#this episode....said laura rights.... and that's it on that

[yashley]

Then why are you here? What is it you want? I want to free you.

[simplysparrow14]

THIS👏🏻EPISODE👏🏻HAD👏🏻EVERYTHING👏🏻

Callowmoore right out of the gate, a reunion hug followed by fearne's "sorry" because both of them are so sore from their moon adventure

Ashton asking if Fearne wanted company and Fearne responds with "I would love some company, but can we just hold onto each other?"

Travis "#1 Callowmoore shipper" going "Someone should draw that" to the audience before hiding his face.

Also Shipper in Chief Laura Bailey

Everyone doing reaction faces as Ashton and Fearne going to bed.

Fearne Big-Spooning Ashton

Zathuda, being the evil helicopter dad that he is, seeing his daughter cuddling with a boy really said "No daughter of mine" and lured her away

Ashton waking up, not feeling Fearne and knowing instantly that something was wrong with her

Ashton demanding Chetney to find Fearne (and orym) going, "Find. THEM. NOW."

Chetney using his canine nose to sniff out fearne...only to turn him in a circle right back to Ashton. and Chetney just going:

while Ashton just full on an inch away from chocking this old man out.

Ashton and Gang finding Fearne and Ashton, knowing that she is more than exaushted, letting her take his hand and help her over the wall going "Next time, take someone with you. Take a buddy" ("AKA ME")

in conclusion:

that dumb rock is deeply in love with that goat woman. I rest my case.

[misty-caligula]

Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.

I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.

I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.

Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.

Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?

Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.

(Edit: Readmore added because honestly, LONG post)

You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)

And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.

Then Jackie dies and the glass gets a really big break.

It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...

Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.

Seriously, keep that in mind, we’re coming back to it. Cycles, you know...

Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...

No. They WEREN’T going to eat her.

Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.

Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.

The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.

But Shauna took it first.

Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.

The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.

And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.

Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.

Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls. 

When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.

When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.

And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.

How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.

Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.

Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.

Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.

Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.

Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.

What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.

Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.

So...

They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...

And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.

So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.

(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)

And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.

It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.

S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.

And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together,  with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.

*takes a deep breath*

Which brings us to THIS asshole.

Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.

Wait, Jackie? I mean coach. My bad.

Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.

Sorry I’m talking about Jackie again.... weird.

In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?

Hold on, I see my mistake. Let me backtrack.

Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.

So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.

In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks

Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.

And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.

(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)

Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.

Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.

It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.

And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.

At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.

And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.

Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.

This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.

Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...

They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.

They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...

They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.

I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).

But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.

[svltburn]

all of the yellowjackets are going to die.

i've had different versions of this theory bouncing around in my head since mid s1, and if you've seen final destination, you can just skip the rest of the post because you probably already know where i'm going with this.

natalie's death scene was overall unsatisfying in my opinion, but that's not because i don't think that the show was leading up to it eventually. her character arc was rushed and cut off too abruptly, but after sitting with the episode for a bit, i do think that natalie was always going to be the first of the survivors we saw die.

"we both know that's not true. this is exactly where we belong. we've been here for years."

now it's notable that natalie is appearing as she did the night of the party in the pilot. the last night before the plane crash. not just her outfit, but her hair and make up are the same. see how much of her roots are grown out, vs how much they're grown out in the 96 timeline.

when that plane went down 600 miles off course, no one was supposed to survive. not a single person on that plane should have made it out. The Wilderness, the lonely, violent, misunderstood Wilderness kept them alive when they crashed into It. when they found cabin guy's plane back in s1, lottie looked at the vines growing around the wheels and said "It didn't want him to leave", and she was right. laura lee's trip ending in spontaneous combustion should have been enough to prove that if only they were paying attention by then.

they all should have died when that plane crashed. The Wilderness allowed them to survive, to make a home. albeit violently, tragically, It nurtured them through two winters, and ungratefully, they all left anyway. eventually they're all going to have to go home to It, one way or another, dead or alive. It's already been inside them for years.

[alotofpockets]

Lost & found | Katie McCabe x Reader

Summary: Where Jake loses his favourite stuffed animal, and Katie helps you through a panic attack.

A/n: Part of the Mini Mate Universe

Woso masterlist | Words: 1.6k

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Over the past few months you had gone over to Beth and Viv’s place for dinner at least once a week. Jake loved his new aunties, and you enjoyed spending time with the couple and the many guests they seemed to have over at all times. Beth and Viv in turn were also enjoying having you and Jake around, you fitted right in with all Katie’s teammates, and well they just all loved Jake.

Today you would have brunch at their house, along with a few other girls from the team. Katie texted you she needed to finish up some things and head your way in 30 minutes, just enough time for Jake to finish his Bluey episode, you thought while you finished packing up his bag.

When Katie arrived, she greeted you with a kiss, “Hi baby, are you ready to go?” Jake’s show was still playing in the background, but it was long forgotten by the boy when he heard Katie’s voice. The sound of his tiny footsteps running your way made the both of you smile and look into the hallway. “Kawie!” You didn’t think you would ever grow tired of his excitement for your girlfriend, or the way he pronounced her name. “Hi mini mate, I’ve missed you!” She picks him up and twirls him around. “Let me just turn everything off, and I will meet you at the car?” 

Each time you were heading somewhere with Katie, she insisted on driving to your house, and head to wherever you were going together. You had told her many times that you could just meet her at Beth and Viv’s, but Katie kept insisting to go together. Usually you took your car since Jake’s seat was in there, but now you walk outside and see Katie putting Jake into her car. “Wait, why are you putting him in your car? He needs his car seat.” Katie stepped to the side to show you the brand new car seat installed in the back of her car, and you couldn’t believe your eyes. Katie ruffled your son’s hair before closing the door softly. “What do you think?” You were still a bit shocked. “I think it looks great, but you really didn’t have to do that.” Katie takes your hand and leads you to her car. “I know I didn’t have to, but I’m in this for the long run, and I want to be able to go somewhere with the three of us and not make you drive every time.” You place a soft kiss on her lips, “You are the best, I love you.”

When you arrived it didn’t take long for Jake to run off to Laura who was playing with Myle. You loved knowing that any one of Katie’s teammates would look out for your boy when you were in a group setting, and that even though as a mom you would still keep checking in, you could also let it go a bit, knowing that he was cared for.  

You spend about an hour talking with the group of girls before Beth said that she was going to take the dogs for a walk. Since the weather was so nice, everyone decided to tag along. You headed to the little beach nearby, where the dogs could run around freely. Beth and Viv walked up front, with two dogs running ahead of them, you and Katie followed with Jake on Katie’s neck, and the group of you was followed by a giggling Laura and Vic pushing each other around. It was interesting to see the different dynamics between the girls surrounding you, but you loved all of their company. 

When you got back to Beth and Viv’s you all had lunch together, before you made the short drive back to your house. Katie knew you were in need of some one on one time with her, so she had asked Linda if she would watch Jake during his nap and the rest of the afternoon. It wasn’t until you had tucked Jake into his bed with Katie and Linda talking downstairs, that you realised that Jake had lost his stuffed bunny. You found out because Jake started loudly crying. “Mommy, me want Benny!” He screamed at the top of his lungs. “Shh, it’s okay kiddo, Mommy is going to go look for Benny.” You held the boy in your arms as the tears rolled over his cheeks. The women downstairs had heard Jake’s screams, and Katie came running with a different stuffed animal that she found amongst Jake’s toys. “Hi buddy.” She says sitting down next to you and while letting her hands go through your son’s hair. “I have a Mister Bear here, who really needs some cuddles. Do you think you can give him some cuddles?” Jake took the bear with a little hesitation. “Good job kiddo, you’re making Mister Bear very happy.” You say, wiping his tears away. “Come on, nap time. Linda will be right downstairs if you need anything.” With a kiss to his forehead, you leave his room.

Once you close his bedroom door, you start pacing the hallway. Katie takes your hand, “Let’s get downstairs, baby.” You continue your pacing when you get to the living room. “Why can’t I remember where I last saw his bunny?” It was frustrating that you could not picture the last time you saw Jake holding Benny. “It’s okay, baby, I will text Viv and ask her to look at their place, and we will go to the beach and check there. We’re going to find Benny, okay?” 

You made your way over to the beach, the route passed Viv and Beth’s so if they would find the bunny you could go there instead. Viv texted before you passed their exit that they couldn’t find the bunny anywhere in the living room, hallway or backyard, where Jake had been today. So, the beach was your last hope. 

After walking every inch of the luckily rather small beach back and forth for the third time, you plopped down on the sand. The frustrations and emotions were getting the better of you as you started crying. “What am I going to do? Benny is his favourite stuffed animal.” Your thoughts started spiralling. How were you going to be able to explain this to your toddler? You could already see the pout and the sadness behind his eyes. Your breathing sped up until it was getting hard for you to breathe. Katie noticed what was happening right away, and sat down in front of you. “Hey baby, look at me.” Your vision was blurry, but you turned your head in the direction of her voice. “It’s okay, everything is going to be okay. Can you take a deep breath in for me?” You tried to take a big breath, but after inhaling for a second you were struggling again. “That was good, let’s try another one.” She took one of your hands and put it over her heart. “Can you feel my heartbeat, baby?” You nodded weakly. “Okay good, focus on my heart beating, and try to take another deep breath in.” 

Focussing on Katie’s heartbeat helped you to stay grounded, and breath by breath, your breathing started to get more regular. “What happened?” You ask while wiping away your tears. “I think you just had a panic attack.” You stand up and start ridding yourself of sand. “Take it easy baby, let’s take a moment.” Katie tries to make you take a break. “No need, we need to find this bunny. I already ruined our afternoon, I don’t want to ruin it further by not coming home with Jake’s bunny.” Katie is quick to her feet and places her hands on your shoulder. “You did not ruin our afternoon. I will gladly search over this beach ten more times, if that means I got to spend time with you, and make Jake happy.”

Before you could respond to Katie’s kind words, you were interrupted by her phone ringing. “Hey Viv, you’re on speaker, y/n is with me.” Katie said as she picked up the call. “Ah that’s great. I have good news, we found Benny.” You couldn’t believe it and fell into Katie’s arms. “Thank you so much Viv. That is so good to hear.” Katie wrapped her arm around you, and placed a kiss onto your forehead. “Yeah thanks Viv. We’re at the beach now, so we’ll come pick it up on the way, if that’s okay with you.” Viv agrees, “Yeah, just one thing. The reason we couldn’t find it before was because Myle is the one that found him, and he might have a severed limb now. We are so sorry, y/n.” You shake your head, just happy that the beloved stuffed animal was found. “Don’t worry about it Viv, I’m just glad I don’t have to tell Jake that the whole bunny is gone.” 

Once you got back home with the bunny and his loose arm, Linda was quick to say that she could fix him. Linda got to work right away, and got done just in time, as you heard Jake waking up upstairs. She handed you the bunny, and you made your way upstairs. “Hi Jakey.” Your son looked up at you with big hopeful eyes. “You won’t believe the adventure Benny has been on today.” You say as you reveal the stuffed animal. “Mommy found Benny!” You had never seen the boy wake up so quickly. “Actually auntie Viv did, because little Benny went on an adventure with Myle today.” You made up a story about Benny and Myle in hopes the boy would forget about the sadness of losing his stuffy, and by the smile on his face, you think you were doing a pretty good job.

-----

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[delimeats-000]

Just the Editor

summary: chris teasing the podcast editor takes a little turn

warnings: language, make outs, dry humping

requested.

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im editing a podcast for THE sturniolo triplets. this is big, like huuge. these guys got me through senior year of hs, and now im their editor, like wtf.

on the set beyond the wall that divides us i can hear the guys laughing with one another.

they’ve been recording for about 2 and a half hours. they should be done soon and come check the final product of the last pod i edited.

soon enough they finish their current recording and come to the editors office.

“Hey y/n/n.” nick says.

“Hey nick.” i get out of my chair to hug him and greet the other boys. “Im pretty much done if you guys wanna take a peek on the last episode.”

“Oh i have a meeting with madi and laura that matts gonna drive me to.” nick hesitates. “If chris is up for it he can stay and watch.”

“Yeah i can come pick him up after the meeting.” matt chimes in.

“Ok sounds good.”

no it doesn’t, two of three triplets gone leaving me with the third that i just so happen to be absolutely smitten over.

matt interrupts my thoughts, “Alright cool. We’ll be back.”

“Be good Chris.” nick laughs before heading out the door and closing it behind him.

i turn to face chris. i hope to god he doesn’t see how nervous i am.

“Ok so you ready?”

“Uhh yeah, you got pepsi?”

“Yeah there should be some in the fridge downstairs.”

“You wanna lead me over there? Please?”

“Of course.” i stand up and quickly walk to the foor opening it for him.

“No no, ladies first.” he winks.

fuck.

“Thanks.” wtf, THANKS, dumbass.

he laughs tho, ok cool, play it cool.

we walk down the stairs and into the kitchen in silence.

“Do you want one or two?” i say bent over in the fridge reaching for his pepsi. he steps close behind me, resting his hand on my lower back.

“Lemme get two, just in case.”

“ok.” i feel weak, his hand feels so firm and strong.

compared to the cold room i was in his hand is hot and the temperature change makes me shiver.

“Are you ok?” he asks as i stand up.

“Yeah just cold.”

“Here take my sweatshirt.”

before i can decline the offer he’s already taking it off revealing a wife beater that lifts halfway up his torso as the sweatshirt comes off. my eyes go wide and i dont get the chance to fix my expression before he notices the blush on my face.

he laughs softly, “Here goof, put it on.”

i take the sweater and put it on.

“You look good.”

“Thank you.”

“No problem, lets go watch the pod.”

“Yeah.”

my face is most definitely flushed, im hot, genuinely burning up and the sweater is making this worse now, but it smells so good. i cant take it off, not yet.

“Ok here you go.” i pass him my laptop and headphones so he can watch the pod on the loveseat in the office.

“Yo, you’re not gonna watch with me?”

“Uh, i guess i can.”

he scoots over and hands me the other headphone. he presses play. i cant even focus on the video in front of me, all i can think about is the fine ass man right next to me. shoulder to shoulder i swear i can feel his heart beat. there’s no way in hell im playing this cool. i just know im shaking. please god dont let him notice.

but he does anyways.

he pauses the video, “Is everything ok.”

i dont want to look him in the eyes, im gonna give it up. “Mhm, yeah.”

“Look at me.” he says quiet and gentle. but i dont look.

he grabs my face turning me towards him.

“I said look at me.”

he’s serious this time, his tone still quiet but now firm.

“Sorry.” i mumble.

“Shh, don’t apologize.” a smile grows on his face. “Whats on your mind?”

i shrug, struggling to make eye contact.

“Tell me, baby.”

im sure he could see the shock on my face because his subtle smirk turned into a soft chuckle.

“you’re pretty, chris.”

“You think so?”

i nod my head quickly.

“You’re beautiful, y/n.” he leans closer. “Can i kiss you?”

i nod once more before his lips land on mine.

he starts slow speeding up the kiss getting more rough. his tongue now caressing mine. he slowly runs his hand down to my neck and lets the other rest on my hip.

his sloppy kisses lead down my neck and i feel him leaving his mark. i let out a moan from the sharp pain, as i reach to grab his hair.

he bites harder making me let out another moan before he lets go, breathing hard he says, “Keep moaning for me, baby.”

“Yes sir.” i say as he goes back to making out with me.

i straddle his waist taking control grinding on his dick feeling the bulge grow larger.

“Fuck. Ke-keep going.”

now kissing down his neck and grinding against his hard cock, ive got him moaning for me.

then.

there’s a knock.

“Heeeyy.”

its nick. he opens the door to me struggling to get off chris. chris is completely unfazed as im absolutely embarrassed.

“Chris.”, matt laughs. “You didn’t.”

Nicks jaw completely dropped he turns around and walks out of the room.

Matt daps up chris before leaving too.

Chris stands up walking towards me, “Call me ok?”

i nod and he kisses my cheek before heading out the door.

i fall back onto the loveseat in utter disbelief.

“He forgot his sweatshirt.”

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dialogue key: nick - matt - chris - y/n

hope you like it, love you 🫶

EDIT: Pt 2 Out Now

[burr-ell]

A Not-Necessarily-Exhaustive List of Good Moments from C1 1-27:

"I have an intelligence of 6, I know what I'm doing"

"We're here to right wrongs, and right lefts—" "And write comment cards"

Tiberius Kraghammer

Clarota

"We'll explain later. You're on the roof of Osama bin Laden's house"

"We'll be taking your weapons, your armor, and I believe your pride"

Percy making the first trick arrows for Vex after a shopkeep was a dick to her about arrows, which is canonically when she began to fall for him

Keyleth killing that one duergar from the TLOVM flashback

"I encourage violence"

Lady Kima being freed and then pulverizing the corpse of the duergar who'd been torturing her

Matt's fucked up body horror monsters

Scanlan taking a dump on a bed for the first time

Pike's crisis of faith when she slits a duergar's throat with her mace and her holy symbol breaks

When the limited T-shirt run went live and then sold out before Marisha could finish reading the announcement

Vax getting his foot burned off in lava

Scanlan the Kingslayer

"Can I use my Luck feat for this?" "You don't have any feet left"

Kima and Keyleth's argument (it was good, haters eat my shorts)

The origin of The Cube

"I'm Vax that's Vex ->" "I'm Vex that's Vax <-"

"Screw you, I want my final words with you to be indignant and irritated!"

"He has three-quarters cover" "I ignore three-quarters cover :)" "...then fuckin' fire!"

"Some people have no sense of fucking honor!"

Travis's notes that just say "I don't trust Clarota I don't trust Clarota I don't trust Clarota"

Percy reacting to the Briarwoods being namedropped during a council meeting

Meeting Gilmore on-stream for the first time

The Belt of Dwarvenkind and Grog's obsessive attempts to grow a beard

Scanlan's blue-shit-scrying potion

Grog "Philip" Strongjaw vs Kern

Vax giving Minxie!Keyleth a belly rub

The hydra fight and the beef with the Slayer's Take

Episodes 18 and 19, in their entirety, but specifically:

Zahra and Vex's initial rivalry-turned-friendship-turned-"I have a crush on Zahra"

Lyra. She's just. so much. idk of what but she is it

"I'm wearing the pajamas with the buttflap and the buttflap is down. The buttflap is DOWN"

Scanlan introducing himself to Rimefang as Burt Reynolds and then Matt, in his scary dragon voice, calling him "Burt"

"I'm sorry, I'm a genius, I'm sorry! Oh, god I'm clever!"

Zahra killing Rimefang

Percy and Vex working together on a history check (it's important To Me)

Wil Wheaton rolling five Nat 1s. In one session

Keyleth and Vax posing as a married couple to get information

Kash insight-checking Thorbir, believing he has to be actively sabotaging them because no one could possibly be that bad at their job (he's not, he really is just that unlucky)

Wil, playing a dwarven fighter, finally rolling a nat 20...for an insight check

The magic carpet losing its enchantment in a pit of acid and Laura's scream of horror from offscreen

"Rakshasaaaaaaa!" -jazz hands-

Kashaw and Keyleth, which was thankfully reworked in TLOVM but was also hilarious

Vex exasperatedly kissing Grog, portrayed by Laura kissing a bewildered Travis

Tyriok the cartographer

Grog, the Vasselheim merchant, and the first and only time Vex started beef with a retailer

Keyleth recounting a vision she had of her own death

The Aramente trial in Pyrah and a cameo from Thordak

Travis getting a medal from a fan for losing to Kern and Matt making it canon

Grog fighting Kern again and winning

Keyleth getting arrested. For the second time in Vasselheim alone

The first appearance of the man. The myth. The Viktor

Kynan's first appearance and Vax's idea of "tough love"

Percy telling his backstory to the party and them immediately affirming their support for him ("You don't have to get involved in this" "Oh, we are SO involved" "You said you wanted 'em dead!") and Taliesin himself being moved to tears over this

Percy creating Diplomacy

Vax and Keyleth bear-sitting Trinket and braiding pink ribbons into his fur

Gilmore finding out Vax wants to see him and teleporting in from half a continent away

Vax shaving half of Grog's beard and Travis breaking a mechanical pencil with one hand

The feast, where Percy actually threatens the Briarwoods to their faces while disguised as Vax

Vax and the Briarwoods. "Gosh you guys are good-looking"

Vax nearly dying and having a vision of the two people he cares about most: Vex and Keyleth

Sylas jumping out the window and doing a perfect 3-point landing...while Delilah blows the athletics check and faceplants in the dirt

"SYLAS"

Vex scoring two crits on Delilah

Tiberius getting Feebleminded

Percy's attack on Desmond. My horrid little skrunkly <3

"YOUR SOUL IS FORFEIT! DIE! DIE!" and Keyleth skipping her turn to just stare at Percy

Vox Moochina

Keyleth taking charge to save the ember roc

Keyleth conjuring a water elemental and Taliesin gargling water to translate her commands to it

And finally, the conversation between Keyleth and Percy where he privately confesses his own worries that he's going dark and that he's afraid of himself, and she expresses her concern for him and promises to be there for him

anyway c1 good

[utilitycaster]

I saw you reply to an ask saying Tiberius player sucks, but I never saw anything about conflict between the cast. Granted I didn’t join until campaign 2, so did something happen to make them kick him out?

I'm going to link the iconic r/hobbydrama post because I think it's genuinely excellently written and a thorough rundown, and please note that I also started with Campaign 2 so this is mostly secondhand for me. The tl;dr is that the actor for Tiberius immediately began hogging the spotlight inappropriately, avoiding things that might put Tiberius at risk thus screwing over everyone else, cheating on dice to make his character seem cooler, and ultimately in the course of one episode dominated the conversation and tried to bypass a core aspect of Percy's arc and said something sexually inappropriate in-character regarding Vex, Laura's character. He left not long after. If you watch the early C1 episodes it's very much stated as him needing to leave for personal reasons (he was also I believe legitimately dealing with some health issues), but it became clear later he'd been asked to leave.

It later came out that the actor had been hostile a few times while on the show towards fans in inappropriate ways, was frequently hostile and abusive towards many people afterwards, and stole and scammed from his own crowdfunding and employees regarding a spinoff of Tiberius's adventures.

For a bit of background, the vibe when I started Campaign 2, at least while avoiding most of social media, was pretty neutral even though Matt had definitely said some stuff that indicated this had gone badly, and TVTropes (look, I was trying to avoid spoilers and at the time it had episode-by-episode updates) honestly seemed to have been written by fans of Tiberius and was pretty sympathetic towards him. If you're not experienced with D&D or are listening by podcast it is hard to tell how bad things were until episode 27 (his final one and the one where the conflict is really apparent), especially if you have no other baseline for the cast. Tiberius's heroic death that comes out in 1x64 was, I believe, arranged by Matt to be fairly respectful, and coupled with the cast's requests to respect everyone's privacy I think it just wasn't much of a point of discussion during C1, though I could be wrong. The crowdfunding scam news came out right when C2 was in its early episodes, and I think that's when the fandom started to become more aware.

Anyway if you watch early C1, I think it is worth it despite him (and honestly while the actor sucks the character was a good concept and would have had immense potential in the hands of someone who was an honest and generous D&D player, particularly if the fall of Draconia was pre-planned even before his departure), but as many other people have said, if you haven't seen episode 1x27 you do not know what the cast looks like when they're actually fucking angry at someone. Like even when they've been upset with each other it's been a "talk it out" situation, rather than that.

[melien]

CORNELIA ARCHER’S BC (attempt 2.0...)

I announced this BC almost three years ago but overestimated myself with the ambition and just wasn't in a good place mentally in the following months (to put it mildly), but now I feel like I've missed projects like this a lot and am still vibing with the idea of this BC. Also my ts3 is running so much better now, which was one of the initial reasons for cancellation, but now it's a lot easier for me, woo!

Before it got cancelled, I've got a few contestants. I think some of them were given for public download since, but it's really not a problem for me, I can still use them. Right now I'm thinking of still using the same contestants and maybe accepting a few more. I also asked a few people on discord who said it's fine to use the same sims.

In case someone would like to join and make a contestant, let me know under this post or in an ask! The catch of the BC is that the contestant should be based on a song/album (of any artist), as Cornelia herself is very Taylor Swift inspired and is a Lover girlie, actually made on the singer's 30th birthday in 2019 as a tribute sim (she and the winner may even appear in the Lover gen of my swiftacy if I get there hehe) (yes I'm an absolutely hopeless swiftie, all of my saves have some inspo from her) (and what about it).

I don't know how many sims I would accept (11 would be perfect... I'd dress her as one of the eras for every episode). But it would be fine for me if I got less than that, realistically the simblr climate isn't the same as back when BCs were more popular, I guess.

Contestants:

@vintageplumbobs - Lucy Starr

@poisonfireleafs - Laura Oak

@dragonplumbobs - Carson Lake

@cloudberry-sims - Aella Wonders

@tosimornottosim

@arogaba - Sara Nix

@berriespunches - Lara Mooney

@blurrypxls

@bellakenobi - Lilian Pendragon

Rules:

Your sim must be YA vanilla or banilla.

All genders are welcome. Cornelia is pansexual.

Occults allowed (except ghosts)

No Irresistible trait, please.

CC is allowed, though don’t go overboard with it. I mostly use Chazy/Poisonfireleafs hair retextures, and I may change makeup and eyebrows to similar ones because I like keeping everything in my style, unless it’s something that makes the sim unique and is a part of them.

No custom sliders, please.

I have all the packs. You may set all outfits for your sim so they can match their color scheme, but it’s fine if you can’t.

Private download, but it's okay if you decide to make it public (to those who already made it public, don't stress).

Please write a bio for your sim. It doesn’t have to be long, just basics of their personality.

The most important aspect of this BC: it’s not a regular one, it’s a music-inspired BC. Therefore, your sim must be inspired by a certain song, music video, artist, or music album - it could be whatever you wish! (absolutely no pressure if you can't think of anything and would just want to make a regular sim, but I just thought it would be a fun prompt)

The deadline for making a sim is September 30 (flexible). The faster I get all the sims, the better, but no pressure!

[pearlaquaoceans]

The amount of stuff knocking around in my head about episode 99 have me thinking nonstop about some of the gods and I gotta write it down. This might not make sense or it might not be how the gods will appear by the end of the three episodes but oh man am I invested right now.

Sarenrae - I could have only dreamed for Ashley to play the everlight but she is and it is perfection. I have missed the warmth of Sarenrae since VM and to have her back is fantastic and to have Ashley who showed such a love for her as Pike is so beautiful and wonderful.

I am totally behind Sarenrae falling in love and having a family in her mortal form. She loves humanity much like Pelor but being the goddess of forgiveness, she can understand them more and see their flaws but also the beauty in those flaws. I think because she forgives she can also see humans as the full beings they are and she loves them still. How could see come to Earth and see the good in people, and allow them forgiveness when they do wrong, and not love them? Humanity is messy and falling in love is messy and families are messy and it fits so much with what she governs that it just feels right to me. Her being a school teacher feels right to me. I fully believe she is going to carry the scent of the top of her children's heads for as long as she holds that mortal form.

Pelor - This one surprised me. He has always been shown in a domineering and stuffy light. He is a god in a traditional sense who seems untouchable, unreachable, and unparalleled in his grandeur. So the moment Nick Marini spoke as him, I was shook because it was so very... gentle. Warm. Present. I cannot remember the last time my feelings on a character did such a left turn that I was not expecting. As soon as he spoke I was in. I was invested.

And Pelor is in that traditional way, a god. Someone who loves his creations but also sees them as.. feeble. Needing guidance from the gods. It is a hubris that any god is capable of. Yet because of that, he is equally caring. This is the Pelor I had never seen. We have seen him be kind in a way with Vex, demanding with his followers, and unforgiving of the sins commited in his name, but we have not seen him gentle. And here, we see him so gentle. So caring for their creations. He wants them to survive, to feel more than just pain in existence. For the first time I truly believe he loves humanity. Maybe it will change in the next few episodes but for now.. I for the first time, care about him.

The Matron - Mmmmmaaaannnn I would expect nothing less than for Laura to play her. They are forever twined and I am so happy she is. The matron is.. so complex and I am stubborn and did not come into this believing I would feel anything but stubborn anger towards her for what she did to Vax even if she didn't really do anything wrong. I do believe she would have given him a long life but she could not and so she has instead chosen to keep him by her side and seeing this version of her... I can see it. I can see Vax giving her a sense of life that she has not felt in many many centuries.

As soon as Laura talked, I felt.. a warmth for her. A feeling, but I was not prepared on any level for the moment she said Purvan's name, to start sobbing. I don't know why but just knowing him and some of his journey, the mirror to Vax, the man who follows his queen and guarded her... I cried. I cried for him and I cried for her. I love that she is the goddess to know intimately what humans are capable of and knowing how little they would hesitate to destroy the gods. She also is willing to remind the gods of the fragility of man. I kinda love it. Damn it.

Melora - Man, the playing of her as relentless in her hunger is so interesting. Because nature exists to eat. Eating is survival. And survival is harsh and uncaring. Nature will not put compassion above survival. Melora is often played as warm and nature can be that but a world that has been choked by smoke and ash for a hundred years is a Melora that is haunted and starving. I love it.

I just really love the three all playing the gods they have been closest to or affect by in the campaigns. I love it. Its such a brilliant move.

[lavendertheys]

Hi sorry if this is weird but I’m a big critical role fan, I’m on campaign 3 but I’m not caught up. I love imogen and Laudna they have my whole heart but I saw a spoiler saying they might not be together anymore? So I’m trying to find someone who would tell me without plot spoilers why and if you think they will get back together?

Not weird at all @flytheplane-maddie!

So listen. They Did Not Break Up.

They had a really rough (not cruel, just difficult) conversation where Imogen acknowledged they might not have a future together if Laudna continues to pursue Delilah for the means of power.

During the live show someone asked Imogen if she's single and she said "I don't know," all agonized and conflicted.

Both Laura and Marisha said on 4SD that it's all just murky and complicated right now and they don't really know what's going on, but have very clearly not given up on the relationship.

Most importantly, we've seen an immediate pivot in how Laudna speaks about herself and her future. In the last episode she made explicit plans with Imogen for when they have "unlimited free time," which already sounds healthier than all her Dead End talk.

IN THIS HOUSE WE BELIEVE IN IMODNA ENDGAME.

[vexahlias-bow]

Ok so based on what everyone said in the panel I have kinda of narrowed down what episode we’re getting up to in s3:

1. When asked about character growth and what they’re excited to explore with their characters, Laura’s answer is simply “ships!” which means at the very least we’re getting up to 72

2. Multiple people made subtle nods to bards lament, like Ashley saying she’s excited about doing scenes she wasn’t there for and them talking about tensions and friendships being strained

3. Lastly, I’m much less sure about this one, but when asked about characters dying, Travis says “we’re basically gods” which pretty much is what Keyleth says right when Keyfish happens so that makes me think we’re getting up to Keyfish (ep. 97) in season 3

[still-cookiedough]

Last year in January I got COVID and I was looking for things to watch. I ended up doing a Prime trial and I started watching The Legends of Vox Machina. I knew that it was based on a D&D Campaign that spanned multiple years and was thousands of hours long, and usually I find that length of content to be overwhelming. But after I finished the animated show I decided to jump into the critical role campaign 2 because - well there were lesbians.

Over the next 10 months I fell in love with The Mighty Nein, but as I was nearing the end I was getting so sad that I found it hard to watch and one day while on YouTube it just so happened to be Thursday night and CR was live with Bells Hells.

Now I had not watched by of campaign 3 but I was aware of the Bells Hells characters and I knew that Imogen and Laudna were shipped, but I also knew it was not cannon. Frankly I was debating on whether or not to watch campaign 3 at all because subtext sapphic relationships that aren’t actually together drive me crazy and I tend to avoid them for my own well being.

But it just so happened that the night I tuned in for my first ever live CR episode and the first episode of Bells Hells I had scene was episode 65. Thats right, while I casually had the show on in the background Imogen asked Laudna to kiss her. I was shocked and immediately wanted to rewind but I couldn’t because it was live! Was I wrong were the characters actually together and I didn’t know it? But no my first ever live episode was when Laura said “Can I kiss you?” to Laudna for the first time.

I explained this lovely coincidence to my girlfriend who has never seen an episode but knows all my favorite characters in what she calls “my nerd show” and it honestly just felt perfect.

In a world where shows are coming with shorter and shorter episode counts and all the shows with sapphic characters are canceled being able to nestle into the thousands of hours of critical role has been a gift. I’m finally caught up on CR 3 and all I can feel is gratitude 💜

[crithaus]

It's 2 am but I'm awake so tlovm fans get this right in the episodes where Percy and gang are retaking Whitestone, specifically the ones where Vax is mind controlled and they've just escaped the residuum melting acid tank, Keyleth and Vex both call him via the magic earrings trying to snap Vax outta being bisexually mind controlled and keyleth gives him a half seconds pause, barely anything but Vex fakes dying in the ACID on her turn, lies through her pearly little teeth to him and that stops Vax dead in his tracks for a second, it's enough to shake him outta damn mind control by former cerberus assembly archmage delilah goddamn briarwood for a moment

I will scream a new singularity into the universe, and they keep talking for a moment actually and right after Matt-as-delilah asks Vax just who tbe fuck he's whispering to he LIES, RAW Vax should have told Sylas and Delilah right then and there that the acid trap failed but he lies by ommission to protect his sister and family and girlfriend, sobs, and then when they're all seconds before the actually ziggurat fight Matt is explaining the parameters of mind control to Liam, yea sure Vox Machina is still technically your friends but the Briarwoods are your new friend-ier friends now and if shit pops off youll be protecting the briarwoods, and Liam's like :/, mostly accurate quote, "so if I see," points to Laura, "her, the most important person in the world to me, I wanna fight her?" Like twinnies on top forever I fear, he would punt scanlan off of the ziggurat for free at that moment but Gods forbid he has to lay a hand on his sister, and then he's like well I'll just guard Delilah's body and not hit anyone anyway, he isn't even willing to entertain the idea of fighting Vex (and co but...)

And then like during the fight after sylas dies, like sam said that tlovm is its own canon and also that the twins specifically got so wicked pulverized throughout the entire campaign that he had to start giving all but their very biggest owies to everyone else so the runtime wasn't 140+ minutes of footage from exandrian intensive care but I'm still SAD about Keyleth getting Delilah's last hurrah attack instead of vex cuz Vex was DYING, in a room with a magic dampening sphere too so no healing and Vax was like hey dm I will run up this 90° wall to reach my sister take those laws of gravity and shove them up ur ass my boy, like she was getting tossed around like a ragdoll, Liam was going to cry it was awesome, he had tunnel vision and it was getting vex somewhere safe and blowing all their useless potions on her, he wouldn't put her down until keyleth started testing fate fucking with the endless abysmal orb, Vex was fine but oh man the future of her death at the hands of something Percy was involved in?? Foretold tens of episodes before, insane how an unscripted dnd game shakes out

Anyway twinnies goes insanely insanely hard in the campaign it's unreal it's wild, Liam spent 2 and a half whole hours in one of his trials of the take episodes mourning by his own admission his sister being gone for about 8 hours away from Him, i am a codependent siblings enjoyer and this shit will feed you

also I fear I need to reiterate, twinnies? Perfect, no notes. Twincest? An abomination, please do not misconstrue my affections here abeg

[broadwaydivastournament]

BROADWAY DIVAS SUPERLATIVES: Wait...WHAT???

Elaine Stritch's first orgasm during "Who's Afraid of Virginia Woolf?": Crazy cantankerous Elaine Stritch was never one to mince words. Perhaps a crowning achievement in her many instances of raw candor, Elaine revealed the story behind her first-ever orgasm in an interview with "30 Rock" co-star Alec Baldwin in 2013. Elaine starred in Who's Afraid of Virginia Woolf? on Broadway and during the national tour, 1963 and 1965, respectively. She would have been in her late thirties.

"But I wanted to tell something intimate about myself to John [Turturro] about when he was interviewing me. I told him that when I was doing Virginia Woolf and when George and Martha had their scene together and George said, 'Our son is dead.' You know, that big scene? 'Our son,' he yells in my face, 'is dead.' And I went 'No!' At the height of my force, I said no to him. And I had an orgasm for the first time in my life... So this is how important that moment was on stage to me. This is unbelievable, you don't know." -source

Gertrude Lawrence (almost) drops dead during "The King and I": On August 16th, 1952, one of the great stage divas of this world--and rumored lesbian--Gertrude Lawrence collapsed backstage after a Saturday matinee of The King and I. She was admitted to a hospital shortly thereafter, and by early September, the Tony-winning star was declared dead. She was buried in the iconic champagne "Shall We Dance?" gown, and became the first person for whom Broadway dimmed the marquee lights for. She was 54. And so began the long-standing King and I curse (I say tongue-in-cheek) where every subsequent Anna Leonowens has had some terrible tragedy befall them. -source

Julie Andrews declines her Tony nomination for "Victor/Victoria": We live in a cruel and unforgivable world where Julie Andrews does not have a Tony Award. The closest she came was in 1996 where she was nominated for Victor/Victoria. As the sole nomination for the show, Julie announced that she would withdraw her name for consideration in protest on behalf of her egregiously overlooked costars and creative team. She was thought to be a locked win at the time, and though her name did remain officially on the voting ballot, the award ultimately went to Donna Murphy for The King and I, making an awkward situation for everyone involved. -source

Marin Mazzie's "pussy on fire" incident during "Passion": Well, I'll let her tell you all about it.

Patti LuPone and the ALW Memorial Pool: Patti LuPone and the infamous lawsuit that cost ALW a million dollars for breaking her Sunset Boulevard contract. Patti had an iron-clad contract that stated she would be transferring with the production to Broadway, but news broke that she would be replaced by Glenn Close. Patti, who was at the theatre when she found out, went absolutely batshit and trashed her entire dressing room. Her feud persists to this day with several ups and downs, as is her right as a Diva-with-a-capital-D.

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Honorable mentions:

Stephen Sondheim sex dungeon

Bob Fosse's womanizing and finally him collapsing in separated wife Gwen Verdon's arms and dying shortly after.

The affairs of Broadway

Anti-vaxxer Laura Osnes tanking her promising Broadway career and now performing as a circus singer.

[starrytether]

When I read people saying Laudna is toxic I want to throw a table.

Thank God Imogen understands her.

I love how soft she is.

When she said "Can I touch your face?"

I just melted. If there's someone that can help Laudna that's only Imogen. And Laura KNOWS what's behind Laudna's reasons. She said it in the Cooling Down episode. Both Marisha and Laura said Laudna is like an addict. So the fact that she knows and she's so soft and not judging it breaks my heart.

Grateful we got Marisha and Laura to rp this amazing story. However it will end, I know they will make the right choices and I'll be forever grateful for the journey. It's teaching me a lot about love too