Okay but Tommy drops out of high school — he told his father he was gay and he told him he could either be homeless or go to military school. He goes to military school and joins the army and he likes flying the helicopters because it means he doesn’t have to do any of the killing himself. And he makes some friends.
There's one guy who's like the squad leader who's a few years old and built like a Greek god and Tommy's young and a little bit in love. And they're friends maybe even family because this whole group of people spend every waking (and sleeping) moment together. And they all talk like a family and they all say they love each other and tease each other and it's nice. And one night it's just the two of them trading a flask of some sort of alcohol that Tommy doesn't know the name of and the man asks Tommy why he joined the army and where he wants to be in five years and Tommy trusts this man. He's half way in love with him so he doesn't even think twice before he tells the story about the time he came out to his family and his father nearly beat him to death before sending him here. And the conversation tapers off after that and he doesn’t register the change in the air but when he wakes up the next morning he’s being dishonourably discharged because he poses “unacceptable risk to the high standards of morale, good order and discipline, and unit cohesion that are the essence of military capability”. He knows what that means.
Tommy joins the fire department because he doesn’t know what else to do. He represses anything regarding his sexuality because he knows now that it’s wrong. He almost feels like he has a family again because his captain seems to like him and some of the guys are cool even if they say things he doesn’t agree with. And then he starts agreeing because maybe they’re right and he’s wrong and he’s just inherently wrong. So he follows their leads and is just straight racist because that’s how he can fit in.
And then a black lesbian woman joins and says she’s a black lesbian woman and Tommy doesn’t understand that either because you can’t be queer you just can’t be because it’s wrong.
But he nearly dies and and an Asian man saves his life and a black lesbian woman comes up with a better idea than any of them had and she tells them she’s no different and she is just as capable. So he improves himself he does and he tries to be better but he still can’t be who he is because the last 2 times he was honest about that he was betrayed.
Tommy leaves the 118 and “don’t ask, don’t tell” is lifted and he meets this guy he likes who likes him back and the 217 don’t seem to have a problem with the gender neutral pronouns and he slowly but surely lets himself open up again and be who he is and when the thing with that guy doesn’t work out because he’s moving to New York and Tommy’s not sure he’s ready to leave, it’s okay because his crew is there and they support him and he can still be himself.
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Smeraldo Garden Marching Band
Is it pronounced Smeh-rall-doe or Smar-all-doe? Or even Smarl-doe?
Ngl, soon as I saw kids in the MV I knew there would be no sexy in it... (me is a thirsty ho after all)... but Jiminie can't help being Jiminie in all his glory anyway.
My very first impression was that it was NOT what I was expecting but when is it ever? Never. So now that I'm past that....
There's not enough skin, Jimin (slaps down my inner thirsty ho...go away, its not time).
Jimin is singing live in the MV which is 3:46, the song itself is 3 minutes. He had a point to make and he made it clearly with a live vocal performance MV.
This song is very light, fun, romantic, flowers, butterflies, and Jimin playing Mr. Matchmaker... which I found interesting... after he sang the lyrics:
As I write this, the SGMB MV is trending at #11 on Youtube for music.
And there's this:
Yes, you read that right... 2.38 MILLION posts.
And this... the energy is energy-ing.
And this:
And this new selca:
I wonder what went down in the barracks when the song and mv dropped. I just wonder what element JK latched on to and is endlessly repeating it every spare moment while waiting for the vat of tteokbokki to simmer.
I saw the ratings review for it produced an "ineligible" result. There's nothing that seems like it would keep it from being shown anywhere, its so squeaky clean. Not sure what happened for the ratings to fail.
I love this reference to Jimin's Serendipity stage:
He had said last year that when he was making the songs for Face, he had some difficulty dredging up the feelings he had that inspired some of those songs. He also said he was past all of that depressing stuff. And now we know he was working on this song and Closer Than This, amongst others, while simultaneously working on Face.
His outlook was positive and he was moving forward. What else happened last year? He and Jungkook were able to spend some time creating something together (that we've yet to see) before enlisting together. Something fun they said! I can't wait! They were so happy. They see their freedom at the end of the tunnel. I see it too.
Anyway, I love his happiness in the music he's creating. That's all that matters to me.
The all kills are happening, the #1's are happening, the dance challenges are dropping, the media is talking, trends are trending, let's keep it up for Jimin!
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happy father's day i'm thinking about this outis line again
I always thought it was a bit out of pocket considering this isn't too long after the events of Canto III, even with how Outis was being harsher this Canto.
But I then I remembered that Outis' son is the same age as Sinclair.
Her son, who thinks that she died in the Smoke War (the in universe equivalent to the Trojan War as depicted in the Iliad and the Odyssey) because she hasn't been home in years. Her son who cannot cry out to her. And her son, who is currently in much the same position as Sinclair regarding his self-perception and ability to fight, as Telemachus refers to himself as "a weakling knowing nothing of valor" (Book 2 of the Odyssey, line number and exact wording depend on translation).
I think this line reflects more on Outis and her anxieties about her family thinking that she's dead, as well as a reference to Telemachus experiencing his own journey to manhood, much like Sinclair.
I think there's also things to be said for the parallels between Sinclair and Telemachus, even just the ones imagined by Outis. Hell's Chicken had her showing a very paternal worry over his diet (raise your hand if your dad has ever said you'll be short forever if you don't eat right). Overall, even though Sinclair and Telemachus only share the bones of a coming of age narrative, Outis is seeing connections there because she misses her family.
As with this one. Again, she's showing her hand more than she means to. Though she's talking to Dongrang, I think she's also talking to herself. Trying to reassure herself that home will always be waiting. Dongrang, however, decides not to return, but to pursue glory no matter who he hurts in the process. The Odyssey also contrasts the pursuit of glory with the desire to return home. Odysseus has to choose humility in order to return.
Outis has been keeping up a careful persona around us, but it's slipping. Her desire to return home is seeping through even as she tries to assert herself by clinging to the glory from a war that's long since ended.
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Heya,,, hello,,, Just wanted to say I'm in LOVE with the art you make Squid. Your style and designs always manage to hit so nicely and its so unique to me <3
Your QSMP art and ESPECIALLY ones of miss Baribal are some of my FAVORITES and drives me (and a friend) bonkers over her and I thought I'd show appreciation for the content you provide of she-bear Baribal 🫡
I always look forward to seeing more of your art posted on here <3
Other than that, I wish you a good day, Squid! ^^
THIS IS SUCH AN OLD ASK BUT I DONT CARE IM ANSWERING THEM NOW
I’m so so glad you and ur friend like em !! THE FEM BARIBAL PROPAGANDA IS STRONG !! Do you really love a character if you haven’t evolved far from canon and changed their design hundreds of times ?
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