#this image is madness

[abandoned-quiche]

[skyberia]

on the agency of puppets

[thevioletcaptain]

i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.

it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.

it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)

it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.

[willowser]

katsuki is sitting on the couch in the living room, holding his new little baby in his arms, and you notice that he's just been staring at him for the longest time. adjusts his little hat so his head doesn't get cold, pulls his small hands away from his face so he doesn't scratch himself.

and they're both quiet for a while, aside from the occasional squirmy baby noise, but katsuki eventually speaks up to ask—

"why's he lookin' at me like that?"

not only is the question itself funny, but the way it's voiced — tone deep and gruff, almost affronted — pulls a true laugh from you, has you shaking your head as you come around the couch to stand beside him.

and sure enough — your new little bean is frowning. even his little hairless browline is furrowed, hard.

you laugh again, sharp enough that your son wiggles in katsuki's arms. "because you're looking at him like that."

katsuki tch's, before turning to give you his son's exact same expression. "no 'm not. this is just my face."

"well, maybe that's just his face."

his frown deepens, hilariously enough. "ain't his face with you." and then he looks back down at him, like he's checking to see if he's still being glared at. he is. "looks like he's pissed."

"maybe he is."

you don't bother to correct him, to inform that your son does, in fact, give you a stink face every now and again — just like his father — and instead you watch katsuki lean down close to him, until their noses are nearly touching. watch the way little fingers squeeze around katsuki's thumb.

"the hell do you have to be pissed about, huh?" katsuki asks, voice quiet and low and small, enough for the boy in his arms. "far as i'm concerned, you're livin' the life."

you only laugh, smile while running a hand through katsuki's hair.

you'd say you are, too.

[radroachmeat]

[cannibalovers]

contemplating life

[bulbabutt]

i think its weird that arcee is like. a core member of transformers groups now, cuz it makes her stick out like a sore thumb being the token girl when at the time she wasnt exactly supposed to be? she was part of the second generation of characters (even though I know the movie was being made first)

like it seems like modern stuff tries to do this with her

which just shows off how much that design doesnt fit and comes off like it was made to be "i am THE girl. you need no more girls we have made the one girl”

but when she was actually designed to match the movie crew, a bunch of more futuristic (the far off year of 2005) cybertronian vehicle transformers with her rounded shapes and pastel colours and she isnt even the only pink one because hot rod is also pink, albeit a much darker pink

(leaving ultra magnus out cuz he was designed to be a brick holding optimus doesnt count)

the point like yeah shes still the only girl but its less egregious when you look at what she was actually supposed to match. i dont think shes designed perfectly but i think its weird that because shes the most recognizable girl transformer she has to be pulled away from her crew and forced into a group she doesnt share the design philosophy of (let alone for her character its sad like... are those not her friends? she’s not allowed to hang out with her own friends anymore cuz she’s the only girl who’s marketable? sad)

it’s extra weird when you realize there’s this crew who were the original girl transformers shown on screen

they’re not perfect either but I like that they have the same busy more squared off shapes and more strong colours, and I just think if they got added in arcees place you could have a less skewed view gender binary for the robots

there’s also the part where it would be cool to have more than one girl in a group, but again arcee with her iconic leia space buns head fits in aesthetically better with the movie crew

[ot3]

something kind of gross to me is the way that some artists who post about how AI is going to take their jobs speak in a way that makes it seem like they think they are the first and only profession who has ever faced this kind of existential threat. they just seem fundamentally uninterested in relating the fear they're currently experiencing to the larger context of labor movements and the history of technological advancement/automation's effects on other fields.

they only ever discuss the problem with automating creative labor. there's this sort of implicit stance that when labor they view as not requiring The Divine Spark Of Creation Only A Human Can Possess gets automated that is just the natural course of technological advancement. But when it comes for their labor it's suddenly a completely new thing and a threat to the fabric of our Culture. The idea that creative work should be venerated above other forms of labor and is uniquely deserving of protections is just kinda shitty and stupid.

[thisisadonaldduckblognow]

no one here to talk about how raph’s sense of self-preservation vs self-sacrifice is directly tied to how it affects the safety of his family and i resent that

leo gets dropped off a building, raph all but throws himself after him to catch him, no real plan, just desperation.  shadow of evil, he sees they’re way outnumbered, he literally picks his entire family up and runs.

battle nexus new york he posts himself over donnie as a personal shield against shredder

shreddy or not, not only is he the second mvp of the initial brawling (gram gram is of course biggest mvp) putting it all on the line THROWING HIMSELF at shredder, saving bacon left and right with like zero regard for his own safety. he then has to buckle down and make the choice to get his brothers to safety TWICE while leaving people behind in the span of a couple of minutes, and he looks so absolutely torn up about it

in the movie, he’s the one who sees them getting their butts handed to them in the first kraang showdown and calls for the retreat/escape pods! and then he puts himself on the line saving leo’s life, getting hurt in the process, then getting leo out safely and being captured in the process.

and i think it’s so interesting that like. when he knows his family made it home safe in one piece, when he’s alone in enemy hands and sister kraang is straight up like “let’s kill him already he won’t tell you anything,” raph is just like. “yeah, she’s right.” no trying to stall for time or argue back. 

like his sense of self-preservation and i think overall worth really is SO so directly tied to his family’s safety. which makes it hurt even harder to see his mind and autonomy get violated and used to hurt them imo

[kiksniko]

pov you are chuuya, 17 and your partner has just pointed out that you need to get glasses for your shit eyesight

[fedlc]

john malevolent

[teaboot]

So I've been trying to buy pants and it reminded me that everything is sized so small and I got angry again because

BEHOLD: AN OBESE PERSON

[breadbugg]

asshole cat old doodle from a couple months ago

[stewyhosseini-bf]

they are literally brothers that's his little brother man!!!!!! you don't get it!!!!!!

[princessmadelines]

FIRST WORDS I HEARD, CLEAR AS A BELL:

[mumblesplash]

furious that there is ONE hand-drawn frame of wolfwood, and it’s the best his character design looks in the entire show, and it’s right after meryl hit him with a truck