#the wrath of khan

[gay-mooshrooms]

I feel it is important to bring attention to the sheer levels of CUNT sulu was serving in search for spock and voyage home like...

LOOK AT HIM!!!!

[oppoison-art]

Spirk unification hit me so hard it knocked off the worst art block I’ve ever had. I had to get this off my chest

[iguessiwatchstartreknow]

[tprings-hair]

I'm going to say something about the new unification short film that I haven't seen anyone here say yet.

I love the handholding scene. massively impactful. I love the echo of "this simple feeling" from the motion picture and the genesis reference and the idea that spock did not die alone or among strangers. it's just so satisfying after all this time to know that even shatner knew it was wrong and needed to be approached with more compassion for nimoy and the fans who loved these characters and knew they should be together at the end, whatever that looked like.

but you know what really got me?

this minute or so. kirk confronting his old selves. because that's obviously original series kirk right there in the gold uniform.

and the other? THAT'S HIM!!

(I'm linking it this way because you apparently can't add more than one video to a post and I need it here for demonstration.)

so we have present kirk walking down a dark hallway. at the end is spock, but at the end is also spock's death. how can he step forward and face that? what happened to the way he used to think about death?

yellow shirt is TOS kirk, who had always found a way around the problem and never (if the movies are to be believed) had to face death straight on. he's looking forward with confidence. there's no way spock is dying. there's a way out of this somehow, if only he can find it.

TOS kirk looks back the way he came, because he believes he can go back. he can always go back. the series always resets to the same characters who can be depended on to take similar actions, because that's what a serial is, and that's who he is. things have taken their toll on him, but he knows he can take the hit and keep moving.

but he stops when he's faces with WOK kirk. the one in the red dress uniform, who has lost spock and knows what it is to live without him. who has faced death in a way he had never had to before, because the constraints of the series never allowed it. he has been changed because of it.

TOS kirk sees that, and does that sort of posturing that he always does in front of someone who's threatening him. but WOK kirk isn't threatening him. he's just living through something TOS kirk hasn't had to face yet. it's him staring his past self in the face and telling him, kindly and firmly, you know nothing about how it will feel. you will never be the same without him.

and TOS kirk looks back again, and there's a present kirk, wearing his generations uniform. this is kirk having turned that grief to a desperate search for the most important person in his life, and emerged with spock by his side. he's not the same, but he's made it through. of course TOS kirk would look to that.

and as our kirk looks at these people he used to be, they vanish in front of him. he remembers the way he used to think about losing spock. the fear, the grief, the hope. there's no hope left. when he reaches the end, spock will be there, and it will be their last time together.

but he puts the pin back on, and reminds himself of his duty not just to a fellow officer, but to a friend, to the most important person in his life, and to himself. spock should not be alone, and he never got to say goodbye properly before. doing it now is the least he can do.

that's his ultimate responsibility in that moment: being there for spock. that's been his ultimate responsibility from the beginning. and this is shatner acknowledging that they deserved an ending that fit that truth.

[millie4321]

I love the Star Trek movies

[auhht]

teeny tiny spock

i’m gonna carry him around in my pocket

[trek-tracks]

A fine trilogy

[mephistopheles]

sorry

[orang3cat75]

OK, I talk about this scene a lot, but the utter RELIEF kirk most definitely felt when he held spock in his arms - Yes, alive in body only. But ALIVE nonetheless. "We were separate, He couldn't touch me." Now they are touching. To be apart in that way as he was dying compared to this scene, which is almost its exact inverse?? And he got to hold him in his embrace. it must have been hard to let go... god, I love tsfs.

[lifebloodblue]

When Spock says “I have been and always shall be yours” it immediately cuts to the next scene so that totally means he and Jim kissed right after he said it. When the cameras weren’t rolling if you will.

[starberry-cupcake]

assortment of "married for 25 years mcspirk" during wrath of khan because they were off the charts in this one

and the absolute heart-wrenching Famous Scene

[s3venofhearts]

They are so in love it makes me sick. “I’ll never let you go” and he didn’t. They found their way back to each other in the end, despite all the odds stacking against them. Spirk you will never not make me cry.

[celestialholz]

Live long and fuck in Hondas (or 'why that Vulcan salute is way more significant than you think it is')

Hey. Hey Holz. Did you know Deadpool and Wolverine fucked in the Odyessy? Did you know that they now live in a one-bed with Blind Al? Did you know that -

Yes, friend. I know all of it. And you're all super fucking valid for pointing it out.

... But maybe all of you aren't seasoned Trekkies like me. Maybe not all of you gorgeous people understand the true significance of this.

Or maybe you just want a definitive way to win the argument of "are these two fucking?"

But either way, I'm here to help, and to tell you why, amongst all the absurdly homoerotic text of this film, this moment? Might be the gayest of them all.

Now, we must start by saying that although you wouldn't know it from the bullshit Abrams films, these two:

Are the fathers of gay fanfiction. Spock and Kirk here are the reason you're living in the fantastic timeline where you can write/read men fucking without any other shred of plot and that this is a legitimate and normalised internet experience - everyone say thank you, iconic papas. These guys were so homoerotically coded that even in the 60s, the era of wondrously overdramatic performances of all kinds and fairly prevalent homophobia, The Girlies still took notice, still started mailing each other fics and making zines and being just hugely excited at the thought of these two getting space-married. They are fandom as we know it today's beginning, and seventy years later they're still an enduringly popular ship on AO3. (You should all go and watch Amok Time, by the way. Contains the Honda Odyessy scene of the 60s, except there's weird biology and wrestling and just go and put it on your screens, thank me later. They fucked on that planet.)

Anyway, these two were as close as early colour TV could ever allow two men to be, deepening their *coughs* friendship almost every single episode or film - Trek's creator Gene Roddenberry even gave them a unique word in Spock's Vulcan language, with the meaning of 'friend, brother, lover.' (And if that isn't ringing any Poolverine bells, I'm not actually sure what you want out of this post. Enjoy it anyway, love you.)

... And then we get to 1982's The Wrath of Khan, and to that moment that every iconic screen couple must face - the ol' classic, it's you or me and I won't let it be you.

Sure, the set-up's a little different here - the chamber Spock's in is filled with radiation, and the scene's quieter, softer. And Kirk isn't a mutant so he can't smash his way in, he can just sit there and inwardly die as his emotional support Vulcan does.

... But you get where I'm coming from here. Ryan Reynolds doesn't take a million other potential love scenes from across the cinematic ages - no, he takes this. What is for many the romantic acknowledgement of a whole generation. The humble and desperately sweet beginning of it everything we fans know and love nowadays. The most ambiguously romantic homosexual relationship in television, directly comparative to what is now arguably the most ambiguously romantic homosexual relationship in cinema. And lest we forget, Wade doesn't believe in a fourth wall - this is a conscious choice, both in canon and in the writer's room.

Oh it's so clever and so beautiful a girl could weep. Ryan just introduced the MCU to the gays, just as Kirk and Spock did all those years ago to the masses of the time.

And then there's what it means.

This is the Vulcan salute, created to mean either 'live long and prosper' or 'peace and long life' - it's used more or less interchangeably.

But part of that's irrelevant when you're as immortal as these two.

So we're left with the sentiments of prosperity and peace, given to a man who up to this point can't imagine ever prospering again, is the furthest thing away from being at peace. Wade gives Logan the opportunity to go on, to find the things he's been lacking for so long now - things he has already helped him find. Spock tells Kirk during The Wrath that 'the needs of the many outweigh the needs of the few,' and that's exactly what Wade's doing here - sacrificing himself for the greater good of his friends and his newly beloved, however much it will hurt them all.

And that's lovely, and poignant, and character-growing, and I think we all would have been content to leave it at that and have our noble sacrifice, however much we would have wept. Kirk goes on to find the remnants of Spock's soul in the next film in the series, to bring him essentially back from the dead because he felt it was more than his own soul's worth not to have done... which, again, ringing a bell anyone?

Because Logan, in not so many words, tells dear Wade to fuck right off, and we get this.

What we've got here is a direct translation of one of cinema's gayest moments, made somehow infinitely more gay. A true achievement here - I genuinely think I spontaneously acquired tetanus in the cinema for a good minute, my jaw dropped so hard on seeing this. The pillars are the same colour as Kirk and Spock's original uniforms, for fuck's sake. I'm dying out here.

What we've done here is create narrative equality. The whole film's kinda done that leading up to this anyway - they're both mentally fucked up men who can't die, who are constantly dying anyway, who are evenly-matched in battle and both enjoy Honda fucking, who have forged a real love even as they piss each other off at every turn.

But here, they place one another in narrative equality for the first time. It's not about a sacrifice, not now, even though they're assuming it is one - it's about what should be done. It's about righting wrongs, being heroes, being together because every option other than that is unacceptable, because neither understands quite how to lose anyone else. They've both made the same choice, and that's not to let the other die alone.

It's about holding hands and loving and never letting go, even if it kills them.

... It's just about the most romantic and gorgeous thing I've ever fucking seen.

There are no more instances of masks, once they're done in this station. They don't need them any longer; they will never need them again.

And that's only emphasised by the parting shot we get of this... almost directly after Vanessa and Wade share a final sweet look.

I don't know, man. It's almost like the true conclusion is hidden behind the acceptable masquerade. Imagine that in the MCU, folks.

They've taken one of the most intimate and sweet moments in screen history, and made even more glorious.

They did The Wrath of Khan better than The Wrath of Khan did it.

And that's... that's gay. That's just about the gayest thing they could ever have done, and I adore it to the smallest pieces.

So remember, the next time your friends disbelieve you... show 'em this. Show them that they redid the very beginnings of slash fandom, and did it better.

(And then you can add on that they now live in a one-bed with their grandma, daughter and dog, and will do for the rest of their lives. Kirk and Spock didn't even get THAT shit.)

[mistermistyyy]

I know we all talk about Spirk in Wrath of Khan and Search for Spock but Voyage Home has some of my personal favorite scenes between the two of them.

I love their argument over Italian food, Kirk trying to get Spock to stop swearing, Kirk trying to get Spock to call him by first name again, and I especially love the scene where McCoy goes "He trusts your guess more than most people's facts".

[offdensen]

[forecast0ctopus]

i think we should ship carol marcus and gillian taylor