#there are just options and i like opinions

[swanimagines]

Hola can i request a Morpheus x f!Reader fic where her son is running over all the palace because he doesn’t want to take a bath?

Sorry English is not my first language

A/N: Ahem ahem, excuse me... this may be the first time in a very long time I'm actually genuinely HAPPY with something I wrote?? If there's a writing deity or a saint, I will pray to them and hope for this kind of skill and motivation and inspiration and whatever hell I need to produce THIS kind of content in the future too, thanks bye!

"Aridus!" your voice echoed through the grand corridors as you chased after your son, who had decided today was not the day for a bath. He turned around slightly, his face scrunched up in anger.

“I don’t want to take a bath!” he declared for the hundredth time, before taking a turn to yet another maze of hallways. You let out a frustrated groan, even though you tried to keep it in.

“I know, sweetie, but after all that playing with Goldie, you’re all muddy, I can’t let you go to bed like that!” You stopped, as you took the turn to where he went. “Aridus, please just—”

“No! I don’t want to sleep either!” His voice echoed through the hallway, it was impossible to know which nook he took as a hiding place. “Daddy never sleeps either!”

It was true, the everlasting bickering with him. Why is daddy able to go around day and night, why can’t he stay up to play all night as well. But the thing was, Aridus was your offspring too, and you were originally from the Waking world — and you needed sleep, so Aridus needed sleep too. Your husband had told you that Aridus may need less sleep than a “regular” human as he grows up, but as a toddler he was just like regular children were. Getting tantrums out of being tired, while the tantrum is about not wanting to go to sleep. “I know sweetie, but he’s–”

“No!” he screamed, and you heard the patter of feet going further again.

You barely heard Morpheus coming to stand beside you, but you felt his presence and turned to look at him. “I can’t catch him. He’s persistent and knows how to tire me out.”

Morpheus's lips had a small hint of a smile. “He is much like you, then.”

You scoffed and crossed your arms. “Me? Are you sure? You’re the one who’s refusing to listen to any other opinions of change when you’ve already decided the ‘best’ way. I think he’s more like you than me.”

Morpheus smiled properly now, inclining his head forward. “True.”

A loud crash interrupted the sound of running, and you heard something rolling through the floor, followed by a soft thud and a whimper from Aridus. You walked forward with Morpheus following close behind, and discovered the source. Aridus had collided with one of the pedestals, which had sent a stack of dream scrolls all over the room. You moved to stand in front of him and brought your hands to your hips, sighing.

Suddenly your son, who had been so angry just a moment earlier, looked more remorseful as ever. “I… I didn’t mean to.”

Before you could answer, you felt Morpheus’s hand on your shoulder. “Allow me, my love.”

Aridus sat there frozen in place, looking at his father kneeling in front of him. Morpheus reached out, carefully tucking a curl of hair behind Aridus’s ear. “Do you know why we need to take baths, Aridus?”

Aridus’s shoulders slumped. “I know, father. Mother doesn’t want my bed to get dirty. But I don’t like to get wet.”

Morpheus shook his head. “It is not only because we get dirty. Every day, all living beings get dream dust on them. If there’s too much of it, it weighs us down. It affects our mood and eventually… it may make us fall asleep and never again wake up. Be stuck in nightmares forever, and not even I would be able to help.”

Aridus stared at his father, his mouth opening slightly before he whispered, “Stuck?”

Morpheus nodded. “Yes. Even the stars must cleanse themselves of the night sometimes.”

For a moment, Aridus stared at the floor, clearly trying to contemplate his options. But eventually, he looked up again and nodded. “Okay.”

You smiled slightly, ushering him towards the bathroom before you looked back at your husband, who was left cleaning the mess up.

—

Later, when you watched your son sleeping in his little bed from the doorway, you felt a slight gust of air as Morpheus appeared to your side again. You smiled at him and whispered, “You’re good at making up stories. I think he’ll be much more willing to take baths in the future.”

He shook his head, his eyes fixed on your son. “I merely spoke the truth.”

You frowned. “Really?”

He turned towards you slightly. “Yes. Well, maybe I dramatised it a little, but much of it was true. Even stars need to be born anew sometimes. They too resist, hang on, but ultimately they yield and give way to new stars. Just like our son did.”

You nodded and let yourself lean against him slightly. "I’ll admit, I was starting to lose hope there for a moment. I didn’t think anything could convince him to take a bath, let alone willingly. He certainly takes after both of us. I thought I'd never tire him out, but you…” you murmured and looked at him. “You have a way with him. Maybe I should let you handle all the tantrums from now on."

Morpheus pushed you away slightly, tracing his fingers against your bare arm. "I would handle them all, if you so wished," he whispered. "But I believe Aridus needs you as much as he needs me. You are his anchor to both worlds. Without you, he might wander too far in the night."

You smiled a little at that. Morpheus certainly knew his way through words, it was in his nature, in how he was created, sure, but you felt like he had learned a thing or two from love since he fell in love with you all those centuries ago.

You sighed, looking at your sleeping son. “He seems to like wandering. He has told me so many times he wants to be just like you, and I don’t know how to tell him that it isn’t possible.”

Morpheus was quiet for a moment, running his hand up and down your arm. “He must learn to walk in both worlds because when the time comes… Waking world may call out to him. In any case, balance is essential. And he must learn to control and thrive, whatever his place will end up being.”

You swallowed, remembering that once your son grows up, he may only be able to visit you at night. You’d watch him grow old year by year, and only get him back once he dies. Which will take centuries, if not even millennials with his Endless blood. And even then, he may choose the Land of the Dead if he has loved ones there. But Morpheus made it sound… like it was natural. Which it of course was, you reminded yourself. “You make it sound so simple. That it will be simple to accept it.”

"Simple, no. But necessary, yes." His hand stilled on your arm.. "And you, my love, have always excelled at guiding him in ways I cannot."

You were quiet for a moment again. “I just don’t want him to grow up so fast.”

He was quiet for a moment too, taking in a deep breath. “I wish he did not grow so fast either. But moments like these, they will linger. Forever, if necessary. We need not fear losing him.”

You nodded, finally closing the door and following Morpheus towards the throne room. “I guess I should just remember he’s going to be a half-deity like you. And that hopefully he’s going to make the world a better place.”

Morpheus turned to look at you, taking your hands in his. “He will have both of us with him when he enters the Waking world, and be more than us. He will be a dream, but also a heartbeat. And that, my love, is his gift.”

You swallowed, but then closed your eyes and dropped your face towards the floor. “I know. As long as he has both of us in him, he’ll be alright.”

Morpheus cupped your cheek, tilting your head to look at him again. “He will thrive. He will flourish in ways we cannot yet even imagine.”

You nodded, glancing back towards Aridus’s room and then you turned back to Morpheus. “I love you.”

His smile appeared again, an expression only reserved for you before he kissed your forehead. “And I, you. Always.”

Requests are open! FANDOM LIST | PROMPT LIST(S) | RULES (READ!!!)

[hwnglx]

slay mama 💅🏻

karina's reputation among idols

based on tarot. i do not know these idols personally. energies are always changing. what i say is NOT straight fact. pls take it with a grain of salt!

female idols

karina is seen as an idol with a lot of energy, who gets things done quickly. like she isn't the type to be lazy, too comfortable or boring at all. there's this fast-paced “okay, let's get this done!” vibe to her. very passionate, fast-moving and enthusiastic. also very talkative. like this girl will voice her opinion, no doubt about it. this is understandable due to her leader position, but i can see her being the voice of the group, even amidst other idols. she speaks up for the group, takes matters into her own hands. i keep seeing her standing in front of her members, almost like this big sister you need to get past before you get to the rest of the group.

her reputation among female idols, seems very good. she's beautiful, and has a powerful and strong presence in their eyes. like if karina enters the room, you can't help but notice her. she turns heads and attracts a lot of attention. they think she's this very confident, self-assured and independent woman who knows exactly what she wants, a lot of assertive and dominant energy in her. she's also very supportive, caring and nurturing in their eyes. like she looks after the people she's with in this gentle and courteous manner. in their eyes, she displays a person who balances her fiery and passionate, but soft and feminine energy in a very pleasant way. i can see many female idols just truly liking being around her, she has this warm energy where she just makes you feel invited, welcomed and taken care of. she radiates and spreads a lot of positive vibes, and draws people in with her natural charisma.

many female idols also have the desire to work or collaborate with her. they think she has a lot of profitability, and very universally likeable and commercial appeal that brings in a big audience. honestly, the big picture here is, that they just view her as a person who has it all. very well-rounded idol who gives off the impression that she was made for this job, but is also a commendable and delightful person to be around.

male idols

male idols join the female idols in thinking karina is very opinionated. there is a bit more of a bitter undertone here though, where it seems to intimidate them. they believe she will definitely not miss a chance to speak her mind, and defend herself or the people around her if the situation asks for it. there seems to be this reputation of her debating a lot. not just for herself, but especially when it comes to the people she cares about. let's say there's a bunch of people in a room and you find yourself in a conflict with someone who ends up as the underdog, best believe karina will be the one standing by their side till the very end. like literally take them under her wing, speak up and argue for them. i can sense male idols just thinking she is not to be messed with.

some male idols also might believe that she's likely to hide a lot of her even more aggressive and egoistical sides beneath a mask, and exactly knows what to do in order to get people on her side. like she's aware of what she needs to do to fool people into liking her. uses her charm to get what she wants, and is very calculated and deceptive. i can sense them thinking she's already a lot to deal with in their eyes, and must be even “worse” behind closed doors. tbh, she just seems like a girl's girl. i can see her fiercely standing behind her women, not being intimidated by the men at all, and the men being rubbed the wrong way about it. like “how dare she talk to us that way?” (telling you all these male idols are too used to women subsiding to them smh..)

there also seems to be a lot of gossip when it comes to her dating life. male idols think she juggles all these options, but doesn't give in to any of them. they think she likes the attention and validation from it, and just plays them all to fondle her ego. (i see this being more of a delusion though, many of them just want to believe they're an option. i don't see her engaging with them much)

there is a lot of wishful thinking and longing to get with her on many idols' side, however it mostly remains as a fantasy in their heads. it just stays as this burden on their back. they can't actually approach her comfortably, because they feel like they're unlikely to succeed anyway. they'd just be another failed try in her list of rejected admirers. ego plays a big role in here as well. it's giving.. “if i get to be with her, then that'd make me the guy who stood out.” however being rejected by her, scratches their ego twice as much. so they just stay put. basically, karina has these men at the palm of her hands.

[cosmerelists]

Renarin Ranks Starting Places For New Readers of the Cosmere Series

"Renarin ranks something" requested by @themoonstonechronicler :)

Fans often argue about where new readers should start in the Cosmere: which book is the best starting place? In this list, Renarin will rank various options. Because if any character can break the fourth wall, it's either Hoid (of course) or Renarin with his funky corrupted Future Sight.

[Contains Stormlight Spoilers through Rhythm of War!]

1. Way of Kings

"Starting with Way of Kings is like jumping into a 4 versus 1 Shardblade duel armed with a sword that screams when you touch it after a lifetime of not really being allowed to train in real combat scenarios due to your blood weakness. Will you be in over your head? Yes. Might the experience harm you? Very possibly. Will Kaladin's presence save you? Absolutely. Is it a bad idea? Objectively yes. BUT does this choice make you inherently cool? I think so. At least, I have no regrets."

...

"Make that very few regrets."

"I give this an 8/10."

2. Elantris

"Listen...I get it. You want to start from the beginning. Proceed chronologically. I think my cousin Jasnah would be inclined toward this. But speaking as a 'funky time guy,' as Adolin called me once, I have to say that the past doesn't necessarily predict the future and uh...this one just might be a little tough to start with. In my opinion."

"4/10."

3. Tress of the Emerald Sea

"I think...I think I like Wit. Mostly. There was that one time he tried to make everyone think I was hooking up with, like, multiple women at once, which was...weird. But he also made fun of me. Which does not sound good, but it meant he respected me in a Wit way. In any event, this book is like sitting and listening to Wit for hours. Is it good if that is the first thing you ever do? Maybe? The little rat is cute."

"9/10."

4. Yumi and the Nightmare Painter

"This one is Wit too. Just to get that out of the way. And I think it might be a little bit confusing for a first-time reader since it is clearly being told to a Rosharan, which is not something a new reader would understand."

"But on the other hand, it is maybe...refreshing to have a main character who hasn't yet realized what he's good at, and another main character who hasn't yet realized that not all aspects of her religion should restrict her as much as they do."

"So a confusing place to start, but not necessarily a bad one."

"6/10."

5. The Emperor's Soul

"This one is short! That might be good for someone who is looking for less of a commitment. Plus, it involves a lot of research into how things work, if that appeals to you. But I think the real benefit is that if someone is reading it to you, it would probably only take a few hours."

"10/10."

6. The Sunlit Man

"This book is like seeing into the future, since it is literally about the future. It's also very painful. Which, in my experience, the future often is. The future can be changed...but not in this case, because now it's written down. So I would say: start here at your own risk. On the other hand, it will probably seem less sad if you read it without any backstory. But it will make other things sadder later, trust me."

"3/10."

7. White Sand

"This one can be good if you're a man, since there are a lot of pictures. There are also a lot of words, of course, but if you're just starting out on the reading thing, then having the pictures would help a lot I'd imagine."

"6/10."

8. Warbreaker

"Speaking as someone who...well, I can't say that I deliberately make dramatic reveals, but I have been known to do things like scrawl warnings on a wall or appear suddenly from the shadows or, you know, stuff like that. So I might actually recommend reading this before you read our books, just so you can have those, 'Wait, it's YOU!' moments over and over again."

"Seriously, why did so many of those characters end up in our series?"

"I'm not answering the question, though. This one is standalone, and not too long, yet still manages to have a pretty big cast of characters and a bunch of storylines. It is like Sanderson training."

"8/10."

9. The Last Empire

"This is what everyone always tells you to do. Sometimes it can get frustrating when everyone is SO SURE that they know what's good for you, especially your dad, who won't listen when you tell him that you don't want to become an ardent even though he thinks it's the best. And you know what? In the end, I am a fighter, but also a scholar, since men can do both now. So sometimes what people say is good, but only when it happens in the way you want it to and...I think I lost the thread. Um. You can do what people tell you that you should do IF you want to. "

"If you start here, I imagine you'll like it. Sometimes what everyone tells you to do is a good idea...but only if it's what you want too."

"9/10."

10. The Alloy of Law

"Starting with Mistborn Era 2 is like bonding a corrupt spren. It's almost what everyone agrees is a good thing to do (start with Mistborn / bond a spren), only you're going about it in a...different way. But different is not necessarily bad! Yes, I have abilities that are maybe from Odium and that give me a maybe sacrilegious ability to foretell the future...but when given the chance, I immediately recommended my best friend do the same thing."

"Being different can be good. 7/10."

[signanothername]

In your opinion do you think nightmare would let a human work for him or do you think he prefers only monsters to work under him?

(It's for a character I'm making a mini comic for :) )

But I'd also imagine even then there would be issues regarding the murder time trio, especially considering their hang ups when it comes to them (Chara and frisk ect.)

Ooooohhh

Ok tbh I feel like Nightmare wouldn’t genuinely care whether someone who works for him is human, monster or something completely different

As long as they’re efficient and do their job properly then he’ll be ok with them

I think the true question is whether Nightmare would be willing to recruit anyone at all beyond MTT, considering that Nightmare hates change in his routine

I for one at least, like to believe he didn’t just recruit MTT just because, without any true reason in mind, he made very calculated decisions after careful planning and after weighing his options

So i feel like the true challenge is how to get Nightmare to be willing to have another subordinate under him much more so than what they are

And I feel like, if Nightmare got a human under him, they’d be someone who isn’t Frisk/Chara as to not trigger MTT and chaos ensues

I like to believe MTT might be a tiny bit tense with the prospect of working with a human, but I feel like they wouldn’t get aggressive if they aren’t Chara/Frisk (except for Murder maybe) and even then I think it really depends, as I believe Murder’s first choice is to keep distance from them rather then actually engage with them

Hell, I think MTT in general are like cats, if you include a new recruit (regardless of whether human or not) Nightmare has to introduce them carefully to each other the way you introduce a new cat to another as to not agitate the older cat hxhxhdhhd

Which again, just puts more challenges in the prospect of Nightmare even being willing to include a new subordinate under him at all

So I feel like the exploration of reasons why Nightmare would include a new subordinate is much more important than what kinda subordinate they are

And while i’m a firm believer in the idea that making a deal with Nightmare is like making a deal with the devil himself (basically you’re stuck with that deal for the rest of your life) I never was one to believe that Nightmare would recruite anyone who he makes a deal with under him, but rather, have a use for them in other ways that are still pretty much very stuck with Nightmare cause of it *side eyes my interpretation of Ccino and Nightmare’s relationship*

I can imagine Nightmare also bargaining and settling for temporary work time, basically having someone work for him until he deems the work they needed them for done with in a way that satisfies him

So yes, Nightmare would let humans work for him if it’s actually beneficial to him

[elumish]

I talk about what writers should do a lot, so now I'm going to take a break and talk about some reforms that I think agents should make.

A caveat: I am not an agent! Unlike when I talk about writing, I am just talking about this as an author who happens to be in the midst of querying. If I have an followers who are agents who think I'm getting something wrong, please let me know!

That said, here I go:

Trad publishing is, fundamentally, about getting past a whole bunch of layers of gatekeepers, and agents are the first gatekeepers. With some very limited exceptions, you can't be trad published without having an agent. From what I can tell, being an agent is a bit of a thankless job--it's based on commission, so an agent only gets money if they are selling their clients' books. (Remember: the money flows towards the writer. If someone claiming to be an agent is telling you that you need to pay them to represent you, run.)

Because of this structure, agents have a massive amount of power over unagented authors, particularly because unagented authors simply do not have another option if they want to trad publish. It is my opinion that that power dynamic is part of the reason why querying actually sucks so unbelievably much for authors.

Now, part of why querying sucks is that it's a numbers game, which means that most of us will lose. Every writer is competing against a gazillion other writers, some of whom are better or writing things that are seen as more sellable or happen to be eariler or whatever. You are going to get a bunch of rejections, and that's not the fault of agents.

But here's the other problem:

There are, from what I can tell, no true industry standards and somewhat limited professional expectations for agents when it comes to how to deal with querying. Again, this is what it looks like from the outside--agents, if I'm getting this wrong, please let me know.

For example, many agencies and many agents will have different rules about what you can submit to them and how, and in many cases those rules are in somewhat arbitrary places, which means that querying authors have to hunt for them, and it's easy to run afoul of them even when you're trying. It's common for some agencies to say that you can't query two agents from the same agency at the same time, but some say that you can't query two agents from them ever--a rejection from one is a rejection from all.

But most agents' Twitter bios/MSWL pages/personal pages/etc. don't say that--which means that authors need to hunt through every individual agency's webpage and then cross-reference against every agent that they have ever queried previously, which can be arduous when many people are querying dozens or hundreds of agents. It also means needing to keep track of things like when agents switch agencies.

There are also no standard expectations for agents to actually respond to queries in any sort of time span, or at all, which complicates the above issue even more. But it also is just (imho) kind of unprofessional to ghost people who are seeking a professional relationship with you, when you have explicitly asked them to reach out to you seeking that professional relationship.

And to make that worse, many agents don't say whether or not they respond to all queries, meaning that authors are often left wondering if a 6-month or longer wait is a "no" or an "I haven't gotten to this yet but will definitely respond to you."

There are more issues that I could cite, but my overall point in this is that authors have no recourse here. There's not authors' union, no way to go on strike until agents change what they're doing.

And some agents are really awesome about this! But enough are not, and authors don't really know what they're going to get when they query someone.

So all of this is to say that, if you are an agent, here are some fairly easy changes I would love for you to make to your own behavior to make querying a little bit less of a nightmarish hellscape for authors (and thank you so much if you already do some or all of these):

Respond to every query that you receive

Tell people your general response times and be communicative if that changes. It's okay if it regularly takes you six months! Just tell us it regularly takes you six months, so we're not left wondering if we've been ghosted at four months

Outline all submission guidelines on Query Manager or where you accept queries, including things like a) rules about whether a rejection from one is a rejection from all, b) length expectations for things like synopses (I've seen a range), and c) any other expectations you have (e.g., you require trigger warnings). Don't make people hunt through 2-4 websites to find what you want

Stop asking or at least strongly rethink how you ask about Own Voices or why an author feels like they are qualified to write about a marginalized identity--I understand the impulse, but nobody should be expected to disclose medical or other personal information like that in a professional setting

Also, just to say (other than please don't reject my query because of this post), agents: authors really do appreciate the work you all do. I want someone to work with to get published, because I am very well aware that I am not the expert in this situation.

And again, please tell me if I got anything wrong or misrepresented anything.

[adoreu-carat]

Hoping that this is a safe space for a veteran carat.

I’m I the only one that thinks that carats who only use twitter and newer stans have WAY more different opinions in general and higher standards??

Like, this may sound so dumb but whenever they are criticizing something about svt, most of them compare it to other groups, for example, saying things like “why can’t they do this like so and so” “why is pledis not doing this like so and so’s company” “I’m not gagging, it feels boring” “I looked at svt’s concept photos and sighed” like ?????

Why are they being so critical about it??? It’s one thing to say “Oh it wasn’t to my liking” or “I see it but it looks simple to me” instead of completely bashing the group and company and being so mean about it.

Don’t get me wrong, I don’t like pledis either and I know they’ve made so many shitty decisions since before svt debuted but also I’ve been a kpop stan for more than a decade and I know, like many other stans, how those companies work, we know how comebacks work, it’s not great and it might never be.

Not one single company OR group is prefect.

So I really don’t get the hate for this comeback’s concept considering it’s the last one that it’s OT13 in who knows how long.

And that’s why I’m feeling so old because yes BACK IN THE DAY we had nothing like what we have today, back in they having 2 ver. of an album was already big, different versions and whole different designs of the albums not just a change of color was so cool, having like 300+ variations of photocards was WILD. And also having them available?? Being able to buy not just on the internet but in our own countries when back in the day the only option was buying from South Korea??? Like kpop in general has come so far and I feel like SOME stans are just too greedy and ungrateful.

So, unpopular opinion I gues?

[ihaznoclue]

Could I request Billy, Nicole, and Von Lycaon with a reader who knows how to design, build, and repair weapons?

Pairings -> Billy Kid, Nicole Demara, Von Lycaon X Reader

Warnings -> Guns are mentioned and Nichole's (Billy's part mostly)

Note -> Reader can design, build and repair weapons

Genre -> fluff

Billy Kid

Okay so we all know this man has his two guns which he calls 'his ladies'

So if he had a partner that can design, build and re-pair weapons

Then he is on his knees

He would literally go to you and see if you could help re-do his guns like re-paint it and stuff

"Please Name! I need my babies back, and you're the only person who can help me" Billy whined

You sigh as you playfully rolled your eyes

"Okay, Okay. Just get up form the floor you big baby and give me your gun so I can start on them"

"Thank you, you are literally a goddess!" Then he went straight to his room to get his guns

It took you only 20 minutes to re-paint his guns as well as give them some upgrades which Billy recommended

Which to you of course did, Billy was quite happy with the results as he 'kissed' you in return then went straight to his room for his ladies to rest

Nicole Demara

I feel like she would ask you to build and design a pink gun..

That's what my opinion is

Since I imagine that her favorite color is pink

But I do know what she has her suitcase as well

But I feel like she would ask for a pink gun or a pink

And if you actually do that for her, she would ask Billy how to use a gun

"Hey Name, Are you able to build me a gun that is pink" She asked, you stopped what you were doing and turned to her

"Yeah, I can, just give me the options of what you want the design to look like and I'll do it straight away"

"Okay, so a pink gun that has me name of it, of course and I would like it to have multiple bullet slots like Billy's"

"Coming right up"

"Thank Sweetie"

This girl would be unstoppable after she gets taught how to use it from Billy's instructions

Von Lycaon

I feel like his legs (the metal part) would sometimes malfunction and he would go to you to fix it

he trusts you to fix his stuff rather than going to a shop to get it fix

You wouldn't mind of course as you would fix it right away

"Oh, Hey Lycaon. Is something wrong?" You asked which to Lycaon replied that his legs were not working properly from the ice

"Oh! Okay, Well you cam to the right person, i'll get that fixed right away"

"Thank you Name, I can always count on you to fix my things" Lycaon thanked you as he stayed with you until you fixed his legs

His legs were a important part of his body as his legs is a way to fight Ethereal Creatures in hollows

So every time he would have problems with his legs or anyone in his faction that would have problems with their weapons

You would be the person they would go to

-A<3

[kalifornia1025]

The Resident Patient Pt. 2 (SPOILERS)

Alright sequel notes coming up now!

Fun sleepover, huh? Yeah if only

Poor John sounds so scared

Right, Mariana would be a believer in ghosts 

NOT THE SPINNING POTTERY SCENE REFERENCE, JOHN

Tippy toes? Wow

Ooh yes! Using the mic to bring up recorded evidence is a feature we don’t hear option but SHOULD

I’d be just like Mariana bringing up The Shining in this situation, except I’d do it more liking a joking skeptic

‘Roadkill’? Damn, that was kinda rude Mariana

Mariana: “Call the journalist!”, John: “I don’t want to!” - same John I hate phone calls

This little exchange was cute to me: 

Avery: “What? What’s this hmm? Are you a doctor?”

Sherlock: “No but he is” *referring to John*

John: *ahem* “Hello”

“The only crime that is rife around her involves tax evaders or high-end sex workers. You don’t strike me as either” - okay SHERLOCK?

Ah yes here’s where Sherlock refuses to help the guy because he’s lying 

What’s the deal with magnets in this case?

JOHN’S I LOVE LONDON SHIRT MENTIONED AGAIN!!

Oh wow Sherlock is HEATED about this dude, even saying “go ahead and die, see if I care”

Spooky sleepover!!

Ah yes a mandatory Blair Witch Project mention when recording in a spooky place

Another fun exchange for this episode:

Sherlock: “Good God!”

John: “What is it?!”

Sherlock: “This jacket is grotesque”

John: “God sake”

John…are you asking Sherlock to strip your corpse so your ghost wouldn’t be stuck wearing the pjs you died in??

“Would you like to be found naked? Or perhaps in the disgusting jacket?” - we’re getting silly & sassy Sherlock in this case, I love it!

“You have a sharp mind. You’re a brilliant man, your thoughts and opinions are never stupid” - awww Sherlock complimenting John is so sweet!!

“Well that’s just stupid” - welp that didn’t last long

“Fill a brother in” - NOT SHERLOCK SAYING WHAT JOHN SAID IN PT. 1

Why are they being so cute right now???

Oh shit, crime is happening! GO AWAY, Sherlock and John are bonding!

Listening with headphones sounds like Sherlock is whispering over my shoulder (creepy and uncomfortable)

Ouch, at least you tried to do it, John (maybe better luck with that in the future?)

The disgusting jacket ends up being useful!

“You ok, mate?” - I honestly love how John asks how his friends are doing during cases

Oh…looks like he went ahead and died just like you wanted Sherlock…

Oh wow, that ending for Pt. 2 is…dark. I knew it was gonna happen based on reading it from the ACD story, but it’s always interesting to hear how they present it in the podcast. 

But on a more positive note this case is so Johnlock-positive! Whether or not you ship it, you gotta admit that they’re so much friendlier towards each other here. Also Sherlock is just so much more silly and feral in this case and it’s so funny to me! We need more ‘silly goofy mood’ Sherlock. Alright, tune in next week for the Resident Patient finale…

[hiseyeisonthesparrow]

Hi! I’ve been learning more about Mormonism lately, and I know that Mormon progressives like you definitely exist. However, I’ve been finding it really difficult to understand how people can reconcile their faith with the verse 2 Nephi 5:21 without believing in white supremacy. I understand there are theories about it being metaphorical, but I’ve been having trouble understanding them. If you could offer me some insight, I would truly appreciate it! Thank you in advance.

Thanks for your question! I am unfortunately painfully white, so I may not be the most experienced of people to answer this lol. I'll give it a shot though!

A big tenet of our faith is finding trustworthy sources for questions we have. One of my favorite sources on this topic is a video my dad sat all of our family down and made us watch when we were young*: a talk given by a Black religious scholar called "Blacks In The Scriptures: Skin Color & Curses". It's 45 minutes long, but if this is something you're serious about learning about, you should watch it. You can even 2x speed it if you'd like. You can find it here.

A common archaeological theory is that the Lamanites married, had children with, and culturally assimilated into more of the indigenous population, leading to darker skin. Another idea is that the Lamanites used body paint or decorations that darkened their skin, which would explain the darker skin but not the curse aspect.

Even if the "curse of blackness" is literally about race -- which I doubt it is -- it doesn't mean that, in our gospel, dark skin equals evil.** As the Nephites grew in power and resources, they became prideful and stopped believing. The Lamanites did begin to believe and even became more righteous than the Nephites at one point. As a religion, we also believe that man cannot be punished for the sins of their fathers, called generational sin [see Article of Faith 2]. Those blessed with melanin are no better or worse than any white folk -- all souls are alike and equally capable of exaltation.

[When you look, we have far more scriptures about all people and races being equal than we do about curses of black skin.]

I will be the first to admit that our religion has not had... the best relationship with race. On an episode of Brothaz in the Foyer, they shared this idea that "[Even] outside of church... any organization that's over 100 years old is gonna have some type of history around racism or prejudice." [Side note: that video is also an incredible resource! I would recommend watching it. The Brothaz share their perspectives and experiences regarding race in their religion, and I think it's a helpful resource even if you're not struggling with this concept. It's good to branch out and hear experiences from minority groups in the Church.]

To be entirely honest, I don't entirely understand 2 Nephi 5:21 myself. There are many parts of my faith that don't quite make sense to me, with my earthly mind. Expecting that every member of the Church has to understand and be an expert on every part of our religion is like expecting that every person who loves dinosaurs has a perfect explanation on whether or not there is evidence for a feathered Tyrannosaurus Rex. Not understanding a "curse of blackness" doesn't undermine the idea that I believe in a God who sent a Savior who died for my sins and wants me to return to him. Just because I don't know if T. Rex had feathers doesn't mean I don't believe that dinosaurs existed, you get me?

Anyways, I know I didn't quite answer your question, but hopefully the sources I shared with you can help you come to a conclusion about this [I don't feel experienced enough on this topic to share my own opinions lol, I'll leave it to the theologians of color to explain] And, I might mention, although it's very forward of me to say so, that you could pray about this issue. You don't have to, of course, but it's always an option to anyone struggling with anything ever. Who knows -- you might learn something! :}

Thank you for your ask!

*I grew up in a STAUNCHLY anti-racist household -- went to Juneteenth celebrations, attended protests, met and served friends of color, etc. -- so making the 7 year old learn about Hebrew idioms about race was not too weird for us

** The doctrine, at least, does not say anything about white supremacy. That doesn't mean that members can't misinterpret gospel doctrine and be horribly racist. I have heard of encounters with many a racist Mormon, and my heart aches for all those who have been prejudiced against at the hand of racist Church members.

[descendantsramblings]

Im gonna join the Morgie Male reader fans and also request something xD

Please consider writing a story where Male reader and Morgie are dating but Morgie is just always talking about Uliana and constantly trying to impress her etc and Reader feels unvalued and like Morgie is actually in love with uliana and not him so drama i guess

I like hurting myself as you can guess 🙂

-emil

Let’s not enjoy that!!!! But no I love some good angst; I’ve got you. You’re always welcome in my inbox sugar 💛

Second Place

Morgie le Fay x Reader

Pronouns used: he/him/his

Summary: just once he wants to feel like he’s not his boyfriend’s second choice

Warnings: angst, underage drinking (depending on where you are ig), Morgie isn't purposely a bad boyfriend he's just stupid. Pet names, Bestie Hades and Hook because the boys gotta stick together

Word Count: 2.3K

    His fingertips brush over different silks and starched cottons as he follows his boyfriend around the store, barely paying attention to dress shirts around him. How could he? How could the boy ever focus on the task at hand when all it did was ground his insecurities into his bones? Morgie is taking the lead as he walks through the store, occasionally lifting different button ups to feel them. Ones that seem to pique his interest led to him holding them against his chest, raising a brow to his boyfriend to silently ask his opinion. And (Y/n) does his best to respond, though it comes out more as hums and silent nods than true responses. His heart isn’t in this, he can’t focus on something like this. It is so incredibly obvious that he doesn’t want to be here, and maybe if Morgie would actually look at him instead of through him, the boy might notice. He won’t though, lord knows the sorcerer doesn’t have the time to care. Not when his task at hand is so dire. Uliana’s birthday party is only a week away, how could he think about anything but making sure it’s perfect?

   Obviously Morgie can’t look a mess, he just has to be in something new. And the gift has to just be perfect, he has to outshine everyone. Of course he does, he always does. Uliana was the sun in his solar system, and (Y/n) was barely even the tides that the moon was occupied with pulling. How could Morgie ever remember to pull the tides when he was so busy reflecting the light of the sun? How could he dare to wear something the sea witch has seen already when her eighteenth birthday was such a big deal? “Babe, you are being extremely unhelpful right now,” Morgie grumbles the words as he’s putting an honestly kind of atrocious golden silk shirt down. He’s turning away from his lover, venturing even further into the store. “Sorry, I’m just kind of tired. Didn’t sleep well,” his voice is far off to the sorcerer though, the boy too wrapped up in his own world to pay attention to a word that falls off of his fellow villain’s lips. “Once we find the right shirt we can go.” (Y/n) sighs, giving the boy a curt nod that he doesn’t even see. They’d been out shopping for four hours now, the bags in his arms were surely going to cut off his circulation soon and Morgie was still just as tuned into what he was doing as he was when they left the dorms. 

   They were supposed to see that new Nightmare on Elm Street sequel that (Y/n) had been dying to see, but now there would only be one showing left until the mall closed and it started in twenty minutes. He guesses he can kiss that plan goodbye, why would what he wants matter when Uliana was in the frame. He always fell behind her in Morgie’s priority list, he should have known that. Why would he dare to ask his boyfriend out this soon to Uliana’s “most important birthday yet”? He should have known better. The early weeks of November always took to Morgie being far more engrossed in his friend than his partner, he should have known better. 

    “Babe, can you please at least give me a color option? I’m drowning in options here!” He spares (Y/n) a look over his shoulder as he speaks, reaching back to grab his boyfriend’s hand to keep him behind him. “Go green, Uliana wears some green too,” the snarky tone has Morgie’s brows furrowing. If he looked back he’d see the way that he was shaking his head as he talked, sass falling off of every word. “Are you sure you’re okay?” “Yeah, let’s just find you a shirt, Morgz.” 

                                   ⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ ⋆

  If the crew of the Jolly Roger would be known for nothing else, they would still go down in history for the parties they threw during their time at Merlin Academy. So of course, they would be the true hosts of Uliana’s birthday party, and it was set to be a rager based on that alone. Of course, every villain party was known to be a good one. Obviously the group known for breaking rules and dark magic would have a reputation of throwing good parties. But a pirate party? Those could go on all night, with just about every liquor you could think of. And though no one ever saw them bring a blender in, there would be daiquiris and piña coladas flowing all night just so they could convince you that rum was good. Surely once he was a few daiquiris deep Hook would be sliding a shot of rum into his hand with the false promise that he’ll like it this time. Though he’s yet to actually like it. 

    He might need it tonight though, considering that in the hour that they’ve been here Morgie has spoken to him twice. He’s too busy being Uliana’s dog, running around and doing whatever the sea witch asks of him. So (Y/n) has occupied himself with leaning on a wall, squinting as the blue and green lights are far too bright compared to their normal tones. He barely notices that someone has idled up beside him until there's a solo cup of what he’s pretty sure is a mango daiquiri under his nose. “You look like you need this,” Hades’ gruff voice rings out beside him, the soft sound of metal spikes against the wall accompanying it. He reaches out and nearly snatches it, sipping the drink and giving it a hum of approval. Definitely mango, god bless Hook for that one. “I might just love you, you know that?” He leans his shoulder against the god’s with a smile, sparing him a glance. “Yeah, someone has to take care of you. Shouldn’t your little boyfriend be getting you drinks?” He glances around, shaking the other villain off of him to instead slide an arm around him, “Or at least be near you? Where is he?” 

    A sound that Hades thinks is supposed to be a laugh slips out of the other boy’s lips, the boy seeming to snuggle into the god’s side. “Oh you haven’t heard? It’s his wife’s birthday. It would be wrong of him to act like he cares about the side piece on such an important day.” As (Y/n) finishes the statement he nods aggressively towards where Uliana is sipping on a piña colada on a make-shift throne. She’s glowing, talking to Maleficent and Morgie about god knows what with a tiara sitting on her head. At least she’s having a good time with Morgie’s attention, no one else seemed to be getting any of it this week. “Oh ouch,” Hades forces out a fake hiss as he taps the other villain’s hip with his own, “Calling yourself the side piece?” 

   “Yeah well,” he shrugs, tearing his eyes away from the green silk shirt and carefully styled hair across the room, “That’s what it feels like.” Hades shakes his head, letting his hand slide up and down his friend’s bicep, “Now, you know that’s not true.” “Yet.” The singular word earns his arm a squeeze and gains him a verbal scoff from his friend. “Morgie’s little snake heart beats for you. He’s an idiot, but he does love you, you’ve gotta know that.” (Y/n) bites his lip, sliding out from under Hades’ arm. “Shouldn’t Hook have tried to force a shot of rum down my throat by now? Where is he at?” He’s walking away as Hades watches him with a disappointed face. He did know that Morgie loves him, didn’t he? Hades needs to keep an eye on him.

   Hook is at the make-shift bar in the back of the hide out when the other villain finds him, pouring two shots in the comical little solo cup shot glasses that he keeps handy for nights like this. “Where have you been? It’s not a villain party if I don’t take a shot with you before I sneak out.” He smirks, slipping one of the two shot glasses into his friend’s hand before lifting his own. “How did you get Morgie to agree to leave this early?” At the mention of his boyfriend’s name, (Y/n) slams the bottom of the shot glass in their hand against the table before them, quickly throwing the rum back before he can process so much as the taste. A strong sip from his daiquiri follows it, sliding the shot glass across the table. “Another, Cap.” It makes thick brows burrow, grabbing the rum nonetheless as he stares at him. “Finally finding a taste for it, eh?” The boy shakes his head, “I just need it. I’d like to be able to sleep when I finally hit my dorm, easier if my mind is swimming.” 

   It makes the pirate beside him frown, sliding another shot to him, “That’s a lot of alcohol compared to what you normally go for, Lad. Morgie is walking you home, right?” It draws a bitter laugh out of the slightly tipsy villain, “No it’s his wife’s birthday. He’s far too busy for me.” As Hook opens his mouth to argue, Hades comes up behind (Y/n), his hands sliding onto the boy’s shoulders. “I’ll walk you home, idiot. As long as the daiquiri stays here.” It elicits a whine from the villain in his grip, (Y/n) leaning his head back to pout at him, “No fair. You gave it to me.” And Hades scoffs, “Yeah, to drink here. You’re not drinking on our walk back to yours.” Hook wants to argue that his friends shouldn’t leave yet, but something about (Y/n) simply isn’t right. Of course, there was always a bitter air around the topic of Morgie and Uliana but this level was new. He didn’t normally act like this, and if he was this set on getting drunk over it, the boy needed to go home. So instead of arguing, he raises his shot glass to (Y/n). The two villains knocking the little glasses against each other. “Down the hatch, Darling,” he smirks, watching the way that his friend raises his brows with his own shot. And they knock them back, the same way they had at every party the group had ever thrown. 

    Of course, normally Hook didn’t take (Y/n)’s drink so it “didn’t go to waste” right after. The boy wishing Hook a good night before double checking that the god behind him truly didn’t mind walking him home. Something that the villain was sure he could do alone but there was no way that Hades or Hook would allow that, not when the boy was like this. So Hades promises Hook that he’ll be right back and wraps a hand around (Y/n)’s shoulders to drag him out of the party and back into the chilly November air. 

                                      ⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ｡ 

     (Y/n) knew his limits well enough, he was lucky for that. The second he hit the pillow he was asleep, and now he was awake without even the ghost of a hangover looming over him. Not that he wanted to be awake, he would much rather spend his Sunday wasting the day away in his bed. But how was he meant to sleep with that incessant knocking at his door? So with a begrudging whine and stiff joints, the boy finds himself swinging his legs over the side of his bed. The knocking only seems to grow louder and more urgent as he makes his way over to the door. “I’m coming, god!” A hand reaches out to snatch the door handle, basically ripping it open. Morgie le Fay all but tumbles into his room with the motion, center of gravity being thrown off as the wood he was leaning on is ripped from him. And he looks worse for wear, sweat dampened neck and dark bags under his squinted eyes. 

   “What?” He recoils at the sound of his boyfriend’s voice as if it bit him, a pout crossing over chapped lips. “Can you quiet down? My head is killing me.” (Y/n) rolls his eyes, scoffing as he goes to close his door. “Then go home.” A foot is thrown in the path of the door, stopping him from closing his boyfriend out. “I woke up after a party without you.” There’s this odd sense of disappointment hanging off of his words, eyes seeming to pout more than his lips already did. “Yeah, I’d assume so. I left hours before you did.” Morgie pushes his way into the room at that, softly closing the door behind him. “You did?” “Yeah,” there’s a scoff dripping off his lips as he makes his way back to his bed, “Which you would have noticed if you gave me so much as a minute of thought this past week.” Morgie frowns, leaning against the door with his arms crossing over his chest, “You didn’t walk home alone, did you? You should’ve come and got me. I don’t want you to walk around at night like that.” 

   “No, Hades walked me home.” Morgie nods, looking over at the boy curling up in his bed. (Y/n) obviously trying to make himself smaller as he attempts to talk about his feelings. As if he was doing something wrong. “So why did you ask Hades instead of your boyfriend?” He cuts Morgie a look, rolling his eyes, “I didn’t ask Hades, he just knows me well enough to know when something is wrong.” Morgie raises his brows, “And I don’t know you? I know you, I can tell when something is wrong.” It earns him a laugh, a twisted and broken one that makes his skin crawl. “You do, do you? Okay, then why did we originally go to the mall last Saturday?” And his stomach falls with his confidence. How was Morgie ever meant to come back from this one?

@an-absolute-waste-of-space

[arceespinkgun]

I'm sorry for this since I do hate how overrated he is in general, but I really wanted to make a post getting out my love for Prowl in the TF UK comics. He is just so clearly the best, most definitive version of the character in my opinion! Somehow, so many of the funniest moments from this continuity are Prowl-related and many of his quotes live rent-free in my head?! From jumping on a missile, to yelling at Jetfire in one of the Christmas specials ("You almost break the world record... FOR STANDING STILL!"), to thinking Jazz saying something will be "a piece of cake" is literal, that one time he yelled "SHUT UP!!!" at the Autobots and Decepticons and then added a tiny "please" afterward...!

And in my opinion the funniest panel in all of the comics is a Prowl panel where he thinks Grimlock is dumb as a brick and imagines a literal brick!

IIRC Prowl's introduction to the comics showed him trying to suggest other options than suicide when the Ark gets attacked only for Optimus to immediately ignore him, which really sets the tone for that dynamic. I was pretty surprised to see that Optimus (and later Grimlock, who is generally hilariously awful) are incredibly unstable leaders and that in almost every case I took Prowl's side in his arguments with them...?

When I say "unstable," I really mean it

He isn't perfect, but he seemed to just want to the War to end and then stay ended from what I could tell. I kind of get the sense that a fandom in-joke about Prowl being a prick may have gotten overstated and led to Prowl actually being extremely obnoxious and immoral in things like IDW, since to me here he really came across more like a character who's justified in being irritated by how other people, normally his superiors, are acting because they're endangering others. Near the end of the comics, I really didn't like that Prowl was very much treated as being wrong for trying to get it through Grimlock's thick metal skull that Decepticons are people too? This isn't going to make sense for people who haven't read these issues, but to me it felt like Grimlock was shirking his duties as a leader and then setting Prowl up to fail to teach him a lesson the hard way, and it felt pretty cruel are overly edgy to me and not in-line with how Autobot and Decepticon dynamics were portrayed earlier. I know I'm biased, but I personally thought it was brave that Prowl stood up to Grimlock, the way Blaster had much earlier on.

Going into these comics, I was really expecting to see a precursor to IDW Prowl or something, and I feel like I was misled! This version of the character feels almost like what IDW Prowl thought he was like. In the final annual story of this continuity, when Optimus actually apologizes for brushing Prowl off and explains that he's just been struggling emotionally (there's even a moment where it says, "Prowl gaped. Not only was he getting an apology, he was also getting an explanation," which really shows what kind of character Prowl is) and Optimus then says it's an honor to work with Prowl, I think I said "awww" out loud!!! And I thought it was hilarious that Prowl was so moved that he imagined a lump in his throat LMAO

"There's a ship fuelled and ready to life off, the assault team and medical crew are aboard. Prowl, I would be… honoured if you would join us," said Prime." And with that he extended a hand for Prowl to shake. There was a frozen moment or two before Prowl grabbed the proffered hand, pumping it. So charged with emotion was the moment, Prowl actually imagined a lump in a throat that he didn't possess!

I also thought Prowl was just as badass as he was hilarious: I loved it when Galvatron targeted Autobots including Prowl for having "mental flaws" by trying to use those to brainwash them into serving him and then Prowl's response was to just attack him and be like, "You forgot that we Autobots REPRESS our feelings!!!" Prowl was one of only three Autobots who ended up alive in the AU story "Rhythms of Darkness!" And he also once went back in time and had to relive his own destruction in order to stop Megatron, who he knocked out with a punch to the face:

(It's Megatron possessing Snap Trap's body). This "Prime?!" "Nope—Prowl!" *punches him in the face* is such an iconic moment to me

Prowl also has a great backstory and was even a veteran before Optimus Prime was ever leader! You can read about that in my Jazz analysis post since they share a backstory. Prowl led a team who went around freeing Decepticon-controlled territories early in the War, and was one of the most dreaded Autobots! Not this is what I like—Prowl being a "terrorist" only in the eyes of the oppressors, not a civil terrorist in peacetime like in IDW! I think it's pretty likely that Prowl's type-A personality and intense sense of responsibility was probably informed a lot by his trauma on one of those early missions going so horribly wrong, since he seems to have behaved differently back then:

Prowl leaned over to Jazz. "Did we do okay?" he asked uncertainly, hoping Jazz wouldn't interpret this as weakness. As team leader, Prowl worried constantly that he would foul up, make some decision that would end up costing lives: theirs as well as others.

I think I'm not the only one who thinks sometimes having a favorite transformer who's really popular but it's only a couple of iterations that you're not interested in (nothing against TFA Prowl at all, I like him, I'm just very neutral on TFA the show), while almost nobody seems to know about the iteration you like and what you like about the character, can sometimes feel like a bit of a curse lol That's why I felt like sharing all of this!

[say-hwaet]

The Dynamic Between Arthur and the Marstons (long post )

I guess I should say there are spoilers, just in case…

After playing the story through several times, I have to say, that Arthur Morgan is one of the best characters ever written. Aside from his development, there is so much depth to him, and regardless of his honor, there is so much to unravel.

I’ve been thinking about the relationship that he has between the Marstons, meaning John, Abigail, and Jack, and it really makes sense as to how Arthur acts the way he does around them in the beginning and all the way to the end.

A lot of his behavior, I think, stems from the loss of Eliza and Isaac. It is my opinion that he himself was torn between living a full life with them and remaining loyal to his gang, and before or by the time he had made a choice, it was too late, as they were killed in a robbery. This had haunted him since and it made him extremely bitter. Later in the game, he tells Rains Fall that he realized that he didn’t get to live a bad life and have good things happen to him. I also think that he was with Eliza after Mary had broken their engagement. I can get into my support for this later, but that isn’t what this post is about.

I think that Arthur was angry with John out of jealousy. He is the “golden boy” and clearly was Dutch’s favorite at one point. Not only that but after Arthur loses his own son and lover, John and Abigail get pregnant and he takes off for a year. He abandons his family, which Arthur takes personally. Arthur had tried to do right by Eliza and Isaac and still failed. So when John has Jack and is within the circle of the gang to help and support him, he takes off. Arthur gives up a potential life with Eliza and Isaac for Loyalty to the gang and John throws it all away. When John comes back, Dutch welcomes him with open arms, and Arthur believes that he would have been held to a different standard if he had come back after being with Eliza and Isaac for a long time. And it doesn’t help that John treats Jack like crap in the beginning of RDR2.

Arthur, imo, was a good father to Isaac when he was present. We can see this in how he treats Jack. In Arthur’s journal, he writes how he should have married Abigail, but due to his feelings for Mary, he didn’t. I’m not sure why after years of not hearing from Mary he would say this, but meh. Perhaps, the hope of starting over, or that she did pop in again at some point (which is how Abigail might have met her?). Anyways. I think he says he should have married her so that she would have someone to rely on and that he could be the father Jack needed. He cares about Abigail, but I don’t think it is anything beyond that. Arthur seemed to me not to be one to be with a woman without some sort of relationship, based upon how he treats women and the prostitutes in Valentine, so I don’t think he was ever with Abigail. Even so, Abigail relies on Arthur, and while he puts up a front, he gives her money for clothing and spends time with Jack. Heck, he even tells John to step up and be a dad. In some of Arthur’s conversations with John, he tells him that he can’t be two people at once. He’s speaking from experience. I think he’s subtly telling John he needs to make a choice as to what life he’s going to live. Hosea and Arthur both tell Abigail and John to leave at parts of the game.

When Jack is kidnapped, and eventually rescued, I think it is one of the most heart-wrenching missions and scenes. I can see it in Arthur’s body language that he longs for the family that he once had. He’s alone in his pain and when everyone is celebrating, Arthur doesn’t sing with the gang; there isn’t even the option to do it like it does other times. Even in my first playthrough, it seemed so sad to me. Everyone was drinking and singing, but Arthur just looked so sad.

So, it is at this point that John starts to step up, and Arthur starts to show symptoms of his illness. When he learns of his diagnosis, Arthur’s eyes open to the reality of the gang’s downfall, and he acknowledges the doubts/reservations he has about Dutch’s plans and schemes. He isn’t blindly loyal anymore. He tries to get John, Abigail, and Jack out, so that they can have the life that he had lost due to loyalty to the gang. He continually tells John to get out and that it would mean a lot to him. In his journal, after rescuing John from prison, he writes in his journal “…We’ve argued over the years, but I’ve grown to care a little for [John]. He’s less of a fool than he was, and maybe he can have the luck that has eluded me. Jack is an innocent little boy. In him, I see what I missed [meaning Isaac]. We did it.” This speaks volumes to me about how he feels about them in the end. He sacrifices himself to let John live. And though it isn’t forever, Arthur dies believing that he made it, and that matters. And hopefully, he could finally be at peace and see Eliza and Isaac again.

I could keep going, but I think I am too long-winded. I guess that helps when writing fleshed-out fanfiction stories, but not for posts. LOL

Would love to hear other thoughts or opinions, I’m always keen for a discussion.

[hannahssimblr]

Mini break announcement

I feel this almost goes without saying, but now that I've finished part 3 of Lucky Boy I am going to take a short break to essentially create the Berlin world, including writing, building, making new characters etc.

I also have to update my game so! Fingers crossed that all goes well.

In the meantime, i'd love to hear from my followers about what you'd like to see from me during the gap. I have a lot of ideas already, but if anyone has something particular in mind, please let me know! Either comment or leave an ask or just message me, I don't mind.

It also doesn't have to be related to my story - I know there are people following me for other content, so if you'd like more of that in general, I can do it!

So what I'm thinking of as options so far are

content about the process of setting up the next part of the story

character analyses

directors commentary

sharing pose packs I've made (particularly the festival ones)

builds

Photoshop tutorials - particularly how to paint tears as I did in the past few parts of LB 2010. Other suggestions welcome!

Other tutorials - like writing/capturing romance for example, if this would be of interest

Edits

my process from writing to posting

summaries of the plot so far

So! Please don't be shy, even if it's to let me know which of these options is appealing

I'll make another post soon gauging opinions about what people want to see in my story going forward, what characters to revisit etc so watch this space I guess lmao

[all-pacas]

7.04:

HOUSE: […] Yes, [Chase has] been dating at a near-Clooney pace recently, but at this point, the only hole he's trying to fill is the one in his soul, which means it's the emotional connection with Cameron that he misses.

7.10:

WOMAN DOXING CHASE: When we were talking, you seemed like a nice guy. So either you're a great actor, or you're a nice guy who lost his way.

7.14:

PATIENT : Haven't you ever done something in a relationship you wish you could take back? CHASE : Maybe. PATIENT : How'd you handle it? CHASE : I told the truth. Eventually. PATIENT : How'd that work out? CHASE : Not well.

7.19:

CHASE: My time here changed me in ways not everyone in my life thought was for the better. […] MASTERS: Were those people right? CHASE: I think when you do change, it's not so simple to go back.

7.20:

CHASE: I think you're stuck. Last month or so I've turned my life around. I'm happier than ever. FOREMAN: Sleeping with ten women instead of four? CHASE : Try none. […] FOREMAN: […] None? CHASE : Was having tons of sex, and I was bored, hating myself. Was never gonna be ready when something real came along.

[He sleeps with a nurse at the end of this episode, and looks conflicted about it.]

8.10:

ADAMS: Do you think people can change? CHASE: No. But I don't think that's gonna change your opinion, because… people don't change.

8.12:

HOUSE: You can do anything. So you come back to the same building you've worked in for years. Guess you can cross that off your bucket list. CHASE: Can we get to my patient sometime soon? HOUSE: As soon as you admit that you're a confused mess, sure.

-

HOUSE: Or you're terrified of intimacy, which is why you're a serial slut. But right now you're grasping at an emotional life raft. Ideally someone for whom intimacy's not an option.

8.16:

PARK: You were jealous of me. My family. CHASE: Maybe you've got too much, and I've got too little.

8.17:

CHASE: I have meaningless sex with random strangers. Thanks for the insight, but I stopped that months ago. I actually had a relationship. HOUSE: With a patient. You just date whoever happens to cross your path. CHASE: My dating is getting in the way of my dating? HOUSE: You don't go looking for the right person. You just shack up with whoever's in the room, and then you get surprised and/or divorced when it doesn't work out.

anyway, chase's dumb whoring as a symptom of his loneliness. his immediately falling for cameron at the first scrap of affection as a symptom of his loneliness. he sleeps around after his divorce and then stops. he sleeps around after his stabbing and then stops. it takes him a long time to get over his divorce -- there's a running theme of him wanting to change, feeling like he can't, that no one can, that it is a problem, that all he can do is what he's stuck doing, but he keeps attaching to the first people who show him affection (which he mostly interprets as sex) because he doesn't know what other relationships look like.

[runabout-river]

No matter what Gege does with Gojo, I don’t think it will be satisfying for me

I considered every option for what could possibly happen with Gojo, regardless of how likely I think they are, and I genuinely can't find myself considering any of them a satisfying conclusion.

**1. He is dead and no one will mention him in the last chapter.**

Hate this. So much. Random civilians in Shibuya were shown respect by Yuji in the middle of chaos and panic, but nobody has ANYTHING nice to say about Gojo?? Since the fight ended, we got Kusakabe saying he is at fault for not killing Yuji and Shoko calling him an idiot (endearingly) for not destroying Geto's body. Lovely.

**2. He is dead and somebody will say something or we will be shown a grave.**

Better but still bad. I feel like the ship has sailed at this point. They had a chance while reflecting on the fight and we got nothing. Megumi and Shoko were at Tsumiki's grave and... we got nothing. I think it's pretty safe to say no one will be mourning him in the last chapter, they're already going on missions after all. And a simple mention feels incredibly cold and empty.

**3. He is dead but will come back to life due to his soul still not departing and sacrificing one of the Six Eyes in a binding vow.**

I won't comment on how possible or not this is because Yuta managed to return to his body simply by being in proximity of Rika. If Gege wants to write it, he can. However, we are talking about the last chapter of the manga and this would absolutely take away the spotlight from Yuji. Not to mention that this route needs groundwork that I don't think 19 pages can provide for. ALSO, this still doesn't explain why nobody is sad or willing to acknowledge him because, to them, he is dead.

**4. He is actually alive and that's why nobody has been shown to be sad about him.**

Would make sense in terms of characters like Yuji and Yuta not showing any emotion towards him. But this isn't like Nobara's situation. Like I said, it needs build up. A character like Gojo should be shown making his choice, not just appearing out of nowhere. It would add absolutely nothing to his arc and would honestly be pure fanservice.

**5. The dream theory.**

I don’t know how much you've heard about this but there is a theory going around that these last chapters or more have all been a dream. I won't do any analysis on the validity of it because this isn't important to my point. "Who's dream?" is the actual question here.

**a) It is Yuji's dream.**

You want to tell me somebody as kind and compassionate as Yuji has no place for his teacher in his dream of a happier tomorrow? Get out of here.

**b) It is a collective dreamlike state, a product of Sukuna's activation of the Merger despite the rules imposed on it.**

Again, nobody, not a single soul, has it in their heart to include Gojo in their dream? In any way other than criticizing him? It would go against all the care Yuji and Yuta have shown for him and be a genuinely awful characterization. It would show he was actually not loved at all, something we know isn't true.

**c) It is Gojo's dream.**

So, Gojo is dreaming of a world where his body is used as a weapon, his students don't care enough to even mention his name and life goes on as if he never existed? He can imagine himself being blamed but not having a place in his ideal future? Do you want me to kill myself?

I would really like to hear opinions or other options if you have any. Right now, this is all just sad.

*Cracks Knuckles*

First of all, I have read the dream theory and I believe it's possible but for now we take the last chapters at face value.

Yes, the lack of any mourning for Gojo (and Choso) is sad and a sour note at the end of the manga. We already had this lack of regard for his death during the Shinjuku fights. There I could understand though how the characters pushed all their feelings to the side once Gojo had been defeated.

They needed to act fast and steadfast, so we got most of their concern and other emotions while Gojo was still fighting.

Now though there is no excuse anymore. JJK had alwasy been a little loose when it came to the slower and reflective moments but Gege had the space the previous chapter to fill it with somehting meaningful. Instead we got an unnecessary explanation of the New Shadow Style school system that's just plain unimportant three chapters before the end.

So in that regard, yes, Gege fumbled it. Even in the driest part of Gojo's death, there still should've been an earth-shattering shake up of the status quo the same way his birth had changed the jujutsu world. But that was also lacking because chapter 270 basically erased all conflict in the story.

So what will happen now?

Your option 1) hate it, too :D

Option 2) nothing to add. Perfectly said how Gojo should've already been talked about instead of letting it go to the last chapter where he most likely won't get centre stage.

Now to Option 3/4) First, the last chapter will be longer than 19 pages. It was either double or tripple the length of a normal chapter so there is more time to flesh the last things out. Second, I have my own theory on how Yuta using Kenjaku's CT on Gojo's body and then getting ejected from it, might've have permanently revived Gojo.

I don't like Gojo being just alive though because that would be anticlimatic and detrimental to the high stakes and emotions that came before. It would be just one more thing in this super happy ending everyone got (except Choso). What could work though is Gojo's body being alive but in a vegetatitve state. Then it would be open ended how his story would go on.

Now the thing about the dream theory is: Yuji only imagines the good things. That's why characters where their death was ambiguous are all alive and only those who had been 100% confirmed dead are dead. With Yuji doing the dreaming, he would push negative feelings about death away and mourning is one such feeling and he had done exactly that previously as well.

If this theory comes true, Yuji would be mourning way more than just Gojo's death at the end. He would also be mourning the good end he envisioned for everyone. And that's sad but also... what I would prefer in contrast with this sugar cloud of a happy ending.

[yakkitylylac]

hiiiii in continuation with the whole going thru it thing i just want the general publics opinion. out of curiosity