"that you could be so cruel" ok correct me if i'm wrong but does penelope featherington not run a gossip rag that exist solely to publish unsubstantiated rumors about women she doesn't like for various reasons that have profoundly negative repercussions on those women (didn't the publication of marina's pregnancy lead to marina almost dying in her quest to terminate said pregnancy??????) and has in fact used that same rag to put not just colin's entire family but also specifically colin's sister, her best friend, through a significant amount of grief and strife that came as a direct result of that rag?
but colin's the cruel one? because she happened to eavesdrop on a conversation where he said he doesn't wanna date her? that's cruelty but all the other stuff isn't?
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listen i was all ready to rank dfqc’s father as worst father of the year right up there with jiang fengmian and now what am i supposed to do with this knowledge that he actually loved his son and played kick ball and gave him hUGS?? that in order to save their people it seems, he had to make dfqc powerful enough even if it meant dfqc would have no emotional connection that’ll prevent him from killing his father to ascend the throne. that dfqc might still love his father and their people even if he doesn’t understand what that means anymore. and their tribe? loves him too????? enough to be angry that he unintentionally abandoned them??? LET ME LIVE
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Episode 4 of the Netflix Avatar series was so bad. I would've quit the show right then and there if I hadn't watched it with someone else. It sucks because after that episode 5 was really enjoyable, and creative, showed us scenes that were so strong, and combined lore in a way that I loved. Then I think about how episode 4 exists.
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Maybe Station 19 was like an experimental cubist painting.
There were too many stories to be told and too many people trying to tell them, from too many perspectives, with too many styles…
Each viewer saw a different picture.
It was the show that tried to capture the zeitgeist and represent the under-represented. Also the show that often struggled. With the tones and textures. With representing w/o tokenizing. B/w laughing with and laughing at. B/w realism and romanticizing. B/w deliberate and arbitrary. B/w educating and entertaining. B/w what they consider profane and sacrosanct.
At times, it touched our hearts deeply. At times, it frustrated us to no end.
Not every story was given the respect, sensitivity and intricacy it was due.
One moment could lead to a profound understanding of an aspect of a lived life some of us had never known; while the next could be a moment that was beyond confounding - about an aspect of ourselves that made us feel slighted, diminished and even erased.
It had often been an exercise in empathy to find our common humanity at the intersectionality of stories. Yet, the scale of empathy often skewed too far in favor of some characters with the differing standards, narrative frames and plot armors. Ironically yet reasonably turning people off these very characters they wanted people to root for. A persistent dissonance and disconnect.
But it was also the show that didn’t shy away from the ugly, the raw, the uncomfortable and messy parts of our shared human experience. The tribulations of oppression. The perils of ambition. The tests of morality. The trials of friendship and love. That we would make mistakes, but we could also make amends. That we're not defined by our worst. That our best lives could still be in front of us despite the current struggles. That sometimes life sucks but having your people with you makes it more bearable.
I would think it an interesting journey for the diversity of people behind, on, and in front of the screen. The evolving stories, evolving characters, evolving storytellers, an evolving fandom - all amidst an evolving media landscape.
It was probably not an easy show to make. The show had a bewilderingly lack of support from abc or shondaland. Diversity seemed to be both good for promotion (when there was any) and the reason for the prejudice against it.
Just as it had not been an easy show to watch - so biased, inconsistent and self-contradictory. Like when they kept telling us about the family spirit and deep friendships yet somehow spent more time showing otherwise. Or when the writing of systemic sexism was somehow inherently sexist.
Personally, I don’t think characters belong to the writers alone. Besides the usual constraints, the characters were often adjusted back and forth to fit the plots. We’ve also learnt how network execs' dislikes, writers’ personal experiences were factored into the stories. I fully respect the writers’ artistic rights. But actors who embodied the characters for years have a unique understanding too. Viewers also have their personal takes about what were true to characters. It's ok to agree to disagree.
There had been sparks of brilliance, but often extinguished too soon. It has been confounding how the greys-verse did not capitalise on its vast potential, esp. S19. Even while both shows share a show-runner. Grey's anatomy could have lent its scale while Station 19 could have injected renewed energy back into its mothership. Both shows could have been better for it.
Although the characters have the foundation of distinct and interesting backstories, their development often did not fully utilise the narrative potential and the talents of the cast. I’m sure the crew was also competent and hardworking. But somehow some elements b/w n within the shows seemed to just cancel each other out instead of amplifying their impact. IMO 704 and 709 were a few exceptions.
But I'll always be glad S19 existed and we got a S7. I believe they had tried their best to wrap up and give closure to everyone invested in the show. I truly appreciated the hard work given the circumstances even when I personally didn't agree with some takes.
In the end, I really do want to remember it as the show with heart, the show that made us laugh and cry and the show that tried. The show that's unique - in both its merits and flaws. I’ll definitely miss the characters. One last time - 19!
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y'all, I'm genuinely just chatty and excitable, and I process information by challenging it. I never mean to dismiss an opportunity for conversation or project any presumption that I'm right about my analyses or theories or that there's a singular truth that can be derived from the narrative.
I'm just undomesticated, poorly socialized, high-energy, and overly verbose, and I process my thoughts by roughly tearing at them with my teeth.
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this undeniably has to be one of the worst opinions I've seen about this season. like out of the plentiful failures season 4 had... you really couldn't choose one to talk about? max's mental health was one of the only things that I felt season 4 handled pretty damn well.
I do think it could have been better written, yes. the ending of her arc in season 4 was....insulting at best.
but overall? the show does a great job of addressing that max actually hated billy (she literally fucking admits to wishing for his death) and that her grief is more complicated than just missing a person. because she wasn't missing a person! she was ultimately glad billy was gone. but even in death, he torments her.
she watched a person she grew up with be brutally murdered by some fleshy abomination, RIGHT in front of her. her shitbag step father bailed on her and her mother after billy died, forcing them to move to the trailer park. her mother abuses alcohol and is never home because she's always working so they can afford to live in the trailer park. her friend group has been split in two by the byers moving away, which took el away from her too. she doesn't know how to reach out to lucas, deep down doesn't feel she deserves his love & concern, despite lucas' best efforts (vecna literally taunts her with lucas turning on her at the final confrontation). she wished so badly to have someone like steve in billy, but she knows that billy would never be that person. he was the complete opposite & she can't just have steve in his place. she mourns the brother she never had. she is devastated by the way billy still hurts her, even after he's gone.
she's what. fourteen??? when this all happens?
like the death of an abuser is never so simple as "hooray! I am so very joyous now that the source of my pain is gone!" the damage an abuser inflicts on you is not some cut to the skin that can be healed and one day forgotten. it's so much more tortuous than that. especially for a child.
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