#the dirty details

[roosterforme]

The Dirty Details | Rooster x Reader

Summary: The details of how Bradley lost his virginity come as a surprise to you. When you learn how and why he became a consent king, your heart breaks for him. You vow to do everything you can to always make him feel as loved and comfortable as he makes you feel, in and out of the bedroom.

Warnings: Angst, fluff, mentions of sex while intoxicated, mentions of sexual assault

Length: 2200 words

Pairing: Bradley "Rooster" Bradshaw x Female Reader

This was written to accompany my series Is It Working For You? along with a bunch of my one-shots and other series, but it can be read on its own! Check my masterlist for the reading order.

When you walked into the Hard Deck with Bradley's arm slung over your shoulder, you looked up at him and said, "This is the first time we've been here together since we got married."

"You're right," he rasped, kissing your forehead. "And now I've got this new hardware on my finger that repels all other women."

"Oh, that sounds nice," you told him with a laugh as you led the way through the huge New Year's Eve crowd. "That one over there is looking at you, Roo. Hold up your left hand."

He rolled his eyes and chuckled. "You're the only one I'm looking at, Baby Girl."

"That's Mrs. Bradshaw to you."

Bradley smirked when you smiled at him. "You're just begging to leave early, aren't you?"

You shrugged casually, but you knew for a fact that you'd be able to get Bradley to leave before midnight if you bugged him enough. If you told him you wanted him to take you to bed, he'd be leading you back to the Bronco right away.

But instead you walked into Jake's open arms and hugged him. "Angel," he drawled as he turned you to face the bar. "Your cute coworker is here."

You searched the bar area, and sure enough your eyes found Cat Coleman's, and she waved to you. "Why don't you go talk to her?" you suggested, but Jake adamantly refused. 

"No, it was just an observation," he said before wandering over to Nat. He was so transparent, it was ridiculous. 

"Okay, Jake," you muttered, and then Bradley was handing you a beer.  

"Hey, how was your trip to Maryland for Christmas?" Nat asked as she gave you a hug.

Before you could even respond, Jake loudly said, "Didn't you hear? They didn't even go anywhere at all. Rooster here has been trying to figure out how things work since he lost his virginity on their wedding night. Missed Christmas all together since he's been trying for weeks to find the clit."

You started laughing, and you could feel and hear Bradley's laughter behind you. 

"Hey, Hangman," he said, chuckling. "Fuck you."

"Yeah, Hangman," Nat replied. "That's not how Rooster lost his virginity. I know the whole scoop on that one." She was wiggling her eyebrows and looking smug.

"You do?" you asked Nat, suddenly shocked at the realization that you had no idea about any of the details of your husband's first time.

You turned to look up at Bradley as he sipped his beer, cheeks pink as he met your gaze. 

"Yep," Nat replied, her tone teasing. "Seventeen years old in the backseat of his car with a college girl. An older woman!"

"Really?" you asked Bradley, and he just nodded at you. "She was in college? How old was she?"

"Twenty," Bradley told you quietly while Nat and Jake hooted loud enough to get Payback and Fanboy in on the conversation, too. You could vaguely hear them all comparing their own virginity dirty details, but all you could see was the strange look on Bradley's face.

"What's wrong, Roo?" you asked, wrapping your arms around his waist. "Would a quickie in the bathroom make you feel better?" You started to pull him toward the hallway with a grin, but he just shook his head. 

"Nah. Not tonight."

You couldn't remember the last time he had turned you down in any capacity. Had he ever? Certainly not recently since you'd come off birth control, since you'd become his wife. You were honestly a little stunned. 

"Tell me what's wrong."

"Nothing, Sweetheart," he replied, kissing your forehead. "Wanna play pool?"

But you could tell something was definitely bothering him, even after you agreed to be his partner against Jake and Javy. Because he was awfully quiet compared to how he normally was, and his smile just wasn't quite reaching his eyes. 

But he still pulled you into his arms whenever you were near him, so you let him play a few rounds of pool and have another beer before you tugged on his hand. "Ready to head home?" you asked, tucking yourself against his side. 

"You don't want to stay until midnight?" he asked, eyebrows raised as you looked up at him. 

"No. I want to take you home, Roo."

It took twenty minutes to say goodbye to everyone which meant that you were just pulling into the driveway at the stroke of midnight. Bradley had been singing along to his Motown playlist, and when he put the Bronco in park, you climbed onto his lap. 

"Happy New Year, Baby Girl," he rasped. Then your lips softly met his while he finished singing Baby I Need Your Loving. 

"Will you tell me what's wrong now, Roo?" you asked. You didn't want to press him if he didn't want to talk about it, but he'd been fine when you first arrived at the bar. 

"It's nothing. It's so stupid," he whispered, taking the key out of the ignition and sighing as he climbed out with you in his arms. Once he set you down, you strolled up to the front door with him right at your heels, and you paused with the key in the lock. 

"Okay. But you listen to me all the time. Even when it's something stupid."

"You never say anything stupid, Baby Girl," he kissed your cheek as you opened the door. He was being lovely, but you wanted him to open up for you. He always felt better whenever he did. 

When you made your way to the bedroom and turned on the lamp on your nightstand, Bradley's beautiful face was bathed in soft light, but his brow was pinched in frustration. You pressed your lips together to keep yourself quiet, and a minute later, you were rewarded not only by your husband in just his underwear, but also by his voice. 

"You know how Nat said she knows how I lost my virginity?" 

He was looking down at the bedding and running his fingers through his hair when you whispered, "Yeah?" You crawled to the middle of the bed, but he remained standing next to his side. 

"Well, she doesn't really know what happened. Nobody does." He laughed a bit awkwardly. "Well I guess one other person does."

You nodded and patted the bed. "Do you want to talk about it?"

"No," he grunted as he collapsed back against the pillows. "It makes me uncomfortable."

And for the first time ever, you felt like maybe he didn't want you to touch him. You were dying to know what was bothering him. No matter what it was, you wanted to try to fix it, try to give him comfort. That's what he always did for you. But you were at a complete loss right now, silently begging your husband to keep talking. 

He swallowed hard, and you watched his Adam's apple move against the scars on his neck. "Yeah, I was seventeen. Yeah, it was in the backseat of my mom's old, white station wagon that I had been driving. Yeah, it was with a girl who was in college. Her name was Morgan."

You licked your lips and kept your eyes on him while he looked at the ceiling. "I told you this was stupid, Sweetheart. I don't know why it still bothers me." When he reached out for your hand, you felt instantly better and worse at the same time. "I was drunk. It was a little while after my mom died, and I was living with her cousin Brenda. You remember Brenda, from when we were in Virginia?"

"Of course," you replied, playing with his fingers. "How could I forget? I met her when we got engaged. She wants us to come visit again this summer."

"Yeah," Bradley agreed. "Brenda is great." Then he paused for a few beats. "And you know, she tried so hard to make me feel comfortable and welcome there, but I just... didn't. I spent my senior year of high school partying with this group of college kids. We'd all go out in this wooded area near the lake and drink cheap liquor on the weekends. It was right after Mav pulled my papers. A couple months before my eighteenth birthday."

When he reached for you, there was no hesitation as you scrambled into his arms. You settled against his chest, his warm skin and the steady beat of his heart calmed you immediately, and you hoped you were giving him some comfort as well.��

"That girl, Morgan? I thought she was so cool at first. She was studying anthropology. She was smart. She got me drunk and didn't get upset when I talked about my mom. We would make out by the lake. Then one night, I was so drunk, and she told me to take her to my car. I thought we were just going to make out in the backseat."

"Oh, Bradley." You felt sick to your stomach. 

"I didn't tell her no, but I was too drunk to say much of anything. She knew that, but we did it anyway. In the back of my mom's car." 

You squeezed him tight as tears leaked from your eyes. "Roo. She took advantage of you. She should have never. That is not okay."

He sighed, and the sound of it made more tears fill your eyes. "I've never told anyone about it before. I feel a little better now."

"I love you, Roo," you promised, meeting his eyes. And somehow he was the one wiping your tears away when you were supposed to be comforting him. "You sweet man. That wasn't stupid. And you can tell me when something is bothering you. I want you to."

"I know," he agreed. "But sometimes it's hard to think about that night for more than a second. I try not to."

Then you sobbed as realization washed over you, and he pulled you a little closer. "Oh, Bradley! I've convinced you to have sex with me when you were drunk! More than once!"

"No, no, stop," he said firmly, kissing your lips. "It's not the same, Baby Girl."

"But if I ever made you feel uncomfortable-"

"No," he said, shaking his head. "We are in a committed relationship. We have been pretty much from the start. I always want you, and I initiate it 90% of the time when I've been drinking. You always have my consent, and I know you'd stop if I ever gave you the impression that I didn't want it. And I know you would never hurt me."

"Never," you agreed, letting your cheek rest on his shoulder. After a few minutes, you whispered, "You know, there's one really positive thing that came from this though."

"Is there?" he asked, a little skeptical as you stroked your fingers along his tattoo. 

"Yeah. You're the consent king. And I think you always were, even before we met."

"Hmm," he grunted. "Yeah, that's really important to me."

"I love that," you told him, kissing up along his neck until you reached his lips. "And I love you. And you're mine. And Morgan can take her anthropology degree and fucking kick rocks while she thinks about how terrible she is."

Bradley laughed. And your face melted into a smile as you realized how tense your body had been. 

"I fucking love you," he promised. And you knew he did.

-----------------------------

When you woke up the next morning to Bradley's lips on your shoulder as you were draped across him, you whispered, "Happy New Year."

"Mmhmm," he hummed against your skin. You wanted him in the worst way. He was so big and warm, and he smelled so good. He was yours. He was your husband. He was patient and sweet and everything you needed. And now, especially today, you wanted to make sure he knew that you really saw him. 

"Is it okay if I touch you?"

His lips paused on your shoulder as he rasped, "Yes. Please, touch me."

So you let your hands roam along the muscular planes of his abdomen and chest. You gently dug your fingers into his bicep. You grazed the scars on his cheek with your nose.

"Will you let me kiss you, Roo?"

He responded by kissing you first. His mustache was rough against your skin, but everything else about his embrace was so soft. His lips lingered before chasing yours over and over again.

Your voice was soft, lips brushing his. "I want to have sex with you, if that's what you want."

He kissed his way along your jaw to your ear. "I see what you're doing here, Baby Girl. And I love you for it. Yes, I want to have sex with you, too."

So you took it nice and slow, and you made sure he was comfortable, even though you were certain you could read all of his cues by now. But you'd remember to take that extra step here and there. It wouldn't be hard to do, because he always gave you more than you ever expected. You'd always remind him that what he wanted and needed was important to you, because that was exactly how he made you feel every day.

-------------------------

This one hurts a little bit. Because this really happens. I hope you can't relate to what Roo went through here, but if you can, I love you. Thanks @mak-32 and @beyondthesefourwalls.

@hotch-meeeeeuppppp

@swthxrry

@chassy21

@yaboid19

@solacestyles

@avoirlecoupdefoudre

@daisyhollyxox

@callsigndiamond

@harper1666

@throwinsauce

@beebslebobs

@awesomebooklover17

@wintercap89

@whosyourgnomie4

@rosesinmars

@blog-name6996

@bcon24

@wishfulwithwine

@backinwonderl4nd

@monte-carlando

@tetragonia

@gingerbreadandpaper

@emptyloverofmine

@apparently-sunshine

@chaoticassidy

@missmirandafe

@topgunbb

@changlingkhat

@sugarcoated-lame

@callsign-jupiter

@avada-kedavra-bitch-187

@katiebby04

@marantha

@averyhotchner

@abaker74

@andycanbeemotional

@heli991113

@k-k0129

@noz4a2

@tallyovie

@shanimallina87

@starlightstories

@teddyluvs2sing

@little-wiseone

@ccbb2222

@lilyevanswhore

@o-the-o-grim-o-reaper-o

@hecate-steps-on-me

@xoxabs88xox

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[389]

Details (pt.2) from Dirty Laundry exhibition by Youri Johnson showcased at KeivAthens

[gardensnakie]

@cheezyhamster 's Delinquent Basil from this post

I think he's pretty

[bass-alien]

🖤💗🖤

[cozmicbrowniez]

A tribute to my fav

(sorry about the quality 😭)

[bonefall]

.. opinions on wind runner? i feel like im one of the only ones that genuinely hates her sometimes

If you feel like the only one who genuinely hates her, I think you need to look around more. Wind Runner is a very widely disliked character, because she's often used within the story as a small antagonist who "threatens" the authority of Tall Shadow. Gray Wing dislikes her. Thunder is openly cat-racist to her. She spends several books trying to break through the moor cats' xenophobia to join a group that came to HER LAND.

Then, when Moth Flight is old enough to be a relevant character in Forest Divided, Wind Runner is turned into Yet Another mean mom the very moment Moth displays ADHD. She's contrasted to her mate Gorse Fur, who is a Soft And Good Dad, and ultimately MASSIVELY punished with the harrowing events of Moth Flight's Vision (even though, for most of that book, she's completely right.)

Ask yourself why they're especially harsh on WIND RUNNER for being mean to her child, in the arc with Tom the Fucking Wifebeater and his redemption death, plus Thunder being forced to stop being mad at his abuser Clear Sky, please.

To me, Wind Runner is an intense, ambitious woman who's demonized for it in a way that men just aren't. She's subject to several misogynistic trends within WC, plus a huge helping of xenophobia that goes absolutely unexamined. If DOTC cared at all about women, it would have treated her with the nuance she deserves.

Wind Runner is treated with nearly endless suspicion by Gray Wing through books 1 - 3, while he's bending over backwards to suck Clear Sky's toes.

Her wanting to join the group that came TO HER HOME and being a bit pushy about it earns a stronger reaction from Gray Wing than Clear Sky murdering people.

She's pressured into changing her name "to fit in," and it's still not enough. She wanted to join the group so bad she changed her name, at the request of the Mountain Cats, for a chance of being better accepted

This came after she'd already saved Jagged Peak's life when a burrow collapsed on him. She's plenty trustworthy.

She keeps doing shit to try and prove herself to this group of assholes. Remember Bumble being dragged back to her domestic abuser? Gray Wing interprets this as a power struggle, when WIND RUNNER WAS NOT EVEN PART OF THE GROUP AT THE TIME.

From Wind Runner's POV, she did something that the Moor cats wanted done. It was fucking evil. It was committing violence against another member of the out-group the cats see her as.

But who actually has the power here? Tall Shadow does.

Gray Wing said it himself that she could have come up with some excuse for Bumble to stay, and she didn't. In fact, any cat could have spoken up. No one did.

and still. STILL. Wind Runner gets nothing. Her reward is Gray Wing surmising that actually, her doing their sick dirtywork was a political move.

It's more consistent as a motivation with how Wind Runner wants to join their group. The thing she's been doing.

She only actually gets to join the group after Thunder starts publicly hurling slurs at her for suggesting they need to be ready for Clear Sky to attack them. "What do you know about peace? Last time I was here you were NOTHING BUT A ROGUE WITH A ROGUE'S NAME"

Gray Wing even starts purring when she gives birth, because her ambition goes away briefly and she "stops bossing everyone around." this is treated like a sweet thing. god forbid women retain their personalities when they have kids

She loses her first premature child to a seizure and Gray Wing starts proselytizing his religion to her. "Maybe it's a good thing your weakest child died because Jesus has them now" I want to beat him with a hammer

When her second child gets sick, Clear Sky has a bright idea that involves killing it. I refer to this as his "reverse leper colony" suggestion. He only develops a sense of humanity towards the sick when his brother's pregnant wife is in danger. Wind Runner and her kitten barely seem to clock as people to him.

It's only after her SECOND baby succumbs to a horrible, painful death that she decides the moor cats are assholes, and she goes to start her own group. It's LONG overdue. I was extremely excited to see it.

Now. Listen.

I've been treated just like Moth Flight before. I've practically heard the scolding in Book 6 Chapter 3 verbatim. I'm not downplaying anything about Wind Runner being harsh to her; being yelled at like that never fixed the problem.

What I'm saying is that this is the SAME arc that summons the hollowed-out ghost of Storm to coo that Clear Sky "never drove anyone away" with his abusive behavior and gives Tom the Wifebeater a heroic redemption death.

So why is the scolding from Wind Runner treated as unambiguously harsh? What's the difference between her and them?

Why is it that outside of this little bubble of the community, you can get buried in a flood of people crying about how "Clear Sky made Summisteaks Butt he thought it was the right thing :((( He feels bad about shoving Thunder's face in a weeping, pus-filled wound and trying to kill him :((((" but Wind Runner is mean about Moth Flight not catching a rabbit and she should be skinned alive

Why is WIND RUNNER held responsible for the death of Clear Sky's child in Moth Flight's Vision, WHEN IT WAS COMPLETELY HIS OWN FAULT??

So, why should I hate her? Because she's mean to the idiot protagonists? Because she's Yet Another Bad Mom whose actions ARE treated as Bad in the story, in the arc famous for openly weeping whenever someone's mad at their abusive dad?? When she has this whole horrific, unexamined story about how incredibly bigoted The Settlers are towards her and the extremes she goes to in order to please them?

I'm glad she's mean, actually. She should have been even meaner. I think she should have a gun

[theperksofbeingstupid]

little qsmp eggies my bf ( @dudeboring ) made for me!!!

[tabooiart]

a lineup of the choir kids ive been working on for a few months on and off!! my main goal was to make their uniforms a little more unique and personal :D

edit: i realized i forgot constance's glasses pretend that didnt happen okay thanks

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[alyimoss]

yknow what one of my fav killer headcanons has got to be that his clothes (esp his jacket) are always stained bc the dt from his eyes drips onto em or he uses em to wipe it off his face. good shit, adds a little smthn to him.

[canisalbus]

So y’know how catholic priests do confessionals right and that homosexuality was seen as a sin they had to confess to- I’m just picturing Machete in the other box just listening to everyone tell him how gay they are and honestly idk how he’d respond to it. but it’s interesting I think 👀

I'm under the impression that he'd hate doing confession duty and would probably avoid it whenever possible. He doesn't like being confined in a little box, away from the spaces he deems safe and familiar, with nothing productive to do but to sit and marinate in his thoughts. He doesn't like talking to strangers, especially one-to-one and about topics that are this delicate and personal, and he certainly doesn't like trying to come up with a fitting penance or words of sage advice. Even in the rare occasions when he gives it a honest try he feels like fish out of water. He'd be very formal and impersonal to deal with and penitents would probably find him mildly unnerving in his emotionlessness, but at least he'd be quick about it. He'd be even more tight-lipped if the topic of homosexuality came up, maybe he'd have some kind of tired pre-rehearsed set of lines prepared for those situations, nothing too condemning but also sufficiently in line with the church's standings. And then he'd go home feeling like the most spineless hypocrite.

[princessaurayt]

Anon requested, but also this was inevitable cause I wanted to draw him in this fit at some point lol This is technically part 1 of a request since they also asked for the monster sweeper outfit so keep an eye out for that one if that's also your favorite outfit

Blue Blood’s Tailcoat | Someone's Memory | Puppet Prince’s Formal Dress | Workshop Master's Workwear | Monster Sweeper’s Hunting Apparel | Alchemist's Cape | Mad Donkey's Hunting Apparel | Survivor's Hunting Apparel

upper torso and upper arms

Middle ish + belt area

Legs + Shoes

Full roundabout shot

Misc. Details

[smoozie-art]

Grian and Scar matching pfp's as requested by @thecozycrowace

Full vers under cut

[existentialcrisis-24-7]

So I haven’t finished the season 1&3 outfits yet but to make up for it, here’s Aisha and Roxy’s season 2 introduction outfits (temporary because they very quickly change to something else).

[randomfandomss]

I mean if Rolin said that the main reason they wouldn’t show Daniel’s tuning is because it would mean they’d have to re-build a set they’re not going to re-build because it’s too much effort/$$$… that’s him also confirming that Daniel’s turning DID happen in Dubai/the penthouse. Otherwise it wouldn’t be an issue and they could show it in S3 but like, he said it *because* that’s where it happened, unless I’m missing something 🤔

Oops sorry, I guess I didn't remember the whole comment but I still strongly feel it's such bs. He is definitely trolling us.

First of all, he literally can't and shouldn't be telling us what happened or didn't happen.

On top of that the reason is kinda lame according to me. They couldn't film because the set has been destroyed? Come onn. I don't think so. They could've filmed and then destroyed the set then maybe.

If they won't show us Daniel's turning then it must be because it is important for the way the story unfolds. If that is so, then I'm excited to see what's the reason.

From what I can gauge, Rolin and co. respect the story too much to not show such important moments they know the fans are dying to see. They simply won't do that and if they do, it must be due to strong reasons.

Also I feel it would be a bit sudden if Louis moves to some other place in the beginning of s3 after finally have carved out a space for himself in the Dubai penthouse. After decorating it, putting up Paul's portrait and Claudia's dress.

I think that place, at this point, holds a lot of meaning to not come into picture at all at any point in the future.