#that morals don't exist in food

[pickapea]

my job is reactivating and rehabilitating patients in post surgery care and one of the first things i tell them once they've tried to drink some juice and stand on their legs without throwing up is "every bite is a good bite" and i think that's a good sentiment for everyone

[cuteniarose]

The consequences of my poor financial decisions are here!!

[sgkjd]

ppl sometimes say to me "u think you're always right" and i sit there confused because yes? i usually AM right. because i have researched the topic more than you, and i have thought through both arguments and counterarguments before speaking up. moreover, my anxiety and fear of being misunderstood simply doesn't let me speak anything out loud which i haven't thought 150% through. so technically yes, i am more right? i don't understand what's the problem? i'm not talking about my personal opinion though? i'm just stating the facts? and the facts tend to be something that's "right"? don't they?

[headspace-hotel]

It's important to not force your human morals onto non-human nature, like "this creature, since it disgusts me, is bad" or "this creature, since it has behaviors I interpret as sweet and heartwarming, is good"

But if you study nature whether in life or in profession, nature will make you feel disgusted and uncomfortable, it's not necessary to act as if those feelings don't exist within you, because they are part of your encounter with the otherness of nature, and contain sensitivities that can be sharpened into their own ingredient to knowledge and awareness

Coexisting with discomforting parts of the reality of Nature without trying to resolve them into a moral or aesthetic framework you are happy with, reflects maturity

It is no good to "redeem" a hated animal if the redemption is another false idea of the animal as innocent and good. This implies that a creature's "goodness" is a valid reason it deserves existence. It is also no good to treat a beloved animal with hatred to make things fair.

A good example is with dolphins and sharks, dolphins were seen as good and cute and almost human, whereas sharks were seen as bloodthirsty killers, and this has cost the lives of sharks while dolphins are given more sympathy, so some people have tried to turn it around, portraying sharks as gentle and good while pointing out that dolphins can be violent and rape other dolphins.

A lot of dolphin behaviors are certainly upsetting, definitely it makes sense to be upset that an animal can engage in what appears like cruelty, but human morality isn't made to apply to non- humans, and a particular behavior is not the entire reality of what a whole species is like. Dolphins also engage in behaviors that humans judge as friendly, compassionate, altruistic, curious and playful

Think of a particular dog or cat and the variety of complex behaviors they are capable of—an entire species, made of individuals with their own complexity, must be far more complex. All of your emotional responses to dolphins are recognizing the immense complexity of these animals and how they are both like and unlike you, which is important to think about to expand your understanding of the universe

Fitting a creature to a flat framework for your own comfort or internal resolution is a disrespect to the creature. Certainly with sharks, everyone should know the facts about them rather than sensationalistic misinformation—shark attacks are rare, humans are not a preferred food for sharks, and most shark bites are exploratory investigations of a strange object or animal rather than feeding upon a selected prey item, however this doesn't mean sharks are "good" by human standards and it certainly doesn't mean sharks are "safe."

Seeing a video of an enormous Great White swimming placidly I feel that her presence is not just breathtakingly beautiful, but awesome—in the more archaic sense of something that inspires awe, something so great and powerful it could destroy your fragile human life without malicious intent. Likewise with any shark, it is respectful to recognize that they can be dangerous, it is disrespectful to think of them as ocean puppies and try to touch them and grab them.

Fear, disgust, anger—each is an instinct that functions to protect you and is reactive towards potential or perceived threats. Your brain allows you to evaluate things that cause these responses and choose how to act.

All parts of this whole are important because the natural world contains actual threats but knowledge and intentional behavior are important to protecting yourself.

For example, once when I found a tick crawling on my clothing, I felt disgusted and startled, which is appropriate, but my instinctive reaction was to immediately flick the tick off, flinging it onto the floor or furniture nearby where I no longer knew where it was. In this way my response didn't actually protect me but instead increased the level of risk

There are plenty of other examples—if someone sees a venomous snake they might think it is important to kill it, but trying to kill the snake is much more dangerous than leaving it alone, since the snake will try to defend itself. Spraying pesticides to kill bugs can unbalance the ecosystem causing more harmful pests than you started with because the natural predators are also killed. Using poisons to kill mice and rats will also poison their natural predators. Killing coyotes just causes them to disperse and reproduce at a higher rate, and killing wolves causes overpopulation of prey, which causes disease to proliferate and forests to be stripped bare of saplings that could grow up and regenerate the forest...

...And it also works the opposite way with human responses of affection, love and sociability: humans often may feel that they want to make an animal their friend, but often it would be cruel to take that animal into a human house and treat it as a pet. White-tailed deer may seem cute and sympathetic but hunting some of them is important for the health of the ecosystem, and trying to make them tame puts the deer and the humans in danger. Domestic cats are our friends but they are also invasive species in much of the world, destroying populations of birds, mammals and amphibians.

Domestic cats aren't serial killers or murderers either, they are just predatory animals that instinctively hunt and kill prey.

It is hard for facts about animals to be propagated while those facts must be presented as reasons the animal deserves to live or deserves to die. Virginia opossums are important to their ecosystem and deserve to exist. They also don't actually eat ticks, that came from a very flawed and sloppy scientific study that was contradicted by later studies, and sadly the reason this misinformation got so far is that it was "proof" that opossums are valuable and shouldn't be killed for no reason.

Wolves are keystone species and vital to their ecosystems, but it's not true that they never attack humans, there have been a small handful of wolf attacks on humans, it's very few and wolves generally avoid humans but they're not "safe." They shouldn't have to be "safe" to deserve to live.

Fact is, most animals can harm a human if they feel threatened or end up in an unlucky situation! Most animals can spread disease one way or another! We have to live with this, we have to learn and use strategies to keep ourselves safe, we can't just sterilize the world of animals because of a possibility that an animal could hurt someone, any more than we can cut down every tree because trees fall on people sometimes.

No one likes hearing that there's no way to for-sure eliminate all possibility of ticks from your yard, you just have to take precautions against them, but it's true! Just like there's an inherent possibility a wasp could sting you, an inherent possibility a snake could bite you, an inherent possibility a mountain lion could eat your livestock, but you can dramatically lower your risk of these things by knowing how to coexist with these animals.

[ftmtftm]

Do you know your neighbors? Could you tell me the name of the gas station attendant you see every week when you fill your tank? How about the grocery store clerk who bags your food? Do you know who your local representatives are? Who are, successfully or not, meant to be giving voice to you and your neighbors on a larger level of politics? Do you make eye contact with the bus driver? Do you thank them? Are you kind at best, neutral at worst, to children when you see them? Have you spoken to the homeless man you see on your commute every day or do you avoid looking at him? Who are your city council members? What measures are you taking to know your community? To build your community? To foster your community? Where does your world exist? Where do you really live? Here? There? To whom do you owe action? Yourself? How are you living and is it truly in line with your politics? Your ethics? Your morals? Are you practicing your beliefs offline? Are you involved offline? Do you engage with your own life offline? What does that looks like?

Don't tell me. Don't talk about it here. This is rhetorical. And this isn't about shame. Just think on it. Check in with yourself for a moment. If you don't need the thought exercise, just scroll. You don't have to tell me. If you did need it? Hi, thanks for taking the time to think and check in.

[thebibliosphere]

Whenever I get a particularly nasty message, I always check to see if they're following me first. Nine times out of ten, they're not. But they're also, unfortunately, the same people who feel entitled to send me multiple messages in a row, most of them heavily steeped in the language of moralization and purity.

Like whenever I talk about painkillers or pain management, I always get a handful of well-meaning people who are maybe new to my blog or are just young, asking me if I've tried diet/exercise/meditation, etc.

Sometimes I'll respond to them. Other times I'll just ignore them because I get those kinds of messages so often it's like white noise, and maybe part of me hopes if they stick around on my blog, they'll learn it through exposure via my incessant bitching.

When you see me responding to someone offering that kind of advice, it's either because I'm at my fucking limit or because I'm hoping it's a teachable moment and an otherwise seemingly nice person might unlearn some harmful biases.

The people who don't follow me are not interested in any kind of conversation on the subject. They do, however, feel the most qualified to tell me, someone they didn't know existed until one of my posts crossed their dash, how to manage my life, everything I'm doing wrong, and why I'm a bad person.

And for them, my disability is proof that I am a bad person because they view health as a moral issue.

If you're sick, it's because you don't exercise enough, don't eat the right foods, don't pray enough, don't do enough. They genuinely believe that if they say and do all the right things, like a Good Person, they'll never get sick.

It's their security blanket against the harsh reality that anyone is one bad day away from disability. One faulty gene, one bad infection, one bad accident away from a life-long diagnosis. And if they do get sick, it's a test. A challenge to be overcome with Willpower as they learn the True Meaning of Life.

It can never just be a simple fact of life that sickness happens. That disability exists without a moral reason.

And it's suffocating.

Day in, day out. Folks who don't know me from fucking Eve telling me I'm being punished. Not always as outright as that. They don't always use that word. But sometimes I appreciate it when they do because at least then they're being honest. They're not couching it in the softer language of leftist circles. Not hiding it behind concern.

Because the truth is, there are just as many folks who think they're liberal and enlightened who'd be happy if disabled people just stopped existing. They don't like thinking about us because it makes them think about themselves. About their own fragility and mortality, and they hate that. They hate that there's something they can't control with their thoughts and actions. That they can't moralize their way out of.

Honestly, it's a relief when people are just cunts about it because I can hit the block button, safe in the knowledge that they were never the kind of person who would see me as a person. But when it's some 20yo kid with their pronouns, orientation, and "ACAB" in their profile spouting the same kind of moralization, sometimes even with the language of eugenics, it feels like such a betrayal. Like a loss.

And perhaps if I wasn't multiply disabled, I'd have the energy to pull them back. To tell them why they're wrong and hope like hell they realize what they're doing is harmful. But then, if I wasn't disabled, they wouldn't be messaging me, so I wouldn't be dealing with it.

I wouldn't be expected to use my existence as a teachable moment to spoon-feed them compassion. But I am, and I do. When I can. Not always with the grace that's warranted. Not always with the thought and compassion I ought to. (And I don't; I acknowledge that. I'm prone to anger and off-the-cuff remarks that are hurtful too. Though I try to keep most of it to myself or save it for therapy.)

Basically, if you've made it this far through the TED talk, don't be fucking cunts to disabled people. Don't tell chronically ill people to try yoga. Don't moralize pain relief. Suffering is not noble.

You need to kill the cop and the priest in your head telling you otherwise.

And also if you're the nice people sending me nice messages. Thank you. It helps cushion all of *gestures* this.

[acid-ixx]

reblogs and interactions are encouraged and appreciated.

partly inspired by @l0vergirls and @on-leatheredwings.

i like to think that jason todd as your yandere would be very subservient in a sense that he's willing to drown deeper into the depths of corruption and bury all of which hurts you. he's already killed hundreds, no thousands— you eventually lose track of your kill streak the moment blood touches your fingertips— what more can a couple of your foes or even harassers do? you don't even need to acknowledge his existence to guarantee that by the time the clock strikes the dawn of another evening, another life or even lives would be taken justly (in jason's eyes) to ensure you would walk the streets without the need to periodically check your back for any thieves or to feel adrenaline rush through your veins whenever you hear something out of the picture. no, you wouldn't, not when your savior, red hood, would be quicker than all to eliminate any dirt on the street.

sure, jason's moral code was to never murder low-life criminals but hell be damned if any filthy hands lay on your body. he would rather be shot with his very own collection of guns, than let your eyes glint with fear, with trauma he was so accustomed and hardened to. whereas bruce would be known to prioritize missions, jason would immediately abort his the moment he was given a signal that your safety was compromised. jason todd is a child of gotham, and he knows she wouldn't be merciful enough to spare a breathtaking soul such as yours; a life he promises to cherish with the second life he was blessed with. he knows, for sure, that you are the one to hold the very privilege to take his life. but while he's alive, he would take every opportunity to make sure your life was every bit as comfortable.

jason todd is never gentle with his identity as red hood, but as robin, as your jason; he is a man whose actions speak a thousand words. with him as your protector, he has taken to a habit of making sure you know he isn't there to hurt you, but rather keep you safe. and you know it in yourself to not see him as a threat. you would be greeted with your favorite copies of books, either limited or collector's edition. oftentimes, your table would be filled with warm food the moment you step inside your apartment after a night shift. sometimes, you would feel his presence in your room, just right after you enter would you know that he was in there minutes ago, leaving small trinkets or gifts that reminds him of you. they may be jewelry, or music boxes, or keychains. pieces that remind you that under that thick wall of hatred, there is a heart filled with a love for creativity.

he may be known as violent, but with you? you are his everything. your knuckles would be kissed by his bloodied, busted lips, softly, patiently with every reverence in the world. every kisses you sear him with are kisses to his wounds; bruises from which he knew he took for you. your waist or hip would be protectively caged in his scar-filled arm, the other ready to point a gun at another who perturbs his peace. his chest is your safe haven, you can lay on it at any moment and sleep to your satisfaction. his hold on you may be tight, but it would never be as tight as the fingers that would crush the throats of the people who would dare to even make you cry.

jason todd is your right hand man— never beneath you, never above you, but he will kneel for you as he would offer the land of the damned if you would ever accept his sinful sacrifices. all you have to do is say the word, and your very own lover would be glad to shed more blood for your namesake.

[effemar]

Sorry for talking about Cornelius Hickey from hit series AMC’s The Terror (2018) again but I think it’s really overlooked how Hickey serves an additional narrative purpose in his existence as a metatextual threat.

Hickey in many ways is there to be an ideological contrast to the “good” characters in the show in a way that’s really interesting. All through the series there’s this conflict between morality and survival, or as Hickey puts it, “your morals and your practicals.” Assisted suicide, survival cannibalism, et cetera. But the point is, Hickey has already resolved that internal conflict. For a lot of the other characters, this is perhaps the first time they’ve been in a genuine survival situation, where they’ve had to confront what they’re willing to sacrifice for the sake of survival. But Hickey has already been there. From before they even set sail, the stakes have been life and death. He was willing to kill someone to be on this boat. Everything else is small potatoes. As he says to Billy in one of his first crucial scenes, “there are worse things than being lashed.”

Hickey is, in many ways, perfectly suited to the landscape they find themselves in. Other characters want to get back to England. Hickey wanted to get away from England. The principles that other people hold, relics from their homeland, are what Hickey was trying to escape. And he makes a point of calling these principles into question. What’s the difference, really, between a dog and any other creature you kill for food? What makes a lieutenant better than a caulker’s mate? It’s all in your head.

And it’s not just that he resents them, though he does. He actively thinks they’re dumb! He sees principles as a weakness in other people. It’s why he’s surprised when Mr. Goodsir sees through his attempt to gather information about Silna. He thinks ‘generous’ is a synonym for ‘stupid’. It’s why he’s amused when Irving recommends watercolors, when Billy tells him he’s going to be better and not have sex with him anymore. It’s silly to him.

And to some degree he's right. We, as a modern audience, snort when Irving tells Hickey he should stop being gay and do “climbing exercises” instead. The things that seem so morally relevant and important to them are completely arbitrary. The thing is, Hickey sees killing people the same way. Why is it okay to kill people in some circumstances and not others? Tozer shot Morfin, and it was okay then! Why is it only bad when he does it? When he’s about to be hanged, and Crozier makes a point to say he caused the deaths of women and children, and an officer, Hickey ROLLS HIS EYES. Because it doesn’t make a difference to him.

And this concept is emphasized very clearly by the plot, not just Hickey. When Hickey kidnaps Silna, we as an audience know Crozier was about to do essentially the same thing. “Bring her in for questioning” is politer than “kidnap”, but it’s not like it makes a difference to her. It’s just the principle of the thing.

To be clear, I don't think this makes Hickey himself secretly right or anything. Because despite what he tells himself, he does have morals. He isn't the free, enlightened being he thinks he is, who has shrugged off the burden of England's social mores. He carries those ideas with him. He does the same thing, fundamentally, as the people he derides. The English idea of the Arctic as a place to be explored and conquered, a tabula rasa where he can start anew, free of rules and morals, is an inaccurate one. It has consequences the same as any other place, and is subject to principles, even if they're not ones he recognizes. He completely disregards the Netsilik people as a source of help not only for his own selfish reasons, but because I think he truly subscribes to the English belief in their "savagery".

He has taken an idea and mistaken it for the truth. And that belief in his own lack of blind spots, the belief that he alone is able to see the world as it really is, is ultimately his downfall. It doesn't occur to him that the Tuunbaq is anything but a sophisticated tool, let alone something that has rules and principles beyond his comprehension. It doesn't occur to him that there might be consequences for his actions beyond the immediate. It doesn't occur to him that Mr. Goodsir would choose his principles over his own life, would choose to do something that has an impact beyond himself. For Hickey, those things are unimaginable.

Anyway character of all time. Monster that eats souls, rat king extraordinaire, guy with delusions of godhood, living manifestation of hubris. Cornelius Hickey you will ALWAYS be famous.

[whetstonefires]

I am a bit surprised at your tags saying you like jar jar, I don't really know anybody who's a fan in 2023. What's the appeal there, would you say?

Did people like JarJar more in the past? I remember when the prequels were new, his poor actor almost died from the harassment. Surely the venom against JarJar has only weakened.

But mmmmm...I guess what I enjoy about JarJar is he just. He sucks so bad. Nobody has any use for him. He's not just bad at emergencies and space and knowing you have to pay for food, he's not even good at Gungan-ing.

But he's just kinda allowed to be like that. He's there. The other protagonists are varying levels of Ugh Why but they don't try to solve him. He gets Recognition From His People at the end of TPM and fails his way upward in galactic politics and has good intentions and tries sincerely and fucks up so so bad, and is dumb as hell.

He doesn't get punished by the story for being a loser. He's allowed.

That's what made so many people so mad at him back when, and I do get it because any scene he's in is hard to take seriously, he's walking bathos, he's like Original Swamp Yoda without the redeeming kung fu drama. But also wow yikes no.

Let me sit with this a bit and let me see if I can turn this vibe into words better.

Like @husborth was totally correct in saying the whole Gungan plotline was a waste of screentime, a fun little excuse plot allowed to run riot due to unchecked directorial hubris, and contributed to the prequel films being atrociously paced pieces of cinema. But (somewhat consequently) there's something luxurious about JarJar Binks being allowed to go around existing so much, something I think is prototypical of the whole prequel tone and its contrast to the snappy war-film energy of the original trilogy in a way that...really works to create the atmospheric contrast between life in the Republic and life under the Empire.

The Republic was a bloated ancient mess of a government riddled with corruptions, and badly out-of-whack power balances and decayed support nets that weren't technically corruption but weren't working well either, and inefficiency.

And also what the fascists like to call decadence. You know?

Like one of the consequences of having a tolerant diverse society is that even when poorly run and afflicted with capitalism it is going to be full of fantastically annoying weirdos who don't have anything better to do than embarrass people by talking, and there's nothing to be done about that that morally can be. You can't Force Choke people for annoying and have a free society. We all gotta make our peace with the fact that JarJar Binks has every right to exist.

Not that JarJar Binks is necessary to any specific piece of media. I am not advocating for annoying gag sidekicks in general. But I am saying that JarJar Binks is metaphorically inevitable, whenever people are allowed to just kinda be.

So his presence on some level feels political to me, inasmuch as Star Wars are actually political films at all, which isn't very much. But definitely not none either!

Also I am old enough to have grown less susceptible to secondhand embarrassment so I am able to forgive JarJar his cringe. He can still be a little painful to watch! But I do like that he's there.

[mostlysignssomeportents]

A taxonomy of corporate bullshit

Next Tuesday (Oct 31) at 10hPT, the Internet Archive is livestreaming my presentation on my recent book, The Internet Con.

There are six lies that corporations have told since time immemorial, and Nick Hanauer, Joan Walsh and Donald Cohen's new book Corporate Bullsht: Exposing the Lies and Half-Truths That Protect Profit, Power, and Wealth in America* provides an essential taxonomy of this dirty six:

https://thenewpress.com/books/corporate-bullsht

In his review for The American Prospect, David Dayen summarizes how these six lies "offer a civic-minded, reasonable-sounding justification for positions that in fact are motivated entirely by self-interest":

https://prospect.org/culture/books/2023-10-27-lies-my-corporation-told-me-hanauer-walsh-cohen-review/

I. Pure denial

As far back as the slave trade, corporate apologists and mouthpieces have led by asserting that true things are false, and vice-versa. In 1837, John Calhoun asserted that "Never before has the black race of Central Africa, from the dawn of history to the present day, attained a condition so civilized and so improved, not only physically, but morally and intellectually." George Fitzhugh called enslaved Africans in America "the freest people in the world."

This tactic never went away. Children sent to work in factories are "perfectly happy." Polluted water is "purer than the water that came from the river before we used it." Poor families "don't really exist." Pesticides don't lead to "illness or death." Climate change is "beneficial." Lead "helps guard your health."

II. Markets can solve problems, governments can't

Alan Greenspan made a career out of blithely asserting that markets self-correct. It was only after the world economy imploded in 2008 that he admitted that his doctrine had a "flaw":

https://www.pbs.org/newshour/show/greenspan-admits-flaw-to-congress-predicts-more-economic-problems

No matter how serious a problem is, the market will fix it. In 1973, the US Chamber of Commerce railed against safety regulations, because "safety is good business," and could be left to the market. If unsafe products persist in the market, it's because consumers choose to trade safety off "for a lower price tag" (Chamber spox Laurence Kraus). Racism can't be corrected with anti-discrimination laws. It's only when "the market" realizes that racism is bad for business that it will finally be abolished.

III. Consumers and workers are to blame

In 1946, the National Coal Association blamed rampant deaths and maimings in the country's coal-mines on "carelessness on the part of men." In 2003, the National Restaurant Association sang the same tune, condemning nutritional labels because "there are not good or bad foods. There are good and bad diets." Reagan's interior secretary Donald Hodel counseled personal responsibility to address a thinning ozone layer: "people who don’t stand out in the sun—it doesn’t affect them."

IV. Government cures are always worse than the disease

Lee Iacocca called 1970's Clean Air Act "a threat to the entire American economy and to every person in America." Every labor and consumer protection before and since has been damned as a plague on American jobs and prosperity. The incentive to work can't survive Social Security, welfare or unemployment insurance. Minimum wages kill jobs, etc etc.

V. Helping people only hurts them

Medicare will "destroy private initiative for our aged to protect themselves with insurance" (Republican Senator Milward Simpson, 1965). Covid relief is unfair to people that are currently in the workforce" (Republican Governor Brian Kemp, 2021). Welfare produces "learned helplessness."

VI. Everyone who disagrees with me is a socialist

Grover Cleveland's 2% on top incomes is "communistic warfare against rights of property" (NY Tribune, 1895). "Socialized medicine" will leave "our children and our children’s children [asking] what it once was like in America when men were free" (Reagan, 1961).

Everything is "socialism": anti-child labor laws, Social Security, minimum wages, family and medical leave. Even fascism is socialism! In 1938, the National Association of Manufacturers called labor rights "communism, bolshevism, fascism, and Nazism."

As Dayen says, it's refreshing to see how the right hasn't had an original idea in 150 years, and simply relies on repeating the same nonsense with minor updates. Right wing ideological innovation consists of finding new ways to say, "actually, your boss is right."

The left's great curse is object permanence: the ability to remember things, like the fact that it used to be possible for a worker to support a family of five on a single income, or that the economy once experienced decades of growth with a 90%+ top rate of income tax (other things the left manages to remember: the "intelligence community" are sociopathic monsters, not Trump-slaying heroes).

When the business lobby rails against long-overdue antitrust action against Amazon and Google, object permanence puts it all in perspective. The talking points about this being job-destroying socialism are the same warmed-over nonsense used to defend rail-barons and Rockefeller. "If you don't like it, shop elsewhere," has been the corporate apologist's line since slavery times.

As Dayen says, Corporate Bullshit is a "reference book for conservative debating points, in an attempt to rob them of their rhetorical power." It will be out on Halloween:

https://bookshop.org/a/54985/9781620977514

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/27/six-sells/#youre-holding-it-wrong

[howtofightwrite]

re: the question about stunning someone with head trauma (and how you Should Not unless you're okay with them dying) would knocking the wind out of a character be a better way to have that happen?

Yes, but no.

So, knocking the wind out of someone is a lot safer. I wouldn't say perfectly safe, this is how Harry Houdini died, after all. However, it's a lot safer that head wounds, and usually wouldn't result in any major injuries.

The downside is against a trained opponent, who's ready for the hit, it's not going to work. This isn't called a, “sucker punch,” without reason. If your abdominal muscles are tensed for the punch, they will absorb a lot of the blow. So this works better against the unaware or the untrained.

The other problem is, it's not going to take someone out for the duration of the scene. In a self defense situation, winding your attacker is great, because it lets you create an opening to start your escape. But, it's not going to stun someone for minutes. From personal experience, you can measure the time you gain from winding your opponent in seconds.

There are combos that start with winding someone and lead into more painful blows that can extend that opening. But, there is a continuity of force: Incapacitating someone for longer requires inflicting harm that is increasingly difficult (impossible) to moderate.

If the goal is to escape from someone who means you harm, then yeah, an elbow strike to their stomach, will give you the opportunity to get out of there.

If the goal is to have a prolonged conversation while standing over a defeated (but still living foe), that's not really something you can do intentionally. At the same time, intentional application of lethal force isn't as reliable as you might expect. For example, gunshot wounds to the head are only fatal ~98% of the time.

The issue with this train of thought is that the individual inflicting harm cannot moderate for the desired outcome. Knocking someone out, only for them to recover, is 100% possible. However, you can't do that intentionally. And having a character who does bounce another person's head off the pavement until they stop twitching, is an incredibly violent act, and it's not going to be a casual, “well they're just knocked out.” It's a, “Carl, that kills people,” moment.

If you want a character that is disproportionately violent, and probably scares everyone around them a bit, this will feed into that presentation. If you want a character who's a good person because they don't kill people, then attempting to inflict life altering injuries on someone is probably not the best way to demonstrate their ethics.

(Remember, Batman doesn't kill people, he just shatters their spines; leaving them at the mercy of the American health care system. So, the real moral lesson of Batman is that it's better to be psychologically unwell and wealthy, than economically disadvantaged. You can murder half of the city, and he'll gently deposit you in a padded cell that you can escape from whenever you get bored of the place, but if you so much as imply that you'll resort to less than legal means to put food on the table for your starving family, he will end your existence as a vertebrate.)

And, yes, I fully realize that, by the nature of his character, and comics, Batman (like most superhero comics) is poorly suited to discuss the complex factors involved in street level crime. This this is more of a critique on the treatment of “violence is okay, so long as no one ends up in the morgue,” more than a specific character critique.

There's another part to this that worth remembering, and I know I've said this before, but when you're writing, violence offers diminishing returns. Violence releases the tension you've been building. You can think of it like a rubber band gun. Until you pull the trigger, that rubber band is under tension, and the moment you release it, you hit your audience. Now, getting hit a rubber band is a sharp, and somewhat unpleasant experience, but the second time is going to annoy you less than the first, and if you're constantly bombarded with them, you'll quickly become numb to their impacts.

I'm not saying that you can't, or shouldn't, use violence, however as a writer, you are paying a very real cost whenever you use violence to resolve a scene. It's something that you do need to consider carefully. Part of my aversion to questions like this comes from this structural consideration. A lot of writers make the mistake of using non-lethal violence somewhat indiscriminately. This can absolutely harm the credibility of your characters, and your world.

There is absolutely a place for violence in stories, however, this is a tool that is most effective when used sparingly, or deliberately. (This doesn't mean the violence itself needs to be deliberate, just your use of it.)

A lot of the time when someone says, “I want to use violence to temporarily remove a character from the scene,” that's a scenario that will harm your story. There are a lot of ways to remove a character from a scene, and I don't mean, “alternatives to fighting,” like hiding from them or talking them down. The limit here is your creativity, and in a lot of ways, violence is the least interesting way to achieve your goals.

-Starke

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[onlyseokmins]

$$60 billion (part 1) • l.s.m.

How did a legendary bounty promised for turning in the wasteland's most infamous outlaw transform into a sick, little inside betting joke amongst your traveling companions? Though you have no idea why they're doing it… you sure as hell don't want that very same gunslinger comrade worth sixty billion double dollars to know anything about it either — but oops — looks like he already does! Damn you and your temper, some unhelpful lip-loosening alcohol, and one no-good, sorry excuse of a preacher you sometimes think of as a friend.

Pairing: outlaw!lee seokmin x fem!reader Genres: eventual smut (minors dni!), trigun!au action!au, apocalyptic/post-apocalyptic!au, space western!au, slight enemies to comrades to ??? !au, angst, fluff, they're dumbasses your honor 🙏 Warnings: swearing, blood, death, gore, guns, injuries, destruction, mentions of knives, weapons, violence, creepy monsters and creatures, ptsd, moral ambiguities, dark topics tbh, smoking, unsettling space western things, slight body horror and hints at altered dna, weird religious cults, mentions of eating/food, alcohol, threats, bets among friends, platonic (but not really) nakedness, reader is operating on a short fuse bc I believe u have to be built different for this universe, their communication is abt to be as poor as the plant life 💀 Seungcheol kinda his own warning imho, biggest apology to chan, and we all love seok sm bc he sings abt total slaughter 🙇🏻‍♀️ WC: 19.5k of 32.7k | Part 2 | Read on AO3 A/N: this is for the Now that's 90's - A Seventeen collab and loosely based off/inspired by the Trigun anime/manga! You do not need to know it as I manipulated a whole lot of elements for my own narrative but beware of various spoilers if you do go ahead and check out the series after reading!! I feel like the boys may seem ooc but I had a lot of fun putting this together 😌 Thank you Summer and Isa for hosting this collab and your utmost patience in me finally writing my piece! I hope everyone enjoys this and please check out the other writers in this amazing collab ❤️let me know your thoughts and feel free to ask any questions regarding this au's intricacies!!

Everyone wanted Lee Seokmin. 

The cities' great militaries. Bounty hunters. Bandits on the roads. Criminals escaping death row. Prowling pirate gangs. His twin brother. You. 

Though you reckoned your "want" for him was a bit… different from others. Well, at least you hope so, goddamn it. 

You shiver. 

At first, you wanted him just like the mass majority would one day as well — dead. The deed swiftly carried out with a silver pistol aimed at his temple.

Besides, your blood-thirst began before the destruction of July. Unlike most, who angrily shake their fists at the gaping crater on the fifth moon in the spirit of pure vengeance. Yes, the tragic incident of the great city that upped the bounty dangling over his head like a noose to a sixty billion double dollars reward. But Little Ivywood was the first of many places that would end up reduced to ruins after Lee Seokmin set foot there.

Wiped off the map. Wiped from history. Wiped from existence. But never forgotten. Especially not by the small town's only known survivor — you.

Your earliest memories contain little about the events that led up to being left on the doorstep of Little Ivywood's unofficial orphanage. How could they when you were just a baby? One swaddled in a ratty cloth weighted down by a rusted pistol. There was just one simple hint to your past — scribbled nearly illegible on a torn piece of paper dotted with blood — and could only be what the nuns had to assume was your name.

At least that's how Sister Meryl relayed the tale whenever asked, her hands clasped tightly together in praise and gratitude to the Saint that delivered you to them unharmed. The irony, considering Sister Lucia always looks like she'll faint just like the day she opened the convent's side door. It wasn't an easy sight to see or recall, the image of a wailing infant mouthing on the empty muzzle of a gun.

Neither versions of your origin story could be that far off thanks to the scar marring your left hand and the gun held tightly in your right. You've had both for as long as you can remember. And as you grew and changed, so did they.

The scar shrunk and faded through the years, seemingly forgotten amongst a myriad of other markings littered across your skin. Over time, the pistol's rusted parts were repaired or replaced and soon, its shine and character returned. Restored to its former glory while forging a new beginning ahead with a different owner.

But there were two things that stayed constant throughout your years at the orphanage. The first was your birth name. Not even the nuns, who generally loved bestowing scriptural monikers as if they were granting rich titles to unnamed orphans, tried to change yours. The second was a person who you still refuse to call by his baptismal name — Chan.

He helped you, became an assistant of sorts. Originally just some snot-nosed, beanpole of a fellow orphan you didn't really pay much attention to. A scared kid who cried way too loudly even after you'd even taken the time to demonstrate that the gun was safe after he'd been the one continuously pestering to see it. Very much to Sister Constance's chagrin, since it all went down in the middle of confessional time.

But curiosity eventually overturned the initial fear.

Lucky, because by acquiring bravery, Chan could discover his innate talent for gunsmithing. Lanky, noodle arms transformed into well-formed, sinewy muscles. The soft baby skin of his hands roughened with callouses as he whittled away near the convent's underground furnace. He'd spend hours down there, returning with sweat, grime, and charcoal smudged all over his skin after melting together the random metal objects found by digging beneath the basement's unfinished floor.

The Sisters disliked dirt and grime all over the children and tracked through the doors. But it was hard to keep clean out in the middle of a sandy desert. Complaints dwindled thanks to the fellow orphans who would stop their mischief to watch Chan work. And as time passed, his shoulders broadened further, his voice began to deepen, his dark hair grew longer, and those brown eyes started to sparkle with something different from simple, fleeting passion — it was a dream.

The excitable boy would tell you all about it under the stars. Late into the nights when you searched for what had to be remnants of Earthen materials from the Big Fall, he'd chatter on and on.

"Once we're actual adults," — free from the guardianship requirement provided from the orphanage — "we're gonna leave Lil Ivywood behind and explore the great wastelands of Gunsmoke!"

You snort at the ridiculousness of such an idea. "And how do you think we'll survive?"

"Easy-peasy, I'm gonna build a bunch of guns and we're gonna end up so rich. And famous!"

"Yeah, sure. Throw a couple double dollars at the worms, I'm sure they'll let us pass with no problem."

Not one to be deterred by your eternal sarcasm, Chan shakes his head."Nah, that's where you come in. Didn't think I'd let you freeload, right?"

He stands and stretches both of his arms straight out, the ones your roommate had started to gush over. Hands clasped together like Sister Meryl's always do before prayer time and then extending both pointer fingers into a mock handgun, out into the distant sand dunes one rarely dares to stray.

"You gotta be a sharpshooter to not let my hard work go to waste!"

You lazily take aim next to him, handling the freshly restored pistol with uncharacteristic gentleness. While it might officially be yours, it's also Chan's baby.

"Mm-hm, me and my killer skills."

And then you both dissolve into laughter.

It was such a pipe dream and yet; it didn't seem utterly impossible. There were little moments you let yourself imagine it, too — just until the suns peep their heads above the horizon. There was no way you could defend yourself — let alone another person — from the dangers of the desert or it would've been something you'd attempted years ago.

But when Chan spoke of his plans under the glow of the orbiting full moons, confidently mapping an adventure through an area he's never been to or seen before, and dreamed — he easily pulled you under his spell too. It was contagious, exciting, addicting, and most of all — it could really be… possible.

An armory of grade-A weapons. The bank account overflowing with double dollars. Endless boxes of bullets and the refined skills to shoot them; you were the force to be reckoned with and a protector of those who couldn't do it for themselves.

"Do you think… we could really succeed?" you ask one night, running a finger along the familiar engravings on your gun's grip panel.

Chan's grin was as shiny as the circular metal shell he was carving into. You refuse to look his way because of how infectious it could be. Plus, the main reason it was so stinking bright was due to this being the first time you verbally entertained his ideas.

"Oh-ho-ho, doubt my capabilities?"

"Obviously."

If offended — he was not — by the instant agreement, there was no sign of it. Instead, he focused back onto his handicraft, knowing you would eventually spill your true thoughts if he was patient.

There was no rush tonight after all. A star-filled expanse of black blanketed across the sky — one he hoped would never change to blue.

"More like… it's just going to be so risky!"

"And that's why you'll be the —"

"But I've never even held a gun before!" You spot Chan pointedly direct the corner of his gaze to where your hands rest, causing you to flinch them away from the weapon and wave around haphazardly as your cheeks heat. "I mean, like, to shoot! Sister Lucia always says it'd be too dangerous."

"Sister Lucia thinks water that doesn't flow directly out of the holy grail is dangerous."

"Technically, that's true."

"Oh god, she's got you thinkin' the same, too!"

"But she'd probably rather swear by the Saint than ever let me get any bullets…" The thought alone of the devout nun saying the Savior's name in vain makes both of you smirk but yours falls just as quick as it came. "And we're going to need those if we ever want to leave Little Ivywood."

"Well —"

"And I… I'd have to kill things! People, too. I don't know if I can do that, I —"

" — Think fast!"

It's his turn to interrupt, chipper voice ever optimistic as he tosses the finished trinket your way. Thankfully, your reflexes work fast enough to catch it nimbly in time. The oval is hot to the touch after hovering over searing flames and despite its small size, weighs down your right palm as you glance over its etchings.

Satisfied, Chan takes that as his cue to walk toward the nook that shields you from the roaring heat of the furnace. Squatting down so he's eye-level with your knees, he brushes back his tangled mess of hair with one hand and taps knowingly at the barrel of the pistol with the other.

"There's no reason to kill anyone or anything."

"But this can hurt people… I could hurt people."

"You've had this ever since you were a baby and never harmed anyone with it."

"It's… it's never been loaded or…"

"Doesn't need to be. If you smacked someone with it, they'd surely feel that hit." He snickers, tone bordering on the edge of cockiness. "I would know, considering the sturdy and valuable materials used for repairs."

You roll your eyes and mutter, "Show-off," but it lacks true malice behind it.

"And even so," Chan takes one of his hands and pats the back of your free one, unintentionally right over the spot where your scar lies. "You've hurt no one before. Not even me, who annoys you the most!"

"About time you finally realized how merciful I am."

He says your name in earnest, remaining uncharacteristically serious and lays your intertwined hands on top of the gun before squeezing tightly. "Both this and you don't have to kill a single thing or person — ever — if that's not what you want to do. You can aim for non-vital points, shoot up in the air… Bullets or no bullets, just the sight of a weapon alone can be enough of a deterrent for most."

Chewing hesitantly on your lower lip, you let his words sink in and he continues.

"The fact you're aware of the hundreds of risks when handling a weapon like this means you'll be even more cautious when using it. I trust you, so trust in yourself."

Warmth spreads from your interlocked hands and through your entire body like you're wrapped in another one of his sweet hugs, culminating into tears threatening to spill past your lash line. Chan believed in you and though you'd never admit it aloud, it meant the world to you.

"When did you grow up so much?" you tease, letting out an exhale you didn't realize was being held.

"Aw, c'mon! I've been taller than you for months now!"

"Keep dreamin' if it makes you feel better."

Though Chan sasses back by sticking his tongue out, he lets you ruffle his sweaty bangs despite receiving a slightly bruised forehead in return because you forget about the new gift in your hand. Plotting an escape, he stands and pulls you up with him, joined by your clasped hands.

"We should probably head back. Sister Constance's likely gonna ask us to check the Plant before morning mass and you don't want her to catch you dozing off again."

"Last I recall, you were the one she caught napping!"

"But you have the most demerits this week."

"And whose fault is that?!"

Quick as lightning, he nudges you with enough strength to catch you off guard and destabilize your balance. Then he tears away, calling over his shoulder, "Snooze and ya lose!"

"Ugh, this is exactly why — you never play fair!"

Regathering your bearings at record speed, you dash right after Chan. The boy's raucous laughter echoes in your own lungs and you swear the stars twinkle brighter in the nighttime sky. You overtake him right before reaching the convent's door — the same one you were left on — and clutch at his arm before he can reach past to open it.

"Hey… thanks."

He grins all goofy. Chan's well aware you mean much more than that, but he opts to flick your forehead rather than give you grief over it. "Yeah, yeah. I do so much for you, you know?"

"Mm-hm."

"So it's about time to finally pick a name I can carve onto that bad boy. If you don't, I'll put mine there." He nods to your gun excitedly, then points to the oval. "Oh, and I'll make a chain for that soon. Did you decide what you'll put inside?"

"Questions, questions, demands, demands." You wave him off and open the door with a yawn. "I'll think of one. And yeah, you know that Earthen gadget we found? Gonna cut out those papers and put them in there before sleeping."

Once while digging for materials, you had stumbled across a square object that wasn't completely destroyed, unlike many others. After a few experiments of messing with the random knobs and buttons, you determined it could mimic whatever was directly in front of the clear coated lenses. And later — much to your amusement and amazement — it printed out the image on thick, shiny squares.

Fascinating little things those Earthlings created!

You'd luckily put the last few sheets left in the machine to good use. Experimenting with the surrounding scenery that blurrily featured some of Ivywood's buildings, then one of Chan, and finally wrangled a frame that captured both of you together.

"Do you think you'll be able to stabilize it?"

Your tentative question makes him look toward the large, bulbous structure that houses the Plant. The power source Little Ivywood depended upon.

He sports a cheery grin. "Won't know 'til I've tried!"

"Ever considered too much confidence might be a bad thing?"

"If you're jealous, just say so. But with you by my side, there's nothing we can't accomplish together!" He bounces excitedly on his heels. "Besides, I forgot to mention…" Beckoning you with a hand to come closer, you lean in, curious. "I've become quite the master at bargaining. There won't be a single worm who'll refuse a double dollar from the great Chan!"

"What did you do?"

"What haven't I done?"

"You're the worst. Like to ever exist."

"The absolute best, you mean 'cause there'll be no reason for you to waste any bullets or fear cutting a single lifespan short!"

"Goodnight, Chan."

"You mean 'thank you so much, what would I ever do without you, Chan!' but whatever! You can make it up to me tomorrow!"

But tomorrow never came.

Or rather — daybreak arrived in the unrecognizable form of rapid gunfire and screams of terror. The buildings rattled, trembled, and shook from the onslaught just like the people cowering in fear within them.

The dust stirred up in the chapel's hall after a wall unexpectedly collapsed causes you to cough. Amidst the chaos and panic, you spare a glance over your shoulder to see Sister Meryl, who strides confidently to the altar.

She stands with poise and purpose in front of the marbled stone. Steadfast and unwavering in strength because of her faith alone, even as the grand statue of the Saint starts crumbling down with the ceiling tiles falling around it.

It's a visual you're not likely to forget, carved deep into your memory before you flee with the rest. Sister Lucia is flustered as usual, ushering everyone as fast as she can near the grand oak doors that lead out to where additional shouting can be heard and only more pandemonium must await outside.

You're struck with the damning realization.

The gods — they have completely abandoned humankind.

"That would be ten demerits any other day," Sister Constance voice abruptly snaps, "fortunately for you, now is not the time for such things."

It's astonishing how even at this moment, the nun remains on high alert for 'troublemakers'. Her sharp-nailed fingers latch around your wrist as she breezes by — much too similar to when you've been dragged off to detention. And as if that's what's happening, your heels plant firmly in the ground and obstinately tug her back a step.

"What about Sister Meryl? We can't just leave!"

"If you knew what was good for you, you'll obediently obey me. But if you knew that, you'd recognize faithfulness will guide her and the rest of us to safety."

"Nothing guarantees —"

"Those who do not devote themselves truthfully will never understand. Should the Saint deem Sister Meryl's sacrifice to be in vain, then she has failed not only the Holy Bishop and our sacred bonds, but you — one she unnecessarily dotes on — as well."

You want to argue and protest as Sister Constance yanks you forward. But the faint tremors you feel despite the tight grip of her hand and the tensed jawline of the woman whose stoic face is normally unbreakable makes you pause.

She's shaken. She's unsure. She's wavering.

Sister Constance doubts.

And something about that thrills you. Terrifyingly so.

The shock of it all is as startling as the pale sunlight blinding your eyes when the chapel's heavy doors finally get thrown open. Grains of sand swirl through Little Ivywood, diluting the usual brightness of the glowing orbs in the sky and their powerful rays.

A sandstorm brews on the horizon.

That's the least of your worries, though. Blood stains the soil where shrapnel grazed tender flesh. Fellow orphans scream and cry out from their wounds as they struggle to get away from the captors attempting to drag them to the center of town.

With a chill, you alarmingly realize who they're trying to escape from. Women in black and white robes don a wild, crazed look on their faces. The ones who have raised and cared for parentless children throughout many years and tended to every need they could within their means.

The Blessed and Holy Sisterhood of Little Ivywood.

Sister Constance turns and you jump. Both at the horrors of the present and a reminder of how many times a quick movement of hers led to the sharp pain of a switch or ruler tearing into skin. An eerie sound of laughter rings out and your blood runs cold, eyes darting left and right for the source.

And then through the dust particles, looms the sinister silhouette of a figure in a long trench coat flapping in the wind. Spiked hair sticks straight up, retaining its menacing style despite the powerful wind gusts and emphasizing an already impressive height. You gulp, swearing there's a flash of metal followed by a fanged smirk that glints dangerously as Sister Constance tugs you closer to the terrifying shadow beast shrouded by sand swirling in the air.

A declaration of your given name — stern and cold. "Know that your purpose is being fulfilled, that you are serving the great —"

And then comes a shout of your name, this time from someone desperate and panicked. You're yanked forward and then suddenly catapulted backward, grunting at the impact of your body slamming against someone else's.

"You need to go! You need to get out of here!"

"Chan?!"

He clings to you, shifting so his back is to the nun only a few paces past the corner he dashed around for safety and to stall for time. Throwing a cautious look over his shoulder before whispering urgently, "Go! And don't look back!"

"What about you?"

"Don't mind me." The smooth leather of a satchel presses against your palm. "Get movin'!"

"But —"

"Seriously," the boy shoves you forward with a not-so-gentle push. You gape at the audacity and he waves his hand, like he's shooing away a pesky flying worm. Rude. "Please! I'll be right behind you but —"

An eruption of nearby gunfire and a series of high-pitched shing!-like noises interrupt him. He glances again over his shoulder. You cautiously step forward and his head whips back to let out a hiss.

"Chan, what's —"

"Need to grab a few more things, see if any other idiots need help. Just… just get out of town, wait for me by the rocks if it'll make you feel better." He smiles, though it doesn't make those brown eyes of his sparkle like usual. "It'll… it'll all be okay."

You're uncertain and scared. But something about Chan's speaking powers have always made you believe in the impossible. So, you nod resolutely while taking the bag from him and warn, "Promise you'll be safe."

"You hate those kinds of things."

It's true. To you, promises were only made to be broken. And yet…

"… And somehow you've changed my mind before."

The bangs of carnage draw closer. Louder.

"Fine, just go. Please! And don't look back!"

Acquiescing to his pleas, you sprint toward where he pointed. Sitting like giant sentinels lays an outcrop of boulders bordering the western edge of Little Ivywood. The desert is only two paces away, expanding outward into a desolate plain filled with the undulating slopes of dunes. Picking a sizable rock to hide behind, you keep watch for Chan, cringing at the distant sound of gunshots still rapidly being fired.

What was that? What did you see? And what did you almost get dragged into?

What was going on?

Boom!

It's an ear-shattering noise that causes even the great stones around you to tremble from the explosion. A flare of light so bright leaves you no choice but to look away to protect your eyes, ducking behind the rocks as a shield.

When you recover after it dissipates to see what just happened — Little Ivywood is no more.

It's gone.

"No…"

The tiny town reduced to only rubble and ash. What once were rows of square buildings stacked on top of each other to divert the view of a relatively flat lay of the land are now parallel to its surroundings.

"No… no… no…"

Gone.

You don't think twice about running toward the wreckage. Chan is there. Chan has to be there!

"No!"

And most importantly, he has to be alright.

Broken piles of the shoddy architecture littering the landscape prevents you from traversing too far. Bile rises in your throat as you desperately scan for a sign — any sign — for Chan. For survivors. For anyone. Even the air is still, no longer rippling with irritable heat waves and heavy gusts of wind because the blast was strong enough to ward off nature itself and the incoming sandstorm.

For now.

And during the futile search, that's when you spot him. On his knees with his back to you, slouched over in the only clear space amidst the destruction. The tattered fabric of a cerise garment hangs off the man's broad shoulders and pools around his body like a puddle of blood. Reddish-brown bangs tinged with black hang limply as his chin curls further and further into his chest.

I don't understand, you vent to yourself after a couple ungraceful vaults and stumbling through the debris to get closer. This bastard got what he wanted, did what he wanted, and won! So, why is he acting like that? Who destroyed his town? His people?

Finally, you're a couple steps behind him. Thankful, at the very least, for whatever weird state this man is in because it grants you the opportunity to approach and press the cold steel of your pistol to the side of his temple.

"Don't. Move."

You hope it comes out as the threatening command you intend it to be. There's a tense beat of silence as you wait for his next move until you realize he's doing exactly what you demanded.

Then he chuckles. A choked out, watery sort of sound. Your hands start shaking even as they press the barrel harsher against his head.

"Go ahead and shoot."

"Answer me first." Your voice becomes as unsteady as the quakes in your body and you rasp out, "Why… why'd you do it?"

His head lifts and you flinch, but he takes no further action besides staring blankly ahead at the ruins. "I wish I could tell you but… I've been asking myself the same question."

"I — you…! You wreak hell and havoc upon a whole innocent town and… and you don't even know why?!"

"Pathetic, isn't it?" The man laughs again, without a shred of humor. A gloved hand reaches up to wrap around the weapon and you momentarily falter at the force of him leaning into it. The weight pushing it closer into his skull seems hard enough to leave a nasty imprint, as if that should be a main concern right now. "I'd simply like to know how I did it."

"I —"

"Not loaded," he sighs and drops his hand, twisting around to actually get a proper look at whoever was holding him at gunpoint.

You're taken aback by the intensity of death radiating in those dark brown irises that casually observe you through amber-colored, cracked lenses. Your arms fall down, dumbfounded at the stranger's unflinching behavior, the pistol bumping into your thigh. He lets out a "tsk" and then pulls something out of his pocket.

In his opposite palm, clad in a fingerless glove unlike the left, rests a conical golden object. Though you've never seen one in real life before, you think you know what it is. The shape matches the hollow outlines when Chan disassembled the chambers of your gun.

"A cartridge," he says and you blink. "A bullet," he clarifies upon noticing your confusion. Then the man smiles encouragingly. "Go on. Take it."

You're incredulous. "You're okay with handing that over to me?"

"It's what you want, right?" There's a wistful look on his face. "This place… it was your home."

"No," you're quick to refute, shocked at such an automatic response. Then admitting, "I don't even know what a home is."

Innocent town, my ass, is what you derisively admit inward and snort at yourself.

The convent itself was far from comforting. The other orphans with their bright grins when Saint Meryl sang lullabies on the nights you couldn't sleep — those were the kinds of things that made it bearable.

Guilt.

"I — I —"

It overwhelms your senses. Rattling up your entire nervous system and settling a cruel, cruel weight in your chest. You hunch over, chest heaving, and throat burning. There's a thump as your gun falls to the ground, its silvery sharp edges becoming distorted, warped, and blurred through a film of unshed tears in your widened eyes.

"Should've… It should've —"

"Hey, hey…"

"It should've been me!"

The man rises to his full height, brushing off his clothes before crouching down. A sturdy hand grips your shoulder and dutifully encourages your gasping upper body into an upright position. Gently, ever so fragile, he bops your forehead with his and you subconsciously lean against the unexpected support.

He's near enough to ground you to something solid. But distant enough for two strangers whose first meeting is one amidst a crumbling town's travesty. With his close presence comes the scent of gun smoke, though not as bitterly pungent and putrid as you recall from before. It's subtle and smokey, reminiscent of the fire that Chan once proudly stoked in his makeshift forge.

Your body shakes as the tears finally slip free.

"All lives are equally precious, one shouldn't be sacrificed for another."

"… How can… how can you say that so… easily?"

The death-come-over look in his eyes changes to something faraway. Like he's seeing something beyond the destruction surrounding both of you. Those amber lenses don't have to be cracked to draw attention to the fracturing despair radiating behind them.

Then, he shakes his head and shrugs. "Because you should live even when those dear to you are gone. This world is made of love and peace, after all."

Your crying abruptly pauses with the natural effort it takes to let out a scoff. Ignoring your utter scorn and disbelief, the man's gaze drifts to the pistol still on the ground. The tip of a steel-toed boot kicks it up into the air with a flourish, single-handedly catching it to inspect the weapon with practiced ease.

"Live because there's a reason you survived, even if you loathe every second of it. You'll feel like you don't deserve it. But persevere because you should. Because that's what they would've wanted and you keep them alive by living yourself. A burden? Maybe. Why spend such a cursed blessing only dwelling in regret when you can do so much more?"

He offers the gun back, its handle extended in your direction.

"If nothing else, live for yourself most importantly. Help show the world the love and peace it deserves. Even if it couldn't afford to gift it to you. That's what life is all about. The ticket to the future is always blank!" Pausing, he shrugs with a regret-filled smile on his face. "At least that's what I was taught… and what I think."

"… Awfully full of optimism for some dude who wiped out a full town and doesn't even know why."

"Name's Seokmin," he returns, now sporting a cheeky grin as you cautiously reach out for the pistol. Only to be outsmarted with a literal 'sleight-of-hand' and meeting the warmth of fingers and a gloved palm instead of the expectation of hard, cold, and familiar steel.

"Huh?"

"Lee Seokmin, to be precise! And it's a pleasure to meet 'cha! Erm, despite the… terrible circumstances." Seokmin jiggles the gun in front of you with his other hand, almost taunting you to reach for it again.

You don't.

"And what do you call this lovely lady?"

"Nothing."

"A shame. But not everyone cares to name things, 'specially if they don't hold any value." He finally tosses it back and you barely manage to catch it in time with a scowl.

"Just haven't decided."

"I see! Mine's Geranium."

"Oh, like… the flower?"

He visibly perks up at that even further, a radiant smile showcasing two pointy fangs. "You've heard of it?"

"Well," you scratch your cheek, "the, uh, sisters gave a girl that name because of her hair."

There's an uncomfortable pause as the dreadful realization you'll never see those brilliant ruby locks bounce because of her excitement again settles back into your stomach. You swallow, eyes roaming the stranger in front of you for a distraction.

"Um… you must really like the color… red."

Seokmin glances down at the tatters of his scarlet clothes and shrugs. "I guess. Though the one I saw was red, I've heard they come in different colors."

"You've seen a plant? Like a plant plant? A real one! You know — that grows out of the ground and transforms and all that? It doesn't, well…"

Vegetation was a rarely discussed concept. The only thing you knew came out of the poorly written history books in the dusty library's darkest corner. In the desert outskirts, you had a better chance of finding ancient Earth technology that might still be intact to share its plethora of knowledge about the old world humans left behind than hope to find whatever resources the big cities had access to.

"Mm, yeah, a long time ago. But say," he jovially waves the cartridge from before and it glints in the setting rays of the suns. "Would you care to hear this man's story before shooting him?"

And of course, you listened. What other choice did you have, you who lost everything at once? But even back then, something small and precious was planted in the barren depths of your heart. That was just the beginning. It would continue to grow, watered and tended to under the sunny smile of Lee Seokmin — the destroyer of cities and a very wanted man across the planet.

You leave that tiny bit out during the recitation of your past to the inquisitive pastor. Though something you'll regrettably find out later is he's already got you all figured out.

Bastard.

"… So, that's how I met the infamous Lee Seokmin and didn't end up killing him," you declare with a flourish and take a satisfied gulp of cheap beer picked up from some abandoned mart along the way out of Little Jersey.

Draining another bottle dry, you toss away the metal cap, close one eye, and peer through the narrow bottleneck like it's a telescope — albeit a very poor one.

Through the distorted glass stretch endless sand dunes as far as the eye can see. Stars glitter and sparkle amid the glow of the full moons in orbit, temporarily dimmed by a puff of the roguish's man's cigarette that wafts through the inky darkness.

You wonder if he'd be willing to share one.

"A shame," Seungcheol grumbles and offers a white stick from his pocket.

You take it eagerly only to see it's nothing but — a lollipop. The hard candy's become a strange gooey consistency thanks to melting in the desert heat all day and partially re-solidifying during the nighttime's chilly air.

It's stale too.

Fucker.

You let out a disdainful sniff but nod in agreement to his statement. "It is. But he promised me something. Then his bounty increased from a meager six million to sixty billion double dollars after destroying July, putting a hole in the moon, and all that. So… following him around has paid off."

"I guess," he shrugs, "guess I don't really care 'bout yer lil meet-cute story."

You gape at the audacity. "You're the one who fuckin' asked!"

"Well… figured we could bond, ya know? Orphans 'n all that cozy, feel-good shit."

"You know, not a single thing I've said thus far coud be classified as 'cute'."

"Uh-huh."

"And I never took you to be a sentimental fool."

"Hey, now —"

You hold up a hand. "'Thou shall not bear false witness'."

"As if ya even know what that means," Seungcheol retorts and flicks the ashy cigarette stub in your direction, the cross around his neck ironically reflecting in the moonlight. "Was gonna say, if anythin', I put the mental in sentimental, sweet'art."

Well, you certainly wouldn't argue with that point. "…What I do know is that you're doing this all. For him."

"'Ol Needle Noggin, eh?"

"Well… yeah. But he's only part of a bigger picture for you."

"… 'S none o' yer business, ya know? Best to know less."

Your eyes roll. "Sure. That's why you nearly got hit by our car 'cause you wore a suit into the desert and didn't bring a drop of water. All while hauling that stupid, big-ass cross around! And then you insist on joining us — try to scam us! — but hey," you put your hands up, "none of my business."

"Wasn't tryna scam —"

"Hella shady, man... Hella. fuckin'. shady." You're shocked you can see the man's eyes roll in a begrudging defeat behind his black sunglasses — at night, no less — but you nudge him. "C'mon, just tell me! I bet it has to do with Hopeland, something… or someone back at that orphanage."

"Anyone told ya how irritatin' ya are?"

"Only the ones that are equally just as annoying!"

"Tch, woman." Seungcheol messes up the back of his black hair, mouth opening as he cracks his jaw. There's a pregnant pause. "… 'Han was… he was different. Ya wouldn't get it."

"Try me. Evidently you weren't listening very well, were you?" No surprise there. You retrieve the locket that takes refuge beneath your top, a familiar oval swinging from its long chain between the two of you. "Believe it or not, I do get it."

His eyes fixate on it like a pendulum, darting to your face, and then up to the sky. A crooked smile quirks up the corner of his mouth and he lets out a resigned sigh. "Ya really love 'im, don'tcha?"

You feel a funny sensation.

Akin to getting caught in a horde of flying worms and trying to squash down as many as you can. Your answer is hushed and Seungcheol snickers. Unbeknownst to the two of you that an additional pair of ears — assumed to be asleep — also catches your whispered reply.

"So, how much ya gonna pay for confessin'?" the pastor goads and lets out a startled yelp when you try to smash the hand-held bank he totes around that's shaped like a cathedral.

"Oh, go to hell, Choi!"

"Stare any longer and you'll no longer be needin' Sirocco." An amused snicker follows the relaxed drawl. "Bullets're 'bout to start flyin' outta those eyes 'stead of that gun o' yers."

You scowl at the dumb man seated next to you. "It's not like subtlety has ever been a strong suit of yours. But could you at least pay better attention to your surroundings?" A meager amount of golden liquid sloshes against the sides of the glass you pointedly wave around. "Or are you already too drunk to forget where we are?"

"Ain't no lightweight," Seungcheol brags with his fourth pint of the night in hand and a rapacious grin cockily tilting the empty lollipop stick in the corner of his mouth upward. "Can't say the same for the rest, though. Whiskey's stronger than a punch to the gut."

"… You would know. I'm sure it might just taste like water to some by now."

While it might initially elate most visitors to order as many rounds of the only available beverage on the menu as possible, the reality of the situation was much more grim. As if he can read your mind, the man clad in black, gray, and muted silvers flippantly reminds you of why your so-called merry band of travelers are even here.

"Needle Noggin said 'e fixed the Plant up just fine 'n dandy, so here's hopin' we get some clean bathwater t'night."

At those words, your gaze instinctively shoots back to where it focused earlier. Seungcheol snorts and drains his glass with a satisfactory sigh before poking more fun at you.

"Gonna put a hole through his head at this point."

"Not like that's anything new."

"Yeah, but rather than constantly laserin' holes through his skull, ya should be tryna convince him to fill yers up, instead. 'N not referrin' to that empty space behind yer forehead."

"I know exactly what you mean, you perverted freak."

That cracks Seungcheol up. "'N here I was thinkin' ya was gonna end up a nun servin' the Eye of Joshua!"

By now, you're well-accustomed to the hedonistic ways of the man who still keeps a leather band with a cross on it strapped across his Adam's apple, sewn into the cuffs of his black suit, and carries the hulking shape of one on his weary shoulders.

Unfazed, you fire back, "If they even let someone like you into the blessed and holy ranks, then any whore off the streets would be welcome to join."

It's a series of light-hearted jabs you both take in stride. The truth is much darker and deeper, but tonight serves as a tiny snapshot away from the normal weariness of day-to-day survival in Gunsmoke. Right now, you celebrate alongside the residents of Tonim what peace could really look like in the future.

Except you're on edge.

For a reason that's silly compared to the usual adrenaline rush of tracking down Plants nearing red status and defending the area, all the while trying to prevent the inevitable destruction and chaos to follow. Still, it's why you beckon the bartender over for another refill as a positively "tickled-pink" Seungcheol not-so-silently judges.

"Now who's staring?"

"'Kay, but's not with unbridled lust and — " He's cut off by a sharp kick to the side of his shin delivered by one of your heavy combat boots. "And feelin's," gets wheezed out before the pastor falls silent at your nasty scowl paired with Wonwoo's timely arrival.

The saloon owner and de facto authority in town approaches the two of you cautiously. It's no secret who you are, who you're with. What you do and the things that follow when you do what you do. And yet what you've done has saved the town and given its people — especially the younger folk — something that some of them have never experienced before.

Hope.

And that seems to be good enough proof for Wonwoo. Rumors may just be rumors, after all. None of you are like the reports relayed in a tinny voice through the virtually enhanced radios that are non-plant-powered — aka illustriously dubbed by their inventor as VERnons.

"… the Bloody Rain… follows… Lee… Humanoid Typhoon… armed… dangerous. Punisher… cross… machine gun… two unknown… likely… agents…. Bernardelli Insurance…"

The VERnon sitting behind the counter splutters out bits and pieces of information. He side-eyes the device awkwardly and starts fumbling with the buttons, trying to mumble over the static and monotonous voice.

"Can I pour you another drink?"

"Sure," you chuckle, pleased.

The bartender's well-intentioned efforts are fruitless which is to be expected. Only the creator, and those he personally taught, could truly modify the invention as pleased. A part of you hoped to find evidence Hansol had traveled this far but alas, he was probably still searching through the seven major cities for his beloved Milly before attempting to wander through the treacherous wastelands.

A brown, short-haired darling sneaks awe-filled glances at the two of you from the corner where a group of women around your age gather to chat. Seungcheol's the first to catch onto the admiring starry-eyed gaze and winks. Chuckling when a pudgy hand clings tighter to one of the lady's long skirt, using the fabric as a demure little shield against his effortless charisma.

You catch the tail-end of the interaction with the ghost of a smile. If there's one thing that can definitely soften Seungcheol's rough edges, it's children. You can't blame him, reminded of cheery voices and energetic footsteps pounding after your own through the convent's hallways.

The attractive woman wonders what's drawing the younger girl's attention and leans down to whisper in her ear. Gesturing in your direction, you watch as she nods encouragingly and offers a gentle smile, pushing the tiny brunette forward who readily toddles over. The gaps still waiting for pearly white teeth to grow in that shy smile on the little girl's face are endearingly winsome.

"'Lo, Wonu."

The bespectacled man starts, eyes wide as he peers over the counter and just manages to glimpse the top of her mousy brown tufts. "Is that you, Lina? You're not supposed to be here."

"Past yer bedtime, lil one?"

She huffs indignantly at the two men, hands on her hips. "I've once stayed up 'til four in the morning, mister!"

"Oh, Lina…"

"Besides, how can anyone of good standing sleep properly when there's heroes in town?"

"Huh, what a darlin' angel!"

You scoff at your comrade's words. "As if you've ever seen one."

"I do beg your pardon," Wonwoo scrambles to excuse the child's enthusiasm. "Looks like another talk is due with, uh, Sheryl."

"You're just jealous, Wonu. Sherry says they're heroes."

A chubby finger points at you and Seungcheol and the bartender clicks his tongue — partially in reproach and the other half out of embarrassment. The two of you hardly pay any attention to his reaction, seeming to not mind her boldness at all.

"That's right, sweet'art. And don'tchu forget now." In fact, a certain cross-wearing man revels in it. He rummages deep in his pocket and pulls out a lollipop with a flourish. "'N here's a lil magic gift for ya, princess."

You're one step faster, snatching it and unwrapping the candy with a quick inspection. At least it looks fresh and clean. Seungcheol snorts. Ignoring him, you crouch down and hand it to Lina with a gentle smile.

"Remember to be careful with what you take from strangers."

"I know! But you're heroes… and heroes are always good people! You would never hurt me!" Those blue-green eyes are certainly dazzling as she stares into yours, reminiscent of the clean water now filling the town's reservoir. "You're very pretty."

"That might be the highest compliment I've ever received."

"Pretty people don't hurt anyone either! Sherry's super pretty and she's the gentlest I know!"

A very pretty pastor himself snickers for multiple reasons. Meanwhile, Wonwoo laments with a tired sigh, "Dunno what that crazy woman's been teaching her, I swear…"

"You're not supposed to talk about people you like like that, Wonu!" Lina gives them both the stink eye but returns her attention to focus solely on you — Tonim's loveliest savior in her teal-eyed view. "Will I grow up to be as pretty as you?"

Ah, how your heart aches.

"Even prettier."

"I…" She gnaws on her lip, as if it does anything to hide how much her pleased grin glows. "I wanna be a hero, too!"

"Don't see why you wouldn't become one." To you, she already is — in all her innocent radiance and glory.

"Gotta grow big 'n strong first, missy."

"I am strong!"

"Don't doubt it. But wait 'til yer at least twice my age 'fore ya go swingin' at thugs."

She wrinkles her nose. "I'll be in the grave like Grammy if I wait that long, old man!"

Seungcheol guffaws at her unexpected remark and you hear the bartender beg, "Lina, please!" But you focus on all the brilliance in front of you — from precious unkempt locks to blue eyes full of fire and finally to the worn out, dust-covered shoes.

"Hopefully you'll never need a reason to be the hero, though. It's our duty to keep that from happening."

There's too much hidden meaning and brutal experience in your words for her to fully understand. The lull gives a certain pastor an opportunity to sidle back into the conversation, ready to get up to no good as always.

"Ya wanna meet the hero of all heroes, darlin'?"

"Choi —"

"Yeah!" Lina claps ecstatically.

"Go 'head 'n give 'er yer second key," he coaxes quietly with a shit-eating smirk.

"I swear!"

"C'mon… never like keepin' such a sweet gal waitin'!"

After a minute's hesitation, you begrudgingly agree and take it out.

"Thank ya. Now, got a lil mission for ya, Miss Hero-in-the-Makin'."

"Really?!"

Barely able to conceal her exuberance, she reverently takes the key like it's actual gold and not simply plated. Seungcheol ruffles her hair affectionately.

"Y'see the man in all purple?"

"Mhm, yeah! The one that looks like the night sky?"

"Yeah, give 'im it. Make sure to say it's from this pretty lady."

"Choi!"

"Talk to 'im too 'cause he'll love that. He's a real hero, y'know? Truest of 'em all."

"Yes, sir!"

"Attagirl."

Lina scurries off and you turn back to the counter with a sour glare directed at Seungcheol. "What was that all about?"

"Dunno, cute?"

"I'm really sorry about that all," Wonwoo apologetically interrupts with the offer of another refill which is readily accepted. "She… she's very excitable."

"No need for apologizin', man."

"Yeah, she's adorable. Is she yours?"

The bespectacled bartender stutters, almost dropping the glass he's handing to you. "That's, uh, that's my sister!"

"Ah, makes sense! Didn't mean to assume."

He flushes and turns away. But not without mumbling something about it being okay and your comrade groans.

"Reminder — ya get too drunk, 'm not dealin' with ya ass."

"Great, I don't want you near my ass."

"'S not what I meant!"

"Yeah, yeah."

Seungcheol downs another shot and you're quick to follow his lead once Wonwoo hands over another refill per your shared request. However, this time, the stoic man surprisingly lingers and awkwardly fiddles with his wire-rimmed frames, doing his very best to not let his eyes wander your scantily clad figure as your head tilts back to swallow the burning alcohol.

Meanwhile, the pastor's grin turns wolfish.

"So, uh, who are you, really?"

"Curious, eh?" You lean comfortably onto the counter, braced by your forearms and an alluring smile on your face for the handsome saloon owner. His gaze drifts down to your scar-covered hands which also happen to be placed conveniently underneath your breasts.

You'd once said the best disguise and toughest armor was none at all. And why not flaunt your assets — literally — and put them to good use. The desert is hot anyways!

Seungcheol and Seungkwan both called bullshit. Mingyu applauded you and waved his "I respect women's rights, wrongs, and all the above no matter what!" flag. Seokmin — already used to your behavior and attire — had nothing else to say other than his normal quips of, "As long as you're comfortable".

"Well, a-a beautiful woman like yourself has to have everyone wondering."

And you laughed in the face of your haters every time it worked.

"Just a bounty hunter."

Wonwoo nods at the casual answer, recalling the holster strapped around the plush of your thigh beneath short denim shorts. "Where from?"

"Well… around. My hometown was destroyed so…"

"Oh? Same here."

"Ah, camaraderie." You jab a thumb menacingly in the direction of the purple-cloaked figure and the life of tonight's celebration, currently animatedly chattering to Lina. "That's why I'm turning him in."

"He's…?"

"Yup, Lee Seokmin. Yes," you confirm with a smirk at the way Wonwoo's eyes bug out behind his glasses, "that one — the infamous humanoid typhoon. Don't worry, he won't hurt anything or anyone here."

"He's… uh, he's not quite what I expected."

"Yeah, tell me about it."

"You must be pretty badass to reign him in. Heard he's giving what's left of the July regime officers a run for their double dollars."

"For sure. But it's thanks to the other two drunkards, really. Believe it or not, they're Bernardelli insurance agents. Raven-haired one's Seungkwan and the tall one is Mingyu. They're helping to monitor that whopping bounty of mine and prevent any more disasters from happening. Heard I might get a bump in value if I bring him in alive."

"Oh, well, it looks like it's working. And he seems… willing? To come with you?"

"The irony. Always been quite blasé about facing his doom."

"He's really a Plant engineer, too?"

"Of sorts," you huff at his visible confusion but wave your empty glass. "Can I get another?"

He's more than happy to accommodate and returns with two, sliding one over to Seungcheol with a cautious look at the person who seems the closest to you. "And this is…?"

"Pastor. Pleased to meet'cha."

"Oh! Really?"

"A surprising addition to the mix, yeah. But everyone needs to, like, pray sometimes." And under your breath, low enough so only a certain man can hear, "no matter how sketchy they are."

"Do you, hm, officiate weddings?"

The one in question quirks a thick eyebrow. "Ya lookin' to get hitched, boy?"

"M-maybe."

And Seungcheol feels wholly compelled to bless him silently from the bottom of his blackened heart with full sincerity, seeing as how the bespectacled man timidly peeks your way before his gaze darts elsewhere. "Sorry lad, charge 'bout a thousand double dollars minimum."

While the solitary bartender crashes back into the sad reality of capitalism, you jab your elbow into the pastor's ribcage. "Fuckin' scammer."

"Only the best of the best! Ya know, sixty billion's still on the table — 'n it better be callin' my name."

"No one even has sixty billion double dollars!"

"We have 'im." And he points back to where hoots and hollers erupt from the center table of the saloon.

Lina's returned to the woman she was with earlier — presumably her beloved Sherry — but that doesn't mean Seokmin's alone. There's so much disdain in your side-eye, spotting the busty violet-haired sweetheart his arm wraps around. After all, he's the worst kind of ladykiller.

And by that, you mean he absolutely sucks at flirting and can't get or keep a partner to save his life. Yet you're constantly stuck witnessing women, men, and attractive people of all kinds throw themselves at the good-looking man until he opens his mouth and they're put off by his clear lack of suaveness or strange little idiosyncrasies.

"Stop with the stupid bet, it's not happening. Nobody's going to be winning a thing."

"It's called usin' the damn 'magination, darlin'!"

"Which means you need to get better hobbies. You've corrupted my friends!"

"Hah! Them fools were already too invested in this 'fore I ever came along."

"Fill me up again?"

Intent on ignoring Seungcheol, you belatedly realize how aggressive your request comes across. You're also eager for something to help soothe ache in your chest. It comes and goes like a bad toothache — manageable enough to forget about the pain until it returns tenfold.

Thankfully, Wonwoo meekly complies with the back tips of his ears tinged red and Seungcheol barely manages to hide his extreme amount of mirth for the situation behind another glass. In the dim lighting, at certain angles, and with another shot of whiskey settling into your system, you conclude that the handsome saloon owner could certainly pass as Seokmin's brother and vice versa.

But you know the truth.

Familiar with the one who's all too identical to the infamous gunslinger, yet entirely different altogether. Irritation flares in your gut, prickling harsh enough that even the burn of alcohol fails to drown it out.

"I'm turning in for the night."

"Smartin' idea."

"Don't get too smashed."

"You should get smashed."

"Bye, Choi."

Tipsiness is a great excuse to bump purposely into him as you get off the stool. It's only thanks to his genetically enhanced metabolism that the pastor's able to stay upright. He grumbles something that's likely insulting, but standing upright causes you to realize you drank way too much. Everything spins or sways, including your body as you stumble up the stairs.

Somehow, you safely make it to the second level. Above the saloon is a hallway of small bedrooms that Wonwoo generously loans out to routine drunkards or stray travelers. It takes a few minutes of fumbling around but you finally find the lock that matches the first of its paired key and tumble face-first into (thankfully clean) bedsheets.

A hazy mix of drifting in and out of consciousness follows. It's not until the door clicks and there's an ominous creak of floorboards followed by a noticeable presence creeping up at your side that fully rouses you from the feverish dreams of gunfire, explosions, and loss that still plague your mind to this day.

You roll over, intending to assume both an offensive and defensive position against the nighttime visitor, but a hand lands on your shoulder before you can. Still sluggish, there's no way you could ever hope to outmatch the humanoid typhoon, even at your best.

"Hey, you."

It takes a bit for your eyes to adjust to the darkness after hearing his voice — and then there he is. Sitting on the edge of the bed, Seokmin greets you with a fond, megawatt grin. The thumb of his cybernetic prosthesis gently traces little circles over your bare skin. There's a faint hum and glow from its advanced tech mechanics, paired with moonbeams from the window, casting off an ethereal radiance.

"So, you're staying here tonight?"

"But of course, isn't that why you sent such a cute little cherub my way?"

Ah, Lina. You unwittingly smile, remembering how joyful she was to accomplish her mission.

Then your eyes close, nose wrinkling at the copious stench of mixed perfumes and alcohol he brought in and refusing to acknowledge what he says.

"You hella reek."

"Says the one who drank over seven shots."

"… That preacher's a fuckin' tattler. And a liar. And a total scammer. Don't fall for him, Seok."

"Now, what makes you think Seungcheol told me, hm?" He leans down almost nose-to-nose, enough to make yours scrunch even more at the buzzing feeling of how near he is. Your eyes open to squint at him and he winks. "Silly boy tried to mess with god again and max out his intake. Spoiler alert, he failed. Mingyu dragged him back to his room."

"You're the only one I know who can call Choi a 'silly boy'."

"'Cause that's what he is."

"And you need to stop acting like my babysitter!"

You shift away from his gorgeous face and he leans back to give you space, sporting a smug grin. "Then who would take care of you, mayfly?"

"How many times do I have to tell you not to call me that?"

"Be nice to me and maybe I won't keep count on how many glasses you down next time," he teases. "But since I'm so kind and forgiving, would you like a nice, warm, relaxing bath?"

Well, it did sound wonderful. TMI, but cleanliness was a luxury when traveling the desert. Even more so when the places you arrived at had Plant issues. Luckily, Seokmin was more than capable of fixing them but even then, circumstances varied. Especially around the one known across Gunsmoke as mankind's first localized human disaster.

"Only if you get one, too."

It slips from your mouth without a thought. But you might as well have told Seokmin you'd gotten him a box full of doughnuts with how delightedly he clasps his hands together.

"As you wish, m'lady!"

And he treats you like one, scooping you up into his arms in a princess-style carry. At least tonight you're more willing to let him do as he wishes, especially when he discards the perfume-infused outerwear. Whiskey, sleepiness, and the smooth material of his undershirt keep you pliant and cuddly well after he'd snatched you off the bed.

Seokmin's already ten times stronger than even a human like Mingyu and his prosthesis only helps take further advantage of that fact. He easily deposits you on the edge of the tub. Normal routine would require untying the tight laces on your combat boots but since you'd kicked them off prior to resting, he skips to the next step.

Deft fingers make quick work unbuttoning your shorts, the prosthetic digits of his left hand then moving to loosen the straps that keep your top on. His other hand holds them together in a pseudo-knot to keep the material in place.

Honoring a sense of modesty, you suppose — even though you've seen each other unclothed before. But you melt into the secure press of his palm paired with the support of his chest against your back as he leans over to turn on the water.

"Let me know if it's a good temperature."

"M'kay."

"You're so agreeable when drunk!"

"And you're still just as annoying."

"Okay, okay," he relents. Amicably even.

Seokmin never enjoys butting heads like Seungcheol constantly does. Although another "mayfly," gets tacked on to the end of his playful yield in a mischievous tone because if there is one thing, it's that he can never tease you enough.

Brown eyes quietly trace the ink and scars that mark your skin, some disappearing or completely hidden beneath the parts that are covered. Finally, they land on the silver chain around your neck, only a breadth away from the tip of his fingers that suddenly twitch at how soft you feel beneath the calloused roughness of his own skin.

You let out a little sigh and it shakes him from his reverie, noticing the tub's filled up past your calves. Guiding one of your hands to where the locket lies beneath your clothes covering your chest, he stands. "Call me if you need anything or just want help getting out, m'lady."

"'Kay."

You're already stripping bare but Seokmin breezes out the door before you can blink. You sigh again and slip into the hot water, enjoying a soak to ease the heaviness you feel.

It's hard to understand this emotional turmoil. Knowing that you don't enjoy feeling this way, you make a false promise to not drink ever again, staying submerged in the water until your fingers wrinkle.

Maybe you fell asleep, maybe you didn't. There's a bathrobe laid on the sink when you're ready to get out that you don't remember from before but who knows. Who cares? It's cozy and you haven't felt this clean in a while.

"All yours," you lazily declare, stepping into the bedroom.

Seokmin perks up from where he casually sits cross-legged on the bed, fiddling with Geranium. A dopey smile lights up his face, gaze moving from the hefty nickel revolver and zoning in on you.

"All mine?"

"Yeah."

"Yeah," he repeats quieter, more to himself, "all mine…" But when you unconsciously shiver, his eyes flash and brows furrow. "C'mere, I warmed the bed up for you."

"Aren't you going to bathe?"

"Yep, so don't miss me too much, my dear mayfly!"

He accompanies it with a saucy wink and saunters into the bathroom, humming. You find yourself in a bit of a daze, head and cheeks holding onto the heat of the steam from your bath (and more). You change into a light tank and cotton shorts before sitting back down. As promised, where Seokmin rested was indeed warm and smells of faint gun smoke that always brings back memories.

"Total slaughter…!"

Splash!

"… Total slaughter…"

Splash!

"I won't leave… a single man alive."

Splash! Splash!

"La de da de dai~," echoes from the bathroom. "Genocide…"

Splash.

"La de da de duh," splash, splash, splash, "an ocean… of blood."

"Let's begin… the killing time."

Seokmin possessed a lovely melodic voice no matter how nonsensical or gruesome the words he sang. Your eyes close with relaxation as he continues into a different tune. Though the lyrics are definitely more hopeful this time, there's a heavy sense of underlying desolation despite the rapid, upbeat tone.

"So…" splash, "on the first evening," splash, "a pebble from somewhere out of nowhere drops upon the dreaming world…"

You think back to how he silently cried when he thought no one was looking after a young stowaway on the sandsteamer broke into the same nostalgic song. Your heart aches in empathy for the woman whose heroic sacrifice saved humankind but left behind irreparable damage to twins she adored.

Rem Saverem.

She was to Seokmin as what Saint Meryl was to you. But your fondness for the nun who dared to favor one random orphan above the other equally ordinary ones with an unprecedented amount of kindness paled in comparison to the devotion Seokmin exhibited for Rem. Her kindness, hope, and love for and of life didn't simply become Seokmin's philosophies — they were a true part of every fiber, woven into his very being.

He was peculiar. Hardheaded — or in Seungkwan's affectionate term: a hardass — when it came to nonviolence. A true pacifist. Even when enemies held him at gunpoint, allies turned their backs on him, and his choice to always save was at the very cost of his well being… Seokmin would choose to tear himself apart limb by limb before ever causing damage or letting harm come to another.

And even if he always chose the world and those living in it first before anything else, that's what you loved the most about him.

"What's got you making that face?"

You're quick to school whatever expression it might be. Your tongue feels fuzzy. You purse your lips as he lumbers closer, freshly dressed in a comfy white long-sleeved shirt and black sweats.

"What face?"

"You know, the one where something's weighing on your mind."

The bed frame dips and squeaks when he flops down to snuggle against you. Still-damp, reddish-brown bangs lay across your shoulder and dampen your skin. The chilled press of the gold hoop in his left earlobe raises bumps wherever it touches as he endearingly nuzzles you.

"There is."

"Tell me."

"You need to dry your hair properly."

"Do it for me."

"… This is on purpose, isn't it?"

Nevertheless, you take the unused towel around his neck and vigorously rub at his head. No complaints or protests defending his honor come from Seokmin. Just the usual little trills of contentment escape as he leans into your touch. Once you're satisfied the job's done well, he plucks the towel from your hands and you fix him with a stern look.

"Well, Seok? You gonna answer me?"

He curls in on his lanky frame, enough so to find room to plop his head pitifully onto your thighs and nuzzle the bare skin with his nose. "Not if you won't answer me first."

"You."

"Hm?"

"Was… thinking about you."

"Oh, really? Dreaming about how cool, dashing, handsome, and awesome I am?"

"… Yeah. I like you."

He chuckles, closing his eyes. More so at the feeling of your fingers idly playing with his strands of hair than seriously taking what you say. "I like you, too!"

"No, I mean," you jostle him harshly as you shift anxiously, tugging a little too hard at his roots. "Something's wrong with me."

"… Mhm yeah, you've been drinking."

"Goddamnit, Seok… that was like hours ago! But… what if… what if I'm in love with you?"

Your fingers retract like you've been caught red-handed stealing Mingyu's pudding and a millisecond later, Seokmin's head flies off your lap as he sits up to stare incredulously at you and can only gasp out one word, "What?"

It comes out more like a statement than a question. You've seen all kinds of emotions appear in those clear brown eyes of his. Emptiness. Excitement. Happiness. Fear. Loneliness. Mysteriousness. Pain. But now, you can hardly make sense of what turmoil is swimming in those murky depths.

"There's no way," he shakes his head — laughter high and brittle. "Fake", is what Seungcheol occasionally points out whenever he spies the gunslinger's smile. You've never believed him until now. "You're drunk."

Seokmin's been hurt before and you know that. It's why you wish for him to be nothing but happy, that there's some truth to the joy he constantly tries to radiate. Hoping some parts are really healing, that he's giving time to let the bloody wounds coagulate — if even just a little.

"It's me. I mean, I'm the one that's drunk," he reiterates, shaking his head.

"Why are you acting like that?"

"… Like what?"

Perhaps you were too hopeful.

"Like I'm making some sort of mistake. Like I'm wrong about this. About us."

And still under the influence of the too-damn-strong alcohol.

"It's… none of that, it's just…"

"You think I don't know what I'm talking about."

"Well, do you?" he fires back rather harshly, "'cause you're still wearing that thing and —"

You wince as his voice breaks off, palm instinctively flying to where the locket rests. "What the hell does that have to do with anything right now? I thought we were over this! Years ago!"

"Maybe you were since you continue to stubbornly follow me everywhere!"

"I'm not the only one!"

"Yeah, 'cause no one ever listens to me!"

"I always listen to you, Seok. Even if the words that come out of your mouth don't match how you actually feel —"

"You don't know how I feel!"

Silence.

Seokmin's chest heaves, wide eyes taking in how you immediately freeze. That look, oh, that look on your face could kill him and his body moves on auto-pilot to stand, directing his gaze to stare daggers into the floorboards. Begging them to rip off like a bandaid and shield him from your wrath.

The wood beneath his feet groans, shaking ever the slightest.

"You're right. How dare I?"

"Wait, mayfly… I —" he switches gears with a plea of your given name.

"And obviously, you have no fuckin' idea how I feel." Now it's your turn to let out a disingenuous chuckle, fake humor cracking under the pressure of sadness it's struggling to mask. "You think all I'm after is revenge more than the actual thought even crosses my mind. You put on this show that nothing bothers you, make assumptions that no one can keep up with you, that you can do it all on your own."

"No, that's not… that's not what I meant! You know how dangerous —"

You stumble ungracefully off the bed, flinching away when Seokmin's words break off as he automatically reaches out. For you. To support and for support.

Yet, it hurts all the more.

"But what do I even know? How can I, when you keep everyone at arm's length? It's like… it's like I don't even know who you are! Like you're someone else, someone I'll never get to understand…"

To others, it might not make sense, possibly the dumbest thing you could say — especially with the state you're in. But you know Seokmin, a fact he's subconsciously taken comfort in.

But you also know Seokmin. Which means you know the exact place to hit him where it hurts the most.

And suddenly, those words you say propel him back into a moment from the past, body free-falling in the sky.

Yelling. Crying. Screaming. Pleading.

Begging that exact phrase and being demanded of the same accusation. All from the one who's falling with him. Whose face mirrors his own, but couldn't be more different in that crucial and devastating moment.

His brother. His twin. His other half who was once his everything — now a total stranger from the person he thought he knew.

A fifty-year-old reunion that should've been a reconciliation, turned into a doomsday.

And for you, the once simple toothache pain is now overwhelming your full body and you refuse to let him see how it's dampened your cheeks. Especially when you hear the pained whisper of the name that escapes his mouth when you're the one that triggered those awful memories. Staggering to the door, you yank it open and he instinctually takes a step forward.

Don't leave me.

You hear the unspoken plea as clearly as if spoken aloud.

"Don't follow me," is what you hiss out instead, and just like when you first met, Seokmin obeys.

When Seungkwan makes room arrangements — if there is enough money to spare when needed and the options are available — he books everyone their own private space. More often than not though, he and Mingyu share a room and so do you and Seokmin.

Out of everyone in the group, you're the only one who is used to putting up with Seokmin's idiosyncrasies and the constant white noise of the cybernetic prosthetics's technology. You've rarely paid mind to having your own space unless Seokmin gets in one of those rare 150-year-old moods and wants some time by himself. Rare in nature, because he doesn't enjoy being left alone with his thoughts that threaten to consume him.

But he'll have to make due tonight. For the first time, you're extremely grateful for Seungkwan's pro-activeness.

You lock the door, crawl into a fresh cold bed, and wet a new pillow — one that lacks the comforting scent of gun smoke — with unshed tears.

For all his short-tempered and sassy mannerisms, Seungkwan is quite the worrywart. When the suns have peeked past the horizon and you're not already downstairs bullying Seungcheol, he's immediately knocking at your door and inquiring about your well-being. You assure him you're just hungover and he reluctantly leaves you be, likely picking up on how terrible you really do sound.

By high noon, Mingyu raps on the door next. He even sweetly offers to share his prized pudding in the hopes that you'll peek your head out. Though you appreciate it, you send him away, too — after reassuring the sensitive man you'll feel better after some rest.

Seungcheol doesn't miss the chance to be annoying times ten. He doesn't indulge in the effort of knocking, opting to make the floorboards squeal by pacing back and forth in front of the door. All the while, muttering this and that about "yer boy's like a pathetic dog and blah, blah, blah" until getting very kindly told to "fuck off!" and dragged back downstairs by a certain raven-haired insurance agent.

Even Seokmin checks in. Four times.

Once and then twice after you'd left and he'd figured out which room was yours. Then two more visits throughout the following day. He doesn't exactly make his presence known — but you know he knows you know he's out there.

If not by the distinct gait you've picked up on listening for after all this time, then by the hesitant thuds of combat boots lingering outside your door. Lost technology whirring with the action it takes to make a fist with his left hand, raising it up to the door and then back down again in self-inflicted defeat.

You refuse to see anyone, choosing to pity yourself first. Wallowing in your feelings and then sleeping as much of the heartache — and more so the hangover — away.

When the moons are visible in accordance to their nightly orbit, you get up to fuss with the mini VERnon in the room's corner. Nothing but static greets you. At the very least, the white noise is better than complete silence. By the time it's morning, you slowly awaken to the virtually enhanced radio trying to catch onto a faint signal. Enough to report the latest news in snippets with its mechanical voice.

"Beast… reported… Tonim town… !"

Your eyes fly open. Now is not the time to be wasting away. Donning a clean set of attire similar to what you wore into town — and with Sirocco strapped comfortingly to your thigh — you descend downstairs.

"Good morning!" Mingyu cheerfully greets with a delighted shout of your name and eagerly waves you over to sit next to him, waving around a promised cup of pudding. "Are you feeling better?"

"Mhm, thanks. Sorry about that, whiskey here sure is strong."

"'S one helluva killer," Seungcheol sulks across from you, still sporting a massive headache and looking worse than that one time Seungkwan hit him with the car.

"You're just weak."

"Wha'zat say 'bout you?"

"Since I can equally acknowledge both my strengths and weaknesses, that makes me infinitely stronger than you'll ever be."

Seungkwan wordlessly hands you a bowl and you graciously accept it. Next to the pastor sits Seokmin, unnaturally quiet. You don't even spare him a glance even though brown eyes burn into the side of your face until you glare his way.

The stack of doughnuts on the plate in front of him remain untouched — minus the smudged icing on one that was likely from Seungcheol trying to swipe it. Evidently, Seokmin was in low spirits if he didn't want to consume his favorite desserts. But, he is still prideful enough to prevent anyone else from snatching the prized delicacy.

How typical.

An awkwardness ensues, charged with an underlying current of tension. A vein forms in Seungkwan's forehead from his blood pressure rising.

Its pulse matches the twitch in the corner of his fake smile as he attempts to make conversation, to which Mingyu — oblivious and happy-go-lucky as ever, bless his heart — replies enthusiastically. Seungcheol stares listlessly into space, twirling a lollipop around and around with his tongue. Next to him is a soul acting like a thunderstorm's personally pouring over him. Seokmin starts pitifully poking at his grand doughnut pile while you ferociously tear into a piece of bread like it's the last supper before swallowing.

"Soonyoung's coming."

Your unexpected, but welcomed, interruption ironically pauses Seungkwan's second diatribe about Hansol's calamitous ingenuity. If possible, the apprehension in the room intensifies tenfold.

Seungkwan raises an eyebrow. "How'd you hear?"

"Tuned the VERnon last night."

"'Course you did."

"Something about the Beast and Tonim came through. Not for sure but…"

"It never hurts to be too prepared!"

"True, 'Gyu. 'N if Soonyoungie's gonna be there, ya know what that likely means…"

You nod in understanding at Seungcheol's implication. "The Crimsonnail."

Seokmin's jaw clenches at the name but it's the disgruntled pastor who continues speaking after a hearty and loud gulp of water. "'Course the Eye of Joshua's gonna send their best two. Soonyoungie's Hoon's eyes 'n ears for these kinda things."

"Or… it could be Jeonghan."

Your noncommittal remark receives Seungcheol's scathing glower. "Bet."

"It wouldn't be the first time," you shrug.

"There haven't been any notable disturbances and the ground's been stable. So hopefully their only goal is to simply antagonize us further."

Antagonize.

A funny word for such a twisted coin game between a hunter and the hunted. You can't and don't blame the younger Bernardelli agent — only you were privy to most of the true horrors Seokmin dealt with behind the scenes, Seungcheol a close second. And because of that, you were usually the one at his side before an encounter with Jihoon and the ever lingering threat and terror of said man's monstrous power.

But today, you get up from the table without so much as a glance in his direction. Only a parting command of "Let's regroup near the entrance at high noon," while Seungkwan and Mingyu exchange looks of minor distress.

The black-haired man in his hangover blues obnoxiously blows a raspberry as you leave.

Later, there are two solid knocks on the door as you get ready. You know who it is before the door swings open after your agreeable hum to enter. Many may be intimidated at the sight of the silver weapon in your gloved hands. Seungkwan and Mingyu make up half of the quartet who aren't.

They take a seat on the bed as you purse your lips at the reflection in the dusty mirror. Then you fuss with the strap for your gun. Satisfyingly re-securing it around your thigh before throwing a carmine trench coat over tight kevlar that covers almost every inch of skin possible.

"Surprised you didn't dye everything else black during a fit of rage."

Your lips curl upwards. "How on Gunsmoke would I manage that?"

"With the way you're acting, 'hell hath no fury like a woman scorned…' or so the saying goes."

"Really, 'Kwan?"

"I'm an avid supporter of women's rights and especially their wrongs."

"Sure you are."

"You would absolutely look dashing!"

"Thanks, Mingyu. Should've given my color scheme a little more consideration."

"But then you wouldn't have achieved such an infamous moniker. I mean, okay. Maybe the black plague killed tons of Earthlings eons ago but it doesn't have the same ring as 'Sirocco, the bloody rain that follows after the humanoid typhoon'…"

Seungkwan allegedly graduated at the top of his class, leave it to him to spew out all kinds of random facts that you know nothing about. You huff and adjust the brim of the large hat atop your head.

"All that does is make me cringe."

"Uh-huh, so what's making him act like that?"

"Who's acting like what?"

"Fine, keep playing dumb. Did you reject Seokmin or something?"

Mingyu gasps. Dramatically. Hands on cheeks and mouth open in a wide 'o' shape, puppy-dog eyes glistening with despair.

"There's no way!"

"I don't want to talk about it."

"Uh-huh."

"Besides, nothing happened so don't think you're gonna wheedle out of me whether you're going to win that stupid bet you two have going with Choi."

"Eh, don't worry. I've been out of the running for a while now, unfortunately."

"The hell did you even throw for?"

He shoots you a deadpan look. "Guess who's aged eighty years watching the two of you dance around each other like dumbasses? Could've sworn you'd be married with a toma farm or a dozen little children by now."

"It's your own damn fault for falling victim to that pastor's salacious schemes. And it's not even remotely like that, so…"

"Someone just doesn't wanna give in."

You stomp your foot, frustration boiling over. "Ugh, I'm never drinking again!"

"Wait… No fucking way…!"

"Literally shut up, Boo."

"I mean Choi did bet you'd confess and you know… get intimate afterwards… if you were drunk so…"

"Oh, so that's why he was so damn pushy last night."

"Dirty cheater."

"You expect anything less from someone like him?"

A sigh. "No."

It's a well-known fact that Seungcheol would rather stoke the flames of hell than ever needlessly dabble with holy water as one might be expected to with his chosen career.

"But judging by both of your moods, evidently nothing happened." The raven-haired man really has the gall to look disappointed that no one won yet pleased Seungcheol didn't, and the gall to point out the obvious. "Anyways, what did you bet on, Mingyu?"

"Don't recall!"

"Figures." Seungkwan's face falls flat against his palm with a groan before dragging it wearily down his face. "Whatever, it's not like it's that serious. Seriously," he adds on, feeling the burn of your perpetual glower. "Don't let it weigh on your mind. We need you fully focused."

"And when have I ever been less than what's expected of me?" You hold up a hand. "Wait! Don't answer. But really, worry more about that idiot."

"Aw, see? You still care!"

"… About that sixty billion bounty, Mingyu? Yeah."

"Sure you do."

"And truthfully, I was talking about Choi, 'Kwan."

"Well, both of them always get into those zany headspaces!"

You shrug at the tall man's truthfulness. "They're both holding a lot of trauma and baggage."

"And you aren't?" Seungkwan snorts with sarcasm dripping from the dig.

"At least mine's manageable. And… hasn't threatened your lives yet."

"As far as we know."

"In fact, I think I've saved your 'so-very-untraumatized' lives more often than not. Stay with me and you'll both be okay."

They good-naturedly give you individual looks of disdain. Perfectly in sync when you accompany that last statement with a devilish smirk and a twirl that flares out your tail coat with a flourish. By no means are they incapable. Clumsy Mingyu can adeptly wield his massive concussion gun when it counts, of course, and Seungkwan stealthily hides several derringer 'throwaway' pistols under his white cloak that he can fire with deadly precision.

Nonetheless, they loyally flank to your side when Tonim's bell tower signifies the hour of high noon has struck. Seungcheol meets the three of you outside the door of the saloon, smoking a cigarette and one arm lazily draped over the Punisher — a terrifying machine gun mockingly designed in the burdening shape of a merciful cross.

You spot Seokmin up ahead. He's standing on the low border wall near the town's entrance, perched next to a pillar for back support with the heel of his boot propped up behind him. Decked out in the usual galaxy ensemble, purple fabric cut off at shoulder-length of the top left sleeve to allow free range of movement for his prosthesis. His hair's slightly gelled up for a more intimidating and dramatic flair and it almost makes you giggle.

But there's that stern gaze focused on the horizon, likely able to see far out into the distance through those amber lenses the human eye can't quite decipher. Despite such a hardened resolve, his head tilts slightly up toward the blue sky with a faint smile on his lips — an honoring appreciation for the beauty and wonder of life despite its inevitable horrors.

Seungcheol clicks his tongue to get your attention while Seungkwan and Mingyu keep walking ahead. "Spiky Hair thinks he's really gonna do it?"

"Won't stop until he's tried every last resort."

"Even if it kills 'im?"

"Even if it kills him."

"This damned situation 'cause of ya know who."

"Dokyeom. DK."

"Nah, nah. There's the asinine version, eh?"

"Absolute pain in my ass?"

He slaps his knee. "Ah, aye… good one! But nah, 's really stupid one, Deathly, uh, er…?"

"… Deadly Knives?"

"Pfft, yeah, 's that one. So, we gotta try 'n stop one genocidal brother from sweepin' out the whole human race 'n tryna convince greedy humans not to keep exploitin' 'em with the other. Back 'n forth again 'n again. I swear…'s only ever gonna be impossible."

"What makes you think it can't happen?"

He looks at you like you're stupid. Maybe you are. But what does that make him? "Both sides — humans versus DK — think they're right 'n too proud to think otherwise."

"So you don't think they'll settle for a compromise. Or at least try to see the other's viewpoint?"

"Hell naw. Ain't no compromisin' when both think they're justified in what they're doin'."

"Well, regardless — you joined a good cause, Choi. World could use a little more peace and love, don't you think?"

He grunts. "Lookit who's corrupted yer ideologies. Don'tcha know what destroyed Earth?"

"And do you know what saved humans? Kindness. Hope. Empathy. Compassion. Change. Making and being the difference. The good kind."

A long time ago, maybe in a different twist of fate, you might've staunchly agreed with Seungcheol. But despite it all, you've been somewhat changed — or like the pastor said, call it a corruption of sorts — by Seokmin's unwavering sense of positivity and kindness no matter how bleak the future.

You admired him. Truly.

"Un-fuckin'-'lievable."

Seungcheol shakes his head as if he's not gearing up, ready and raring to go as he stomps forward to join a fellow 'brother-in-arms'. The thought inwardly makes you smile with affection until you remember you're actually, in fact, mad at Seokmin.

A dust cloud stirs up on the horizon, steadily growing closer to where you stand.

"You're so full of goddamn self-flagellation."

The individual where all your ire is centered on jolts, doing a double-take at your sudden but familiar presence by his side approaching. Or maybe it was the mere fact you were talking to him again. A warm expression overtakes his facial features at the sense of calm that automatically relaxes the tension in his muscles as he looks down at you.

"Well then, hello to you too. Feeling better, mayfly?"

"… Remind me to never drink again."

"I told you —"

"Yeah, yeah." You wave away his nagging and step up on the wall to stand next to him. "Don't worry, I won't be making a mistake like that again."

"… Mistake?"

There's an edge to his tone. Searching. Sometimes you hate how perceptive Seokmin can be. Though he actively acts oblivious and carefree, it's usually a ploy to lower other's guard.

You wonder how long he's known.

So, you sigh. "I'm talking about drinking, of course. And… I wish I could say I forgot even if… I haven't. But it's fine, I know where I stand."

The latter part of your sentence trails off. It's true though. You do know — thankful you can even be next to Seokmin. You might not be with him but at the very least, your place will always be somewhere by his side. Affectionate flings may be sought elsewhere. But they're always temporary. In your heart of hearts, you know you're irreplaceable to him.

And that's going to have to be good enough for you.

The man in question scratches the back of his head. "It's not… it's not like that. I know I fucked up."

"Stop." You grip at his prosthetic, knowing despite how sensitive the sensors are, they won't be able to pick up how you slightly tremble. "It's okay. Really."

Who is it you're trying to reassure?

"Mayfly," Seokmin murmurs. "Look at me."

With the slightest hesitation, your gaze finally rises from its focal point centered on his boots and the stones beneath to meet dark brown eyes. The ache in the gunslinger's chest eases just a little. It's been far too long — a day, in actuality — since he's got to lose himself among the vibrant hues of your irises and he squeezes your free hand in gratitude.

"It's not okay, I want to talk to you. Sober. But…"

"I get it. Now's not the time for a heart-to-heart, especially not in front of your brother's henchmen."

You laugh, for real this time. The sight is breathtaking; it makes Seokmin's eyes crinkle, a fond smile to accompany his affection as he leans in closer to you to whisper a sweet, "Thank you."

Three sets of eyes try to make it very not obvious that they're very obviously totally not watching the overdue interaction with bated breath.

"Oh golly good, they've made up!"

"'Course they would."

"It's about time, I couldn't take the tension anymore."

"Don'tcha think it'll get worse once they start canoodlin'?"

"Good lord," Seungkwan groans, "perish the thought."

"What's wrong with a little love? Yay for love!"

"Well, I don't think they've made it that far yet. But we're getting there. Baby steps."

It would be a good cause for celebration, a resumption of last night's festivities. Unfortunately, the merry moment is cut short with a screech of brakes, signaling the arrival of Jihoon, DK's most elite performer in his unmerry band of henchmen.

Next to the feared Crimsonnail's suitcase sits Soonyoung the Beast. Silver strands peek out behind the unsettling, bug-like circular mask hiding his face. He casually waves, acting like the unnerving discovery behind the innocent, abandoned child — who went by Hoshi — was simply a facade initially put on around your group and not such a grand revelation.

Having sorted that out in the stomach of a giant flying worm serving as a hive mind for Gunsmoke's legion of its original inhabitants and swearing not to let your guard down again, all five of you remain on high alert.

Jihoon's steel-colored eyes flicker to Seungcheol. "Hello there, Undertaker. Or… should I say Judas?"

"Howdy dandy to ya too, ya son of a bitch," the pastor snarls, spitting his cigarette in their direction. Cursing under his breath when the distance and uselessness of the fizzling stub doesn't blow up the engine like he wishes it would.

"Now, now. You don't want to make me mad, do you?"

"Kinda wanna piss ya off as much as ya piss me off, yeah."

"Surely you know what —"

"He means nothing by it." You'd quickly abandoned your post next to Seokmin to place a hand on Seungcheol's taut shoulder. Boldly facing the blonde man's haughty expression with one that's hopefully placating enough on behalf of your comrade. "He's just grumpy because he's still hungover."

"Well, well… if it isn't the humanoid typhoon's little blood shower."

Ugh, you inwardly grimace, why the fuck does everyone have such unflattering nicknames for me?

"Still following him around, I see."

"'S a lot comin' from —"

" — Hasn't gotten rid of me yet!"

"… Seems it," Jihoon sniffs and cocks his head. "Similar to the dilemma I have with this persistent bug."

Soonyoung chortles, neck contorting at an unnatural angle to peer at the driver. "You love me."

"You're delusional."

"Why are you here?"

Seokmin's question comes sharp and pointed like a dagger, a far cry from his usual demeanor. His tone remains detached. Aloof. Vaguely accusatory. Unlike your harried action to cover for Seungcheol, you don't dare divert attention away from the gunslinger who stalks forward after elegantly hopping down from his perch. Despite an outwardly calm demeanor, there's an underlying urgency in his gait that's threatening to snap.

"For amusement. A show, if you will."

"One that's not even orchestrated by Joshua's freakish cult powers!"

Out of all the males surrounding you, you're not sure exactly who growls at the Beast's mere mention of the devil-like figurehead — in fact, it could've been all of them — but there's one noise that rings out above the din of it all.

Click!

You don't need super-hearing to pick up that telltale sound. Not when every person over the age of eighteen in Tonim has a cocked gun trained on each member of your ragtag gang.

"Uh, so… how many times is this?"

"One too fuckin' many," you answer Seungkwan with a petulant hiss and reluctantly mimic him by putting your hands up in the air.

Jihoon cackles. "And when will you fools ever learn?"

"'S my question, actually," the pastor nonchalantly calls over his shoulder, directed at the town's ringleader. "Didn't know ya had it in ya, boy."

You didn't think Wonwoo had it in him either, to be honest. But that's not something you were going to mention aloud with the shaky hold the bespectacled man has on the firearm waveringly aimed at his target — the one whose head is worth a 60 billion double dollars bounty, dead or alive.

"Felnarl. Jeneora Rock. Descartes. Dankin."

There's a faint twitch in one of Seokmin's eyebrows. Seungcheol rolls his eyes, sarcastically muttering under his breath an addition of location names, "Voldoor, Inepril, December, Lewiston…" and Mingyu joins in on the fun with a cheerful, "New Miami!"

Seungkwan watches warily and your jaw clenches. You can feel your teeth grind together in annoyance as Wonwoo's smarmy sneer grows smugger.

"And now, Tonim Town. What?" he jeers, seizing the chance to use the man's silence as a way to ridicule him. "Don't recognize what you've laid waste to? Must I bring up the big ones to jog your memory a little, like the city of July and Augusta or the hole in the fifth moon?"

"Why you —"

Enragement propels you a step forward, but the barrel swinging your way halts your next move mid-step. The sullen look on Wonwoo's face surprisingly holds no malice. He looks saddened, if anything, but you can't bring yourself to feel too much sympathy with the rifle he's now pointed toward you.

"You forgot one."

"Pardon?"

Seokmin's voice is hardly more than a whisper yet it rings out loud and clear amid the tense silence and stillness. "I said, you forgot one. There's not a name of any place or person I'd ever forget. I'm well aware of the ones you're talking about… and more. However, there's somewhere I won't ever forget that no one will ever know existed."

"… Huh?"

"Little Ivywood."

Wonwoo seems so taken aback and the pause unwittingly allows your eyes to drift over to meet Seokmin's brown ones. There are so many emotions conveyed in the sidelong glance — a mixture of regret-filled feelings yet ever so soft — and it lasts a second too long to snap the befuddled aggressor out of his reverie.

"Oh… I see." He pushes up his glasses, the lenses glinting in the pale sunlight like a typical anime villain. The long gun lowers to the ground the same time as he throws back his head to let out a bitter laugh. "So that's how it is! All you do is take and take and take, Lee. Destroy, destroy, destroy; again and again and again!"

"Aye, ole chap's gone off his rocker."

"You've made an ally out of a would-be, should-be enemy and think other victims with their pain and grief don't exist?!"

"Wow," Seungkwan wrinkles his nose in disgust, "yeah… he's gone completely insane."

Mingyu hums in agreement. "A little unhinged! Off the rocks! Unstable even! When can I knock him out?"

You'd love to give the gentle giant the go-ahead. Really. But even so…

"Damn you —"

"Stop it."

The townspeople's uncertainty and hesitance tells you all you need to know, especially when Wonwoo's hysteria leaves them even more perplexed. After years of handling a gun like a second arm, you can spot inexperience and fear of handling a dangerous weapon the second someone is near one. You lower your arms and step forward once more, confidence growing when he makes no move to threaten you further.

"You don't want this."

The corner of his mouth quirks upward, a rueful smile. "You know, I thought we really did share some camaraderie."

"We do."

"Yet you gallivant around with a monster like that?"

"He's not a monster."

"I should've known better, really, when the VERnons said you're the sirocco that follows after the humanoid typhoon. Heroes, my ass! I don't get it, how could you do that to others after what happened to you?"

To us?

It remains unspoken yet you can hear the intent of the accusingly barbed question. Two survivors of a wrecked hometown. Shared camaraderie hadn't been a lie. Even now as you meet the flickering fire in Wonwoo's eyes with a blazing flame in your own, all you can see is a reflection of your past and what you could've turned into in a possible future.

A cold gleam returns to his gaze as he takes your silence as defiance. Or maybe even shamelessness. "How could you turn a blind eye to such a bloody warpath of destruction when you know too well of the tragedy that's left behind?!"

"Isn't that what you're doing?"

"… Excuse me?"

"That's what all of you are doing right now," you declare loudly and some of Tonim's residents whose conscience stings have the decency to avert their eyes. Awareness of their actions seem to weigh down on them, guns lowering ever the slightest and the awkwardness encourages Seungkwan to speak up.

"We would've left peacefully tomorrow."

"But yer actions're gonna be the very cause of the destruction yer tryin' so damn hard to prevent."

"Because you took a bribe!"

There's a stilted, horrified, and collective gasp, so you try to remedy Mingyu's exclamation.

"It's because you let your malice sway you. Tell me, Jeon. What all did you lose?"

"My whole town. Then my parents. Almost my life and nearly Lina's too. My lover…"

"And your sense of self. Plus, the new life you've created here — and those things? Almost lost because of your own accord. Why would you destroy the few good things you're granted?"

Wonwoo's eyebrows scrunch as his face tenses. Your heart goes out to him despite everything, hoping to get your point across as you continue speaking.

"That doesn't negate the losses. The grief. The pain. It never goes away but… you can choose to clean out the wound, put some salve on it, and bandage it or let it fester and infect your body 'til it rots even your soul."

You can hear the shift in the sand as Seokmin approaches to stand next to you. He regards Wonwoo with a kind smile and the understanding, crescent-shaped squint of his eyes is like a punch to the other man's gut.

"…. I —"

" — It's your choice, Jeon. What did they offer you? Money? There are so many bets on July's militia lying about the payout. I mean, c'mon, there's no way a ruined city would have the funds."

"Yer Plant's no longer in red status, so ya won't need to barter no more."

"I'll throw in a better deal — let us go and I'll have Choi marry you and Sherry, free of charge."

His cheeks flush and you inwardly gloat, instincts right on the money. Seungcheol's jaw drops, absolutely flabbergasted, and the townsfolk exchange a few knowing snickers.

"If it's protection you need, we can figure that out too," Seokmin recovers and offers in a low voice. "And if Do — er, Knives — or his gang approached you with a deal, just know that they never hold up their end of the bargain."

"You're lucky you threatened us first. DK's side is a little too slash-happy and trigger-loving to resort to verbal methods. They're the ones you'd want to go after anyways, you see, this man and Knives are twins if you don't look close enough, they're eerily similar at the strangest moments. So the real story is that it's all just spiraled out of control."

"You mean…"

"I won't deny responsibility." Seokmin admits sternly. "It's true that I've wreaked devastation to many towns. Failed to save the people I swore to protect."

"But DK keeps forcing his hand to get Seok to join his genocidal cause. And every time he refuses to do so, his brother throws a tantrum and well, knives go flying everywhere. Literally."

"He's a little…" The gunslinger searches for the right word — and finding that there is none — cringes. "Dramatic."

You stare at him, aghast. "He cut your arm off!"

Wonwoo pales, swallows, and then grimaces, daring to ask, "So… I've had it wrong the whole time?"

"I guess not entirely." You shrug, also guilty as charged years ago. "And obviously not the first."

"And certainly not the last," Seungkwan pipes up.

The bespectacled man looks down at the ground. "I don't… I don't know… Do I even deserve this kind of treatment? This… mercy?"

"No."

With such a blunt answer, Seokmin's quick to protest with an admonishment of your name while Seungkwan and Mingyu suppress smiles at your straightforwardness. Seungcheol freely chuckles, lighting a cigarette.

And Wonwoo's face falls as remorse hits all over again.

"But," you smirk, "what have I told you?"

"Oh, ah… why destroy the few good things life grants me?"

"Good. You were listening. We might get along just fine, after all." You send him a teasing wink. "Camaraderie and all that be damned."

A sheepish look overtakes the man's previously hardened features. And suddenly he's laughing with his head thrown back like earlier, but this time it's with an unrestrained amount of joy. Relief. Hope.

"The ticket to the future is always blank, Wonwoo." Seokmin extends a hand and the other man takes it, the small grin on his face turning into a full-blown smile.

"Guns down, Tonim town. The rest of you, come on out! Let's celebrate!" He calls out to everyone, gesturing for your group to follow. "Drinks are on me to make up for this whole mess. I'm sorry for getting you all involved."

You turn around toward Seokmin, elation written all over your face that he readily mirrors. Just as you're about to grab his hand as he reaches out at the same time, there's a slow, loud handclap that sets off mental warning sirens blaring all over again.

"Conflict resolution. How very touching."

The velvety voice is deceivingly sweet. But beneath the dulcet tones lies a raw and wicked strength. It rings out clearly, even more so when the jubilant mood abruptly dies down as a new figure approaches.

"Aw, c'mon Joshie! Just when it was gettin' good!" Soonyoung whines and you belatedly realize you forgot all about the real enemies at the entrance gate, thinking they had grown bored and left.

"What about that was 'getting good'?"

The Beast huffs at Jihoon's surly attitude, more than likely pouting beneath his mask. "Was really lookin' forward to those free drinks…"

"We don't need drinks and we don't need you, Josh."

If there's one commonality between the adversary and your group, it's the shared disdain for the elegant-looking man dressed in all black fabrics with shiny leather buckles, and slicked-back locks to match.

"Hm. But I think you do."

Chilling ochre-colored eyes couldn't be bothered to look at you, drifting past you and Seokmin like you were nothing more than the grains of sand littering every surface on Gunsmoke. And like a marionette, your head automatically swivels to follow his line of sight, blood draining from your face when you realize what he's looking at.

Lina.

She breaks away from holding onto Sheryl's hand after they emerge from the saloon, bounding toward her brother with excitement all over her face. The arm that isn't supporting his firearm extends gallantly outward, ready to welcome her with a hug as he strolls to meet her halfway.

They're smiling at one another with so much adoration after the intensity from earlier. If you weren't fucking terrified, you'd wish Dokyeom was also there to see how pure a sibling relationship and affection should be.

Instead, your stomach lurches, and Seokmin hisses beside you. With your back turned, you can't see Joshua but you're sure he's smirking when Wonwoo's frame stiffens, body jerking as it moves beyond his control.

Hastily, he's cocking the rifle with expert ease and assuming the perfect position to fire it, something he previously displayed no knowledge on before. Wide eyes have no choice but to peer down the scope and he chokes at how it's unforgivingly aimed directly at his little sister.

She skids to a halt, ten paces away. Hesitant. Wary. Puzzled.

"… Wonu?"

It all plays out in slow motion as you reach for Sirocco, simultaneously screaming out to your friends to alert them and provide cover. Frantic panic swirls in the air like a sandstorm at the turn of events, but even more fear generates when the townspeople can do nothing but helplessly succumb to their limbs moving on their own too.

Despite every single effort and all of his muscles straining not to do it, Wonwoo's pointer finger on the trigger pulls back. It doesn't matter how much he struggles to fight for control, his body refuses to listen. Tears flow from his eyes even though he can't speak, can't yell, can't beg for forgiveness — the vehement sense of horror is the only thing able to overpower Joshua's terrifying control, leaking out a salty excess.

Bang!

Bang!

Bang!

Three gunshots ring out at the same time. You fire right before Wonwoo does and Seokmin follows two seconds later. Not because his reaction time is slower. But because he could see and calculate where the bullet's headed after you changed its trajectory by shooting at Wonwoo's barrel.

It doesn't end there.

Seokmin is a half-step closer to Lina and can move at an inhumane speed, diving into a tuck-and-roll to reach her moments before the residents have no choice but to open fire too.

You know he's fast enough to dodge bullets at close range, but the staggered distance spread out among all of those present in the town's square works little for that insane advantage. Instead, the skilled combatant focuses all his attention on shielding Lina beneath the loose flaps of his impenetrable trench coat. She clings tightly to his leg, whimpering.

"Don't worry, I'll protect you."

Continuing to mutter reassurances, he pats her fluffy brown hair with an unshaking cybernetic palm while the other rapidly points his revolver upwards to deflect a bullet that might've been lucky enough to shatter the bridge of his glasses. Then doing the same to one at five o'clock on his right. He angles his body this way and that as if a puppeteer is yanking the strings connected to his limbs to the perverse beat of an unheard tune. The few he misses land harmlessly against the thick kevlar material you're all wearing.

Meanwhile, your steady hand supports the familiar weight of Sirocco. Muscle memory aids you with cocking the gun as you run. Aiming at the closest group of people near them and then — bang!, bang!, bang! — snipe off the barrels on their guns in rapid succession, rendering them useless.

From behind, something flies past your face and nicks the top of your ear — one of the few places unprotected by bulletproof material — causing you to hiss. Scowling over your shoulder, you squint in the direction it came from.

While a complete bastard, Seungcheol is also the most resourceful ray of hope in a shootout like this. The Punisher's automatic artillery relentlessly fires shot after shot, destroying old and weather-beaten guns like they're empty, crushable soda cans. It's faster too. The trigger-happy pastor twirls it around maniacally, taking only the slightest care to not actually kill anyone.

You're a hundred percent sure it's because of Joshua's disturbing power that allows him to reanimate corpses rather than Seokmin's "Thou shalt not kill" lecture and pacifist philosophies that keeps the supposed 'god-fearing' man from snuffing out anyone's life this time around. Despite the bullets whizzing around, you know he'll fare alright with that healing serum of his — just as long as he doesn't overdose on it.

Mingyu rushes over to stand back-to-back with the pastor, x-shaped claws firing out of his 'stun-gun' and immobilizing many of his targets with ease. You can't help but grimace though, wondering if they'll sustain more brain damage from Joshua's nefarious telepathy or a well-meaning concussion that leaves them unconscious and no longer posing a threat. A solid steel object flies past the brown-haired man's head, knocking down the mind-controlled person who was trying to sneak up on him using a blind spot.

"Ooh, thanks, Seungkwan!"

"Pay attention, you blockhead!"

An empty derringer lays at said blockhead's feet and Mingyu kicks it away with a childlike glee. A brand-new loaded pistol is already in Seungkwan's right hand even as he throws away the one in his left toward someone approaching Seungcheol. The young man's never empty-handed for long because with another flashy twirl from out of his cloak and a new handgun is cocked, aimed, and fired.

Despite the distance and conditions, all three work together like clockwork. Different shaped and sized cogs all interconnected to succeed without causing too much harm. And you know you must play your part as well, turning your attention back to the few townsfolk that remain.

"Seokmin, switch!"

It's not like he needs the heads-up. The way you'd both been inching closer to each other every time your gun's fired already issued the forewarning. It's like a subtle tango performed by two fierce allies surrounded by deadly enemies. If you didn't know better, it's similar to an intricate sword dance.

But you knew how dangerous it was to play with knives.

The swift transfer of Lina's warm little body into your arms is a welcome comfort. Seokmin sends you a dazzling smile, one full of confidence at a successful swap.

"Hey there, pretty girl," you coo and your gloved thumb wipes away one of the tear trails cutting through the dirt smudges on her face. "You are so, so, so brave and I'm so, so, so proud of you."

"He," she sniffles, "my… my… br-brother. W-Wonu!"

Pressing a kiss to her forehead, you turn her to face the other way. "Everything's going to fine. I promise. Now, run to Seungcheol. He'll keep you safe while the rest of us finish this."

Seungkwan and Mingyu had effectively disarmed everyone on their end and now worked on dragging the town's unconscious residents inside the saloon and attending to any wounds. The pastor stood guard near the entrance with his Punisher staked firmly into the sandy ground. Although empty of ammunition, the machine gun still served a purpose as a great defender with its imposing cross shape.

With the target assuredly safe — out of sight, out of mind — the control Joshua has over those remaining falters and starts to lose its effect. In the brief lull, Seokmin dashes ahead to deliver a flying kick that helpfully unsheathes the dagger hidden in the sole of his boots, demolishing one more firearm in someone's grip before it can be used again.

Bang!

Bang!

And with Sirocco's precision, the last two are destroyed as well. You match your comrade's grin and turn triumphantly to where the instigators still stand at the entrance.

There would be no casualties today. You and your comrades would make sure of that.

Joshua, stoic as ever, surveys the aftermath with an air of unbothered gracefulness. Jihoon fumes next to him. Panic spikes when Soonyoung can't be spotted at first until you spy him curled up in the car's front seat — asleep.

You fist bump Seokmin in high spirits. Then fearlessly meet a pair of deep orange eyes devoid of any emotion or warmth, a shift occurs in your smile. Confidence and satisfaction hone the corners of your mouth into a daring smirk and something about the bold taunt causes a rare flicker of humor to cross Joshua's lips. Whether it's scornful pity or simple mockery, you don't have time to figure it out because Jihoon snaps.

Nails.

Several of them fly through the air and their wielder's formidable namesake comes from the daunting color that makes the multitude of piercers look like thin streaks of blood against the pale blue sky. The spikes as long as spears are all fired from Jihoon's large suitcase-turned-crossbow that aims just shy of your left side.

Those steel eyes of his are as sharp as their color. The malice within them feels suffocating, so strong and heavy that it sucks all the breath straight out of your lungs. Only the pain from a nail grazing your cheek is enough to pull your attention away from drowning in the unnerving emotion and you put a hand up to the laceration to soothe the sting.

Wetness oozes from your skin, an unsettling feeling of sliminess accompanying the touch. Puzzled, your fingers retract and you ponder the sheer amount of red viscoelastic fluid coating them. There's so much of it pooling that droplets fall to the sand below while others dribble down past your wrist and under your sleeve, the stain blending right in with the fabric of your coat.

Drip.

"It's all your fault!"

Drip.

"Their blood is on your hands…"

Drip.

"Don't you feel guilty?"

Drip.

"Don't you feel responsible?"

Drip.

"Do you regret being the only one left to live?"

Drip.

Faces you know and voices you cannot recall overlap and echo. Unfamiliar frowning expressions and intonations you remember as once gentle now ridicule, belittle, and find every crack in your well-made armor. Insidious whispers weave inside, entangling themselves within the fragile support structures of your mind and very soul. They point and cackle to one another at such a sorry sight, only for you to realize you're angrily jabbing a pointer finger at your worthless reflection with those cursory words coming straight out of your own mouth.

Drip.

Your head turns robotically, like an early prototype of the lost technology Earthlings created. This time it's Sheryl who's the victim, helplessly well within the trajectory line of Jihoon's rage. Every muscle aches, weighed down by exhaustion. Your shoulder burns. Yet you still somehow find the strength within you to rush toward her, especially hearing Lina's desperate wail as she's held back by a grimacing Seungcheol.

Drip.

Like a comet, Seokmin blazes past. He skids to a stop, effectively shielding the woman right before impact. You're too slow to move. In fact, it feels like an out-of-body experience. As if you're nothing but a hologram inside the floating ship — an artificial intelligence projection with no other choice but to witness the horrors and observe tangible objects scuttle towards their inevitable doom without interference. You're left with no choice but to simply watch as the nails are propelled through the air with the intent to strike.

Drip.

Someone's screaming. Maybe it's you.

Drip.

The nails impale Seokmin without mercy. Strike after strike, they pierce straight through the material of his coat designed to repel only bullets and plunge deep within the muscles beneath his skin. One after the other. So many of them stick out of the man's backside like the skeletal bone formation for wings. He slumps to his knees, falling on top of a bewildered but unharmed Sheryl. When he only lays still with no further action, you're struck with the dreadful knowledge that he may never move again and it fills you with an unfathomable maelstrom of raw grief and anger.

Drip.

Suddenly, you're no longer drowning in invisible quicksand and can move freely again. There's zero hesitation in your now fluid movements — not even when the blond-haired man poises his crossbow directly at you this time. Pulling out the spare gun hidden near your hip, you blast the airborne spikes flying towards you without hesitation.

Bang!

Bang!

Bang!

Bang!

Bang!

Bang!

More fall than you shoot. The anger, pain, and grief you wield is enough to tear them apart like they're nothing but worm larvae helplessly caught in a sandstorm. You stalk forward through the crimson ire that relentlessly strikes down, clearing a path that's littered with broken, twisted, and dented nails before resolutely aiming point-blank at Jihoon's forehead.

Click.

More people are screaming and the spiteful cacophony in your mind resumes. But your ears feel like they're filled with cotton and this time you're stuck underwater. Your chest rises and falls, trying and failing to collect yourself.

"… out of it!"

"Hyperventialing -"

"Goddamn it! Get ahold o'yerself, woman!"

The Crimsonnail sneers.

Your cheek stings.

The dissonance reminds you of the wound from before. But this time it feels like a sting, as if someone slapped you — albeit rather gently. Numb, you halt in place and cautiously raise your hand back to your surprisingly unmarred face. But rather than skin, you grasp onto something solid. Something familiar. Something kind. Something loving. Something safe. Something warm. Something that's yours — always has been and always will be.

Someone.

And then… you open your eyes — and find yourself staring directly into Seokmin's sparkling brown ones.

"Y-you're dead," you manage to choke out in disbelief and his eyes incredulously crinkle into half-moons at the statement to hide the tears brimming in them.

The soothing hand caressing your cheek moves to wrap around the barrel of the gun you're pressing to his forehead and he smiles disarmingly. As if what you just said was the funniest thing ever.

"I know, mayfly."

Part 2 | Read the whole thing on AO3

onlyseokmins: April 2024 ©

[handweavers]

Cab you elaborate a little on that post about artists of color not having a good understanding of materialism? Like, do you mean that they are unknowingly perpetuating capitalism by being materialistic or something else?????

( This is a genuine question because I misunderstand long posts easily, sorry if it sounds rude ).

when i say 'materialism' i'm referring to dialectical materialism, the marxist theory that political and historical events result from the conflict of social forces - people's access to material needs like shelter, food, healthcare, etc. and their relationship to the means of production. these events can be interpreted as a series of contradictions and their solutions. it is the scientific method for understanding politics/economics and history, and the basis of marxist analysis and of marxism leninism as a framework.

i'm saying that many artists of colour in the west speak a lot about capitalism, imperialism, colonialism, war, etc. from a vaguely 'leftist' but ultimately still liberal perspective, and thus they are not actually challenging anything with their work. they will talk about anything But class, and fall easily for bourgeois politics as long as it's concealed in social justice or "leftist" or antiracist sounding language

and it's because they won't engage directly with marxism leninism, they won't engage with learning materialist analysis, and having this understanding would prevent them from falling for these attempts and allow them to do work that actually has some kind of meaningful impact on these systems they claim to be against. so they are trying to talk and write and make art and organize about capitalism and colonialism without understanding how these things actually function in a literal, material sense...

simply existing as nonwhite people in the west doesn't inherently teach us these things, otherwise all people of colour in the west would be communists. we have to actually do the reading and be open to another framework of understanding the world, to having our worldviews shifted. but i think some people don't want to do that because of their relative class position. it makes them uncomfortable, or they don't want to admit that they benefit from imperialism in some ways. they can't - or won't - decouple an awareness of their class position from morality or their personal feelings.

without a marxist framework for understanding what capitalism is and how it functions, whatever work they claim to be trying to do to challenge capitalism or colonialism or whatever At Best doesn't do anything, and At Worst continues to serve bourgeois interests. the confusion between colonialism and imperialism in particular is easily exploited, so that with the language of anti racism and decolonization people end up agreeing with and promoting US/NATO foreign policy on imperialized nations - these buzzwords can sound pretty good if you don't know better. all this talk about decolonizing our minds and art practices and being anti capitalists but no one can actually explain what capitalism is or how colonialism works or the material role of racism under capitalism, nor do they want to talk about their own relationship to capital, so the talk is just empty lol. all these artists trying to figure out "alternative, embodied ways of thinking and being" and it's all just more liberalism

[headspace-hotel]

There's a plentiful supply of nature and ecology writers that criticize "Anthropocentrism" and tell readers that we shouldn't consider ourselves more important than other life forms, and then they write things that are like "We evolved to live in Nature in a Natural environment...Long ago humans lived as hunter-gatherers instead of farming and domesticating animals...But when civilization was created, man unnaturally subjugated and modified plants and animals...Bringing them under human control for his own benefit...Man replaces natural ecosystems with artificially created "post-natural" environments...Now humans live in an unnatural environment that is separated from Nature...and i'm like buddy. do you even hear yourself

Since I have access to a bigger library now, I've explored "deep ecology" and "green anarchism" and "Biocentrism" a bit more and what i've seen is still kinda silly. The writers have very thoughtful theory and philosophy of diverse subjects relating to morality, society, power, and liberation, but...they just don't know very much about Nature.

I mean several things by that: first, they're not clear on the boring, practical details of things like food systems and the way construction alters ecosystems, second, they don't try to clearly define what "nature" is, and third, they act like "nature" has a clear definition anyway.

Now nature is pretty much undefinable anyway, a couple possible definitions are "all things that exist, have existed, or are possible in the universe" and "the thing that a forest has that a parking lot doesn't." You can say "biodiversity," but every space has biodiversity, and it's not clear how much biodiversity a space is "supposed" to have, we're just going on vibes. And the vibes are right, in a way; I visited an old-growth forest and it was DIFFERENT than any place i'd ever been in a way that is hard to describe. A flourishing, biodiverse ecosystem is different than a parking lot, a lawn, a monoculture field of corn. They say it's good for your health to be "in nature." What does that mean? At what point does a place become "nature?" How many trees does it have to have?

Something that is so painful to me is when people write "Human activities" as a cause of biodiversity loss. This is an act of cowardice. WHICH human activities? Name them.

A lot of nature and ecology writings treat humans like they have an anti-biodiversity force field that emanates from them. They write like lands on Earth are each contested between two inversely proportional forces, "Nature" and "Humans."

Without any more information, this is ethereal bullshit on par with crystals having energies. I am totally perplexed at the lack of curiosity about the specific causes and details of "human impacts." The division of habitats by so many roads and relentless speeding of cars with no way for wildlife to cross...the dumping of massive amounts of poison into soils and water...the wounding and disturbance of topsoil...these are the "human activities," but we can imagine a world without such destruction, and we can create that world.

Too many essays and papers talking about Nature non-specifically, an Idea of Nature, a Concept that everyone just intuitively knows. Nature is...you know...wildness! and trees! and...well, you know, NATURE!

And we do know! When we step out into the parking lot surrounded by low, squarish buildings and blaring signs and the stink of car exhaust, we know that something is very wrong with this place! Even we find these horrible un-places harsh and unwelcoming.

But it is very hard to imagine something different, because the other type of place, the place that is beautiful and soothes the spirit and is full of life, is by definition the place where humans only go to visit, the complete opposite and inverse of a place where humans work and live! Wherever humans live, shop, eat, fulfill their daily needs, that place is Not Nature.

The huge mistake, is that we believe that it is necessary to have places that are Not Nature. We believe that for humans to exist, areas must be set aside where the very concept of Nature is utterly obliterated.

From this imaginary and dismal point of view, we have to carefully confine our own lives to places that are utterly poisoned, sterilized, made into a hostile wasteland, and leave all the rest of the living biosphere to itself in pristine preserves.

And in this imaginary and dismal point of view, the one that divides Earth into Nature and Humans, it is okay to poison and to sterilize and to destroy, because humans must live SOMEWHERE, therefore Nature must be utterly excluded from at least SOME of Earth.

BUT...WHAT IF EVERYWHERE IS NATURE? What if the dandelions in the cracks of the pavement, the lichens growing on the park bench, the wildflowers on the side of the road, the sparrows in the parking lot—what if they are all Nature just as much as anything else? What if they too are sacred? What if it is our responsibility to see the connectedness of all life and to care for all ecosystems, however broken and hurt they may be?

What if Nature is not distant and abstract, untouched in some pristine place, but always reaching out, digging into the crumbled concrete and gravel and compacted ground, clawing to return to us and bring us back home?

It does not take away from the value of the old-growth forest or the unplowed prairie if we open our eyes and see even the scraggliest patch of overgrown weeds for the powerful manifestation of Nature it truly is.

Nature is not a place or a thing. Nature is the Movement, the Endless Happening, constantly alive throughout all life, the way of all things being family, the way of all things taking care of each other, the way of all life being constantly transformed through one another. You breathe the breath of the trees of your home, you drink the water of the streams of your home, you eat the sunlight that falls on your home, grown in the soil where all things go to be transformed through death into a new form of life, fed by the mycorrhizal network, pollinated by the bees, wasps, flies, and moths, nourished by the bone, blood and manure of beasts, and ultimately the fertile river valleys where agriculture first began, were replenished by the rich silt that washed down the river, which came from the forests in the mountains that shed their leaves to make a feast for a million decomposing critters, which is how the rich soil is made.

In this way they all take care of you, and in return you are asked to Live—to take care of them in return, to live as part of the great family of everything alive, to live, to live

What are human activities...? Deforestation? Mining? Spraying pesticides? Building housing developments? But is that all? Are we inherently a "bad" and "destructive" species, or is our ability to acquire and pass down knowledge, use tools and novel behaviors, alter our surroundings, shape ecosystems, adapt our lifestyles almost infinitely, and persist in almost any environment, simply incredibly powerful for good or for evil?

First of all, what better way to demonstrate a contrast to anthropocentrism...than to compare the impact of humans alone to the impact of an ENTIRE KINGDOM OF LIFE, the fungi????? Of course all of Fungi are more important than one single species??? Wtf?!?!?

But also, we should not convince ourselves of our own insignificance and worthlessness to the biosphere, because in the same way that individual self-loathing can be a way to avoid the hard work of loving oneself and advocating for the love one deserves, collective self-loathing as a species is a way of avoiding the responsibility we have to other life forms.

How can this author not think of a single role Humans play in the ecosystem?? What species plants trees, saves seeds, documents rare plants, rescues injured animals and heals them, raises orphaned chicks, manages controlled burns, digs ponds, thoughtfully harvests in anticipation of future seasons, mercifully culls in understanding of suffering that cannot be fixed? What species writes a new chapter in the genome of the American Chestnut so it can be saved from extinction? What species mends the broken kakapo egg with sticky tape? What species addresses their own habitat with that fondest name of Home?

[runesandramblings]

I Just Want You

Word Count: 1400

Pairings: Fili x reader

Warnings: None

Description: Royal wedding plans begin to take their toll, but there's only one thing you require to make the day perfect.

Requested by anon so I don't have a way to tag you I'm sorry! But I hope you enjoy. 😇

“What do you think, nâtha? The lilies or the orchids?” 

You buried your face in your hands. The pounding against your temples, something that had become a familiar sensation as of late, began to worsen as you tried to piece together any coherent sentence. There were only three words that came to mind, the same three words you’d uttered countless times over the past several weeks. 

“I don’t know.” 

The joy of yours and Fili’s engagement had subsided the moment you’d broken the news to your families. With FIli being the crown prince and heir, there was no way Dis and your mother would let it be a simple affair. Invitations had already been sent out to every corner of Middle Earth, and you’d been occupied from sunup to sundown every day with planning. The dress, the flowers, the food… 

You were from a simple merchant family. The pomp and ceremony of royalty made no sense to you. Where you’d grown up, weddings were a simple affair. Most couples in your small village chose to elope rather than go through the bother of an elaborate ceremony. You’d have been more than happy to do the same. However, your mother and future mother in law had both been quick to dismiss the idea. 

“It’s no matter, dear. We have time to decide.” Your mother pulled several small scraps of fabric, ranging from the purest snow white to the creamier shades of ivory. She laid them out against the table and gestured to each. “Which color do you think for the dress? We’ve got to begin sewing soon if it will be ready in time.” 

Before you had the chance to respond, Dis laid out several different styles of gold and silver fabric beside the scraps your mother had laid down. 

“And what of the trim? You’ve got to decide if you prefer gold accents or silver. But I do suppose that would have an effect on the choice of flowers…” She trailed off, lost in her own world of thought. 

You could feel your pulse radiating against your temples as the migraine that had been forming worsened. This was the issue exactly. It wasn’t just selecting a dress. It was selecting a type of fabric, a trim, lace… And that had to coordinate with the flowers or else…

Or else what, exactly? Would the world cease to exist if the flowers and trim didn’t go together? Would Mahal himself descend from the sky if the food and the wine didn’t pair perfectly? 

You looked from where you sat at the head of the long, carved wood table to the opposite end. Fili sat on his own, silently working through a stack of parchments Thorin had given him. He hadn’t been overly involved in the plans, as your mothers had taken over almost immediately. But you’d expressed to him how stressful the process had been, and he’d decided to come sit with you for moral support. He met your gaze and gave you a gentle smile. It sent butterflies through your stomach, as it always did. He was all you needed, truly. You could get married in the same, tattered old dress he’d met you in carrying a bouquet of wildflowers for all you cared. As long as he was there, it was all you required.

“(Y/N)?” 

Your mother’s voice brought you back to the less desirable reality. She and Dis were both staring at you expectantly, the colored swatches of cloth still spread out across the table in front of you. 

“Silver or gold-”

“First, she has to decide on a shade of white. Which shade do you prefer, (Y/N)?” 

“Well it might help to decide on the accent first, then she can pick a white that goes with that.” 

As Dis and your mother began speaking over each other you buried your face in your hands once again. The pounding against your temples became rhythmic, a steady thump that seemed to grow louder and louder as their voices overlapped. You felt as though you might go mad if the pounding and the questions didn't stop soon.

“(Y/N)-” Dis started. 

“I don’t know!” You cried again, finally raising your head to look at the two of them. “I don’t know, okay? And I don’t care. Just pick a color. Whatever you both want.” 

You flung yourself back in the chair, crossing your arms over your chest. It was unlike you to have such an outburst, but you were exhausted. There were too many questions, too many decisions. You’d be more than happy for them to make the choices and just tell you when and where to show up on the day of. 

“And what do you want, amrâlimê?” 

The three of you turned your attention to the end of the table as Fili piped up. He’d laid his parchments to the side. His eyes were not on either of your mothers, but on you. You could see the genuine concern etched in the lines that furrowed between his brows. He knew the planning had begun to take a toll, and now he was able to see the full amount of stress that you were under. 

You felt tears begin to sting the corners of your eyes. 

“I just want you.” You said quietly, your voice barely above a whisper. 

Your mothers exchanged shameful glances across the table, finally seeming to realize just how much they’d piled on you at once. FIli’s expression softened as he continued to look at you, his eyes never breaking away to look at anyone else in the room.

“Could you leave us for a moment?” He asked. 

Dis and your mother stood silently, collecting the fabric and other wedding items they’d strewn across the table. You felt Dis place a hand apologetically on your shoulder as she followed your mother from the room. 

Once they’d gone Fili’s smile widened. He extended his hand to you, gesturing for you to come join him at the end of the table. You stood and quickly walked around to where he sat. Once you were within his arm’s reach he grabbed you, pulling you down by your waist and plopping you into his lap. As soon as your legs touched his he stretched his face up to your neck, peppering light kisses up and down your collarbones. You giggled as his mustache braids tickled the exposed skin of your neck, his lips working their way up to plant kisses along your cheeks. He finally found your mouth and pressed his delicately against yours, making it the gentlest and sweetest kiss of them all. 

You felt a contented sigh escape your lips as he pulled you closer to him, wrapping his arms tightly around your waist. You rested your chin on top of his head as your fingers began to slowly brush through his hair, careful as always not to disturb his perfectly placed braids. The feeling of his arms wrapped snugly around your waist had already alleviated the nervous pit in your stomach, and you wondered how it could have only been moments ago that you were stressed to the point of breaking down in tears. He was your safe place, your calm within the storm. 

“We don’t have to make it into a spectacle, you know.” He murmured into the collar of your dress. “It can just be the two of us, whenever and wherever you want.” 

“We can’t.” You said, wistfully. If only it were that simple. 

“And who says so?” 

“You’re the prince-”

“To hell with that.” He said, pulling back just enough to look up at you. “Thorin’s already given his blessing for us to skip the whole affair.” 

“But our mothers-”

“To hell with them too.” His expression quickly changed from confidence to one of fear as he looked over his shoulder. “Don’t tell them I said that.” 

You giggled again, pulling him closer to you as he nuzzled his face into your neck once more. 

“Amrâlimê, I will go get Balin right now and have him perform the ceremony in this very room.” He continued. “I don’t need the flowers or the food or the party. I just want you, too.” 

You pulled back again, just enough to look down into his eyes. He was smiling up at you, his eyes sparkling with the same joy as they had the first day you met. He was all you needed, now and forever. 

“I think that sounds absolutely perfect.” You said, brushing back a few loosened strands of his golden hair. “On one condition.”

He looked at you expectantly as you continued. 

“You have to tell our mothers.”

nâtha - daughter

amrâlimê - my love

[txttletale]

Apologies for the dumb question and loads of personal information, but..

I have severe moral ocd, and in the past the exploitation has actually caused me eating issues. I’d get intensely guilty whenever I ate anything bc I couldn’t avoid thinking of the exploitation that occurred to get it here and I honestly started avoided eating.

is that what im supposed to do? I know there’s no ethical consumption under capitalism but my sustained existence is reliant on food from the exploitative world of global “trade”, medicine from the oppressive pseudo jails of the psychiatric system, and technology running on copper and cobalt that people suffered to mine. I claim to be a leftist, but my sustained quality of life, god, my entire life, is dependent on the imperial core continuing to extort the rest of the world. Should I just give up?

nah. ultimately if you're a socialist you have to understand that what you do as an individual is--politically speaking--irrelevant. it's good to be aware of the harms that were done in the process of production, but it's both a political dead end and personally self-destructive to then flagellate about that. (and to be clear, if that awareness is impossible for you to maintain without falling into disordered eating behaviours, you don't need to be that aware--again, this isn't about moral duty. genuine socialist politics are never about individual moral duty, or about being a good person. there is no level of Thought or Awareness or Conscienciousness that can become a lever of meaningful political action.)

the harms have already been done by the time the commodity exists for you to access--you're not participating in or exacerbating them by using the commodity. even if you did find a way to live completely without interfacing with the systems of exploitation, those systems would continue unabated. they don't care about you. the idea that if everyone spontaneously individually decided to stop using the goods that are generated by exploitation then exploitation would end is laughable in both premises and conclusion.

you have to look at this on a material level--the 'harm' is not an abstract quality that gets infused into the fruit or the medicine or the iphone, it's not haunted, you cannot show me an atom of 'harm radiation' emitted by an out-of-season banana--the 'harm' is a series of actual events taking place somewhere in the world. and the way to combat that has nothing to do with the personal consumption of individuals--it has everything to do with organized efforts, with groups of people taking collective action to stop that harm from happening.

you're not god. you're not a dynasty warriors character. you vs. united fruit and foxconn is a losing battle. you alone can't change the world in any way that matters, good or bad. the only thing you can do is join your energy to a group, to participate in class struggle. to unionize or join a party or participate in a mutual aid network. class struggle, the marxist analysis of class struggle, the only meaningful vector of political action across myriad forms, cannot be reached or analysed through the lens of 'do my personal consumer choices make me a good or bad person'. i know it is obviously difficult to do when we live in a society that focuses on consumer choice as the be-all and end-all of personal and political and moral expression, but you have to reject that question outright.

socialism is not catholicism--the aim of left-wing politics is not to live virtuously. it is to unite as members of the working class and improve all of our lives. focus on uniting first--find the people around you who you can form organizational bonds of solidarity with--and then figure out how to participate in the class struggle together. that's the only way forward. everything else is a trap, a dead-end, or in this case, pointless self-abnegation. good luck, comrade.