holy shit this is a GREAT scene overall, but i'm particularly blown away by this moment here. for all dean talks about family, i love how he always, always, always comes back to sam above all others, including his own mother.
they've been claiming that both sam and dean were tortured by toni, and yeah sure they were, but let's be entirely honest: sam took on the overwhelming burden of that torture. dean got roughed up and it could have gotten worse, but sam did endure the worse. and i'm sure dean knows it, because dean always knows. he's deeply and shamefully aware of just what sam has been through at all times.
and sam and dean have no other real reason to refuse the british men of letters beyond their experience with toni. yet because of that dean is creating a false sense of tribalism here: us or them. mary chose the "them" which is a betrayal of the "us" and therefore she's no longer part of the family (not mom, mary).
so now dean is here dominating the argument and rejecting mary. in essence, he's choosing sam over mary here. sam's negative (understatement) experience with the BMoL trumps whatever rationale mary could have for working with them; dean won't even hear her out. it's shockingly black and white for a guy who claims to put so much stock into the idea of family (that's a deconstruction for another day). but it's because sam was hurt by these guys, so these guys are an enemy. and a friend of an enemy is an enemy, even if they were family.
what i love about this is how easily dean steps into the protector role and stands up for sam, even at the expense of ruining his relationship with his mother. he did this with john in season 1, he continues it now. sam is always placed above anyone else in his family, no matter what. mary is supposedly what dean wanted the most, according to amara, and now he's rejecting her because sam's well-being is more important than his relationship with his mom.
and what i love even more about this is that sam just sits there and lets dean defend him. i love that the camera flickers to sam silently watching as dean chews her out, his expression open and hurt. it's very vulnerable and little-brother of him, and i'll bet it means a lot to him that dean is playing mama bear on his behalf—if it didn't, he would stand up for himself, or say anything in this conversation at all. i'll bet it's especially meaningful because sam has stood in exactly mary's spot before, dean getting all tribalistically self-righteous on him for getting friendly with demons. and now dean is defending him just as vehemently over something so (tragically) mundane as torture. it's nothing sam hasn't been through before, but dean won't stand for it regardless, and sam lets him. he sits there in the chair while dean and mary stand as opposing forces. he looks up at them and watches them battle it out and he doesn't say a word. he's on dean's side of the table—dean's side of the argument—and he has nothing to say, for himself, for mary, for dean. he's just letting his big brother take care of him.
and then at the very end, when mary turns on him and forces him into the argument, all sam has to say is "you should go." echoing dean, supporting dean. and his eyes are teary and hurt. nothing to add, nothing to say for himself. just fully and totally coddled by dean. that's so delicious and so, so cathartic to witness after all of the times sam has been the "wrong" or "bad" one. to see dean defending and protecting his little brother to such an extent that he's giving up the thing he apparently wanted most. choosing sam over everything else. how meaningful that would be to sam, who struggles to believe how much dean truly loves him. i'm going to be sick
I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.
Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:
Dude slipped right into his birthday suit, lmao
this is so stupid :D
Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.
Not sure how widely recognized this is but it’s fucking wild to me that miss kui just quietly snuck in the fact that most (if not all) of the differences between races only exist because of wishes they made to the Winged Lion.
Dwarves being strong? Lion wish. Elves being good at magic? Lion wish. All lifespan differences???? Lion wish, babey!
Not that the elves superiority shtick isn’t already BS, but it’s even funnier with the context that the only difference between them and humans is that, thousands of years ago, their leaders made a greedier wish to the demon that wanted to eat them.
blah blah blah aging tumblr population etc etc if you are ever visiting a family that just had a baby, and you know that they have other small children, bring a little something for each of the other kids. it doesn’t have to be anything fancy but, even the most charitable, well-behaved child starts feeling left out and lonely after the nth visitor brings gifts and attention for their parents and new sibling and, either isn’t there for them at all or the only engage with them about their baby sibling, especially since their parents have probably been completely consumed with the new baby. make their day and they will remember that bit of kindness and attention from you forever.
Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.
Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.
Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.
“So where’s the vampire aesthetic?
Everyone freezes.
Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.
“Come on, I know you guys are hiding it.”
Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.
He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.
“So is no one going to talk about the eldritch space child or…”
“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…”
“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-”
Also have another “first words spoken to you are on your skin” soulmate AU idea where Kara is a journalist assigned to shadow the controversial CEO of L-Corp for the day. It’s a big deal for her to get this assignment, so of course she trips the second she’s near the other woman and tries awkwardly to redeem herself.
The CEO stares at her almost in shock, and then says nothing. At all. Ever, for the entire day.
Kara spends hours following Lena Luthor around trying to fill the silence, but no amount of questions get her to talk. Lena almost seems to be running away at some points - like she’s trying to lose her? - and the few times she’s managed to catch her actually talking to someone she goes silent the second she sees Kara.
She asks around if Miss Luthor is usually like this and everyone looks at her like she’s crazy. Apparently she’s the only one who gets the silent treatment. By the end of her first day shadowing she’s walking away with half a page of observations and not a single quote. Miss Grant is going to kill her.
But that’s okay. It’s fine, this isn’t over. She has four days of shadowing ahead of her and she’ll be damned if she doesn’t finish this with a quote from the woman herself. It’s only a matter of time.