#they're fun to study

[bi-hop]

See, the reason I know Kabru's party respects him fiercely is this singular scene

because I don't care how much my adoration for him borders on the nigh-fanatical, if I was resurrected twice in the span of a single trip and knew we were broke and my dear leader looked at me with those blue eyes and went "but Nyx, we'll be the same as them if we took their money!" despite the referred to 'them' trying to kill us for profit, I'd show this dungeon a REAL (sea) serpent-

[lilybug-02]

highly doubt they would ever meet but I'm curious what The Hunter would write about Dewi

Dewi

A human child, the largest living creature in Hallownest. His skin is soft, but strength lurks behind his stride.

༻━━━━━━━━━━༻✧༺━━━━━━━━━━༺

Legends tell of immense godly creatures who strode through clouds and walked across the plane in times of old. Perhaps such fantastical stories are not as unthinkable as they once were...

....

A strange mountainous creature. Though he seeks the thrill of the hunt, he does not close in for the kill. Us mere bugs seem to be easy prey. To be truly hunted by a creature so vast is a bewitching thought.

༻━━━━━━━━━━༻✧༺━━━━━━━━━━༺

I absolutely love The Hunter, so of course he'd make a visit to see the beast everyone in Hallownest has been whispering about (and when I say everyone I mean like 10 people).

[enderscribbles]

chilchuck in modern clothes (i see people drawing him very fashionable but imagine him as like. an adam sandler type) i wanna see ur interpretation

(click for better quality!)

I think he's gonna dress like most middle aged men do which is. whatever's comfortable and easy to move in. I actually think he actively tries to avoid dressing too young? (Though, idk if I really conveyed it with the outfits I cobbled together.)

He's a working class man he does NOT have fancy coats or suits (unless Marcille gets to dress him up and Marcille does NOT get to dress him up). Chilchuck has maybe two pairs of jeans he cycles through total.

^This is a self indulgence summer/vacation fit bc I always really like the Izutsumi & Senshi summer comics. Here comes Izu and her two dads (who are not dating each other)

[sysig]

Good skeles, like you lots (Patreon)

[minas-linkverse]

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I'm sorry Time fans.... Not yet...

[glitter-alienz]

still on my bullshit!!! (drawing @idiot-mushroom's sillies) living da life! (this like...a reply to this post)

show your dog to the weird guy, weird guy says weird thing, 😥

omfg donnie...you don't just ask people if you could study their pet, stop being weird

[TMNTOV Masterpost]

[reksink]

A Little Survivor (With Grand Gourmand Bonus💚)

[spaciebabie]

you get ta college and realize that everybody here is just Some Guy™ and has been Some Guy™ for their whole lives. the veteran seniors are having breakdowns right next ta the freshmen in the library, our final essays for the semester are started and finished two days b4 its supposed ta b turned in and all our rough drafts look like somebody rubbed 3 braincells on a google doc and then puked on it

[ind1c0lite]

'Thena for today <3 (plus the "lineart" cause I like the way it came out HJGKH)

timelapse under the cut!

hair DIDN'T take me 50 hours to render thank g o d <333

[hulloitsdani]

Nothing like motiving myself to practice drawing kisses from reference by making the final results feature my FEH girlies.

[infamous-if]

O kay okay okayaoakayasysayas Since Rowan isn't going to be a LI can we please get his POV reaction (deep crush stage) of MC going over to him to tell him that MC is in love with one of the other ROs? Pleasee I need the angst and I love Rowan and am sad we won't be able to romance him!!

I was listening to favorite crime and kind of went a bit overboard. Please excuse this lengthy and angsty-ish drabble. Aha.... 🤒 ill keep it short next time

The soft notes of Rowan's guitar--affectionally dubbed 'Betty'--rises above his head, filling the silence of his hotel room. He strums aimlessly, absently, his fingers having a mind of their own as they move, creating a random melody that's oddly soothing. Or maybe it's the very essence of his guitar--he always feels more grounded, centered, with Betty in his hands.

Rowan's gaze remains unfocused as he plays, his head tilted, legs crossed on the balcony that overlooks the sleepy streets of their latest tour stop. A soft, pleasantly warm wind curls around the messy strands of his hair, locks sweeping across his forehead like a caressing hand. As the melody takes hold, going from mindless practice to something that sounds like it can be the bones of a real song, he closes his eyes.

Rowan has never been a good singer, but you don't need to be a good singer to make people feel something. He's learned that from the best of them.

I wonder if MC would like this.

The thought of his best friend makes a low groan sound in his throat, and with a huff he pauses the recording of his phone. Suddenly Betty's romantic notes feel like a taunt, a blade to his heart with every reminder of what he and MC are not. They're not together. They're not anything more than friends.

They're not what he wants them to be.

He knows he shouldn't feel this way about them. They're friends. They've been friends since he still thought fart jokes were funny and he had no bass in his voice. That's all they've always been and all they will be: friends.

The word has never sounded so terrible.

Still. If only...

His phone buzzes with a text and he sets Betty down. That blade in his heart only twists when he sees who it's from.

Of course. Did my thinking manifest them? The thought induces both a laugh and a sharp hint of misery from him.

He reads the text: Open your door.

He turns his upper-body to face his door, bursting up once the realization flows through him. He glances at himself in the mirror on his way there, making sure his pajamas are at least semi-presentable. It's MC; they've seen him in worst states, but level of comfortability changes when you want someone to see you in ways they've never seen you before.

In other words, he needs to look good.

Rowan heaves a breath before swinging open the door, remembering to keep the easy smile on his face. MC still looks good even at twelve a.m. after an entire day on the road. It's almost unfair.

"Heyyyy." He grins, trying to appear light. "To what do I owe the pleasure?"

MC rolls their eyes. "You're not busy, are you?" They lean over to peek behind Rowan's shoulder, their eyes settling on an abandoned Betty. "Working on something?"

"Nah." He scratches his neck, self-concious. "Just fooling around. What, you need to talk about something?"

MC pushes past Rowan's shoulder to breeze inside, throwing themselves on the bed with a huff. "Iris and Devyn are out and I need to talk to someone."

Rowan takes a seat next to them, snorting. "So I'm the third choice?Wow."

They prop themselves up on their elbows, strands of hair falling in front of their face. Rowan has the terrible urge to lean over and push them away. "You're not exactly the 'serious talk' kind of person."

"Serious talk?" He gapes. "Yes, I am! I'm capable of being serious, you know. I'm not an asshole."

With a laugh, MC rolls over on their stomach and groans into Rowan's pillow. Now his curiosity is officially piqued. What could have MC so...like this?

"What's up?" Rowan's following laugh is both nervous and amused. "Did something happen with Seven?" Seven and MC have been a bit...all over the place since the beginning of the tour. He hardly knows what to call it. "Or did Orion lecture you again?" Orion is another one. That man has been relentless since tour started.

MC shoots him a look before sitting up, copying Rowan's position. His eyes flicker down to where their knees touch, to the proximity that's gone from the size of the bed to none at all.

They've been close like this before. No, scratch that. They've been closer, but this is different. This is different because everything is different.

"You know you're my best friend, right?" MC says, putting their hands on Rowan's.

He clears his throat, the skin under theirs burning with their touch. "Yeah...?"

"And we can tell each other everything?"

"Yeah." He quirks a brow at them, trying to stifle their humor. "Are you dying? Please don't tell me you're dying. You haven't even gotten rich yet to leave me anything in your will."

MC laughs but it comes out a bit uncertain. High-pitched. Rowan knows them. The same way he knows Iris and Devyn. He knows all of them like the back of his hand. So it only takes him another second to realize it.

MC is nervous.

His heart does a weird somersault in his gut.

"I have a secrettttt," MC sing-songs. Even as a joke they still manage to sing with perfect pitch.

The four words are enough to shake his very world, but he manages an eye roll. "Fucking hell, we're not twelve. Just spit it out."

"Sorry." MC palms their face, a nervous laugh escaping them. God. This must be serious for MC to be nervous in front of him? Rowan has never really gave anyone the impression of a harsh judge. Hell, he's always been an open book. "I just...I'm in love with [RO]."

He wished he didn't rush them. He wished he didn't hear those words at all. He's half tempted to grab it from the air and shove it back into MC's mouth so they can pretend it never happened.

"What?" is all the fuzz in his brain can spit out.

MC throws their self back, a wildly breathless laugh escaping them. The sound is even better than Betty's notes. "WHEW. That felt good to say it. Is anyone hot in here? I know I am."

MC keeps babbling but all Rowan could hear is a white noise in his head. MC is in love with RO. MC is in love with them.

MC is in love with someone that's not him.

"I just needed to let that out." MC huffs, gazing around the room. "You should invite me next time you play. You know I like seeing you finger Betty."

Rowan can't even laugh at the dirty inside joke they've had between them since he bought Betty years ago. It suddenly makes him feel wholly small and largely ridiculous: Rowan will never be the person for MC. He will always be the goofy best friend that makes stupid, childish jokes about fingering his dumbass guitar and the one MC goes to when Devyn and Iris aren't available.

He's not even the second choice. He's the fucking fourth.

As if noticing the change in atmosphere, MC awkwardly purses their lips and says, "I should probably get back to my room and get some sleep. We have an early start tomorrow."

He blinks, managing a small nod. "Uh-huh." He runs a hand through his hair, feeling naked without his hat. "Right."

They stand and shoot Rowan a final look. "Thank you," they say after. a moment, "for being my friend."

He's really starting to hate that word.

But he smiles anyway. "Yeah. Ditto."

MC grins, spinning on the heel of their foot to leave the room. Rowan follows, waving lamely at them and watching as they disappear down the hall, whistling a merry tune. It's true; it does feel like a weight was lifted of their shoulders. They walk with a hop in their step. Rowan hates knowing it was RO that is responsible for that.

With a sigh he closes the door, leaning his forward against it. Spinning on his shoulder, he looks up at the ceiling.

"I need to get laid," he mumbles.

Though he has a feeling that won't do much to solve the problem in his heart.

[callofthecorvus]

Connected Timelines Ramble: Backing off my previous 'Geno has an ex' headcanon, what if Dust happened to be that ex? I can see them bonding over shared trauma: surviving a genocided timeline and losing their brothers.

So when Dust eventually came clean about his past, that he genocided his own timeline [and others under Nightmare], even if he felt guilty and wanted to change, the heartbreak and betrayal Geno would have felt was devastating.

Even if it was originally done to stop Chara, the fact that he continued to genocide other timelines was despicable in Geno's eyes. Dust became the very same person he hated, and all Geno could see when looking at Dust was her. He broke it off instantly and Dust respected his decision and never contacted him again.

Given that Nightmare and Dream have now been at peace for decades, they're often invited to the same get togethers. They've never told anyone else about their previous relationship, so they act all awkward around each other and nobody knows why.

[mitamicah]

Found the perfect palette for a Kris DB experiementation sketch so here is Damon's speical boy :'3 <3

Bonus of "the picture":

[hopeinreverie]

This is a little silly, but Taiga HC where he thinks he has a harem of people he likes... (+ what others think of it, below the cut)

Reminder that this is mostly just a headcanon with some character analysis and contains minor spoilers.

Taiga HCs

So this HC stems from how Taiga is most likely emotionally constipated (potentially because he had a rough childhood, but this is a topic for another day) and just doesn't know how to express his fondness to someone. In a nutshell, I will divide this into 3 parts:

People he finds fun to mess around with (Haru)

People he finds cute and is genuinely fond of (Romeo)

A mix of both (this is MC lol)

I think Ritsu will eventually find his place in there, likely in number 1 (there's a deciding factor for this, which i will get into), but to make it simple I'll only take one example for each. People that don't make it in that list are at risk of taking a bullet in the head- (he may not look it, but he's quite distrustful)

So, what's the deciding factor? Taiga only likes people that he thinks important enough to remember and will assign them nicknames. I am aware that he calls others (such as Rui, Ed) by nicknames but he doesn't care about them lol... It probably had something to do with whatever happened in The Clash that he's not fond of them.

The longer he knew someone, and if that person can put up with him, they will be assigned into one of those 3 points. He has a hard time remembering people's names, so those that can stand him is rewarded with their own nickname HAHAH. Congratulations for putting up with the devil!!

Let's get into each points one by one.

1. People he finds fun to mess around with (Haru)

I can see why people theorize how Haru used to be in Sinostra. Pre-clash HC that Taiga used to borrow money from Haru, and that's the start of their relationship. Taiga borrows them to gamble and Haru just keeps giving him money because he's THAT nice. Can't forget how poor boy is always broke as the captain of Jabberwock :")

Eventually Taiga gives calls him Harry (because it sounds cooler, idk ask him-) and he thinks Haru's reactions are entertaining.

Haru being in Jabberwock doesn't bother him, if anything it makes it more fun to 'get food' whenever he feels like it... Unfortunately for him, Jabberwock Haru isn't as nice as Sinostra Haru, and he doesn't give up 'his children' as easily as he'd give up his money.

Which brings us to their current relationship, a tag game of cat and mouse. I think Taiga is still somewhat fond of Haru, but he finds his persistance annoying. Surely he can spare an anomaly or two?

So Taiga still bothers him from time to time until he gives in, and until that time comes, he relishes in Haru's funny reactions.

Honorable mention: Ritsu

With enough time, I believe Ritsu belongs in this category as well. His interactions with Taiga is so funny, I love it... Taiga is just tired of dealing with this overachiever kid that only speaks law language. We will see how their relationship developin Episode 8 and beyond!

Taiga: See twerp, this is why you don't have a nickname yet. Ritsu: ???

2. People he finds cute and is genuinely fond of (Romeo)

Let's start this off with (one of) the infamous Taiga homescreen line-

To be honest, this is where the HC idea starts from LMAOO i think he's half joking here. Emphasizing on half, because the other half of him is dead serious. He thinks they're married. Because being business partners means you're partners for life I guess (why is he so silly...)

We don't know how they got to this point, so small theory time! Taiga probably helped Romeo at his lowest by proposing (heh) to make a gambling business together in Darkwick. Because when you're stuck in there, might as well make cash, no? We know Romeo hates gambling, but he's willing to take the chance with Taiga. This is likely why Taiga is the captain despite being irresponsible.

I'm just guessing now... But Romeo's persistence to make cash, despite abhoring gamble itself, is likely what solidifed his presence in Taiga's mind. Romeo rose to the challenge and Taiga finds it admirable.

Because Romeo has been with him for the longest, Taiga calls him Lulu (affectionate) and thinks he's funny. And cute. He's also very dependable. Above all, Taiga trusts him and this is personally a big deal for Taiga. So of course they're married, Taiga logic!

Taiga: Lulu's cheating on me. Ritsu: Understood, I shall get the divorce papers ready. Romeo: What the FUCK did you just say?

Ritsu is too serious to get the hint and he'll constantly bring it up like "Are you sure you don't want me to help with your divorce?" But Romeo shuts him down everytime while yelling "WHO is divorcing?? The only person fit to marry me is myself!!" While Taiga is laughing in the distance, like the menace he is....

Taiga is the tired dad (with dad jokes) and Romeo is the loud, nagging mom-

3. A mix of both (MC)

(I will refer to MC in 3rd person)

MC is in a tough situation here lol (as if she's not in enough danger already), because as the inspector she has to work with Taiga whether she likes it or not. On the other hand, Taiga hasn't known the MC for long enough to be attached. Yet. not until we get him to higher affinity levels or maybe in later episodes

But if you realized something, MC starts with a similar situation as Haru. As we can tell from area convos, Taiga occasionally borrows (read: robs) MC of her money to gamble. She's under the circumstances of having to deal with Taiga, but she doesn't have the backbone to challenge him in the ways Romeo could (which is understandable IMO)

So why does she have her own point? Well... (we're about to enter self-indulgent territory here)

We know from Taiga's high affection lines that he eventually becomes fond enough to MC to give her a nickname, which is kitty cat. He calls her little lost kitten in their (official) first meeting. It's cute nickname, I must say... But, why a cat?

An explanation I can think of is how Darkwick operates with cats most of the time. We're not sure what they are, but I'm sure Taiga has seen enough to know they exist. He doesn't care about them, well, at least until he meets MC.

In their first meeting, Taiga thinks she looks funny. A scared little kitten, like the ones of Darkwick that always ran away from him whenever he gets too close. People usually steer clear from him, so MC is an odd case for him. She's clearly scared, so why stick around? (he forgot that she's obligated to...)

This is where another one of my HC comes in: Taiga becomes fond of cats!! He thinks they're funny and cute. Sadly, cats are too scared to get near him lmao he doesn't understand why though. Good thing he got the MC :)

Because he eventually find cats funny and cute, this extends to MC too. Therefore, Taiga likes to mess with MC and is somewhat fond of her in strange ways. (Maybe bullying is his love language idk)

Conclusion?

Taiga is silly, I want to munch him. Also I gave up trying to fix him (HELP), so I decided to dissect his character interactions instead... there's probably more to come in the future, hopefully I can articulate them well enough to share.

[sysig]

A very normal scientist doing very normal gene splicing experiments (Patreon)

[m1ssunderstanding]

I think your tags on the post about Paul's song Suicide got cut off. I was invested, and want to hear the rest of your thoughts :) Maybe you could put it all in a separate post if you don't want to add it as a reblog?

hey, thanks for this ask! It's always nice to have someone that wants to know my thoughts. I'd love to know yours on the subject too!

Okay super long text post under the cut

On “Suicide” 1956 and 1970

My interpretation of the meaning of Paul’s early song “Suicide” and its purpose on his debut solo album

The verse Paul had written in 1956 goes,

“If when she tries to run away

And he calls her back, she comes.

If there’s a next time, he’s okay

Cause she’s under both his thumbs.

She'll limp along to his side

Singing a song of ruin. I’d

Bet he says nothin’ doin’

I, I’d call it suicide.”

The song’s protagonist can’t leave an abusive relationship. The abuser knows it doesn’t matter what they do, the protagonist will always come back. Even when they’re limping, even when they vocalize their knowledge that this relationship is damaging, they’ll always come back, and the abuser is nonchalant. In the end,the singer likens the protagonist’s return to the relationship to suicide.

Just as the woman in the song is under her husband’s thumb, around the time this was written, Paul was very much under his father’s thumb. This was not due to any lack of self-direction or courage on his part. Jim was physically abusive (like the husband in the song) an addict, extremely controlling, and emotionally both unavailable and volatile. Still, in the same way that the woman in the song always goes back to her husband, Paul loved his father. It’s likely that Paul’s unusual degree of deference to his father was a combination of self-preservation and a genuine desire to help and please his father. Jim was also honest and well-liked, a lot of fun, intelligent, talented, a buyer of wonderful presents, and a supporter of Paul as a musician, and Paul felt great admiration and gratitude to Jim. And yet, Paul is not only the protagonist of “Suicide.” He’s also the singer. And the singer knows this relationship is destructive – bad enough to be likened to deadly.

So, “Suicide” is about Paul’s relationship with his father.

Enter John Lennon. Based on John’s perfect knowledge of “I lost my little girl” a full dozen years after being first shown it, I’m inclined to believe John was fully acquainted with the song “Suicide” and though I think pigs would fly before Paul would discuss its meaning with John, it’s not unlikely that he had his guesses.

It is also my tentative belief (based on the wording of the quote in which John talks about Paul and Jim and the issues with control and violence, the fact that John hit a lot of people, but never Paul, and the documented fact that John Lennon is intensely perceptive when it comes to Paul McCartney) that John knew Jim hit Paul. John hated Jim for all the same reasons Paul obeyed him. He hated that Jim was abusive, and he hated that Paul loved him. But. And here’s where I might be stepping on some toes. John and Jim share some important similarities.

Positives first. Both men are praised for being honest to a fault (Jim owning up to gambling debts and John being open and brash in interviews). Both are well-liked by almost everyone who knew them (People go on and on about what a gentleman Jim was, what a stand-up guy. People always think they’re John’s best friend after spending three hours with him) Both recognize Paul’s talent and give him the support he needs to pursue it (John obviously to a much higher degree) Both are described as being the life of the party and the center of attention.

Now negatives. Both men are highly susceptible to addiction. Both men pressured Paul about his lifestyle. Both are known to have been violent toward people they loved (although John was never violent toward Paul. This is important, and will be revisited). Both men had difficulty controlling their emotions or expressing them in a healthy way.

John eventually won his battle with Jim, as he states very proudly that Paul chose him in the end. He stood up to his father, as John claims he constantly begged him to do, and cast his lot with John, their partnership and their music. And, obviously, it was the right decision. Not only because it resulted in the greatest musical collaboration of all time, but because with John, Paul exchanged violence for softness. John was capable of a shocking level of care and tenderness, and for many years that was absolutely lavished on Paul. And I think they were both privately proud of that fact.

Jump to late 1969 / early 1970. John’s actions during the divorce (forcing Allen Klein – another violent and controlling man – on Paul, manipulating – self-admitedly – George and Ringo into turning against Paul, threatening – accidentally or on purpose – to treat Paul the way he’d treated Cynthia in their divorce, etc.) were hurtful enough to Paul that he was, in fact, suicidal (barely finding the strength not to suffocate himself in his pillow, taking way too much of everything, half-hoping he’ll overdose) and when he is finally pulling himself up again, he’s ignoring all John’s attempts to get him to come back (songs, interviews, letters, post-cards).

He puts out his debut solo album, the content of which makes John angry, though to an outsider, there doesn’t seem to be much there in the way of messaging.

Here’s what we get of “Suicide” a the end of “Glasses”, right before “Junk”

“ . . . song of ruin, I’d

Bet he says nothin’ doin’

I’d”

The part Paul chose to include was the abuser’s shrugging lack of surprise that the protagonist has returned, yet again, despite their knowledge that they’re walking back into abuse. I believe Paul’s message to John here is this: You were the one who taught me that there is a certain level of treatment I should expect from people who say they love me. Now that you’re the one who’s hurt me, you have to deal with what you’ve created. I’m not just going to come back to you with my tail between my legs and act like nothing happened. You taught me better than that. I’m really leaving. We’re really over.