#top astrologer in Texas

[psychicshivaram]

Resolve your family problems with help from a top astrologer in Texas

Psychic Shivaram's astrology stresses the significance of powerful correspondence. He offers direction on how relatives can all the more likely comprehend and connect. He recognizes every individual's novel assets and shortcomings. It cultivates sympathy and participation

[panditjayaram]

Whether you are seeking guidance in matters of love, career, finances, or personal development, Pandit Jayaram’s expertise and compassion are sure to leave a lasting impression on your heart and soul.

[best-astrologer-california]

Unveiling the Power of Astrology: Exploring Personality Traits with Astrologer Kuberan

In the vast and mysterious cosmos, humanity has long sought guidance from the stars, seeking meaning and insight into our lives. Astrology, an ancient practice dating back thousands of years, connects celestial movements with human behavior and personality traits. 

In the vast and mysterious cosmos, humanity has long sought guidance from the stars, seeking meaning and insight into our lives. Astrology, an ancient practice dating back thousands of years, connects celestial movements with human behavior and personality traits. Today, we delve into the profound wisdom of Astrologer Kuberan, renowned for his remarkable understanding of astrological principles and their impact on individual personalities.

Astrologer Kuberan: A Beacon of Astrological Knowledge

Astrologer Kuberan's journey began at an early age when he discovered his affinity for the night sky. Fascinated by the stars' patterns and their potential influence on human life, he delved deep into the study of astrology. His relentless pursuit of knowledge led him to unravel the intricate connections between celestial bodies and human psychology.

With years of experience and a wealth of wisdom passed down through generations, Astrologer Kuberan has mastered the art of interpreting birth charts and decoding the cosmic blueprint unique to each individual. His insights go beyond mere predictions; they provide valuable introspection into the deepest layers of our personalities.

The Twelve Zodiac Signs: Gateways to the Self

Astrologer Kuberan navigates the twelve zodiac signs, each representing distinct personality traits and characteristics. Aries, the fiery trailblazer, embraces leadership and ambition, while Taurus embodies stability and determination. The Gemini's intellect and adaptability contrast the Cancerian's nurturing and empathetic nature.

As the journey continues, Leo shines with creativity and self-expression, while Virgo seeks perfection and analytical prowess. Libra strives for harmony and fairness, while Scorpio delves into the depths of emotions and transformation. Sagittarius embodies a love for adventure and wisdom, while Capricorn stands as a pillar of responsibility and discipline.

Aquarius brings forth innovation and humanitarian ideals, whereas Pisces resonates with compassion and artistic sensitivity. Astrologer Kuberan skillfully decodes these zodiac archetypes, enabling individuals to recognize their innate traits and embrace personal growth.

The Ascendant and Moon Signs: Unraveling the Inner Self

Beyond the Sun sign, Astrologer Kuberan emphasizes the significance of the Ascendant and Moon signs. The Ascendant, or Rising sign, governs the outer persona and how individuals present themselves to the world. Meanwhile, the Moon sign holds the key to the emotional landscape, unveiling our instinctive reactions and innermost desires.

By combining insights from the Sun, Ascendant, and Moon signs, Astrologer Kuberan paints a comprehensive portrait of an individual's personality, guiding them to make the most of their strengths and understand their challenges.

Astrology: A Tool for Self-Discovery and Empowerment

Psychic Kuberan believes that astrology is not a fixed destiny but a powerful tool for self-discovery and personal empowerment. By understanding their birth chart and embracing their inherent traits, individuals gain valuable insights into their potential paths in life. Armed with this knowledge, they can make informed decisions, develop self-awareness, and foster meaningful relationships.

In conclusion, Astrologer Kuberan's profound understanding of astrology offers a guiding light for those seeking to understand their personalities and life's purpose. As we gaze up at the stars, we are reminded of the vastness of the universe and our unique place within it. Through astrology, we embark on a journey of self-discovery, enabling us to navigate the complexities of life with newfound clarity and purpose. 

For Astrology services call Psychic Kuberan at +1 689-243-6585 or write us on psychickuberan@gmail.com

[bestastrologerinusa]

Black Magic Spell Removal in Texas

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[galveston-psychic]

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[heavensmortuary]

not sure if I'm going to be able to put it into words well but I think part of the appeal of The Texas Chainsaw Massacre is how the movie deals with nature in an almost mystic fashion. I was talking eariler with friends about how Blood Meridian has this feeling also, with McCarthy's clear love of desert settings and how all of the animals seem like wise, wide eyed observers to the force of nature that the human characters are, backdropped against the blue lightning of the desert, more like demons than people. They're a part of the landscape, and cant be separated from it. I feel like The Texas Chainsaw Massacre handles nature in a similar way.

The wide shots of sunflower fields and trees strung with rusted metal, or old houses with spiders that hum and crackle with warning, or the dead armadillo on the road, or the sunspots melting together like clotting blood, or the second-too-long shot of cows in the slaughterhouse with foam dribbling out of their mouths, but TCM finds it's strength in its scenery and I think it's there for a purpose. It captures rotting americana in a way that a lot of urban-based directors have tried to replicate but have failed (Resident Evil 7, a game that despite it's loving homages to southern horror, comes to mind). They try too hard, painting hillbillies with a classist brush. TCM doesn't do this. It's as Southern gothic as a broken Mardi Gras necklace in Louisiana or a forgotten kudzu-smothered grave in a holler of the Carolina Blue Ridge. Pull up a chair at the dinner table, show off that southern hospitality.

Of course there's the roadkill-occult fashion and decor of the family, with vertebrae necklaces and bracelets and endless heaps of feathers and bones and macabre sculptures laid out in ritualistic fashion around the Sawyer's house. The blood sigil in the van and the twisted corpses on top of the gravestone at the first part of the movie instill a feeling that there's more dangers than just the chainsaw or a straight razor. There's a feeling that something supernatural has soaked through the family somehow, even though nothing blatantly supernatural is featured in the movie besides Grandpa's vampiric traits and the constant discussion on astrology. If southern gothic is full of faith healing and granny witches and sweating preachers holding snakes, then TCM is about nature as the occult in the worst way.

The Sawyers are just as much a part of the wild Texas landscape as the dead armadillo on the side of the interstate. They don't seem like humans, more of dressed in the, quite literal, skin of humans. Pestilence, war, death, and famine are portrayed horsemen, and the Sawyers are of the same kind. Dressed the skins of the blissfully ignorant dead, they're spirits on the vengeful, suffering, and cruel american soil. 50 years later since the movie's release, they still won't leave the hidden places of rural america. They're concepts more than people, and it's damn effective.

[corneliushickey]

In “The Texas Chain Saw Massacre,” Feeding Your Family Comes First

By Jackson Arn for The New Yorker

It begins with not one, not two, but three prologues, each spiked with a different kind of horror. First, a scrolling text suggesting that this all really happened to the “five youths” we are about to meet, even though it didn’t. Second, glimpses of cadavers in oily Caravaggio light, culminating in a long, sociopathically calm shot of the ruined graveyard where they’ve been dug up. Third, footage of solar flares, combined with reports of nationwide disaster. What the sun has to do with anything on Earth will never be explained, though it seems significant that when we meet our five fatted calves they’re talking about astrology. (Seventies horror movies, from “Jaws” to “Invasion of the Body Snatchers,” were full of chirpy, vaguely countercultural types.) We also learn that they are driving to the little town of Newt, Texas, out of concern for ancestors who were buried in that graveyard, because what could be more virtuous than caring for your family, in death as in life?

link to full article (full text under the cut)

Being such a decent bunch, the group stops to pick up a hitchhiker, who turns out to be twangy-voiced, obsessed with meat, and deranged. His family once worked at the local slaughterhouse, but their jobs have been automated into oblivion, leaving them with nothing but nostalgia for their old day-to-day. To turn a cow into food, he says, “they take the head and they boil it, except for the tongue, and scrape all the flesh away from the bone. They use everything—they don’t throw nothing away!” Explaining all this to a van full of permed, bell-bottomed city kids seems to excite him almost as much as it disgusts them, and it may disgust you, too. But in the world of “The Texas Chain Saw Massacre”—which may, even fifty years on, just be the world—killing and looking out for your family are so closely tied as to be almost the same.

Famous horror directors tend to get pestered for origin stories. Being polite people, for the most part, they usually oblige, which is how I know that an elementary-school bully named Fred Kruger beat up Wes Craven, the six-year-old Alfred Hitchcock was sent to an actual jail cell, and little Brian De Palma used to visit the hospital where his father worked to giggle at the gore. When Tobe Hooper died, in 2017, having directed several worthy films but only one “Texas Chain Saw Massacre,” various juicy-sounding bits made the rounds. Growing up in Austin, he met a doctor who mentioned a Halloween mask made from human flesh. An aunt in Wisconsin told him about Ed Gein, the killer who converted corpses into lampshades. Years later, he was on the U.T. Austin campus the day an ex-marine named Charles Whitman climbed to the top of the clock tower and murdered passersby with a hunting rifle. He was rattled by the image of his mother having a lung removed.

The implication of these kinds of stories, or, at least, of the media’s demand for them, is that horror requires some deep psychological wound, that you’d choose to spend your life scaring people only because something scary happened to you first. There may be a dribble of truth in this, though nobody seems to demand similar explanations from, say, action directors. It’s especially ironic in Hooper’s case; few modern horror films are less interested in psychological backstory than “The Texas Chain Saw Massacre.” We’re told next to nothing about the victims’ relationships with one another, or their lives back home. No childhood trauma lurks behind the killers the way it does for Norman Bates or Michael Myers. If any -ology helps us understand these people, it’s sociology: assembly-line slaughter makes the underclasses deranged; technology makes them irrelevant; unemployment makes them hungry. Scarcity underlies almost everything the characters do, whether they’re killers or not—like that other stagflation classic, “Mad Max,” this is a story about precious fuel and the lengths some people will go to get it. The youths discover a household of cannibals because their van is low on gas and they hear a generator somewhere. Later, one of the cannibals takes care to switch off all the lights in his store—power bills being enough to “drive a man outta business”—before going off to feast on the alternative energy source he and his family have discovered.

Scarcity was an apt theme for Hooper’s film, which cost something like a hundred and forty thousand dollars to make, and features a community theatre’s worth of small-timers and first-timers. The shoot was probably illegal a dozen times over: the narrator who reads the scrolling prologue text had to be paid in weed, and the art director, unable to afford prop animal carcasses, drove around picking up actual skulls and roadkill. A graduate student named Gunnar Hansen was cast as the masked, lumbering Leatherface, the cannibal family’s designated executioner. Since there was no money for a backup costume, he wore the same clothes seven days a week, for up to sixteen hours a day, while the weather hovered around a hundred degrees Fahrenheit. I get the sense, listening to interviews with some of the actors, that they consider the rest of their lives a vacation.

The film’s first half hour strides curtly forward, doling out the who and the where and the what, with occasional twitches of lyricism in between—a dead armadillo by the side of the highway, say, or a long, mournful shot of the van as it drives off to certain doom. You can’t learn about how this film was made without gagging, but you can’t watch the results without marvelling: not one frame or line or sound effect goes to waste, since Hooper couldn’t afford any, and this gives everything a tautness that you sense somewhere in the gut before the mind catches up. Throwaway lines about barbecue and cuddly animals and planets in retrograde are, naturally, not throwaway at all, a point the script makes comically obvious when Franklin, who uses a wheelchair, asks his sister Sally, the only youth who’ll survive, if she believes in astrology. She replies, “Everything means something, I guess.”

Decades of bickering about the violence in the film—some viewers insisting that it’s too bloody, others that most of the blood is in our imaginations—has distracted from its visual beauty. This seems important to stress, since beauty, along with sociology, is what Hooper gives us in lieu of direct answers. When one of the youths walks through the cannibals’ house, she finds a room full of remains, some animal and some human. It’s an astonishing sequence, only two minutes long but seemingly an hour, scored to the clucks of a caged chicken, and stuffed with closeups of skulls intercut with the woman’s face so as to suggest one about to become the other. What’s astonishing isn’t only the lushness that Hooper finds in this deathly place. (I’ve thought too much about a certain shot of sunlight shining through a translucent bone.) It’s the fact that we seem to be looking at decorations—that, somewhere between killing and eating, these people have spared the time to make their house look prettier, for no other reason than to make their lives a little less miserable.

So far, I haven’t really talked about why “The Texas Chain Saw Massacre” is frightening, but in scenes like this it becomes not only frightening but haunting. The usual things we’re invited to take comfort in during a horror movie—the stability of the household, the loved ones who live there—are here just another piece of the horror. Who, we might ask, is this film’s true villain? Does it even have one? Leatherface does most of the killing but takes no obvious pleasure in it, and in any case Hooper instructed Hansen to play the character as mentally disabled. The hitchhiker does seem to relish the cannibal life style, but notice, too, how well his attentiveness to his grandfather, who seems unable to walk, contrasts with the way the city kids tease Franklin for a similar condition. Toward the end of the film, it is the hitchhiker who drags Sally to his elder and invites him to kill her with a hammer, apparently because the frail old man enjoys this kind of thing and could use some excitement. In how many other films is the most frightening act one of the few compassionate ones?

Extinction seems likely for these cannibals, but, a half century later, “The Texas Chain Saw Massacre” has sired a vast brood of art-house and grind-house films. Stanley Kubrick, a superfan, must have been thinking of Hooper when he conceived of those moments in “The Shining” when the ghosts drink and dance. I sense more Hooper, by way of Kubrick, in Jordan Peele’s three films so far, with their knack for scattering little clues about racism and surveillance and consumerist apathy as though the monsters onscreen are representatives of much looser, deadlier forces. I also can’t help but wonder if Cormac McCarthy, decades away from “No Country for Old Men,” was paying attention when the hitchhiker explains that the slaughterhouse has switched to killing cattle with an air gun. (De Palma, at some pre-“Body Double” date, certainly was.)

On the grind-house end of things, Hooper is still celebrated, when he’s not being reviled, for inspiring an avalanche of hardware-store butchery and final girls. The second trope is a curious one, because in nearly every later film to make use of it the female lead is rewarded for being clever or kind or virginal or brave or, if she’s Jamie Lee Curtis in “Halloween,” all of the above. There is no obvious reason that Hooper chooses Sally to survive the carnage—her brother is the far more likable, fleshed-out character. She gets lucky, and that is all. When the cannibals are preparing to kill her, there is an unforgettable closeup of her wide, bloodshot eye, which is both the window to the soul and just another potential source of energy, like gasoline, itself just the remainder of million-year-old plants, which get their energy from the big, yellow fireball in the sky. Everything, in this grim astrology, means something, and that something is fuel. And, at that point, there is nothing to do but run, very fast, to the highway and hope that the pickup truck on the horizon brakes for hitchhikers.

[psychicshivaram]

Astrologer Shivaram - Top Astrologer in Texas

Are you looking for a Top Astrologer in Texas? Meet Astrologer Shivaram, a trusted spiritual guide based in Delhi, who provides insightful astrology services. With a deep understanding of celestial influences, Shivaram offers personalized readings to help navigate life's complexities. Whether it's love, career, or personal growth, Shivaram's conversational approach and profound wisdom create a comforting space for seekers. Embrace clarity and empowerment as you connect with a top astrologer with a proven track record of uplifting lives. Experience the transformative impact of astrology with Astrologer Shivaram in Texas.

[everestphillips]

michael evans behling, pansexual, cis male + he/him, mage «—◦—→ well met, everest phillips! the godling born child of aphrodite. it’s been 26 years and now they have answered the song in their veins. can he change the course of history with their cooperation, extroversion, + resilience? or will their aloof nature, arrogance, + impatience hinder them? only time will tell before this godling’s name is sung into myth and legend!

name: Everest Phillips nicknames: Ever. Mt. Everest date of birth: May 19, 1997 age: 26 face claim: Michael Evans Behling godly parent: Aphrodite height: 6'3" dominant hand: Ambidextrous education level: Some college (Dropped after the first year) occupation: F1 Driver

parents: Jonathan Phillips. Deborah Phillips-Kim (Step Mother) siblings: Jonathan Phillips Jr., Noah Phillips, Lilian Phillips-Kim, Trevor Phillips-Kim. pets: none

astrological sign: Taurus positive traits: Cooperative, Extroverted, Resilient, Charming negative traits: Aloof, Arrogant, Impatient, Egocentric habits: Will be up before anyone else and make it everyone else's issue to deal with. Can be overfamiliar with people like they were friends forever. quirks: Fidgets with whatever jewelry that he is wearing. When he's completely concentrated in something he bites his bottom lip. He actually really likes to cook but the problem is that after he's done making it, he doesn't want to eat. So, he prefers to cook for others instead. pet peeves: Loud eaters. People who don't pay attention to what's being said hobbies: Cooking. Sketching. Swimming. Jogging. Legos. People Watching. Singing.

sexual orientation. Pansexual. Homieromantic sexual position. Top - Vers

clothing style: Ever since he became an F1 Driver, his appearance to the public became just as important, maybe even more so than his career. Luxury brands loved to dress him due to his natural charms and looks, fighting to be the one highlighted in the next event. Even in the rare occasions he's out in public, all that he wears is meticulously chosen and styled for him prominent features: His height. Smile. Perfect Skin.

what were they doing when they hear the song of their godling blood?

Just finished his daily practice and he was in the middle of a meeting where other people were talking about his performance and making decisions for him.

class: Mage. inspirations: Aphrodite from Hades. 24 Hours by Sky Ferreira. Morrigan Aensland from Darkstalkers. Enchantress (Amora) from Marvel. The unnerving feeling of being alone despite being in a crowded room. Loki from Marvel. Sit Down Beside Me by Patrick Watson.

biography: Everest was born in Austin, Texas, the middle child of five. There was some disconnect when it came to his siblings, because the two oldest were sons of his father's first wife who passed away, and the two youngest were twins to his newest wife. Leaving him to be the middle child of a mystery woman that no one has met, not even Everest. So it was a very common joke that he was just adopted.

His family was very affluent, which brought a lot of comfort to him. However, that wealth came with a lot of lessons of proper etiquette that didn't quite land with Everest like it did with his siblings. The others were bright and studious, doing everything to make themselves and their family proud. While on the contrary, Ever was very rambunctious. He wanted to be in all of the athletics he could, took a liking to thrill rides at a very young age, and had a deep love for racing. They thought that was something normal for a young kid until they realized he wanted to be in those cars, and begged his parents to take him karting all the time.

Of course, if he wanted to continue his passion, Everest had to be good in school. And he did just that. Though it was never explicitly stated that he had to be the one doing his own work. It's not like he was forcing other people to do it, but he did find that a little smile and a please had some of his classmates volunteering to do the book reports or his part of the group project that didn't have a desire of doing. But it's not like he was coasting through school either. He could do his work if he wanted to, he just asked for help. Other than that, he was a social butterfly who participated in a lot of extra curricular. It's not his fault he was popular.

Once he graduated high school, he gave college the good ol' college try, but after his first year he thought it was better for him to drop out and focus on his career since it was finally taking off. Ever since then, he was thrust into a world of glamour and social hierarchy that he somehow has been readying himself for a while now. He was making a lot of money through his career, but his image soon became the biggest focus of it. Possibly shadowing the racing he loved so much. And although he knew he should happy about the success he found from this, he was conflicted. Still, he smiled through this inner turmoil and tried to enjoy this new life, even though what was important to him was the thrill of the race.

Well, that was until he came across a new type of adrenaline rush.

[panditarunsharmaguruji]

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[starscelly]

looked through your tag onthe flying stars au 👀 as someone who does music ive been spinning your au in my head so if youll indulge me thinking!

roope playing guitar passably omg, im imagining him having to constantly look down at his hands as he plays to make sure theyre at the right position buuuuut if its between playing right or playing with feeling...

robo with experience in a family band has me thinking that hes the most familiar with managing sound tech and gets saddled with figuring the works every gig starting out

miro and his old ass strings REPRESENT!!! i have not restrung my guitar in years and im too lazy to start now

imagining them absolutely plagued with planning around four different peoples schedules for practice, on top of finding time and space for being a loud ass band (sure you can turn the volume down, put in headphones for guitars and bass... even if not for a group practice but otter? oh buddy) someone get them a garage to thrash around in! in the summer! minor heat exhaustion is the greatest team building exercise

its a really fun au and i really like thinking about it :) and a question for you! where did the name and branding for flying stars come from? both in universe and coming up with it yourself, i think its really cute 💚

FLYING STARS MY BELOVED omg im glad u like it and find all the little details and bits relatable and/or silly ahhhh !!!!! now that its nearing No Hockey Season ive been tossing this au around in my brain again as well and def wanna tweak/better clarify some Lore and get shit more Organized so !!! appreciate this for the vibe very much rn <3 <3

re: the name! so for myself i actually. could not remember. why i chose that name rlly but i did find some messages from when i picked it so here's just. that thought process i guess LOL

here were also some Ideas for names i was deciding between that i found in an old note. for shits and gigs

(stars and stripes but stars is in - probably incorrectly translated - finnish because. well because . well of course because.)

i just knew i wanted to use stars for Visual Purposes and also. the real life reference. and flying felt the most appropriate because theyre! theyre flying round stage!! theyre a punk band theyre goin crazy up there man!!

as for in universe oooo . i honestly dont think it'd be so insanely off base from my own thinking? i do think the shared location + history in hockey being There would make them pick stars, if not just for the Texas Being Where They Come Together making them lean towards stars for the lone star state of it all. i think there is probably a moment of like. half of them being like "okay so we're the stars. that's fine. that's good" and the other half being like Dude Do You Know How Many Bands Are Probably Called The Stars. We Need to Add Something. so they cycle through a few possibilities over time before playing their first few shows as just a band from dallas(ish) and then they see how roope and robo get and are like ohhhhhh. smashing stars. crashing stars. flying stars. FLYING STARS IS GOOOD. (and roope goes omg flying stars. like in astrology ^.^ . and this is also how they find out hes an astrology bitch)

[heavensmortuary]

Also, can you elaborate on the “cosmic horror” aspect of The Texas Chainsaw Massacre?

WOOOO BOY ok I got the idea from this video. Apologies, this is going to sound like a conspiracy theory LMAO

so to sum up the video, as director Tobe Hooper said, its a bad day for *everyone* on earth. The oppressive atmosphere of the movie is otherworldly, with the opening being footage of distorted solar flares. The radio plays during the main credits, relaying bad news after bad news after bad news around the world. The opening focuses on two bodies arranged on top of a grave in an unnatural manner, baking in the sun, like a sacrifice. Astrology is a focus in the dialogue, some characters being damned from the get go depending on their sign. The planets are against them already. Sally, the final girl, has been warned that the day will be horrible, and to quote the video, it will be as if it were a bad dream. The movie is framed by the sun, opening with the solar flares and then the ending, where leatherface dances in the setting sun. At the gas station, a man stares up at the sun for no apparent reason for quite some time. There is *so* much emphasis on the sun in this movie, all the way down to sunflowers.

The entire Sawyer family use symbols and ritualistic decor, and seem to hold grandpa to a reverential status. grandpa himself looks dead, but is somehow still alive (Tobe Hooper said he wanted grandpa to appear as if he was rotting, yet alive somehow), and screams for a blood offering from the family, which makes him stronger. The family praises grandpa for being the best killer “there was” and being the origin of their family’s practice of cannibalism. Drayton says “You don’t understand anything. There’s just some things you have to do, doesn’t mean you have to like doing it.” Which, according to the video, it seems like they almost worship something.

I’m not sure, I just think it’s interesting :]

[astrologerramlingam]

Best and Famous Astrologer in Texas: Illuminate Your Future with Expert Guidance

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[astrologerintexas]

Best Mediums in Texas: A Guide to the Lone Star State’s Top Spiritual Guides

best mediums in TEXAS

Texas, the second-largest state in the U.S., is known for its rich cultural history, diverse landscapes, and vibrant cities. However, beyond its famous BBQ and cowboy culture, Texas also hosts a thriving community of psychic mediums. These spiritual guides offer various services, from communicating with the deceased to providing life guidance and insights into the future. This article explores some of the best mediums in Texas, highlighting their unique gifts, services, and what makes them stand out in the spiritual community.

Understanding Psychic Mediums

Psychic mediums are individuals who claim to have the ability to communicate with spirits from the afterlife. This ability allows them to provide messages from deceased loved ones, offering comfort, closure, and sometimes guidance to the living. Mediumship can take many forms, including clairvoyance (seeing spirits), clairaudience (hearing spirits), and clairsentience (feeling spirits). Many mediums also offer other psychic services, such as tarot readings, astrology, and energy healing.

Top Mediums in Texas

1. Kim O’Neill – Houston, TX

Kim O’Neill is a renowned psychic medium based in Houston, Texas. With over 30 years of experience, she has been featured on numerous radio and TV shows and authored several books on spirituality and mediumship. Kim is known for her compassionate approach and accurate readings. She offers private sessions, group readings, and workshops to help individuals connect with their loved ones and navigate their spiritual journeys.

2. Shawn Robbins – Dallas, TX

Shawn Robbins is a highly sought-after psychic medium in Dallas. Known for her detailed and insightful readings, Shawn has a large following of clients who praise her for her ability to provide clarity and guidance. She specializes in connecting with deceased loved ones and offers both in-person and virtual readings. Shawn also conducts workshops and seminars on developing psychic abilities and understanding the spirit world.

3. Ray Sette – San Antonio, TX

Ray Sette is a gifted psychic medium based in San Antonio. With over two decades of experience, Ray is known for his accurate and heartfelt readings. He has appeared on various media platforms and is the author of several books on psychic development and spirituality. Ray offers private readings, group sessions, and educational workshops to help people connect with their spiritual selves and the spirit world.

4. Tina Powers – Austin, TX

Tina Powers is a former news anchor turned psychic medium based in Austin. She is known for her warm and empathetic approach to mediumship. Tina’s readings are deeply personal and often provide profound insights and healing. She offers private readings, group sessions, and spiritual workshops. Tina is also a popular speaker at spiritual and metaphysical events across the country.

5. Lisa Williams – Fort Worth, TX

Lisa Williams is a well-known psychic medium in Fort Worth. With a global following, Lisa is famous for her accurate and detailed readings. She offers private sessions, group readings, and online courses on mediumship and spiritual development. Lisa’s compassionate and down-to-earth approach has helped many people find comfort and clarity in their lives.

6. April Nicole – El Paso, TX

April Nicole is a respected psychic medium in El Paso. She has a reputation for her ability to deliver clear and precise messages from the spirit world. April offers private readings, group sessions, and workshops on mediumship and psychic development. Her clients often commend her for her accuracy and the profound sense of peace and understanding they gain from her readings.

7. David Scott – Corpus Christi, TX

David Scott is a gifted psychic medium based in Corpus Christi. Known for his empathetic and compassionate readings, David has helped many people connect with their deceased loved ones and find closure. He offers private sessions, group readings, and workshops on mediumship and spiritual growth. David is also a popular speaker at spiritual events and conferences.

8. Melinda Carver – Arlington, TX

Melinda Carver is a highly regarded psychic medium in Arlington. She is known for her intuitive and insightful readings that provide comfort and guidance to her clients. Melinda offers private readings, group sessions, and workshops on psychic development and spiritual healing. Her clients appreciate her accuracy and the deep sense of connection they feel during her readings.

9. Alexis Jordan – Plano, TX

Alexis Jordan is a well-known psychic medium in Plano. With a warm and compassionate approach, Alexis offers private readings, group sessions, and workshops on mediumship and spiritual development. She is praised for her ability to deliver clear and accurate messages from the spirit world, providing comfort and guidance to her clients.

10. Pauline Alexander – Lubbock, TX

Pauline Alexander is a respected psychic medium based in Lubbock. Known for her accurate and heartfelt readings, Pauline offers private sessions, group readings, and workshops on mediumship and psychic development. Her clients commend her for her ability to provide clarity and peace through her readings.

Choosing the Right Medium

When selecting a medium, it's essential to consider a few factors to ensure you have the best experience:

1. Credentials and Experience

Look for mediums with a solid reputation and extensive experience. Many established mediums have testimonials and reviews from past clients that can give you an idea of their credibility and accuracy.

2. Connection and Comfort

It’s crucial to feel a connection and comfort with your chosen medium. A good medium will make you feel at ease and provide a safe space for communication with the spirit world.

3. Services Offered

Different mediums offer various services, so it's essential to choose one that meets your needs. Whether you’re looking for a private reading, group session, or a workshop, ensure the medium offers the services you’re interested in.

4. Ethics and Professionalism

A reputable medium will adhere to a strict code of ethics and professionalism. They should respect your privacy and provide honest and compassionate guidance.

The Benefits of Mediumship

Mediumship can offer numerous benefits to those seeking spiritual guidance and connection with the spirit world:

1. Closure and Healing

Connecting with deceased loved ones can provide closure and help in the healing process. Mediumship can offer comfort and reassurance that our loved ones are at peace.

2. Spiritual Growth

Mediumship can aid in spiritual growth and development. It can help individuals understand the spiritual realm better and develop their psychic abilities.

3. Guidance and Insight

Mediums can provide valuable guidance and insights into various aspects of life, including relationships, career, and personal growth.

4. Comfort and Reassurance

Knowing that our loved ones are still with us in spirit can provide immense comfort and reassurance. Mediumship can help individuals feel connected and supported by their deceased loved ones.

Conclusion

Texas is home to some of the best psychic mediums in the country, offering a range of services to help individuals connect with the spirit world and find guidance and comfort. Whether you’re seeking closure, spiritual growth, or insights into your life, these talented mediums can provide the support and guidance you need. When choosing a medium, consider their credentials, experience, and the connection you feel with them to ensure a positive and fulfilling experience.