#theres so much potential in fantasy aids i think

[solargeist]

I've been rewatching DBZ and i just think Scar should have a fictional wheelchair likeeee...

or even ???

[floralkittygambler]

Reposting for reasons

Response to Honest’s post here: Doing this to spread this awareness more as I know theres a bit of a rift in the critical community - plus I really fucking go on. Im PISSED and I do apologise however it NEEDS urgent addressing. I know people will hate me for it but Im used to hate and honestly? Hating rather than helping to solve the issue only furthers my fucking point here. So yeah this is so more people are aware (no offense to any of those involved in said rift either, but this is an important message. Thank you for understanding and if I can do anything to make all sides comfortable, then please message me and I’ll do my upmost.) “ More awareness of this is needed. Even if it’s your favourite, you can’t justify their shit but rally against another’s shit. Have people tell you you’re experiences arent real or invalid because, like Husk, people have - in real life - shipped you with someone you are far from comfortable with but you still treat them like a person. Because you have basic respect. And people force you to accept harassment, touching, stalking, advances for THEIR satisfaction. People use you for their fantasies. But you’re just a ‘tsundere’ for it. Or you have addiction issues but people think being with another addict will ‘save’ you because you’re apparently too incompetent to save yourself. Love isnt some magic fuckin cure so stop romanticising it as a fuckin saviour. It’s gross and fuckin creepy. Get stalked and have someone NEVER accept your no just because you show youre still decent enough to not treat them shitty or any different from anyone else. Try having someone way older or way younger (both in morally fucked up ways) advance on you and people encourage that. People you’re supposed to feel safe around.

People touch you when you pull away or show discomfort. Follow you home. Have pictures of you and wont accept you dont like them like that and it’s not ‘playing hard to get’ or ‘the thrill of the chase’. Fuck. OFF. In fact, Im not only disappointed in the fandom. Im disappointed in the entire team who some should know better from their OWN personal experiences - or at least the bare minimal of being a fucking adult. Im disappointed in especially females (sorry idk whether girl or woman is more appropriate here-) who statistically are more likely to have experienced something similar at some point in their lives think this is a cute gay moment. No. Angel is made out as a fucking predator - Im not saying he is, Im saying that his persistence is very fucking unwelcome like one. People like Husk dont need that fucking invasiveness. They/We need patience and someone on our level. Angel’s I know are the fuckin polar opposite - and some of them I know are very sexually harassing, including unwanted touching. It’s a shitty way to present gay people. Gays are fuckin people. Some are cunts and some arent. It’s a HUMAN thing. But considering the shit theyve been subjected to, presenting a gay as a victim only to also show them as a perpetrator is insulting! And for those Ive seen argue this about how people like AD wouldnt know how to express their love normally and whatnot? His pig. His best friend. He’s in his fucking 30s. There are literal real life criminals who get molested as kids and then go on to molest kids. Not all who grow up like that turn into nonces. Stop just fucking STOP justifying and romanticising this bullshit! I used to see the good in AD but now he makes me fucking sick. Especially with my verrrrrry fucking real traumas and connections. But fuck me, eh? Because this fictional guy matters so much more. Fuck real victims. And whilst we’re at it, fuck AD too when it suits your fetishes! Sarcasm aside, the fans and the team need to straighten up their abhorrent behaviour. Stolas. Fucking clearly having an affair, knowingly fucking up his daughter’s mental health and bribing a guy into sex who only wants the book and nothing more. He even has a fucking warning button over Stolas- Guys, how do you think any of this is cute? Even the team gross me out- I genuinely see potential and talent and it’s all gone to shit to satisfy horny teens, horny adults, and literally everyone who doesnt for the life of them understand being an adult is more than sex, drugs, violence and swears! I REALLY want to keep enjoying HB/HH but it’s getting harder and harder with such ignorant and bordering lazy creators (note: lazy as in wont do the fucking research or actually listen to real criticism and victims), such despicable fans (yeah, some HDers fuckin mocked that they triggered my ED, yet they had the fucking NERVE to support Angel’s potential ED AND laugh and blame me for me getting treated so badly for actually having the balls to call Angel and the teams hypocrisy. I got told to kill myself, that my problems arent real - oh but Angels apparently is! Which... They *are* but AD isnt real so technically only onlookers will suffer and not a drawing  - and they just excused their toxic behaviours. These people are like “aww poor angie babey!” yet fuckin INSULT sex workers. All this red in Hazbin yet it feels everyone and they mama colour blind. The issues are getting worse and fans are outright becoming EVIL, VILE, Vindictive little bullies - from kids to adults. You SHOULD be ashamed of yourself if you conduct yourself in such a manner. And you need to readjust your attitudes and behaviours because the only fuckers getting hurt are actual fucking victims. Ever been violated and been gaslit so much you STILL fucking question it’s reality? So you drown that shit out yet somehow it’s effects still hit you? Fetishise it. Make it your uwu gae couple goals, you’re no better than people believing Harley and the Joker werent toxic af. If this shit happened to you, most of you would actually SEE where we’re all coming from. Also, stop making gay a fetish - you’re like those creepy old men in the alley heckling lesbians to make out so they can wank off. Gays, no ALL the LGBT+ are fucking people too. So dont give me that bullshit then start turning everything just gay or just straight to mentally wank off to. It’s degrading and dehumanising. And yes, fiction does effect reality. You crush on a fictional character? Mourn one? Support one? Hell, fuckin jerk off to one - that’s affecting reality. Remember how in fiction all blacks were treated as villians? Look how theyre treated IRL. JAWS, great classic unfortunately their was a spike in shark killings over a fucking movie - the shark in the movie wasnt even real for the most part because they dont behave like that! (Also the animatronic was so shit they genuinely had so many issues - I think they even took to naming each one! Some fun trivia there!). Tiger sharks are more nasty than great whites as tiger sharks will hunt and eat a human. Great whites prefer seals and dislike human flesh, they just mistake us for seals. Hell, theres the toothless basking shark - theyre often SWAM WITH by divers for being so friendly. Yet Jaws made people think all sharks are bloodlusting over humans. Slenderman was created for a fucking contest and that influenced a stabbing (NOT Victor’s fault). Watch a horror movie that isnt based on a real life event and tell me that at least ONE has left you peaking over your shoulder. Stella may be a bitch - we dont know for certain - but try getting cheated on. Y’know what? Try growing up in such a broken home like Octavia. Yeah reaaaaaal fucking cute now, huh? Funny how as well y’all petition for male victims to be taken seriously then laugh when fictional males experience this abuse, further adding to stigma. You can be hit on by the hottest mf on the planet but if you arent interested, that should be respected! Also we’ve all been inspired by at least one fictional character so yeah. Yknow, since I was little Ive been fighting for sex worker and homeless rights. But HH/HB treatment of both leave a bitter taste in my mouth. I’ll still fully support sex workers and the homeless, but that’s the fucking effect this show is having. Bearing in mind I wont ever share everything Ive been through - and I shouldnt fucking have to in order to be believed and validated (obvs proof is required in a legal case but that’s a whole other topic). Why should I share MY fucking pain especially when you fuckers have belittled and triggered it more so? We have our rights to our secrets but fuck ME you lot NEED to start acting appropriately and like decent fucking humans. ‘iTs HeLl’ yeah and welcome to Earth- the team and yourselves live HERE. You obide by THESE rules. And as someone with beliefs (and a LOT of ancient fucking texts and studies on this shit) their Hell isnt even a proper Hell! It’s closer to purgatory and even then it’s not. Regardless, it’s a poorly built world with the lore consistently changing per episode and tweet, with many plot holes, and is apparently easy to get into - even via accidentally watching porn according to a stream. If youre gonna parade youre a fucking expert and research into demonology and use real believed figures, at least get THAT right. In fact, Lucifer and Lilith (and Stolas tbf) are ESPECIALLY risky as theyre a lot more complex than most easy access texts will tell you. Likewise, Stolas’s first introduction and main focus is sex. He’s one of the FEW Goetia demons that dont have some involvement in relationship issues at ALL. He’s known for astrology, crystals and herbs but hes also known to aid MONEY troubles (it’s lesser known but it’s true! HB Stolas is an insult to the Prince). Turning Vodou into something evil is vile considering it’s powerful and liberated slaves. Pentagrams are nothing to do with Satan, they’re magic based sigils. Upside down cross is the symbol of a SAINT. It’s just some edgy attempt to trick people into believing they know more than they do. Also you should NEVER dabble and doodle sigils without knowing the meanings or respecting what they behold. Vox and Val, real fuckin cute way to make them look like a stupid fucking highschool drama instead of a fucking SEX TRAFFICKER (note: real pimps often target YOUNG folks too - aka minors - and groom them into sex work. Theres different types of pimp. Viv has shown barely any understanding of ‘the game’ and its a fucking insult to injury. Yes we KNOW what a fucking pimp and prozzie are! We dont need to see it. We need REAL AWARENESS.) and a fucking scheming bastard of a CEO salesman botman. And yet even THEN lets go a step further and make some yandere wuv on boyfweind aboose! Fuck off- Now I love a good anime but these tropes are getting fucking dangerous now. And unrealistic to real love and relationships. Kids nowadays know fuck all on a healthy relationship (neither did the fuckin 50s tbf) and Im seeing more romaticism and glorifying abusive situations. Like the show ‘You’. Ok, there’s a fuckin bloke online who slaughtered innocents and kidnapped yet people commented how cute he is on his IG and that they want to be kidnapped or killed by him next. Dont believe me? Look up Peter Manfredonia Connecticut and the comments people left him and then tell me why shit like whats being presented in HH/HB ISNT fucking concerning - because it is. For a series about redemption, it’s brilliant at the opposite (Quote from the creator herself, Viv has posted that it’s influencing her bad choices. Even as a joke, proof’s in the pudding). And the overall focus on sex in the way Viv does is so immature and really creepy, and this is from an ADULTS perspective. From one adult to another, Im concerned as to why any of them think this is a normal fixation. Then again they’ve hired quite a large amount of dodgy folks and even a child. Most of this shit gets avoided with a basic background check like most companies run. I DO like Hazbin. Or the premise. I love some of the cast and spite the others. In Helluva, I just like a tiny portion of the cast. And I critique it so harshly because Viv DOES need a wakeup slap, grounding to reality, people who arent going to big her up or kiss her arse for once and shape her up to be the best she can be. The actually reach and even surpass her potential. And to reach where you need to be, there’s a lot of harsh lessons youll face. That’s life. Shes chosen one of the most HEARTLESS industries and if she blocks out critique as ‘hate’ then she’s not strong enough and wont last. It’s just another unprepped YanDev again (except I dont believe Viv to be a nonce. Even with her dodgy past and dodgy present, I think her perspective on sex and relationship with sexuality is FAR from healthy BUT I dont believe she’s a pedophile. Ive bled my fair share and so far, I just think her sex perspective isnt healthy or mature for her age. But there’s little to nothing to suggest actual noncery - dont worry about accusations there. But YanDev is totally a dirty predator. Just clearing that up). Viv NEEDS some harshness and stability if she wants to do things right. And it’ll make her fucking cry but if she loves these projects as much as she claims to, then you’ll sacrifice blood, sweat and tears for that shit. Even the strongest points are mediocre at best when properly observed. She CAN do more, but she’ll have to face the harsh music. Viv wont see this, but if she does, I dont care if it upsets her. Why? Because this is that much of an issue - something she’s cultivated - that she needs to take action and not ignore it or be secretive about it. She needs to grow up and get tougher skin. Im not saying this to cause her pain. In fact, I wouldnt waste my fucking limited time if I DIDNT care. Trust me, I have duties to be met at a certain quota every single day. I say this shit only because I give a shit and care. If we met, she’d fucking hate me. But people like me are good for shaping people up to their potential. And we arent always this ‘tough love’ either. But when someone needs that level of harshness to help themselves, we’re not afraid to lose people or cause upset if the results end up being the best for them. If she ever saw this, she needs to re fucking evaluate her message, her story, and those she’s choosing to welcome into her circle. And all Im seeing is one rookie mistake after the other. Her paid patreon discord. Just like the messages Honest has posted on her side of being harassed (not in Vivs fyi), Ive experienced shit and bullying and even stay silent on their for being attacked for a group I fuckin paid to be in and yet I feel isolated. It’s all arsekissing and ‘thank you viv’ (thats an actual channel-) and it feels like a place of borderline worship and people trying to appease her 24/7 whilst kicking others with different opinions down. There’s so many I love but I aint kissin yer fuckin arse. Ask the closest friend I have - we’re fucking raw and wont just side with each other just because. We’ll call each other out if we think they’ve fucked up and then help each other build themselves up better. Because real fuckin people who actually care wont just want to be adored by you. They’ll care enough to point out your bullshit and help you, even if they upset you at the time. They’re real and upfront with you. People like us arent always the easiest to be close to either because we arent afraid of upsetting someone if it’s in their best interest and to help them. Likewise, we dont go out looking for fights either. Most times, we’re fuckin soft bastards- All this shit listed is the fuckin surface level of the real life hell of this fandom. And unsurprisingly, those who experience little to no toxicity have always been higher on that popularity ‘food chain’ - enough admirers and shared opinions that people wanna arse kiss regardless of their OWN feelings as well as neutral perspectives. I’d say you’re the lucky fans, but you’re not. You’re sheltered, and that isnt always the best way to be sadly. As for the fans. If Ive upset you. Well... I dont care. Because many of you have actively sought me out and weaponised my traumas against me. You never cared about my feelings then. Why should I care about yours? Im not doing this out of malice. Im fed up of humans behaving so pathetically yet claiming to be high and mighty. Most of you have been arseholes to those in and out of the community. The victims and non-victims alike. Hardly any of you considered once my real suffering. You put a drawing over a life. Many lives. You had the audacity to tell me Im full of shit. Some even using my real traumas to make a mockery of me and those Im around with a very similar history. Some with traumatic histories that differ from my own. You hardly ever considered the real lives of those effected. So no, Im not sorry for having the fucking balls to this day to still stand up for our rights and give us a voice that’s long been stolen. Im not sorry for being a fucking victim. Im not sorry for saying what desperately NEEDS voicing. And Im not sorry for not conforming to you or any fandom just to belong. We deserve better than to constantly be your fuckin arse monkeys (well... the trope is butt monkey but yknow-) and to be mistreated, misrepresented and harmed by you. You’re no different to the school bullies who give speeches on anti-bullying day. And I hope every single one of you starts looking into yourselves and improving. PS: Depending on the texts you read, Lucifer is said to have been redeemed or to be redeemed. Fun fact to haunt yalls with~ “

[brunhiddensmusings]

an issue i have with movies

or, rather, that the movie industry has and im calling them out on it that the movie industry makes stupid assumptions about what does or does not work while ignoring the real reasons why a movie succeeds or fails because that would take too much effort and thought despite ‘filmography’ being a legitimate course of study that i would really hope that people paid tens of millions of dollars to make movies have some understanding of and/or hire people with the relevant degrees because i KNOW when a movie like ‘midway’ flops hard  the reaction of the movie industry is ‘i guess people dont like historical war recreation dramas’ instead of looking a bit harder and realizing ‘i guess people dont like a movie with no main characters, nothing to tie the existing cardboard cutout characters together beyond a vague setting, and a strange inability to make anything its showing on screen relevant as a plot rather then just listing things that happened with no explanation, narrative, or point of reference character’..... although im okay with ‘WW2 movies’ being put back into dormancy because theres more then enough of those and they have kind of messed up how every other war movie made after saving private ryan functions ive seen this time and time again that a movie that is badly made flops because its badly made, and the film industry then acts like some other element is why people avoided it its kind of crazy to think now but before LOTR came out the film industry had considered fantasy movies to be toxic for years, despite the 80s and 90s having some very well loved fantasy movies like ‘willow’, ‘neverending story’, and ‘labyrinth’ because of the number of really shit fantasy movies produced in that time. or if not shit then at least movies that didnt do well until much later when people started enjoying it for different reasons like ‘legend’.... but the sheer number of fantasy movies at the time that were given mediocre budget, garbage writing, and the only saving graces were how much effort the lead actors tried to give their inarticulate screams as the stabbening commenced made the industry think ‘i guess people dont like fantasy movies’ instead of ‘i guess people are not impressed by corny stories with no setup and are ultimately destined to be reviewed by drunk youtubers who heckle B-movies’. yall remember ‘deathstalker’? cause there were like 40 of that movie, conan was a rare gem in a sea of halfassery and then AFTER lord of the rings they try a fit of fantasy movies trying to cash in on this ‘hip new trend’ and while a few of them are okay, most of them are pretty blatantly trying to copy what LOTR did by the numbers as shamelessly as possible, then theres also quite a few that limply flop over the line of mediocrity until movies like ‘your highness’ where the drunk prince wears a minotaur wang around his neck as a battle trophy and ignores sexual molestation by a wizard (ah yes, great comedy recounting those times a wizard touched you when you were a young boy, hilarious for the whole family) ultimately bring people back to square 1 instead of asking ‘maybe if we made a -good- fantasy movie again instead of throwing larger piles of money at bad ones’ and so have movie genres been thrown under the bus for the failings of individual film studios making openly shitty decisions instead of acnowleging that a movie lives or dies on if its GOOD rather then by ‘i guess people dont like full costume period movies anymore’ and its the death of so much potential on the example of costume period movies you may have heard Lindsay Ellis talk about pirates of the carribean on this exact kind of concept, if you hadnt i will gladly add a link to her video on it upon request, but the point is that the assumption at the time was ‘people dont like pirate movies anymore’ because of the dearth of mediocre low budget and shit writing pirate movies made in the 60s-80s, and building on that people kept assuming that what we today would consider the ‘interesting bits’ about pirates of the carribean such as the zombies and jack being a loon the filmmakers at the time were considering ‘ruining the movie’. now i have many complaints about the pirates of the carribean franchise but the first movie is a cinematic classic that fully stands on its own merits, yet i would have been bored to tears trying to watch the version that would have been made if the cut out the zombies, curses, crazy people, and.... really what would be left of that movie? and yet still it happens time and again like clockwork when a robin hood movie is made once a decade, its either only alright or a complete flop, and then nobody wants to make that movie again for eight years then they make another robin hood movie copy/paste that last paragraph but replace ‘robin hood’ with ‘king arthur’ because holy damn are there a lot of bad robin hood/king arthur movies out there. granted theyre public domain so nothing to stop them but when will people learn? literally only two king arthur movies were unanimously good and one of those was monty python and the other was a disney animated classic. literally only three robin hood movies were any good and again one was a disney animated classic and one of the others was Mel Brooks making fun of the Kevin Costner one if public domain was the key element there then you would expect them to keep pumping out..... oh yeah, i forgot the movie where the frankensteins monster does parkour in modern cities to kill gargoyles was a thing, and the beauty and the beast remake where ‘the beast’ is a rich kid in suburban america who is ripped but bald and covered in tattoos and theres some shit about prom.... uuuuuuuugh, theres actually a lot of these ‘reimaginings’ that while the idea of reimagining a timeless classic is cool, they ultimately handle like a steaming turd and then, again, claim its that it failed not because they made a moist cowpat but rather it failed because nobody today likes the frankenstein monster- i for one would argue that an audience today would LOVE a faithful reimagining of frankenstein that really digs into the meat of that premise instead of making him a large green zombie that goes ‘fire bad’ and lets people get dug into the byronic shenanigans of that time im losing my train of thought but moral of the story is that people who make movies will always blame them failing on the -type- of movie it is rather then that they made a bad movie or draged something on way longer then it should be (just because one well written gritty retelling of batman did well does not mean every superhero movie must be dark and gritty without the well written, just because some of the marvel movies put the ‘fun’ back into comic movies doesnt mean we need 34 of them) blegh, i should have used visual aids for this but its too late to figure out what to use now discussion encouraged

[gam702mjordan]

Game 3. Part 3.

Post-Mortem:

Working on the theme of one minute, and the emotional theme of despair (which I was given by Alex Mitchell and his emotion generator). I have created a very basic game book. Working in the idea of ‘one-minute’ into the narrative itself. I incorporated the idea of one minute into the plot itself, and used despair as the core emotion on one of the characters and built my story using that as a foundation.

Before I started even the idealization part of the project, Alex gave me the emotion of ‘despair’ from his random emotion generator. So- this was the core foundation of my narrative, and as soon as he said it, the idea of ‘The fear’ sprang to mind immediately. I took that and then made Stu’s despair due to the bad trip the emotional axis of the conflict. I just didn’t know how I was going to utilize it yet. On the flipside though, I wanted to create something sweet. Despair is a heavy emotion, I personally felt that their should be another side to the piece, hope, the blossoming out of despair into joy, and bliss, There needed to be a light at the end of the tunnel, as it where…

The idea came from a concept in Tom Wolfes; “the Electric Kool-Aid Acid Test”. It’s a book about Ken Kesey and the merry pranksters- Californian Hippy renegades in the 60’s, they’d put on big performance art/multimedia projects, where people where encouraged to take mind altering substances. Anyway; They had a term called ‘intersubjectivity’, which happens when you take hallucinogens with someone. It’s a like a psychic link to people, one of the later chapters says it perfectly, written by the at the time editor of the L.A Free Press; Claire bush. She says:

“Take it again? Oh, probably someday… but no urgency, no desire to run to my friendly corner pusher. I think the best way is to take it with a lover, but someone you’re willing to have live you in head for a long, long time. Not too many of them around. It’s a closeness not easily dismissed”- (The Electric Kool-aid Acid test. Tom Wolfe. Black swan press. Page 251.)

I realize now that I must have been inspired by this passage subconsciously. I only thought about this after the fact and feel the it perfectly fits the aesthetic message of the game. Of how shared experiences like this are exercises in bonding, especially the bad times, if you have friends that stick around even during the bad, and it’s not even a problem, because they know that you would do it for them to, that’s real, and that’s what I wanted to make, I sought to make a realistic game, and I feel like I really achieved it. The dialog is some of the best I have ever done, it reads like people talk. I know there is a lot of gratuitous swearing and all three of them say the work ‘like’  when the link sentences together to much. That was intentionally done though. It wanted to imitate the removal of one’s filter while high, and the ‘likes’ are littered throughout because I wanted to create the effect of brain fog, having them say like a lot was to emulate them trying to conjure thoughts. There is not a lot of accurate male representation in modern media (Not totally vacant, but definitely barren), and I feel like the worst culprit is gaming. As the male power fantasy is what sells right?! Not that there is anything wrong with that; catharsis is healthy. I wat create narratives based totally in grounded cognition, relatability is a powerful thing. Just look at most of the modern musicians that are coming out nowadays; Courtney Barnett, Cra Seat Headrest, Yellow Days, Mac Damarco, Stella Donnelly, Rex county orange, the list could go on for ages. They are so popular with people is because of their relatability. It’s the grounded cognition thing, people empathise with characters because their struggles our a metaphor for our own. The ideal self is a constant battle with the real self. I just want to be as honest as I possibly can be. No matter what the genre is be it sci fi or surrealism, fantasy or farce.

Now, about the style. I chose to make a game in the genre of mumble core, which is ‘media about nothing and everything’. The focus for me as writer was to create a game of dialogue that was so realistic and as close to how a person would talk as I could, thus; The story itself is very basic. Lo-fi and hopefully naturalistic. As my intention was to make a mumblecore interactive fiction game, and the fundamental style of mumblecore is its stripped back, budget and almost ‘acoustic’ feel, it’s all very ‘coming-of-age’- young adults navigating life, real people dealing with real situations and mostly It’s true and honest. Inspired by this, I wanted to keep it simple and focus mainly on dialogue. It’s a tale about three male friends at a house party, one of them is about to go off to university (Lewis), one is about to start touring his company (Alex), and one of them isn’t doing anything (Stuart). They descend together on the last house party of the summer, being that it’s the last time that these three will be a back together for a while, it’s an important night for these three friends, because of this, they have decided to take LSD. Stu though feel inferior to his mates that are starting their life, this makes him feel like garbage as he compares himself to them, and thus he starts to have a bad trip. You play as a Lewis, the gameplay is very simple, the goal of the game is to just have a conversation with both of your friends, and that’s it. As an I.F game, it has very low functionality, calling it I.F. is undeniably a stretch. More like a game book, this is mainly dude to my completely lack of understanding still when it comes to coding. Though, I personally feel like it ties into the lo-fi vibe of mumblecore. Which was totally planned… and not just indicative of my inability to learn coding (Yes, Yes, It is).

How I assimilated the theme of ‘one minute’ into my narrative was via the drug. Due to the nature of hallucinogens, they cause people to perceive time differently. Inspired by the idea- I used this as a vehicle to narratively explore an alternate analysis/interpretation of what one minutes could mean. Instead of using a timer, or similar gimmick. I chose to focus in on and investigate ‘the passage of time’ whilst under the influence and how time is perceived in flow states. Layering that with the concept of Stu potentially ‘breaking time’- Its may be a tiny bit of a stretch, but it fits the theme. I want to leave the interpretation of whether they have actually broken time to the reader, I personally have my own opinions on the truth of the piece, but I’d rather just leave it open, interpretation can be incredibly effective at making a piece personal.

Though the theme was one minute and the emotion I was given was despair, as I said earlier, I wanted to have some hope, and how I chose to get the message of hope across was through having the player character play as Lewis (who is somewhat of empath). This was my own personal message. Fostering Empathy was my goal, most likely inspired by death stranding no doubt. Enthused by this I have created a piece of art that is truly representative of intimate male friendships. Theres’ not enough of it out in media (or maybe I’m not looking hard enough). I don’t know whether the piece ‘challenges conventions’, and what does that men for me, do I need to be constantly pushing the boundaries, In the feedback forms, alex Mitchell asked me what I thought the chosen genre brings to the medium of games, I hadn’t really thought of it until he ask, it made me look inwards and wonder if once again I was just ‘artistically masturbating’, but I don’t think that was my intention, I wanted to make something that people could see themselves in. I think the realness of the piece is what it brings to the medium. It’s a game about opening, and not bottling up all the toxic energy inside. At least that’s what I think, as with anything, interpretation is fluid. For me, apart from some tongue in cheek satire sci fi I have done, this was my first foray into art like this, creating something true is much easier than fantasy. All I had to do was write from the heart (Yuck, yeah I said it, No shame).

The challenge came from starting the project. I think maybe because it was honest and personal that the task itself was daunting, I planned the thing to death once again, which as I have star=ted in previous posts is one of the things that I struggle most with. When I stopped procrastinating, and sta don to get the thing out, the words just started flowing out of me. It was almost free associative. I would look at the plan now and gain, the parts came out in kind of a mess and it was up to me to make some kind of coherent linear storyline from the random thoughts, despite this, I couldn’t be more please with the finished piece.

The other challenge came from learning twine, I put so may hours into learning the software., and none of it has been sticking. Its really shows in the final piece. Parts loop and if the player doesn’t have the understanding (which is my fault) to navigate, they will miss huge chunks. In compeison to the farce game though, it’s a a massive improvement, from zero to about a three out of an hundred, but its still something. If I was to create another I.F game in twine, I think I’d be able to explore something a little more complex such as branching pathways.

One of my favourite bits and the one that most people seemed to comment on was the bit about Stu breaking time, it was the one moment that everybody gave me feedback on. I don’t know what it is about that moment. Maybe because its related to the theme. Maybe because everybody’s had moment like that, where they’ve been drunk and gotten locked on to some small detail and then had an adverse emotional reaction to something ridiculous or asinine.

Personally, This is my favourite project I have ever worked on, its intimate, true and honest.