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#that quote……. um. anyway.
mattodore · 4 months
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tagged by @rottengurlz <3 idk who has or hasn’t been tagged so… no one unless you wanna do it!! actually @wldestluv-rs i am always tagging you on everything by default 🫵
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umbrvx · 2 months
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[The character 'Han Sooyoung' is curious about you.]
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lucabyte · 3 months
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Comfortable in New Skin
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dailyloopdeloop · 4 days
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DAY 36: it's only you
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thecrowsart · 1 month
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👁️🦎🎯
(crops under cut)
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#natsume yuujinchou#matoba seiji#natori shuuichi#horrible exorcists#sorry i couldnt think of a caption i literally sat here for like 2 minutes lol#usually i use a quote from the scene or a lyric from a song but in this scene they're just Looking#anyway FUCK architecture#really though this is csp's perspective ruler's fault. i shoulda just done this by hand#but i made it work. since it wasnt super super complicated lol#ummm i feel like natori looks like a baby ceo but that is what he was wearing at least in the anime version of this scene#and midorikawa's kind of vague about clothes so i made it easy on myself#but why are you rolling up to the exorcist meeting in a navy blazer and tan chinos?#his uniform color is tan so ig the pants could be from that but the blazer......#tryna represent the natori clan in front of the other exorcists ig idk#meanwhile matobas just in his gakuran lol#hes not the clan head yet so he can just be there as a kid#he even gets told off by takuma and called seiji-kun.....could you imagine like.#it's weird for him to not be matoba#anyway. um i completely kind of fudged the architecture because its hard to tell where exactly in the building this scene is and#i had a specific composition in mind#i only realized i messed up how the windows work like 3/4 of the way into lineart soooo#but thats the kind of thing only i would notice probably#btw i was originally drawing a different scene of them but i was faced with the reality of foliage.#and i remembered this romeo and juliet ass scene existed so#i chose architecture LOL#okay last thing. i feel like natoris haircut is too polished and nice but fr wtf is his canon hair#im doing my best LOL.........but boy#OKAY im done
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emrrys · 2 years
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"𝘐 𝘦𝘹𝘱𝘦𝘤𝘵 𝘵𝘩𝘦 𝘪𝘤𝘦 𝘵𝘰 𝘮𝘦𝘭𝘵... 𝘉𝘶𝘵 𝘪𝘵 𝘥𝘰𝘦𝘴𝘯'𝘵. 𝘐𝘵 𝘫𝘶𝘴𝘵 𝘨𝘦𝘵𝘴 𝘤𝘰𝘭𝘥𝘦𝘳 𝘢𝘯𝘥 𝘤𝘰𝘭𝘥𝘦𝘳... 𝘈𝘯𝘥 𝘐 𝘸𝘦𝘭𝘤𝘰𝘮𝘦 𝘪𝘵."
click for better quality ❄️
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incorrect-yhs-quotes · 2 months
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Grian: Don't break someone's heart, they only have one.
Sam: Break one of their bones instead! They've got 206!
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jahiera · 7 months
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hello! i can't remember if you answered this in your wonderful astarion romance meta [THAT I CANNOT FIND AGAIN FOR SOME REASON...], but when he propositions us for a second time -- with the series of pick-up lines that we can cheekily call him out on -- do you think he's still in the 'i'm just trying to keep you on my side' stage, or is there maybe some interest in us beyond that?
Hello!! Ahh thank you, you might mean this one? I have another one where I broke down a separate scene so if it’s that one, I can dig for it! But!!!!
I’m currently phone-bound so I can’t grab my usual quotes screencaps BUT I DO have thoughts on that scene, so let me ramble—
for the scene you’re referencing in particular, I really do think there’s a degree of projection from the player (ie what you think this scene means for astarion and your tav is up to you) and personal interpretation for the pacing in here—so if someone else sees it differently or sees it paced differently for their tav, I can definitely get that. however, for me, this scene sort of represents this very interesting shift in the relationship, but not because astarion is developing interest, but because of how he’s acting around tav now that he knows he has tav’s interest secured.
in short: I do think this scene happens still mostly in “I’m manipulating you to keep myself safe,” territory BUT. What’s interesting is that astarion isn’t making any attempts to disguise that anymore. prior to this scene, his two potential propositions (both the one he initiates pre-goblin camp and the one that happens during the goblin party), while not necessarily “natural,” and most certainly not rooted in the first bloomings of a crush, or whatever, there’s a conscious effort to disguise his routine and, in essence, genuine seduction through appealing to Tav, trying to incite desire, etc. — he’s lying and when you know he’s lying it’s obvious, but there’s wiggle room for Tav to genuinely think, hey, this guy is interested in me. but the scene you’re referencing—“here’s my little treat with their cheeks all flushed…” “three little words. everyone’s favorite. I love you. (that would be a lie.) but a very sweet lie,” or whatever he says at the end there—descends very quickly into teasing (almost taunting) that is VERY heavy handed and very gleeful in how he almost …. dangles the falsehood of it in front of you.
there’s multiple ways you can interpret that. is he getting more egregious in his flirting because he feels like he doesn’t have to try as hard, but still TRIES? is he revealing the truth behind the facade because he’s starting, on some level, to feel comfortable enough to reveal THAT if nothing else? I’m less convinced by the second, more convinced by the first, but myyyy personal interpretation of that scene is one that kind of….. is within the romance but removed from it in terms of. I don’t think it’s about tav here, really. I think it’s about astarion.
to elaborate, I think that there’s a kind of thrill in this moment — astarion has been an object for sex and desire for 200 years, and he’s still doing that, still playing that role, but now he’s doing it without the overarching crushing influence of cazador behind him; his safety within the group is relatively secured now; there is less..... external (or perceived external) pressure to keep up the act, but he still does it. which I think results in him almost……. outright telling you that it’s false? like a kind of release, to say that the I love you is a lie, and you know that, and I know that, and I don’t have to FULLY pretend so, in his own way, he doesn't--he tugs and pulls at emotion, and kind of .... invites Tav into the lie, in a sense (thank god there's no option to say "I love you too," here, I worry that fans would take it and mean it sincerely. like. AUCK). maybe there's almost a vindictive thrill to getting to basically display his exaggeration. or maybe he's pushing at the boundaries of what tav & he have here, seeing how far he's sunk in. playing the role still, but at the end, you know it's at least partially an act. either way, poking and prodding like that, to me, isn't motivated by blooming squishy feelings. rather, it's something less sweet, less romance-y to boot, but more interesting for the character as a whole. or maybe that's just my own bias--I tend to find the Soft Squishy Romance to be the least interesting aspect OF the romantic dynamic. also, to be clear, I'm not trying to soften it up with elaboration here. taking away the context of astarion's history and past, what he's doing here is really just mean. it's a kind of cruel thing to so starkly display that you dont really give a fuck about the feelings of the person in front of you--enough to throw flirting and emotional barbs of "I love you," at them just for the laugh of it. it's a bitch move, but it's an interesting one, and I rarely see the conjunction of His Meanness discussed with how it manifests due to his history-- it makes complete sense and it's FASCINATING.
there is ONE thing I'll say, and that in the dialogue branch where you say, "Are you having fun?" or something along those lines, he says, "I am! It's hard not to, with you." and that, I do believe to be sincere, in its own way. I do think Astarion is having fun with Tav out on the road, being with them, being with the group, enjoying the show so to speak, and exploring his newfound freedom--all of which is wrapped up in proximity to Tav. there's arguments to be made that there's pacing issues here, but I actually interpreted the fact that we don't really have another romance-specific scene before the "you're wonderful"/drow confession to be intentional. to me, the trust bond with astarion isn't developed in moments where he's putting up the act or where you're expressing interest or attraction to him (he already knows, he's already removed from that, there's no trust to grow in these moments because sex/attraction is the last thing associated with trust to him), but rather, trust is reinforced over time on the road, through shows of support out and about during crucial, but NON-ROMANTIC moments (such as killing yurgir for him--a nonromantic act, but one that solidifies that he can trust you.)
all in all, after such longwindedness... I guess my answer is that. while I dont think he LOVES tav at all, and maybe he isn't even romantically there yet with them, I do think he likes Tav by this point, and enjoys their company and their presence. what that means to YOU is up to you! as I said, I think it's a scene where the pacing and emotional weight is partially up for interpretation. you can just as easily imagine that he's got unaddressed growing feelings there as you can not--especially since if you turn him down here, what he'll say is "I've gotten on my back more times than I can count [...] most of them I don't even remember. but you, I'll remember." <- possibly implying that there was the start of a potential something here, ultimately ended, which he isn't really sad about because it removes the overall pressure of putting up a show, but at the same time implies a fondness for tav the person; again, not necessarily romantically oriented, but positive emotion regardless.
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lgbtiwtv · 2 years
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one of my favorite hobbies is in fact making fun of lestat because let’s be honest he does deserve it 99% of the time but then i start rereading tvl and suddenly I’m like….man he really went through so much, huh? he was really traumatized and taken advantage of over and over by both strangers and people he loved….like man he really was stalked, kidnapped, and forcefully made into a vampire against his will….he faced years of abuse from his father and brothers…..he witnessed the death of his only lover and before that his resentment and eventual madness….he really cries every other page and has 10 existential crises before he even becomes a vampire but he wants to be good he wants to be happy he tried to run away to the church he tried to run away with the theatre troupe he just wanted to act and love and be loved and at every turn he was done wrong and hurt and abandoned and nobody ever really helped him and I—
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smoosnoom · 4 months
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something i enjoy so much about attack on titan is its constant slogan of "life is a cruel place but it is also very beautiful" and how well it's reflected in the main trio of eren, mikasa, and armin
you have the complete right end of this theme reflected in eren who is almost entirely aggression, always insisting on fighting because the world is cruel place and its kill or be killed with him, no middle ground, and this leads to his and the world's destruction in the rumbling, which he leads with this idea
on the complete other end you have armin whose view is always set on the ocean, always set on a free world and with hope driving him forward, a huge emphasis placed on the second part of the phrase, "the world is so beautiful" and he is constantly seeking out that beauty, ultimately guiding their fates outside of the walls and meeting the reality of the world that really awaits them
they are complete opposites in this manner, but i think what's so great is this coming to meet in the conversation they have in the paths, where armin and eren both shoulder on the blame for the destruction of the world. both extremes are to blame, both out of balance and not quite right for the world
enter mikasa, however, who i think is the right middle for this - she shows this in both killing and kissing eren right after, killing him because life is cruel place, but kissing him anyway, because life is beautiful. she brings an end to the rumbling and brings balance to two extremes
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the-priestess-of-dawn · 5 months
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Grima and Final Blows
The other day I mentioned that I had an essay about Grima to write that I'd been putting off, and between that and all the great essays my fellow Grimleal scholars have been putting out recently, I decided to sit down and finally get it done.
So here you go. An analysis of Grima's difficulties with directly killing people.
Okay, so I’ve been thinking about this for quite some time, because one of my favorite things to explore when it comes to Grima is the gap between their villain act, which they actively play up in front of others in both Awakening and FEH, and their true feelings, which are hinted at in Awakening (particularly through the Future Past DLC) and made even clearer in FEH— their own evil actions are repulsive to them, and they wish they could live normally among humans, but they don’t believe they have any choice but to be the monster that “the fell dragon, Grima” is supposed to be. They are committed to this “fell dragon” character, to putting on a show for everyone, and they are so good at it that it’s easy to overlook that they… uh… aren’t very good at killing anyone important. Not directly, anyway.
Sure, Grima is responsible for numerous deaths. But what is their actual kill count? Well, in Awakening’s main game… zero. (Unless you count Chrom, but, as we witness, that was not a voluntary act on their part; Validar took control of their body. You could also make the argument that Grima “claiming the sacrifice” at the Dragon’s Table counts, but the problem with that is, although it’s obvious that Grima accepts the life force of the Grimleal members as a sacrifice, it’s not at all clear whether or not Grima personally kills them. Although it’s possible that they did off screen, it’s also possible that Validar killed them, or that they were ordered to take their own lives; there’s no reason Grima would have had to lay a hand on them.) In the Future Past, it’s… one, maybe one and half (Naga’s spirit, and Tiki, but only in body. More on this later.)
And it’s not as though Fire Emblem shies away from showing villains directly murdering people, Even in Awakening itself, the intro to Chapter 9 shows Aversa killing a Plegian soldier for delivering an unsatisfactory report, so it wouldn’t have been out of place to let Grima stab a few NPCs as a show of brutality. Especially seeing as Grima is the evil dragon final boss. As early as Mystery of the Emblem, we can see Medeus killing his cleric hostages to restore his own health if you fail to rescue them before trying to defeat him, and as recently as Engage, we get a whole cutscene of Sombron eating Hyacinth. Fantasy violence my beloved <3
Anyway, the point is, Grima could have been written to be much more violent and I don’t think anyone would have complained. Instead, though, Grima repeatedly— and consistently across the series— tries to avoid engaging in direct combat.
Let’s start with what Grima does in the main game of Awakening. We know that Risen pursue Lucina into the past, because we see them fall out of the portal with her in Chapter 1. We also know that those Risen, as well as the others that are appearing throughout the land, are not being directly controlled by Grima, because later in Chapter 13, as the Shepherds are leaving Plegia after meeting with Validar, Aversa, and the Hierophant, they are pursued by more skilled Risen, and Frederick notes that “Either they are learning our ways, or someone is commanding them…” So… It seems that sending the Risen—with or without specific orders—to attack while Grima is not themself present is a favored tactic.
But what about when Grima is present? Take a look at the Endgame: Grima chapter. Yes, you eventually get to engage Grima in direct combat. But not immediately. What Grima does first is…
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Grima attacks the Shepherds with dark spikes from a distance, reducing everyone’s hp to 1. Now, here’s what happens next: Grima attempts to possess their past self, Robin hears the voices of their friends and breaks free, Naga heals everyone back to full health, and then the fight against Grima begins… Except actually, the Shepherds have to get to Grima first, because they’re at the top of the map and they’re not budging. Naga warns them that “Grima’s servants will beset [them] to no end.” and she’s not kidding. Grimleal reinforcements will spawn infinitely, and they can hit pretty hard. Even with everyone starting at full health, it’s possible to lose units to these Grimleal soldiers if Grima isn’t defeated quickly. Can you imagine what would happen if Naga hadn’t healed the Shepherds first?
Well, I’d guess that they’d probably all die to the Grimleal without Grima having to face them up close. Which was probably what Grima was going for.
This isn’t the only time Grima tries the dark spikes trick, either. Grima attempts this exact same move in the Future Past 3 when they face Lucina, Severa, Laurent, and Gerome.
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Grima announces “With the next blow, I will kill you.” and then demands that they hand over the Fire Emblem as well as the gemstone they hold. The threat is very real. But…
Given that at 1hp, a gust of wind could take the kids out, would it not have been easier and faster to kill them and just loot their bodies immediately? And yet Grima lets the kids have an extended discussion about sacrifice, and even suggests that Lucina would indeed buy a little more time by running… Again, I cannot stress enough that Grima should be able to finish them off in one hit at this point.
So the plan was almost certainly to back off and let the Risen do the actual killing, even though that would be a lot less efficient under the circumstances. And when Chrom and the Shepherds arrive, Grima immediately turns their attention to them, saying “If it’s a reunion you seek, my soldiers shall welcome you on my behalf.” Then they once again pick a spot at the back of the map and refuse to move from it, forcing the Shepherds to fight through the Risen in order to engage Grima in combat at all.
And sure, Grima has some excuses. “I was hoping not to have to flex any muscle,” they say right before the dark spikes attack, as if to justify why they didn’t do it sooner. And of course they taunt Lucina over having to choose to whether to run as her friends sacrifice themselves for her or to stay and fight and die with them. “I must say I shall enjoy this either way!” Yes, Grima, we get it, you’ve made it very clear that you’re an arrogant asshole.
But is arrogance really all there is to it? If we look at what Tiki tells Grima in the good ending of the Future Past, it looks as though Grima’s arrogance has brought their own downfall. “If you had left Mount Prism alone, Grima, you might have stood a chance. Instead, you have brought the Awakening right to your feet.” However, when you think about it… Is Tiki’s continued existence not in itself a result of Grima’s repeated pattern of not really wanting to land a finishing blow? The game states that Grima did in fact kill Tiki… but only in body, not in spirit. This is, according to Tiki, because Robin intervened.
Now, the question I have is… Is it really possible that Robin could have intervened both against Grima’s will and without them having any idea? Honestly, it’s hard to tell exactly how aware Grima is of Robin’s resistance, because they lie about it a lot, e.g. stating that Robin’s spirit perished in sending Chrom back to his own world, even though just moments later, Robin is once again overpowering them. So, keeping in mind that Grima is a liar, was Grima really arrogant to leave Tiki’s body in Ylisstol, and to not make sure that her spirit was fully destroyed? Or was Robin simply able to capitalize on Grima’s propensity towards backing off?
Because surely the only way Grima could be unaware that Robin had acted against them is if Robin hadn’t actually acted against them. I don’t think I believe that Grima really wanted Tiki gone. Naga, sure—longtime nemesis and all. But if Grima had truly cared about seeing Tiki’s existence destroyed… Well, I doubt Robin could have interfered that much.
But maybe it could still be a matter of arrogance. Maybe Grima just didn’t think Tiki’s spirit could do anything with Naga’s spirit gone, and thus didn't care to pay attention to her anymore once she seemed dead enough.
If that’s true, it doesn’t explain why Shadows of Valentia Grima exhibits the exact same habits when fighting Alm and Celica, despite never having been outside of the Thabes Labyrinth at this point in their life. As opposed to the various Terrors throughout the rest of the Labyrinth, which chase Alm (or Celica) down in the overworld to force a fight, Grima is immobile in their room, and will wait patiently there indefinitely until the player chooses to engage. You can even evacuate from the dungeon.
But if you do choose to fight Grima, it proceeds much like the battles against them in Awakening go. The main difference is that they actually will move from their starting position this time, if you position someone in their range. That still requires a fight against (proto-)Risen who are spawning in from the sides to stop your party’s advance.
So… Now it’s starting to look like Grima actively prefers this one particular trick… And it’s a fundamentally defensive maneuver, which makes perfect sense from SoV Grima’s standpoint (they were attacked out of nowhere, after all), but is not really an obvious standout strategy for Awakening Grima, whose taunts and threats suggest an aggression that would be better supported with a more offensive strategy… Consider, too, that Awakening Grima is in fact being even more defensive than their SoV iteration, since they don’t move towards you at all.
With all that in mind, it really, really looks like Grima doesn’t want to fight, especially in Awakening. Not that they don’t intend for the Shepherds to die—on the contrary, they’ve set everything up so that the Shepherds will eventually be overwhelmed—but that they don’t want to land the killing blow.
(And gee, I wonder what might be fueling their reluctance? Being controlled and made to kill your best friend by your own hand wouldn't be totally traumatic or anything, right?)
And then... Funny thing here, I’ve been procrastinating writing this essay for a long time. I originally started thinking about it shortly before the Depths of Despair banner was released in FEH, so imagine my surprise when I saw this characterization hold up in the writing of Fell Exalt Chrom’s Forging Bonds as well… The Grima there says that Chrom was the one to kill the rest of the Shepherds. Now, it’s pretty clear that it was through Grima controlling him, but that’s not the point. The point is that once again, Grima didn't have to do any direct killing.
Look, if it had only ever happened once, I could buy that maybe Grima was just underestimating their opponents, that maybe they thought they could get away without having to put very much work in. But for Grima to operate this way so many times, so consistently, and to their own detriment? No...
Grima doesn’t like direct combat. Grima has trouble even when it’s a fight they asked for.
And when you think about it, that makes their reaction to Robin choosing to land the final blow themself in the sacrifice ending all the more understandable.
“…YOU WOULD… NOT DARE!”
Because Grima would not dare. Grima has always preferred to let someone else land the final blow.
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gilledman · 7 months
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  — WE'VE GOT TO SAVE HER FROM THAT CREATURE FROM THE BLACK LAGOON !
18+ only. read pinned post before interacting. personals dni. blog is w.i.p.
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starscelly · 7 months
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it’s so crazy that athletes get traded just like that. what about their friends?
miro heiskanen, instagram / ethan miller, getty images
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drawfee-quot3s · 9 months
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i'm gettin the scary sillies
- jacob
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fitzrove · 2 days
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Started watching a "problem with greek myth retellings" video and it began with a blurb montage like "Condemned by the misogynist guys of history, this is the true girlboss feminist story of [A WOMAN]" and like. brb writing one of those about crown prince rudolf. It's ok he's like a misunderstood girlboss to me<3
#NASJASKSDFKDSLFDGJDFJ#joking. since those retellings seem to be often bad#fun fact i do have ideas for like a black teen comedy series with mary as the protagonist where the ending is like a harrowing twist#like you think it won't go that far but it does and the point is that she had historical agency and her own problems and personal journey#but in the end it spiralled catastrophically due to both crown prince rudolf related events and others#unfortunately writing one would draw the ire of both misogynist rudolf conspiracy theorists (how dare you suggest women have agency) AND a#certain type of feminist media critiquer person: (1) how dare you cover a topic like that flippantly 2) how dare you make rudolf anything#but an inhuman monster of a r*pist murderer gr**mer or whatever in the story#like idk man.. other male characters portrayed as romantic interests in mainstream media are toxic r*pists all the time. like omg i hate ho#'the great' handles p*ter and catherine because i was rooting for them to remain toxic and for catherine to kill him or whatever but then#she starts falling in love with him in s2 and everyone in tumblr is like omg hot sexy toxic romance. like cant we have ONE series where#straight romance doesnt inevitably become the overbearing focus?? i had wlw ships for that show.. they never pulled through...#anyway um yeah. the way i would portray rudolf in that is that mary sees him as this romantic hero which is emphasised in the way its shot#but he's constantly acting in kinda offputting and strange ways and is occasionally pretty pathetic and weird ASHDJFJF#^^ that's never been a deterrent to anyone ever. most rudolf biographers want to [redacted] him this has been proven by the way they write.#the only ones that dont are me (well not a real biographer but a rudolf enjoyer nonetheless) and brigitte hamann /hj#(she actually doesnt salivate over his appearance like frederick morton does xD only quotes 2 contemporary women commenting on it)
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For your consideration.
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How you have fallen from heaven, morning star, son of the dawn! You have been cast down to the earth, you who once laid low the nations
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