial situation:
San fell in love with Vad / Watt, but she was killed by her fiancé, so he used the help of the five-colored stone of the goddess Nuwa to be able to stay alive and young until he finds the reincarnation of his love.
[gif by sanvees] @sanvees
2. The disruptive element that modifies the initial situation:
Vad / Watt wasn't reincarnated as a woman, but could be a young man named Vee whose personality is quite different from Vad / Watt. San has trouble accepting the situation even if everything seems to prove Vee is the one he was looking for.
3. Adventures that advance the action and the ordeals that the hero must go through:
San and Vee get to know each other and slowly fall in love. San is starting to accept Vee could be his new love. He also has to stop living in his past. Vee has a criminal past and a sick grandma that he wants to take care of. Several people came in between the two lovers: a childhood friend (possible reincarnation of Vad / Watt previous fiancé), villains who wants to steal the stone, jealousy and loss of self-confidence.
4. The element of resolution
5. The final situation.
Still waiting for these events to happen.
[gif by jimmysea] @jimmysea
Century of Love also presents some recurring characteristics of fairy tales. Fairy tales belong to the world of wonder and imagination. If Century of Love is happening in a world that looks like ours, it still contained fantastic elements such as supernatural characters and magical artifacts. In the story, San is near immortal so he can be the same as what he was when he first met Vad / Wat, so her reincarnation can recognize him. It’s possible because he got the power of the five-colored stone, a powerful and magical artifact given by a goddess. Usually fairy tales were written for various reasons: examining the human condition or talking about modern issues. In Century of Love, San was stuck for a long time in the past and felt out of place with the modern time. I think he took “waiting for his lover” literally. Many other people made a really good take on why San was acting this way before meeting Vee and I can just advise you to read them. The story is more complex than what it seemed at first. To name but a few, you could read this post, this post or this post. It may feels like it’s just to work well with the character, but in fact, any of us can risk being stuck in the past for various reasons: tragic events, holding on to things or people, mental health issues, fear of change, blaming ourselves… Just like fairy tale, Century of Love has an educational value and is trying to provide the viewers some kind of life advice.
I would even say that after watching the last episode, I felt like Century of Love could be compared to a rewriting story of the famous fairy tale “Beauty and the Beast”.
So in Beauty and the Beast the story is more or less about a young girl called "the beauty" who sacrifices herself to save her father, sentenced to death for picking a rose in the domain of a terrible monster. Against all expectations, the Beast spares Beauty and allows her to live in his castle. She realizes that, behind the features of the animal, a man is suffering as he is the victim of a spell. He is a generous being who only asks to love and be loved in return.
So now, let’s see how Century of Love changed the story to… a young man called “Vee” agrees to marry a cranky meanie grandpa with a young face, San, to save his grandma. His goal at first is to find the powerful artifact San possessed to cure her. Against all expectations, San is nicer than what he seems to be and allows Vee to live in his house with his family. Vee realizes that behind the sternness of San, a man is suffering, victim of the power of the five-colored stone. He is a generous being who only asks to love and be loved in return.
Doesn't it work well?! Put new Vad / Watt or Suchat as the villain Gaston (only present in Disney version of the Beauty and the Beast) and San family as the supporting characters living in the house of the “beast” and you'll get the story wrapped with all its important characters.
Beauty and The Beast is a tale that teaches people to distinguish moral ugliness from physical ugliness. The true foundation of a solid love is kindness. Compassion and esteem can create love and you shouldn't judge someone by his look only or his past. Those are also the “life advice” that Century of Love is teaching us through the love story of Vee and San. It is more powerful than just thinking you need to be with the reincarnation of your past lover. San loves Vee for Vee. Now, I just hope Vee will see that he also deserves to be loved. His acts of true love is what made San overcome his habits of staying in the past.
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