#the algorithm on this site sure is... something.

[mostlysignssomeportents]

Pluralistic is five

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in SEATTLE TONIGHT (Feb 19) for with DAN SAVAGE, and in TORONTO on SUNDAY (Feb 23) at Another Story Books. More tour dates here.

Five years and two weeks ago, I parted ways with Boing Boing, a website I co-own and wrote for virtually every day for 19 years ago. Two weeks later – five years ago from today – I started my own blog, Pluralistic, which is, therefore, half a decade old, as of today.

I've written an annual rumination on this most years since.

Here's the fourth anniversary post (on blogging as a way to organize thoughts for big, ambitious, synthetic works):

https://pluralistic.net/2024/02/20/fore/#synthesis

The third (on writing without analytics):

https://pluralistic.net/2023/02/19/drei-drei-drei/#now-we-are-three

The second (on "post own site, share everywhere," AKA "POSSE"):

https://pluralistic.net/2022/02/19/now-we-are-two/#two-much-posse

I wasn't sure what I would write about today, but I figured it out yesterday, in the car, driving to my book-launch event with Wil Wheaton at LA's Diesel Books (tonight's event is in Seattle, with Dan Savage):

https://www.eventbrite.com/e/cory-doctorow-with-dan-savage-picks-and-shovels-a-martin-hench-novel-tickets-1106741957989

I was listening to the always excellent Know Your Enemy podcast, where the hosts were interviewing Chris Hayes:

https://know-your-enemy-1682b684.simplecast.com/episodes/pay-attention-w-chris-hayes-OA3C8ZMp

The occasion was the publication of Hayes's new book, The Sirens' Call, about the way technology interacts with our attention:

https://sirenscallbook.com

The interview was fascinating, and steered clear of moral panic about computers rotting our brains (shades of Socrates' possibly apocryphal statements that reading, rather than memorizing, was destroying young peoples' critical faculties). Instead, Hayes talked about how empty it feels to read an algorithmic feed, how our attention gets caught up by it, sometimes for longer than we planned, and then afterward, we feel like our attention and time were poorly spent. He talked about how reflective experiences – like reading a book with his kid before school – are shattered by pocket-buzzes as news articles came in. And he talked about how satisfying it was to pay protracted attention to something important, and how hard that was.

Listening to Hayes's description, I realized two things: first, he was absolutely right, those are terrible things; and second, I barely experience them (though, when I do, it makes me feel awful). Both of these are intimately bound up with my blogging and social media habits.

15 years ago, I published "Writing in the Age of Distraction," an article about preserving your attention in a digital world so you could get writing done. We live in a very different world, but the advice still holds up:

https://www.locusmag.com/Features/2009/01/cory-doctorow-writing-in-age-of.html

In particular, I advised readers to turn off all their alerts. This is something I've done since before the smartphone era, tracking down the preferences that kept programs like AIM, Apple Mail and Google Reader from popping up an alert when a new item appeared. This is absolutely fundamental and should be non-negotiable. When I heard Hayes describe how his phone buzzes in his pocket whenever there is breaking news, I was actually shocked. Do people really allow their devices to interrupt them on a random reinforcement schedule? I mean, no wonder the internet makes people go crazy. I'm not a big believer in BF Skinner, but I think it's well established that any stimulus that occurs at random intervals is impossible to get used to, and shocks you anew every time it recurs.

Rather than letting myself get pocket-buzzed by the news, I have an RSS reader. You should use an RSS reader, seriously:

https://pluralistic.net/2024/10/16/keep-it-really-simple-stupid/#read-receipts-are-you-kidding-me-seriously-fuck-that-noise

I periodically check in with my reader to see what stories have been posted. The experience of choosing to look at the news is profoundly different from having the news blasted at you. I still don't always choose wisely – I'm as guilty of scrolling my phone when I could be doing something more ultimately satisfying as anyone else – but the affect of being in charge of when and how I consume current events is the opposite of the feeling of being at the beck-and-call of any fool headline writer who hits "publish."

This is even more important in the age of smartphones. Whenever you install an app, turn off its notifications. If you forget and an app pushes you an update ("Hi, this is the app you used to pay your parking meter that one time! We're having a 2% off sale on parking spots in a different city from the one you're in now and we wanted to make sure you stopped whatever you were doing and found out about it RIGHT NOW!") then turn off notifications for that app. Consider deleting it. Your phone should buzz when you're expecting a call, or an important message.

Note I said important message. I also turn off notifications for most of the apps I use that have a direct-messaging function. I check in with my group chats periodically, but I never get interrupted by friends across town or across the world posting photos of lunch or kvetching about the guy who farted next to them on the subway. I look at those chats when I'm taking a break, not when I'm trying to get stuff done. It's really nice to stay on top of your friends' lives without feeling low-grade resentment for how they interrupted your creative fog with a ganked Tiktok video of a zoomer making fun of a boomer for getting mad at a millennial for quoting Osama bin Laden. There's times when it makes sense to turn on group-chat notifications – like when you're on a group outing and trying to locate one another – but the rest of the time, turn it off.

Now, there are people I need to hear from urgently, who do get to buzz my pockets when something important comes up – people I'm working on a project with, say, or my wife and kid. But I also have all those people trained to send me emails unless it's urgent. You know the norm we have about calling someone out of the blue being kind of gross and rude? That's how you should feel about making someone's pocket buzz, unless it's important. Send those people emails.

I visit my email in between other tasks and clear out my inbox. If that sounds impossible, I have some suggestions for how to manage it:

https://www.theguardian.com/technology/2010/dec/21/keeping-email-address-secret-spambots

Tldr? Get you some mail rules:

add everyone you correspond with to an address book called "people I know"

filter emails from anyone in the "people I know" address book into a high priority inbox, which you just treat as your regular inbox

look at the unfiltered inbox (full of people you've never corresponded with) every day or two and reply to messages that need replying (and those people will thereafter be filtered into the "people I know" inbox)

filter any message containing the world "unsubscribe" into a folder called "mailing lists"

if you're subscribed to mailing lists that you feel you can't leave because it would be impolite, filter them into a folder called "mailing lists" unless the message contains your name (so you can reply promptly if someone mentions you on the list)

The point here is to manage your attention. You decide when you want to get non-urgent communications, and mail-app automation automatically flags the stuff that you are most likely to want to see. For extra credit: adopt a "suspense file" that lets you manage other peoples' emails to you:

https://pluralistic.net/2024/10/26/one-weird-trick/#todo

Now, let's talk about algorithmic feeds. Lots of phosphors have been spilled on this subject, and critics of The Algorithm have an unfortunately propensity to buy into the self aggrandizement of soi-dissant evil sorcerer tech bros who claim they can "hack your dopamine loops" by programming an algorithmic feed. I think this is bullshit. Mind-control rays are nonsense, whether they are being promoted by Rasputin or a repentant Prodigal Tech Bro:

https://conversationalist.org/2020/03/05/the-prodigal-techbro/

But I hate algorithmic feeds. To explain why, I should explain how much I love non-algorithmic feeds. I follow a lot of people on several social media services, and I almost never feel the need to look at trending topics, suggested posts, or anything resembling the "For You" feed. Sure, there's times when I want to turn on the ole social TV and see what's on – the digital equivalent of leaving the TV on in a hotel room while I unpack and iron my suit – but those times are rare.

Mostly what I get is a feed of the things that my friends think are noteworthy enough to share. Some of that stuff is "OC" (material they've posted themselves), but the majority of it is stuff they're boosting from the feeds of their friends. Now, I say friend but I don't know the majority of the people I follow. I have a parasocial relationship (these get an undeserved bad rap) with them.

We're "friends" in the sense that I think they have interesting taste. There's people I've followed for more than a decade without exchanging a single explicit communication. I think they're cool, and I repost the cool stuff they post, so the people who follow me can see it. Reposting is a way of collaborating with other people who've opted into sharing their attention-management with you:

https://pluralistic.net/2021/05/27/probably/

Reposting with a comment? Even better – you're telling people why to pay attention to that thing, or, more importantly, why they can safely ignore it if it's not their thing (what Bruce Sterling memorably calls an "attention conservation notice"). This is why Mastodon's decision not to implement quote-tweeting (over a misplaced squeamishness about "dunk culture") was such a catastrophic own-goal. If you're building a social network without an algorithmic suggestion feed (yay), you absolutely can't afford to block a feature that lets people annotate the material they boost into other people's timelines:

https://fediversereport.com/fediverse-report-104/

Remember how I said the affect of going to read the news is totally different (and infinitely superior) to the affect of having the news pushed to you? Same goes for the difference between getting a feed of things boosted and written by people you've chosen to follow, and getting a feed of things chosen by an algorithm. This is for reasons far more profound than the mere fact that algorithms use poor signals to choose those posts (e.g. "do a lot of people seem to be arguing about this post?").

For me, the problem with algorithmic feeds is the same as the problem with AI art. The point of art is to communicate something, and art consists of thousands of micro-decisions made by someone intending to communicate something, which gives it a richness and a texture that can make art arresting and profound. Prompting an AI to draw you a picture consists of just a few decisions, orders of magnitude fewer communicative acts than are embodied in a human-drawn illustration, even if you refine the image through many subsequent prompts. What you get is something "soulless" – a thing that seems to involve many decisions, but almost all of them were made by a machine that had no communicative intent.

This is the definition of "uncanniness," which is "the seeming of intention without intending anything." Most of the "meaning" in an AI illustration is "meaning that does not stem from organizing intention":

https://pluralistic.net/2024/05/13/spooky-action-at-a-close-up/#invisible-hand

The same is true of an algorithmic feed. When someone you follow – a person – posts or boosts something into their feed, there is a human intention. It is a communicative act. It can be very communicative, even if it's just a boost, provided the person adds some context with their own commentary or quoting. It can be just a little communicative, too – a momentary thumbpress on the boost button. But either way, to read a feed populated by people, rather than machines, is to be showered with the communicative intent of people whom you have chosen to hear from. Perhaps you chose unwisely and followed someone whose communications are banal or offensive or repetitious. Unfollow them.

Most importantly, follow the people who are followed by the people you follow. If someone whose taste you like pleases or interests you time and again by promoting something by a stranger to your attention, then bring that stranger closer by making them someone you follow, too. Do this, again and again, and build a constellation of people who make you smile or make you think. Just the act of boosting and virtually handling the things those people make and boost gets that stuff into your skin and your thoughts:

https://pluralistic.net/2022/07/31/divination/

This is the good kind of filter bubble – the bubble of "people who interest me." I'm not saying that it's a sin to read an algorithmic feed, but relying on algorithmic feeds is a recipe for feeling empty, and regretful of your misspent attention. This is true even when the algorithm is good at its job, as with Tiktok, whose whole appeal is to take your hands off the wheel and give total control over to the autopilot. Even when an algorithm makes many good guesses about what you'll like, seeing something you like isn't as nice, as pleasing, as useful, as seeing that same thing as the result of someone else's intention.

And, of course, once you let the app drive, you become a soft target for the cupidity and deceptions of the app's makers. Tiktok, for example, uses its "heating tool" to selectively boost things into your feed – not because they think you'll like it, but because they want to trick the person whose content they're boosting into thinking that Tiktok is a good place to distribute their work through:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

The value of an algorithmic feed – of an intermediated feed – is to help you build your disintermediated, human feed. Find people you like through the algorithm, follow them, then stop letting the algorithm drive.

And the human feed you consume is input for the human feed you create, the stream of communicative acts you commit in order to say to the world, "This is what feels good to spend my attention on. If this makes you feel good, too, then please follow me, and you will sit downstream of my communicative acts, as I sit downstream of the communicative acts of so many others."

The more communicative the feeds you emit are, the more reward you will reap. First, because interrogating your own attention – "why was this thing interesting?" – is a clarifying and mnemonic act, that lets you get more back from the attention you pay. And second, because the more you communicate about those attentive insights, the more people you will find who are truly Your People, a community that goes beyond "I follow this stranger" and gets into the realm of "this stranger and I are on the same side in a world of great peril and worry":

https://pluralistic.net/2021/05/09/the-memex-method/

Which brings me back to this blog and my fifth bloggaversary. Because a blog is a feed, but one that is far heavier on communications than a stream of boosted posts. Five years into this iteration of my blogging life (and 24 years into my blogging life overall), blogging remains one of the most powerful, clarifying and uplifting parts of my day.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/02/19/gimme-five/#jeffty

[tribow]

I love seeing the Dead Internet Theory idea spread around.

You know why these people think the internet is "Dead"? It's because they don't use the internet. You really think the 5 main social medias that people use is "The Internet"?

Oh noooo, bots are infesting these social media websites that heavily rely on algorithms that can easily exploited by relentless engagement. Coincidentally, that's something only a robot could do.

No shit there's bots all over those sites. It's because it's optimal for them to succeed there.

The "Dead Internet Theory" is nothing, but hyperbole. The Internet isn't 5 websites. It's billions of websites. Imagine going outside, looking up into the vast unending sky, and thinking: "Wow, this sure is a small world."

If you're tired of the bots maybe learn to care enough to do something about it. Curate what you see, use a different website, or delete your accounts. Idk. Do Something. It's better than putting on a tin foil hat and hiding in a corner.

[watchersleuth]

I didn't think I'd use this blog to make a post like this, but I'm seeing more and more comments and posts criticizing Watcher for their recent decision to layoff their production staff, and I want to try to explain some things. I also have experience working in film and television production so I hope that's helpful in this case.

For background, on March 17, 2025 people discovered via LinkedIn that Katie LeBlanc had ended her employment with Watcher. This, of course, caused some alarm.

I'm not in the habit of sharing things posted in the Wiscord, but Shane did let everyone know an important detail that I think is getting overlooked

I want to point out the part where he said that they were taking some "full-time positions and converting them to freelance"

Note: Almost every US television show that you watch from a major network runs on a freelance model

Yes, that one that you're thinking of right now. Also that one. Most exceptions to this would be a show like a news program or talk show that runs year-round and doesn't only film for a few months out of the year. When a crew member is freelance and one job ends, they use their networking connections to find another job. That's the way it's been done for over a hundred years in Hollywood.

This isn't ideal for everyone, for many reasons. And of course it would be preferable to live in a society where we valued creative work and people could get steady employment and benefits from being in this, or any artistic, field.

That's why Watcher hired folks on full-time as soon as they could. Remember in the 2022 Making Watcher when Steven talked about how they doubled their staff from 10 to 21 and how they were reinvesting into their own company? That was by design to try to give as many creative folks a shot at a regular full-time gig and I'm so proud of them for that!

Knowing this, I would bet that Watcher didn't WANT to convert anyone to freelance positions. People need to stop talking about the layoffs like this is something they wanted to do. They told us last year that they were launching the streamer to stay afloat, because YouTube isn't as beneficial as it used to be for creators.

Not to sound parasocial, but if you think that any of the Watcher Founders wanted to layoff the staff that they've worked with for years - people that have been with them since Worth It and Unsolved - then you don't know them at all.

Even if you think that they laid off everyone just for fun, consider that now when Watcher wants to film a new season of say Puppet History they will need to ask their previous staff if their schedule aligns with their filming time so they can be hired on to work the shoot. If not, they will have to advertise or go word of mouth, to find crew. That's more time and resources spent to staff a shoot than pulling from their regular crew.

TLDR; There's no controversy behind this news. This is normal for many media companies and is what Watcher had to do to remain in business.

It's not ideal, and I wish the streamer would have been so successful that they could've went the other direction like they planned all along - to bring on new hosts and make the diverse shows they've wanted to since 2019.

If you want to help Watcher:

-Subscribe to Watcher TV if you can. They've been running constant promo deals for the past year so if you do get an annual subscription make sure you use the discount code. The banner is always on top of the site.

-Subscribe to their main and podcast channels on YouTube

-Watch the videos as they get uploaded to YouTube, even if you're already a Watcher TV subscriber. Try to watch within the first day or two of uploading to push it up the algorithm. Make sure you "like" it and leave a positive/friendly/funny comment too! YT is looking for engagement and watch time, so the likes and comments help. And so does watching the video all the way through. (Bonus: Watcher has been using audience comments from videos on their social posts and it's fun to see what they choose!)

-If you're short on time or don't want to rewatch a video you already saw on the streamer you can always put it on a separate tab on your browser and mute it. Let the new videos or your favorite playlist stream in the background while you surf the web!

-Share their videos with friends, family, co-workers, etc. The more people that watch them the better! The Watcher channel is one of the more diverse that I've seen on YouTube so there's something for everyone.

-Make posts about what you enjoy about their shows and you'll find more friends that way.

Thanks for everyone who read this far. Comments are open if anyone wants to ask general production questions and I'll try to answer. Probably can't speak for Watcher specifically but maybe I'll know the answer from a Making Watcher video I can point you to.

And if you read all of this and still feel like you want to choose chaos (ie. harassing Watcher via their social media posts with accusations about the economy that they can't control) then I would urge you to direct that energy at your elected officials no matter what country you're in, find a fandom you enjoy engaging with instead, and maybe go touch some grass.

[artisimpossible]

If you're worried about the enshittification of the internet completely killing your access to work by your favorite creatives (I've already seen a lot of artists I love state they'll be leaving Tumblr thanks to all the AI training), I want to introduce you to a handful of ways to circumvent the social media hellscape to stay connected to your favorite creators.

RSS Feeds

I'd argue that this is the best option. It essentially allows you to create your own social media "dashboard" by saving websites and getting updates when they post new content. Most websites already have these, and if social media goes down (or just continues to degrade), the best way you can access your favorite creators will be with direct connection to their personal websites. I'm still learning how to use these, but if you want to learn more, this article does a great job.

2. Newsletters

I know newsletters are a pain and it's annoying to have your inbox cluttered, but if there are creators you know you'd be remiss to lose access to, I recommend subscribing to their newsletters. I'd honestly skip the ones that share frequent content you don't need, but for example, my newsletter is updates only so I only send it out maybe every few months when something big happens. It's an easy way to stay up to date on info that social media buries. Of course, if your faves are writing up blog posts & insights that you want to read in newsletter form, consider subscribing to those as well, and don't feel like you have to subscribe to *every* newsletter to make it worthwhile. You just want to make sure you can still be reached by the creators whose work you really don't want to miss.

3. Ko-Fi/Patreon

I don't think a lot of people realize you can follow people on these platforms for free, but because they have paid options, they offer more direct access than social media sites whose algorithms will just erase people you love from your feed altogether. This one isn't the best alternate since a lot of content may be behind a paywall, but if you just want an easy way to be sure you'll still have access to updates from people you want to support, this is a usable way to compile creators in one place and most creators will post updates for free so you should still get those.

So yeah, these are my suggestions. If you're just on social media casually and you just like the easy access to content but don't particularly care about individual creators or specific projects or anything like that then you probably don't need any of this and that's fine. If social media is continuing to work for you then feel free to continue enjoying it without worrying about alternatives. I just want people to have a fail safe if you, like me, are realizing that this shit is getting completely out of hand and everything you once wanted social media for is quickly becoming inaccessible.

Anyway, I highly recommend tuning in to people's personal websites, but I doubt most people have the energy to check each individual website so RSS Feeds are great alternative. Whatever you choose to do, just try to diversify enough that no one company can completely kill your access to your faves on a whim and remember that the closer to direct communication you can get to with creatives the better.

[dokidokitsuna]

Daughters

…It’s been a minute since I posted any art here. At first I thought it might be because I was just getting depressed again, but tbh I’ve been happier and more creative than ever. ^^; Things are definitely different this time around…and I think it’s something that’s been building for a long time.

Recently, I started thinking about Daughters of the Pumpkin Queen again– an old webcomic that I worked on back when I was in college. And although I hate reading my old work, I made myself skim through it, and I was honestly stunned at the quality of the writing, especially in the unfinished Season 2. O_O If I can do stuff like that while school is literally eating my brains away, man…I don’t know why I’m not famous already. People really don’t appreciate genius, do they…?

Anyway, genius or not, it’s clear that I worked really hard to make it a high-quality webcomic, putting in more and more effort and polish with every new installment…while it gradually became less and less popular, like everything else I did at the time. And I think DotPQ was kind of the final straw for me, back then...

I remember getting really depressed and miserable about my art in the years that followed���I didn’t think I was depressed and miserable, but in hindsight, I was clearly in the “Anger” and “Bargaining” stages of the grieving process. ^^; I started pushing myself to do anything I could stomach to get more popular as an artist– I joined more sites, I started posting more standalone art, I branched out to new types of art; writing novels, composing music, starting speedpaint video essays near the end. I just wanted an audience again so badly, and I knew I was good at all these things, because everyone I brought my art to directly told me so. So I figured it was just a matter of finding the right niche.

Long story short, it didn’t work. ^^; I learned a ton of new artistic skills, and I definitely don’t regret that, but I never did get what I wanted– i.e. a steady stream of external validation on at least a weekly basis. What I did get was new fans of my more sporadic content, like my video essays and animation…and before that was low-key frustrating, because I really couldn’t do more than one of those a month, at best. What would I do for validation in the meantime…?

But now…I don’t really care? ^^; I don’t feel like I need validation in the meantime anymore…and at first I thought it was just laziness (or the bouts of depression) but now I’m thinking it was also just me subconsciously fighting this change in my mindset. After all, when you think of online artists, they’re usually in one of two camps: the dedicated people who chase the algorithms on a weekly/daily basis, or the legendary people who just drop a masterpiece every couple months and never say anything. And because I knew I didn’t want to be the latter; I assumed I needed to be the former, but maybe there’s middle ground.

I’m not 100% sure what it is…but I know I’ve come to be fine with just working on projects by myself for weeks or months. I don’t mind taking my time with difficult drawings anymore, or simply deciding not to post them if I don’t like them, without feeling like I wasted the effort. And I’ve relearned to make pieces I’m proud of without even wanting to post them online– initially this was because I was just afraid no one would like them as much as I expected, and it was better not to take the risk. ^^; But now it’s more like…that’s not always what they’re for. Sometimes I just want to get an idea out of my head and look at it, and that’s fine by itself.

Best of all, I can finally work on my original projects with no guilt or shame. ^^ That’s basically what I did all last month, and I had a great time. I spent hours writing every day; I made a bunch of new drawings; I even did a color study for the first time in a while. And I was the only witness…and it still feels wrong, but not as wrong as it used to. It’s kinda freeing. ‘_’

I still like to share art and talk about it with fans; it’s still the highlight of my life and one of the main reasons I feel motivated to make art. But it’s not an imperative anymore; there’s no pressure to make it happen at all costs. And I think this year, I’m going to make a conscious effort to accept that as normal. Maybe it’s just because I’ve been watching a lot of Duchess Celestia lately, but I think it’s time to review my lifestyle as an artist and lean into the parts I actually enjoy.

Now, as for this drawing: I just really loved the characters in this little series, despite all the bad memories attached to working on it. ^^ And even though Season 2 had a great storyline and part of me is tempted to finish it, I think Season 1 had a stronger concept; to the point where it’d probably be a better idea to reboot the series, if I ever went back to it.

Maybe as just a short run with 2 or 3 episodes, to play with the concept in a new way. I like the idea of re-imagining Mariska and Etelka as teenagers (which wasn’t possible in the original lore)…y’know, let them be a little more driven and opinionated, and have some more agency. DotPQ was heavily inspired by Fireball in terms of the premise; this could be a chance to borrow some more from it in terms of tone. ^^ Idk, it’s just a fun idea…I’ll probably just toy with it in the background along with everything else.

[lesbianralzarek]

tumblr in reddit terms

blogs: personal subreddits where the theme/topic is 99% of the time just “me and whatever the hell i feel like at the moment”. for reference, the most common other theme rn is “wizard roleplay that never breaks character”

reblogs: crossposts. these are crucial to maintaining tumblr’s ecosystem. due to blogs generally having fewer followers than subreddits have subscribers, this is the way that posts get seen and passed around. the vast majority of posts on a person’s blog tend to be reblogs, so if the people you follow dont reblog a whole lot, your dashboard is gonna be a ghost town. post limit (combined total of reblogs and original posts per day) is 250, so feel free to go hog wild

tags: this one is complicated. theyre a combination of flairs and Comments But Low-key. you can use them for organization and to avoid seeing content you dont want to (go to your blog, settings, account settings, content you see, and then add tags you want tumblr to warn you about before seeing it). if op tags the post #reddit (in the tags, not the body of the post), itll show up in the #reddit tag when anyone searches that tag. tags are also used for comments that dont really add anything to the post. you know how a jpeg gets kinda gross when its been through a million screenshots and has ifunny watermarks and shit? thats what adding “lmao same” as a comment does to a post. comments stay on reblogs, while tags show up in 4 places: op’s notifications, the notifs of whoever you reblogged it from, when someone clicks on the “notes” button of a post and actively looks for the tags left on it, and when people view your specific reblog of the post (like a follower would on their dashboard)

likes: upvotes but weaker. almost everyone turns off all the algorithms (settings, account settings, dashboard preferences, toggle off the first 3 options. also, make sure your dashboard is on "following" and not "for you". this is highly recommended), so leaving a like doesnt boost the post in any way. they still matter to some people. you can also use them to bookmark a post and go back to your likes later

enthusiastic and/or hyperbolic tags: reddit gold. you wanna let op know you like their art? leave something like ”#printing this out and stapling it to my forehead #op you wanna get married?” in the tags

pornbots: both reddit and tumblr have an issue with them. we block and report them on sight. they usually have hot women as their icons, no posts or reblogs, and a description like “22, brazil, nurse <3″. try to not look like that if you dont wanna get blocked by everyone you follow

blocking: you have this as well, but it seems like a bigger deal on reddit. the reason we are not twitter is because we block bitches who annoy us and move on with our day. do not feed the trolls

things we dont have:

karma: clout-chasing is The Most embarrassing thing you can possibly do on this site. we are all in this circus together and the clown who gets the most laughs is still a clown. popular users will literally deactivate sometimes because clout is a burden. no one here makes money

[minniesmutt]

❄︎ ━━━━━━ 𝐰𝐚𝐱 𝐩𝐥𝐚𝐲

❄︎ ━━━ PAIRING: HYUNJIN X READER ❄︎ ━━━ CW: SWITCH!HYUNJIN, SWITCH!READER, WAX PLAY, ORAL (F. REC), FINGERING, RIDING, PET NAMES (BABY, HUN,), AFTERCARE, IMPLIED SECOND ROUND, UNPROTECTED SEX, CREAMPIE  ❄︎ ━━━ WC: 1.8K ❄︎ ━━━ NOTE: ❄︎ ━━━ 18+ work!! minors and ageless/blank blogs DNI! you will be blocked, put an indicator on your blog somewhere that you are 18+ before interacting with this work/blog

     One Google search ruined all his algorithms. Just scrolling through sites, trying to get off at night and came across Wax Play. 

     Hyunjin never thought about it before but something told him to just watch it. So he clicked the video and two hours later he had found and purchased wax play candles. How he was going to bring it up to Y/n, he had no clue. 

     Both of them were home when the package came. Y/n ended up opening the door and grabbed the package. Bringing into the kitchen where he was trying to find food for lunch. 

     “What’d you order?” Y/n asked as she set the box labeled “FRAGILE” on the counter. 

     Hyunjin closed their fridge and looked at the box. Suddenly, he remembered he had never brought his newfound kink to her. 

     “Candles…” Hyunjin said

     “We have a closet full of candles?” Y/n said

     The couple just kind of stared at each other for a moment. “What kind of candles did you buy, Hyunjin.”

     “Body-safe candles.” the dancer answered

     “I’m not mad. But please elaborate.”

     “I was trying to get off last week when we were away for the concert and I fell down a rabbit hole and I wanna try wax play,” he summed it up as best he could.

     “You could have brought it up before the candles came,” Y/n told him as she wrapped her arms around his waist.

     “I know. I was trying to figure out how to bring it up then it slipped my mind.”

     “There’s nothing wrong with saying, ‘Hey babe. I wanna try something new.’”

     “I just wasn't sure since it’s a little more intense than what we usually do.”

     “When have I ever said no to experimenting?”

     “Never. And that’s why I love you.”

     Hyunjin cupped her face and gently pecked her lips.

     “So who is getting candle wax on them?” Y/n asked

     “Think it be pretty hot for you to drip it on me while you ride me.” Y/n saw his eyes shift to more lust-filled ones. 

     “Yeah?”

     “Yeah.”

     Hyunjin pulled her back in for another kiss. One hand moved down to hold her neck as she kissed him back. Lips moved together as he turned them and pressed her against their fridge. He tilted her head and moved his lips down to her neck. 

     “Still need to open the candles, baby,” Y/n reminded him

     “In a second love,” Hyunjin said

     “Getting ahead of yourself,” Y/n giggled as he pulled away.

     Grabbing their kitchen scissors and opening the box. He ordered two of them and placed both on the counter. Y/n grabbed one and looked at the back of it as Hyunjin stood behind her, slowly grinding his erection into her ass. 

     “Let's try it out,” Hyunjin muttered into the back of her head. 

     Y/n grabbed one of his wrists and dragged him down the hall to their bedroom with the candle in one hand. Hyunjin smiled and licked his lips. Tossing his t-shirt off when she let go to light the candle. Hyunjin came up behind her and pulled her shirt up as she set the lighter down. 

     “Gonna let me eat you out while we wait for that to melt,” Hyunjin smiled, gently moving her till she was lying on their bed

     “I’ll never say no to that.”

     Y/n smiled and pulled him to her lips again. Hyunjin groaned into the kiss. He grabbed the hem of her sweats and pulled them down with her undergarment as well. Y/n brought her legs up to help him a bit. 

     Hyunjin tossed the fabric across the mattress. He tore his lips away from her, took her shirt off, and threw it away. Kissing his way down her body as she tangled his fingers into his long hair. His hands opened her legs up and laid them on his shoulders as he got down, kneeling on the ground and pulling her to the edge. 

     “So pretty,” Hyunjin said to himself before licking up from her entrance to her clit. 

     Y/n let out a soft moan as he started sucking on her clit. Tongue getting to work flicking and licking up her sex. Enjoying every taste of her. He could never get tired of her. No matter how many times he ate her out or tasted her off his fingers. 

     Hyunjin moaned into her as his tongue dipped inside her. Licking all over her walls before slipping his tongue out and replacing it with his fingers. Y/n let out another moan and tightened her grip on his hair.

     His lips kissed the valley between her clit and entrance before wrapping around her clit again. Fingers pumping in and out of her and getting coated with her essence. 

     Y/n rocked her hips against him till he picked up his thrusting speed and added a third finger. His other hand crawled up her body to knead one of her breasts. His long fingers reached inside her and curled up into her walls. Coaxing her towards her high. 

     Y/n let out another moan as she clamped down on his fingers. “Almost there baby,” Hyunjin smiled and pressed his tongue flat against her clit. 

     “Yes,” Y/n moaned just as her high hit her. Legs clamping down on his head in reaction. Hyunjin pulled his fingers out of her and pushed his tongue inside. Licking her clean as she rode her high out. 

     “Taste so good,” Hyunjin moaned as he pulled his tongue out once she had finished. Kissing his way up till he landed on her lips again. 

     Y/n wrapped her arms around his shoulders and started pulling his shirt up to get it off of him. Hyunjin chuckled at her before pulling away and stripping himself of his clothing. Y/n sat up and checked on the candle. A decent pool of wax had formed around the wick. 

     Hyunjin sat behind her and pulled her on top of him. “Love watching you on top of me,” Hyunjin smiled as he grabbed her hips

     “You love anything about me, hun,” Y/n retorted as she slid over his cock. 

     “Can you blame me? You’re perfect baby,” Hyunjin replied as he sat up and wrapped his arms around her. 

     Y/n cupped his face and pulled him into another kiss. Hyunjin moaned into her mouth as her tongue poked his lips. He happily let her inside and twisted his tongue with hers. His hands moved to her hips and lifted her slightly.

     Y/n reached behind her and positioned his tip at her entrance. Slowly sinking onto him as he whined into her mouth. He helped her move down till he was fully inside of her. Both sat there for a moment before Y/n pushed him back down onto the mattress and pinned his hands next to his head. 

     “Keep them there for me baby,” Y/n smiled as she sat up. Gently rolling herself against him, hands on his waist.

     “So warm,” the male moaned, grabbing the pillow under him. 

     Y/n smiled and clenched around him just to tease him before leaning over to their nightstand. Slipping his cock out of her just to the tip so she could grab the candle. She sat back down on him and watched as his eyes followed the candle with a small moan slipping out of him. 

     “Ready baby?” Y/n asked him

     “Yeah. Drip it on me.”

     Y/n gently tilted the candle, watching the wax slide onto the side before a small drop fell onto her boyfriend’s chest. Hyunjin jolted slightly as it made contact with his skin, bucking a bit up into her.

     “Feel good?” Y/n asked, rolling her hips against him

     “Yes,” Hyunjin whined, “Again, please.”

     Y/n stilled herself on top of him and moved the candle over a bit. Letting another drop of wax hit his skin. Then another and another. Slowly dripping down from the candle, drop by drop hitting his chest and letting it trail down to his stomach. Every drop of the wax that hit his skin had him twitching and gripping the pillow under his head.

     “Oh fuck,” Hyunjin whined as Y/n watched his stomach twitch as the warm wax dripped on him

     She could also feel his dick starting to twitch inside her. Occasionally he bucked his hips up when it hit him in a more sensitive area of his skin he didn’t know about. 

     “Fuck me, please baby. I need to cum,” Hyunjin whined as another drop hit him close to his belly button

     “Don’t wanna cum for me like this baby? Feels like you just might,” Y/n teased

     “Please, baby. Want you bouncing on my dick.”

     Y/n let a few more drops hit him before she put the candle upright and back on their nightstand. She sat back and looked over her work before leaning over him and placing her hands next to his head. Hyunjin looked up at his girlfriend. Y/n could see just how fucked out he was already. 

     She slowly raised her hips and sat back on him. He kept a slow pace until he started begging again. Y/n kissed his pretty plump lips before she sat up, running her hands along his chest and using him as a place to rest her hands for leverage. Picking her pace up. 

     His hips met hers more and more the closer he got to his high. His hands tightened on the pillow as he twitched inside her.

     “Gonna cum. So close,” Hyunjin whined

     “Gonna fill me up, baby?”

     “Yes! Let me fill you up, please baby.”

     “Go on baby.”

     Y/n picked up her speed, slamming down onto him as his high got closer and closer. She heard his little whimpers before she felt his warm seed hitting her walls. Slowly down her pace as she clenched around him, milking him till the end of his high. Sitting down on him again and let him calm down. Rubbing his sides till he had calmed down. “How are you feeling baby?” Y/n asked him

     “So good,” Hyunjin breathed out and he let go of his pillow and grabbed her hips.

     “I’ll get something to get the wax off, okay?” Y/n said as she leaned down and kissed his lips.

     “Okay,” Hyunjin agreed. He whined as she slowly got off of him. 

     Y/n walked out of their room for a few minutes before she came back and sat next to him. Gently scraping off the hardened wax with a plastic knife.

     “I didn’t even think of how to get it off,” Hyunjin laughed

     “If you weren’t so eager, you would have seen the company gave you a little card on aftercare after playing,” Y/n told him

     “Pretty and smart,” Hyunjin smiled and wrapped an arm around her.

     Y/n finished getting the wax off of him and gently rubbed over the spots the wax once laid.

     “Can I try it on you?” Hyunjin asked

     “Give yourself a few minutes to rest and then you can.”

❄︎ ━━━━━━ M.LIST    TIP JAR

❄︎ ━━━ please support writers by reblogging and/or leaving feedback

© 2024 MINNIESMUTT. DO NOT COPY, REPUBLISH OR TRANSLATE MY WORK ANYWHERE

[ms-demeanor]

since twitter has become actively hostile to its users, so they came to tumblr, and reddit has become actively hostile to its users, so they came to tumblr, what do we do now that tumblr is becoming (more) actively hostile to its users? i’ve been here for over a decade so i know tumblr users are the type to cling on despite everything and revel in undoing every change, but i’m so tired of the way this website breaks the way it fundamentally works in order to appeal to new users. the twitterfication of the site seems so much worse than when people jumped ship after the porn ban, and even then, only small communities (and twitter) cropped up as solutions. you might not be the person to ask for a definitive answer, but i figured a tech blog might be interested in considering - what do we do when there’s nowhere left to go?

Okay so, I mean this very seriously: how has tumblr meaningfully become like twitter?

I don't personally find the sidebar view obnoxious and it seems to me like just another layout change that's pretty typical to tumblr. New users are getting signed up with a bit more emphasis on algorithmic feeds, but that is still very easy to change (MUCH easier than on any other social platform) and the algorithm has been there for everyone for quite a while, we just typically don't notice it because a lot of long-term tumblr users don't go into the "for you" feed.

I don't think that tumblr *has* fundamentally broken the way that it works to appeal to new users. My dash now is still very much like my dash in 2019, and still very much like my dash in 2018 (though much less pornographic). Reblogs are still reblogs, likes are still likes. Replies, for all that they seem like they've been around forever, are new and good and I think they work well. I'm irritated that the notes menu doesn't have a "view all" option but I think that's a worthwhile tradeoff for an easy way to see tags.

I *do not* understand why tumblr has broken linking back to previous reblogs but I don't think that's out of an effort to act like twitter; it is a bizarre choice that I dislike and don't understand but I also don't think that it has fundamentally changed the way the site works and i mean you've been around long enough that I'm sure you've had the same experience I have of going into the notes of a post and randomly clicking until you found a version that you wanted to reblog without a bunch of bullshit at the bottom. Tumblr has always kind of sucked, this change DOES suck but it doesn't suck in a way that is particularly novel or insurmountable. (For instance, I think this change sucks MUCH LESS than when they made posts with links invisible to the search, that is something that is genuinely bad that has been long lasting but doesn't get brought up much in lists of the ways that tumblr has gone wrong)

Tumblr *is* changing, but I think it is changing more incrementally and less terribly than other parts of the internet. I also hate the floating clown, the login walls, the dash-only view for blogs (you can't archive it and I HATE that), and - to an extent - the new lightbox on mobile. And I dislike that less than I thought I would but I don't think it's a fundamental change that necessarily impacts my interactions with the site - it *adds* a feature that I don't care for but it doesn't *break* anything that I require to have a good time on tumblr - in that way I think of it very much like Live. People hate Live so much and I find that perplexing because it is so easy to simply ignore it.

But that's not really your question; that's just some stuff I want people to think about because as much as tumblr has changed in the last two years it is nowhere near as fucked up as the recent things that twitter and reddit have pulled.

So, as to your question: where do we go?

Well. Not to be an extremely old person on the internet, but damned if I don't miss email lists. And forums. God I miss forums. Neither of those things has all the bonuses of platforms like twitter or reddit or tumblr or facebook, but they were great ways to hang out with people you liked on the internet.

The internet is changing. I can feel it, you can feel it, I'm pretty sure we're all like cattle in a field lifting our noses and hearing some distant rumbling and becoming slowly aware that it's almost time to run. There's a coming stampede and it isn't here yet but you know it's on its way. You're not imagining that, that's how things feel right now and there are a shitload of things contributing to it.

Things like SESTA/FOSTA and KOSA (which has not passed yet but is a big red flag waving on the horizon) have been eroding away the way that users on various platforms can function. Some platforms have consolidated in ways that harm users; some new platforms have popped up and shaken up the map of the internet; some platforms are being torn apart brick by brick by owners who don't care about the users. It kind of seems like people are actually looking up and realizing that advertising is A) bad and B) doesn't actually work and I think we're running straight toward another advertising-based crash like we saw in 2017. It feels like all the desperate things that tumblr is doing is just rearranging deck chairs on the titanic as the internet as a whole starts to sink into the ocean.

Honestly, I don't think it's that bad. I think it *feels* bad, but I think we're looking at a slow whimpering death of the platforms, not a bang. I think tumblr is going to hang on at least for a few years and I think it's going to end up like livejournal and myspace, which both still exist as websites that are recognizable as updated versions of the sites they were in 2004-2010. The thing that I think would really, honestly hurt tumblr in a fundamental way is if it moved to a more algorithmic and data-sales based model of advertising, and I think that's still pretty distant. I think Automattic is aware that killing the chronological feed would be the one unforgivable sin that would cause a mass exodus and a final crash, and I think when we see that, when we can't just scroll through the feed and see what our friends did that day in order of when they did it, that's when the party is over here.

But that's still not answering your question.

So, where do we go? What do we do? Well, for now, I'd say it's a good time to get contact info for your friends across various platforms. Get email addresses, get phone numbers.

Now is also the time for you to set up a personal website. NeoCities is currently the best place to do this, though it takes a lot more effort than just starting a blog on tumblr. I think that various oldschool blogging sites like Wordpress and Blogger/Blogspot/whatever the hell the google one is are a better place to have your emergency backup than a more platform-y platform if you aren't up to doing something with NeoCities.

If you've got the ability to do so and a group of people who are interested in the same core subject, set up a forum. There's a decent amount of off-the-shelf forum software out there and a text-and-small-images forum isn't prohibitively expensive, but it's never going to be huge and you're never going to have the kind of spread and virality and random connections that you would on a platform with millions or billions of users.

If you can't set up a forum, setting up or joining a discord server for your friends is a decent enough option at the moment, and may be a very good option for people who are looking to keep their interactions more private.

But yeah i think right now is a great time for people to start setting up their own personal websites, to start visiting actual webpages again, to start bookmarking their friends' websites, and to start collecting contact info that isn't tied to platforms.

[olderthannetfic]

I will never, NEVER understand people who complain about Ao3 search system and how the archive isn't algorithm based. Ao3 is literally the only site that has a decent search system, at this point.

Anytime I need to Google something, I feel like I'm about to lose my mind. I wanted to research the reason why women in my country are more likely to get custody of their children, because all the studies I know about focus on the US and needed to compare them to make an argument, and the best I got were domestic violence stats, an article about a woman committing suicide, and stats about parents with shared custody.

And let's not talk about YouTube! My home page doesn't show any of the youtubers I follow unless I left a video unfinished (but, then again, it'll keep showing me unfinished videos even from people I'm not subscribed to), and the search system is completely fucked. When I write, I like to listen to those lyrics-less playlists titled stuff like "you're the last person after the end of the world," and now searching for them is a pain in the ass.

It doesn't matter how specific I try to get with them to get the results I want, YouTube will always show me a bunch of random playlists that have nothing to do with the keywords I used, will bring up several shorts even if I make sure to opt out of them anytime they pop up in my home feed, and ultimately loop me around to the content I usually consume.

"You typed 'Y2K nostalgiacore with birds'? How about 'Liminal spaces in a Walmart'? No? Okay, let's try 'Life after the nuclear holocaust." No again? Then fuck you, here's a full album of a band now popular on TikTok, twelve shorts that might be related to what you're looking for, and Danny Gonzalez videos. Fuck you."

And people just seem to be okay with this shit! Claim that it's easier! How the fuck is it easier, when you have to type and retype the same shit over and over again in the hope that that one word you decide to add or remove will suddenly change where the site brings you??

--

[thebibliosphere]

I saw your post about ingram, and out of curiosity, is there some advantage to going through the whole self-publishing thing with retailers when you're just starting out? like I mean the way that fandom zines work is that they don't even bother going through ingram or amazon or whatever. they just set up a social media site (usually twitter) to gain followers, open preorders (usually 1-2 months in length) to generate the costs of printing upfront, and then sell anywhere from a few dozen to several hundred copies of their books (usually artbooks, but anthologies exist too). I've seen some zines generate over a thousand orders. they're kind of like pop-up shops, except for books. maybe the sales numbers aren't so impressive to a real author, but the profit generated is typically waaaay more than the $75+ apparently needed for Ingram Spark, so I still feel like new authors could benefit from this method too, especially if they just need some start-up cash to eventually move to ingram if they want to for subsequent runs of their book. I think authors would also have to set aside some of the pre-order money to buy an ISBN number to have printed on their book, and I'm not really sure what other differences there are, but I just wanted to ask about it in case there's some huge disadvantage I'm missing!

So, popup zines work well for some people, and I know some authors who kickstart their work successfully. But for a lot, it's just not feasible as a long-term stratedy. Or even as a means to get off the ground.

Fanzines succeed primarily because an existing fanbase is willing and ready to throw money at something they love. They’ve got a favorite writer or artist they want to support. Supporting all the others is just a happy by-product. They also take a HUGE amount of short-term but intense planning that just doesn’t always jive with how some of us work.

I, for one, would never offer to organize a fanzine. I’ll take part in them as a creator, but I’d rather throw myself off a cliff than subject myself to wrangling that many people and dealing with the legal logistics.

When it comes to authors doing anthologies, it'svery much the same. The success of the funding often hinges on having other big-name authors involved whose existing fans will prop up the project. Or having a huge marketing budget.

Most self-pub authors have zero marketing budget. I’m one of them, and I’m under no illusions that my work would not be as popular and self-sustaining as it is if I didn’t have a large Tumblr blog.

When I thank Tumblr in my forewards, I am utterly sincere. Tumblr brought fandom levels of enthusiasm to an unknown work and broke the Amazon algorithm so hard, that Amazon thought I was bot sniping my way to multiple #1 spots and froze my sales rankings.

That’s not the norm. And while I could probably kickstart my own work as an indie creator, that’s because I’ve put literal decades into building up a readership. I’ve been doing this since I was 16 and realized people thought I was funny. I didn’t know what to do with it or if I’d ever actually write anything, but it meant the groundwork was already there (thank you, past-me). I basically fell upward into my success by virtue of never being able to shut the fuck up and wanting to make people laugh. Clown instincts too strong.

New or first-time authors trying to sell their work without that will find it infinitely harder.

All of that aside, even if an unknown author somehow gets lucky and manages to fund their work, there’s still the question of shipping and distribution logistics. Are you shipping everything yourself? Better hope you’re able-bodied and have the time for it. (for reference, it took me months to ship out 300 patreon hardbacks because of my disabilites. It damaged my back and hands. I couldn’t type for several weeks after I was done.)

Are you going to sell primarily at conventions? Better hope you’re able-bodied, have the time and don’t have cripling anxiety about being in large groups...

Also, will selling a dozen to a few thousand copies in one burst be sustainable in the long run as a career? Not for me. Doing things via Ingram and Amazon means I earn a steady trickle of sales for the rest of my life provided the platforms remain and so long as I keep working and can generate interest in the series, not just when I have funds to pay for physical copies to sell. The one-time (in theory) cost of $75 to distribute through Ingram gets paid off pretty quick that way. And it doesn't require the same logistics as doing the popup/crowdfund.

Ultimately, it comes down to what you are capable of but also the type of work you’re doing. If you’ve got an extended network of fellow creatives who will back you or you’ve got a large following elsewhere, doing it like a popup might work for you.

If you’re an exhausted burnout who can’t fathom the short but intense amount of organization that sort of thing requires, not to mention doing it over and over and over... Ehhhhh. No thank you.

[artdotpage]

Problems facing modern artists & creators

I've talked with hundreds of artists and creators about the difficulties they face trying to earn a living from their craft.

This post covers two of the big ones (social media algorithms & bargain basement marketplaces), and what tools are available to grow your business despite these issues.

Social Media Algorithms and Audience Ownership

Social media platforms are a godsend for getting your work in front of potential clients and building a loyal fan base.

However as you will all have experienced, it can take a mastermind to figure out what kind of content the algorithm wants you to post, and if you don't do that you'd be as well throwing your content into the void as even your own followers might not see your post, never mind new viewers.

It also means you don't truly own your audience, if you post something slightly controversial your account could be deleted without warning, or perhaps a billionaire buys the site and everyone flocks to a new platform where you have to start growing your following all over again.

Solution: Build a mailing list

This is perhaps the single best marketing tool available to any business, and is sorely overlooked by artists and creators.

It's cost effective and because you own your mailing list it doesn't matter what's happening on social sites, you can always keep in touch with them.

The tricky part is converting people into mailing list subscribers. However I've seen plenty of creators successfully build one by offering incentives including free digital downloads, early access to content, discounts on your store etc.

Those who sign up to your mailing list would be considered high quality followers, someone who is much more likely to convert to a paid client and buy from you again in the future compared to the average follower on social media.

Tools

https://art.page/

https://substack.com/

https://convertkit.com/

Losing clients to undercutting competitors on the same platform/marketplace

If you run your business on a marketplace or platform, your clients are one click away from finding plenty of other choices who are willing to undercut everyone else to land a sale.

These sites have no incentive to make sure that traffic you drive to your profile actually purchase from you. Whether a sale is made through your listing or another seller, they collect their fee either way.

They also use uniform designs which reduce you to a generic product listing. Whilst this can simplify the customer experience, it means you have no control over the sales funnel and ability to differentiate yourself, making it harder to convert potential clients into paying customers.

Solution: Direct clients to your own site

Use your own personal website to make sales from, there are plenty of options with no monthly charge and lower fees than marketplaces. This lets you make dedicated marketing pages showcasing your best work to make a client excited about doing business with you, instead of just being a generic product listing.

Take advantage of marketplaces purely for their customer base. Don't rely on them as your sole business platform. This way, any fees you pay are worthwhile to generate sales you wouldn't have had otherwise. 

Tools

https://art.page/

https://www.bigcartel.com/

https://squareup.com/

Interested in more?

There's plenty more I have to share on this topic, including:

How to properly use Print on Demand without getting ripped off

Streamline managing your business so you spend more time creating and growing your business.

How to better utilize your brand to connect with clients and increase sales

So let me know if you’re interested and I’ll get writing!

Transparency

I'm building https://art.page to solve these exact issues, with the goal to create the best all in one site builder for artists and creators that makes running your business easy.

[kingsillysmilez]

how do u get comms!! Like which site do you find you're getting the most attention on? And any othet tips you might have ^_^

I think it’s mostly that I’m very algorithm friendly when it comes to posting. I post art nearly everyday, if not multiple times a day, a feature most artists just cannot do. And I don’t really post anything that isn’t art related… It would be insane of me to recommend others try to do that though.

Because I post so much, people don’t, or can’t, forget that they follow me since there’s a new post to see on your feed from me all the time. Not all my posts are good, or will appeal to everyone, but that’s ok because I’ll post something else very soon. And when I’m doing comms, people see me posting comms I’ve done for other people and are reminded that I do comms almost everyday for a few weeks or whatever. And that constant reminder clearly works.

I get most of my comms from Twitter which gives me lots of feelings. But it makes sense. Now that I take comms mostly on Kofi, a lot of people don’t put what platform they came from so I’m not sure the specific numbers anymore but before I switched over to doing that I’m not kidding it was like 99% from Twitter :/

Another thing to add is that not only do I post frequently on each platform, but I post on a bunch of different platforms. It takes me a long time to post one image to all my socials but when a post flops on one platform it did fine on another. Plus it’s more convenient if that artist you like is also using the same platform you usually use right?

Im kinda going quantity over quality a bit, but i see proof it works. If I don’t post for a few days my notifications go completely dead. No engagement. Which would be fine, except that’s my entire business. Sites like Tumblr, and even Bsky now have a better non-algorithm based audience so people who want to see my art are able to find it without new content via their friends rb or relevant tags. But also anytime I put tags on any other site than Tumblr my post engagement goes down???? Do people not like seeing posts with tags in them? Apparently…

I’m focusing on post schedule because it’s pretty evident that there are much better artists than I getting less commissions so it clearly isn’t just art abilities that make commissioners come running. I’m still trying to make my art itself better of course, but I think it’s mostly that I finish so much art that I have any sort of audience at all.

Sorry this is so rambley, I’m not all that sure what to say. Getting commissions is sadly a social media thing more than an art thing I feel like, which means a lot of it is trial and error to see what works for you and your artwork to find that audience of people who like it and want to commission you.

[astronomodome]

Astronomodome's 2024 US Presidential Election Liveblog

First of all I want to say I have other stuff to work on today so I might not be super up to date with stuff but I'll try my best to give my thoughts as to what's going on.

So first, how do we tell who wins?

In the U.S., the popular vote doesn't decide who wins the presidency. Instead, we use the (much hated) electoral college. Here's a helpful visual.

Every state (and DC) is given at least three electors, usually more based on population (which is why states like California and Texas have so many). There are 538 in total. To win, a candidate needs more than half of these- half of 538 is 269, so a candidate needs at least 270. (Interestingly, it is possible for both candidates to receive exactly 269 electors, in which case the universe corrupts and we all die infinitely the House of Representative chooses who wins, with each state getting one vote.)

The national popular vote may not matter, but the popular votes of each of the states do. Whoever wins the popular vote in each state (except Nebraska and Maine bc they're weird but that's not too important) wins all the electors for that state. It's very all-or-nothing which is why a lot of people don't like it.

This is a map from election forecaster 538, one of many such organizations that use polling and algorithms and election magic or something to predict who is likely to win each state. They have a lot of good graphs and stuff to look at on their site if you want to learn more about the stats of everything. As the key notes, we can see which way each state is expected to vote, as well as a few states highlighted in bold as likely swing states.

Swing states are basically wherever the election is close and the number of electors is high enough to 'swing' the election. Basically, while all the other states are mostly decided based on precedent (though surprises are possible), these states could reasonably go either way. This is why both candidates hold so many rallies in Pennsylvania, for example- it's competitive, and they want to boost their chances of winning those electors by currying favor directly with those voters.

One thing this map doesn't show is what I lovingly refer to as the Bar. It looks like this. I bring it up because if you follow the election news you'll see it. A lot.

The arrows in the middle point to 269.5, the exact midpoint. Whoever reaches that midpoint by filling up the bar wins (the beige in the middle are the tossup states who could go either way).

For example, let's look at 270towin. (the forecast websites love their special numbers.) They have a fun interactive map where you can make the votes go wherever you want to see what would happen.

^ Here's their prediction based on consensus.

^ Here, I changed Florida so it votes blue. Not likely unless I can bribe enough officials to make it so my ballot is the only one that counts (fair and just). We can see that the Bar has shifted, and the blue side has almost reached the arrows. Let's see what happens if we add another blue state. Let's say... Georgia, for example.

Wow! If the states were to vote this way, the Democrats would win, even if all the other undecided states went red. Is it likely? No. But, well, how do we know that?

In short, we don't. But we can guess, and that's what polls are for. There are several different types, but the most important ones for right now are exit polls. They'll start coming out soon, I think. I'm not sure if they have to wait until all the polls close (so people don't see them and decide not to vote or something because of it) but I think they do, at least in some states. Exit polls are conducted right outside of voting locations as voters exit, which makes them more accurate than other polls. They're not free of bias, though, so as always take them with a grain of salt. They're the first indicator we'll have of how it went, but they're not the final numbers.

One ray of hope I want to point out is the currently infamous Selzer Iowa poll (not an exit poll but still relevant). Ann Selzer is a really trusted pollster, known for a long streak of accuracy. She published a poll a day ago that indicated that Harris was beating Trump (!) in Iowa (!!) by 3 points (!!!). Iowa is... not considered a Democratic state; it went for Trump last election by 14 points. So this is really surprising (understatement). And yes, it could mean absolutely nothing... but it certainly shocked a lot of people, including Trump, who tweeted angrily about it.

States count their votes in different ways. Some results will be out within the day, others might take weeks. But usually most states can be 'called' for a candidate before every vote is counted. This is because the leading candidate will have more votes than can be overcome by the other one, even if every vote counted was for them. The important thing is that, as polls close over the next couple hours, they'll be counting. I saw one report that said election officials in Idaho, for example, plan on counting every vote "before they go to bed that night," which I thought was kind of a cute way to put it. Most states will release vote counts in batches or by county, which means that other batches or counties might still be counting as others submit their counts. That last sentence had a lot of 'count' related words in it, huh.

One thing to note about vote counting is that absentee or mail-in ballots often take longer to be received and counted than in-person votes. This can cause a phenomenon called "blue shift"- basically, a lot of mail-in ballots are cast by college students (like me!) or people who live overseas, and those groups tend to vote more Democratic than in-person voters. That means that late in the counting process, totals will often shift more towards the Democratic candidate. Famously, this is how Biden ended up winning Georgia in 2020- initially it was forecasted to remain red, but it inched over slowly as mail-in ballots were received.

So, in short, that's how we figure out who will be president. I'll be keeping track of what happens tonight, but it's very possible we won't know who wins until tomorrow morning or even later. Let's hope for the best :)

[starwarskawaii]

Annoyance and Empanadas

A Miguel O'Hara fic

Alright, here's that Miguel fic. Dedicated to Lan ( @chaithetics ) for always believing in and encouraging me. Proofread by my husband, @kitsunot . So if I made a mistake, blame him.

A/N: This is self-serving, reader is HEAVILY based on me. No word count because I am lazy.

Edit: possible part 2 if you guys like this one. So make sure to let me know!

CW: disabled reader, possible slightly ooc Miguel, mentions of Miguel's *gestures at his life*, no use of Y/N, second person voice, mentions of mobility aids, disability is not specified but is highly based on my experiences with fibromyalgia, female reader, mentions of brain fog, mentions of safe foods, reader is slightly implied to be autistic, PLEASE LET ME KNOW IF I MISSED ANYTHING

You were annoying. Not annoying like Peter B, who always had a quip and lacked boundaries. Not annoying like Miles, who questioned Miguel constantly. Not even annoying like Hobie, although you were a bit of an anarchist. The first thing you had ever said to Miguel was, "I support women's rights and women's wrongs. I do not, however, support men's rights OR men's wrongs, so I hope you've improved." No, you weren't annoying like any of them. You were annoying like Lyla. You were annoying because you knew him. You knew him entirely too well. Which was quite possibly the worst kind of annoying you could be.

You sauntered in on your purple forearm crutches, thinking of what you could say to piss Miguel off. As much as you'd like to pretend you were a quick thinker, the brain fog made it near impossible to come up with anything on the fly. So as you sauntered in, you thought of what you could do to make those veins pop on his neck and forehead. You liked those veins.

Miguel heard you coming. How could he not? Mobility aids are not stealthy. Not in the least. Miguel knew what was coming, and he braced himself for whatever quip you had up your sleeve. Your quips were worse than a Peter Parker's; you had studied him. You came from a universe Miguel stumbled on accidentally. A world where he and all the other Spiders were just characters in comics and movies. And you happened to be Miguel O'Hara's number one fan (and biggest hater, somehow simultaneously). You had made tons of posts analyzing him on some site, tumbling, maybe? He couldn't remember. He brought you on for a few reasons, but mainly to help the algorithms predict events in the Spider's lives.

"Ohhh, Miiiiiggy!" Came your voice, snapping him out of his thoughts.

"What? I'm a bit busy, you know, " came his reply.

"Too busy for me, Migs?" You pouted and batted your lashes. You knew he couldn't resist that.

Miguel was surprised. No quips yet. That's a first.

"Too busy brooding to listen to your favorite right-hand woman?" There it was. There was the jibe at him. You loved doing that. You were probably worse than Lyla.

Lyla popped up and snickered "He was just brooding, how did you know?"

"Lucky guess. Migs, my love, would you care to tell me why the caf has no empanadas?"

"Aye, you came here to interrupt my ensuring the fate of the Arachno-humanoid poly-multiverse over an empanda?"

"They're your recipe, we all know they're the best in the multiverse" you reasoned with him.

"They're my mother's recipe, technically, and I'll make you some when I take you home." Miguel always took you home. You had a lot of issues with the stupid 2099 high-tech stuff, and it also required use of at least one hand, something you rarely had the luxury of, unless it was a no mobility aid or a wheelchair day. So Miguel made sure you were safe.

"Fine, fine. When are you taking me home, speaking of? Should I just wait here, or should I try to navigate the awful upside down maze you created while I wait for your self-imposed penance for the day to end?" Man you were annoying. Man you knew him well.

"I'll finish up soon. Wait here," his face softened as he looked over at you. You were making yourself comfortable on a chair, placing your aids to the side and getting into that position you liked to sit in. The one that seemed uncomfortable, but you swore was best for your hypermobile joints.

You reminded him a lot of Lyla. Lyla, who Xina had programmed to heckle him. Lyla, who he never had the heart to reprogram. You knew all his buttons. Just like Lyla. Just like Xina... You were also like Gwen. He had initially seen you as much more like Gwen. You had a baby face, so he had assumed you were younger. You had half-shaved hair, which you had actually gotten done because of some singer in your dimension, the year before Spiderverse came out. You had always loved Gwen Stacy, though. It wasn't hard to see why. You were smart, you liked nerds, you were incredibly confident, you were kind of punk, but also hilariously materialistic, not in a fancy clothes way but in a "I have to have this figure or I will cry" way. You were a lot like the Gwen of 120703. You loved that Gwen.

You were very different from all of them, though. He remembered stumbling upon your dimension by accident. A dimension where there were no heroes. A dimension where there were somehow still supervillains. A dimension where, even when faced with a lack of heroes, some people still had hope. You were one of them. He had initially infantalized you. Your mobility aids, your interests, the baby face, the fact that you clearly needed a caregiver, but stubbornly lived on your own all made him see you as younger than you were. You had had many arguments before he finally realized how capable you are. That you're tougher than most Spiders are, save for Sun Spider, who has EDS (you LOVED Sun Spider). That you deal with 24/7 full body pain, work a full-time job, and somehow manage to take care of yourself.

You had shown him so much. Like punk versions of him that you thought were hot. He hated them. He hated that you found that attractive. It made him question for a moment if his appearance was alright. Of course, you would like piercings and tattoos. You had multiple of each. He never really thought much of it before. You had shown him art of him pregnant. You both hated that one. He had learned so much about you. In a way, he had become the caregiver you needed. He made sure you ate, he popped into your dimension to help with your laundry, he helped you on low mobility days, he cooked for you, he helped you set up appointments and refill meds when your brain just wouldn't cooperate. He admired you. He thought you were incredibly strong. He made you empanadas because they're a safe food for you. He secretly loved the way you loved his cooking.

You cared for him. Really, truly, deeply cared. You had listened to his pain and felt it like it was your own. You were so empathetic. He realized that your disabilities and baby face and your being a few years younger didn't matter at all. You were more mature than he was. You knew pain, you lived with pain, you had lost so much and had dealt with it a long time ago. You helped him pick apart his mind, healing what had been broken by grief. He had spent so many nights sitting on the floor of your apartment, next to your couch, pouring his heart out to you. The girl who had fan art of him up on her walls. He was pretty sure he loved you, but too worried he was confusing gratefulness for that painful emotion he hadn't felt in so long that he couldn't bring himself to say anything. You were in love. How could you not be? He let you see him so vulnerable. He was also 6'9, built like a tank, perfect dark skin and hair, newly emotionally open, and had clearly come to genuinely respect you, in a way you struggled to find as a disabled woman. You were much less subtle about your feelings than he was. You flirted constantly. But he was as dense as his muscles.

"Alright, I'm done, cariño," Miguel said. "Time to go back to your dimension, and get you some food. Did you actually eat today?"

"Uhhhh, what answer do you want to that?" You said, only half joking, with a nervous laugh.

"You'll be the death of me, hermosa"

He was used to the quips. He was used to the forgetting to eat. He was used to it all, and he hoped it could stay that way. Miguel O'Hara loved how you annoyed him. And he hoped you would continue to, for at least as long as Lyla has.

[singhallelujahh]

Ok I’ve regrouped and have more coherent thoughts about the tiktok ban.

So I know we love to dunk on tiktok on here. Honestly we like to dunk on anyone using any of the big three social media platforms. Tiktok users have algorithm brain rot that makes them use words like unalive irl. Anyone still using Twitter/X at this point is either a bot or a bigot. Facebook/Instagram is only used by your Millennial or older family members and should be avoided at all costs. Whatever.

But the facts are that these platforms are one of the primary ways that Americans communicate with each other and the international world. These platforms are no longer being used just for entertainment or socializing; we’re using them for business, we’re using them for politics.

I personally love that tumblr isn’t like that but it’s because what happens on this site has an incredibly low impact on the everyday American. But the things happening on tiktok, on Instagram, on Twitter/X have had huge effects on our lives, whether you’ve used those apps or not. And now all three of those companies have made it clear that they will defer to whatever the Trump administration wants. That should freak you out.

What happened today, tiktok’s cute little 12-24 hour period of going dark just so they could send a pro-Trump message to every single one of their 170 million American users, is horrifying. This company voluntarily (Biden wasn’t going to enforce the ban so there was no need to actually go dark) shut off a major form of communication for roughly a third of Americans just to perform a bit of political theater. And there was nothing we could do about it.

Could you imagine if Trump wanted all three of these platforms to do something like this at the same time? They wouldn’t even have to completely go dark, but to all censor the same topics at the same time? How catastrophic that would be for any sort of organizing? Sure we could figure out somewhere else to go eventually but what would happen in the short term?

Idk. I’ve enjoyed the memes and wasn’t really thinking the ban would affect me that much. But when I got that little propaganda message and I no longer had a means to figure out if everyone else was as weirded out as I was, it felt like a wake up call. Free and open social media, like it or not, is essential to protecting free speech in modern day America and we need to fight harder to protect it.

[iri-desky]

○ Hi, TikTok people! ○

Soooo, I rarely ever make posts that address current events like this. Additionally, I doubt that most people on TikTok will be take refuge on Tumblr of all places. That being said, if you happen to be a newcomer to this site who came from TikTok, welcome! It's so nice to have you here!! We're so glad to see you. Now, here's the thing about Tumblr-- Tumblr and Tiktok are basically polar opposites. Lemme rephrase that; there's a lot to learn if you don't know much about here.

So, here's some tips to get you started!

[ Press "keep reading" to continue! ]

• Reblog, reblog, reblog. Reblogging is a way for artists, text posts, and other posts to get seen! It shows them to more people since this site really doesn't have any algorithm. You can reblog literally anything you want as long as the post doesn't have reblogs turned off. Did that text post make you laugh? Reblog it! Did you like that fanfic concept? Reblog it! Did you like that art? Reblog it! You don't need to if you don't want to, but it's very much allowed. "Will I cross someone's boundaries if I reblog too many times?" Nope. Reblog as much as you want, be as weird as you want. Plenty of artists on here take it as a compliment and a sign of excitement. You don't need to be as afraid on here.

• THERE IS NO ALGORITHM!! Everyone on Tumblr over here is equal and clout means basically nothing over here. We just like cool art, funny stuff, and cool ideas. Post your stuff to the tag and just watch as people who are interested in it come to you. We're just here to have fun--this isn't a game of clout. Sit back, relax, and find your people! The days of clout are no more.

• We Tumblr users LOVE reading and writing! It's in our nature. So you're probably gonna see a lot of long posts on here with blocks of texts. Don't be scared of it, check some of them out! That said, short but sweet posts are fun over here too. Feel free to type as much as you want. We have unlimited text over here! It's so cool.

• Speaking of writing and tags, remember how you had to censor your words on TikTok? No need. You can say literally whatever over here and you don't have to fear getting banned. The days of "unalive" and "sewer slide" are ALSO no more. SPEAKING OF WHICH. A lot of users still put tws on their posts and tags. If you're shoving it in the tags, PLEASE do not censor it. It won't filter it if they're using a blacklist.

• The first thing you should do over here after you get your account set up if make your blog look special. Change it to whatever color you want, change the font of your title, change your title to something funny, and change your pfp and banner. It's all to make it you! It also doesn't matter if it's something random for now--us Tumblr users are very wary against bots, and we often block anyone who doesn't have a customized account. Just take your time and have fun, but make sure you don't get blocked by the people you don't want to block you over something silly like looking like a bot!

• You can post videos on here too! Feel free to upload old TikToks you save! I've seen a lot of other TikTok refugees who want to see some old content. I never was on TikTok, though I think it'd be neat to see your old stuff.

• There's lots of communities on here for even the smallest of stuff. If you have a niche interest, go ahead, include it into your introduction-- no one will judge on here and you just might find someone else who's just as crazy over it. You can check the tags for other people who posted about it, too! It's fun to go scrolling through the tags. I included Ducktales 2017 in my interests list--I didn't lose any cool points. I even still post about it! Literally be as weird as you want. We don't care, you have no limits. This is a fandom haven!

• You can have opinions here. Post about the most random crap you want and spit whatever opinions you have, people are very non-confrontational on here. Use your blocklist, you have it for a reason. Blacklist tags you don't want to see. Again, be as weird as you want. You WILL find your people. Just don't go fighting people--unlike TikTok, we'd rather live our lives on here and having beef with other people isn't going to give anyone any clout. You're GOING to see upsetting stuff and opinions that conflict yours (after all, there's no algorithm), but that's okay. Just engage in your interests, speak your opinions, block when you neef to, and enjoy.

Other tumblr users, feel free to add any extra points in the replies!

Oh, and if you're a TikTok refugee who happened to read this, feel free to introduce yourself in the replies. I like meeting new people and it'd feel nice to know this helped someone!

~ Sincerely, Iridesky, a weird individual who loves writing and has way too many interests to count