#this concept of ritual babies is more recent but i actually enjoy it a lot

[msommers]

the idea that meredith’s two children weren’t twins is fun because that means a grey warden couple managed to conceive and see through two (2) entire healthy pregnancies and it would really give the haters some evidence for the “they used blood magic to have kids” conspiracy

[samwisethewitch]

What does it mean to be pagan? (Paganism 101 Ch. 1)

That’s right, y’all! With Baby Witch Bootcamp officially wrapped, it’s time to jump into our next long term series! I put out a poll on Patreon, and my patrons voted for Paganism 101 as our next series. While not all witches are pagan and not all pagans are witches, there is a lot of overlap between the two groups. Both witchcraft and paganism offer practitioners a sense of freedom, a deeper connection to the world around them, and a greater awareness of their personal power.

I identify both as a witch and as a pagan, and I get a lot of questions about paganism. In this series, we’ll go through the basics: what it means to be pagan, the difference between a neopagan and a reconstructionist, and the role of magic in different pagan traditions. We’ll also talk about some of the most popular modern pagan traditions and how to find the right tradition for you.

Let’s start off by answering the question, “What does pagan actually mean?”

Defining “Pagan”

It’s important to remember that “pagan” is an umbrella term that encompasses a wide range of different faiths. Someone who practices Wicca, for example, will have very different beliefs from someone who practices Hellenismos. These different faiths are linked by a shared history, rather than by shared beliefs or practices.

The word “pagan” comes from the Latin “paganus,” which literally means “area outside of a city” or, to phrase it slightly differently, “countryside.” This adjective was used to describe people and things that were rustic or rural and, over time, came to also have the connotation of being uneducated. Originally, the word had no religious association, and was even used to refer to non-combatants by the Roman military.

From this definition, we can gain some insight into what makes a religion or practice pagan. Pagans feel a kinship with the wild or rural places of the world, and are comfortable waking “off the beaten path.”

But how did “paganus” come to refer to a type of religion, anyway?

To understand the religious meaning of “paganus,” it’s necessary to understand a little bit about the religion of Ancient Rome. Rome (the city) was built inside a pomerium, a sacred boundary that formed a spiritual border around the city and its people. Paganus folks were those who lived outside the pomerium and, as such, may not have been strict adherents of the state religion — they certainly wouldn’t have been able to travel into the city for every major festival. They may have gotten a bit more creative with their worship of the gods. However, as previously stated, the word paganus did not have an explicitly religious meaning in ancient times.

The use of paganus as a religious label began after the legalization of Christianity by the Roman Emperor Constantine in 313 C.E. Christianity would not be adopted as the official state religion until 380 C.E., but Constantine’s conversion and decriminalization of Christian worship paved the way for Rome’s transformation into a Christian state. It was around this time, as Christianity was quickly growing in urban areas, that early Roman Christians began using the word “paganus” to refer to those who still practiced polytheism. Rather than referring to those outside the city’s boundary or to untrained civilians, the label now referred to those outside the Church, those who were not “soldiers of Christ.”

As Christianity spread in popularity throughout the Mediterranean, Europe, and Northern Africa, the pagan label was applied to all non-Christians in those areas. The word “pagan” became a derogatory label, implying an inferior and backwards religion.

So, really, the thing that makes a religion pagan is a historical conflict with Christianity. Pagan religions are those that were suppressed or completely destroyed after Christianity became the dominant faith in the region.

This is why Norse Paganism and Kemetic (Egyptian) polytheism, which are very different, are both considered “pagan” while Shinto, a Japanese religion that shares a lot of common features with many pagan faiths, is not. Because Christianity never achieved total dominance in Japan, Shinto was never pushed aside to make room for Jesus.

In the 20th century, people who felt drawn to these old religions started to reclaim the pagan label. Like many other reclaimed slurs, “pagan” became a positive label for a community united by their shared history.

What do all pagans have in common?

This is a tough question to answer because, as stated above, paganism is a historical definition, not one shaped by belief or practice. However, there are some things most pagans have in common. Here are a few of them, although these concepts may take different forms in different traditions.

Paganism…

… is (usually) polytheistic. Most pagans do not subscribe to monotheism, the belief in a single, all-powerful divine being. Some pagans are polytheists, meaning they believe in multiple divine beings with varying levels of power. Hellenic pagans, Norse pagans, and Celtic pagans are typically polytheists. Still others are monists, meaning they believe in a single divine source that manifests itself as multiple gods. Wiccans and other neopagans are typically monists. Many pagans fall somewhere in-between strict polytheism and strict monism. We’ll talk more about polytheism in a future post, but for now just know that the idea of a single, supreme creator is not compatible with most forms of paganism.

… is based in reciprocity. This is a concept that may seem odd to those who grew up around Abrahamic religions: the idea of engaging the gods in a mutually beneficial partnership, rather than one-sided worship. When we connect with the gods, we receive spiritual, emotional, and physical blessings. The gods also benefit, as they are strengthened by our prayers and offerings. (I like to think they also enjoy the company. It has to be lonely, having your body of worshipers supplanted by an anarchist carpenter from Palestine.) The concept of reciprocity is why most pagans make physical offerings to their gods.

Reciprocity also extends to our relationships with other people. Most pagan religions have a code of ethics that includes values like hospitality, kindness, and/or fairness with others. Depending on the pagan, reciprocity may even extend to the dead! Many (but not all) pagans practice ancestor worship, the act of honoring and venerating the beloved dead.

Reciprocity may even extend to the world at large. Some (but not all) pagans are animists, which means they believe that every animal, plant, and stone contains its own spirit. Animist pagans strive to live in harmony with the spirits of the world around them, and may make offerings to these spirits as a sign of friendship.

… embraces the Divine Feminine. Paganism acknowledges and venerates both masculine and feminine expressions of divinity. Polytheist pagans worship both gods and goddesses, while monist pagans see the divine Source as encompassing all genders. In either case, the end result is the same: pagans acknowledge that, sometimes, God is a woman. (Cue the Ariana Grande song.)

Paganism also acknowledges gender expressions outside the masculine/feminine binary. Many pagan deities, like Loki (in Norse paganism), Atum (in Kemetic paganism), and Aphroditus (a masculine aspect of the Greek Aphordite) exist somewhere in the grey area between man and woman.

… is compatible with a mystic mindset. Remember how I said there’s a lot of overlap between witchcraft and paganism? Part of the reason for that is because paganism is highly compatible with magic and other mystical practices. Most pagans believe that humans have, or can attain, some level of divine power. It makes sense that this power would manifest as magic, or as other spiritual abilities. Many of the ancient cultures modern paganism draws inspiration from practiced magic in some form, so it follows that modern pagans would as well.

… draws inspiration from the ancient stories. As we discussed, “pagan” originally referred to the religious groups that were pushed out by Christian hegemony. As a result, every modern pagan is a little bit of a historian. Because paganism was pushed underground, it takes a little digging to find myths, rituals, and prayers that can be used or adapted for modern practice.

Many pagans worship historic deities that you’ve probably read about at some point. Visit any pagan pride event, and you’ll probably find worshipers of Zeus, Venus, Thor, and Isis, just to name a few. Studying and interpreting ancient mythology and archaeological evidence is a big part of modern paganism.

… is a religion with homework. If you’ve read this far, you may be beginning to realize that being pagan is a lot of work. It’s fun, spiritually fulfilling, and very rewarding work, but work all the same. Because very few modern pagans have access to temples, priests and priestesses, or an in-person community that shares their beliefs, they end up having to teach themselves, do their own research, and guide their own practice.

This is incredibly empowering, as it means you are your own religious authority. It does, however, mean that you will occasionally have to open a book or slog through a dense academic article about the most recent archaeological find related to your favorite deity. Thankfully, there’s a growing number of accessible, beginner-friendly books, blogs, podcasts, and YouTube channels to help you in your research.

… embodies a deep respect for the natural world. While not all pagans are animists, most pagans do feel some sort of reverence for the forces of nature. Many pagan deities are associated with natural forces or use the natural world to communicate with their followers. Because of this, not only do pagans respect and love nature, but they’re constantly watching it for signs and messages. (Are you really friends with a pagan if they haven’t called you crying because they found a crow feather on the ground or saw a woodpecker in their backyard?)

Some pagan groups, especially neopagan religions like Wicca, have been classified as Earth-centered religions. Personally, I dislike this term. While it is true that many pagans feel a deep spiritual connection to the Earth and may even venerate local nature spirits, to say that these religions are “Earth-centered” feels like an oversimplification. Wiccans, for example, don’t actually worship nature — they worship the God and Goddess, who they see reflected in the natural world.

… is driven by individual spiritual practice. As mentioned above, very few pagans have access to an in-person community. Because of this, modern paganism largely consists of individual practices. Even pagans who do belong to a community still typically worship on their own sometimes. These personal practices may involve prayer, offerings to the gods, meditation, divination, astral travel, performing religious rituals, or countless other practices. Many pagans have personal altars in their homes, where they worship alone or with their family.

… is a celebration of daily life. One thing I love about paganism is how it makes every aspect of my life feel sacred. Many religions emphasize the spiritual aspects of life while deemphasizing, or even demonizing, the physical or mundane aspects. This can lead to practitioners feeling like they are spiritual beings trapped in a physical body, or like their physical needs and desires are something to escape.

Paganism allows practitioners to fully enjoy being physical and spiritual beings. Pagans reach for the heights of spiritual awareness, while also enjoying earthly delights — recognizing that neither is inherently more worthy than the other and that both are needed for a balanced life.

… is only one of many paths to Truth. Most pagan groups do not claim to be the only valid religious path, and in fact several openly acknowledge the validity of other religions. This is why you rarely see pagans trying to convert other people to paganism — it’s openly acknowledged that paganism isn’t for everyone, and that those who are truly meant to practice the old ways will find them.

~~~

Hopefully, this post has given us a good working definition of “paganism.” From here, we’ll explore some of these individual concepts in more depth and discuss specific religions within the pagan umbrella. Until then, blessed be.

Resources:

Wicca for Beginners by Thea Sabin

Wicca: A Guide for the Solitary Practitioner by Scott Cunningham

A Witches’ Bible by Janet and Stewart Farrar

The Way of Fire and Ice by Ryan Smith

Where the Hawthorn Grows by Morgan Daimler

Temple of the Cosmos by Jeremy Naydler

A Practical Guide to Irish Spirituality by Lora O’Brien

[paulisweeabootrash]

First Impression: Noragami

Okay, after that crappy “reviewlet” thing, I'm back with another show I actually feel like saying something interesting about:

Noragami (2014)

Episodes watched: 5.  Or... actually, 14, but this review is only based on the first 5 episodes of season 1.

Yato is a minor god.  A very minor god.  A god who has no worshippers, no shrine, and relies on doing odd jobs for people in exchange for offerings of ¥5, a service which he advertises with graffiti and hand-made business cards.  His Regalia — a human soul who temporarily takes the form of living equipment a god can use — just quit.  Things are looking down for him.

Hiyori Iki is a martial-arts-loving middle schooler who just happens to encounter Yato, whom she, reasonably, believes to be a regular mortal, on the street.  She is hit by a bus while pushing Yato out of its path and gets reincarnated in a fantasy world temporarily separated from her body.  Hiyori, understandably, has some trouble coming to terms with this, especially when Yato explains to her that she is not dead (or, not completely, anyway), but instead in an in-between state where she is able to repeatedly temporarily leave her body.  Much much more to her confusion and horror, her in-between state grants her the ability to see supernatural creatures usually hidden from humans, including Phantoms, eldritch abominations that often appear as psychedelically-colored flying sea creatures and possess humans, both living and dead, to induce them to do bad things.

Hiyori is now stuck between the “Near Shore” (the world of the living) and “Far Shore” (world of the dead) rather than a resident of either, and those from the Far Shore — Phantoms, human souls, and gods alike — will certainly notice this.  Yato and other gods frequently use their Regalia (what is the plural of “Regalia”?  “Regalias”?  That sounds wrong.) to fight Phantoms in addition to (or as part of) answering the prayers of their followers.  Since Yato needs a new Regalia, at this point, I was starting to suspect this will maybe be a quasi-magical-girl premise where Hiyori becomes Yato's new Regalia and then falls for him in a "please don't think about what is at bare minimum a several century age gap" uncomfortable romcom.  But... no.  This show goes in a more complicated and interesting direction than that.

Regalia must be sufficiently pure (and apparently fully-dead) human souls, so Yato, who seems to look down on humans even compared to other gods, simply drafts the first suitable soul he encounters.  That soul, a teen boy with no memory of his Earthly life, whom Yato names Yukine, luckily turns out to be a very talented Regalia and a quick learner, but also frustrated about his death and prone to sinful thoughts (more on that in a moment).  Hiyori takes an interest in Yukine, mainly to take care of him because Yato is certainly not doing that well, but I actually kind of get the impression she's attracted to him, especially given that, unlike Yato, Yukine is approximately her age (or was before he died... it's not clear how long he, or any other Regalia, have been dead).  She also takes an (academic) interest in the supernatural world in general, which is only partly what she expected or imagined, and she becomes a de facto member of Yato and Yukine's "team" as it were.  But also overwhelmed and mainly just wants her soul to be securely re-attached to her body so she'll stop accidentally leaving it at inopportune times — to her friends and family, it appears that she has now been having severe and unpredictable episodes and collapsing and losing consciousness since her bus accident, and she often leaves her body lying around in public without realizing it.  Or, in one case, draped over the top of a fence, which is... not an ideal sleeping location.  Yato vaguely claims he will restore her, but has no idea how to.

So far, the story has focused on the interactions between the three of them and on exploring the setting/what Phantoms are/how the gods work/etc.  This has revealed a fascinating detail which, beyond the scope of the five episodes I took notes on, becomes one of the main arcs of the first season: although the gods are amoral, or at least behave according to a totally different set of standards, they are still affected by human morality.  Morality, says Yato, is socially constructed by humans, but affects the gods vicariously by causing “blight”.  If humans decide an act is sinful, then a Regalia doing that thing causes a blight to both themself and the god they serve which must be ritually cleansed.  Yukine, despite being initially pure enough to become a Regalia, starts to cause blight to Yato because of his jealousy of the still-living and his attraction to Hiyori, and this proves to be... well... you’ll see.

We also learn from Kofuku Ebisu, goddess of bad luck and poverty, that Yato used to be a war god, with a past darker than Hiyori is willing to accept or think about.  He will grant anyone's wishes to remain relevant, and this may come back to endanger people.  Yato is also dating(?) Kofuku, and seems to have had a previous romantic relationship with a Regalia named Nora who served him and gives off a serious yandere vibe.  Or actually (spoilers), as it turns out, not named Nora.  "Nora", we learn, is a derogatory term for an entire category of Regalia: those who serve multiple gods and generally do jobs normal Regalia would refuse.  This, in connection with the whole thing about gods being corrupted by their Regalia violating human-made moral standards, raises a worrying question I hope we get an answer to: do noras corrupt their gods, or are they somehow unable to produce corruption because they themselves do not believe anything they're doing is wrong?  This is the sort of question this show raises, and it seems smart and thorough enough to try to answer it... if it doesn't, there's the ongoing manga series to turn to, and this is yet another show I've enjoyed so much that I might start reading it.

-----

Revised W/A/S Scores: 7 / 3 / 3 / !

Weeb: Pretty high on this scale mainly because of its very Shinto background, including very specific patron deities of concepts, gods physically residing in shrines, its specific forms of prayer, the dead just sort of... wandering and acting like still-live humans, and of course the presence of shrine maidens because how can you not have shrine maidens?

Ass: Occasional nudity, but not fanservicey.  Ep. 2, for example, has partial nudity in situations like contemplating in bath and locker room that are not framed sexually but probably would be in a different tone of show.

Shit (writing): I have a weirdly specific translation complaint (because of course I do).  I accidentally learned via Wikipedia that "nora" means "stray", and this seems like information that maybe should've been dropped in the subtitles at some point?  It might actually have made the reveal about what "a nora" is work better in English than in the original Japanese because this meaning would be a surprise to the English subtitle-reading audience.  Anyway, enough about that.  I find the characters enjoyable and their arcs pretty believable.  A main plot conflict between Yato and the nora is clearly forming by the end of the five episodes I cover here, and I'll cheat a bit to say that the first season successfully plays out two story threads while leaving others open for the next season, but not in a cliffhanger or "we clearly didn't know how to wrap this up" way.  An advantage of adapting a popular ongoing manga, I suppose: you can pace things better and also be reasonably sure that there's enough interest to get you another season.

Shit (other): Pretty ending, meh opening.  Great reaction faces.  Moods are accentuated well by variations in the art and animation.  I love the design of the Phantoms because I'm a sucker for surreal depictions of the supernatural.  It's not as dramatically bizarre and imaginative as, say, the witches in Madoka Magica, but still excellent.

Content warning: It is a recurring point that the gods' duties include saving people from suicide, and multiple suicide attempts are depicted (although they are thwarted by divine intervention by Yato).

-----

Stray observations:

- Yato starts out appearing to be a magnificent bastard, but it becomes apparent quickly that... uh... maybe he’s just an asshole.  

- I have no idea why, but Yato sneaking into Hiyori's house and mirroring her dad's actions is one of the funniest things I've seen recently.

- You'd think at some point Hiyori would develop a plan, or at least a cover story, for abandoning her body, even if she remains unable to control when she leaves it.  Not to mention that she'd sometimes come back to an injured body or find that someone has moved her or called an ambulance or something.

- The background music includes rap in English with autotune, which is... surprising, but neither good nor bad.

- This setting raises the same set of troubling questions about the concept of an afterlife that a lot of afterlife concepts do, since it appears that people are "frozen" at the age they were when they died but also have the ability to learn (and later, outside the set of episodes I covered here, to mature mentally at least somewhat)... do child Regalia or children's souls in general ever mentally mature in the same way that real children do as they ender adolescence and adulthood?  Are there baby ghosts hanging around with no concept that they are dead, unable to ever gain that concept because they will never age?  (I feel like this is turning into a literary criticism of religion, and that's waaaay outside the scope of this blog, so I'll end this here.)

[onestowatch]

Q&A: Nina Nesbitt Might Be The Britney Spears of our Generation

Already off to an impressive start to 2018, which includes numerous sold-out tour dates and amassing upwards of 100 million streams to date, Scottish singer-songwriter Nina Nesbitt is just getting started. Nesbitt’s vibrant voice is derived from her musical influences Britney Spears and Whitney Houston, and her rapid growth as an artist only further contributes to her confident classic pop style. Her flair for catchy pop and R&B blended with her own confessional songwriting has gathered fans such as Chloe Grace Moretz and Taylor Swift, who included ‘The Best You Had’ on her “Favorite Songs Playlist.”

Earlier this year, Nina Nesbitt partnered with Spotify for their Louder Together program to record the first ever collaborative Spotify Single Original called “Psychopath” with fellow Ones To Watch Sasha Sloan and Charlotte Lawrence. 

Fresh off her summer tour supporting Jesse McCartney, Nina released a brand new single, “Loyal To Me,” which was inspired by the “independent-women spirit of the 90s and is a self-help to dating.” She plans on releasing a full-length album in early 2019.

Ones to Watch recently chatted with Nina Nesbitt to chat about her musical journey, Spotify’s Louder Together program, post-tour plans, and more. Read more below and be sure to catch the rising songstress on her upcoming fall tour with MAX:

10/4, Neumos, Seattle, WA 10/5, Fortune Sound Club, Vancouver, BC 10/6, Hawthorne Theater, Portland, OR 10/9, Holy Diver, Sacramento, CA 10/10, Slim’s, San Francisco, CA 10/11, Voodoo Room @ House of Blues, San Diego, CA 10/12, The Observatory, Santa Ana, CA 10/13, El Rey Theatre, Los Angeles, CA 10/16, The Crescent Ballroom, Phoenix, AZ 10/17, Sunshine Theater, Albuquerque, NM 10/19, The Complex, Salt Lake City, UT 10/20, Bluebird Theater, Denver, CO 10/23, Scoot Inn, Austin, TX 10/24, Bronze Peacock @ House of Blues, Houston, TX 10/25, Cambridge Room @ House of Blues, Dallas, TX 10/26, Voodoo Lounge @ Harrah’s Kansas City, Kansas City, MO 10/27, Delmar Hall, St. Louis, MO

OTW: Let’s start from the very beginning. Why music? What made you realize music was path you wanted to pursue?

NN: It’s something I have loved doing ever since I was a kid. I was the only child--I had a lot of spare time by myself, and so my parents often times encouraged me to do something that I enjoy and that is creative. I did a lot of art, story writing, and music. Music was my favorite thing out of all the creative arts. Eventually, I put my stories into music and so I started songwriting. It’s something I never thought I could do as a career but I really enjoyed it. Suddenly, one day, I ended up doing it as a career I guess and earning a living from it, and it kind of just stuck.

OTW: How have you grown musically and personally since you’ve released your first EP “Live Take” in 2011?

NN: I’m from a little small village in Scotland, which is very far from the music industry and anything else, so the only opportunity I had was to buy an acoustic guitar and put my music out that way. There were no studios or really any other artists that I could work with. I really liked acoustic music and once I got signed, I moved to London. I feel like the move was key to my sound and style changing and just overall growing as a person. Coming from a small place to one of the biggest cities in the world is a culture shock. You have to grow up. You get to know a lot of different characters as people, and you figure out how things work a bit more. I think that’s what personally matured me. And musically, I had the chance to collaborate with so many amazing people like writers and other artists that have influenced my music. I have a studio set up as well where I produced “The Moment I’m Missing.” I wrote all of the new album there.

OTW: Which of your songs took the longest to write and why?

NN: “The Best You Had.” I had the lyrics, “It’s crazy that you’re moving on so fast but baby it’s okay if I am still the best you had,” in my notebook for a good six months. I was really pleased with that line but kept trying to get it into a song. It means a lot to me. Those lyrics have been in about five different songs that never came out. I kept persevering with it and one day, I was in the studio with my friend Jordan, who I write quite a lot with, and we played these chords, and the song literally wrote itself within twenty minutes. I’m glad I kept trying to better it because I wasn’t happy with it before. It was a nightmare to write but in the end, it was actually one of the easiest songs.

OTW: What has it been like supporting the Jesse McCartney tour?

NN: Great! So many different audiences from what I’m used to playing to. I wasn’t familiar with his music until before the tour.  All my friends absolutely love him, but I never had Nickelodeon as a kid so I never knew about him. He’s great. He knows how to work the stage. He’s so lovely.

OTW: Do you have any traditions you like to do pre-show/on tour?

NN: I try to stay healthy but in America, it’s impossible because you have so much space here. Like sometimes the drive is 10 hours some days and the only thing available is fast food, so I’m just enjoying being unhealthy. My tour ritual for this tour is to enjoy food and eat as much as I can.

OTW: Most memorable moment from your music career so far?

NN: There’s quite a lot of different memorable moments especially because I’ve been doing this for about six to seven years. I would have to say playing to ten thousand people at festivals -- that’s something I’ll never forget. “The Best You Had” got over 30 million streams, which is a really crazy number to me. It was so unexpected. I signed an independent deal with a label, a very casual record deal, just to put out songs that I like, and then suddenly I had over 30 million streams, I’m on a billboard in Times Square with Spotify, and all these things just happened so fast which I’m so grateful for. I feel like a lot of times you only get one shot as an artist and so I feel blessed.

OTW: What’s a city you’d like to someday perform in?

NN: Tokyo. I’m obsessed with Japan and I’ve never been. I’ve been to Hong Kong. I’m really obsessed with Asian culture because it’s so different from British culture. I’ve heard from other artists that go there just have the most amazing time.

OTW: We love your recent release “The Sun Will Come Up, The Seasons Will Change.” What does that song mean to you?

NN: That song was released because it was on a TV show, Life Sentence. That one is part of a collection of songs and represent a journey from start to finish. For example, “The Moments I’m Missing” is the intro track, and it’s about losing yourself and feeling lost. The middle point is “Somebody Special” because you feel like you’ve found your worth again and remember who you are. The last one is “Sun Will Come up, The Seasons Will Change,” and it sums up the whole album for me as a concept and represents the light at the end of the tunnel. I’m hoping people listen to it and take what they want from it. It’s also the message I keep with me in life. Nothing is permanent. Whatever you’re going through whether it’s really shit or really great, don’t take anything for granted. Don’t think your life will be like this forever. If you’re having a bad day, just remember things keep changing all the time.

OTW: What is the first thing you’re going to do once you return home post-tour?

NN: Give my dog a big hug. I’m also shooting a new music video the day I get back.

OTW: Wow! Can you tell us about that?

NN: Yes! I’m really excited for the video I’m shooting because I think it’s going to be something people won’t expect.

OTW: We can’t wait to see it. “Psychopath” was the first ever collaborative single from Spotify’s ‘Louder Together’ program. What was it like being a part of that with Sasha Sloan and Charlotte Lawrence?

NN: It was great! I’ve never actually collaborated with other female artists before and I think like for so long, we’ve been conditioned to think that other females are competition -- don’t work with them, don’t support them. And it’s like come on, we can all have space here to put out music. I think Spotify has done given girls a platform, especially girls in pop. They put you on so many playlists to get your streams up, which means more people come to the gigs, and it really helps. This collaboration was really cool because I’m a big fan of both of them and Sasha is an amazing song writer and Charlotte is an amazing new artist. It’s cool to get in a room with like-minded females that also do pop and understand what we do on a daily basis.

OTW: Who are some of your Ones to Watch artists?

NN: So later this summer, I will be touring with Lewis Capaldi, who I think is amazing. He’s Scottish. He’s great. I think he’s going to do really well and everyone should check him out.

[bigbooksandhottea-blog]

Story of my Life

               Let’s take it from the top. When I was born, several things happened in quick succession, I screamed, I peed all over my mother, and I was pronounced female. That moment would dictate how I lived the rest of my life, which is ironic since I haven’t done much screaming since (I daresay I’ve forgotten how to perform that particular vocal act), and I never wet the bed after I got out of diapers, you could say I’ve rebelled against my female designation as well, with more than my fair share of body dysphoria, but mainly I was just never sure of the purpose of the small F on my birth certificate and all the legal documents that followed.

               I seemed to be the only member of my family who felt this way. I was born into a very traditional Catholic household and learned these gender roles from a young age. At that time, my main model for femininity was my mother. I did not want to be like my mother. She was very servile to my dad and siblings while also being high strung and anxious. These two things were likely connected, and neither of them seemed appealing to me. I decided very early on that I did not want to be a mother, assuming that I would end up like my own mother, but even worse, that I would have a child who was similarly unappreciative.

               This was frowned upon in the Catholic church, where the prime directive for a woman was to have babies. In the bible, that was almost all they wanted, from Sarah to the two women defending their motherhood to King Solomon. Even my namesake, Rebekah, is most famous for her deception of her husband in favor of her favorite son. Indeed, it could be said that Catholics are so against abortion because the faith is so entwined in the idea of reproduction, that is how I got indoctrinated after all.

               Religion in general should not be discounted as one of the great shapers of our society. While Catholicism cannot necessarily be construed as a dominant religion, it is a branch (although it would be more historically accurate to say the trunk) of Christianity, which has dominated much of the Western world for centuries. This has not been without its consequences.

               I cannot speak for the rest of Christianity, but I know from years of experience that Catholicism is steeped in ritual and tradition. This has led to a cultural appreciation for these things, which isn’t always bad, but can be harmful in the case of gender roles. Having said that, my mother tried desperately to get away from the housewife mentality of her time, getting a degree as an electrical engineer and having my dad be the one to stay home with me when I was too young to go to school. I was impressed when I heard this story, until my mom told me that she had hated every minute of engineering school.

               This introduced me to the concept of feminism for the sake of feminism. A similar phenomenon is present in Boulder that I like to call progressivism for the sake of progressivism. Boulder prides itself so much on being a progressive town that it shows open hostility to those who are not “open-minded,” which has created something called the “Boulder bubble.” For those inside, it can feel like a utopia of free thinking, but for those outside, it feels like an exclusive club that only the fit, white elite are privy to. As part of progressivism, feminism is also included in this, particularly what Roxanne Gay describes as capital-F feminism.

               Capital-F feminism was extremely prevalent in the second wave feminism that my mom participated in. Although it did spurn her to getting a well-paying job and a comfortable life, she did not end up doing what she wanted until much later. Despite not wanting to be like my mother, I am still her daughter and I too briefly pursued an engineering degree. Unfortunately, I have very little motivation to do things I do not enjoy, so that pursuit ended in a spectacular crashing of my GPA. I will take the time to reiterate that this was due to my disinterestedness in the subject, not necessarily because it was “too hard for me” as my ex from the time would tell me.

               That ex, and indeed all my exes would teach me even more about a woman’s place in society. I’ve been lucky enough to have the experience of dating all kinds of people from both sides of the gender spectrum, as well as having time to be single. Some people will tell you that dating different genders is no different, I will not. Like most people who were assigned female at birth, I dated men (well really boys at the time) first. I got to see what it felt like to be taken care of.

               I’m not sure when I first realized that I was into girls too. I got to experience a more even level of give and take than with guys. Simply put, it was no longer obvious who would pay for dinner. Regardless of the model relationships I would have as a result, coming out was a pretty painful process, facilitated by the fact that I had no idea how to talk about how I was feeling. At the time, I was vaguely aware of the term “bisexual,” although it took many more years for me to realize the extent of my sexuality, mainly due to my lack of knowledge about the non-binary nature of gender. Here’s the quick and dirty of the sexuality you may not be aware of, courtesy of my really tiny handwriting:

(if you can’t read this, I apologize, you’re really missing out, but this is tumblr, if you ask it nicely, it will tell you all about pansexuality)

               This ignorance was mostly fostered by the fairly strict gender expression displayed to me at a school that considered a male-identified individual in a skirt and pigtails top-notch comedy (and also thought it was okay to have indigenous people portrayed as a mascot, but that’s a whole other can of worms). Despite my growing up in a fairly small, conservative town, it’s pretty typical for people everywhere to accept the gender they were assigned at birth.

               This tendency traces back to society’s views of the sexes and how they should behave, resulting in the training of gender into children. Judith Butler explores this subject in greater detail in her book Gender Trouble, a main takeaway of which is that gender should be viewed entirely as a social construct. However, this construct has absorbed many other aspects of our culture, down to colors and other inanimate objects. While working in the paint department I’ve repeatedly heard fathers tell their sons they could not paint their rooms purple or pink, but at the same time, I’ve never heard anyone tell their daughter they could not paint their room blue.

                 Telling boys they can’t do things because it’s a “girl thing” or something that “boys don’t do” is alarmingly common in our society. The same thing is hardly ever said to girls attempting traditionally masculine activities. In recent years especially, there has been significantly more effort invested in encouraging young women to pursue whatever strikes their fancy. This has resulted in an attitude that women can have masculine pursuits, but men cannot have feminine pursuits without incurring deep shame. While the distinction between masculine and feminine is as arbitrary a distinction as that between male and female, this tendency is still telling of the inevitable hierarchy that arises between distinct things.

               I have been extremely privileged in that I am fairly masculine. While biology and inconsistency have made it impossible for me to actually pass as male, I have been able to engage in any activity I choose, from basketball to dance. I know I would’ve had more advantages had I been assigned male at birth, but at the same time, I would be unable to pursue dance or dye my hair, especially to the extent I would’ve wanted in the home I grew up in. This general attitude shows that society has accepted masculinity (or things associated with men) even when women do it, and find femininity merely excusable in women and downright unacceptable in men.

               It is for this reason that lesbians are sexualized and gay men are stigmatized. I can speak from personal experience that straight men were a lot more comfortable with me when they thought I was a lesbian (without bothering to ask if I was, naturally), than when they found out my sexuality extended to their gender. I think part of this disarmament was due to my fairly masculine appearance. When I was a kid I was often called a tomboy, and although I still wore dresses and lots of floral, I also rocked baggy jeans and flannel, which earned me the title of “butch” when I came out. While more attention was paid to the masculine clothes I wore, wearing more traditionally feminine clothes was still an option.

               This realization hit me hardest when I meant to go to Denver Pride this last summer. I ended up not going, mostly because I had just gotten off a long flight, but also because I wanted to go dressed in full drag and hadn’t realized how unassuming (and hot) it would be until I actually started looking for things to wear. Not only did I usually wear clothing that could be considered masculine, but I realize seeing someone who presents as feminine dress as male isn’t really scandalous and didn’t feel (at least to me) worthy of Pride. On the other hand, a person who presents as masculine dressed as female gets all kinds of reactions, mostly negative outside of Pride, and is considered abnormal.

               To me, this means that it is okay to want to be a man (hell, Freud did a whole bit on it), but not okay to want to be a woman. By spurning things typically associated with women, society is still spurning women. I’ve focused mostly on appearance, since gender presentation has been a large part of my experience, but this issue goes beyond fashion or color or physical characteristics. Since our culture has gendered personality traits, things like aggression, confidence, repression of emotions, authoritativeness, and opinionated views are all considered positive. I have known plenty of women who are capable of any (or all) of these, and often with an intensity to rival their male counterparts. These women have been rewarded accordingly, but people who possess traits that were unfortunate enough not to be designated as masculine are considered “weak.”

               These weak, feminine traits include passivity, caution, emotionality, obedience, and indecisiveness, none of which have any significant disadvantages in moderation, much like the masculine-identified traits, but they are considered lesser by our society. In fact, the way we react with others is judged so closely and affects so much that I used to think the world was make for extroverts and me and my fellow introverts would have to become writers or dancers or other professions that don’t involve talking. But it has become increasingly clear to me that it is not merely an outgoing or friendly personality that is valued, it is the perceived strength of these masculine traits over the feminine that still holds more value in our society.

               At the same time, I do not think that things traditionally labeled feminine should be held above the traditionally masculine. As with all things, I think balance and equality is key, but true equality cannot be obtained until we liberate things associated with women, not just women themselves. Ideally this would occur through a release of the concept of the gender binary, as the need to label the world often leads to hierarchies that hurt everybody.

[beatsfortheillperth]

Words with Weirddough Part 2

Francis Zapanta aka Weirddough out of Las Vegas, USA is an all-around blessed beat-smith and individual whom inspires us to continue expressing the love here at beatsfortheill. His positive essence and compassionate ideas make listening to tracks like “flowerz” and “reup” that little bit sweeter. Not to mention how Francis makes one appreciate the ever adapting and growing beat scene of our generation with a little more integrity.

Currently studying to become a Social Worker and working on his next album Elevatormuzik pt. 2, Weirddough is a creative that is showing no signs of slowing down and we love it. Creating music that inspires a warm heart and a mellow vibe, Francis is a genuine example of musical greatness.

So relax and enjoy words part 2 with one of our favourite beat-makers here at beatsfortheill Australia.

Inspire, Love, Relate

Hey, Francis, it’s great to chat with you again, so many releases since we last had words with you. How about we start off by asking what hip-hop means to you and what inspires you most within the hip-hop scene?

Glad to be back, thank you for having me.

Aw man, it's a culture. A way of life, an art.

I've always admired it from a young age and am forever a student of it. There are so many forms of hip-hop and it branches out into so many concepts and can fuse with almost any style.

I have always loved sampling, as to where, like in hip-hop; in other elements like b-boying, or graffiti, there are rudimentary basics and fundamentals that you follow. Once you’ve got the tools down, you can freak it in your own way.

You find that formula, your own bounce and groove. I like how people express themselves in their own way, hearing their soul in their music, as an extension of themselves.

Away from music what do you spend your time doing, and what are you drawn to on a general basis?

I've had 9 to 5's, I recently worked at a poke restaurant not too long ago. I'm currently studying to take my board exam to become a licensed Social Worker and I eventually want to go back to school in the future.

For those who are new to your sound how would you describe your music and for fun which one of your tracks would you recommend one to tune into?

I would just say it's Instrumental Hip-Hop. A reflection of what I'm feeling at the time. I would recommend “how did you know” off of Love Spells.

Who are you vibing of art and life wise as off lately that you feel our readers would love?

When it comes to drawing and painting, definitely Katsuya Terada. He freestyles huge ink drawings and they're ridiculous. I just love his line quality and his style.

Check out his Instagram @katsuyaterada.

Also, Boy Kong. He is super ill. Super talented individual. He does graffiti, murals, installations, and even tattoos. I love his vibrant colour choices and the way they pop.

Check him out, his Instagram is @boykong.

There's always a book I love reading called The Law of One by Ra. It's a book written about the universe which contains exact transcripts recorded by people while they were channelling Ra, who was an extraterrestrial being from another planet that was trying to help mankind.

You’ve been linked up with beatsfortheill as a collective for a while now, but away from beatsfortheill what other collectives and labels do you represent? Can you share them with our readers and the mission each represents?

The first label which I was really surprised hit me up was Paxico Records. I had the honour of dropping a project with them. They are a movement representing so many talented artists that I listened and looked up to.

This is quoted from the website, www.paxicorecords.com:

"Rare & recent worldwide. We create works of art with their own mythology and folklore. The slow-growing, idiosyncratic collection of handmade records and art is an ongoing study of futurism and folklore realized in a series of releases. Each release is organized to show the special rapport between its audio and visual components."

I am also part of a collective out in Las Vegas called The Rabbit Hole. It's a group of producers and DJs. We tried expanding the scene out here through throwing monthly events every last Thursday of every month. Come through if you're in town!

This was taken from therabbitholelv.com:

"The Rabbit Hole holds monthly events as a music experience that takes our audience on a wild trip with performances by producers/DJs showcasing styles from left field bass, hip-hop instrumentals, and experimental beats. Our sounds are combined with live visuals by the best VJs in the city to elevate your senses and push the experience that much further. We aim to raise the community by establishing a profound music culture."

Paxico Records on Instagram @paxicorecords

The Rabbit Hole on Instagram @therabbitholelv

You’ve been creating beats for years that have inspired others to keep creating and sharing their own sounds, much love. What do you feel keeps you going within music?

At first, creating something really helped with my condition and it was a form of therapy for me. I used to reach out to other artists and told them that their music really helped me get through things when times were rough.

When other people started reaching out to me, doing the same, it felt like a synchronicity that I had to keep in momentum. It became more of a selfless ritual.

There is nothing more rewarding to me than helping others, in any way. It's more than music to me.

What gigs have you performed at that you find have ultimately helped you connect with your fan base on a deeper level? In saying that what do you love most about performing your music to a live crowd and how do you feel listeners react to your music?

The first time we performed out of state was in Arizona. The people out there are so chill and humble. It was all love that night. A real cool cat approached me and told me how my music inspired him to be a better person among other things. I almost shed a thug tear haha. That meant the world to me.

We shared so many laughs that night and now he is a real close friend. Shouts to Jamar for everything and the hospitality.

If I play an all original set that night, the best thing about it is seeing and hearing how people resonate with it. Also, playing like a 90s joint or some James Brown and seeing everyone dance and have a good time, I love that.

You released a track called Baby Steps through Paxico Records, though it’s only a minute and a half it somewhat takes the listeners on a journey through time dabbling in so many genres, basically it’s beautiful! How did Paxico Records get a hold of you and what was it like putting this track together?

Thank you. The homie Chris hit me up through Instagram and complimented me on one of my drawings. I was honored he was feeling my beats too. We eventually started chatting about doing a release and that Baby Steps joint was a track off Love Spells that dropped around Christmas 2013.

I just chopped it and tried to keep the arrangement simple and similar to the original. It was one of the last joints I made while I was working on the project.

Last time we shared words you mentioned enhale as being your favourite track that you’ve put together. A few years have passed since then and I was wondering, is enhale still your go-to or do you have a new favourite track that you’ve put together?

I think I have a different favorite haha. That itsu track off of Conversations.

I made it during the beginning stages of using the SP. I love that sample, and it was crazy because I found it online from like a radio station from the 80s that used to play funk and rare grooves.

What is your favourite part about experimenting within music and how do you feel your music has grown since we last linked up?

I feel like it's grown a lot. Just the way I approach it now, and how it sounds. I've definitely started experimenting more within my work. Also with other genres.

My favourite part about it is discovering a new technique that you didn't know before or making something out of the ordinary actually sound decent.

Messing with other genres almost made me feel like I started over again. It's refreshing to feel that hunger when you first start making music.

Staying on the topic of genre experimentation, you've been working on some new material as of lately. Stuff I was privileged to hear, you're dabbling with house music too. Can’t wait for you to release these tracks as I feel they will without a doubt take their listeners on a soul-soothing journey. In a way that I feel your new projects somewhat show an alter to your usual approach, much love. Can you share what inspired you to put your new tracks together and what message are you trying to humbly portray through your newer releases?

I just always had an idea of making something more uptempo. I originally wanted to make juke, but I had no idea how to make it. I started messing with house drums and added loops to it and it didn't sound too bad.

The other beats I shared with you are from a new project which will be a continuation of a past project. It's still in the works. I'm trying to go back to that sound I started with, in just a more evolved manner.

Have to mention your tracks “greeninblue” (that piano is so damn healing) also have to pop in your track “floating”. Those vocals literally have one upon a cloud in awe, intertwined in that subtle sax, I'm definitely refreshed with each play, much love! 

Both tracks are actually available for download via your ep good juju that was released in September. 

What inspired good juju as a whole and what was it like putting the tracks together for this deeply beautiful release? Also, what’s the reason for the name “good juju”?

When I was working on stuff at that time, it was a bit after I started sampling some newer music, like after the 2010s, and I eventually made a few songs that sounded kind of cohesive. I struggled with coming up with a title for the longest time and that delayed the release haha.

Then I remembered a time when I was in the hospital, another patients and I were on a smoke break. Someone did something that was off in etiquette, and the dude said, "Nah, that's bad juju. Do it this way for good juju."

After he said that I always liked the phrase and what it encompassed. I felt like saying it, portrayed it nicely, and I wanted the project to reflect good karma, fortune, and luck.

good juju - released September 1, 2016  

Over the years what have you learned most about collaborating with other like-minded artists? With more years of experience behind you, what do you feel you enjoy most about the process as of now?

I have learned that collaborating is not for everyone haha. I'm honestly not consistent with collabs, but when it works out it's amazing. I love how each person's flavour is in the collab, and if you flow together it ends up sounding like the best version of each artist. Sometimes, you get surprised like, "Damn, I wouldn't have thought of that." And you always learn new methods from one another.

Any gigs or new release coming up that we should keep an eye out for?

A record with the Virginia rapper DooF will be coming out on vinyl. The gawd KVMI and I will be dropping a collab tape in the near future. Also, that solo project I mentioned earlier will be coming out this year.

Be sure to cop the Fuzzoscope Earwax Shelf Life Compilation that recently came out. Available in digital, cassette, and vinyl: https://fuzzoscope.bandcamp.com/

The next event I will be playing will be a Rabbit Hole Show on June 24th with artists Cecil Purihin, Illathnmst, Linafornia, and Samiyam at the Bunkhouse Saloon, Downtown Las Vegas. You don't wanna miss this!!

Musical Inspirations?

My all-time favorite producer is KanKick. His album "Acid Massive Musical" inspired me to make beats.

Everyone from Oxnard, Madlib, Oh No, etc. Everyone in Green Llama, Dibia$e, selfish., Van45, Fluent, etc. Luke Vibert, Boards of Canada, Inland Knights. Kool G Rap, Black Moon, Cru. There's so many.

Newer producers like Ohbliv, Mndsgn, Devonwho, and LowKey that's also in Green Llama. This kid is the truth!! So young, and such a beast.

Everyone at Paxico and Dirty Tapes, I really love what they're doing. My local homies, Bhonstro, Oneonthebeat, Lwkylky, Mayneframe, Jeb, Supreme-O, Mute, PhillyZane, Monro, somanyfeels, david.cuf, shouts to the family.

Thelonious Monk is my favorite pianist because his style was so unorthodox. I can go on, I'll stop now aha.

Music Recommendations?

If you haven't heard of him, check out Roddy Rod. He's crazy on the chops.

Benny B. Blonco! His kicks shifted my lungs.

Van45, he's super slept on. He used to go by Varan back in the Myspace days, he was one of my favorite producers when I started.

Shouts to the homie lastnamedavid, he put me on to Steve Lacy who is the guitarist for The Internet. He recently came out with a project called Steve Lacy's Demo It won't disappoint.

Any Last words?

Thank you again for having me. Shouts to beatsfortheill and much love to you Sophie. I appreciate the opportunity.

Thank you to all my listeners and supporters, you keep me going. I love all of you.

Shouts to the music homies online, hope to meet you all one day. You know who you are.

Love to my family and friends out here in Vegas. Always got my back no matter what.

Special shoutout to the wifey Shana. She hasn't left me yet hahaha just playing. You're all the support I need, thank you for supporting me with everything and helping me be a better person. I love you.

Shouts to you for reading this, I enjoyed this time.

Hope you have a great day.

Much love and many blessings! Peace!

Support Weirddough Here:

Soundcloud- https://soundcloud.com/weirddough

Bandcamp- https://weirddough.bandcamp.com/

Facebook- https://www.facebook.com/Weirddough-188034481246489/

Twitter-  https://twitter.com/weirddough

[amateurfan227]

Shitlist Reviews - Trailer Analysis - Jan-Mar 2019

Hello Ladies and Gentlemen, I’m Amateur Fan 2.27 and welcome to the Shitlist, where bad movies eventually burn. It’s been a good while since I posted something up on the site since the Halloween reviews so I thought it was time to do another trailer analysis review based on the upcoming movies which will pan out during this year.

This will be the first one of three trailer reviews through-out this year starting off in the spring; then the summer and finally the fall, winter will be excluded for the personal reasons. I will go through not 1 but 6 individual trailers that have been released and will give my views and theories upon the movie following on either what I’ve heard about the films in general or in my opinion on what I think of the trailer but not of the film, despite revealing spoilers (although saying that, most of you will possibly see the spoilers I will be stating soon).

Some will follow on adaptations of notable works or reboots for example which will be interesting as well as re-edited reviews such as looking at other trailers of a movie that I previously looked at in the past. Keep in mind that this is only opinion based with theories summed by me only rather than ideas that were passed on by others.

The first would be the notable remake of an 1980s movie which coincidentally still haunts me to this day on how dark it was at the time, Pet Sematary... based on the Stephen King novel following a Parent’s worst nightmare come to life, I was sceptical at first when I saw the trailer, especially the casting as John Lithgow towards Fred Gwynne’s performance as Judd.

Though after re-reading the book several times leading towards the second trailer which had a major spoiler on the first child (Ellie) in the movie getting killed off rather than the baby (Gage) in the book, it worked as it displayed innocence as Gage was indeed a baby rather than Ellie who in this case was a pre-teen.

Another thing that got my interest in this is how interesting it was the fact that they made the being behind the supernatural more maleficent and mysterious rather than in the original adaptation when it was only there for shock value with its history not being fully explored. I find this however kind of weird as well as it looks closer towards an occult movie with ritual sacrifices rather than being a standard supernatural threat following the other characters seen in the second trailer.

It looks promising enough though the second trailer may have leaked a bit too much on the actual film itself displaying way too much rather than holding back the mystery that held the book and the original so close. I admire the view of the Sematary which looks more supernatural based on Native American lore rather than something closer to a H.P. Lovecraft novel.

Though seeing it remade is going to be interesting to look at it in 2 separate perspectives on how close it was to the source material as well as seeing it as a standard remake to a superior version.... as long as they don’t go full female Ghostbusters on us, then its fine. (Christ that movie was bad... Screw you, Feig for killing a franchise).

The second trailer I would like to discuss is something that caught my eye after the hype from Infinity War which would be the new Spiderman film Far From Home which features the appearance on one of my favourite villains in Marvel history, Mysterio played by Jake Gyllenhaal.

After viewing the trailers for a good few moments, it took me a while to think of an actual opinion aside from glee and joy on seeing the web-head back into action, but questions were raised on the time-zone towards the movie as well as Infinity War. I would like to see something else made towards the movie such as how His transformation from teenage superhero into following the responsibilities that Stark warned him about in Homecoming.

Though seeing Mysterio in the trailer has got my interest on how they changed his design to become more realistic though this raises a bunch of questions on why he was acting the form of a hero in defending Parker and his classmates with the inclusion of S.H.I.E.L.D. agents Nick Fury and Maria Hill being involved with Mysterio’s vigilantism.

Personally I’m not entirely interested in seeing this movie for the particular reason is that I’m not a Marvel fan, especially with the fact that I don’t see Tom Holland as Spider-man nor as Peter Parker, though I enjoy watching the others like the Avengers or the independent superheroes like Iron Man or Thor but Spiderman however is something I grew up watching especially growing up with it during the 90s.

My theory before the trailer would be that Mysterio was a former agent working for S.H.I.E.L.D. agent who was betrayed by Fury and S.H.I.E.L.D. following a mission on the field leading him to go astray leading him to own an individual identity to act like a hero to get Fury’s attention leading him to stage major crimes through-out Europe with the advantage to beaten Spider-man to both spite and weaken Fury.

Though this may be falsified when the movie is released or if any other trailers will be coming out later this year prior to the movie’s premiere but keep in mind that this is only a theory of mine and seeing that the entire MCU series is nearly based on betrayal and distrust, I think this might happen but as I said, it’s only a theory.

Another Trailer is the remake or should I say reboot of the another classic 1980’s horror movie relating to the supernatural or in this case the Arcane side of things when it comes towards Magic, Child’s Play, now there was a lot of controversy over this movie following several parents believing that the doll could actually exist.

There is even a bigger problem as well as the current franchise is taken over to TV following the recent movie that was on Netflix not too long ago known as Cult of Chucky which featured main star of the killer doll Chucky and notable Horror movie Actor, Brad Dourif alongside his real-life daughter Fiona Dourif.

For those who don’t know, the original series follows a mass-murderer known as the Lakeshore Strangler Charles Lee Ray ending his pursuit of madness in the hands of a toy-store by being mortally wounded by a cop leading him to transfer his soul into a doll known as a Good Guy toy, a parody of Cabbage Patch Kids at the time.

After his soul transferred to the doll, he continued his murderous pursuit whilst attempting to transfer his soul back into another person before his doll body becomes human which is a curse to his voodoo practice. The original’s concept was new at the time which was interesting but raised a bunch of parody movies relating to the same premise such as Soul possession movies like the Conjuring or more in particular the Insidious movies.

The remake follows it in a different perspective following it in a more technical pursuit such as the Terminator series such as a company how manufactures home entertainment appliances with the addition of a new feature in the form of a doll which may be a bit too adapted when it comes to the owner.

I’ve seen the trailer several times now as well as the website and it peaks my interest greatly especially that they are following a different aspect towards the original material, such as making it but on a rogue A.I. rather than a voodoo possessed toy; some of the behind the scenes footage looks incredible to say the least as well as the use of technology is a new adjustment to a franchise such as this.

From what I see is that it follows a similar premise towards the characters following the original names (Karen and Andy Barclay) who were the first victims who came to own the doll, with the doll causing havoc and murders occurring towards their residence, mainly towards Chucky’s influence.

I’m intrigued by this decision as it would open new possibilities to see the use of technology expanding the way it is including in modern world as well such as WI-FI and Amazon’s Alexa. But possibilities towards this are cancelled as the name Child’s Play is owned by an individual company with the sequels following separate copyrights towards the original owner.

The next sequel is again like last time, Godzilla: King of the Monsters... I talked about this a while ago but I never really explored the discussion over the monsters independently, mainly because they were still under heavy work in Legendary Pictures, but seeing them more and more closely is making it believe that the sequel is going the right direction, possibly surpassing over monster movies that flopped in the past (see Pacific Rim: Uprising).

What I appreciate is how the monster’s look more closer to actual animals including Mothra and Rodan (I’ll get to Ghidorah momentarily) Mothra looks more of an insect rather than her original counterpart which resembles more of a ball of fluff rather than an actual animal (but seeing how she was made in the 50’s I let it slide) she looks beautiful in a more graphically dangerous sort of way and with the appearance of Rodan as well looks more menacing aside from the fact he is Godzilla’s arch rival at first glance though the same can’t be said for how both of them are described.

Ghidorah however looks more threatening than I’ve ever seen him especially with the way he moves to the way his appearance is more mysterious. The look of Ghidorah reminds me more too how he first appeared including his powerful figure looks more curious than it does boastful.

Godzilla on the other hand looks closer to the original material from his frame down to the dormant spikes on his back which resembles the 1050’s edition which made him more of a protector of Earth rather than the original message that he was meant to become which was a memorial of nuclear destruction.

I’ve seen several trailers which looks promising enough despite the human interaction with the creatures (or Titans in the movie’s presence)which from the sounds of it makes the monsters more like gods which is distracting to the last movie, especially that Godzilla literally saved the world from the monsters that again was caused by nuclear radiation.

I am interested and (as a Godzilla fan) intrigued to see how this movie changes the timeline especially seeing how the world would see Godzilla either as a weapon or as a monster created by their own stupidity towards Nuclear Warfare,

Hellboy is the next one (yup another Comic book Trailer) but this one is surprisingly more closer to the material than Del Toro’s versions (including the animated movie which technically counts as canon to his series) with the appearance of a meaner tougher and more dark-hearted Demon Hunting badass known as Hellboy.

Seeing the trailer a few months ago, I thought that it was going to flop badly but seeing that it’s followed some of the stories closely from The Wild Hunt (Omnibus Vol 3 if any of you are interested in reading Mike Mignola’s works); The trailer looks very promising towards the original material as it was more darker, gothic and more based on Lovecraft’s work (mainly on the Seed of Destruction arc) it was the basic Horror graphic novel when it was released with the addition of the BPRD (Bureau of Paranormal and Research Department) series following shortly after.

Hellboy is changed in this one to look more demonic which is something I highly respect as it was darker in the graphic novels and brutally graphic when it came to the occult. The original material was more based several fairy tales as well but shown towards religious aspects, mainly towards Christianity and folklore of independent countries which made the graphic novels more serious when it came to tales.

Hellboy is directed by Neil Marshall who has directed a few of my favourite movies such as the Descent, Dog Soldiers, Centurion and several shows like Game of Thrones, Westworld (Which I’ve yet to see) and Constantine (premiere episode) so you know a series like Hellboy is in good hands especially in his taste of Horror as well.

David Harbour (Stranger Things) stars as the main lead of Hellboy with Ian McShane and Milla Jovovich to co-star alongside the main villain and Trevor Bruttenholm which is an interesting choice with English actors being featured towards the movie as cameos such as Mo from Eastenders who stars from both trailers.

As you can see I too am looking forward to seeing this, mainly towards the dark nature of the trailers as well as to see if this adaptation can surpass the Del Toro adaptations as well as to see if Harbour can possibly be better than Ron Perlman (no offence Ron, you’ll always be awesome in my eyes regardless).

Now for something different a teaser was given out recently of a famous franchise that was destroyed by a.... failed director who thought it was better to reboot the series by replacing the franchise by replacing the dialogue from something that was written down on the walls of toilets in the local bar as well as replacing the theme to ridiculous science that would make Neil deGrasse Tyson shake his head in confusion.

I’m talking about the Ghostbusters teaser which would FORTUNATELY ignore the reboot and follow on the main franchise by adding the son of the main director Ivan Reitman in the directing chair with Ivan taking the franchise to a new setting. I should mention that the teaser only lasts 1 minute long with the hopeful addition to veteran actors who starred in the original such as Bill Murray, Dan Aykroyd and Ernie Hudson.

Though this is something I never actually expected to see until it was confirmed through an interview by Aykroyd as well as Jason Reitman (son of Ivan) being the writer and the director so hopefully when later this year the full trailer will be displayed. This had my excitement thrown around as a huge fan of the original series it will bring back a lot of references to the characters and possibly bring back the Ghostbusters everyone knows and loves but as I said, this is only a hopeful situation especially for a teaser.

I will get more reviews later on this year so if you are interested in seeing me post some more of them up especially with the upcoming DC movie Shazam just around the corner, I might do something special as I did with the Killing Joke... I’m Amateur Fan 2.27 and I will see you guys in next time, Stay Safe, guys.