#the first seasons feel more respectful to characters i think?

[aihoshiino]

Episode 3 Rewatch: "Manga Based TV Drama"

YEAH WE'RE BACK ON THESE AGAIN!!! As much fun as the liveblog format was, I found it was actually getting in the way of me *doing* the liveblog (it could take multiple hours for me to watch and queue up One Single Episode) so I've decided to return to a format a bit more like my chapter reviews just in the desperate hopes of getting these actually done before season 2 airs. In the immortal words of Brian H oobh i got plany off time. But let's get to it real quick anyway!!!

I have a really soft spot in my heart for episode 3 in particular because it was the first episode I actually anticipated watching after I got into the show - episodes 1 & 2 were already out when I fully contracted brainworms so episode 3 was the first one I had to actually wait for. A lot of the cuts from it are like carved into my brain because I watched that episode preview so many times while waiting for it to air lol…

I've said this before but the anime's take on her really is what turned me into an active Kana Enjoyer. Megumi Han's delightful performance and her character acting an animation all combine to make it really hard not to be endeared to her. Her excitement at being reunited with Aqua is really cute, too - I remember Han saying that she was specifically told not to play Kana as a girl meeting an old crush but as someone excitedly reuniting with an old friend and I think that's particularly sweet. The AQKN dynamic at its heart is kind of just two lonely kids who don't have a lot of other connections that aren't couched in transactional utility creating a space together where they can just exist without any ulterior motives.

gotanda's words being visualized as literally skewering kana is so fucking funny too. bro killed her. you really can't blame her for biting back during dinner later lol

Kana's putting on a pretty positive face about it, but knowing how deeply alone and abanoned she feels by her parents, it's hard to not feel really sad about this scene. She's chipper about it but this is the first hint towards Kana's current honestly kind of dire circumstances we'll see get expanded on all the way to the end of the anime.

Aqua's refusal to let Kana see his old acting is also really interesting to me. Intentionally or not, it feels like it's sewing the seeds for some stuff in Tokyo Blade; Aqua respects Kana's acting and Kana herself as a professional to the degree that he doesn't want to 'lose' to her in that sense. Or rather, he'd be embarrassed to have someone he respects seeing him stumble like that - a little like Ruby's freakout in episode 1 over the idea of Ai, specifically, seeing her be bad at dancing.

Aqua trying to play it cool and then immediately nerding out when Kana mentions Sweet Today is so so so so soooooooo cute. I love it when that side of his personality pokes out…

KABURAGI NAMEDROP JUMPSCARE!!!!! i made the same face, aqua... I won't go into my Kaburagi Villain Propaganda here, but it really is so deeply suspicious that Kaburashi was on her oldest, most private phone…

KANA'S LITTLE 'I KNOW WHAT YOU ARE' MOMENT………. AQUMELT REAL AFTER ALL…. (NOT CLICKBAIT)

ruby's lain brand milk vexes and haunts me

Aqua's quietly pained, guilty expression when Ruby misreads his intentions for becoming an actor is so good, as is his cold internal dismissal of Ai's wish… it's funny to see him insisting he's not doing this for Ai's sake when really, everything Aqua does comes back to his mom.

Man, though. What even is there to say about the Sweet Today bits lmao. Holy shit. Particular shout out to Melt's seiyuu, Seiji Maeda, for making his in-character acting so authentically awkward and clunky without it coming off as overwrought or like he himself was giving a bad performance. That's suuuuuch a delicate thread to weave but he does it exceptionally well.

This scene also has one of my all time favourite punch ups from the manga - in the original, Ruby just kind of gets the manga from nowhere and makes the comparisons that way but the anime makes Aqua the one to go get his copy and start silently flipping through it to compare until Ruby snatches it… it really is the perfect teeing up for him to run off and tattle to Kana even though he was pretending he didn't give a shit lol. Dork ass boy.

This talk at the karaoke bar is really good, too. The directing is pretty simply but I feel like the anime producton really shows off just how strong its expression and character acting work is here which does a lot to help along what's otherwise a very static conversation. The contrast in Aqua and Kana's energy is also very fun - Aqua's really still while Kana's very animated.

The manga hasn't really touched on this in a while but the content of the conversation here also starts a thread that I really liked in the early parts of Oshi no Ko about how hard it is to create good art in an environment like the entertainment industry. Tokyo Blade centers this more and is almost explicitly a follow up to Sweet Today's exploration of this idea but the seeds are sewn here, of the necessary compromises that need to be made just to get something out the door and how that can ultimately destroy the final product no matter how many well-meaning and passionate people are doing their absolute best to make something worth engaging with.

i'm also pretty sure this talk is the first time we see aqua smile after episode 1… cute.

The directing also really shines in that little moment at the end where Kana grabs Aqua's hand. In prior cuts, the two are visually separated in that they're both sat apart and there are multiple lines running between them in the background to section them off from each other.

But then just as Kana breeches Aqua's defenses and disarms him, she physically reaches past all these little barriers to finally get into his space. It's subtle but well done.

His wide-eyed slightly stunned face is also really sweet. We see this look on Aqua a lot when it comes to Kana and it always makes me smile a bit. She's excellent at getting under his skin whether she means to or not.

"now my body has caught up with my mental age" says aqua, confirming his mental age is that of a teenager, and mfs are still out here acting like he's a 30 year old man.

Oof, oof and oof. Kana's little speech here already makes me so soft and knowing how it's going to be utterly spat upon in just a moment by Kaburagi's callousness towards her just makes it hurt even more. We continually see reference to this supposed good relationship between Kana and Kaburagi during this episode and so knowing that he's ultimately just another shitty adult taking advantage of her clear desperation… masaya kaburagi when i see you it's on sight

This is also a really fantastic character moment for Aqua, I think. He himself says he's done everything he needed to do on set, so there's no need for him to start shit like he does. It's purely out of respect and fondness for Kana as a person and anger on her behalf as a fellow actor. For as much as Aqua likes to convince himself he's a coldhearted bastard, he really just cannot help himself when it comes to leaping in and helping people. He's a lot like Ai in that once somebody has his heart, he's theirs for good.

i also just have to fucking Scream at this cut of him. it hit me like a fucking TRUCK when this episode dropped. because it doesn't quite look like the equivalent panel of the manga, does it?

But doesn't it feel super familiar, even so? Doesn't it remind you of something? I wonder wh-

OSHI NO KO ANIME STAFF, WHEN I GET YOU!!!!!! (ENRAGED) (POSITIVE)

[cienie-isengardu]

@blue-mint-winter​ commented post:

Your welcome and I completely agree about TCW changing important characterizations, especially Anakin's. Also Barriss, I will never forgive that shit. They definitely did that. That's why my favourite eps were about Jar Jar LOL

I spent the whole day debating with myself should I go on and scream about the unfairness done to Barriss and Jedi as a whole or not since talking negative about TCW at times feels like opening can of worms, but my frustration with current star wars content already hit acceptable limits and is waaay past them so I decided to screw all consequences, it is time for a mini-rant. I hope you don’t mind me bringing that up as separate post (or if you don’t wish to be tagged in that post, lemme know :))

Okay. Where do I even start? Anyone who would sort posts through my blog will know that I love analyzing stuff and more often than not, I’m critical toward the Jedi Order (especially Order as the institution) and that through the years I have a lot of critical things to say about the new canon, with the emphasis on The Clone Wars.

TCW has literally been a thorn in my side for years and although the show had its good moments (storyline wise and artistic effects/music) that I want to acknowledge, the longer the show was run, the more it felt to me as the Triumph of Form over Substance. The creators needed to go from point A (post AotC/clone wars) to point B (RotS / Order 66) but as it was proved, they did not need to actually keep Legends (old canon) elements in the original form and things were used or discarded as they wanted. Some choices made more or less sense, some were turning our knowledge totally 180 degrees with various effects or fan reactions. Like I will never agree with chip in clone brains storyline (x)(x) nor implying domestic abuse toward Anakin and Padme (they were meant to be tragic, doomed lovers, not being in abusive relationship for Force’s sake) or erasing Prequels/Legends characterization of Anakin for the more common action macho idiotic one (something that creators themselves admitted to do, which is why Skywalker is more mix of Han & Luke because apparently some people aren’t capable of accepting introverted / emotional man as main hero? Riiight). At the same time, I’m willing to defend changes done to Mandalorians,  because the story has a great potential but sadly the show focused mainly at the pacifism vs. terrorism angle. Which I guess makes sense from U.S.-centric perspective, but for someone like me, whose country/nation actually lost its independence for over 123 years (1795 -1918) and then suffered through the Nazi occupation (1939-1945) and survived the communist regime (1945-1989) before finally feeling like free country again, then Death Watch, however brutal or incoherent at times, rings a different bell. It is not about nationalism itself but wanting to have your culture back despite all the damage done through the years of forced expulsion / displacement or warriors (those not fitting into New society) and be independent from Republic / Empire. And this hits me more closely as a Pole than terrorist narratives done to DW (and Bariss). 

But the thing that irritates me the most is how characters and their powers aren’t incoherent in a sensible way. They can use Force for great action and dueling, but Anakin can’t feel Obi-Wan’s presence when the man worked undercover (sorry if the show actually explained it for I do not remember it was ever addressed?).  Anakin at first was shown as a self-sacrificing type of person (e.g. Jedi Crash) but for some reasons sometimes doesn’t do anything to save clones from certain doom even if he could use Force to stop them from falling down into lava or whatever it was in Citadel? And it is not just him? Ahsoka killed clones infected by worms but didn’t kill Bariss because they were best friends or whatever? But she is the bestie with clones! She cares! She is after all the protagonist who acts smart and all while all adults suddenly lose their brains. Like Anakin, a Jedi General, does not study maps before an attack on an enemy position, but Ahsoka did and saved the day. What a hero! And whatever she will do, it is all right at the end of day. Bo-Katan willingly supported Pre Vizsla/DW who destroyed the whole village and killed an innocent girl (whose Ahsoka befriended) but does it matter? Nope. Because she is now besties with Bo-Katan, a beloved freedom fighter, a noble lady and all the jazz.Pre Vizsla? Anyone remember him? No? No wonder, a persona non grata who would drag Bo-Katan (and Ahsoka by extension) in bad light so the show and other current sources are literally erasing him from the Mandalorian storyline. Because it is better to not remember the past than face a consequence of characters (creators) choices. 

It feels like yeah, Jedi care if the episode needs it but don’t care if the show needs some shock value or feeling of danger. Mace cares for clone troopers and even offers droids a chance to surrender but isn’t somehow bothered when 12 year old Boba was put in prison for the worst ADULT criminals. Sure, it is very reasonable. Anakin cares for clones, unless the show needs a high death toll or jokes (throwing Rex off the dam without warning). Jedi will literally jeopardize an important mission just to give one of them a proper burial but will not give a shit about dying or dead clones. And so on.

I understand that the show was made for kids, but if we go into dark themes - and the show went into pretty dark stuff, mind you - then at least it should be addressed properly. Slick accused Jedi of keeping clones slaves yet it doesn’t matter. What a bad clone! Totally forgotten for the rest of the season. Bo-Katan’s past crimes don't matter since you can just erase Pre Vizsla from her narrative. Does the story need emotional impact? Create female characters (Satine, Steela, Tryla, Teckla Minnau) to kill off, so someone else (Obi-Wan, Ahsoka & Padme) could use it for either development or making political statements and either turn dead ones into some saints or forget them all. Or just kill off clones, there is so many of them anyway, who cares how competent soldiers they were or if you make them act idiotic. Jedi lead an army made of people with no legal right, but the clones *love so much them they have nightmares about order66* so everything is right. All makes sense, right?

This doesn’t just influence how fans see Anakin (turned into a typical action male lead) or how Ahsoka is literally everywhere now. The show, as I’m seeing it, did a great disservice to Jedi. And Barriss… Barriss is just the tip of the iceberg. The authors literally twisted every established clone wars storyline around a new character - Ahsoka Tano - so there was no real reason to use Barriss since they could simply introduce us to original Ahsoka’s friend. She already interacted with so many original Jedi characters but instead the team took one of the most known Legends!Jedi Healers and turned into terrorist? Killing innocent people to prove Jedi lost their ways? It really feels disrespectful, both to fans and Jedi.  

And you know what TCW did not show us? Jedi Force-healing their troopers. Something that Barriss did on various points in Legends sources. She literally worked in various Republic Mobile Surgical Units (Rimsoo) as was seen in Republic comics series & Medstar duology or helping at triage unit(s) and as Jedi healers would not abbadon the wounded during enemy attack. Like when fire spread around them and cut away from safe way to evacuate, her first worry was about the injured people (Republic #65)

I’m really supposed to believe a person with such a mindset and compassion would decide to kill innocent people to make a point about war? Really? REALLY? Even more since there was no focus on why a Jedi like her could break and do something like that in the first place? This wasn’t a development or fleshing out for character, it was just shifting the blame on someone so Ahsoka could get out of Order before RotS/Purge. Which is unfair to Barriss. 

Oh, and by the way, remember how Luminara was talking to Anakin to let it go and accept that his padawan may have died or something along the lines? The mentioned Republic #65 has Mace Windu personally searching for survivors and not leaving enemy lines without checking first if someone survives even when he was told that enemy may attack at any moment:

 This is a proper Jedi. There is a difference between accepting that you did not manage to save someone and not bothering to at least try to save. Which is just another reason why TCW Jedi strikes me more as arrogant, manipulative and uncaring than the flawed people presented in Legends. 

Good Force, it is really bad if I'm going out of my way to rant about respecting Jedi characters...

[fortes-fortuna-iogurtum]

...why is the one episode when they're in the most Real Direct Actual conflict the one where they're actually the kindest and most gentle with each other. why can't they be like this when William isn't courting someone else???

[bylertruther-moved]

i know i always say i’m not gonna be a bitch and then i am a bitch but like ... if you seriously think eleven would hate will for loving mike...... or that any of the party members would be homophobic..... i don’t think you actually know any of these characters at all tbh. i KNOW you don’t.

[falled-over]

breaking bad is surprisingly a great show for me to babble about the costume choices and colour pallets of the characters while watching 

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

[shiplessoceans]

I am seeing some garbage takes out there so quick reminder:

Izzy himself doesn't hold a grudge for what happened to his leg because he fuelled the fire that took it.

Izzy knows he suffered the consequences of feeding the darkness and doubt and misery he saw in Ed.

If Stede's leaving led Ed to a cliff, Izzy was the friend who should have helped him and instead he shoved him over the edge and broke him. The man Ed has known longer than anyone in his life, his 'only family', severed the last hope Ed had that he was worth anything without 'Blackbeard'.

Izzy trained a shark to viciously kill... Blackbeard says you taught him everything he knows... tormented him in his weakest moment...This is Blackbeard, Not some namby pamby in a silk gown pining for his boyfriend...and then dangled his legs in the water. Naturally, the shark took his leg.

As Izzy says: 'Served me right, too'.

Which is why people being so furious on his behalf and acting like Ed is an abusive monster is to invalidate Izzy having any agency at all.

Do you also blame Ed for the murder of his father and think he's a bloodthirsty monster?

Or can you recognise that the cycle of abuse and violence corrupted and traumatized him and that his father shares a portion of the blame for his own death?

Perhaps it's more cut and dried in that scenario because people haven't imprinted on Ed's father?

Izzy is not blameless in the loss of his leg and he would be the first to tell you that. He is a complex human who has made mistakes and his whole arc this season was about him reconciling, owning his mistakes and being his true authentic self anyway. And he did it. Fuck yeah.

"BUT ED NEVER APOLOGISED".

Izzy wouldn't have accepted it if he had.

Ed said 'Sorry about your leg', knowing Izzy wouldn't accept a larger apology. His response was to 'fuck off' as it is. Izzy Hands will never accept a full apology or genuine word of kindness and he shut down Ed's attempts because he didn't want or need it.

Izzy's last act on the planet was to let Ed know he's sorry for breaking him. For feeding him to the darkness so he could have 'Blackbeard' to give him his purpose in life when really, Ed had needed a friend. He apologized to remind Ed that he is loveable just as he is. He wants to undo the damage he did.

To love a character is to respect his right to be a fuck-up and own his mistakes. And to let him learn to accept himself despite those mistakes.

This season made me love Izzy. And I am sad he's dead. And I love that he got to redeem himself, find family and a sense of belonging and help Ed heal when he couldn't always help himself to.

You can feel how you want to feel about the ending.

But to sit back and blast creatives for 'Doing it wrong' because you can't process your emotions without projecting it onto others?

Izzy would be disappointed in you, the same way he was disappointed in Stede for picking a fight with Zheng instead of handling his emotions about losing Ed.

"Oh Bonnet, no..."

[clairegregoryau]

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

[buckleyreid]

The thing with buddie fans and the bisexual arc...

Sometimes I look at certain posts and I wonder what show people are watching.

I've always been a hyper realistic person, maybe that's my own flaw, but I genuinely don't understand how someone could watch Buck coming out to Eddie, and their main takeaways being that 1) Buck is disappointed when Eddie says nothing will change between them and 2) Eddie is upset that Buck went on a date with Tommy.

That scene is about so much more than Buddie as a romantic ship, and I guess people who haven't been in Buck's shoes won't understand how nerve-wracking it is to share a part of yourself you're still not 100% confident in with one of the people that matters most to you. It's so incredibly important to see two men who love each other so deeply be there for one another platonically. Seeing people twist and take things out of context just so they fit their own narrative, while ignoring the meaning of such an important storyline is a little disheartening to say the least. If down the line we see Eddie internally conflicted about seeing Buck and Tommy together, and if that leads him down his own journey that's great (I'm a buddie shipper too), but I think it's important to not lose sight of what the show is telling us in the present time.

Buck starts out episode 7x05 nervous, anxious even, about being on a date with a man. He's looking around, he doesn't want anyone to see him and Tommy together like that. Cut to the end of the episode, and he's setting up a date himself, he's smiling and putting his hand on top of Tommy's and he's grown sure enough of himself to ask him to be his date to his sister's wedding (where his parents will be, where his whole team will see them together). That's important, that's the character development we've been looking forward to and unfortunately I feel like I've seen more people focused on making cheating theories and taking Buck and Eddie's interactions out of context instead of celebrating that Evan Buckley, for the first time in a couple of seasons, actually has a decent (monumentally so) storyline. You don't have to ship Buck and Tommy together, but please don't disregard Buck's feelings for Tommy just because you wish Eddie was in his place instead.

TLDR: Buck's arc is his own, it doesn't and shouldn't revolve around anyone but himself, it doesn't revolve around Eddie or Buddie and it doesn't revolve around Tommy either. Bisexuality in media matters, it deserves time and it deserves to be treated with respect.

[quasi-normalcy]

Which Star Trek series should you start with?

The Original Series: Advantages: + The one that started it all + Has some sophisticated and socially conscious science fiction that has held up exceptionally well + The lead characters all have really good chemistry and fun to see play off of one another + It's what most people probably think of when you say Star Trek (together with TNG) Disadvantages: - It can feel very dated and kind of sexist, particularly in its treatment of women - The sci-fi and social commentary may have held up, but damn it, the special effects really haven't - When TOS is bad, it's really, really bad.

The Animated Series: Advantages: + Basically just more TOS. Disadvantages: - Basically just more TOS, but substituting extremely cheap animation for bad special effects

The Next Generation: Advantages: + Probably the most popular one at this point + The crew is full of interesting characters and they're fun to spend time with + Just really smart people solving Space Mysteries + Socialist space utopia + Geordi-And-Data! + Lots of cool sci-fi concepts and social commentary + It's what most people probably think of when you say Star Trek (together with TOS) Disadvantages: - Although not in the same way as TOS, it can feel dated at times, particularly in terms of its treatment of women and it's near complete refusal to acknowledge queerness - Without wanting to bias viewer opinion, the first season is widely considered to be pretty bad - The series makes no bones about the fact that the socialist space utopia is better than every other society that has ever existed and will reiterate this point over and over again

Deep Space Nine: Advantages: + The most popular Trek series on Tumblr + Has a complete story arc, as well as arcs for all of its characters, including the extremely minor ones + Plain, simple, Garak. The humble tailor. + Garashir, if you're into that + Seriously has a really sophisticated treatment of things like post-colonial politics, anthropology, worldbuilding, and the horrors of warfare + Just the characters in general + Is the only Star Trek prior to the 2010s to even look meaningfully at queer representation Disadvantages: - Has an absolutely massive inferiority complex with respect to TNG and this drives a few poor writing decisions that seemingly exist just to poke the Socialist Space Utopia in its eye - Introduces a space religion and then just slowly turns it into Christianity with the numbers filed off - Seems to think that sexual harassment is just a quirky eccentricity - There's no women in its writers' room, and frankly it shows

Voyager: Advantages: + Probably the clearest instance of found family in space + Lots of really good episodes + Lots of fun new characters + Strong female role models + "Set a course...for home." Disadvantages: - Continuity? I never knew her! - Probably about 90% of Trek's reputation for technobabble comes from this one series - Even less queerness than TNG. - Only like...3 characters actually get arcs. - The first few seasons lean very hard into bullshit fake "Native American" spiritualism with one of the characters - How do these guys have warp drive but can't find any water?

Enterprise: Advantages: + Chronologically the first series + 90% less technobabble + The only series to plausibly frame our heroes as astronauts...on some kind of...star trek. + Still has probably the best production values of any series + Makes alien cultures of the week feel somehow richer and deeper than other series + Faith of the Heart is good, fuck you. Disadvantages: - Oh my god, the decon scenes - Seriously, if you've ever wondered what a "sexy" series written by a 14 year old boy who's only ever seen a bit of scrambled softcore porn on late-night cable would be like, this is the show for you - Somehow feels more sexist and racist than the show from the '60s - Seriously, the POC characters mostly exist to fill seats on the bridge; the women constantly have to undress themselves - Hellooooo, Bush II-era political analogies - Scott Bakula is a good actor but you wouldn't know it from this series - In season 3, they add a tambourine beat to Faith of the Heart and ruin it

Discovery: Advantages: + Noticed the lack of queer characters in the first 50 years of Star Trek canon and decided to make up for lost time + Seriously, the "Bury Your Gays" tally for this series is like...negative two + Just incredible representation in general + Some really good science fiction plots, particularly in later series + Some really fun, memorable characters + It's still running, so it has an active fandom on Tumblr Disadvantages: - Makes Elon Musk out to be one of the great visionary geniuses of history - Not really representative of Star Trek as a whole - The series swerves wildly in tone because of constant, behind-the-scenes churn in the writers' room - Offputtingly grimdark first season - Let's be honest, none of the season-long arcs have actually had satisfying conclusions - Half the cast feels like it's just there for exposition and to be killed for cheap drama

Picard: Advantages: + Has the best dramatic acting of any Star Trek series by a fair margin + Has the best musical score of any Star Trek series + Introduces a whole crew of fascinating new characters + Introduces all kinds of fascinating transhumanist concepts + AGNES. JURATI. Disadvantages: - You know all of those fascinating new characters that I mentioned? Yeah, it unceremoniously gets rid of all of them to bring back the old TNG gang. - You know that all of those fascinating transhumanist concepts that I mentioned? Yeah, it gets rid of those too so that to give us some generic action - Oh my god, someone teach the set designers to operate a fucking light switch - Grimdark - Nossssstalgia - Each season is basically unrelated to every other season - Depends so heavily on TNG that its final season is basically unwatchable if you haven't already seen a 30-year-old TV series

Lower Decks: Advantages: + It has probably the most efficient storytelling that I've ever seen; seriously, it's incredible how much it can fit into a half hour episode + It has a bunch of delightful, archetypical characters you get to know and love + You like hanging out with these people + The ship is kind of crap and you will learn to love it that way. + Basically a sitcom version of TNG. + Has a big fandom on Tumblr Disadvantages: - The art style is pretty Rick & Morty-ish - It takes most of its first season to really strike a good balance between being a sitcom and being a Star Trek series - The main character, Mariner, is kind of unlikable for the first season or so (she gets better) - Lots of callbacks to other series (though always either incidental or clearly explained) - Given that it's the first Star Trek sitcom, the comedy is honestly kinda the weakest part? Subjective I know.

Prodigy: Advantages: + Absolutely gorgeous to look at; the most visually stunning Star Trek by quite a ways + Lots of fun new characters on a cool ship + Gives you clear on-boarding notes to the Star Trek franchise if you're watching it for the first time + Can be watched on its own, but also works as a direct sequel to Voyager and a prequel to Picard (making both of them retoractively better, in fact) + Kind of like the Clone Wars or Rebels of the Star Trek universe, I guess? + Found family in space! The next generation! + Soon to be running on Netflix, so if you already have a Netflix subscription, you don't need to pay for another service + Written for a younger audience. Not necessarily an advantage, but nice if you happen to like family friendly animation or YA. Disadvantages: - *sigh* You basically need to pirate it. Thanks, Paramount. - Has a second season that we may or may not ever actually get to see even through piracy. Thanks, Paramount. - Isn't airing on the same streaming service as all of the other ones. Thanks, Paramount

Strange New Worlds: Advantages: + Basically what the original series would be if it were released today, rather than 57 years ago; all of the cool, socially consciousness sci-fi adventure, none of the weird 60s sexism + Fun, awesome characters you get to like spending time with right away + Incredible visuals + Nifty sci-fi concepts, mostly without the 90s-style technobabble Disadvantages: - A huge cast with only ten episodes a season, so many of them feel underdeveloped - Unfortunately, a bunch of its characters are younger versions of the characters from The Original Series, and they hog most of the spotlight; and the characters whose futures aren't locked in stone are kind of treated as disposable - In general, it needs to spend less time being a prequel, and more time being its own thing - "What if Starfleet ran into the Xenomorphs from Alien?" "Well, they'd probably kill them." "Okay, let's spend several episodes on this."

[doorhine]

One of many things I like about Blue Eye Samurai is how it portrays its disabled characters. There's a lot to talk about with each of them but for this post, I want to talk about, not the step dad, but the dad who stepped up, Sword Father!

*Spoilers below

Him and Mizu's relationship is one of my favorite dynamics in the show and seeing how that developed over the years was one of my favorite things about the pilot. It felt very symbiotic and good for the both of them emotionally to have that company and support, especially on Mizu's end.

I really liked seeing how the two worked together and how Mizu accommodated to his needs. I also liked the respect given to Sword Father's ability to take care of himself as an adult even without Mizu's assistance. He's been blacksmithing for years and he's respected in his line of work. Losing his sight did not and does not change that.

I personally think the show does a good job at balancing the reality of him being blind and the accommodations he needs while also respecting him as an autonomous individual and talking about his blindness in a way that feels natural and respectful when it's relevant.

But my favorite thing about this dynamic and Sword Father as an individual is probably the use of audio design in the show in relationship to them. As we see the two of them become a family, and develop this language with each other/way of interacting, sound becomes a key element and that carries over into the entire show.

Being blind, Sword Father relies a lot on his hearing. But we as the audience don't just see this aspect of his character. We're actually made to hear from his perspective and apply that sense to how we perceive the entire season even when he's not present.

The most obvious example is the sound of metal which is used to indicate things like:

Mizu revealing to Sword Father that she forged her sword from the meteorite they found before the camera pans up to the space it used to occupy

The symbolism around Mizu and mixed metal in general

Sword Father realizing that Mizu's at his front door when Ringo brings her and Taigen there which revealed to us, the audience, where Ringo brought them before we see Sword Father come on screen (I loved that moment so much)

and emphasizing the moment of shock the characters in the show had when they heard the sound of gunshots for the first time in the finale in contrast to the clang of swords that we as the audience have gotten so used to hearing.

But the reliance on hearing doesn't just apply to that. In the second episode Mizu encounters Chiaki, a man from her past who she defeats in the present. And you know the biggest tip off the show gives us to recognize him before he reveals himself? His laugh. A noise we would've recalled from the flashbacks he was featured in.

LIKE I JUST THINK THAT'S SO FRIGGIN COOL XD

There's a lot more that can be said about Sword Father and how the show portrays him and his blindness. I personally can't speak on this as a blind person so I'd love to hear what people who are think about it. These are just my 2 cents that I felt like sharing.

[exhuastedpigeon]

Season 7 should just fully ignore Eddie and Buck's respective love lives for the first 8-9 episodes. Let the show should focus on the other main characters and give them major story lines since 6b was very Buck centered (rightfully so the man died).

I want- no I need - to see Hen and Karen learning to balance being mothers to a newborn baby and a pre-teen and working. Let us see them figuring that out and supporting each other.

I also want to see Bobby and Athena back from their honeymoon and glowing and realizing that there's so much more to life than their jobs. It would be very fun to see them start talking about retirement with other people and seeing how the other characters react.

We need a Ravi story line too! Ravi begins??? We could use a Ravi begins. Let us see Ravi's backstory and his childhood in and out of hospitals. Let us see his family react to him becoming a firefighter.

Maddie and Chim are obviously planning their wedding, but I also want to see Maddie at the call center stepping up and maybe training to be the next Sue? Or even better, maybe Maddie thinks about getting back into nursing.

And Chim's story should be about how he's finally got the family and home he's always dreamed about and he doesn't know what comes next. Give us Hen and Chim bonding about feeling like you're waiting for the other shoe to drop when things are going too well in their personal lives.

Eddie should have a story line outside of his love life and outside of being a dad. He's been so defined by fatherhood, firefighting, and being a widower, he needs something in his life that's just for him. Maybe Eddie has a bit of a mini breakdown about Chris growing up and we see him spending time with each of the other characters trying to figure out who Eddie is. We hear a bit about him and Buck without Chris trying different hobbies together while Chris is at sleepovers and being a 12/13 year old.

Our main lens to Buck's personal life should be through him helping Maddie and Chim plan the wedding (clipboard Buck please and thank you!), through seeing him with the Diaz boys doing domestic stuff like making dinner and game nights, and hanging out with Eddie. We never SEE Buck and Eddie hanging out alone, but we hear them talking about it.

THEN in episode 9 or 10 we should see everyone getting their invites to Maddie and Chim's wedding and both Buck and Eddie RSVP 'plus one' except we haven't seen them with a girlfriend all season?? What the fuck is up with that??

Only for them to show up to the wedding together. And the audience thinks it's because Buck is Maddie's Man of Honour and Eddie is one of Chim's groomsmen. But then we get a shot of Eddie helping Buck with his tie or something and then after he pulls him into a kiss. And it's clearly not a first kiss, it's a gently peck like they've been doing it for months.

AND THEN after the wedding we get an episode that's the missing Buck and Eddie scenes from the season. We always heard about them but it wasn't ever shown. And it turns out all those little adventures were dates and they've been dating for months without telling anyone.

[cipheramnesia]

This is the process my brain goes through every time I see anything about Netflix Avatar The Last Airbender.

My first reaction is always: Why? The original, although not without flaws, doesn't leave a lot of room to improve. A good remake or adaptation usually involves an updated context or change in perspective that adds to the original work and gives it new meaning. It's a risky undertaking because it usually involves wanting to take on something established as iconic and make it your own. But Netflix is a corporation and seems very risk averse for the most part. Its only investment is in the name recognition of AtLA. It's hard to visualize Netflix deliberately taking a big risk on an expensive show.

My second reaction is: How? The original series is about 1400 minutes over 61 episodes, and it still had to rush the ending. We're looking at 8 episodes of roughly 45-60 minutes per episode for season 1, which would require Netflix to let it run more than 3 seasons, if the series has similar pacing. Historically however Netflix shows have glacial pacing, and rarely make three seasons. Not really sure how they plan to tell the story if the series is anything like the average Netflix series, meaning it either needs to undercut the story or let the series breathe for at least five seasons. But nothing Netflix has done makes me want to watch anything they make as an ongoing series? Why bother, they cancel everything I enjoy. So I wonder how. What's the hook to say "this will be able to provide something new and interesting compared to the original, and will be allowed to tell the complete story."

Which leads me to think, but you can't judge if something is good without seeing it. Except none of this is about whether it's good, I just find myself wondering what are the odds it's worth the effort? They're low, and it has nothing to do with whether or not it's even any good on its own merits.

Following this, I ask myself, what would a good version of this be. Imagine you are making a live action series with eight hour long episodes per season based on a children's cartoon with 20 thirty minute episodes per season. You are trying to encompass a story which was presented over three seasons as a cartoon, and you do not know if you will have more than those eight episodes. It's made for Netflix which, in terms of a company which will protect the hard earned fruits of your artistic labor, is the fox guarding the henhouse. What do you do?

If you are looking to make something good, that respects your audience investment and your own work, you make radical changes to the story. You change the pacing, the character arcs, the plot arcs. You make sure you deliver a complete story in those episodes with as much respect for the original work and as many new ideas as you can.

Except, at that point, what is even the point of a remake. The only way to work with it is either to trust Netflix allowing you to finish the story (which you'd need to be incredibly naive to do), or tell a story so different it may as well be wholly original. And that's where I always end up. Like, it'll probably be fine, but what's the point of it all? Another vanishing digital property to get canceled because of some undefinable failure to return on investment.

I think about it a lot because the two ends of the spectrum seem to be "dunk on every new piece of information" or "wait and see" but the only conclusion I can ever reach is "why even care?" That's been the lesson to take home from digital streaming in general when it comes to series, but Netflix in particular, and honestly for movie series too. If it can't be self contained, the companies who produce and release these kinds of series just cannot be trusted with it, and there are too many good original stories being put out to care anymore about big budget promises that one day they will definitely for sure deliver a finished story, this time for real.

I care enough to think about why I don't feel anything at all about Netflix Avatar. It'll be fine, whatever else. Just fine.

[earlgodwin]

The tragic disconnection between Lucrezia Borgia and Juan Borgia::

What I find sad and compelling about Juan and Lucrezia's relationship is that every time he genuinely makes a gesture to make her happy, it inevitably ends up being misguided, resulting in her getting hurt in some way. Like the debauched play he had prepared for her as a surprise at her wedding to make her smile, not realizing that it would anger her husband and cause him to hate her and her family even more. The Paolo situation is where their dynamic changed forever. Juan, as someone who was assigned as the protector of the family by his father and is already feeling inadequate and incompetent in his position, already saw Paolo as a threat. A guy who could expose his sister, calling himself the father of her child, making demands to see her? Had Juan known what Sforza did to her, the hell she was living, and how she found solace in Paolo, most probably, he would've let Paolo live. He legitimately believed getting rid of him (and he was motivated by jealousy as he has incestuous feelings for Lucrezia)—was the right thing to do—and expected applause for his misguided notions of protecting his family's honor. He didn't realize how much he hurt Lucrezia and tried to make her understand that he did it to protect her honor and didn't mean to hurt her. When he realized that she tried to avenge Paolo and kill him, he made a speech about how their family triumphed because they weren't dysfunctional when they came to Rome, that they should always stick together, and that he's motivated by wanting safety for all of them. After he came back from Spain a changed man, he gifted his sister something that positively represented her—a stunning rare panther in a gilded cage—a genuine gesture to reconcile with her and earn her respect. However, it bites her, and they're unable to make peace. And after Cesare betrayed him at Forli, he spiraled once again, and he realized that no matter what he did, he would never earn his siblings' respect, specifically Lucrezia's. This realization hurt him and made him act on his impulsive as by lashing out at her and dangling her baby from the balcony, which also gave Cesare the motivation to do what he always wanted and justify his jealousy by murdering him.

"I had an amazing personal journey to go on with that character and hopefully I presented it with a sense and reality and hopefully you will feel a bit sorry for the guy. I don’t think he’s useless. Everyone says he’s a useless coward. He’s just placed in some shit situations. He’s not afraid of dying in that sense, he’s afraid of not being liked or loved and being left by his family. Whether they know it or not, they have been ganging up on him from the very beginning of the first season. What’s the problem with him? I think he’s lovely. I think he’s really kind and compassionate and cuddly." — DAVID OAKES

[steveharrington]

major hornets nest moment here but i must speak my truth. its so fascinating to me how will byers was clearly written with the driving motivation and intention of making him a beloved fan favorite character and instead he falls so flat that, if you asked the average casual viewer of the show who doesn't engage in the fandom like, say, your coworker, the odds of him even being in their top five of favorite characters is pretty low.

will's disappearance kicks off the plot, singlehandedly. the first episode is literally called the vanishing of will byers. his name is shouted so much in the first season that most people would recognize the reference if you used the right cadence and desperation that winona ryder does. after not being featured much in season one, you'd think season two would've just like launched will/noah schnapp into stardom with how much more screentime he's given and how dramatic his plot is that season. but instead the fan favorites of season 2 were by and large el, hopper, dustin, steve, max, even bob who's barely there. that's not to say that there AREN'T will fans out there (and online i understand there are like entire armies dedicated to him/byler, but i'm talking about the average opinion of viewers as a whole, not just in fandom spaces) but think about all the stranger things merch you see in stores, the halloween costumes, the characters that appear in promotional materials when the show has partnerships with brands....will is so rarely featured. idk if any of yall ever got the chance to visit the stranger things pop up shop in any of its various locations, but there was such little mention of will in the stores theming or merchandise that it was almost funny. actually it WAS funny, to me, someone who does not care for him

i think the flop can be attributed to many things. one, noah schnapp is just not a very good actor and he doesn't have the same appeal in his performances that millie, sadie, caleb, gaten, priah, or finn do (although finn i've noticed is also kinda falling out of favor from majority audiences). one could argue that noah schnapp intentionally isn't given much to do, which is true and i'll circle back to that, but the decline in his acting between seasons 2 and 3 is truly a sight to behold. when he's not like tied up and screaming, he reallllllly struggles on the smaller scale performances compared to the other cast members his age. he doesn't really have the charm that gaten does or the humor that priah does or the depth that caleb does. (i don’t feel bad about saying this, btw, given noah schnapp’s behavior)

back to the vanishing of will byer's screen time. my beloved prettymuchit's eric striffler commented on how diminished will and mike's roles in the story have become in s4. "noah schnapp is below the grips on the call sheet" is my fav line, but he also makes an observation on finn's role that i think is soooo accurate. when mike and will are kneeling down next to the pizza dough freezer and watching el just kinda twitch while she fights vecna in her mind, eric and his co-host miles say "this is so embarrassing! finn's like, 'oh so gaten's fighting the monster? and i'm kneeling next to a tub at a pizza place? i used to be this show" and i think the same exact sentiment can be superimposed onto will

but i think this happened naturally, as the nature of the show is to shift its focus from character to character. not to mention the duffer brothers' obsession with tweaking their story to give audiences what they want. i've always held the belief that there isn't one main character of stranger things, rather a rotating circle of characters depending on the season you're watching. season one is mike, season two is hopper, season three is el, season four is max imo. again that's a little subjective and arguments could be made to swap those a little, but overall i think those characters stories and point of views take center stage during each of their respective seasons. by season 3, the duffers wanted to kick things up to a larger scale. the UD is no longer targeting just will, it's targeting the entire town. this works because a THIRD season in a row where this one kid specifically gets possessed would just be bonkers, so they kinda had to let him take a backseat. i'm not sure why they didn't let will be more involved in the mystery-solving portion of season 3....to this day that decision baffles me, but what's done is done and the will that everyone watched in season 3 literally just kinda follows everyone around and gets a small little slice of a plotline about wanting things to go back to normal, but alas

it like totally worked, though. though there are MANY complaints commonly made about season 3, i've never heard anyone offline complain that there wasn't enough will byers. i think the group in s3 that had the most success like, commercially, would be scoops troop and then a bit farther back i think most audiences enjoyed hopper/joyce/murray's dynamic. i think if there had been a huge outcry in the minimizing of will's role, the duffers would've backpedaled immediately. they aim to please. they can't even commit to killing of a main character out of fear that audiences will lose interest if we permanently lose hopper or max, so they just do some creative writing that allows them to milk the emotional consequence of those characters deaths without actually writing them off. if audiences on a large scale demanded that will be center stage, he would be. but they dont!

final point: i think will gets fucked over by the duffers obsession with romance. in season one, two of will's strongest dynamics are with his mom and brother. which like, yeah. theyre his immediately family and he is 12. but in seasons 2 and 3, jonathan spent all his screen time with nancy and from 2-4, joyce has spent all her screen time either with hopper or in the pursuit of finding hopper. these characters are written together as a package deal, typically. it was refreshing and unexpected to see jonathan get a whole season with a friend of his very own and his siblings, but they barely took advantage of that. jonathan and will get ummmm one (1) scene to talk about their emotions in a fucking 20 hour season. it's hard for will to be a main character when he rarely gets to interact with the people that make up the other half of his main dynamics.

as for byler, im of the belief that it will not be endgame because i just don't think they're going to break up mike and el at this point. i could be completely wrong and stand corrected, but im like 90% sure lol. i do think that will's s4 storyline resonated with a lot of people. even eric striffler! i think the issue is that the vastttt majority of people who watch this show above the age of like 15 do not feel invested about the romantic relationships between any of the kids. because why would they!!! theyre literally in middle school for 3/4 of the show. you would be hard pressed to find a vocal will stan online who doesn't also dedicate 90% of their engagement with the show to byler. which makes sense, because most if not all of will's scenes revolve around mike to some degree. but according to neilsen, the majority of stranger things audience is consistently in the 18-49 age range season by season. its more likely for adult audiences to identify with adults (or characters who are narratively treated like adults, like steve and nancy) than with any of the kids. esp when the kid in question, despite being written as the focal point of the show, has less relevant plotlines, less interaction with other characters, and an actor who just doesn't deliver on charm the way his fellow younger costars do

[stagefoureddiediaz]

Costume Meta 7x01

Aaaaaaannnnd we're back!!

OMG I cannot tell you how good it feels to be back writing costume meta - I have missed it so very much and this first episode has given me lots and lots to talk about so lets crack on with it shall we!

Where to start?! Firstly - Its amazing to have Alayna Bell-Price back in the driving seat and she is a genius because she knows the characters better than anyone and I have to say from my perspective there is a pretty clear difference between this episodes costumes and the ones from season 6 - not that s6's costumes were bad, just that you could see the shift of having a designer who didn't know the characters to the same level. I’m going to go in order of character appearance in a non uniform capacity for this one I think so we’re going to jump around from character to character a bit. There is no Maddie or Hen this week, as we don't see them out of uniform, but every one else is accounted for and I've included Norman and Lola as they've got a multi episode arc and their costumes are interesting and playing into a colour theme!

putting it below the cut as its a long post and I on't want to overtake everyones dashes! Enjoy!

We start off with Athena in this pale pink high neck ribbed sweater with large bell sleeves. I've spoken a fair amount about pale pink over the last couple of seasons of costume metas and how, in clothes its representative of childish and immature behaviours or thoughts. That holds true here - the pale pink is playing into Athena's childhood - when she developed her fear of cruise ships - its creating a connection between her childhood experiences and the woman sitting in Franks office.

We get a flashback that shows her in yellow and orange - the yellow for communication and the orange for transformation. A literal moment where we see Athena transform from the innocence of youth to her developing anxiety and fear around cruise ships. Its really clever visual storytelling connecting adult with child and shows us her fear is genuine and founded in something that she may not have been able to articualte fully as a child, but she can as an adult, even if she doesn't actually articulate it to Bobby.

Our next non uniform costume is Chimney. The lighting is really low in this scene, so it's kind of hard to be 100% sure of the colouring, but he seems to be wearing either a dark navy or black button up shirt under a dark green and black bomber jacket. The use of really dark green in combination with black, Back is a colour that can be about hiding ones vulnerabilities - concealment and masking, but it is also a colour associated with magic (generally dark magic) as well as pessimism. The green is growth and renewal, and the hope for a better future. to use them in combination i this way is playing on Chimneys insecurites and fears, his desire to keep the 'magic' alive in his relationship with Maddie, but it also speaks to his growth, that he goes home and talks to her about it (even if he does come up with an insane plan to 'date forever').

Eddie in the locker room - aside from being shirtless for much of it and pulling some epically good faces - was a super interesting costume choice. Especially the use of his watch! first though - Denim shirt time! We don't actually see Eddie in a denim shirt all that often and we've seen him in the super washed out one far more than dark denim shirts. I've been laughing a little bit at a few people (on twitter mostly) claiming its the same shirt he was wearing at the hospital during and after Bucks coma and it being a play on bringing Buck back to life. While I like the theory, its actually a very different shirt - the one in the hospital was black with a grey wash out and was made of velveteen - so different colour and fabric.

This shirt, is however one we have actually seen Eddie wear before and its far more telling than if it were the hospital shirt. You need to bear in mind that this scene is about Buck and Eddies respective girlfriends (or lack there of) and the fact that Christopher has a girlfriend now as well. This shirt is the same shirt Edie was wearing when he (re)introduced Ana to Chris in 4x08 (breaking point my beloved! the gift that keeps on giving!) and this puts a conversation about Marisol and things going well with her into the same category as Ana - suggesting she is ultimately destined for the same fate as Ana. the other thing that plays into this narrative is the use of the watch.

Eddie does not put the Christopher watch on until after he has found out that Buck has broken up with Natalia - so during the entire conversation about their respective girlfriends, he is only holding the Christopher watch, rather than wearing it.

In the picture below from 4x08 you can see that Eddie is wearing his black 'work' watch rather than the brown strapped 'Christopher' watch. Remember that the first time we see the Christopher watch is when he goes for his first date with Ana in Jinx, so he already has this watch and in theory should be wearing it in this scene. The fact he isn't is pretty telling and I'll go into that a bit more later when we get to Chris's (and Eddies) date scene.

Then we have Buck in his outfit of many colours! The white trainers, continue to play into my theory of Buck wearing them when he is in key points on his journey to discover his self - her it is about showing his growth - that he ended the relationship with Natalia - this is a massive thing when we saw how long it took for him to end things with Taylor - The man who clings is growing and getting out before it drags him down!

The jacket is similar in style to many of the ones we've seen him wearing in season 5 and 6, but this one is much brighter and more colourful. I know I go on about white meaning bad things for Buck, but that isn't relevant here - the white bad things happen to Buck theory is much more about t-shirts, jumpers and shirts rather than jackets - its an under-layer rather than a top layer that = danger. So i'm not thinking of its relevance here for this scene. What I am going to say is that this (according to my spreadsheet!) is the first time we've seen Buck in a white jacket of any description. To me, it's playing into the idea of purity and rebirth which is what white is often associated with. This plays into the comment Eddie makes welcoming Buck back to 'the land of the living' but also implies that Buck is starting a new chapter and making a fresh start - the check patterning suggests it might not all be plain sailing though.

The check pattern is an interesting one, obviously check pattern theory comes into play here, but whether its only in relation to the reveal that he split with Natalia, or if its also foreshadowing Buck getting himself into danger/trouble down the line, remains to be seen.

I'm going to quote myself again because I did predict that this scene may be about his relationship with Natalia when we got the stills dropped - the costume department never let us down!

The only thing I can do is scream into the void about check theory because check does't bode well for people - they always end up in the middle of the drama (see my check theory posts linked on my pinned post for more) and while they come out the other side (99% of the time) Buck in check for that scene in 6x18 pretty much doomed his relationship with Natalia (its specific to her and not C&K's baby as Buck wasn't wearing it when he delivered it!) and as that shirt in the still is very un Buck like, has not only yellow ochre in it, but also its a white base (and we all know buck in white is a bad sign!!) and its check patterned - my theory is that this scene is connected to Natalia in some way - either Buck is not being true to him self in more than one way - that things are going to/have come to a head for their relationship (my kingdom for a reverse of Buck to Eddie about Ana in 5x03!!!) and lead to a pretty big change in some way (fingers crossed for Buck to end it and then finally break down and deal with his trauma!!!) Some other things about that shirt - the colour combination - the green blue and yellow ochre are giving me call backs to coma Buck (another reason I think it might be connected to Bucks unresolved trauma around his death and Eddies absense in his dream)

In the quote above, I was also referring to the blue and white check pattern shirt he was wearing when he and Natalia got together, but there was also the fact that in the balcony scene at the end of 6x18, we also saw her in one of Bucks white shirts. I wrote in my 6x18 meta about how those two things combined didn't bode well for that relationship going forward, and thats what leaves me unsure about the check pattern on this white jacket being purely about something that has already happened. If I put my Buddie goggles on, I would perhaps suggest that the troubled times ahead may be more connected to Buck and Eddies relationship, and this would fit in with a couple of the things Oliver and Ryan have said. The thing with check theory though, is that generally speaking if it's on one of the mains, they come out the other side of the dram/trauma stronger than before. So if it is connected to Buck and Eddies relationship, then we can expect it to be in an even stronger position on the other side of whatever goes down (and at this point you can't strengthen their relationship any further and keep them as just friends imo!)

Chimneys forever dating proposal to Maddie, connects with his outfit when he's talking to Hen - it's the same jeans and black shirt, so the meanings of black, can be continued on into this scene - the idea of magic and hiding his vulnerabilities. The addition of the jacket with this brickwork pattern in its weave is a fun choice, it's playing into the idea of building something, but also plays into the idea that Chimney has his walls up - again fitting in with the black meaning of hiding his vulnerabilities - because instead of expressing his fears to Maddie ad then them talking it thorough, he comes up with his insane forever dating concept. the fact that much of this scene is a contrasting parallel with the scene from season 1 when he is pretending to be someone else entirely for Tatiana all ties in perfectly with this costume. The fact that he reverts to wearing blue (ran out of picture spaces so I couldn't include one) later on - when he's realised his plan isn't realistic, talks to Maddie and they end up back on the same page is really good to see - the blue being a signature Chimney colour and is indicative of him being true to himself.

Bobbys blue suit and blue check patterned shirt. The brightness of the blue is a really important choice - it's the only time we see him this brightly coloured on the cruise until he ends up in the bright red at the end. This is important because this is the moment when he's still all excited and hopeful for his honeymoon cruise - everything is good in Bobby's world at this moment in time - the check pattern is telling us that it's not going to stay that way for long. From her on out we see the colours of Bobby's costumes slowly beginning to dull and take on a washed out tone, but here in this moment all is good.

Athena's bright yellow dress is all about making her stand out - communicating with the audience, she is the brightest person in the room (in more ways than one!!). The thing with yellow, apart from the communication aspect, is that it can also be a symbol of anxiety and fear, so this dress plays rather nicely into the theme of Athenas fear of being on that ship.

The colour does have other good traits too - its fresh and bright and is a colour of happiness in its more jewel like tones and I think we can see all of these meanings in these scenes - Athena might be anxious about being on the ship, but she is also happy and enjoying herself with Bobby in that moment.

Lola and Norman. Lola is the one we need to focus on in her very bright very check patterned Victoria Beckham dress. Obviously the check pattern plays into check pattern theory, but the red also acts like a neon sign to the audience - highlighting that Lola is in danger - the ga won't pick up on check theory, although they might connect the dots about the fact this check patterning looks very like a cage - foreshadowing her being held captive later on, but also as a nod to the fact she was incarcerated previously.

The red is also a nod towards romance and love - playing into the rekindling of their relationship and romance in the aftermath of the freeway 'see me Norman' incident.

Ok so Christophers date night and by extension Eddies date night! This is where this meta is goingto get a bit messy and I'm goingto jump around a bit becasue I need to talk about the way colour theory is at play in all the scenes in Christophers bedroom, so we're going to talk about Christophers bedroom as one big thing rather than the two separate scenes that it actually is. They are extensions of one another and build on so much of the groundwork we've already seen in previous seasons.

Chris in plaid check yellow and red check plays perfectly into check pattern theory - it’s a signifier that something is about to go down with him - namely that the fact he’s dating multiple girls at the same time. 

He’s also wearing a white shirt which is not a colour we see on him all that often - in fact, the only times we’ve seen him in a completely white shirt is with his suit in 5x01 when suit shopping and again in 6x08 for his school dance. He did wear a white vest when dressed as wolverine for halloween  So as you can see its not a common colour for him, but the times have seen him wear it as a solid colour have been connected to school/girls and dating (i’m including the suit shopping in this because Ana was there and it was kind of a Eddie and Ana date of sorts - in that it was suppose to be for this Christening - meet the family - date type thing).

The most interesting thing is the plaid hooded shirt though. It was such an interesting choice to go with for a couple of reasons. the colour way is especially loud - we tend to see Chris wearing greens and blues and greys, with the odd other colour thrown in occasionally. So red and yellow are not common colours for him to be wearing.

On the red front we see him in it a couple of times - the adapted skateboarding scene and the scene in 4x10 when he joins Eddie and Ana on the sofa - getting in the way of their date night. We do also see him wear red in Christmas related episodes (so I don’t tend to count them in the same way as the Christmas colour theming will nearly always override any other colour theming intention - the use of stripes or check or other patterning is more important in those episodes!). 

On the yellow front things are even more clear cut - the Tsunami arc, the aftermath of him falling off the skateboard, Mays graduation party and 5x03’s Eddie Ana break up! These (apart from the tsunami shirt) were all bright almost neon yellow.

This new plaid shirt is more into the yellow ochre part of the yellow spectrum, therefore tying much more to the tsunami arc, which is actually really fitting if you think about it in a little more detail - its a connection, not only to Buck, but also to loss and grief. Eddie might have been using his secret weapon (Chris) to get Buck out of his moping (read mourning) over not being able to go back to work, but Christopher is also still grieving the loss of his mother at that point as well, so its not just about cheering Buck up, its also about giving Chris a chance to do something fun and distract him from his own grief. That is why the use of yellow then ties in so nicely with its use on Chris now.

The other thing that really grabbed my attention about this shirt though is the fact that the two times we’ve seen Buck have a conversation with Chris in his bedroom, he has sat in the same spot and has been wearing one of those two colours - post shooting in maroon and this episode in the yellow ochre - if you watch those two scenes side by side, you see that they’ve used almost identical camera angles as well to film Buck.

I've spoken a lot about the use of maroon as a colour connected to parenthood - especially fatherhood , which is how its intended to be read on Buck - connecting to Eddie and his being shot, pushing Buck into a parental role in Eddies absence.

That alone is a pretty loud reference to Christophers connection and relationship to Buck, but then we have the yellow ochre of it all.

I feel a little bit insane about how close my prediction was on what the Buck Christopher scene was going to be about - this is from the meta I wrote when t he stills dropped;

Whatever this scene transpires being about, based on what we've seen with Buck wearing yellow ochre, we can assume its going to continue to play into this idea of Buck not being fully truthful with people and fitting into the role he thinks people want him to pay rather than being true to himself. I do want to add to this theory by looking at Christophers shirt as well. The grey/ yellow combination is a bit reminiscent of Breaking point (the episode that really is the gift that keeps on giving) because we get Chris in grey and Eddie in tan - that is yellowish toned whilst not actually being yellow There isn't a good screenshot of them together, but the placing of Chris and Buck in the new one has echoes of Eddie and Chris in that scene (one that is interestingly enough playing into the idea of changing family dynamics, but also the moment before and the one that happens afterwards at Bucks loft, directly placing Buck into a parental role (as an aside the idea of Buck being a miracle worker plays into the theme of Eddie looking for magic, just saying!))

Indirectly this scene was about Buck not being true to himself with people and fitting into whatever role he thinks people want him to fit into, only this wasn't an active situation - this was a scene where Buck could draw on his experience of having done that in the past to help Christopher - the line from Eddie 'you didn't end up being like you' is such a call to this and actually shows how valuable Bucks own experiences and learnings are in helping Chris (we've all been joking about Eddie choosing Buck to help him with this Chris's issue, but in actual fact he was the perfect person for the job - not just because of his being a 'reformed player', but also because of his relationship with death and the death of a loved one where you are reliant on others for their memories of a person rather than having your own)

The thing with the Yellow ochre (this meta here that i've already quoted from above is the place to go if you'd like more detail on its use on Buck more widely) isn't just its about it's connection to Buck, his place in Christopher's life and more loosely to the will of it all, (the fact that Buck and Eddie are both wearing the same colour ways as in the hospital bed will reveal scene and are both on the same sides of the screen in both scenes is a stroke of genius and is meant to connect these two scenes together) its also its connection to Shannon.

The first time we meet Shannon, she sits on Christophers bed in more or less the same position as we see Buck and Eddie sit, and looks at where Christopher has been positioned in all these conversations, and she is wearing a burnt orange top thats pretty close to the dark yellow ochre we see Buck wearing. Shannon wears a lot of yellow - as in it there are only a couple of times we don't see her wearing something yellow or with yellow in it and those are key scenes (which I will talk about later on).

Shannons appearance in Christophers room to read the letter she wrote him had her in this black top with a floral patterning on it. She was also wearing green trousers (which can be seen in the still below but aren't actually seen during the scene.

I actually really loved the green trousers and black top as a choice because the top is very Shannon - it sits perfectly with the floral patterns we saw her wearing when she was still alive. The green trousers are a bit of a departure for her, but I think its very intentional for two reasons .

The first is that they are very much in the Eddie trousers wheelhouse, especially in combination with black - he wears green khaki trousers a lot. The inference being that the black and green combination is an echo of Eddie.

The second ties to Christopher. Green is also a colour we've seen on Christopher a lot, it's probably the colour we see him in most. It's being used as a reflection of the fact he is growing and transitioning from child to teenager. But having it here in this scene - on Shannon connects a Christopher growing up without his mom.

Both of these combined really connect into Shannon in this scene, tying the three of them together and on Eddies efforts to keep her alive for Christopher - the underlying implication that his growth into who he is so far is as much to do with Shannon as it is to do with Eddie.

Her necklaces were not identical to the ones we saw her in in season 2, but that's most likely because they don't have them any longer, so they've replicated them as best as they can. The other little nod that I enjoyed is the brown bracelets on her right wrist - the same place Eddie wears his brown strapped Christopher watch!

But the top they have her in plays into a couple of other things - the prominent yellow flowers make an obvious connection to Buck from the previous scene, but they also tie into the 'I want a divorce' scene from 2x17 where she is wearing a dark blue dress with bright yellow ochre flowers all over it. the dress is not especially close to the top in the wider sense - blue dress with white squares v black top with florals in a variety of colours, but the yellow flowers are the prominent aspect of both items of clothing and play into the yellow theme connected to Shannon and then to Buck.

This is espeically relevant when you remember that Eddie is in a black suit in that scene and he's wearing black when he gives the letter to Christopher.

The black for this sequence of scenes is such a poignant choice - its Eddie mourning all over again, not for his loss, but for Christophers loss. I did find it telling that again in this scene, we have the absence of the Christopher watch. Eddie has very rarely not been wearing a watch in his scenes, so the times when we don't see him wearing one are very telling.

For me, in this sequence of scenes, it's about the fact that they are not about Eddies relationship with Christopher, but about Shannons relationship with Christopher. The watch is much more about Eddie and Christopher, so to have it absent from this story arc makes total sense and is symbolic of Eddie being a good father

Then we have Christophers grey shirt - I said when we first got the stills from that scene, how it was likely to be connected to complex family relationships - a la when we’ve seen Buck wearing his grey shirt. And what do you know - the scene was about complex family dynamics/ relationships.

It wasn’t perhaps in the manner I was expecting, but that series of scenes played with the full scope of Chris’s complex family relationships - from the relationship he has with Buck -not only as Christophers friend, but also as more or less Eddies co-parent (the way Eddie asked for Bucks help screamed co-parent rather than friend imo - that whole burnt out car scene was two co-parents discussing their child!) to the relationship he has with his dad - which is a pretty great relationship, but it is a complex one.

The relationship he has with his mom - or the fact he feels he doesn’t have a relationship with her despite Eddies best efforts, because as he grows up she feels further and further away. 

Eddies 'date' night with Marisol. Again I ran out of pictures (30 is not enough!) so you're going to have to use your imagination or go back and rewatch the scene for yourselves, but trust me when I say that Eddie is wearing the same shirt he was wearing for this date night as he was in 4x10 - when Christopher interrupts because he can't sleep!

It's also a similar tee to the one Eddie wears when he has his breakdown and trashes his room (that one was more green when this one is much browner). Its slouchy and has cut and stretched raw edges at the sleeves and on the pocket - in the same way his breakdown shirt did. there is an element of being in familiar surroundings and being comfortable at home, but stretched out raw edges and Eddie generally tend to mean not so great things.

Of course there is the element of his parenting skills being tested by Christophers having more than one girlfriend, but if that where the only reason, then it would've made more sense to have him in that shirt when he's listening in to Chris talking to Buck, rather than when he's on a date with a new girlfriend.

This is especially true as the screen time for that tee has more connection with Marisol than it does with Chris. Combined with the fact that once again, like in the locker room scene, he is not wearing his Christopher watch in this scene and that speaks volumes.

If we are to read the scene as being about Christopher soley, he should be wearing his watch because that watch is a physical embodiment of the importance of Christopher in Eddies life - that he puts Christopher first in all things.

Got to say I was a bit shocked to see Marisol in his bright magenta silk spaghetti strap top when you consider the costumes we saw her in last season - mostly dressed down, t-shirts, jumpers and dungarees so this is a complete 180 for her character.

There are a few interesting things connected to her outfit, firstly it low key ties into Natalia - we saw Natalia in a red version of this top for her first proper onscreen date with Buck (when they go to the badge and ladder joint) so there is an interesting low key parallel to draw there. There is also the fact that her bracelet is a chain one - much like we've seen on all of Buck and Eddies previous girlfriends - although those have been necklaces, so I'm undecided if this chain bracelet is paying into the same trope as those.

Then there is the pink of it all.

You see Eddie and Pink on his girlfriends doesn't bode well for Marisol.

Both Shannon and Ana wore pink. Ana wore it a lot - there are two examples below, but generally speaking its her most commonly worn colour - including on her first date with Eddie in Jinx.

The first example below is from the first time we see her in the Diaz house. the shades are different, but the fact that the first time we see both characters in the Diaz house they're both wearing pink, speaks volumes.

The other key use of Pink is when Shannon is at the beach with Eddie and Christopher and she tells Eddie she's pregnant - Eddie takes it as the sign he has been looking for - the chance to effectively start over with their marriage, but this is the beginning of the end for their relationship, even if she hadn't died a short while later. She is wearing pale pink in that scene and it's the only time we see her wear the colour in the show.

The fact we can also contrast the use of pink with when Buck wears it is telling in its own right - we see the relationship between Buck and Eddie strengthening when Buck wears pink - May's graduation party, the tsunami, the Hildy coffee machine - all moments (big and small) that show the development of various aspects of their relationship and its ability to endure.

Essentially all this use of pink on the women he has had previous relationships with, doesn't bode well for Marisol and the longevity of her relationship with Eddie. How quickly it will end I can't say, just that it will end.

I spoke earlier in this post about colour theming for the episode and this is where I talk about it!

Pink - and in particular the very bright pinks we saw scattered across the episode. Marisol above wearing it, isn't just about connecting her to Ana in costume terms (especially as at this point that costume is a departure of her costumes from s6) it also connects her to the other characters we see wearing bright pink in this episode - Lola and Norman.

At this point in time I'm not sure if we're going to see it play out as a theme across the season, but its use in this episode was very loud on characters that are going to be around for more than 1 episode. It suggests that there is some underlying theme that connects them (by this I don't mean that they're gonna meet and hang out I mean that personality traits are going to be similar)

Magenta and bright pink in colour theory means a few different things, and like with all colours, has positive and negative traits. Generally speaking its a loud and brash colour thats designed to stand out and draw attention to it's wearer.

Things that are considered positive traits for this shade of pink are; intensity, acceptance, kindness and it's supportive and uplifting nature. It's connected to naive love (as in lust rather than the passionate and enduring love of red) can also be considered a nurturing colour.

Negative traits are; intensity, volatility, arrogant and impatient, irritability and irritating and frustration. it is also said to be a stress inducing colour and is said to be overly emotional.

Theres a clear and fairly loud connection between Lola and Norman getting into danger - Lola is in magenta trousers when she is kidnaped. Norman also has bright magenta flowers on his shirt at this point as well. My guess at this point is that we're supposed to lean into the stress inducing element, and also the irritating nature of the colour (On Athenas part at the very least!) and we'll see if those are the themes that play out for Marisol as well down the line.

Norman is in bright pink when he's lying and claiming she's unwell from being outside or too long. We also see that he is wearing pink in the ditsy print shirt later on (again I ran out of picture spaces!)

Athena's black top in this scene is much like the use of Chimney in black in his scenes. It's all about power and authority but it's also about her hiding her vulnerabilities. The other thing it does is creates a huge contrast with Bobby and all of the other passengers - she is the only one in black in the scene and it contrasts her with the underlying white of Bobbys shirt - juxtaposing them and visually putting them at odd with one another.

Like I said above about him becoming increasingly pale - here we see Bobby in a sea-foam green shirt - its the palest and washed out colour we've seen him in on this cruise (grey pyjama shirt not being included as its blink and you miss it and a pyjama tee!!!). Sea-foam green doesn't really play into the traditional meanings of green - there is still the element of renewal about it (the sea washes the sand etc)but its mostly a self-conscious and uncertain colour - both things that perfectly sum up how Bobby is feeling in this moment.

The other fun thing about this outfit is the palm tree shorts the patterns Bobby has worn in relation to this cruise, up to this point (and that includes the shirts from season 6) have all been tropical themed but on his shirts, the fact that they've now slipped down onto his shorts is a visual representation of him becoming increasingly dissatisfied with the way his honeymoon is going - that the tropical vacation vibes are slipping away.

Athenas red and white shirt, in my opinion is showing her cross purposes - its the duality of investigating and being on a cruise in a shirt. The bright red ties into the red and blue first responder colour way the show uses (for obvious reasons) while the white and the palm fronds, the lei flowers and the watery theming of the pattern fit into the troipical cruise they're on.

Bobbys red shirt contrasts with the lavender that we see on Athena - its not a colour we see on Bobby all that often and that makes its use all the more important. Especially considering the entire cruise thus far we've seen him in blues and greens - especially pale closer to pastel tones.

This red is bright snd bold and unlike his usual choices. Red is a colour of cross meaning - there is obviously the connection with love and the heart, which is absolutely at play her - his love for Athena is spurring him on and is part of what is pushing him in to investigator Bobby mode - and its representation of love is what is going to be the key player in the up coming episodes on the ship - when he is looking for Athena during the evacuation etc. But the other meaning of red is war, courage and anger and that is very much present here in this episode, and will (i'm assuming) be later on in 7x02 and 3.

The other thing I think its worth pointing out at this point (which is pure conjecture on my part at this moment in time but that I think will become relevant in the next two episodes rather than this one) is the foreshadowed parallel with Buck in season 5 when he broke down Eddies door. The bright red we saw him wearing then was an uncommon colour for him, in the same way it is for Bobby here. It's paralleling the way Buck was prepared to go into battle for Eddie, with the way Bobby is prepared to do so for Athena - going to war for your closest person, your loved one and doing what you need to do to save them.

Putting Athena in lavender the moment she gets to go into cop mode was a choice that had me giggling! Lavender is a colour of relaxation and order so for her to start wearing it the moment she gets to start being a cop again - speaks volumes for her state of being - it shows that her fear of being on the cruise ship and of being alone with bobby, has been overridden by her need to do her job and start investigating things. Its the perfect colour for this moment and for the impeding trouble brewing on the ship - Athena will bring order to things as order has been restored to her inner world.

Hopefully you've enjoyed this little canter through the costumes of 7x01 we're back in business and I can't wait to read your comments in the tags and comments 🥰

Tagging for those who've asked to be tagged - drop me a comment on this post if you'd like to be added to the list for the next meta 😎

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