the fact that in the first moving poster, we have Penelope angry and upset at Colin, closed off, pulling into herself, and he is yearning for her and confused, just wanting to reach out and touch her and knowing he can't do so because of the walls between them, so he grabs his own wrist, and he holds back, and they're both more on edge for it
and in the second, we have him breaking that barrier to gently trace along the edge of her neckline, softly whispering over her skin, and she reaches up to hold him in place, as though to say 'stay, don't pull away', melting into him as he leans into her, and he even lifts his fingers to wrap around hers as she holds on because the distance they had wasn't serving either of them positively. almost as if, only when they're together, anchored into one another, can they fully open up
one might even say they
unfurl
like a flower in bloom
131 notes
·
View notes
Something I seriously enjoy about Band Together is the messages that family can be messy, and imperfect, but still full of love. Family is who you choose, blood or otherwise. That communication and respect is the key to fostering healthy relationships, familial or otherwise. And just because you love someone doesn't mean you should let them hurt you. These are all really good messages to teach children!
20 notes
·
View notes
hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows
but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there
(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in
& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)
"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"
but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.
and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.
(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)
and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know
i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4
However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.
which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!
all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself
(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)
113 notes
·
View notes
sometimes I feel weird bc a lot of other hien shippers have wols or ocs that are either Doman or connected to the Steppe and I'm over here with a random purple haired elf who grew up in Ul'dah. Like there's no real reason for me to feel bad about this. I'm just self conscious sometimes because it's like...of course their wols would have a connection with him. That makes so much sense. What if mine doesn't make sense.
And I think the solution is not for me to ignore my anxiety but instead for more people to ship wolhien so we can have more variety (just kidding akdndk I will make myself stop feeling bad about it)
28 notes
·
View notes
Okay you all I need to ask you something and I need all of you to be honest with me
If I made a comic for a spooky month au that has a "choose your own adventure" kind of dynamic, would any of you be interested?
And before answering please read because the " " are there for a reason
The comic for this au can very easily be just another comic without all of this, but given that is based of a visual novel (Yes, another Rachel novel don't judge me I'm hyperfixiated) and this one has been on my mind for longer than the MIR/Doomed au, I got the idea to make it interactive somehow
The dialogue options all will end up leading to the main story and they're there only to get different interactions in a short amount of time, as well as choosing location will eventually lead you to the place you NEED to go to progress the story, only the final options will determine what ending is gonna happen
All of this will happen on polls, not all the comic parts will have polls only in the ones where you need to chose something, since I'm not fast at drawing comics and will split it to make it easier for me
Every option will eventually be made once all endings are posted, going for the second most voted (in cases where there's 3 options) or the second one (for the ones with 2)
The au is based on Cold Front and I recommend to play it or watch a gameplay of it if you haven't as I will be changing multiple things, it's based on the story but the characters will behave differently, this is set in Halloween instead of winter and most importantly, there's a third ending and more dialogue options
This is smaller than another au I plan to use this same dynamic because this one has a linear story and the endings are something that you can easily go back to with one option, meanwhile "A candy store after dark" is gonna be WAY messier as the options can affect the whole story, and If you all are here is because you enjoy my weird antics and ideas for some reason, figured I might give this a shot and see if it's of interest
With no further do, I'll leave you with the references and the poll, it will stay up until nest monday, I'll give it time and in anyway I'm going on vacation so I will see when I come back
16 notes
·
View notes