#that was picard season 1/2 too

[rivertalesien]

The Old Guard.

Nimona.

Dungeons and Dragons: Honor Among Thieves.

Blue Eye Samurai.

Motherland: Fort Salem.

Warrior Nun.

We've been given some excellent potential franchises here. Two of them--the most explicitly queer/subversive--were cancelled, though each of them feature queer or queer-coded characters.

No idea if/when we'll see the follow-up to The Old Guard, but the setup had potential for realizing the relationship between Andy/Quynh.

Nimona is one of the most no-apologies trans characters ever.

D&D and Blue Eye Samurai conveniently skirt queer themes even as central characters appear coded.

In fact, one of the more regressive(?) elements of Samurai is that the main (male) villains are openly queer, but only ever seen being sexually serviced by women. This is a show that, at first, kept it's protagonist on a seemingly asexual path, only to discard it toward the end in a flashback (where she, for reasons that seem entirely out of character, agrees to marry a man and eventually enjoys sex and possibly falls in love with him).

It also setup what might have been a moment of queerbaiting in the long/suggestive stare between Mizu and Akemi, only to drop that hard in Taigen's lap, so to speak. Spinning away from that potentiality to setup a possible future romance with her childhood bully? uh

Netflix cancelled Warrior Nun in its second, acclaimed hit season, after it made its protagonist openly queer.

Not saying Samurai got the memo, but I wouldn't count on it courting a queer audience with an openly queer character or relationship (do I dare them? Yeah).

Will TOG2 or D&D2 follow a similar memo? Will Nimona, should it get a return? Not holding a breath, but it would be nice if they threw that memo away. Ripped it to shreds. Burn in the Black Cauldron. Something.

Because each of these stories are all brilliantly queer at their heart (whether intentional or not, mostly intentional), and we've been written out of pretty much everything, which only makes it easier to spread lies and hate in the real world. Care about us? Include us. No coding. No metaphors.

Motherland, Warrior Nun, Nimona (even The Old Guard) made it a priority. The rest could, too. Here's hoping they all return gayer than ever.

like Bob always said

[star-trek-dumb-comics]

Ok so I finally watched Prodigy ! And it was surprisingly good. This is obviously a kids' show but I ended up being pretty invested in the story. The main character started as Ezra Bridger-ass annoying but he's grown on me. Genuinely I think this might be the best new trek show with Lower Decks lmao. It even got me caring about what happens to CHAKOTAY of all things !

Also it had GREAT alien rep omfg there were so few humans I LOVE THIS SHIT !!! especially UFP founding members rep ahhhhh !!!!!!!!!! I've been wanting this for YEARS they did it for me

[coredrill]

feliz jueves i was fucking right

[princesscolumbia]

Star Trek Captains, A Review and Categorization

Star Trek is a show about a Neo-military organization that has rank structures, ships, and fights wars, so naturally there's plenty of captains to talk about, but for this post I'll be highlighting specifically the main cast captains, in something resembling chronological order. (But, I mean, this is Star Trek, so even that's kinda up in the air)

Captain Archer

That Guy who had to hand crank the warp engine up-hill both ways in the blinding ion storm. We don't need no stinkin' Prime Directive! Remember The Alamo Pearl Harbor 9/11 Florida! But...uh, maybe don't be dicks about it, not everyone who looks like the ones responsible for that thing we're never going to forget actually wants us dead. Got transformed into an alien, got possessed by another alien, slept with a couple more. Never got pregnant, though (that was his chief engineer)

Scorecard

Ships commanded: 1

Wars started: 0

Wars ended: 3

Times on screen naked: 1

Nazi facilities destroyed: 1

Category: Grampa

Captain Pike

Midlife crisis? What midlife crisis? Everything's fiiiiine. Now eat something, it'll make you feel better. I'm not mad, I'm just disappointed. Number One, don't tell me I can't adopt more kids, I don't care that they're from the future they're mine now. Besides, we've already got a whole ship-full, what's two more?

Scorecard

Ships commanded: 2

Violations of the Temporal Prime Directive: -3 (yes, it's an irrational number, we're talking time travel, people!)

Musical Numbers Participated While On Duty: 3

Hair: Really Great

Category: Dad (or DILF if you swing that way)

Captain Georgiou

You will be captain when you can snatch the stone from my hand.

Scorecard

Ships commanded: 1

Protege's who required a redemption arc: 1

Awesomeness: Transcendent

Category: Gone too soon, also, MILF who can kick your ass

(Edit: Courtesy of @cheer-me-up-scotty for pointing out an oversite on my part)

Captain Burnham

Cosplays as a Vulcan 'cause she's jealous of her adoptive brother. Accurately called an audience-stand-in-self-insert-mary-sue (shut up, Star Trek fandom invented the Mary Sue, it was a term coined by women fans, so shut up!), but by season 2 she actually gets interesting.

Scorecard

Mommy Issues: Has a subscription

Moms: 4

PTSD inducing life events: Like, all of them

Ships commanded: 3

Mutinies led failed: 1

Category: That One Cousin who married surprisingly well and made something of herself in spite of all expectations

Captain Kirk

Golden retriever energy, would be the Useless Bisexual Himbo if he didn't have so much game. Probably smarter than he lets on. Polyamory King and certified Alien Fucker. Boyfriend is a half-space-elf, main sometimes-girlfriend will go on to create the deadliest super-weapon ever built by humans by accident.

Scorecard

Number of Klingon Bounties on his head: [CLASSIFIED]

Number of women he's slept with: [CLASSIFIED]

Nazi regimes toppled: 1

Number of times he should have had a test that determines if you can stick your dick in it that got named after an upstart from that other science fiction show instead: 1

Ships Commanded: 3

Ships He's Stolen: 3

Category: Slut(affectionate)

Captain Kirk (the other one)

Golden Retriever that got left behind when his family moved away and had to lead a ragtag team of a crotchety older dog and a wet cat on a journey...

No, wait, hold on...

Right! That's the one!

Scorecard

Times he should have been kicked out of Starfleet: At least 4

Ships commanded: 3

Ground transport destroyed: 2 (that we know of)

Number of middle fingers given to Admiralty: 2

Category: Bad Boy

Captain Picard

You know that guy who you see going to the library all the time and always seems to have his nose in a book and always seems to be telling people off for breaking the rules and doing dangerous shit? You'd never know it but he used to be That Guy in college who got, like, ALL the girls and is going to be the Hot Grampa that you don't know how he has that much game, but he got it.

Scorecard

Ships lost in the line of duty: 2

Number of times he married and then estranged his best friend's wife who named their son after her dead first husband: 1

Number of toxic omnipotent and omniscient boyfriends who are obsessed with him and spends their spare time playing with ponies: 1

Category: Inexplicable Sexyman

Captain Badass Sisko

The Cool Dad with baggage. He's got game, but he's got priorities as well, and DON'T mess with his son or you won't even exist anymore to regret it. BLM before it was cool. Led a civil rights riot two centuries before he was born. Space Jesus who can make the best jambalaya you've ever had. Fought and won a war, punched a god, then became one.

Scorecard

Civilizations saved: 4

Native Cultures Treated With the Respect They Deserve: Many

Times He Bent the Rules so his CMO could get some nookie from a Cardasian spy plain, simple tailor: The counter broke

Successful black-ops assassinations completed: 1

Category: BAMF

Captain Janeway

THE single most decorated captain in Starfleet history. Successfully dropped the hammer on dozens of petty tyrants, oppressive regimes, roaming mass murderers, and the Borg. What Prime Directive? Your Mom. Also, probably slept with your mom, that's how much she is the Domme-est of Dommes. She told the Borg to use the safe word...and they DID!

Scorecard

Borg Daughters: 1

Times she told the Borg to step off: 3 (or 4...or 5? Honestly, with the time travel shenanigans it's hard to know for sure)

Nazis she's personally shot: 1

Category: Mistress, but it's "Ma'am" to you

Captain Freeman

She's angry AND disappointed! She's just as good as all the other captains in the fleet, and the good ones know it, but all the rest? They see "cali class" and assume all they're good for is the jobs nobody else wants. But jokes on them, because thanks to that attitude her crew are the flippin' Jacks and Jills of all trades and are more capable of fixing AND fucking AND "fucking" shit up than damn near anyone else!

Scorecard

Times the ship has nearly been destroyed but she and her crew got through it: ...uh...how many episodes are there? And then there's the times that get casual mentions that we never get the details on!

Daughters who should probably be captains now if they were at least a LITTLE more respectful and didn't actively try to piss off Admirals: 1

Times the Cerritos has had to be rebuilt to the point it might as well be called "The Ship of Cerritos Problem": At least 4

Category: Your mom...get back here, I'M NOT DONE TALKING TO YOU!

Captain R'El

Cinnamon Roll, just let m'boy into Starfleet! He just wants a home and a family! I'd like to see full-grown captains who can keep up with half of what this Best Boy is capable of!

Scorecard

Number of species his genetic code is made up of: All of 'em. Even the GODDAMN Q!

Number of Janeways he impressed the socks off of: 2

Quality of his Janeway impression: Bad

Number of Ferengi he out-Ferengi'd: 1

Nazis punched: Give him time...

Category: Teenage Boy Who's NOT GOING THROUGH A PHASE, MOM!

Should I do Captains Shaw and Seven? How about Alternate Timeline Tripp or Future Chakotay? (Going too far down that rabbit hole will eventually lead to Imperial Kirk and Captain Spock from the movies.) Let me know in the comments.

Next Post in this series

[isagrimorie]

One of the things I really appreciate in Picard S3 is how the season slowly gave back Voyager to Seven. I get why they didn't in season 1 of Picard and only mentioned Voyager and her Voyager family obliquely -- Seven barely knew the people in La Sirena, and there's no impetus for her to share. The subtlest of nods was a good way to kick it off.

Season 2 has willingly said Janeway's name to Raffi and the context of why she wasn't in Starfleet.

By season 3, Seven is surrounded by the spirit of her old family. The best visual indicator of it all was the silver Voyager Model Seven kept prominently on a shelf in the anteroom of her quarters.

From BTS we also see Tuvok has the same one, and from this, we can infer all Voyager crew have their own models. (I would give them real money if they would sell that Voyager model too!).

It also means wherever Seven was all through the years with the Fenris Rangers Seven carried this tiny Voyager ship around.

In Prodigy Vice-Admiral Janeway has her own Voyager model, but of course, she's not going to be satisfied with a tiny model.

Keeping Jellico in the photo for the Voyager scale.

And of course, the scene in the Fleet Museum:

Featuring the Grand Old Lady herself, USS Voyager. (Hello, Voyager!)

Ends with a proper reunion with Tuvok, the only person other than Janeway who was there for Seven since the beginning:

I missed seeing them together -- and look at both of them now, in Command Red.

Janeway was the only missing element with an unfortunate thing of production and time getting in the way of Kate Mulgrew being around, as I understand it, she splits her time living in Ireland and the US (I could be wrong!) -- it's also one of the reasons I dearly hope we get a new show with Seven as the main lead. Because I selfishly want Janeway to appear and possibly give Seven her Captain's pins.

I know Jonathan Frakes expressed his wish that Riker be the one to hand out assignments to Seven, and it would make sense if he becomes a newly minted Vice-Admiral. Since Janeway might be higher up in the Command chain at this point.

But I still want Janeway to be the one handing out crucial assignments to Seven and the Ent-G.

So, yeah I hope we get that show but also I'm really glad this season finally brought Voyager back to Seven. It was her home.

[quasi-normalcy]

Star Trek series rated by horniness (as rated by me, an asexual, so you know its objective):

Star Trek: The Original Series - what is there to say for the series that invented slashfic, fuck-or-die, and Thiess's theory of titillation in costuming? The universe is full of greased-up pecs and scantily clad women wondering what is this thing you call...love? It's easier to mention the episodes that *aren't* horny. 10/10, for how could it be otherwise?

Star Trek: The Animated Series - It's a Saturday morning cartoon series from the 70s, and yet... 3/10, for the surprising number of scantily clad muscular guys

Star Trek: The Next Generation - Oh, we *start* quite horny; Roddenberry is keen to let us know that the android has a penis in the second episode; but then Roddenberry dies, and by the final season even Troi is wearing a sensible duty uniform. 6/10 for Will Riker, though

Star Trek: Deep Space Nine - We've got Quark's, where the women are scantily clad, the holosuites are for fucking, and the waiters give themselves ear infections from doing too much oo-mox on themselves. We've got Jadzia Dax, who has three hundred years worth of sexcapades in two genders and will tell you about them at the drop of a hat. We've got Bashir and his sad blue balls for the first two seasons. We've got Klingons breaking each other's clavicles to initiate coitus. And we've got an enemy power led by the perpetual mind-melting gangbang that canonically is the Great Link. 9/10

Star Trek: Voyager - Weirdly conservative in its sexual politics. I mean, it goes out of its way to stick poor Jeri Ryan in that body condom, and there's a whole episode about space whales wanting to fuck the ship, and another one about Janeway wanting to fuck an Irishman, and *two* episodes about Pon Farr...actually, you know what? 6/10.

Star Trek: Enterprise - You know what, let me tell you about this series; this series is like a 14-year-old asexual boy boasting about his supposed sexual conquests in the hopes that it will endear him to the cool kids. It doesn't work; there's nothing genuine about it and everyone knows it; no matter how many innuendos he throws in, it's clear that there's no joy in it for him and he'd be happier if he could just go off and read comic books. Secretly, he wishes his friends still wanted to play with action figures. -1/10

Star Trek: Discovery - The show presents us with wall-to-wall gays who just...never seem to shtup each other. Like, I of all people know that sex doesn't define queerness, but...really? I guess maybe they're afraid of being less than wholesome? Anyways, 2/10 for that time that the Emperor went off to fuck a couple of Orions in the middle of a dangerous secret mission on the Klingon homeworld.

Star Trek: Picard - A series so sexless that it can't even show its main canonical couple enjoying each other's company for more than 5 seconds each season. And yet the chaste Jurati/Borg Queen pairing manages to be the hottest thing ever in the history of fiction. Anyway, I guess they technically had Agnes sleep with Rios in the first season, so 1/10.

Star Trek: Lower Decks - Oooh boy, we're at the heavy hitter now, my god. Completely, unashamedly horny. Gene Roddenberry *wishes* he could have done that orgy scene that people on Twitter were freaking out about. 11/10

Star Trek: Prodigy- They're *kids*. 0/10

Star Trek: Strange New Worlds - Not really a lot, surprisingly given their TOS pastiche. Still, we get some stuff with Spock. 3/10.

[star-trek-fandom-confessions]

#620

Confessions: 1. I don't want to see the 32nd century. I want to see the 25th and 26th. The 32nd is too far away, I'm not engaged in that. All the previous cannon is like, myths and legends rather than recent history. 2. I don't like how many plots have super high stakes. Like prodigy and picard season three both have "if this thing happens it's gonna kill the entire federation!" Why? It sucks. It sounds like a broken record, and it gets boring. Starfleet security should be better than that. 3. Can we not have earth as the powerhub and centre of the Federation, and this "if Earth falls, the Federation falls" mentality. Like: humans aren't the rulers of this society, let some massive things be dealt with by the Andorians or something. 4. I don't like section 31. It's not starfleet. Thought I'd put them into one ask instead of overflowing your inbox :)

[ovenproofowl]

a lot of people have said it, but I’m throwing in my two cents just to get it off my chest.

Picard season 3 was . Bad . For a LOT of reasons . It felt like - as many before me have expressed - a self-insert fanfic with the dullest self-insert in history.

Jack Crusher wasn’t much of a character but he could have had some promise if they hadn’t spent an aggravating amount of time having him decree how different he always felt, you guys. Did you get that part? He’d always felt different. That sort of dialogue might have flown if we were dealing with Picard’s adolescent son, but instead we’re dealing with a 24 year old played by a 35 year old who looks every bit his age. (It was a hard 24 years, we must assume.)

The reason that Jack Crusher didn’t work for me personally, though, wasn’t because of how cliché his character was. I would have let that pass much easier if it wasn’t for the big ol’ elephant in the room. And that is simply that :

JACK CRUSHER WAS NEVER NECESSARY

Jack may have served a purpose to the storyline that was presented if only because he was the sole reason there was a Big Bad to be defeated in the first place. Everyone wanted to kidnap him, he brought the old gang back together just to protect him and then later save him from said Big Bad which was also actually .. him. Everything Was About Jack. But I’m not talking about the main plot. I Really Don’t Want to Talk About the Main Plot. Ever. What I want to talk about is what Jack represented that made him so unnecessary:

He was intended to represent Jean-Luc Picard’s only reason to start living.

Personally, that really, really offended me. Picard didn’t need to have a biological kid to have a purpose. In fact, it’s been established time and time again that he wasn’t ever really dad material. More of a... weirdly intense uncle. For a while, he wasn’t a fan of kids at all. Eventually, though, Picard is seen to warm to the idea of letting children within his general vicinity. This starts in TNG and continues on in season 1 of Picard. The Only Categorically Good Season of this whole. show.

In season 1, we see flashbacks of Jean-Luc’s relationship with a young Elnor, how he would read him stories and have sword fights with him. He was an absent father to an adopted child he hadn’t even realised he’d adopted and yet Elnor still fought for his hopeless cause. In much the same way, Picard meets Dahj and then later, Soji. He feels a kinship with these androids because of their connection to Data. He wants to protect Soji becase he couldn’t protect Dahj and Soji even canonically questions whether she should allow Picard to act as her father figure before she begins to remember where she came from. Both of these dynamics were infinitely more interesting and a lot deeper rooted. Soji and Elnor were both young twenty-somethings without parental guidance but found that guidance through Picard. Soji had her connection to Jurati, too, and Elnor had his with Seven and Raffi and that’s what made the whole group so intriguing to follow. They all had interesting connections to each other that had so many avenues to explore.

Unfortunately, the show decided to more or less write Soji and Elnor out of the story come season 2. Elnor was killed off for the majority of the season and only brought back by Q intervention in the last episode. Soji wasn’t even a part of the story at all. And do you know what’s sad about that? What’s really sad? Season 2 was trying to sell us the exact same message as season 3. That Picard needed a reason to live. But, like, not that reason. Not the reasons he’d already been given in the form of his found family with his Romulan and android adopted children, or even the rest of the La Sirena crew. No no no, we can’t have that, better get rid of them. This time, Laris is the focal point. Picard had been avoiding a romantic relationship with her because of a never before mentioned dark history surrounding his mother’s suicide. Because, sure, at this point, why not? While we’re at it, let’s also kill off Rios in the most slap-in-the-face out of character way possible and fling Jurati at the Borg for good measure just so she won’t be around for season 3. Her character development into the Borg Queen was pretty intriguing, but we’ll totally ignore that they even exist post her departure, just for funsies. Oh, and Soji and Elnor? Best not mention them at all come that third and final season. Otherwise, people might get the crazy notion that Picard already had a reason not to hunker down and die at the vinyard at the tender age of 104.

Season 3 picks up where season 2 leaves off in that Picard is now in that aforementioned romantic relationship with Laris. Except, no he isn’t because he immediately gets an emergency call from his ex and literally never sees or talks to Laris ever again. There wasn’t even a throw-away line or implied reference to her, but by now I’m sure you know the reason for that.

That’s right, folks. Because if we were allowed to remember Laris and what she meant to Picard, then we might just remember that other thing. Say it with me now!!

JACK CRUSHER WAS NEVER NECESSARY!!

In summary, there were so many brilliant options to give Picard for signficant found family dynamics, but the show just wasn’t interested in any of them. Season 3 wanted a Picard who had given it all up, who was ready to die because he’d never had a family to pass on his legacy. They wanted him at his lowest so that we’d all rejoice to see him return to the TNG crew. Don’t get me wrong, I’m a massive TNG fan and I could rave about the fan service and nostalgia porn for hours on end. If season 3 had stood alone as a singular unconnected event, it might even have been passable as a warm hug from old and beloved characters with some fun new spins to their stories along the way, juust so long as you didn’t squint too hard at the actual attempt at plot writing going on in the background.

But the fact of the matter is, Picard season 3 came far too late into the game. Season 1 held the building blocks to something new and interesting. By the end of season 2, it was becoming clear we were never going to see those blocks stand. By season 3, those blocks were just scattered headstones in a graveyard.

They teased us with the potential new show of Captain Seven and her Number One Raffi Musiker and that might have just been okay. . .

. . .If the La Sirena Crew had been allowed to be a part of that future.

In closing: Picard season 3? Too little, too late, mate. 👎🏻

[startrekprodigyfan]

Okay yeah… I binged the whole season in one day.

It was actually surprisingly easy to do so. And while that means my planned slower recaps and speculation are basically out the window, I also now just don’t have to worry about spoilers for weeks on end.

I’m still going to keep spoilers under a cut though. Even if you block key hashtags, stuff can get through, and just making the spoilers further down a text post you have to scroll past to continue browsing tumblr doesn’t help either. Hide that content behind a cut, please!

Non-spoiler thoughts:

It was so good. It was honestly more Trek than I could’ve possibly expected. And to all those early naysayers who were confused by the Protostar and where it was supposed to be in the timeline after the first episode of season 1, all of that gets answered and put into context by the end of season 2. Thank GOD! Every single plot point people brought up and thought was a “plot hole” gets filled and explained.

It’s not as emotional as the first season, but the situations and events definitely still have a lot of weight and the stakes are so high for so long too! There’s a surprising number of dark events that happen throughout the series. Way darker than even I’m used to watching the animated shows that I do. Kudos for not skimping on the peril and stakes of the mission for the sake of kids being traumatized lol

And while there is the potential for more, if we never get a season 3 this would still be an extremely satisfying ending all the same. I am very happy there aren’t any loose ends here.

Prodigy is without a doubt the most reliably consistent Star Trek show that’s ever existed. Not a single episode feels like filler. Not a single episode wastes time or characters. Even the goofy episodes have character development and callbacks later, and I genuinely don’t think there’s a single episode that I would skip or not watch again. That’s an amazing feat in and of itself, but as a Trek fan that’s just unheard of! Kudos all around!

Now for my longer spoiler thoughts under the cut:

Okay…

How the HELL did you guys make Wesley Crusher’s time traveling arc sooo good? As a TNG fan I was always annoyed with the “traveler” storylines and with Wesley’s character in general. Even as a kid I never really liked him. But this storyline makes him interesting and gives a lot of weight to his powers. He’s almost like The Doctor from Doctor Who, someone who has so much going on in his head that he’s sort of lost it.

That honestly was the biggest surprise to me. I was convinced that Hologram Janeway (and the construct) were somehow manipulating time and events because of the wormhole. Janeway would be trying to help them, while the construct was trying to stop them. That was my working theory for the start of the series. Imagine my surprise when it turns out it’s Wesley Crusher! wtf!?

I do like that he gets to reunite with his mom finally. And that he learns he has a brother.

Incidentally that’s something else I was not expecting. How MUCH of this series was going to be timeline connected to the events of Picard and Lower Decks respectively. Like, wow… they connected the Mars Shipyard explosion and the Romulan evacuation plot points that made sense for the story. Like holy crap, then FINALLY getting into Starfleet only for the shipyards to explode and Starfleet is severely crippled. I did not expect that to happen, and it’s sadly realistic too.

I still hate the Romulan evacuation storyline from Picard, but as a matter of keeping things consistent it makes sense for it here. And while I don’t like it being a canon event, it’s overall good for the consistency of “prime” trek.

I do like that Dal became a second in command. I’ve always felt like Dal was never really destined to be the captain and that he’s always been better at helping others be their best selves. So it makes sense for his character arc that he learns he doesn’t need to be in charge to make a difference and that there’s no shame in being second.

Overall I am still reeling from how much Trek happened in this season. There’s never a dull moment. Unfortunately I am not optimistic about a 3rd season. Netflix picking up a mostly completed series to broadcast on their streaming service is far FAR cheaper than paying for an entire season to be created outright. And sadly, as much as I want more Prodigy, I have a feeling it’s just not on people’s radars enough for it to do gangbuster numbers enough to convince Netflix to pick them up for a 3rd season. I hope I am proven wrong, but I will not get my desire for more season unrealistically hyped up.

I do want to rewatch the entire show now, because there were clues left in the first season that only get answered at the end of season 2. And I love closed loop time travel storylines like that! I can’t wait to go back and connect the dots knowing what I know now.

An excellent series. Probably one of Trek’s best in decades. A true love for the material and the characters and the legacy of Trek lore all rolled into an amazingly animated package.

[goodwhump-temp]

William Riker Whump | Star Trek: The Next Generation

His rizz is too good for his own good

SEASON 1 1x01 Encounter at Farpoint pt2 - Briefly unconscious, evaporated 1x02 The Naked Now - Knees buckle, becoming infected with the silly virus 1x04 The Last Outpost - Stunned, electrocuted unconscious, punched, threatened 1x06 Lonely AMONGUS - Betrayed, stunned/blinded 1x08 The Battle - Worried for Picard 1x09 Hide and Q - Forced to play Qs game, tempted, makes Picard worry 1x14 11001001 - Seduced/distracted, heartbroken 1x18 Coming of Age - Interrogated 1x20 The Arsenal of Freedom - Trapped in stasis, weak 1x21 Symbiosis - Electrocuted hostage, collapses 1x22 The Skin of Evil - Dragged, drowning 1x24 Conspiracy - Restrained, pain, pushed, kicked to the ground, punched multiple times, falls on glass table, unconscious, held, mind controlled, nerve pinched

SEASON 2 2x02 Where Silence Has Lease - Being hunted, trapped, aggravated 2x08 A Matter of Honor - Bullied by Klingon crewmates, bitch slapped/trips 2x12 The Royale - Trapped 2x13 Time Squared - Talks about depressing childhood 2x14 The Icarus Factor - Sees dad for the first time in 15 years, depressed, avoiding, fighting his dad, knocked down multiple times 2x18 Up the Long Ladder - Injected, memory loss, missing cells, cloned 2x21 Peak Performance - Badass, battle simulation turned into a real attack 2x22 Shades of Gray - Calf punctured, nervous system being attacked, passes out, brain stabbed/stimulated, induced sadness and pain (all in one whump episode)

SEASON 3 3x01 Evolution - Inhales toxic nitrogen oxide 3x03 The Survivors - Caught in a trap, hanging upside-down 3x09 The Vengeance Factor - Rizzler, heartbroken/sad 3x14 A Matter of Perspective - Thought dead, acting strange, arrested, guilty until proved innocent, punched multiple times 3x16 The Offspring - Sexually harassed/flustered 3x17 Sins of the Father - Confrontation, annoyed 3x18 Allegiance - Worried, confrontation, gaslighted 3x20 Tin Man - Annoyed 3x21 Hollow Pursuits - Confronts Mad Murdock (🤓), choked, feels insulted 3x23 Sarek - Punched, intense argument 3x24 Menage a Troi - Captured, unconscious, imprisoned, held at gunpoint 3x26 The Best of Both Worlds pt.1 - Annoyed (same), undermined/insulted, knocked down, unconscious

SEASON 4 4x01 The Best of Both Worlds Pt.2 - Sad the whole episode 4x03 Brothers - Trapped 4x08 Future Imperfect - Inhaling toxic fumes, coughing/choking, passes out, wakes from coma, aggravated, captured, imprisoned 4x10 The Loss - Worried 4x14 Clues - Stunned unconscious twice 4x15 First Contact - Hospitalized, severely injured, unconscious, punched multiple times/beaten unconscious, internal bleeding, injected dangerous drugs, weak, forced to kill, passes out, dying 4x17 Night Terrors - Aggravated, paranoid, tired/insomnia, scary hallucination 4x23 The Host - Shuttle shot at, awake during symbiote implantation surgery, erratic vital signs/blood pressure, slowly passing out, dizzy/stumbles/caught, weak, lightheaded, overwhelming pain, symbiote being rejected, sickness/pain worsening, collapses

SEASON 5 5x04 Silicon Avatar - Caught in storm, watches friend die, glum 5x06 The Game - Mind controlled 5x10 New Ground - Smoke inhalation, coughing 5x12 Violations - Paralyzed, traumatic flashback, passes out, noticed missing, comatose 5x14 Conundrum - Amnesia/identity erased, rizzler at maximum potential 5x15 Power Play - Shuttle crash landed, struck by lightning, unconscious, pain, broken arm, punched, shot/stunned 5x16 Ethics - Emotional 5x17 The Outcast - RIZZ ALL DAY ALL NIGHT BROTHER, emotional, brutally heartbroken 5x18 Cause and Effect - Falls to the ground, dies multiple times 5x20 Cost of Living - Life support failing, difficulty breathing, sweating profusely, passes out 5x21 The Perfect Mate - Rizz noticed, victim of rizz 5x24 The Next Phase - Thinks friends are dead 5x25 The Inner Light - Worried

SEASON 6 6x01 Time's Arrow Pt.2 - Worried 6x03 Man of the people - Forced on, scratched/pain, bleeding, worried 6x05 Schisms - Insomnia, agitated, dazed, felt trapped, abducted, restrained 6x07 Rascals - Held at fazerpoint, held hostage, threatened 6x09 The Quality of Life - Beard insulted 6x10 Chain of Command, Pt.1 - Stressed 6x11 Chain of Command, Pt.2 - Angry, confronts commanding officer twice 6x15 Tapestry - Forehead laceration 6x18 Starship Mine - Hostage, punched to the ground, almost passes out, mouth and nose bleeding, knocked out from loud noise 6x19 Lessons - Weak 6x21 Frame of Mind - Forehead sliced, (some of these are repeated multiple times), shaking, anxious, reoccuring head pain, paranoid, hallucinating, memory loss, stitutionalized, injection, increasingly agitated, intense stress/fatigue, scared, captured, parietal lobe damaged, 'neuroshock,' reoccuring bleeding, 'shoots' himself, surgery 6x24 Second Chances - Nervous, copied, twin heartbroken, hanging 6x25 Timescape - Clawed forehead, knocked down, frozen 6x26 Descent - Shot at

SEASON 7 7x03 Interface - Talks about mothers death 7x04 Gambit Pt.1 - Close friend dies, denial/avoidant, angry, emotional pain, physically aggressive, knocked down, captured, nervous system painfully electrocuted multiple times, slapped, kicked 7x05 Gambit Pt.2 - Shot unconscious, presumed dead 7x06 Phantasms - Tube sticking out of head (datas nightmare), attacked, infected 7x12 The Pegasus - Worsening guilt, stressed, broken rib, badly bruised, past revealed, confronted, part of large conspiracy, job threatened, confrontation, arrested 7x15 Lower Decks - Tired 7x18 Eye of the Beholder - Watches somebody die, guilt 7x19 Genesis - Spikes stabbed on his back, pain, worsening memory loss, transformed to beast, agitated, shot unconscious 7x24 Preemptive Strike - Held at fazerpoint, betrayed

[trulyatessfan]

How eould you make s8 a good season? I've always felt curious abt that jshsbs

I am going to write this one, because I feel like it's gonna be too much text,,,, Before I start, this is how I envision it Season 8 should be rewritten completely in my opinion, but I am going to keep some elements! First, the main cast! I have been an Aro-Ace Carrie advocate since day 1, it would be cool to have the American coming to the city of love when she doesn't experience attraction to anyone and is just there to find her brother!

For Hugo, I would keep his current personality, but he definitely needs a reality check or two, same for Enzo. I feel like they get away with their comments pretty easily (literally Carrie told him off and then two seconds later, they are dating AND getting married???) Also I would NOT make Carrie and Enzo canon,,, It was the definition of rushed and not realistic :/

Émile needs more of a personality, like me and Katrina would joke about, he is the definition of a white bread (with a tinder account). I think that he needs just a little something to make him more interested (maybe a mix of Alex Turner and another person) I don't think Gauthier and JP needs much change, but please give more information about Gauthier's life, we barely know stuff about him! I would not change a single thing about JP.

Nadia needs to be tone down massively in terms of personality. Some of her comments are very,,, disgusting, especially when it comes to dead bodies. I am not saying to rewrite her entirely, but her sexual comments should not come each 2 seconds and make people uncomfortable around her. Maybe some could give her like a comment like "Hey, this is not the moment" or something.

Léa needs a bigger role for sure. I don't think she should have the same route as Mia, but maybe she would be a district killer or something along those lines. She has a lot of potentials of being different than Mia, but right now, she is more bland than Émile.

Now, for the number of cases, 17 cases was clearly not enough for sure, it was very obvious that they cut corners :/ I would give like 30-45 cases for season 8, 50-60 would be too much.

As for the rest, I'll make it into bullets points:

I think Jones appearing was a great idea, but really by the end of the season. Maybe other familiar faces appears in one case or the AI! Keep the moment when they all show up at the end, that was very adorable!

The fact that Martine doesn't recognize us???? If she appears, she should definitely recognize the player,,, Jones did, but not her?? Smh,,,

Make Eleonora more of a treat. I think they should give us false hope that Antoine is the main villain when in reality, it was always Eleonora.

Make Cody less bland and rewrite the entire Carrie and Cody plot. She found him like so easily,,, If only it was this easy irl,,,,,

A good balance of new characters and old suscpets from other games!

Almost everyone needs a redesign, like look at Isabelle Picard, she looks HORRENDOUS D:

I think that's it for now,,,, I would love to hear if you guys have any suggestions to add to this list teehee

[mappinglasirena]

The Stairs Under the Bridge

If you've been following my blog for a while, you know that one of the many mysteries/points of discussion that come up repeatedly is: what is happening in the space under La Sirena's bridge? There's a door leading there from the mess hall and we see Picard walk through it in S01E06, "The Impossible Box", but we never find out what that space is being used as.

(At least, we don't know what its in-universe use is. We know from set plans that in the studio, the space apparently held the playback setup.)

We got a glimpse of a cross-section of the ship in the Blu-ray set tour, which has some impossible geometry happening under the bridge...

(That is not a proper floor and something is definitely clipping through it!)

... and if you remember my post from a while back, I speculated that the most likely explanation is that the model has an extendable ladder there, that would allow people to board/leave the ship by a means other than the loading ramp. This would fit with the early idea of the season 1 writers to have Picard board La Sirena in a space port, rather than beam him on board while she's in orbit.

Well, a couple of weeks ago, we got confirmation that this is indeed what the production team originally intended.

Dave Blass, the production designer for PIC Seasons 2 and 3, tweetet some images showcasing a cross-section of the Sirena set/model:

As you can imagine, this gave me enormous joy (and a not too small amount of glee)! I have long insisted that the panorama windows, i.e. the exit the Motley Crew use to get off the ship once she crash-lands on Coppelius, don't really work as a proper access point to the ship. There is a three foot drop right inside the window the crew needs to bridge, no proper hatch, no ladders, etc. The only reason it makes for such a convenient exit is that Sirena is buried in a few metres of dirt, bringing the window level with the ground.

And indeed, La Sirena has, or at least was originally intended to have, a proper access to the front of the ship, one with a ladder and hatch and everything! And it's located in the mysterious space under the bridge!

But, me being me, this schematic also immediately raised a question: Isn't that ladder a bit too short?

If you remember this post, it seems like one of the changes made during Sirena's design process was that the wings were dropped quite a significant amount. Where the early concept art has the ship sitting fairly low to the ground, she is raised much higher when she reaches her final form.

Essentially, we went from a configuration that might have looked something like the version on the top to the actual model on the bottom:

This change increased the ship's clearance significantly.

For the non-imperial-measuring among us, the height of the ladder given in the schematic shared by Blass, 14' 10 1/2", translates to about 4.8m. However, when you line up the orthogonal view of the ship with the cross section, the length of the ladder is not really enough to reach the ground once the ship has landed.

(The green line indicates the bottom of the stairs.)

There is some speculation that maybe Sirena can fold up her nacelles for landing, and that might be true. There are rooms extending into the wings that would end up at an odd angle, but I suppose with artificial gravity, anything is possible -- if somewhat unlikely.

Still, if we presume Sirena's wings are rigid in general, the distance from the tarmac to the belly of the ship (here: the stage floor in the schematic) is a bit larger than 4.8m.

I wanted to adapt the ladder accordingly, but getting good measurements by converting between feet, pixels, and metres is a bit of a hassle. So instead, I simply used the measurements already on the schematic and extended the ladder so that the ship's clearance would be 5.5m or around 18ft.

This brings the total length of the ladder to about 21ft or 6.5m, and overlaid on the orthogonal ship view, it looks like this:

(The green line once again indicates the bottom of the stairs.)

As you can see, this length requires for the outer engines to fold up a little bit and would have the lowest point of the nacelles basically sitting on the ground. I personally think that would make a lot of sense, and in season 2 we did see that the outer engine pods are on hinges and can definitely fold down.

(It's subtle, but they do move back into their resting position towards the end of the gif.)

It was never confirmed that the engings can fold farther up as well, but looking at how they're attached, I think it makes sense that they could.

Now, in the adjusted S1 concept art of Sirena at the space port, the outer engines are in their normal positions and the wings are actually fully off the ground, with the ship resting on extended landing gear:

So, my extended ladder is the absolute minimum length needed to account for the dropped wings. In all likelihood the ladder would have to be even longer than that, because the clearance would be over 5.5m.

One thing that playing around with all of these views and measurements made me realize, though, is that La Sirena is quite a bit larger than I usually picture her. I have this realization about once every two or three months, so to make it easier to internalize, I asked the wonderful @regionalpancake to assist me.

Google helpfully suggests that 5.5m / 18ft is about half the size of a telephone pole or of three Michael Jordan's standing on each other's shoulders. It is also the size of...

... one average adult giraffe. (This is more or less helpful, depending on when you last went to the zoo, but I really enjoyed that as a visual aide.)

And because Regionalpancake is a good sport (and extremely proficient at adding animals to La Sirena), she also gave me this second edit:

(She also helpfully removed the spacedock workers who were a little to tall in comparison to Sirena. Hopefully, the friendly Averagely-Sized Adult Giraffe will make the ship's real dimensions slightly easier to gauge.)

So, now we have an idea of what might lurk beneath La Sirena's bridge!

I imagine in-universe, there is more stuff stashed under there than just the stairs, though. Perhaps the space gives easier access to the phaser banks in the nose of the ship, or to some other flight control or power distribution machinery. And there's still the question of why Picard, after a very emotionally draining conversation, chooses to head into this space rather than going straight upstairs to his cabin or to his study on the holodeck. (Yes, I know the Doylist answer is because it was the more dramatically satisfying blocking/staging choice, but on this blog, we like to dig for Watsonian explanations, too!)

My personal guess is still that there's some communal washroom down there, because those have to be somewhere on the ship, and that space would actually make sense, being in such close proximity to the bridge and mess hall.

But, since we never saw any of it on screen (and won't ever see La Sirena on screen again), I guess the space under the bridge will always remain a canonical mystery -- and thus available for any interpretation your writing /mapping/ headcanon might require ;)

[procrastinatorproject]

Fuck it, I'm gonna start posting my own shouty thoughts on season 3 of Picard rather than just commenting on other people's stuff.

I'll keep taggin everything "#picard spoilers" (assume I'm talking about everything up to the most recent ep, I'll warn seperately for leaked/promo stuff about ep 10) and "#picard saltiness" so you know what to blacklist (or look for, I'm not telling you how to internet 😋).

I'm sorry/get ready.

Here's the thing. I would like to watch season 3 of Picard and think "Oh well, this wasn't made for me, the same way season 1 wasn't made for the type of TNG fan who is in heaven right now. And I'm sad my favourite characters and main reasons I liked the show in the first place got written off, but I'm glad these other fans are having the time of their lives. Good on them, I'll just mentally file this away as a season/new show that I don't connect with as much as I'd hoped." I really, really want to be able to think that and approach season 3 this way.

But the writers won't let me.

At every turn, and I mean every turn, the writers have gone out of their way to not just pretend the previous two seasons didn't happen, but to remind us they happened and they were stupid and you're stupid to ever have enjoyed them.

It's not just that Picard, in the middle of his disillusioned identity crisis, when he has been holed up on his vinyard for over a decade, talking to nobody, and feeling deeply disappointed by Starfleet, gives an impassioned speech to a bunch of young people about how Starfleet is the only family you'll ever need.

That's a type of discontinuity/soft retcon I don't particularly enjoy, but if it were just that, I wouldn't be writing this way too long screed.

It's not even just the implicit "we will do it right this time" on display e.g. when Picard "flies" the Titan out of the labouring nebula. In that scene, Picard walks up to the captain's chair to take the conn, the TNG theme swells, he sits down, the music becomes bombastic, and he gets to be the Heroic Captain We All Remember. That scene is, in my opinion, something of a parallel to the season 1 scene where Picard tries to hijack La Sirena to take Soji to her people. In the season 1 scene, he sits in the captain's chair, the TNG-inspired music swells, he is about to be the Heroic Captain We All Remember -- except then the music fizzles out and the moment deflates because Picard has been retired for a decade and a half and has no idea what he's doing (and is certainly not the most qualified to do it on an unfamiliar ship).

That parallel in season 3 rubbed me the wrong way, because it felt too close to a refutation of season 1. Too close to "See? This is how that scene should have played out!" But that is a me problem. If the writers were remotely aware of the parallel (and I honestly doubt it, because I'm not sure they know season 1 well enough), it's just as likely they wrote it as a tongue-in-cheek reference, more than a rebuttal. Assuming the worst would have been on me and my unwillingness to give this season a fair shake. And if that sort of scene were the worst of it, I wouldn't be happy about it, but I wouldn't make it everybody else's problem.

Except the writers didn't stop there.

I would (eventually) be okay with it if the writers had just quietly abandoned, ignored, or even outright retconned some characters, history, themes, and plots from season 1 and 2 they disliked. But instead, they repeatedly acknowledge the existence of these elements only to then dismiss them in frankly viscious ways.

It's not enough to ignore the Jurati-Borg in all their Eggness glory and how they would be incredibly relevant to this story season 3 is trying to tell. It's not enough to pretend that storyline never happened and move on. Instead, the writers acknowledge the existence of the new collective, but the only sentence where it's mentioned is a character talking about "That weird shit on the Stargazer."

Yes, Shaw is a dick, yes it fits his character, yes Watsonian reasons. But it was still an active choice by the writers to only bring up one of the major plot developments of season 2 in the most derisive way possible.

Another example: The writers apparently felt that the Troi-Rikers didn't belong on Nepenthe. But it's not enough to have them move somewhere else between seasons, or even to let them have a discussion about how Nepenthe is steeped in loss and grief and they want to move somewhere else and start over.

Instead, the writers have to take time out of their already shoddily paced season to have these two characters extensively shit-talk one of the brightest momenst of season 1 (figuratively and literally). It's not just "they don't like it on Nepenthe anymore", it's "they never liked it, everything about it is terrible, everything season 1 showed you about their life there is a lie, and it has always been shitty and cringey and stupid, and you were stupid to like it!"

It's not just "we dumped our diverse characters, challenging themes, and relatively fresh view on the Trek universe from outside Starfleet for starship porn, great (white) men, and more Starfleet nostalgia than you can even comprehend". It's not just "we're going to ignore the existence of season 1 (and to a degree season 2), because it's not doing the things we want to do." It's not just "we're making this show, knowing (and not caring) that it will alienate a large chunk of the people who enjoyed season 1".

It's "we see what previous seasons were trying to do, and we need you to understand, really understand, how much contempt we have for these seasons and the people who enjoyed them."

I know some people felt this way about season 1 and the way it deconstructed Picard's image as the Great Heroic Captain and laid open his flaws and the flaws of the Federation. And I now empathize with them more than I ever thought I would. But I think there is a big qualitative difference in there.

In season 1, Picard gets put in his place. He has women people telling him when he's wrong, where he has failed, where he should have stepped up and needed to do better. But the show is still deeply sympathetic towards him. By the end of the season, Elnor has forgiven him, Raffi has forgiven him (without ever getting an apology), and he gets to save the day [whether the end to this particular arc is well done (it's not) is a rant for another day].

The failures Picard is being reproached for in season 1 pretty much exclusively happen between TNG and PIC. They tie in to patterns and tendencies the character has always had and attempt to deconstruct some of them. But there's no direct evisceration of specific things that happened on TNG.

At no point does Picard get out his Ressikan flute to make a glib comment about what a useless trinket it is, and how he should have thrown it out years ago. At no point does he turn to Riker and say: "Man, do you remember that Darmok and Jalad shit? What a waste of time! I wish we'd blown up that ship when we encountered it."

Season 1 is critical of Picard's character, yes, and it might feel crass or unfair at times (not least because we're still not used to seeing Great (White) Heroic Men Of Our Childhood get deconstructed that way). But any reproach the season 1 writers levelled at Picard pales in comparison to the petty contempt the season 3 writers regularly display towards the show they've ostensibly taken stewardship of.

Season 1 might have been a bit glib or inconsiderate of the legacy they inherited. Season 3 is viscious. And I am so, so tired of it.

[rocket-sith]

I may or may not have been trying to use PokeGenie to take screenshots on P+ mobile. It didn't work, but it inspired this instead. I'm not sorry.

SEASON 1 & 2 STAR TREK PICARD CHARACTERS AS A POKEMON TEAM

The Meta team lead who makes a big mess with environmental hazards and then uses Baton Pass so everyone else has to deal with the fallout:

Admiral Jean-Luc Picard, of course. But how about the rest?

The counter-Meta pick with a moveset specifically designed to cover their own team's weaknesses while exploiting gaps in the opponent's defense. Can learn a wide variety of contact and non-contact TMs. Occasionally hurts self in own confusion:

The niche off-Meta sweeper with a bunch of left-field moves. Catches everyone off guard and lays absolute waste because nobody's ever seen one in battle before, nobody has one on their own team, and nobody knows how to counter any of this bullshit:

The Uber-tier revenge killer who's OP as fuck and everybody knows it, but is too much of a beloved icon for any of the Powers That Be to actually risk banning or nerfing, lest the entire fanbase ragequit and/or riot in the streets. Ends up getting a mega-evolution instead:

The unpredictable stall who won't decimate your team directly, but will drag shit out and make half your strategies backfire. Will lead you on a wild romp of increasingly furious button mashing by spamming status effects and using shit like Shell Smash and Follow Me for funsies. Can harm own teammates with recoil damage, but can also boost stats of allies in battle:

The seemingly-innocuous cute one who turns out to have a hidden ability and a rare item that activates when their HP gets low, and then all hell breaks loose:

GODDAMMIT HOW MANY DIFFERENT FORM CHANGES DO YOU FUCKING HAVE?!

The MF glitch from Cinnabar Island that somebody managed to sneak into the tournament when the refs weren't looking, and now your save file is screwed, your game is frozen, and the soundtrack is stuck on Lavender Town:

The obviously hacked 'mon with impossible moves, impossible stats, dubious typing, and no listing in the regional dex. Not allowed to enter the tournament and has to watch from the sidelines:

The Psychic-type Mythical hanging out in the background who gives you cool hints, potions, and sidequests:

Giovanni. Apparently somebody got bored selling Slowpoke tails and decided to switch up the inventory. Needs to fuck the entire hell off and take their mafia mad science lab with them. Probably doesn't have enough gym badges to capture their desired target anyway:

If you've got more, add 'em on! Gotta dex the whole region!

[isagrimorie]

One of the missed moments in Picard season 2, is after Seven gets re-assimilated they try to stop Soong's drones and it always felt like such a cop-out that once again the writers forget that Seven of Nine has engineering skills and can actually hack into things.

The bad thing about knowing a lot about a character in a crossover show is that -- you know the skills of the character.

It's like when Sam Carter moved to Stargate Atlantis and most of the problems that arose during her time in Command -- I can't help but think... but Carter can solve this, we've seen her do this a hundred times in SG-1.

It's the same thing during Seven's time in Picard season 2.

This part -- I appreciate what Raffi's doing but it's just out of character that Seven wouldn't suggest this too. I get that this could be a primitive system Seven's used to-- maybe but its still wires and computers.

But the director didn't even direct Seven to do anything to help Seven's just standing there

And just... Ordering Raffi to go faster and not helping with the electronics or the hacking???

In her younger days, Seven would be mixing it up and helping Raffi. Even Rios was useful in piloting a rogue drone to destroy another.

And Seven is just standing there as moral support and telling them to move faster.

It's so out of character. Every time I get to this part in the rewatch of season 2 of Picard... I just can't reconcile it. More than the part where Seven becomes a badass who kills in cold blood-- it is the part where Picard seasons 1 and 2 disregard that Seven is a scientist and an engineer. At least in season 3 Picard gestures towards that direction with how she helps with the nacelle dismantling, and how Titan is said to be a well-oiled and maintained ship, something a ship's XO has a direct hand in.

Seven of Nine is not just a badass action hero, she is canonically one of the smartest beings in the Trekverse. It's not an opinion, it's a statement of fact. Seven helped create the Astrometrics lab.

And helped develop the Quantum slipstream drive together with B'Elanna Torres that's now being used in Star Trek Prodigy's USS Dauntless.

But sure, Seven is just standing there.

This Seven:

Who was working in engineering despite being critically ill, and who would rather do something than nothing.

Is just standing there. Not helping.

Especially at this point in Picard season 2 when she's been re-assimilated. I wish Jurati!Borg Queen had placed Seven's implants in this version differently. It's not like the body Seven's has pathways for the implants. This isn't her body, this is President Annika Hansen's body.

We've seen that Seven can interface with computers with her assimilation tubules.

I make it work by rationalizing that despite looking similar to her old implants, the newly installed implants don't work the same as the ones she's had all her life.

And another way I try to work around it is that the computer systems are too primitive for her to hack even though the thing about Borg is how Borg can adapt to any system.

One other thing -- I wish again Seven had the space to really articulate how different it is for her to have a purely organic body. How, much she loves it-- the appreciation of color because her eyes and brain process visuals through a green filter. The sensation of everything.

It would also have been great, as I've mentioned in different posts if Seven also realized there were things about her Borg physiology she missed too: Eidetic memory, enhanced senses, enhanced strength. As well as the downsides of having Borg physiology: Susceptibility to the vagaries of technology, and how her joints sometimes misalign. Her different center of gravity without all the weight of the Borg implants and enhanced skeletal system.

Also, I wonder if Seven had any thoughts that they're trying to disable robot drones to stop an attack on Renee Picard when Seven used to be a drone herself.

[tallaxia]

I finished Season 1 and 2 of Strange New Worlds and honestly: this was by far the best new Trek show. I often say that The Orville is the best new Star Trek (it started as a parody but got so many meaningful episodes with great characters over the time without losing it's humor completely, I love it) but now I really like SNW for the same reasons. It's the perfect mixture of the episodic style and an evolving plot. Sure, t's a modern show and I had to get used to the interior and style of the cast, but it definitely has many TOS elements. Details like the old sound effects and continuations/interpretations of the themes of old episodes contribute a lot to the overall vibe. The characters are so likeable too! And last but not least: Not a single boring filler episode. They all have their own charme and/or thrill. Serious ethical dilemmas and themes as well as super funny episodes. I genuinely can say that I liked every single one and I'm really looking forward to the next season. If Discovery and Picard were not your cup of tea, give SNW a try <3