#tho def feels like a product of its time i fear

[loverboydotcom]

tomorrow i am going to write 5 million words of lover boy

[unproduciblesmackdown]

watched the end of some guy’s amnesia: rebirth playthrough and i have some boring thoughts @halloweenhavoc have u finished the game i feel like you have more of a grasp on all this stuff than i do lmfao what with having actually played it and also probably remembering machine for pigs better

i really did not like fully piece together either the lore of the Main Story of the game nor the broader Amnesia Universe Lore lmfao but i was interested in the latter especially, but re: the former, i did like having all these other Known People associated with the protag whose fates we could all find out and shit

i’m like, sort of underwhelmed, but that’s b/c even though i was like “okay so just b/c this is a frictional-produced amnesia sequel a decade later doesn’t mean you need to hype it up like it’s gonna blow your mind just coz atdd was That big a deal” doesn’t mean i still wasn’t partially like oh but what if it is like mindblowing horror game tho......it felt a lot more like soma than atdd which isn’t in itself bad b/c soma rules but when i’m expecting it to be more like atdd it just makes things kinda bemusing and hard to recalibrate.....it was a good game though lol just like the whole time trying to figure out what the experience is gonna be i guess

anyways so like in the direction frictional’s games have gone it def feels like they’re more into Game Environments (those ruled in this game....) and being very like Thematic Story-Centric.....atdd was very stripped down and they sure got creative with that and it was as effective as it was but yeah it feels like now that they have the clout from that and the game production experience and presumably more resources and stuff that they’re progressing in This Direction which is not as atdd-esque lmao like good for them if this is the creative vision, follow those dreams and stuff

did not feel at all invested in any of this baby lore lmfaooo like it was very abstract and also i don’t care. but 10/10 for breastfeeding gameplay

i did like the Other World lore like. this is where alexander is from, Maybe?? i remember he’s mentioned as an apostate from [somewhere else] but like, is that somewhere else in another dimension or just another Region in this world lmao i don’t know. out here Inventing the amnesia potion vitae harvesting strategy, and then it’s Something Else he does that is considered heinous and they just banish him to earth lmfaooo like our problem now......and who is alexander’s wife lmfao. in atdd bad ending, when alexander portals back, does he get to come back to the shitty place where nothing’s going on but eternal vitae harvest i guess? sucks. in atdd sorta-neutral-ending, when you toss agrippa’s head through the portal and then agrippa asks [someone, i forget who....the student? weyer? or whoever??] to Help Daniel, does everyone get to go to this crappy world or are there other better dimensions lmao....also i forget how this The Other World got so shitty in the first place. something something they flew too close to the sun with their technology and it got fucked up, i forget what The Gate even is........i do like this origin story for what the fuck is up with the shadow lmfao. that like, it’s just some other alchemical Invention expressly to fuck up the vitae system?? which is sort of counter to the idea that it’s simply a Guardian of any orbs.....but then also, there was some sort of note or memory that seemed to imply that having fucked up whatever Gate they fucked up created something that sounded like maybe it was the shadow?? or was it just something Else fucked up and b/c it was like “uh oh something shitty is happening here now” i just Assumed it was the shadow.....idfk. but idk maybe since Orbs are Other World Tech For Portals the shadow is just like, Other World Tech Ruiner and if you handle one improperly the shadow will like, sense orb-jostling Lol and be On It....i don’t knowwww

i gotta admit i did love the lore tying to atdd lmfao like maybe this game would’ve been better off not really being tied to atdd but i’m still like oh yep i’m a sucker for cameos / lore about these atdd people places and things.....herbert, alexander, daniel, brennenburg, and someone else i forget who was like “i’m the first human to get to this place but i don’t have A Traveller’s Whatever so i have to die here,” rip to him.....kinda funny that vitae-harvesting is like, so Industrialized in the other world with this factory and mass-produced as it were, which is Fucked Up, and alexander got shot to earth for some mysterious terrible thing and had to invite some rando with an orb to his castle and then get his help torturing other randos with medieval instruments like. banging rocks together over there. also i don’t get what the harvesters job was? they were sure Harvesting but if the vitae is just getting Sucked thru tubes why are these guys going around breathing it in also. just like, stray air-vitae filtering system?? idk

also what was going on time-wise with this weird accelerated pregnancy. i don’t think i get Why tasi got amnesia in the first place. coincidence i guess??? and why...did she end up back in the plane wreckage. was that just where she got dropped off after they were all like. taken from Our World into the Other World and then....back into our world?? i guess??? i’m just not clear on the Timeline Of Events and how everyone got split up with some people dying and shit....was everyone getting attacked by ghuls i guess. there was a crapload of them in that one place, wasn’t there.....i also forget Where things happened lmfaooo like shit was this in Earth or The Other World.....i guess the latter it was always like, “high tech” with that art deco design shit and green light and stuff.....god i don’t know. like i already forget why richard was like, held captive and tortured. just on evil principle??? augh lmfao

also it was certainly Interesting that people turn into monsters around here with some like, magic + corruption deal going on......felt like the Lore in atdd was sort of vague but that it could Maybe tie into that sort of idea....frictional games sure will like, Metaphorically have the Self and the Non-Self But Which Is Tied To Your Self in all its stories, atdd, soma, rebirth......daniel having this past self he’s now detached from but re-learning of his past exploits.......soma copy/pasting consciousnesses.......uhhh also when it was talking about the ideal Vitae Collecting Cycle being fear, amnesia, and then Hope, and about who was the best candidates for that, i was really thinking that like, we’d learn tasi was being put through a [Hope] sequence, basically

also (rachel if ur reading this lmfao) i remember this pre-release Audio Tape that wasn’t in the gameplay that i think was like, the doctor doing an experiment on a Monster to confirm it had regenerative properties?? i thought we were gonna get a whole fucked up subplot dealing with that guy lmfao but nah just at the end......i guess soma’s promotional stuff was similar, they had all these Files and Videos and stuff which was relevant to the Lore / story but which wasn’t like, flatout in the game......i guess at some point the doctor must’ve been like, experimenting on a crew member who was sort of in the process of Turning or w/e. hank or someone i guess.....UHHH i did like “talking” to so many monsters lmfaooo like leon and crap. wild, tragic, etc.......

RIGHT and i think frictional is really creative in its like, Game Mechanics, like how relatively recently we learned that that whole thing about being told that Low Sanity makes you easier to detect in atdd, but that wasn’t true and was just put in the game to put the player more on edge? i mean, daniel keeling over for a moment if sanity gets too low is probably unhelpful in a chase but. and like, here the “sanity” thing was neat, i liked the Sound lol, i liked the flashing images and how that was like, Relevant, but also it seems like you can’t ever die in this game?? basically, ish?? which i think is neat. like, you don’t really Need to.....said it last time how it feels like the player just is still going to react as Urgently if they’re being chased by the monster lmfaooo

idk there was something other neat / creative element i think i wanted to point out as Cool but i forget (HAHA...manesima.....) i dunno the 0.0001% chance any of you are Coincidentally into amnesia at all and know what all is being talked about here and have thoughts....feel free to send me an ask or whatever.......would be inchrested in hearing other takes on it etc

OH and it didn’t feel like machine for pigs was involved at all lmfao which makes sense since it wasn’t actually produced by frictional but now i’m really struggling to remember the Lore there and if it could Conceivably tie in with descent/rebirth-verse.......oswald’s soul got actually split with Evil Orb-Corrupted Self (which!!!! i forgot there’s even the implication that maybe orb-proximity fucks you up. didn’t seem that relevant here. here magic empress fountain water fucks you up) and Amnesia’d Good (Normal-er) Self and there’s the giant machine which is gonna.....consume the world to protect it from self-destructing in another way......or, that was the reason given to oswald anyways, i remember he like sacrifices his kids to it to save them from [his visions of ww1 being an impending thing] and he doesn’t find that out till the end......his evil self tricked his good self into firing up the machine......i forget where the pig men come from or what their point is, and the machine is like, another Factory Line Vitae Harvesting thing, right?? what’s the vitae For in this case....i sure don’t fuckin know. i forget what oswald does at the end as well to like, fix things, i remember feeling sad about it even though he was a horny weirdo.....i really forget what the full picture was there or what the Orb Involvement was. anyways. idk

would be fun to see more frictional games but it seems like they’re not too interested in doing something as atdd-esque again lol, soma seems more like What Frictional Really Wants To Do, which isn’t a bad thing cuz soma rules and like. objectively i guess soma is the better game, i’m not at all mad at anyone arguing soma is better lmfao, i just sure cherish atdd and it sure is the one that made the whole [subsequent horror game defining] splash lmfao. OH YEAH and i liked they threw in another moment where someone’s been alive for ages and you unplug them and it’s like what the fuck. and i guess you do that but even Harder in the one Rebirth ending where you shadow-infect everything and all the people in the vitae-pods die......which like, it Was def creepy having all those vitae pods lmfao. conceptually fucked up.....uh yeah that’s it i guess. was a sucker for the atdd-lore-fanservice stuff lol. thought it was good but wasn’t like atdd 2.0 which is both Totally Fine and also A Bit Disappointing Of Course lol. now i’m thinking about soma some more though which is Worthy cuz that game rules and i love its story / concepts so much. and i love that you keep fisting sphincters to Save until you have to fist your forearm off. we’ve all been there. and i love the “we have the better view. :)” audio log from someone on the surface. and how the gradual reveal of the [lady you talk to throughout the game who guides you along]’s story. and the Ending. and the gradual reveal of Just What Is Going On Around Here

anyways yeah atdd rules soma rules i thought this game was good too but def is like okay you’d rather make soma than atdd and that is valid

thots????????????????

[bestworstcase]

what are some of your eldritch horror inspirations?

oh hm lets see

in no particular order: 

my first introduction to the genre was actually a kim possible fanfic series? i remember reading it as a teen and being like woah

the discworld series to an extent? pratchett’s riffs on the genre are excellent, in particular those from later novels in the series eg the summoning dark. (thud! was actually my first discworld novel for some baffling reason and i spent the whole book like “i have no idea what’s going on but i love this” skjdffklshsdk). this has also definitely had an impact on my lean into the more humanist or optimistic end of the scale

gideon the ninth is not eldritch horror per se but hot damn if it doesn’t have some glorious imagery. 

annihilation (the book much moreso than the film, though the film has some nice visuals too). i keep meaning to read the other books in the trilogy but haven’t got around to it yet. the crawler hoo boy 👀👀👀

a pretty large assortment of books and short stories and plays actually. probably too many to list really; not all of them are eldritch horror themselves but anything with the right atmosphere or aesthetic or lore tends to work its way into my brain as an inspiration for my own particular blend of eldritch horror and dark fantasy; as a random selection off the top of my head, poe’s entire oeuvre, the road, the bacchae, euripedes in general actually, pretty much anything that was inspired by the year without a summer lmao, the dragonoak trilogy and sam farren’s work in general... magical realism anything, marisol comes to mind in particular just for its extra closeness to theatre of the absurd... 

this one is a bit silly and honestly mostly just because it’s the Queen Hyperfixation and i will find a way to connect it to every single one of my other interests somehow, but alice’s adventures in wonderland, through the looking glass, and the hunting of the snark have all had a pretty marked influence on my development as a writer and have absolutely contributed to how i approach eldritch horror tropes in my own writing; and also nonsense literature is basically absurdist eldritch horror for children. 

(especially the hunting of the snark, tbh. like go read it now if you haven’t before; it’s a treat and it’s gay and boojums are 100% just your classic eldritch abomination presented through a light-heartedly witty, child-friendly lens.)

relatedly: i love the american mcgee alice games. they riff on some aiw-related tropes that irritate me but idc that much because the atmosphere and aesthetic is just. so good and the gameplay is fun

relatedly again: a blade so black and the subsequent books in the trilogy (one of which isn’t due out until next year i’m suffering) do some really great stuff with nightmares as creatures that are empowered by humanity’s fears and, esp in the second book, the weird mystery of wonderland itself. and is just a neat urban fantasy take on alice in wonderland in general.

pathygen’s work and especially strings has been a big source of inspiration for me in the last, like, eight or nine months since we met. read it.

adhd distractibility has me stalling out in the middle of season 3 of the magnus archives but. yknow. it’s my jam 👌

like, theatre of the absurd and theatre of cruelty? in particular i recall a production of waiting for godot which i saw in college that leaned very hard into a horror-esque reading of the play and that was kind of a game-changer for my own creative outlook; in general these forms of theatre and the experiences they seek to evoke and the narratives they center share a lot of emotional overlap with the experience of good eldritch horror and, like aiw, have had a significant influence on my writing generally.

darkest dungeon is really fun and has a great aesthetic and strikes exactly the right balance between bleak and hopeful. the crimson court dlc especially was a total game-changer for how i think about vampires because holy shit

it’s not eldritch horror per se but subnautica is like. its ability to provoke dread is second only to the trial of blindness in hellblade (which is also def an inspiration, though again not eldritch horror per se. the enemy designs are really good tho) and the creature designs and lore are super cool and it does an excellent job of of getting across that... feeling of being insignificant in a vast uncaring cosmos (or in this case: ocean planet infected with virulent water-borne bacteria) and that’s enough to make it like, eldritch horror-adjacent in my mind.

tyranny is? another odd one in that it isn’t eldritch horror by any stretch of the imagination but idk. there’s something about the lore surrounding the archons and the spires + oldwalls that speaks to me and i love that so much of it is simply left unexplained. not in a way that feels half-assed or like the lore wasn’t well thought out, but rather in a way that truly gets across the feeling of an ancient civilization whose culture and magic/technology have decayed and been suppressed to the point of being completely lost by the time of the game; that’s a hard balance to strike and it’s totally my jam. 

my gf got me into pathologic and i am veeeery slowly playing my way through the original game rn and holy shit. holy shit. the atmosphere and the slowly unfolding lore and increasingly bizarre plague itself and the despair and the grind it’s all so good.

i still need to actually play bloodborne, it’s been on my list forever, but every image and video i’ve ever seen is. hoo boy. hoooooo boy. 

and honestly??? growing up as a very non-spiritual person in an evangelical family i think definitely predisposed me toward this genre because, idk. god as presented by evangelical christians is an eldritch abomination and i don’t have the spiritual inclination to convince me otherwise. so that’s something i draw from a bit as well lol

also as a final note i think it’s v important when talking about eldritch/cosmic/lovecraftian horror and inspirations thereof to say that hp lovecraft (and many of the contemporaries of his who participated in the expanded/shared universe we now call the cthulhu mythos) was virulently racist and xenophobic and this absolutely had an impact on his creative work. they codified this genre and that means that racism and xenophobia is kind of baked in to a lot of the basic tropes and they must be very rigorously, very critically evaluated when we use them to create new fiction. 

[coffeeandcalligraphy]

Moth Work Intro + False Idol | Writing Update

Hey People of Earth! 

Today I thought I’d do a writing update on a project I’ve mentioned a lot in my vlogs but haven’t mentioned as of yet on here! This is a personal ‘passion project’ that I’ve been picking away at since January and have recently taken on as my transition project from Rewired to my next book.

So yee! MOTH WORK (or ‘boys on a boat’ for those who keep up with the vlogs lols) has been my current project for the last few weeks since finishing REWIRED. I didn’t really mean to expand it as much as I have as it simply started off as a spinoff story of my boys Lonan and Harrison which I write every few months when I’m having a breakdown and need something to cheer me up. :-)

I’ve mentioned a few of these stories in the past (like Fishbowl and Mandarin), though this story is a bit different, as I’ve expanded it quite a lot more than I intended to! If you aren’t super caught up with Rewired, I’d definitely scroll through a few of my last updates so this one will make more sense! 

What’s it about? 

Moth Work is a FOSTERED spinoff story following Lonan and Harrison (dumb+dumber) at the peak of their relationship. I *was saying* that the plot went loosely as follows: after finding a photograph of a woman in Lonan’s father’s dark room, they set out to find her, HOWEVER, because I never stick to plans, I have yet to follow through with this main plot thread, lol. Vaguely, I’d just say the most important part of this story is their relationship at its most fragile because who is plot I don’t know her. 

Moth Work follows the events after REWIRED, and is a bit of a bridge between it and the next book. This makes it kind of hard to explain because a) it’s in a different POV, and b) context, but hopefully that makes sense! In essence: Lonan + Harrison’s relationship is big sad and Harrison tries to make it less big sad and it gets even more big sad. 

I’ll share a very quick profile of both of the boys so there’s some context for the following excerpts I’ll share!

Harrison

My boy

Generally very outgoing, tho around Lonan this fizzles. Only wants the best for Lonan despite their history. He’s the ‘main’ narrator of the piece (third limited to him though I’m guilty of head hopping lol), so the work has a softer tone than I’m used to. Though Harrison tries to be a Macho Man, around Lonan he’s most himself--mellow, a lil stupidly romantic, and vulnerable. 

Lonan

My problematic son/probably should be cancelled 

The “issue” in the relationship loool. He’s emotionally immature and lacks accountability, but because of his past, lacks the ability to recognize these faults and work on them. Because of this, he’s fundamentally stayed the same for the last few works he’s been in (if not gotten worse). Lonan requires a lot of emotional assistance, though he isn’t self-aware enough to recognize this. This is often the cause of much conflict. 

Conception:

Like I mentioned, I often write short spinoff stories following these boys because it’s a safe happy place for when I’m feeling stressed. This is basically how this piece started, though I’ve continued it for different reasons which I’ll get into. I don’t remember how the first scene was brainstormed, but I do know when I started writing this a few months ago, I wanted it to be a lot longer than my previous stories--a place where I could just dump my writing, even when it wasn’t good. I think I did this to cope with the stress of my writing class honestly, lol, I think I needed a break from ‘serious’ writing AKA a place I could just goof off and have some fun. 

The writing bit: 

Writing this story has been a bit inconsistent. I’ve been drafting it in little pieces since the beginning of the year, and only recently picked it up as more of a ‘full-time’ work. This is subject to change depending on whether or not I get more of book 7 done. I’ve gone from writing 20 words a day to 0 to 1000--there’s really no consistency with the drafting process here. 

I have recently decided that I’ll most likely expand this into either a novella or novel itself because there is literally so much tea left to explore and it’s surpassed 10k words. Drafting Moth Work has been so helpful in easing me back into the world of FOSTERED and piecing together the huge time gap from the end of book 6 to the start of book 7. I’ve been a bit anxious to really dive into book 7 for the fear of the unknown, so inching myself closer to that timeline through this project has been very helpful!

The editing bit:

I recently did an edit around the line level for this entire piece (it’s about 12k words right now) because a) it really needed it b) I was losing steam/starting to get embarrassed and c) I needed a refresher of what had happened because je suis tres forgetful. This edit made me feel so much better about the project. It initially started off as a work where the writing didn’t actually matter and this mentality was working until I got so embarrassed of the prose I found it difficult to read through old scenes to refresh myself and thus couldn’t productively draft. 

This project isn’t written exactly in my usual style--it’s pretty stripped back and actually reminds me a lot of how my style would’ve been in book 3 had I been a better writer four years ago lol. I think the looser style works for the voice/the story itself but I def wouldn’t categorize this as litfic (what I usually write). Although the prose isn’t very complex, it took me a really long time to get comfortable enough to edit?? But once I got into the rhythm of it a few days ago, I completed the edit fairly quickly, and I’m 100% feeling better about the project overall! Though the prose is still not my top priority I’m not as embarrassed of it currently lols. 

I also divided the project into chapters because it was getting pretty long to just be one mass of text. I currently have 3 chapters. This update will cover chapter 1. 

Playlist:

Yo this is literally the best part of writing this project, lol, I get to listen to so much different music?? I’ve made a comprehensive playlist for this story with a character by character breakdown (if anyone wants to see that/highlights, let me know!). This playlist pulls from every song from my library, so we span genres and artists like crazy. Nothing But Thieves has been the primary artist for this story (specifically their self-titled album). These songs (all NBT oop) are the most relevant if you want to get the general tone lol (anything with a star has explicitly inspired the project):

Excuse Me*

Honey Whiskey*

Tempt You (Evocatio)*

If I Get High (II)

Gods

Lover, Please Stay*

I Was Just A Kid*

Get Better

Hell, Yeah*

Afterlife

Reset Me

Particles

Sorry

Number 13

Excerpts:

I don’t have *many* because prose hasn’t really been a top priority for this project, but I’ll try to include at least one per scene. 

This is one of the opening paragraphs from chapter one which I’ve titled ‘False Idol’. In short, the chapter follows the boys first attempting to destroy the dark room and then getting distracted and eventually not pulling through after Harrison finds a picture of Ominous Lady. 

The chapter’s chronology is wild so we can break it up as follows:

Scene A

The boys enter the dark room with the intention of burning it down

Harrison reaches for his lighter and drops it which prompts him to find the photograph of Ominous Lady

Him and Lonan mildly argue about Ominous Lady until Lonan takes it too seriously and throws a tantrum :-DD

Scene B

Not really a full scene, just a bridge between scene A and C.

Harrison has been waiting for Lonan to return to their campsite for the entire day and he decides to at the very last moment

“hey so i’m unable to apologize for anything but also! cigarette! let’s share it! lungs!” 

Scene C

The boys exercising their canoeing skills

This leads us to our first “beat”.

Lonan interrupts Harrison’s peaceful evening by having a mild crisis

This takes place right after the events of Lolita, Lolita (chapter 16 of REWIRED). We then jump back to the fictive present.

 This alternates like 5 more times lol then the chapter is done!

The following excerpt describes their entry into the dark room. Don’t know how smart it is to be smoking in a room full of highly flammable material but we out here.

I don’t think she’s particularly special but I also don’t hate her so!! hoping an aesthetic photo will make it read better :’)) I ! don’t ! think ! it does ! but !

Harrison shoulders the door first, traps it open with the clip of his boot. Dust and streaks of light rake behind him as he pushes through cardboard boxes, mountains of photo paper on the ground. Lonan follows silently, still wearing Harrison’s jacket. Trails of smoke from his cigarette catch in the negatives hanging by the clothespins, chemical peel between the layers of ink. In one hand he tends to his cigarette, and in the next, lugs in the canister of gasoline they found in the cabin’s cellar. As Harrison fumbles for his flashlight, Lonan sets it down by the table so it sloshes like the Pacific. 

This is a bit of when Harrison finds the photograph of Ominous Lady:

He turns the photograph over, and shines the flashlight on it. It’s scratched and developed wrong, little bits of orange obscuring the woman’s face, but it’s very much a woman. A dark bob and bangs in her eyes, jewelry hanging from her septum. Sunshades enough to reflect the European street behind her. The discreet jet of ink on her skin, blues and greens peeking out from under her sleeve. Izzy, he recognizes. Lonan’s mother. 

Nudging Lonan with an elbow, “I didn’t know your mom has tattoos.” 

Lonan takes the photograph cautiously, holding it by the corners like it’ll burn him. His brow trembles, but it takes him only seconds to say, “That’s not my mom.” He takes the flashlight from Harrison and examines it closer, fingers nimble and tracing the edges. In the grey light of the dark room, he looks nullified. Just a monochromatic hum of chromosomes and skin. 

that’s not my MOM

After the boys find the photograph, Lonan gets triggered at Harrison’s suggestion to find the woman (he presumes her to be someone involved with his father) and promptly has a tantrum and exits. This leads us into the next scene where the boys! actually! get! on! boat! In this scene Lonan tries to say sorry for his tantrum by offering Harrison a cigarette (lol) and because Harrison is hopelessly romantic and also hopelessly dumb, says yeeeees sir! They go for a canoe ride on the water. Thought it was going to be sweet, ended up being a shitstorm but!

This paragraph is kind of toast but:

The canoe isn’t hard to get into the water. After a few nudges from the dock into the slow dip of tide, it stabilizes easily. Harrison is convinced it will capsize but Lonan knows it won’t. They take one ore each, and ignore the life jackets at the back of the shed.

The moon is large and mesmerizing. As Harrison and Lonan take turns pushing the canoe into the water, mast first, then its entire belly, it colours them silver. Lonan’s protected the cigarette in the pocket of his shirt. Harrison stares at its faint outline stretched under the fabric. Lonan steps into the canoe first, rocking with the current, and extends a hand for Harrison. He pulls him in and they row until the cabin is the size of a fingernail, the wave steady and dense. Each cut of the paddle feels like plunging a scalpel into flesh and Harrison watches Lonan do it easily. In the distance, the cabin doesn’t look so menacing. Reeve has left the lamp on by the loft, and it glimmers back like an eyeball, effervescent and tiny. Nothing but a reflective penny in the distance.

Here’s some Harrison being lame:

The water laps at the base of the canoe, and Ris reaches over and touches it like it’s holy. He makes the sign of the cross and it feels perverse, cold water dripping from forehead to chin.

For a while it’s quiet. Just the distant hum of crickets, the slash of the paddle, and the off-chance flash of something in the distance; an animal, a flashlight. Ris tries not to think about Lonan’s dad, like a dead man slithering through the water, following their boat. He picks at a saltine, sucks it between his tongue meditatively. Against the sky, Lonan is backlit and lovely and flecks of his hair peek up from around the jacket’s collar. Harrison wonders if as a child, everyone said he looked just like his father. 

On top of lacking accountability, Lonan is also a professional canoeist so he takes over while Harrison eats saltines and reminisces about an encounter they had weeks prior. This leads into the solid chunk of backstory that I weirdly jump in an out of for the entire chapter. :)

Backstory consists of drunk Lonan having a crisis while Harrison tries to have a peaceful evening of taping up his drawings to his bedroom ceiling. The following excerpt describes the moment right after Lonan enters the room.

Harrison’s lips secured around his cigarette, his hand mid-air with packing tape and line drawings of the moon. A tinny country song dribbled through the radio. The minute-meal he’d heat up in the microwave lying forgotten and cold on his desk. Harrison set the pile of drawings down and turned off the music.

“Emily left?” Lonan asked. He kept his face upward, stared clumsily at the ceiling. Harrison watched his eyes trace the new drawings, following the uncalculated pattern. 

This paragraph is made up of 5 similes and this is the only reason I’m sharing it :)))):

Lonan has stopped paddling. The canoe sits in the middle of the lake, lifeless, like a bone in the water. He’s turned so Harrison can see him in profile, and Ris can’t tell if it’s relieving or worrying to see his face. Lonan’s jaw is taut, like there are words he wants to say there but can’t. Filling up the hollow bone. He blinks slowly, like he’s trying to re-centre himself, his chest quivering with breaths meant to steady him. The water laps at the base of the canoe, whirling. Dark hair tangles down his cheeks like the fingers of a poltergeist. 

I think that’s a pretty good way to end this post lol! How many similes have you put in one paragraph? What’s your record lol this is probably mine!

Hope y’all enjoy the intro to MOTH WORK. I have two other chapters already written which I’ll update on in a separate post! For now I hope you like this more laid back project, let me know what you think!

---Rachel

[annashipper]

JT Anon

thats the thing. its been mentioned before. people with small children go out w them every day. not once every few weeks or months. you take your kids to the park, for walks, shopping etc. only, i think one nonny said “freaks” keep their kids inside for weeks and only take them out every months and a half to a restaurant (where the name of the restaurant is def mentioned and hashtagged on social media). Now I will give it to nonnies that SH is not famous. Anyone who has media up for a decade and doesn’t even have as much interaction on it as she does family is someone who is simply not famous and just isn’t known to the public. So Sh taking the kids out would be seen any other stay at home mummy dragging her kids around in the afternoon, since thats what mummies do who don’t work.

the thing is, there are large chunks of time lately when ben is not working. in fact he is not working so much these days that he makes a point to talk about how little he is working and how  much time he is spending w his family and not working. so then we’re back at the beginning. unless the cumberbatches are freaks who only take their kids out every month and a half to eat at restaurants that get a little promotion from their dining there, Ben would be taking his kids out daily like literally any other father on earth. If he was taking his kids out daily, like any other father on earth who doesn’t borderline neglect his kids by forcing them to stay in, then ben would have been spotted dozens of times by now. just walking down the road, taking kids in an out of the car

Look at Renner. Now he makes a point to make sure his kids face is not in the media, more than can be said for the Batches, but he is seen on a regular basis parenting his child. did you catch that? he is publicly parenting his child because he is a public figure and also happens to be parenting a child. You can find him making birthday parties w his kid, doing crafts, on outdoor outings, at the park etc. When he is not working, it is very clear he is with his child, parenting her. His child is not exposed. Some brands get promotion, for ex he will thank a company if he and his daughter attend an event, but more often than not, he is seen out with his child, parenting her, raising her, spending time w her like a regular father w out there being a product placement, and w out weeks going by where this kid doesn’t see the light of day. He takes her to parks, he takes her to kid specific events, he plans her bday parties, he takes her for lunch, he takes her for walks, ive seen them at kid museums and kid events. all safely. all w out exposure. all w out dozens and dozens of service product placements. all without an accompanying article about just Renner and how cool he is.

Now some could say, maybe the kids are w the nanny. The nanny? A stay at home mommy and a dad who is home and not working needs a nanny to take the kids out? Well, to be fair, these two have yet to be seen with both of their kids, so maybe they are two people who aren’t comfortable with their children and don’t feel capable of managing them out in public. Maybe they are parents who cannot actually manage parenting and living their life w them is a bit too hard, so they can’t actually take them many places and need to hire someone tho get them out of the house.

oh, and tuna sandwhich? dont suddenly shove a bunch of pics of ben taking kids in and out of car seats down our throats and pushing kids on a swing. these children have existed for years. we would have seen that by now.

to recap:

parents who are home and not working take their kids out more than every few weeks. Because of this, we would have had dozens of shots over the years of the Batches living their regular daily lives with two kids in tow around town over the years. No hashtags. No brand promotion. No newspaper article. Just two parents living their lives with two kids not working so they are out w their kids every day like every other parent on earth.

All of bens houses are publicly known as far as location goes. we have multiple examples of paps catching ben just around. there is a reason that we have never seen ben and/or sophie going in and out of his house, around his nabe etc w out an accompanying newspaper article. we see candid shots of ben, just never w his kids. w his kids its a production and there are newspaper articles attached.

its not like we don’t see these photos because ben and sophie are concerned for their childrens media exposure. their children have been featured in the papers and for sale before, so there is no fear from the parents in that department

if you want to believe that ben and sophie have managed to go years w out ever being seen parenting their children out of doors for those years, and the only times the kids are noticed is when there is a brand attached or a service attached or a newspaper article attached, then thats your prerogative.

if you want to believe that ben is caught dozens and dozens and dozens of times out eating and walking and on dates to the theatre w his wife and concerts and snowboarding and trips, but is never caught with his kids in years, even when he isn’t working, then go for it friendo.

if you want to believe that a man w a real live family needs to mention that they arent pr stunts in the media, then thats up to you.

if you want to believe that ben is spotted all over town by paps, just never with his kids, have at it.

if you want to believe that a family with two children never take both their kids out at the same time, go for it.

if you want to believe that a man who waxed poetic about wanting children, and that he would basically become The Hulk to protect them would allow for his sons image to be placed for sale for a financial profit, his sons house address and blueprint to that house to be made publicly available when there is an active stalker case, to let paparazzi take his children’s image to accompany media articles for the promotion of his family, then thats your business.  

i mean there is that possibility. that ben just simply is not a good father after all. that he doens’t care much about protecting his kids from the press. that he can’t be bothered to take them out and parent them. that he married a woman who loved the idea of her sons picture being taken because there was to be an article about her pretty, pretty clothes attached, so important choices were made.

we could be wrong. they could just be lousy parents.

J constantly waved at by her neighbor T anon

PS. PLEASE PLEASE sandwhich, don’t suddenly arrange a bunch of photoshoots of ben and wierdo w kids doing daily activities, then time release them so it looks like they are taken over the course of weeks. its been too long

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Nothing for me to add.

Just a reminder that it’s Easter in the UK, and I expect more than a lonely pap walk at the Cotswolds featuring Ben on the Fail this year.

[tittletattles]

Tag 20 People You’d Like To Know Better Meme Thing!

i got tagged by @basementgees ty!!

Rules: answer 30 questions and tag 20 blogs you would like to know more about!

Questions:

gender: genderqueer genderfluid

star sign: gemini

height: uhh 162cm i think?

time: 20:18

favorite bands: tally hall, they might be giants, mcr

favorite solo artist: idk i tbh dont pay attention to whether something is a band or not.... joe hawley is p good tho, but kimya dawson will always just hold a very special place in my heart

song stuck in my head: bahamian rap city by joe hawley

last movie I watched: some johnny english movie i think?

last tv show I watched: uhh i dont watch tv that often, i think last time was like some competition show where they had to guess songs or whatever

when did I create my blog: in 2012. the truth come out i was a 12 year old cyber criminal!!!!

what do I post: drawings and shitposts mostly, anything related to my interests that im not too embarrassed to make public on here

last thing I googled: ”dynasty meaning” im not good at words ok dont call me out like this

do I have other blogs?: yes, a sideblog where i can indulge my special interests without feeling embarrassed, i have a few others but theyre either inactive or under construction

do I get asks: sometimes, mainly ones confirming theyve read by byf (ty btw!! sorry if i dont reply ive had super low energy for a long while c’:)

why did I choose my url: ok so ive always had this weird lowkey fear of being recognized, like it just feels weird, so almost all of my accounts have different names when its not something im embarrassed about indulging in (like fanfics or angst). this was especially so when i was 12, my first account was actually an askblog for my cat oc, but then i wanted a regular blog. i didnt want to go with the one id used for my (old) youtube channel cause Fear so honestly? i just went to a ”username generator site” and got something akin to tittletattle89. i liked it and i like the digits 8 and 9 so i went with it. later i didnt like how it looked so i changed it to simply tittletattles. yee

following: 439

followers: 811

favorite colors: green? red? all

average hours of sleep: ....... probably like 6 or even 5 nowadays Oops

lucky numbers: dont have one, my fave is 64 tho. its a very pleasing number. all powers of two are pleasing. good perfect numbers. 64 has a good colorscheme. 64/64

instruments: piano, trumpet (i suck at it tho), i have a p easy time learning any instrument, and id like to learn drums sometime.

what am I wearing: oh boy, im wearing gray sweatpants over black tights, blue socks, a longsleeved orange-pinkish shirt and a blue tank on top of that. i couldnt find a lot of good clothes this morning i look like an absoloute mess and im completely fine with that

how many blankets do I sleep with?: one, although ive started using two cause our house is cold

dream job: probably animating, i doubt ill ever get into it tho since i animate by hand with 2d animation, both of which dont seem to be doing well in the industry. plus, theres like, no 2d animation studios (or at least no 2d productions ive heard of) in sweden and id prefer to stay in scandinavia. so rn im aiming for some kind of teacher and book illustrator

dream trip: im not much of a travelling person, i just like walking around see if i find some cool place (which i often do). ive always wanted to see real fireflies i guess? thats def on my bucket list

favorite food: i hate food but i mean chicken is something i can almost always eat no matter what so thats impressive

nationality: swede. full on swede everywhere u look

favorite song right now: i dont really have one tbh. greenwhich in the sky? thats the sickest touhou beat and you can meet me in the pit if you disagree

i wont tag 20 peeps but uhh @fancycatto @kingcallowaydice @sevendorkysiblings @toad-townz and anyone who uhh wants to ig!!! you dont have to btw jkdshfgkjsdf

[horsebitesfence]

On Chronophobia and ADHD – RB with Hestia Peppe

RB: hey, i think i just self-diagnosed with ADHD, am i right in thinking that's something you know about? would welcome any recs you might have for reading/resources

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RB: (it would explain so muchhhh)

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RB: (also wondering about the rel between ADHD and trauma)

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HP: Oooh yes! ADHD is definitely the errr paradigm I am working with right now if that's a way to think about it.

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HP: I am actually amazed by how practically useful it has been to think in these terms.

But I will say in terms of research/resources stuff is thin on the ground and mixed up with a lot of neurocognitive research which i find quite dodgy in places, not to mention the (very american) pharmaceutical agenda.The best stuff i found has been self advocacy descriptive personal account stuff, and that has been very much a process of reading between the lines.

Basically, people with ADHD tend to at least appear quite ‘high functioning’ (not an ideal phrase because hierarchies) so go undetected often, and then its very very stigmatised, i would say, in that often symptoms or traits are judged in moral terms. The most important sort of secondary ideas i have found are about Rejection Sensitivity Dysphoria, and anxiety as a hugely comorbid secondary issue which is more likely to be treated than the ADHD itself.

The relationship to discipline and goal-setting is formative, as is chronophobia or a traumatised relation to time, and sometimes memory. The neurocognitive hypothesis is that it’s a problem in the dopamine cycle, so process is more fulfilling than completion of work; but i am super skeptical about neurotransmitter theories.

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HP: As far as its relation to trauma goes, i would say it probably renders us more vulnerable to CPTSD. Lack of diagnosis or 'management' of ADHD leads to problematic coping mechanisms, leading possibly to abusive or addictive behaviours or on the other end vulnerability from a lack of or funky interpersonal boundaries. But whether anything is causal/symptomatic or comorbid seems always particularly hard to tell with ADHD, partly because of the non-typical relation to time.

HP: The neurocognitive hypothesis is that it’s a problem in the dopamine cycle, so [that] process is more fulfilling than completion of work, but i am super skeptical about neurotransmitter theories.

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HP: On the plus side, [my] university and NHS [practitioners] have both been really encouraging about seeking help for it and getting a psychiatric diagnosis, which i am interested in, tho will no doubt have its downsides.

Most important, i think, is that mental health problems are treated in the context of ADHD as a constitution, rather than [in isolation], and i think that would go for trauma stuff too. Apparently ADHD folks have less success with SSRIs than others.
I think a body focused/somatic approach [is] v. v. productive, for both ADHD and trauma.

Rejection Sensitivity Dysphoria [also] seems key. It’s the idea that the emotional impact of rejection is almost irrationally high in many ADHD folks, but [then again] this may be a traumatised relation from the stigma of ADHD, and literally being reprimanded more often than neurotypical folks, rather than being an essential difference. So if there's an interaction with trauma specific to ADHD it might be related to emotional response to external stimuli being higher.

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RB: gosh, yea.

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HP: Sorry so much.

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RB:  Wondering how receptive my gp would be to my requesting an adult diagnosis

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HP: My GP was like ‘yes, will refer u immediately’, but that’s with a recommendation from an Ed Psych which uni paid for. *UPDATE: NHS maybe aren’t doing this as quickly as i thought, so it remains to be seen if they follow through; and university seems to just be sending me through as many hoops as possible, lots of assessments, minimal support systems.

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RB: ok

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RB:  i saw this on Twitter – ‘ADHD Explained Using Comics’ by Dani Donovan,1

and, like, so much of it is me. ,2So much. idk what chronophobia is but def. have weird relationship with time. Very weird.

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HP:  I have sort of made up chronophobia but am sure its a thing.

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RB: 'comorbidity'

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RB:  i feel lost in time.

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HP: It seems to me the best stuff around is DIY stuff exactly like the comics u link to

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RB: also – trouble starting anything; trouble finishing without hard external deadlines – so me.

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RB: why i never write

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HP:  I think these are like the defining traits tbh

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RB: even tho i want/need to be writing

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RB: + procrastinating

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HP:  Comorbidity is the creepiest word

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RB: as described ^^

HP:  Same!

RB: do u medicate for it, may i ask? seems like mindfulness / meditation cld really be helpful

RB:  i had an insane year on citalopram

HP: In America they see it as essential to medicate for it from a v early age but i am like v v v skeptical

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RB: sertraline seemed better

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HP:  I took Prozac for 5 years; it didn’t do much except make me sleepy and a bit ok with shit life, but for ADHD it’s Ritalin or Vyvanse, so treatment with low constant dose of stimulants (*sometimes also something called dopamine blockers, but I don't know the details).

RB: ok; so, like coffee? just on my risky 2nd cup.

HP:  I dont myself want this prescription.

HP:  Am sure mindfulness etc v. good, but i do think body-focused methods best.

RB: ok

HP: I read this Twitter by Erynn Brook (sp?), and she advocates meds but also talks a lot about building in good coping mechanisms like how you organise yrsrlf in space/time in ways that work for u.

RB: yea; more interested in strategy

HP: So yeah strategy v. key.

RB: hey thanks so much, also in as much as i may unconsciously have posited u as gatekeeper. couldn’t have hoped for a more helpful reply.

HP: No worries! It’s good talking to other people about it cos the grand narrative of it is well shaky

HP: One thing i have worked out is that it’s all just emerging now so u can’t really gatekeep it, thank fuck. Glad to be helpful always. Check out Erynn Brook and remember being kind to yourself cos probably u havent been being if u just got to this point.

[time passes]

RB: hey, i'd really like to hear a bit more about your thinking on chronophobia;

it stayed with me as a strong motif.  felt so 'full' when you said it it took me a while to realise i hadn't asked u to describe it.

HP: Yes I would love to see you and talk about all this stuff. I have thoughts tjoughts thought ... Google searching ‘Chronophobia’ brings up this book from MIT about art in the 60s:

https://mitpress.mit.edu/books/chronophobia. It appears to be also a term in use in psychology/self help; is in wiktionary, and appears to mean the obvious: fear of the passing of time. Associations with incarcerated people, particularly, suffering from it and also anyone suffering from heightened stress and anxiety. Searching chronophobia + ADHD, there are plenty of hits, so, again, this seems a well-made connection. I’m also thinking about ‘Chrononormativity’, an idea i was first introduced to by my friend Helen Stuhr Rommereim, and which I think she gets from Elizabeth Freeman (possibly via Lauren Berlant), in relation to ‘queer time’ or a failure to achieve normative milestones in the time allotted, such as maturity, childbearing, marriage. Her paper on this is included in the documentation of a conference about Chris Kraus we both attended in 2013, which is where we met as we were on the same panel. 3

HP: Context in my work right now – all of this to do with ideas about speculation, past/present/future, chance/fate, resistance to goal/plan/target, not knowing what to do.

I’m currently doing some early/cursory research into the mythology of the fates (Ancient Greek and other cultures) as spinners, and thread as line; trying to parse linearity and how it might or might not relate to neurodivergence/neurotypicality. I like lines as a way of following or tracing, and also drawing as well as writing –thinking a lot about the work of Renee Gladman, who is interested in architecture and fiction (prose architectures), and works with drawing and writing and the relation between the two – so, also automatic and asemic writing. I also think a lot about Ariadne’s red thread in the labyrinth, and now that i am trying to learn to spin, how all threads are made of many tiny ones. This trying to spin has grown out of an old durational performance work i have done for years – so, durational performance, as a form, is part of this, maybe, for me. I always like the durational form, as it is more about setting up boundaries in space and then letting time happen than [it is about] existing in linear time. Chronophobia as anxiety about mortality, and control, or volition/agency; or the trace of subjectivity in the world (cf maybe tim ingold). Also, there are two types of time in the classical sense: Kairos (the now) and Chronos (history), or something like that.  None of this is fact-checked, I must say.Tarot cards relating to time are: wheel of fortune, temperance, death, the hanged man.

HP: Not sure i am doing this right, but thought some context to the earlier conversation might be useful for orientation, at the same time as thinking about my own self-diagnosis of ADHD and how it relates to knowledge and action and intention and access. Not sure if you saw this on my Twitter, but I thought it was a very good overview of neurodiversity discourse as it stands: https://www.janinebooth.com/content/two-and-half-cheers-neurodiversity

RB: Thanks. You’re doing this very right, I’d say.  Like somewhere back in the transcript there is a ‘gosh, yea’ of mine which stands in as a marker for the point at which my mind was blown, began to make new neural connections, bathed in a sort of speechless radiant awe for what you said; and this feels the same only more so, galaxy brain in mandelbrot – only grounded in and by your efforts to verbalise it and connect it with your work and that of others. That this is what you’re working on for your doctorate – I am awed and excited to know it. I would really like to be present when you perform.  I’m really impressed by your articulation. I feel such a relieved shock of recognition for chronophobia as you describe it, as something I had begun to acknowledge and articulate internally, but never outside myself, verbally or otherwise; nor had any inkling that it might be tangled up with ADHD ... nor that it is something other people experience or know about, nor that you are working on it in this profound way. I feel less alone and am honoured that you shared this here with us.

RB: Also – ehheh!  I saw today that we both liked this tweet

RB: Another highlight, for me, of today’s feed –

RB: I’m always keen for writers’ writing on technique, scanning in case I find a key there to my own outward articulacy and/or the means to vanquish distraction/avoidance. Just remembered when the poet Lucy Mercer said to me that as a writer, I’m a weaver. I was happy with that then and I am happy with it here, in this context. 4

HP: Hey! This is all so kind of you to say I am sort of overwhelmed. I can't believe i have even been paid for this already, so shout out to that. I made up chronophobia because  i wanted a way to describe my fear of time. I dont think it was really to talk to anyone else about it. I looked it up afterwards when I mentioned it to you I guess i have really let you have it with the inner monologue. I looked it up after I mentioned it to you. I figured that this had, you know, happened before, that other people would already be using this word. And they are. As a sort of intra-post-script, it is important to say that in terms of ADHD I came to this knowledge or understanding after like 12 years working as a private tutor, and without the students I worked with in that time I don’t see how I would have got to this articulation, so immense gratitude and respect to them for the thinking we did together about how thinking and learning work for different people.

HP: I was going to email you and ask for a deadline today but in the end i didn't write any emails because i was just spinning yarn on the wheel. It’s an amazing process learning to do it. Like a truly never-has-to-end embodied action. I think it could be the best way to replace some obsessive Twitter scrolling. My dad totally gets it. He says singing while spinning, that's the thing, he's heard. I learnt how to learn things from him mostly. I think maybe both my folks have ADHD. It’s supposed to be super heritable.

HP: My mum's a doctor. That's maybe where I get the cavalier attitude to discussing stuff like this you are supposed to be an expert to be allowed to think about. I am absolutely not an expert except perhaps of my own experience. Which this is, but but i push it, i know that. tho I don’t want the meds, I absolutely want to stress i am not like totally against meds. Chemicals are fine and good. Like coffee or you know whatever works. I am just in favour of people being given the best possible understanding of any treatment they undergo. I feel like i wanna unwind my own coping mechanisms like manually. Maybe that's a perk of late diagnosis – for me, anyway.

HP: I have to stop now. I am in a park and it’s dark now. I was sitting in the park cos i was an hour early to get a lift from my friend because i was so worried about being late. It’s perfect timing though. If you like sitting in parks watching orange street-lamps through blossom as if they are the sunset like some kinda shook moth. Which I do. And then type super fast into a phone cos you know someone asked.

HP: Thanks xx

RB: <3

RB: Thank you

1 –   https://Twitter.com/danidonovan/status/1100414551932030984

2

3 (http://www.metamute.org/editorial/books/you-must-make-your-death-public-collection-texts-and-media-work-chris-kraus )

4 mercer | ˈməːsə | noun British, chiefly historical a dealer in textile fabrics, especially silks, velvets, and other fine materials. (Oxford English Dictionary Version 2.3.0 (203.16.12))