#this is a general thing that's happened with the art style where things look much more..

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[nailtagyuri]

when i was 12 this was the coolest most mindblowing shit ever i was genuinely so obsessed with it I'd read it very day like the bible. I would die for a version of this with the post 3D world content over my country

[maikaartwork]

Artists, let’s talk about Instagram commission scammers

There’s been a huge rise in commission scammers recently, mostly on Instagram. A lot of new artists don’t know what to look out for, so I figured this might help people.

How they begin

Usually the scammer will write to you asking about a commission. Something deceptively cute - mostly I encounter asks about pet portraits, with one or two photos sent. They’ll probably try to sell you a sweet little story, like “It’s for my son’s birthday”. They will insist that they love your artwork and style, even though they don’t follow you or never liked a single piece of your art.

What to look out for:

Their profiles will either be private, empty, or filled with very generic stuff, dating at most a few years back.

Their language will be very simple, rushed or downright bad. They might use weird emojis that nobody ever uses. They will probably send impatient “??” when you don’t answer immediately. They’re in a crunch - lots of people to scam, you know. 

They’ll give you absolutely no guidelines. No hints on style, contents aside from (usually) the pet and often a name written on the artwork, no theme. Anything you draw will be perfect. Full artistic freedom. In reality they don’t really care for this part.

They’ll offer you a ridiculous amount of money. Usually 100 or 300 USD (EDIT: I know it might not be a lot for some work. What I mean here - way higher than your asking price, 100 and 300 are standard rates they give). They’ll often put in a phrase like “I am willing to compensate you financially” and “I want the best you can draw”, peppered with vague praise. It will most likely sound way too good to be true. That’s because it is.

Where the scam actually happens

If you agree, they will ask you for a payment method. They’ll try to get to this part as soon as possible. 

Usually, they’ll insist on PayPal. And not just any PayPal. They’ll always insist on sending you a transfer immediately. None of that PayPal Invoice stuff (although some do have methods for that, too). They’ll really, REALLY want to get your PayPal email address and name for the transfer - that’s what they’re after. If you insist on any other method, they’ll just circle back to the transfer “for easiest method”. If you do provide them with the info, most likely you’ll soon get a scam email. It most likely be a message with a link that will ultimately lead to bleeding you dry. Never, and I mean NEVER click on any emails or links you get from them. It’s like with any other scam emails you can ever get.

A few things can happen here:

They overpay you and ask for the difference to be wired back. Usually it will go to a different account and you’ll never see that money again. 

They’ll overpay you “for shipping costs” and ask you to forward the difference to their shipping company. Just like before, you’ll never see that money again.

The actual owner of the account (yes, they most likely use stolen accounts to wire from) will realize there’s been something sketchy going on and request a refund via official channels. Your account will be charged with fees and/or you get in trouble for fraudulent transactions. 

You will transfer the money from your PayPal credit to your bank account and they will make a shitstorm when they want their money back, making your life a living hell. They will call you a scammer, a thief, make wild claims, wearing you down and forcing you into wiring money “back” - aka to their final destination account. 

Never, EVER wire money to anyone. This is not how it’s supposed to go. Use PayPal Invoice for secure exchanges where the client needs to provide you with their email, not the other way around.

You can find more info on that method HERE.

What to do when you encounter a scammer:

Ask the right questions: inquire about the style, which artwork of yours they like, as much details as you can. They won’t supply you with any good answers.

Don’t let the rush of the exchange, their praise and the promise of insanely good money to get to you. That’s how they operate, that’s how they make you lose vigilance. 

Don’t engage them. As soon as you realize it might be a scam, block them. The sense of urgency they create with their rushed exchange, and pressure they put on you will sooner or later get to you and you might do something that you’ll regret later.

Never wire money to anyone. Never give out your personal data. Never provide your email, name, address or credit card info. 

Don’t be deceived by receiving a payment, if you somehow agree to go along with it. Just because it’s there now doesn’t mean it can’t be withdrawn. 

Here is a very standard example of such an exchange. I realized it’s a scam pretty fast and went along with it, because I wanted good screenshots for you guys, so I tried going very “by the book” with it. 

Please share this post, make it reach as many artists as possible. Let young or inexperienced artists know that this is going on. So many people have no idea that this is a thing. Let’s help each other out. If you think I missed any relevant info, do add it as an rb!

Also, if you know other scam methods that you think should be shared, consider rb-ing this post with them below. Having a master post of scam protection would AWESOME to have in the art community.

[trapastrology]

Astro Observations W/ Aris

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7H Uranus in a solar return chart doesn't always mean that a romantic relationship will end. It can be a close friendship/best friend, business partner,etc.

1H Venus in solar return-putting more effort into your looks. This is considered to be a "glow up" year. This is the year where you find your signature style, makeup, scent, etc. I'd consider this to be the best dressed year. Could also change hair color or style. Cosmetic procedures happen here as well.

North Node in Pisces tend to benefit more from having an assistant or help in general. Pisces South Nodes tend to want/get too much help when they need to be more self-sufficient.

11H Liliths are HEAVLY prone to having ppl around them who hate them (esp friends) and don't realize. These are the ppl we see who usually get set up by their "friends" or someone close to them. Look to your lilith sign as well. If your Lilith is in an air sign, watch out for envy in air signs.

For my ppl with majority of their placements in the 2H & 3H tend to be "blind" to themselves. Whether it's their faults or great things about themselves, they can't seem to see it until someone else points it out and then they finally realize it.

2H Pluto/Scorpio 2H- shouldn't verbalize to anyone who much they make. Don't say whether you're doing bad or good financially either. A lot of jealousy and envy will arise from telling the wrong person which will affect your money and stability terribly.

3H Nessus- Usually experience intense trauma or bullying in elementary, with siblings and thru words. They usually write or speak about their pain that usually ends up helping other ppl tremendously. These are the type of ppl who make music or write poetry that helps other ppl get thru hard times. However, due to a lot of bullying and being spoken down to, communication ends up being one of their biggest issues and this can manifest in many different ways

When you get criticism or pushback from doing North Node things, that's how you know you're going into the right direction sometimes. For instance, a 4H NN may get told that they need to focus on their career path instead of creating a family. (Full post on this coming very soon!)

Use your moon on a bad day to help regulate your emotions. Look towards positive aspects

5H Aries Moon- make a creative art project alone.

Sextile 3H Chiron-write about what's bothering me.

Make a playlist with artists who have your NN sign as their dom personal placements & those whose plmts fall into the same house as ur NN. This will evoke that North Node energy out of you. (Something I've been doing for me and my clients for years)

The end! Look at my pinned post for info on my upcoming Patreon. Message me to book a reading! Most readings are only $25 until July 31st.

[the-gateway-to-madness]

Platonic dynamics I want to see more in the (tiny) Rise of the Brave Tangled Dragons fandom:

Jack being like an older brother to Hiccup and sort of seeing an older version of Jamie in him and not scoffing at how nerdy he is ("holy crap you MADE this? Man show me how it works!!")

Rapunzel post-her-movie being all gung-ho and cheery, and Merida trying to get her to stop being so naïve, only for Rapunzel to calmly list all the ways she was betrayed and abused throughout her adventures (and you'd only have to go through the canon events of the movie and show to make this work, btw, girl's been through STUFF) and tells Merida she is upbeat and kind because she chooses to believe that most people are good, because so many people stuck with her through so much and so many people came back to her after betraying her. And Merida is like "well dang ok, wanna learn to shoot a bow"

Jack being calm, responsible, and protective of the others without becoming too angsty in the process- playing harmless little pranks to bring everyone's spirits up, that sort of thing

Merida being annoyed by Jack at first, but it's because she misses her brothers, not because she categorically dislikes the pranks. She tells Jack this and he asks her to join him doing pranks. She has much more fun after this.

Rapunzel is good at many things, but not so much inventing, as we see in TTS; her trying to assist Hiccup and him being good-natured about it but entirely accidentally outclassing her

Jack very deliberately keeping his past and loneliness to himself, and the others figuring out something's off because they never catch him sleeping, he's pensive when he's not interacting with them, he's got such wide and extensive experience, and he starts admitting bits and pieces like "I'm older than I look" etc etc

Jack never openly getting angry with the kids because they're kids and he's a Guardian, so instead when one of them is upset or trying to pick a fight with him, his staff will glow brighter or it'll get cloudier or windier or snowier- his magic responds, but Jack refuses to, making his calm all the more scary.

Jack being the first to realize Rapunzel has been through Stuff and sitting down with her when the other two are asleep "what happened to you?" entirely gently and patiently because HE'S A GOOD BIG BROTHER DANGIT I WANT THIS SIDE OF HIM TO SHOW MORE-

Hiccup worrying/getting upset/doing that I Have To Stand Alone thing and Rapunzel approaching him like "you're not the only one who grew up alone, you know. It's okay to rely on us, we won't let you down"

Hiccup doing the I Have To Stand Alone thing in general cause I don't see that a lot in crossovers or at least the arts

The others finding Jack in weird places because super-balance go brr

Jack being reluctant to touch any of the kids for any reason because he doesn't want to see the way they treat him change once they realize how cold and inhuman he really is

Merida recognizing Jack immediately as the only other obviously competent fighter by the way he moves (she was raised around all manner of warriors and guards, after all) and immediately setting about allying herself with him because Heaven knows they all need as much protection as they can get

Merida helping Hiccup to have a moment like he has in the HTTYD books where he realizes he's actually a really amazing swordfighter when he actually uses his dominant hand

Hiccup and Rapunzel asking Merida and Jack what siblings are like

Jack just treating them all like his little siblings

Jack and Merida gathering ingredients together and, depending on the region, Jack teaching Merida the safe local vegetation and herbs because he's been everywhere. Also, Jack teaching the others how to cook with local ingredients

Jack knowing a lot about herbal medicine and helping and teaching the others

After much internal deliberation, Jack choosing Hiccup to hold his staff while he takes care of two-handed tasks

Jack knowing how to style hair because of Mary, and he and Merida helping Rapunzel tame her hair

[perrigoaway]

Gina and Ema outfit swap (their outfits are SO similar already) and various doodles :D

‼️ SPOILERS BENEATH THE CUT ‼️

I’ve been wanting to post fan art from Resolve for forever now, but I was so terrified of spoiling other people on here TT this game is literally so good that I would feel so bad if I spoiled any part of it for someone, it’s so exciting when you see things happen in the game!

.

Some thoughts in general on Resolve! Oh my god TT that scene with the Kazuma revival.. it literally makes me want to CRY when I watch it, or listen to it or THINK about it or-

The expressions they all have in that scene never fail to get to me. Kazuma’s initial look, then his expression softening as he finally sees Ryunosuke and Susato, THR FACE RYUU MAKES WHEN HE ACTUALLY GETS TO SEE KAZUMA IN FULL?? they should’ve gotten to hug, guys. The line where Kazuma says something like “thank you for guiding my friend here, when I could not..” !!?????!! STOP IT FOREVER..

also, I’ve come to really like Homumiko as a ship, their relationship feels very genuine and warm to me. There was an incredible post on here by user I’m-on-speeeeeed talking about how the usual deduction theme is in a very difficult and clunky time signature, but in the deduction with Mikotoba.. the time signature in Partners becomes the easiest, most natural one, working together seamlessly like a well oiled machine. They literally complete each other to the extent that even the MUSIC is affected???? Oh my god TT this game really is so freaking good, I wish there was a prequel game with Sholmes and Mikotoba as partners, or maybe even an investigations style spin off, the same way you get to play as Gregory Edgeworth. I would buy that so fast actually

It’s been a while since I rambled so much on here, sorry for being insane about dgs TT

[lasirenatarot]

“ LOOKS-MAXXING ” pick-a-card reading.💝

Your next glow up.

What can you do in order to have a big glow up?

Pick a pink 90s magazine cover:

—>Pile 1

Your next glow up will most likely be related to getting « in peace » with your s€xuality prior to glowing up both physically and mentally. What I mean by this is you will probably need to get rid of any self doubts about your looks, any shame around your $£xual side due to past traumas or for some the way you were raised, some may have been raised in a controlling or conservative family.

One of the ways you can make this glow up happen is if you really enjoy your life and what you do. Try to practice your hobbies more and work on bettering your natural talents, by doing that you may find your purpose in this world and this will lead to the biggest glow up ever.. for some it may lead them to their dream career.

Something which appears in the cards is that you may need to forgive your parents or parental figures for the way they treated you in order to reach peace within yourself and your physical body. Forgive yourself as well for not acting in the « right way » or not looking a certain way, this is the best you could do at that point of your life . It is all in the past.

As for a physical glow up: judging by the pictures shown on the cards that fell, maybe start focusing on a regular work out routine, focusing on legs, butt or whatever you feel like you need to improve. Updating your clothing style may benefit you a lot. Stop caring about what others would say and pick clothes which give you freedom of expression, be yourself shamelessly. Some of you who chose this pile may have some creative vision which they may have been scared to express - do it. Meditation may help with your « glow up » in some form as well. Try bolder makeup looks and outfit choices.

Moodboard/Vibes for pile 1:

The vibes I get from this pile is totally Julia Fox as a persona,not only style wise. She’s unapologetically herself, maybe for some she’s a bit weird. But the main point is, despite people’s opinions and perceptions of her, she has always followed her own rules and expressed herself. Before she got famous she was a dominatrix, did a photobook, an art exhibition aand starred in a famous movie in which her character was inspired by her real life . All this happened because she was authentic,lived her life the way she wanted and followed her heart, exactly what u should do as well,pile 1.

Songs which remind me of this pile’s vibe:

—>Pile 2

Pile 2, you’re going through or will go through a huge transformation.. luck will definitely be on your side and you may find out answers for things which you’ve always wanted to know about. ( it can be pretty much about anything. If we are talkibg about a physical glow up exclusively, you may learn some very good beauty hacks soon. It can be about makeup, diet, exercise, skin care, personal development etc.. this is a general reading so I cannot be exact but whatever your case is it will lead to a HUGE glow up. Two of the cards are talking about some « secret knowledge » so whatever it is it will be significant for you.

This pile is very different from the first one as the glow up that appears here is not just about one or two things in your life or looks, it’s about everything. The things you can do in order to glow up faster, pile2, is maybe start watching makeup tutorials and pay attention to new techniques or products you haven’t heared before, ask people for where they shop they may tell you some secret thrift store with really cool clothes which can uplift your style.. anything which can help you get this « secret knowledge » which appeared in the cards. Another thing I can say for this pile is: focus on manifestation, envision the changes in your looks or life as a whole you would like to have and act accordingly in your 3D universe in order to get to where you want to be. Positive affirmations and subliminals (as in subliminals I mean not the crazy unrealistic ones, but those about self concept, confidence and beauty in general) may also be helpful in your case.

Moodboard/Vibes for pile 2:

The vibes I get here are Fran from “The Nanny” and Maddy from “Euphoria”. Fashionable, bold, colourful. Radiating confidence. Crystals, glitter, sparkle, feathers, bold and colourful makeup, everything of that sort. Do not dim your own light to make someone else feel better about themselves if they are insecure.

Songs which remind me of this pile’s vibe:

—>Pile 3

Pile 3: I think you would definitely be bettering your financial situation sooner than you may have even expected, this may help you get a glow up. You would be able to afford nicer things, skincare, clothes, procedures etc.. If you’re not already on a path to improve your finances, then you would definitely be motivated to start working on this problem soon and be very committed on your mission of « glowing up » in every way possible. Physically, mentally, spiritually even. You will be finding yourself after a long period of feeling lost and unlike your true self.

You would become much more intuitive, confident and cut throat even, you won’t let energy vampires use you as they may have done in the past and this would lead to a more beautiful and healthy version of you, because you would not have to deal with others’ negativity anymore. When it comes to relationships you would not be satisfied with with mediocrity, you will be finally standing your ground and being true to your standards and what you deserve. You will be getting your justice if you’ve been mistreated in the past.

This pile has huuuge « femme fatale » « dark feminine » vibe. This may be the energy you will be channeling after you have your glow up. Doing classic makeup like red lipstick+ black eyeliner, black smokey eyes and nude lips combo might help you channel this energy that i am seeing here better. Wearing colours like: red, black, gold and nude might help you elevate your look. Also wearing jewelry, lace and high heels. Don’t be scared to embrace your « dark side » which you may have ignored in the past in order to fit in with the crowd.

May sound trivial, but follow your intuition and do what makes you happy, it will make you glow in ways which you have not expected..

Moodboard/Vibes for pile 3:

The vibes I’m getting here are as I said in previous paragraphes: femme fatale, dark feminine energy,monica bellucci core type of look/aesthetics..

Songs which remind me of this pile’s vibe:

That was all from today’s PAC. It was a bit different from previous ones and I myself did not expect it to turn out the way it did, but sometimes completely different information pops up in readings because someone needs to hear a certain thing.. Hope you enjoyed it!!

Leave a comment/feedback if it resonated, share and follow for more.

Thank you for reading!

- La Sirena💋

Decks used: ‘$£xual magic’ oracle deck by Lo Scarabeo; ‘Manara’ €rotic tarot deck by Milo Manara/ Lo Scarabeo;

Photos are from pinterest; all credits to their respective owners.

[ryanseslow]

How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners

Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->

Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.

Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.

Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!

I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.

This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)

I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.

Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.

Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.

Here is another variation with a different character.. What do you think? Shall I make more?

[kulapti]

Aug 2023, bookbinding of The Silent Isle Imbowers by Tharkuun.

I’m sooo so so pleased to finally share this! I have been actively working on this for many months and waited until Tharkuun received her copy before posting so the final result would be a surprise.

-----------About this bookbinding under the cut

This binding has been one of the more elaborate pieces I have attempted so far. This has been my first binding where I (1) made three copies of a piece at once, (2) used a modified a historical illustration, (3) collaborated directly with another artist on the decorative elements, (4) finished matching art for the cover and title page, and (5) layered paint and heat-transfer vinyl for the covers. These are also (6) the first non-tiny books I have made with this style of hinge and cover attachment.

Pretty much immediately after I first read this story I felt I had to make myself a copy of this. I had a strong mental image of a vintage-looking cover for a fairy tale, with a deceptively simple design of flowers on the cover, probably with fancy metallic accents, the kind of thing you’d find in an interesting used bookstore with no summary, no text on the back, no dust jacket, just the flowers and maybe a title. I’m going to make a separate post about making this cover design a reality because oh man has it been a journey lol! I designed and drew the digital art for the cover (digital because of the cut and application method), as well as the corresponding title page illustration (pencil and dip pen, scanned, title added digitally).

When I asked Tharkuun about it she was excited to suggest I get in touch with quillingwords, who generously agreed to collaborate with me! Among her talents quilling writes calligraphy, and hand wrote both the book title and chapter headers for me to incorporate into my plans. Check OUT those chapter headers! So fancy! A font could never!! Quilling has also been very encouraging and let me yell about this project in dms for months so the final result could be a surprise for Tharkuun. Thank u so much quillingwords, your calligraphy adds invaluable amounts of swag to this project.

I was going to do some kinda neat font for the chapter headers, but quilling’s work is too cool for that and I decided to use a modified piece of a historical illustration instead. The illustration also happens to be cool as heck: I was browsing the Artstor database (an academic quality resource available for free via Jstor, my beloved) and found E. N. Neureuther's 1836 gorgeous etching for etching of the fairy tale Briar Rose, an illustration made for a printing of a Brothers Grimm recorded German fairy tale with Sleeping Beauty elements. Much to my delight this illustration not only matches the general look I wanted but is actually relevant to the story, itself a Sleeping Beauty spinoff.

Slightly less stylistically consistent are the endpapers, which are prints of two different paintings by Arnold Böcklin: Isle of the Dead (1883) in the front and Isle of Life (1888). The first painting had occurred to me as an excellent visual to go with the story, and Tharkuun and I discussed this and agreed that pairing it with the related later, more optimistic piece was too thematically appropriate to resist.

I had fun and learned a lot making these books and I am very pleased with the result!!

Materials: Archival bookboard, cardstock, cotton cheesecloth mull, archival PVA glue, linen thread coated in beeswax, paper cord, red cotton embroidery floss. Blue cotton backed with archival paper, acrylic paint, machine cut black and gold heat-transfer vinyl. Laser printed text and illustrations. Metallic scrapbooking paper.

[rad-roche]

Pulp Covers And How To Paint Them

With the rise of cheap printing in the early twentieth century, mass-marked paperbacks swept the world, each offering lurid thrills for obscenely low prices. Sex, sadism, and incredible violence for as little as ten cents. An easy purchase to slot in between fifty cigarettes a day and enough bourbon slugs to kill a small garden.

Pulp fiction is where some of the greats of American literature cut their teeth, including the big three, Raymond Chandler, Ross MacDonald and Dashiell Hammett. The contents of these stories, both the dizzyingly good and astoundingly terrible, have been absorbed and digested and remixed and regurgitated in nearly every permutation imaginable, fuelling pop culture some one hundred years on. This isn't an essay on that. Nobody likes to open a tutorial and be greeted with a wall of text. The history is for another time.

But it is about how to paint it.

Don't let the pre-amble intimidate you, it's not as hard as it sounds. You will need:

Painting software with some image editing capabilities. You don't need all the bells and whistles of Photoshop, but I wouldn't recommend something like MSPaint, at least not to start with. I'm using Clip Studio Paint.

A really beat-up paper texture. The grungier, the better.

A lightly-textured brush. Here are the specific brushes I use, 99% of which is the well-named rough brush. Try and avoid anything with any impasto elements.

Go to your colour-picking tool and use the 'select from layer' option. Doing all the painting on a single layer is going to make your life easier.

A complete willingness to make mistakes and, instead of erasing, painting over them. It generates much more colour variation and interest! Keep your finger off the E key.

Good reference! That painting is a master copy of Mitchel Hooks' art for Day of the Ram. Find a style you really love and want to learn? Have no clue where to begin? Do direct studies!

Let's not worry about whatever is happening in the background. It's probably fine. Let's get started! Pulp magazine art is a lot more varied than you might first think, so don't agonize over having a style that 'fits' or not. I'm also specifically aiming for something you'd see on the cover after printing, not the initial painting they would use for printing. The stuff I'll show here is a pretty narrow band of it, but here are some general commonalities. This is a painting by Tom Lovell.

Let's dig into this.

The colours are very bright and saturated, but the actual values, the relative lightness and darkness of them, are actually grouped very simply! You can check this by filling a layer full of black, putting it on top and setting its mode to colour. If the value of a painting looks good, you actually get a lot of leeway with colour. But here's what I think is the most important thing to keep in mind.

The darks aren't that dark, and the lights aren't all that light! Covers are paintings reproduced on cheap paper. Anything you wouldn't want to happen in the printing process, you lean into. Value wash-outs, lower contrast, colours getting a weird wash to them, really gritty texturing. So let's get painting! Here's my typical setup.

That bottom folder is the painting itself. The screen layer is the grungy paper texture. To get the effect you want, put it down, invert its colour, then set it to screen. That washes out your painting far, far too much, so to compensate, I put a contrast layer up on top. Fiddle around with the settings, but this is where mine ended up sitting.

Note I'm saying this before even starting the painting: you want to do this as early as possible. This is where the 'select from layer' colour picker comes in handy. You can paint without worrying about the screen or contrast layer. Something not looking right? Enable your value check layer and keep painting. When you turn it off, it'll still be in colour. Here's a timelapse so you can see what that looks like.

And when you check the values...

They're pretty simple! This isn't a be all and end all, but I hope it serves as a decent primer. I want thirty dames on my desk by Monday!

[absolutebl]

This Week in BL - THERE IS SO MUCH ON RIGHT NOW, it's crazy-making!

Organized, in each category, with ones I'm enjoying most at the top.

July 2024 Week 1

Ongoing Series - Thai

Wandee Goodday (Sat YT) ep 10 of 12 - I am with Dee, noodles do solve everything. The brothers were SO GOOD together. I’m getting to really love a back drop in BL, it’s like the mic drop of gay boys smooching. This is such a good show. I had a big grin on my face while also crying a bit. Everything I want from a BL is happening right here, in front of my eyes.

Did they gloss over the trauma a bit? Yes. Do I care? No. I don't like dwelling in trauma in general, mine, friends, online, or in my BL.

The Rebound (Weds Gaga) ep 2 of 12 - All Thai mafia is gay… again. Yes, it’s still great. No, I have no idea why they’re dropping so many eps at once. That’s not normal for a Thai drama. But I’m not gonna complain except there’s a lot on right now. I like the side couple too. I also like Frank’s poor little rich kid side dish action. I mean, Meen is an ult for me, but Frank is giving excellent second lead syndrome. Suspiciously aggressive and a touch stalker, but I don’t mind a boy that sus if he that cute. And of course, with the mafia involved there is kidnapping.

Look, is this the best show currently airing? No. Which is why it slid a little in the standings. But that's only because Wandee hit it out of the park this week. Frankly, this may not be the best BL airing right now, but it’s the best BL for me.

Sunset X Vibes (Sat iQIYI) ep 4 of 12 - That oppa bit was fucking genius. (You get it right? If you don't, I can explain.) And I immediately adore the secretary character as a result (I typed that as "reslut" and that works too.) Pleased to have such a "rich man and his spoiled boy" dynamic it going already. A dynamic I am personally IRL familiar with from the 90s. Also, kiddies stop filming adults at play! Sheesh.

I pretty much love all the couples in this show. It’s lots of fun. SamYo’s cat and mouse thing is delightful. Meanwhile, the mains are so sweetly hesitant about kisses and everything (hilarious coming from this pair). I love them and their awkward first time, or whatever is going on.

Do you know what? After that "oppa" comment this lead pair makes me feel a little bit like I’m watching a gay K-drama, similar style of personalities and everything, even the random martial arts ability. And the outing. I'm getting Business Proposal vibes. Nothing wrong with that, I was weaned on K-dramas.

All in all, great episode.

My Stand-In (Fri iQIYI) ep 11 of 12 - Yet again I spent the entire episode saying "poor Joe" over and over again. This time I didn’t cry though.

The pat way to end this is to have Joe walk through that door and then wake up back when he was about to get into the motorcycle accident. So that none of it ever happened. I suppose we’ll see what they do next week but I hope it isn’t that.

We Are Cute (Weds iQIYI) ep 14 of 16 - Do you know what this friendship group reminds me of the most? The old Love Sick music club boys. This is just the college version... 10 years later. (Love Sick was one of the few shows where I mostly didn’t yell “no singing” at the screen (also Ingredients). In my defense, I didn’t know any better back then.)

As boyfriends, PhumPeem are even more puppy/cat paring. And I am even more delighted by it. And them. In fact, this show is ALL puppy/cat pairings. I’m not mad about it.

"I’m hugging you so you won’t feel hungry" is the weirdest pick up ever. But Phum is weird. 

This Love Doesn't Have Long Beans (Fri iQIYI) ep 1 of 8 - The PittBabe team behind a new restaurant set BL full of hidden agendas and starring my new favorites SailubPon. I’m reminded so much right off the bat of PokeTongue’s side dish couple in What’s Zabb Man. Interesting, considering that came from Pon’s former studio. Love the call out of obnoxious content creators (not to mention corporate property developers). I like the chef character, he’s nicely complex. In fact, so far I like most of the characters, it’s a good range of different personality types. The plot is a little contrived and complicated but I don’t mind because the characters are such fun.

The Trainee (Sun YouTube) ep 1 of 12 - Reported on this last week already but here's what I said:

Gun still looks like he’s just out of high school. Madness.

The set for the print shop reminds me of Mork’s dad’s place in ‘Cause He’s My Boy? I swear GMMTV has only 3 sets.

I wasn't looking forward to this show at all. Maybe I just needed more of a break from OffGun? Cooking Crush happened yesterday.

Whatever, because I was absolutely riveted by this first episode.

I’m enjoying The Trainee a lot. Like, a lot a lot. It's not higher up just because there is so much good content from Thailand airing right now.

My Love Mix-Up Th (Fri YT) ep 5 of 12 - Still a chaos muffin no matter which country. So earnest. So cute. Talking stage commence!!!

Love Sea (Sun iQIYI) ep 4 of 10 - I got so bored I started looking up ways to organize my sunglasses. Trash watch here.

Knock Knock Boys (Thurs Gaga) ep 6-7 of 12 - The exes are odd. I like that Latte finally got some backstory.

Ongoing Series - Not Thai

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) Ep 2 of 10 - I’m still enjoying this quite a bit. It’s paralleling the manga quite closely, which is nice. But it’s not gonna be a particularly exciting drama if this continues. The manga is rather quiet (pun intended to amuse not insult).

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 1 of 10 - Look, if some kid followed me to college and changed the whole course of his life because I was nice about his dead bird? I'd be skeeved as fuck too. It's odd and uncomfortable, in that way Japan loves. Visuals are on point but can't say I'm enjoying it as yet. Still, it is JBL, and so I am intrigued and open to all possibilities.

It's airing but...

The Last Time (Thai Fri YT?) - Convoluted story of loss and possible reincarnation or something. Can't find it.

OMG Vampire (Thai Sun ???) 10 eps - I've put the search on hold for and y'all can let me know if it's worth tracking down once it ends?

In case you missed it

Blue Boys finished it run. I like it quite a bit. This felt a lot like a Strongberry short series. It’s very curtailed and could’ve used some legs but I've been trained into ignoring that for Korean BL. Short has always been their thing. Essentially, two boys who were acquaintances in high school are reunited and it turns out always had crushes on each other. It’s definitely an extrovert meets introvert scenario, and this being Korea, they can’t resist a tiny love triangle in the eleventh hour. But it all came out fine in the end. It has great kisses and higher heat than is normal from Korea. All in all, a surprisingly charming offering. Recommended with some reservations around the brevity of plot and character development. 8/10 

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer released to Korean theaters 5/25. HoTae & DongHee, side couple from Unintentional Love Story are back! Same actors, same character names. I love them. Devastated this hasn't had international distribution. I demand you tell me the moment you find it!

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

July Releases to Come

7/10 Century of Love (Thai Gaga) 10 eps - trailer here, DaouOffroad are back, this time as fated mates in a quasi historical paranormal moment. San has spent many lifetimes waiting for his lost beloved, to reincarnate from her death a century ago. But if he fails to find her within this century's time window, he will succumb to a tragic death. And this time she's a boy. Very much Director Who Buys Me Dinner meets First Love Again, hopefully better than both. I love this pair and think they can handle the premise, it's whether the storytelling is up to the challenge. I'm curious to see but I have reservations.

7/24 I Saw You in My Dream (Thai Weds WeTV) - Dee Hup is behind this one so I have high hopes. Younger boy chronically teased his whole life by the older boy next door suddenly starts having horrific prophetic dreams about his bully and must save hime.

7/26 4 Minutes (Thai Netflix or iQIYI?) - Great is a university student from Faculty of Business and the son of a wealthy business owner. Out of the blue, he gains the supernatural power to see four minutes into the future.

7/29 Battle of the Writers (Thai ????) - trailer here, TutorYim return and while I adore them, I really hope this is better than Middleman's Love. Won't be hard. However: that premise! Ugh. Something something authors fighting - save me. Why don't writers understand that nothing is more boring than writers?

THIS WEEK’S BEST MOMENTS

Product placement du jour! Also the only product placed in a BL that I regularly enjoy myself.

Yes I cried. I'm a sap.

The faens in the wive's positions! So cute.

All Wandee

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in it's infinite wisdom doesn't like too many tags.

There's these tricks, remember.

[silksongeveryday]

Drawing Hornet everyday until Silksong comes out - Day 200!!!

(huge thanks to this person for the art suggestion!! <3)

I genuinely can’t believe that I’ve made it to 200 days, it’s truly been wild how time flies by like that and the amount of doodles I’ve made during that time. Over 200 doodles (217 to be exact if we’re counting double pictures/extra doodles) have been made over the past 200 days. :0

And thank you all so much for the love and support! Not only have we reached 200 days but also 1400+ followers about a week ago! <3

But, having said that I’d like to make a few announcements—some good, some not so great—about a few things regarding the blog, myself, and other stuff.

Putting it all under the cut so the post isn’t long if you’d like to know more

______________________________

Announcements!

My pfp!

1.) I’ll be changing my pfp again!! I’ve officially decided that after every 100 days or so I’ll change up the pfp so it’s up to date with my doodle style (assuming it changed at all lol), but generally it’ll look relatively the same as the last!

Possibly more admins?

2.) As of right now I’m looking into the idea/possibility of having a second (maybe third?) person help me with daily doodles! As much as I’d like to keep doodling everyday there are some days that it can be tough or some situation might be happening. (i.e. recently got injured)

See, the problem is I don’t exactly have a proper way of trying this out??? My idea was to maybe do this through dms or more preferably Google Forms. I also don’t really know what form of communication afterward would be best either, suggestions to help me work this out would be great! (as you can tell I’m not very good at this stuff lol)

Commissions!

3.) After much consideration and a lot of thought, I’ve decided that in the near future, I’ll be opening commissions again for the first time in years. I don’t have everything set up quite yet, but expect more info in the near future!

About requests:

4.) You may have noticed recently that I haven’t been doing as many doodle requests recently. Sure, there’s usually quite a few in a row at once but you may have noticed I’ve also been doing “non-requested” doodles aka ones that I just do on my own.

Expect this to become a very normal thing going forward. I probably won’t be doing as many requests as before because frankly with the amount of requests I get daily when it’s open is a lot to handle sometimes. Does this mean requests will be stopped entirely? No, I’ll still do some occasionally, but not as much as I have in the past.

Also I’ll likely be doing strictly anonymous requests.

About Burnout:

5.) Alright let’s address the elephant in the room.

There have been quite a few instances where people have wondered if I would ever have burnout and have occasionally joked about “dying” from said burnout because “Silksong will never release, you’ll be doing this forever” etc etc.

In the past I’ve been fine, motivation has been great, but recently I’ve noticed it a little bit.

Unfortunately life has its own plans so it can be a little hard for me to make a doodle that day, expecially recently since I’ve been experiencing personal/medical issues. It’s part of the reason I’m hoping to get a second (maybe third) person to help me do daily doodles so I can take a little bit of the load off my shoulders.

So what does this mean for this blog?

Not much right now. But in the future, there may be some changes. My current plan is to keep going on daily doodles/posts for the length of a standard year, so roughly 365 days. After that, if things in personal life keep up the way they have, I may have to stop daily doodles and instead will post only if I have time. That likely means doodles every other day or every three days or something. At the very least I’ll still post a doodle once a week.

Not to worry though! I’ll still try my best even after I reach day 365 :)

I’ll discuss how things work a little more on my main @miizori later, but that’s as much as I can think to explain rn.

———————————————

Just a few more things I wanted to say!

This community has been so cool to interact with, so much tamer than some others I’ve been apart of in the past. I’m genuinely thankful for how much support and how nice everyone has been. I truly didn’t expect to get this far, I was fully expecting to have stopped like 10 doodles in lol. I especially love to see all your comments in the tags and people sharing their art. You’re all so cool :)))

I have a dtiys from back when I reached 300 followers that’s still available if you’re feeling up to it!

Also my main (again, @miizori) is where I make updates on doodle stuff, regular art stuff and so on if you’re interested at all in that lol

I think that’s all that I can remember wanting to say, so thanks!! I look forward to more doodles for you all :)

[nostalgebraist]

thoughts on xDOTcom/CorralSummer/status/1823504569097175056 tumblrDOTcom/antinegationism/758845963819450368 ?

I mostly try to ignore AI art debates, and as a result I feel like I don't have enough context to make sense of that twitter exchange. That said...

It's about generative image models, and whether they "are compression." Which seems to mean something like "whether they contain compressed representations of their training images."

I can see two reasons why partisans in the AI art wars might care about this question:

If a training image is actually "written down" inside the model, in some compressed form that can be "read off" of the weights, it would then be easier to argue that a copyright on the image applies to the model weights themselves. Or to make similar claims about art theft, etc. that aren't about copyright per se.

If the model "merely" consists of a bunch of compressed images, together with some comparatively simple procedure for mixing/combining their elements together (so that most of the complexity is in the images, not the "combining procedure"), this would support the contention that the model is not "creative," is not "intelligent," is "merely copying art by humans," etc.

I think the stronger claim in #2 is clearly false, and this in turn has implications for #1.

(For simplicity I'll just use "#2", below, as a shorthand for "the stronger claim in #2," i.e. the thing about compressed images + simple combination procedure)

I can't present, or even summarize, the full range of the evidence against #2 in this brief post. There's simply too much of it. Virtually everything we know about neural networks militates against #2, in one way or another.

The whole of NN interpretability conflicts with #2. When we actually look at the internals of neural nets and what is being "represented" there, we rarely find anything that is specialized to a single training example, like a single image. We find things that are more generally applicable, across many different images: representations that mean "there's a curved line here" or "there's a floppy ear here" or "there's a dog's head here."

The linked post is about an image classifier (and a relatively primitive one), not an image generator, but we've also found similar things inside of generative models (e.g.).

I also find it difficult to understand how anyone could seriously believe #2 after actually using these models for any significant span of time, in any nontrivial way. The experience is just... not anything like what you would expect, if you thought they were "pasting together" elements from specific artworks in some simplistic, collage-like way. You can ask them for wild conjunctions of many different elements and styles, which have definitely never been represented before in any image, and the resulting synthesis will happen at a very high, humanlike level of abstraction.

And it is noteworthy that, even in the most damning cases where a model reliably generates images that are highly similar to some obviously copyrighted ones, it doesn't actually produce exact duplicates of those images. The linked article includes many pairs of the form (copyrighted image, MidJourney generation), but the generations are vastly different from the copyrighted images on the pixel level -- they just feel "basically the same" to us, because they have the same content in terms of humanlike abstract concepts, differing only in "inessential minor details."

If the model worked by memorizing a bunch of images and then recombining elements of them, it should be easy for it to very precisely reproduce just one of the memorized images, as a special case. Whereas it would presumably be difficult for such a system to produce something "essentially the same as" a single memorized image, but differing slightly in the inessential details -- what kind of "mixture," with some other image(s), would produce this effect?

Yet it's the latter that we see in practice -- as we'd expect from a generator that works in humanlike abstractions.

And this, in turn, helps us understand what's going in in the twitter dispute about "it's either compression or magic" vs. "how could you compress so much down to so few GB?"

Say you want to make a computer display some particular picture. Of, I dunno, a bird. (The important thing is that it's a specific picture, the kind that could be copyrighted.)

The simplest way to do this is just to have the computer store the image as a bitmap of pixels, without any compression.

In this case, it's unambiguous that the image itself is being represented in the computer, with all the attendant copyright (etc.) implications. It's right there. You can read it off, pixel by pixel.

But maybe this takes up too much computer memory. So you try using a simple form of compression, like JPEG compression.

JPEG compression is pretty simple. It doesn't "know" much about what images tend to look like in practice; effectively, it just "knows" that they tend to be sort of "smooth" at the small scale, so that one tiny region often has similar colors/intensities to neighboring tiny regions.

Just knowing this one simple fact gets you a significant reduction in file size, though. (The size of this reduction is a typical reference point for people's intuitions about what "compression" can, and can't, do.)

And here, again, it's relatively clear that the image is represented in the computer. You have to do some work to "unpack" it, but it's simple work, using an algorithm simple enough that a human can hold the whole thing in their mind at once. (There is probably at least one person in existence, I imagine, who can visualize what the encoded image looks like when they look at the raw bytes of a JPEG file, like those guys in The Matrix watching the green text fall across their terminal screens.)

But now, what if you had a system that had a whole elaborate library of general visual concepts, and could ably draw these concepts if asked, and could draw them in any combination?

You no longer need to lay out anything like a bitmap, a "copy" of the image arranged in space, tile by tile, color/intensity unit by color/intensity unit.

It's a bird? Great, the system knows what birds look like. This particular bird is an oriole? The system knows orioles. It's in profile? The system knows the general concept of "human or animal seen in profile," and how to apply it to an oriole.

Your encoding of the image, thus far, is a noting-down of these concepts. It takes very little space, just a few bits of information: "Oriole? YES. In profile? YES."

The picture is a close-up photograph? One more bit. Under bright, more-white-than-yellow light? One more bit. There's shallow depth of field, and the background is mostly a bright green blur, some indistinct mass of vegetation? Zero bits: the system's already guessed all that, from what images of this sort tend to be like. (You'd have to spend bits to get anything except the green blur.)

Eventually, we come to the less essential details -- all the things that make your image really this one specific image, and not any of the other close-up shots of orioles that exist in the world. The exact way the head is tilted. The way the branch, that it sits on, is slightly bent at its tip.

This is where most of the bits are spent. You have to spend bits to get all of these details right, and the more "arbitrary" the details are -- the less easy they are to guess, on the basis of everything else -- the more bits you have to spend on them.

But, because your first and most abstract bits bought you so much, you can express your image quite precisely, and still use far less room than JPEG compression would use, or any other algorithm that comes to mind when people say the word "compression."

It is easy to "compress" many specific images inside a system that understands general visual concepts, because most of the content of an image is generic, not unique to that image alone.

The ability to convey all of the non-unique content very briefly is precisely what provides us enough room to write down all the unique content, alongside it.

This is basically the way in which specific images are "represented" inside Stable Diffusion and MidJourney and the like, insofar as they are. Which they are, not as a general rule, but occasionally, in the case of certain specific images -- due to their ubiquity in the real world and hence in the training data, or due to some deliberate over-sampling of them in that data.

(In the case of MidJourney and the copyrighted images, I suspect the model was [over-?]heavily trained on those specific images -- perhaps because they were thought to exemplify the "epic," cinematic MidJourney house style -- and it has thus stored more of their less-essential details than it has with most training images. Typical regurgitations from image generators are less precise than those examples, more "abstract" in their resemblance to the originals -- just the easy, early bits, with fewer of the expensive less-essential details.)

But now -- is your image of the oriole "represented" in computer memory, in this last case? Is the system "compressing" it, "storing" it in a way that can be "read off"?

In some sense, yes. In some sense, no.

This is a philosophical question, really, about what makes your image itself, and not any of the other images of orioles in profile against blurred green backgrounds.

Remember that even MidJourney can't reproduce those copyrighted images exactly. It just makes images that are "basically the same."

Whatever is "stored" there is not, actually, a copy of each copyrighted image. It's something else, something that isn't the original, but which we deem too close to the original for our comfort. Something of which we say: "it's different, yes, but only in the inessential details."

But what, exactly, counts as an "inessential detail"? How specific is too specific? How precise is too precise?

If the oriole is positioned just a bit differently on the branch... if there is a splash of pink amid the green blur, a flower, in the original but not the copy, or vice versa...

When does it stop being a copy of your image, and start being merely an image that shares a lot in common with yours? It is not obvious where to draw the line. "Details" seem to span a whole continuous range of general-to-specific, with no obvious cutoff point.

And if we could, somehow, strip out all memory of all the "sufficiently specific details" from one of these models -- which might be an interesting research direction! -- so that what remains is only the model's capacity to depict "abstract concepts" in conjunction?

If we could? It's not clear how far that would get us, actually.

If you can draw a man with all of Super Mario's abstract attributes, then you can draw Super Mario. (And if you cannot, then you are missing some important concept or concepts about people and pictures, and this will hinder you in your attempts to draw other, non-copyrighted entities.)

If you can draw an oriole, in profile, and a branch, and a green blur, then you can draw an oriole in profile on a branch against a green blur. And all the finer details? If one wants them, the right prompt should produce them.

There is no way to stop a sufficiently capable artist from imitating what you have done, if it can imitate all of the elements of which your creation is made, in any imaginable combination.

[ssavaart]

Oh my goodness hi!!!

I’m terribly awkward and I’ve never sent anyone I really look up to an ama usually it’s just little goofy stuff lol. I am also an autistic artist and seeing you were also one was an amazing experience! You’re so influential to me and though our styles could not be further from each other you’ve been a huge influence on the way I create!

Now here comes the question, how do you have such a relaxed approach to your art? It seems like you let the piece take you where it needs to go and I always seem to manhandle it into submission instead of letting it take me where it needs to go.

Thank you so much!!!

Hi. It's SO very nice to meet you. ♥

The "relaxed approach" is not how it feels to ME, honestly.

I am nervous with every piece of art I do. I have nagging feelings of imposter syndrome and I generally dislike my art... all the time.

What you are seeing is the OTHER part of my brain saying "STOP IT! It's just a piece of paper. You've made THOUSANDS of bad pieces of art and nothing BAD happened. Nothing. So... STOP IT!"

That voice. That part of my brain... I had to grow. I had to force that voice into being.

And the "letting the piece take me where I need it to" is a little bit of that inner voice saying "Trust the process. You've been here before and it'll work itself out. AND... if it DOESN'T... it's not the end of the world. It's just a piece of paper and some paint"

and the rest is just me kind of hoping for the best and seeing what happens.

I never know how a piece is going to turn out. I could love it. I could hate it. I could be indifferent.

BUT... regardless... I didn't let my fears stop me from making something.

And that's the most important thing. Don't let your fears stop you from making art.

The world needs your art, my friend.

Sending Big Hugs from the Hobbit Hole. ♥♥♥

Scott

[tommiruewrites]

tewkesbury hc's !!

a/n: some of my random (and somewhat self-indulgent) flower boy headcanons after watching enola holmes 2! enjoy :)

requested: yes | no

requests: open | closed

request rules here

remember to like, comment, and reblog to support my writing <3

❀ loves the combination of chocolate and orange

❀ just loves citrus in general

❀ favorite color is purple, second favorite blue, third yellow

❀ knows an insane amount about plants and will sometimes randomly spew out a random fact

❀ the two of you are walking down the street, chatting about topics not at all related to nature, and all of a sudden, he's like, "did you know-" {proceeds to tell you the most insanely obscure plant fact ever about a flower you've never even heard of}

❀ loves animals

❀ and he's always so proud of himself for knowing it too

❀ random plant facts are also his go-to conversation starters

❀ is extremely clumsy and constantly knocks things over, trips over his own feet, etc. but all of a sudden, all the clumsiness leaves his body when dancing or fencing ?? he has beef with coordination idk

❀ his favorite flower is the one that reminds him the most of you

❀ he knows the meaning and symbolism of every flower, so he always has a reason or message with each on he gives you

❀ he also looooves poetry

❀ not afraid to pour his heart out to you poetically

❀ but only once you've been close a while, in the beginning he's a hot, awkward mess, tripping over his words left and right

❀ he does much better writing out his feelings at the start

❀ hides poetic notes in your flower bouquets, or leaves pressed flowers in your letters

❀ extremely dramatic

❀ the type of dramatic to claim he's on the brink of death after getting a single paper cut

❀ in fact, he's so dramatic that when little things happen to you, he overreacts for you. what a gentleman

❀ definitely a hopeless romantic 

❀ extremely good with kids

❀ slightly afraid of the dark

❀ his favorites are deer and horses, but he also just loves birds

❀ was a late bloomer when it came to walking, but started talking super early as a baby (it just makes sense okay)

❀ sometimes dances around in his room, alone, pretending he's dancing with you

❀ also practices romantic things to say to you in the mirror

❀ has super fancy-dancy penmanship and makes it look effortless

❀ really likes art, specifically romanticism style paintings

❀ plays the piano beautifully 

❀ also understands latin and is fluent in french because he's fancy

❀ very easily entertained

❀ also has a very short attention span for most things and gets distracted easily

❀ main love language is words of affirmation, followed closely by gift giving and acts of service

❀ loves his hair being played with

❀ owns a journal where he logs each day

❀ absolutely loves jam

❀ avid lover of jasmine tea and green tea

❀ also puts a ridiculous amount of honey in it

❀ oddly afraid of frogs and toads

thats all i can think of for now, hope you enjoyed that. 

side not, posted this on 11/11 at 11:11 my time bc im so cool like that. you're welcome.

[trungles]

Processing Process, and More Processing

I made this post free and publicly readable on Patreon, but I'm reposting the whole thing right here too because, well, it's a free post, and I don't want to make you click away from your dashboard if you don't need to. But also if you want to support my work, here's the link to the post.

It's a little bit about cartooning, a little bit about drawing, and then it turns into a eulogy for a chicken.

I wrote “process” more than once, and now the word looks funny and is beginning to lose its meaning to me.

This post is about a few things, and it’s a little bit on the sad end of things. Nothing dire! No worries. There’s just a little mention of death, just as a heads up.

Before we get to that, though, I’ve been doing some work and had some thoughts.

I’m often asked about how I draw the noodle hair on my characters, and the answer is typically that I draw each and every line with my hand. But there are considerations of movement and volume that go into it beyond its texturally decorative purposes. I love being able to convey shape and motion with it. It’s less evident, I think, in my illustration work, but I think it’s much more obvious when I do sequential work. In the above image, you can see me working out a sequence of Angelica having a series of thoughts. Her head sort of moves, and her eyes follow. You can see I’d planned out the general shape of the hair and how I’d like it to move.

I wound up moving the drawings a little bit so that the readers eyes will actually follow the character’s eyes as it moves gently rightward on the page. The hair is there to accentuate the movement, like so:

It’s a consideration I employ in all my drawings, but especially when I’m drawing hair and fabric. I don’t use a lot of action lines, so this becomes an important way to give the reader the information that someone is moving through a space. Resistance, gravity, and motion are all things I have to keep in the back of my head when I’m doing these little drawings. I think the planning actually takes more time than the inking, which can happen pretty quickly once I map it all out.

In other news, I’m starting to take my extracurricular artistic development a little more seriously in the silliest way possible.

You wouldn’t know it, but I studied painting college—a medium I switched to after the printmaking professor and head of the Art Department at the time told me I probably shouldn’t be an artist (he gave me a hard candy for my trouble). I recently bought a bunch of little dolls, dressed them up, and am returning to my painting roots. It feels really nice to work in big blobs of color instead of lines. It’s an exercise I came up with in response to a common lament from art students.

One of the more aggravating generational tensions described to me by art school students is when professors describe a student’s portfolio as “too anime” without much explanation. I know what the professor means. They’re trying to get at how referencing your favorite anime or cartoons means that your style becomes a simulacrum, an imperfect copy of a copy, and you never learn to develop your own sense of judgment about where a line or a shape needs to go. And we can tell. It’s a way of working that is perfectly fine for cartooning because cartooning is closer to hand-writing than it is to drawing. I always turn to Charles Schulz’s work for an example. Those figures aren’t literally depicting children—with their little chessboard-pawn proportions and bread-loaf feet—but we read them as endearing children because we’ve come to a consensus between us, the readers, and Charles Schulz, the author, that those shapes mean those things. There are no whiskers or paws in the shape of the word “CAT” but you look at those three letters together, and you know the thing to which it refers. That’s an aspect of cartooning, too. Of course, what elevates it from mere writing is, in part, due to the fact that those little figures do not lose their meaning the more you depict them.

To really draw well, though, you have to do those fundamentals. You have to draw from life. There’s no way around it. It helps you develop a stronger sense of where you like to lay down your lines and shapes, no matter how stylized you like to work. It grows your judgment, and every artist’s best tool is their own well-honed sense of artistic discernment about their own work.

But that doesn’t mean you have to surrender the stuff you like or the things that inspire you to make art! I tell students that if they want to hold fast to their anime style AND hone their fundamentals to develop their eye as an artist, they should buy little figurines and toys of their favorite characters, prop those up against a light source, and draw them as still life objects. Like, yes, do the vases and the figure drawings and all those, I still think those are important. But if this is what you need to keep you interested in drawing from life, having some toys around is a great way to do it! Also, bless those sculptors and toy designers. They’re the best.

I think there’s something to be said about remembering to imagine the physicality of the things we draw, in all its dimensions and in the way it catches the light or casts a shadow. It helps sentimentalize things, too. Makes them feel more real, even emotionally.

Edwina died on Tuesday night, after a few final snuggles, surrounded by her favorite treats. She was about five years old, which is old for a chicken, and she had a very comfortable life. We buried her this morning. She was a good hen, J’s personal favorite.

It really feels like the end of an era. She was the last surviving member of our very first flock. After the other hens died, she really seemed to prefer the company of people over other hens. She is survived by Snooki and Nelly, our two other young birds who get along quite well together, actually.

A baby chick costs between three and five American dollars, typically. An egg-laying hen could be between twenty and fifty bucks, depending on the breed. There are roughly 26 billion chickens living in the world today, about 518 million of them here in the United States. They come pretty cheap. And a part of me was moved to cynicism, entertaining the thought that it might be strange to feel sadly over a little animal that, at most, might be roughly equivalent to the price of a fancy lunch and a coffee.

I watched the 1974 musical version of The Little Prince recently, and I remember it mostly because Bob Fosse was in it and scared the crap out of me as a kid—he played the snake that would take the Little Prince back into the sky when his body gets too heavy to take with him. Gene Wilder plays the Fox whom the Little Prince befriends and tames among a garden of roses. The Fox explains that he is like any other fox in the world, but he is changed—made special and particular to the Little Prince—with time, effort, and patience. So, too, is the Prince’s little flower special to him. Out of all the flowers in the universe, she was the one he watered and protected under a little glass jar. And that’s enough.

I knew my little hen would not live that long. It could be very easy to take a broad view of the life expectancy of a hen and distance myself from it by virtue of its mortality and its commonness. People who raise livestock do it all the time. But I also think it’s wonderful that we should all be capable of loving very small, very brief little things. Edwina is not, to my mind, the rough equivalent of a fancy lunch and a coffee. She was our little hen. For her whole life, she was ours. And I’m so happy she was here.