Robin is positive that Steve isn't straight. At first, she thought she was projecting. Maybe she just wanted to share another aspect of herself with her best friend, but no. She's very confident now. The way Steve acts sometimes makes it so obvious. He's listened to her talk about how scary it is, being a lesbian in a town like Hawkins, and he talks to her about it like he undertands, even if he doesn't realize it. She roped him into watching a movie with a gay couple in it, and Steve's eyes lit up seeing two men kiss on screen. He once cracked a joke about going on a date with a guy that sounded far too sincere to be a joke. She knows, deep in the depths of her very soul, that Steve is a little bit queer.
And she could prove it if she could just figure out what his type is
She's been doing research, real genuine research into what male celebrities are considered hot. Finding movies with said supposedly hot men and making Steve watch them with her. But there's nothing! No reaction, not even the slightest blush when Harrison Ford was sweaty and shirtless right before his eyes. It isn't until she gets him to watch Rocky Horror that she finally catches something. Tim Curry in all his fishnet-clad glory brings a flush to Steve's cheeks. One that gets even worse when the character dons a leather jacket halfway through. It isn't much, but it's enough.
She mentally tallys everything about Tim Curry in that movie. Dark eyes, curls, makeup, tights, and especially the leather. She tries not to get her hopes up too high, knows that Tim Curry was wearing feminine clothes and makeup in the movie, so maybe Steve was just thrown off and confused, but it's a start at least. She makes a new list of movies, and pays close attention to his reactions.
The real breakthroughs come with The Lost Boys and The Breakfast Club. Lost Boys had been planned, one of her choices designed to illicit a response from Steve. Lots of pretty boys, some with dark curly hair, some with big dark eyes, and quite a few wearing leather jackets. Steve had been interested, that was for sure, a lot more than he had in the other movies she'd shown him. The Breakfast Club was a surprise. It had been one of Steve's picks, and Robin hadn't even been paying close attention. But it was impossible to miss the way Steve's eyes shot to the screen every time John Bender was speaking.
So, Robin has an answer. Steve Harrington liked bad boys. Men with dark hair and dark eyes, clad in leather with attitude for miles. Not what she had been expecting, but she's delighted, to say the least.
The delight only grows when Eddie Munson comes into their lives, and she gets a front row seat to Steve Harrington's Big Gay Meltdown. Eddie ticks off all Steve's boxes. Dark curly hair, big brown doe eyes, leather and denim from head to toe, and he has the attitude. But he checks off other boxes too, ones Robin hadn't even realized existed. He checks off the 'great big nerd' box. Because when she thinks about it, yes. Steve surrounds himself with exclusively nerds. He checks off the 'good with kids' box effortlessly, to the point that Robin almost screams when she hears Steve telling Nancy about his six kids and a winnebago dream, because Eddie basically already has part-time custody of Steve's weird gaggle of gremlin children. He tickes off the 'queer as fuck' box too, if Robin's judgement is any good, and she was pretty sure it was. The bandana in his pocket seems like a pretty good sign, if the zines she had smuggled on a family trip to Indy were to be trusted.
Eddie Munson is perfect for Steve, in every way possible, Robin is sure of it. So needless to say, shes thrilled when Steve finally, FINALLY pulls her into the crappy little bathroom at Family Video and asks her how she realized she was gay. This is going to be the start of a beautiful little journey for them both, Robin is going to welcome it with open arms.
Part 2
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Just started a Gravity Falls rewatch in honor of the ten-year anniversary and one thing I need to talk about is how fantastic this show is at showing character instead of telling it.
One of my favorite scenes is the beginning of D&D&More D because when Ford is chasing the cycloptopus, each character gives one line that, if you hadn’t seen the show before, would instantly clue you in to who they are as characters. (Dipper: “What is it?” Mabel: “Can we keep it?” Stan: “Kill it! Kill it!”)
But lines like that go back to the first episode! Stan offers Dipper and Mabel an item each from the gift shop and Mabel asks, “really?” while Dipper asks, “what’s the catch?” Even if you hadn’t seen his whole journal-induced my-sister’s-boyfriend-is-a-zombie paranoia, you would know just from that dialogue that Mabel is the more optimistic of the two while Dipper is constantly on the hunt for what could go wrong.
Anyway all the dialogue in this show perfectly serves to add to characterization and I love it so much
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things we were robbed of in lost
(spoiler warning ahead!)
1. getting to see more of sawyer and juliet’s relationship
2. getting to see more of sawyer and miles’ friendship
3. seeing miles, daniel, and charlotte at the ending of lost
4. seeing claire reuniting with aaron for the first time since they last saw each other
5. seeing how hurley and ben protected the island together
6. getting to see more backstory between alex and ben’s father-daughter relationship
7. getting to see more of the secret-sibling lore between jack and claire
8. seeing what the hell happens to ji yeon
9. seeing what the hell happens to walt
10. a million more that I forgot (I’m still grateful for the show though please don’t kill me)
see you in another life brother
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I had to google to confirm, but Ford missed the whole season 1 of the Hermitcraft SMP and a little bit of season 2 as well.
hiiii jasper :3
Thing Ford Missed #223: The Beginning of Hermitcraft
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joyce teaching robin to drive in the rr:stud au OH...
"okay so now just edge forwards"
[car lurches]
".....you have to hold it down, sweetie"
"i'm nervOUS OKAY"
JOYCE AND ROBIN BONDING YESS
robin, in joyce's tiny little green Pinto, white knuckling the wheel because she doesn't want to crash: "i think i miss the Upside Down, actually.
no but for real tho joyce being so gentle with robin learning how to drive and robin isn't used to it AT ALL. she keeps waiting for joyce to yell at her (she's not going to anyway, but) and cringing when joyce gently lets her know not to be so hard on the brakes.
eventually robin gains more confidence in her driving, esp with joyce's instruction....until she backs into a mailbox...
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