#totally assume connections if we've not plotted or anything!!

[lukexxbrowning]

Where: Evolution Who: CAPPED (5/5) Lucas leaned against the entrance, making sure that security knew he was planning on not drinking tonight. "Hey, if you need a ride tonight, I'm DDing." He said, glancing around before his blue eyes landed on the person next to him. "I'm serious. Make sure you're safe getting home. And if you need me, let me know." Sure, he knew almost everyone in town. Had grown with with a lot of them, or had seen them grow up. He felt like the honorary father or big brother of a lot of younger adults.

[queensectonia]

last night i was reminded of one of my extremely few Hater Moments (lighthearted) about this series and i never got around to fully articulating my thoughts on it, so it is once again time for our regularly-scheduled kirby rant:

the spider sectonia reveal was poorly-executed on every level.

to start with, this plot element was introduced when the series was in its worst throes of Not Putting The Fucking Lore In The Fucking Games, but I will happily concede that this reveal was at least in a game; just not the game it should have been in.

I almost wonder if the Sectonia Clone as a whole was a leftover from the fact that Robobot started out development as Triple Deluxe 2, but considering that a) TD2 was dropped pretty early on and b) Robobot is just full to the brim with fanservice and callbacks anyway, I don't feel there's much evidence for such a theory.

at any rate, reducing the otherwise very intriguing reveal of Sectonia's prior form to a blink-and-you'll-miss-it easter egg in an entirely different game is pretty... underwhelming. we've had plenty of "reveals" or cool nods and expansions to other lorebits in similar easter eggs, but none of them were nearly as important as "oh, by the way, here's what the character whose whole arc revolves around personal and physical image used to look like! in a totally unrelated game!"

but that's the tamest complaint. that's just the accessibility of this information, which could have been better but certainly could have been worse.

the biggest problem is Sectonia's design. it's bad. it is just not good, fellas. she is literally just genderbent Taranza. it fails visually, it fails conceptually, and it fails really hard story-wise.

this design was so uninspired that when people in the EN sphere first saw it, tons of people thought it just was Taranza. then when we got screenshots, model rips, etc., it was still so painfully similar to Taranza that it made people assume HAL was saying Taranza and Sectonia were related - which turned into just as much of a shitfight as you might think.

even if this weren't attached to such a crucial character reveal, it's just downright a bad design! instead of taking even the slightest efforts to differentiate Sectonia from Taranza, they did the laziest, most barebones "uhhhhhh what if taranza But Girl" design shift possible. she's wearing the exact same outfit as Taranza, just palette-swapped. so little effort went into both the concepting stage and the modelling stage. she's just Taranza's model with the merest tweaks to make sure you know this is a Girl Spider.

genuinely, I would be a hundred times more amenable to this entire plot point if HAL had just bothered to give her an actual design.

but the problem is, making Sectonia a spider kind of just fucks everything about her story and contradicts itself at multiple points.

the aesthetic and theme language in TD is very clear. this is one of the biggest strengths that both it and Robobot share - the identity and literary through-lines of both games pervade every single visual element of them. Robobot tells its tale of capitalistic tech-fuelled colonialism through every part of the game from level backgrounds, to enemy designs, right down to surgical decisions like mechanising the pinwheel tree that was such a fond image from KRtD. every tiny thing bore the mark of the HWC, whether metaphorically or literally, such that you spent the entire game never forgetting that there was one unified force behind all of this, and Haltmann at the end of the game was the culmination of this aesthetic.

TD did the exact same. every part of TD sells that it's a fantastical fairytale romp through a series of themed locations with a connecting thread of the invading Antr* force.

*(this is a way better romanisation than "antler" this is my hill)

if anything, I'd argue that TD's design language in this respect is tighter than Robobot's, because Robobot had a fairly broad theme of "industrialisation and hi-tech space future sci-fi" to draw its foes from, whereas TD had to condense its antagonists under the stricter banner of "evil insect army".

and they did incredibly. every point of design about the Antrs points straight to Sectonia and draws from her in some way or another. it's absolutely seamless. she's the perfect logical endpoint of Antr design from every angle: she's the literal queen bee of this insect hive and the perfect expression of their anatomy. she's bigger than the biggest Antr. she's more developed. she's more powerful. they were so careful and thorough about this design conceit that Antrs have multiple stages that all march straight up to Sectonia. we go from the tiny bronto burt and waddle dee clones with their little wings and eyes that seem so familiar, to the Antr soldiers, all the way up to the Lord Antrs who are one step away from Sectonia. they have stripes and facial markings to echo hers. it's all wrapped up with the genius bow of combining ants, bees, and wasps: they're all hymenoptera! the metaphor goes even deeper than that because there's a species of wasp that parasitizes spiders! controls them, even!

... except no actually, we've decided she's a spider too and all of that buildup and artful design means nothing.

it's awful. it's taking what is far and away one of the best-executed designs in the series and saying that all of that buildup and blatant connection of ideas meant nothing.

but that's just the visual end of it. Sectonia actually being a spider makes no sense in the lore, either.

first of all, TD's incredible design sense and artistic direction applies to Taranza as well. while he's obviously derivative of Magolor, within the context of TD he's clearly meant to evoke the sky fairies. he's designed to look much more like them than any of the insect characters. he's got the same body type, he moves the same way as them, he's a sky fairy with a spider theme. the game draws visual parallels between him and the sky fairies more than once; this is not unintentional.

this is part of what makes Taranza's role as Sectonia's right hand more impactful: he's only insect adjacent, and the design language would have you believe he's more closely related to the fairies than the insects, so him being with the bad guys is notable and interesting.

so why would a spider character be the ruling monarch of the insect hive? why would the line go ant, bigger ant, fancy ant, armoured ant, spider, wasp?

I mean, shit dude, the miiverse posts directly tell us that Sectonia used to "look like her insect underlings". it really feels like the decision to make her be a spider was a total spur-of-the-moment one, between how badly it interacts with the rest of the story and how lazy the design was. Sectonia's backstory had a couple of holes in it regarding the actual timeline of things, but those were just mysteries regarding what order everything happened in. she was both a bodyjacker and a good queen at one point, which don't exactly jive, so it becomes interesting to think about how those two facts coexist. on the other hand, her being a spider just gets shoehorned in there for no apparent reason other than to... heighten her connection to Taranza?

and that just dovetails into the complete mockery HAL made of Taranza's character development after TD, and THAT is a rant for another time.

there was just no point to it all. Sectonia being a spider adds nothing, removes a bunch of nuance and intrigue, and muddies both her story and the background world of TD.

[sun-undone]

i'm finishing up yet another rewatch because when am i not rewatching this godforsaken show and all throughout season 2, i kept honing in on all the times we see JJ with that fucking flask and how it is NEVER ADDRESSED. the most we get are the two moments in 2x01 and 2x03 when Kie's telling him to chill out before school and then when she takes the flask from his hand when she thinks he's asleep.

the fact that the closest we got to any acknowledgement of that being a deeper problem was always framed around jiara???? and now we know from the EW articles that JJ's mental health is gonna be a bigger deal (thank fucking god pates i love you and i never said anything bad about y'all) in season 3, which is the jiara season??????? it's all connected and i truly cannot believe i am praising writers for basic set up and payoff but !!!!!! i really thought the flask was their half-assed way of giving JJ some kind of individual arc when they totally dropped all his other plot lines (restitution and Luke/abuse trauma) but i could not be more happy to be proven wrong.

(i mean, they might be talking a big game now, it all comes down to the actual execution but i'm still so fucking excited that they've specifically mentioned taking a look at the pogues' mental states and it gives me a lot of hope okay)

everyone's already said this but i really think we're gonna see JJ struggling hardcore with being back home and not knowing what his place is as the dynamic of the pogues has changed so much. Cleo and Pope are paired off, since we now have confirmation that she'll be staying with him and his family. John B is gonna be reunited with his father, and he and Sarah have got each other as well. Kie has her parents to go back to, as strained as that relationship is. JJ is very clearly the odd one out.

poguelandia is the first time that JJ has ever been away from the obx. he has never existed outside the bubble of what it means to be a Maybank in the obx. so he's gotta feel so free, right?? he can provide for his family by fishing and they can get by just well enough to survive and live off the land and they have each other, and that's always been enough for JJ.

and if he and Kie gravitate closer on poguelandia like we all think they will, then all of that happiness and a taste of his surf trip dream will suddenly get ripped away from him when they have to go back home, and he's absolutely gonna spiral. he's gonna pull away and deflect and overcompensate with alcohol and use all the other immature coping mechanisms we've seen him use before, and i am so fucking ready for this angst holy shit cause there's just been so much set up for it. the pates love a fast burn so i think we were all kinda worried about the slow burn with jiara, but my expectations are officially sky high. i'm so glad that they're using the established character flaws and insecurities for JJ as part of the angst, and i'm assuming Kie's issues with her parents will be the external force adding onto that and making it even angstier.

it's not mind-blowing writing whatsoever, but after season 2 kinda let us down in terms of giving us insight into JJ's headspace, i'm just over the moon to see that it might've all been a set up for something bigger. they knew they wanted to save the deep dive into JJ's trauma for the jiara season because it's so integral to understanding how JJ receives and doesn't receive love. you can't put JJ in a romantic plot line without addressing all that trauma and self-hatred, and it's something fic writers have created masterpieces about and i can't stop saying it but i am just so fucking happy that the pates are putting it in canon. they really do care about these characters huh

if season 3 ends up being a disaster and the trauma plot line is disappointing as hell then no one saw this i didn't write it you didn't read it

[divinelght]

𝐃𝐈𝐕𝐈𝐍𝐄𝐋𝐆𝐇𝐓 ― independent, selective tav/companion character from baldur's gate 3. AURORA MOROZOV (aasimar & life domain cleric of lathander), loved by ghost, she/her, 21+, beta editor.                 aes / about / visage / playlist / memes  ― traveling with @fromxgrace @sidxreus @beyondplanes @selunyte @occultritch !

a study in : hope, forgiveness, a new sense of belonging, found family, never giving up & the gentleness that comes, not from the absence of violence, but despite the abundance of it.

𖤓 ― aurora is an original character (tav/companion) from bg3 with some elements of dnd lore! i'm still fairly new to dnd, so it's nothing too crazy, but if you see something that makes you go "HUH???", please know i only have one brain cell and i'm doing my best. 𖤓 ― this is a 21+ blog. if you are under the age of 21, i will hard block! anything nsfw will be tagged as "nsft //" and any applicable trigger warnings will be tagged accordingly. if you need something tagged for your safety, please don't hesitate to shoot me a DM. 𖤓 ― tumblr roleplay is way out of my comfort zone, so i'm still in the process of learning the proper etiquette and the whole aesthetic/editing aspect of it! please please be patient with me. ♡ my replies will range from unedited and iconless to something slightly more formatted, but i do not expect you to format your replies whatsoever. 𖤓 ― this is a mutuals only space. i will not be answering asks, rp prompts, or DMs from non-mutuals and i will only be giving my discord out on a request basis. if i follow you and you can't see us interacting in any way, it's totally okay to soft block me! 𖤓 ― for the most part, i'm very low-activity and low-maintenance. i understand that real life comes first and will never demand a response from you! i just ask that you offer me that same kindness. i'm open to just about anything, so please don't hesitate to send me ask memes or random starters/banter. in that same vein, i love meeting new people and making new friends, but i'm also very shy/very bad at talking OOC, so please don't take it to heart if i'm slow, especially on discord. 𖤓 ― i am a sl*t for ships and i will not lie about that. however, i will not forceship on you, so if it's not the vibe, that's okay! additionally, this is a multi-ship blog; exclusivity is not really my jam, but i am open to mains! if you wanna write (platonically, romantically, hatefully), we can fully plot something or wing it, whatever works best for you and your muse. 𖤓 ― to go along with the previous sentiment, i also do not operate under the guise that my choice of romance in game translates over to roleplay! i have every intention of treating each connection/thread like it's special & new and i will not, under any circumstance, assume our characters will interact a certain way based on my own personal headcanons and choices for aurora that i've made while playing bg3. 𖤓 ― general roleplay etiquette rules apply here. however, godmodding aurora is fine if it moves the plot along (fading to black, if you need her to move for whatever reason, that kind of thing dlfgmldf). 𖤓 ― i have finished the game, so spoilers are allowed and might be present, dependent upon our writing (as long as we've discussed it first!!! i don't want to spoil anything for y'all). if i post anything from later acts, i will tag it as such!! 𖤓 ― racism, homophobia, transphobia, xenophobia, incest, pedophilia, animal abuse, aging up child characters for the purposes of smut, dub-con and non-con, etc., are all unwelcome here. DNI if you fuck with any of these things.

credits: icon border / psd

[phantomoftheorpheum]

are they clues, or are they plot holes?

and other thoughts

I skimmed through the first 6 episodes of school spirits, and here are some things I noticed.-

Xavier claims that the police cleared him because Mr. South gave him an alibi for the time of Maddie's disappearance (we know this is a pretty small window, because we know that Maddie died in the afternoon, based off of how much time she's missing in her memory, but the police don't know she's dead, so this is a little confusing on how they cleared him for anything based off of Mr. South seeing him). Obviously this is now a problem because they have brought in Mr. South as a person of interest. Either Xavier lied to Nicole about his alibi, Mr. South lied about seeing Xavier, no one lied but the police had the window of the crime wrong, or both Mr. South and Xavier were where they said they were.

Very early on, we hear that Maddie's phone is still in the school. We have no idea how that's been determined. Either her phone had not yet been destroyed, it's never been destroyed, or this was someone using Maddie's accounts (we know someone has been).

Xavier lies to Claire about how he heard about Maddie's backpack. I'm really not sure if this was on purpose (like I think the writers possibly just forgot), but he tells her that "being the son of the Sheriff has perks," but we see him supposedly first learn this information from Maddie's mom, not from his father.

Ms. Fields tells Mrs. Nears that Mr. Anderson handed over the money he stole to the police. How/why did he move it after Simon & Maddie discovered it in his classroom? The police claimed it was not there when they searched, so either he moved it before they searched for it and then later turned it over, or they lied about it not being there. Or is Ms. Fields lying?

Mr. Anderson tells Claire that he has an alibi for "that night" when Maddie disappeared and that he was with his father. This is weird, since we know Maddie was killed during the day, and likely while everyone was still on campus & Mr. Anderson should also have been there. Xavier's alibi is that he was seen by Mr. South, so how can Mr. Anderson's alibi for the same stretch of time be that he was with his father? The Sheriff later tells Mrs. Nears that Mr. Anderson's alibi is solid. Mr. Anderson's alibi and Xavier's alibi cannot both hold up. This one is just really weird to me and doesn't line up with anything and I'm genuinely not sure if it's a clue or a mistake.

We know that Xavier skipped gym (maybe 6th period? this was before study hall, when he stole the phone) and Simon mentions that he also skipped Bio (which Simon calls 8th period) which is presumably when Maddie was killed/her body moved. I think he later explains this away as having to do with stealing/trying to get into the phone, but we don't actually know where he was during this time. (For the record, I do think this one is totally on purpose and not a plot hole).

It really bugs me that Claire's stepfather is tied to everything- his money was stolen, his money is donated to the Sheriff's campaign, his property is where evidence surrounding Maddie was left/planted... It feels weird. But it feels even weirder how connected he is to everything, but we've never met him. I dunno how I feel about this, tbh.

I really wish we knew why Claire and Mr. Anderson were convinced Maddie was the one who was blackmailing them. Did the blackmailer actively claim to be Maddie, or were there things said/done or evidence that pointed that direction & they just assumed? When did they supposedly pay her? If it was after Claire stole Maddie's phone, then how did this person who they think is Maddie contact them?? I assume that they paid "Maddie" at least initially before she "disappeared" because if not, then why would the cops think Maddie had a lot of money on her at the time of her disappearance? This belief points to the timeline Mr. Anderson has provided indicating that "Maddie" was paid off before she vanished. But if that's true, why did Claire say that Maddie's disappearance freaked her out & she told Anderson to just pay Maddie whatever she wanted? If Xavier is innocent, he needs to ask Claire more questions because jfc. This timeline is going to drive me up a wall.

I am pretty much convinced that Nicole is the actual blackmailer, but probably not the killer- We know that Nicole needs money if she wants to attend the arts schools she's applying to, so we have motive for her to blackmail. Nicole is very wary of the grief counselor who has been brought to the school & seems to feel she is being watched. Nicole tries to dissuade Simon from suspecting Mr. Anderson of anything and seems freaked out when Simon says he knows Mr. Anderson gave Maddie his number. She asks how he knows that and then specifically says maybe he gives lots of students his number. "Maddie" likes Nicole's photo on social media. Nicole's reaction to this seems genuine & she says "where are you?" quietly to herself while looking for Maddie and before Xavier is there with her. Technically "you" could be whoever is using Maddie's accounts, but Nicole's hopes do feel genuine to me here. Nicole tells Xavier not to show the blackmail video to his dad. She claims this is to protect Xavier and because they "don't have time" for the cops to suspect him again, but this could easily be because she's trying to cover her own tracks. Nicole acts shady when putting stuff into her trunk. She also says she "likes to think we can be forgiven for anything if our heart's in the right place." Nicole tells Simon there's no useful metadata on the video they were sent, which he accepts without questioning her. She also says "it doesn't matter who took the video, what matters is that Claire thinks Maddie took the video." Nicole remains seemingly very hopeful the Maddie is alive, but after the Sheriff tells her and Mrs. Nears that they have found a potential murder weapon and that they believe the motive for Maddie's possible murder was that it was believed she had a lot of cash on her, she immediately goes and digs in a remote location in the woods. To me, this all points towards the idea that Nicole is the person who was blackmailing Mr. Anderson and Claire and she either intentionally posed as Maddie, or maybe accidentally indicated it was Maddie, and she is terrified she may have gotten Maddie killed.

The Sheriff is definitely raising some eyebrows. It bothers me that he's running for re-election. But we don't have much else to talk about with him.

Xavier has gotten slightly more suspicious to me again. He's spending a lot of time with Maddie's mom & I'm not sure if that's from guilt or because he wanted access to Maddie's stuff/he knows she'll give him info. I'm suspicious of the text he got in study hall & of the fact that he lied to Claire at homecoming (still not sure if that was meant to be a lie or not). I felt pretty confident that he was too suspicious early on, and it's still not my favorite twist (if you can't do full Billy Loomis, don't try to do kinda do Billy Loomis) if he's the killer, but he's more suspicious to me right now than he was a couple episodes ago.

Finally, some random, probably not helpful bits of info:

Assuming we're in 2022 or 2021 (which I think we're either in 2021 or 2022, because Maddie's essay is dated as November of 2021, and though it doesn't feel like fall, homecoming/football season in the US is in the fall. that being said, tv shows are not known for consistent timelines surrounding sports.) the homecoming game said it was the 67th annual homecoming, which could mean the school was founded in 1954 or 1955. This means nothing to me, except that it probably means Mr. Martin died sometime after 1954. EDIT: it has been pointed out to me that the school signs say 1956 on them, meaning the events of the show are presumably 2023. TBH, I have questions about that & like... what season we're supposed to be in, but anyway, thanks for letting me know!

Mr. Martin mentions his family owned a Dodge Coronet when he was a kid. These cars were manufactured between 1949-1959 and 1965-1976. So this also points to Mr. Martin's death likely being in the 60s or 70s, at the earliest, as he is an adult. I think the oldest date he could plausibly have died would be 1959 or so, and that's pushing it.

The ghost band kids' yearbook photo was dated 2004.

Mr. South tells Simon that the fallout shelter has been in the school "since the cold war" which is a really unhelpful timeframe, as the cold war is defined as 1945-1991, but if we assume the school wasn't founded until the 1950s, then I suspect he's either referring to the period of time (several years) following the Cuban Missile Crisis (late 1962) or possibly to the increase in tensions in the early 80s. But, if I had to guess, I'd say he's referring to the Cuban Missile Crisis because we see Rhonda in the fallout shelter and we know she died in the 60s, so it's likely she may have more knowledge of that area of the school & possibly who died down there.

Maddie has a Friday the 13th: The Final Chapter poster in her room. I assume this is just for fun because Paramount owns that property & I don't think there are any real parallels between this story and that installment of the franchise.

[nellie-elizabeth]

Barry: tricky legacies (4x05)

This show makes me wish I was smarter and better at articulation so I could explain what I think is genius about it.

Cons:

I almost wish the episode hadn't included the intrusion from the past at the end, and had instead ended with Barry and Sally and their son just... living their strange lives together. The bit at the end with Cousineau returning from hiding and ready to tell Barry's story, and Barry saying he'd have to kill him, felt like more of a plot gimmick than anything, and I think it would have been cool from a pacing perspective if like... that happened at the start of the next episode, leaving this one in this strange unfamiliar space with nothing to latch onto from the past. It's a small thing, I just thought the very ending of the episode was the weakest part.

Pros:

Something about the way this whole episode was shot and paced and scripted just made everything feel so alienating. There weren't very many close-ups on faces, a lot of wide shots to show the loneliness but also the oppressiveness of their lives. Also a lot of playing around with what we can and cannot hear; murmured conversations that John can hear his parents having through the wall, that kind of thing. I loved the sense of creeping dread the whole thing provided. It was unsettling in all the best ways!

The psychology of Barry as a character is fascinating to me because what you might assume someone would do in this situation was cut the past out of his life entirely. And yet instead of doing that, he's telling John about his time as a marine, in order to impress his kid. He's pretending to be a gentle sort of guy who never gets angry, and he's painting stories of heroism instead of violence to demonstrate the nobility of his past.

And Sally, now going by Emily, is totally detached from the world around her, not even attempting to cross the divide and connect with her husband and son. Her dead-eyed behavior with the creep in the diner, all the way through choking him and then without seeming remorse getting an innocent person fired by accusing him of stealing from the till, the way she talks to Barry on the phone while drinking straight out of a liquor bottle leaning up against the side of the car... her existence is so bleak, and we get so little insight into how she's feeling about things, other than just... bad. There's the parallel that as Barry is recounting glory days to their son, Sally is also caught in the past, watching clips of her former assistant interviewing about her big TV show that's just coming to an end, a show that was meant to be Sally's.

The themes of "clean living" and the religious overtones are interesting, because you get the sense that Barry decided one day what kind of family they were going to be, and then decided to method act his way into making that the reality. The stilted conversations about Lincoln's origins and eventual legacy were a great way to drive this home. I love how Barry quickly pivots from praising Lincoln to learning the less ideal parts of his history, and then goes down a rabbit hole of finding out all the bad stuff that historically "good" people have done. Gandhi, St. Augustine, etc. Like, that's relatable as fuck, Barry. Nothing's sacred anymore.

We end with Cousineau reappearing, wanting to help make a movie about his experience with Barry. Sally calls to Barry, using his real name for the first time all episode, and as John, off screen, asks "who's Barry"? Barry rushes out to see the news article on the computer screen. I did like that this was the moment we saw Sally coming the most alive all episode, when the past finally seemed to be catching up to her. And Barry's commitment to living a better, cleaner life goes out the window when it looks like the past might be catching up with him.

All in all, excellent stuff. The flash-forward at the end of the last episode was an excellent teaser to what turned out to be a genuine eight-year time jump, and now we've just got to wonder what some of our other characters have been through in that intervening time. Hank? Fuches? It's going to be interesting to find out.

9/10

[boop-le-snoot]

PARTY FAVOURS I CHAPTER 35

💖first time reader click here💖

Reader and Eddie going on their mission. They're all morons, okay? Some canon-typical violence, bad guys being bad guys. You guys can see that I treat the fighting plot points as total crack, right?

Eddie Brock was pissed, at the Avengers mostly - for not telling him of my accident - but also at me, for the fact that I didn't call him sooner. Venom had taken over at some point, eager to participate in my plan - and it I was being honest, my uncle's space boo was the one I had relied on to participate in the mayhem that was to be caused to finally let my family breathe in peace.

The Avengers wore various expressions of guilt when an angry Eddie stormed the tower, berating them for not getting into contact with him when I was in danger. Venom growled at them, too, just the right amount of teeth and drool for Tony to quickly usher me out to 'take a walk, have some fun, build a snowman' with uncle Eddie and Venom. It was almost too easy, too predictable. The guilt that reared it's ugly head was stomped down by me and two glasses of whiskey in Eddie's rented Airbnb as I went into the fine details of my plan.

Both I and Eddie were equally surprised when Venom dropped their sarcastic, angsty teenager attitude and approached the topic with maturity, giving valuable input. The goth space goo was much, much smarter than their first impressions showed. I belatedly remembered their remark about being an apex predator species... Scary.

The plan was pretty simple.

Eddie was a professional investigative reporter and an unregistered mutant, his files being hidden so deeply due to the alien nature of the symbiote that it was unlikely that underground gangs would have any idea as to who he truly was. His involvement with SHIELD was buried under so much red tape, even Coulson himself had very little idea about Eddie's body-mate.

My uncle would sniff around the mutant underworld, just enough to catch a whiff of the mercenary's whereabouts. It should be enough if he was as famous as Natasha claimed him to be. And if it wasn't enough... I'd be bait. I doubt that the merc knew the box has been retrieved and secured; every now and then, I still caught chatter about the SHIELD agents trailing me catching a person sent to monitor me. They weren't even trying to hide that hard.

I had my suspicions SHIELD was indirectly using me as bait, too, and both Eddie and Venom were inclined to agree with the notion. Over beers and ridiculous amount of chocolate cake, a third side of the operation Baby Thief had been formed. SHIELD played their own game, the Avengers and SI threw a ridiculous amount of resources on their own and then there was me and Eddie, two halves of a whole idiot.

For once, the plan didn't go south immediately off the bat. Eddie and Venom got the information - there was a lot of uproar in the mutant community, rumours about an artifact that would let them assume their rightful place in the world, pushing the pesky humans off their pedestal. I definitely supported mutant rights - but the common notion that violence was necessary to achieve the recognition of said rights didn't sit well with me at all. Eddie agreed with me, his own curiousity pushing him to dig deeper into the situation.

My uncle could be a brilliant investigative reporter with the proper motivation and his significant other at the side. I could never tire of Venom's stories: each and every time they saved Eddie from making a clown out of himself was remembered, documented and brought up at the quickest available opportunity. I haven't laughed so hard in months.

The positives of our plan? We got a hot trail and enough information to know about the mercenary's whereabouts. We possessed the manpower needed to off him in record time, Venom eagerly offering his digestive system for our convenience.

The negatives? We'd need to bring me. Apparently there was a hefty bounty on my pretty little head and the merc himself had given up trying to chase me, hiring a bunch of muscle to do the legwork for him instead. The mercenary, a man who went by the nickname Cadre, was an ex-shield agent, who knew enough to successfully avoid the organisation following hot on his heels.

And neither SHIELD, nor Tony nor Eddie knew who had ordered the retrieval of the artifact. The mysterious person had deep pockets: all of the men were supplied with high grade weaponry and the mutants participating in the missions had equipment specifically tailored to their powers.

Perhaps, I wasn't as clever as I wanted myself to be. There was something big and ugly brewing and the bounty on my head was just the tip of the iceberg. But what was done, was done, and Venom was looking forward to a hefty meal and we set the date of Eddie "kidnapping" me in a few days time.

I hoped I'd make it home for Christmas.

The biggest surprise was that nobody suspected anything. Not even Natasha's watchful eye and inherent knowledge of shit about to be stirred - somehow, Nat always just knew those things - had revealed itself and that's how I knew it was absolutely necessary for me to be successful. There was no room for failure. In the day before my planned trip to Cadre's lair, I forced the team into a movie night and took extra time with everybody, seeing as even the most cheerful people - Thor and Wanda - walked around with sullen faces for most of the time. Perhaps, deep down, I knew that chances of my plan going awry were pretty damn high.

It felt like I was leaving for war. And perhaps, I was. The nervous, anxious energy increased as the hour X drew closer and I couldn't hide it anymore. My insomnia wore Tony's face: I could see his disappointment as clear as day, but I figured he'd forgive me for the betrayal eventually. Every single thing I hid from my newfound family made me feel a traitor. Unfortunately, there was simply no other option.

That afternoon, Eddie picked me up from the tower and drove me to one of the hideouts that belonged to Cabre. He'd tied my hands together and blindfolded me, all for show of course, whilst Venom briefly connected with my body to induce a drowsy state of mind. I didn't actually mind to be drugged and was way more wary of the symbiote's effects on my body but the space pudding extended his tentacles so quickly, I barely had the time to even swear at them.

To my (and their) surprise, it wasn't as bad as we thought it would be. In my hazy state, I briefly head Venom growl that I could be a decent short-term host if something would to happen with Eddie; I did not know how that information made me feel but did not disregard it completely. I was out of my depth on this one yet marched on towards the danger with grim determination.

"Here's the girl," Eddie's voice penetrated through the curtain of chemicals that Venom had dosed me with; I was tossed none too gently on what felt like a mattress, the landing haphazard but not painful. Venom must've dulled my pain receptors, too. "Where's our money?"

I was unceremoniously groped, my face examined by a man with ice-cold hands. Whatever he found, he deemed it satisfactory. "I'm impressed," He whistled. "We've been trying to get her for months. Care to share how you achieved this?" The strange man sounded suspicious.

"WE HAVE OUR OWN TRICKS," Venom's deep voice filled out the room like thick smoke and I just knew that the man who had been groping me was twitching in discomfort. "SO?"

"Alright, alright," The man mumbled, voice unsteady. My drowsiness slowly began to recede and I finally could focus my eyes somewhat; Eddie was partially obscured by the writhing, onyx mass of his symbiote and the man was dialing up the phone, speaking in a rapid-fire dialect I did not know. "Cabre will be here in an hour. Care for a beer?" Just like that, the man was obviously attempting to placate Eddie.

"HOT CHOCOLATE," Venom announced flatly and I had to struggle to hold back my laughter at the image of a seven feet tall tentacle monster sipping hot cocoa from a tiny porcelain cup. My nerves had me feeling ten types of way, as usual, and props to Ven making me unable to speak. I would have already killed myself by running my mouth ten times over.

The hour passed by with me floating in my mindsphere, Eddie loudly playing Candy Crush on his phone and Venom consuming ridiculous amounts of hot chocolate. It was absurd and the eerie calm was beginning to make me suspicious; I had expected... More. Threatening thugs with guns, experiments, blood tests and physical violence. Instead, the man who met with Eddie was sitting with a vacant, bored expression as he practiced card tricks in the corner furthest away from Venom.

Finally, a knock on the door forced all of us to pay attention to the newcomer. It was a tall, massively built man in his early forties. His face was covered in scars, narrow red lines that looked like small cuts; one of his eyes was completely black while the other was blue. He looked like the man at the coffee shop but at the same time, nothing like him at all.

"Good afternoon, gentlemen," His voice was low and quiet. If not for the heavyweight weapon hanging over his shoulder, I would have considered him to be one of those men who only look threatening but actually are gentle giants. With steps too quiet for a man his size, he approached me, crouching down to look me in the face. "Hello, child. I've been looking for you for a long time. It's a shame we had to meet this way," He removed the strands of hair sticking to my face. For all purposes, his touch could have been considered fatherly. "Richard, bring the money." With a wave of his hand, he dismissed the man who was babysitting me and Eddie and he promptly disappeared behind the steel door.

"Hello," Eddie briefly shook his hands with Cabre after the merc left me alone. I noted Venom had disappeared into the reporter's body completely. "We are Venom," Eddie introduced himself (they introduced themselves?).

"Cabre," The Merc watched my honorary uncle with a sharp eye, taking note of Eddie's lack of weapons, his worn clothes and the shaggy hair, the bags under his eyes. "Tell me, Venom, what do you know of this child?"

"Not much," Eddie shrugged, convincingly. "Just that the Avengers picked her up for some reason and locked her up in Stark's tower. We're guessing she didn't like it much 'cuz she kept sneaking out and trying to shake off the tail. Had to go through quite a few SHIELD agents to get to her," Just like we agreed, Eddie spoke with slight disdain towards Tony and SHIELD, making sure to let Cabre believe he was on the mutants' side. "We just need the money, man. Not many people will hire us," To top it up, Eddie spread his arms, showing his skin ripple and move on it's own prominently under his ratty t-shirt. Atta boy!

Cabre appeared to have bought the lie, chuffing sympathetically, before pulling out a tablet and typing on it. "Well, not for long. My superiors have found an artifact that, if unlocked properly, will render most of the technology suppressing mutant powers useless. They won't be able to get rid of us that easily anymore."

Eddie nodded eagerly, for all purposes appearing to be ecstatic about the news. "Yeah, heard some rumors here and there. Well, you and your superiors know where to find me. I could always go with some extra cash," He scratched his head, carefully watching Cabre's fingers dance on the keyboard. "What's the kid got to do with it anyway? Seems like an ordinary spoiled brat to me," Eddie threw me a look, blinking twice. The fatigue and wariness, courtesy of Venom, had begun to recede quite some time ago; with Eddie's signal, I knew the shitshow was about to start very soon.

Eddie was smart, however, finding out the bits of information SHIELD hadn't bothered to disclose to me. The residue that the cursed box had left in me was removed, so I could not understand why SHIELD was still guarding me. There had to have been another reason, a reason that neither of us knew for sure.

Cabre paused his typing. "We've been watching her for years. She's a genius. We were hoping she could help us solve a few problems..." The merc paused to rub the bridge of his nose. "We tried to get her to come willingly but her parents forbade her from it. My superiors suggested to use the artifact but something malfunctioned." For all purposes, Cabre was looking apologetic. "I am not overly fond of kidnapping children but some things just need to be done." With that, the man turned around, landing his eyes on me. "Glad to see you're up and about." Something about his smile was unnatural, forced, malicious.

"Charmed to meet you," I sat up, dazed and confused about the turn of events. The things he was saying, they didn't add up. I hadn't received any requests for my participation in ANY kind of project, illlegal or not. No scholarships, no internship offers. Something was very, very wrong.

As soon as Cabre's back was turned, Venom enveloped Eddie, turning themselves into the seven feet tall outer space monstrosity I had seen on the first day. Their combined form was terrifying - but Cabre's fingers merely twitched at the rapid change of the situation as he took slow steps towards me. "Hmm," His voice still quiet, he once again crouched in front of me. "You fought us off once but we are many. There is nowhere to run, child," Cabre's eyes began to darken, his speech turning flat.

I recognized the speech pattern, recalled the expressionless, vacant face that stared at me. Cabre was infected with the Legion from the cursed box; I hadn't prepared for that, hadn't even regarded that, thinking the little epic speech the demon had given me was a mere intimidation tactic. Fear bloomed within me, opening it's jaws like a hungry Venus flytrap but I refused to succumb to it, clenching my fists against the waves of paralyzing terror.

Venom made a confused growling noise behind me, extending a tentacle to push Cabre away; with a sickeningly wet splat, their whole form collided with the opposite wall, sliding down it like a puddle of misshapen goop. "MORSEL, GET OUT." The symbiote growled, reforming itself back.

"Silence, beast!" Cabre shrieked, unstrapping his weapon and aiming it at Venom. No bullets came out as he pressed the trigger but my ear started ringing, eyes watering as the whole form of the symbiote began to morph and ripple. Pained groans and whines came from them. A sonic gun?

"Screw you, man," I attempted to draw Cabre's attention to myself by kicking out a leg towards the gun, disrupting his arm briefly. Things were going to shit faster than a party full of teenagers and alcohol. "Fuck you, listen, FUCK YOU!" I knew antagonizing people was my best skill and that's what I did, figuring the time needed for Venom to reassemble themself could be acquired if Cabre was pissed off enough at me.

The backhand hurt, not going to lie. I saw stars from that one sloppy hit the possessed merc delivered to my face. The adrenaline rush allowed me to stay somewhat coherent and just like that time when I was trapped in my nightmares, I dove for Cabre, winding myself around him as both of us landed on the floor in a heap of limbs.

Despite my best hopes, Venom remained a puddle of black on the floor. I saw something shiny attach itself to Eddie's chest; apparently that something prevented them from combining into one again. My smaller size proved to be a great advantage; I remembered Venom's words about being a suitable short-term host and with a shriek, I placed my palm into the nearest piece of symbiote I could reach, my vision being obscured by blackness a second later.

THE TAG LIST IS NOW OPEN! @another-stark-sub ​ @mostly-marvel-musings  @vozit ​ @littlegasps @pilloclock ​ @shereadsinquiet @downeyreads ​ @hermione-grangers-wife ​ @individualistfem ​ @sleep-i-ness @capbrie @lillsxd @agustdowney @dee-vn @justanotherblonde23 @fanngirl19 @persephonehemingway @softie-socks @schemefrenzy @letsby @romeo-the-cactus @jelly-fishy-babie @mikariell95 @gladiosamicitias @warrior1-19 @toomanyrobins @i-cant-hangout-im-drumming

[aros001]

Going in blind: Watching season 5 for the first time. Random thoughts.

Episode 1: Well...that dinner got dark. From what other fans have told me apparently Glimmer gets a lot of hate for her decisions during the series and I just find that odd. I was more annoyed with her in the early seasons where her actions were more harmless simply because she had no patience and wouldn't listen because of her immaturity. Season 4 and here though? Even her most reckless and risky actions have at least been fueled by the genuine desire to keep people safe during a very hard situation. Even here, yeah, she tells Prime something it's very bad for him to know but he was going to have Adora and everyone else literally murdered before her eyes if she didn't. I can't really be mad at Glimmer for making a bad choice when it flows logically and fueled by the desire to keep the people she cares about from being slaughtered.

I don't think we've ever seen Catra this completely at the mercy of another person before, save maybe for Shadow Weaver when she was a child. She has nothing to offer that Prime doesn't already possess. Nothing he wants that he can't get for himself. Her relationship with everyone these past few seasons have been either "I'm your commander and you have to do what I say" or "You are my commander and here's the reason you have to keep me around". This time she has nothing to protect herself behind and the only reason she's still around is because Prime might think of a use for her later.

I love having Scorpia on the heroes' side.

Episode 2: That ending though.

I think what helps elevate Entrapta for me and keeps her for being annoying or irritating is that the show really sells that she just genuinely has trouble understanding why she should/shouldn't be doing certain things. It's not stupidity or even pure self-absorption, she just struggles with people and social ques while machines and science is a lot more straightforward. Heck, she was probably able to bond so well with Hordak because work together in the lab was them meeting on a common middle ground she could understand and relax in. The way she's trying to overcome the issue to help save Glimmer reminds me a little of Mob from Mob Psycho 100, feeling a little frustrated in not understanding something that she knows she should be.

Episode 3: Anybody else get a Disney's Hercules vibes at the end there?

Catra: "Besides, O Oneness, you can't beat her! She has no weaknesses! She's gonna kick your...!"

Prime, smiling: "I think she does, little sister." [Strokes Catra's hair] "I truly think...she does."

This episode really sold how completely isolated Catra is. With the sole exception of Glimmer, she's in space, no idea where exactly she is, onboard a ship filled with nothing but Prime and hundreds of cultist clones. Throughout the entire series we've seen Catra push everyone away and now that she's in a situation where she is almost well and truly on her own with no power, freedom, or authority, she seeks out the one other person around to find any sense of comfort in. Despite everything, Catra doesn't like being alone.

Little child Catra lashing out because she didn't want Adora to have any friends other than her kind of reminds me of Glimmer and Bow during the Princess Prom episode. I imagine it's the same mentality. Growing up in isolation, even if in different forms, and finding only that one person they feel thay can really lean on, there is that fear that they'll find someone else they like more and start caring about them less, or even outright stop. The difference is Bow set Glimmer straight, assuring her he'll always be her friend no matter what but he's not going to be just solely dedicated to her. Her fear was understandable but she was not respecting him as a friend either. Adora never really had that with Catra, one because she was much younger and less mature than Bow, and Catra was probably all she had too, to an extent. As we saw season 1, she was always trying to look after her, even when Catra needed to take responsibility for herself. Bow is not Glimmer's keeper, while Adora too often was that for Catra, so Bow and Glimmer have a better foundation of mutual respect while Adora and Catra's dynamic has been really screwed up for a long time.

Kind of tying into that, despite all that's happened between them, the minute Adora hears Catra's in distress she starts panicking and tearing up. The last time they saw each other they were very much enemies and Adora was done reaching her hand out to her. I suppose you could make the argument she's really been hoping all this time that Catra would finally do the right thing for once, just probably didn't expect it to be like this.

Prime better not mind wipe Catra like he did Hordak.

Episode 4: See, calling the heroes the rebellion now makes sense since they are rebelling against the established power, which is Prime.

Love that trick with the reflections, where you can sort of see/sort of can't see She-Ra. A nice little tease for what I imagine will be a big reveal later.

I really like that explanation for what Bow's going through. Last season's finale was the last he'd seen Glimmer and was desperately trying to save her, and he's been consistently worried for her since then. Now that she's safe he's starting to let himself process his other emotions towards her, and I totally get it. It's hard to be mad at someone when you're also terrified over what might be happening to them, even if your anger is justified. While I get why Glimmer last season did what she thought she had to, it was still a big risk that Bow warned her about and she didn't listen, putting them all in danger. This situation and Glimmer's words is a very mature way of handle this topic. He's not wrong for being mad and it's not a contradiction to what we've been seeing from him this season. Humans and emotions are complicated.

Episode 5: SHE HAS PAAAAAAAAANTS!!! (I will miss the cape though)

That almost makes up for them cutting Catra hair. Seriously, that mane was beautiful!

But boy, speaking of Hercules, that return of She-Ra definitely felt like Hercules emerging from the pool of souls to save Meg.

With the one clone being disconnected from the hive mind and having a breakdown over it, that does make me wonder if Hordak has been connected to it. Wasn't he deemed a defect because Prime couldn't connect to his mind? I suppose it's possible that flaw was corrected. Clearly Prime can take over minds other than just his clones, like with Catra. But if he could do that I'm wondering why he just didn't when Hordak was first created and he instead cast him out to Etheria.

Was Catra purring at the end? I swear there was a sound that sounded like purring.

Episode 6: Assimilation is easily one of my biggest fears in fiction, be it zombies, Borgs and Cybermen, Get Out, the freaking Sapphire Dragon from Xiaolin Showdown that scared the hell out of me as a kid! Just the concept of having your free will and autonomy completely ripped away from you, potentially with you still being aware but unable to do anything about it, is horrifying! At least with Prime's chips the process is reversible.

Anyway, in lighter plots, I kind of love Wrong Hordak. He's really funny. I feel bad that he's being deliberately misled, but he really shouldn't be following Prime anyway, so...

I do like that Adora is being a little more tough on Catra. She needs kindness, yes, but she also needs honesty and discipline, the kind that has actual love and care behind it, unlike what she got from Shadow Weaver. Adora is genuinely trying to help so Catra needs to stop acting like a brat and LET HER HELP.

Episode 7: Catra was definitely purring.

I'm going to go out on a limb here and assume people probably ship Scorpia and Perfuma. Not that I have any problem with that. It's like the Midoriya/Todoroki ship; I don't ship it myself but I totally get why others do. It's a relationship based in mutual respect and one of the characters having a significantly positive effect on the life of the other. As long as the shipper themselves is not horrifically toxic, I don't care.

Also, I don't think I've ever been so intimidated by Mermista before than I was with that one shot of her in silhouette, just before the reveal she was chipped.

Episode 8: Okay, I definitely love Wrong Hordak. Just that realization of his. "Horde Prime...lied to us..." There's just something about it that's so full of character. Obviously he's a brainwashed clone but he was truly devoted to Prime and just to find out that he would keep something so big from them, from the hive mind that's supposed to be so open to him and each other, it destroys everything he ever believed in. It's hilarious to watch him prepare to lead his brothers in a revolt against Prime.

I assume magic is Prime's "weakness" in that he himself cannot control it. Obviously he can control magical beings like Spinnerella and have them use magic but magic itself is too free and too powerful for him to contain and fully fight back against. He's all about order and stillness and magic is basically chaos.

Episode 9: I like to believe the mushroom kingdom they saved is a Mario reference.

Something I like in hero stories is "the power of a name" or "the power of a symbol". Something as simple as Superman's S-shield can have so much weight and meaning behind it just because of the person it's tied to. She-Ra isn't just a powerful warrior to the people of Etheria, she's a hero of legend. We saw it touched on even back in season 1 how much Adora returning She-Ra to the world meant to everyone. She-Ra to them is a symbol of hope. If they have her on their side, then they believe they might be able to win and with that ordinary people can find the strength to fight too. It's something I think the Green Lantern put best with how the Blue Rings of hope supercharge the Green Rings of will but lose a lot of their functions when the greens are not around. Hope is useless if you don't have the will to also act, but in turn hope can give people the will to act. The more hope they have that they can win, the more they will fight to win.

That was the nerdiest comparison I've ever made.

Episode 10: I appreciate a good bad dad joke and that's why I can't approve of "punderstand". It's too much of stretch to flow well. "Ruined" was good though.

I'm less surprised that Scorpia's been chipped and more that she's even alive. She was at the bottom of the ocean when the roof broke and she's a scorpion woman. I don't think water is a very friendly element for her. She's even commented on how good the desert was to her.

I wonder her She-Ra mode is not working for her simply because Adora is exhausted; mentally and physically. I don't think she's ever used the form this continuously before, and she's been doing it without the First Ones' sword that she has experience with. Her new sword and its transformations may be made out of her own energy for all we know. And then there's just the emotional toil of having Catra back in her life while it feels like more and more of the world is being turned against her.

Episode 11: Oh, I'm definitely shipping Hordak and Entrapta.

I think Re:Zero has spoiled me on dark magic. While Micah with his dark magic is a threat, in this show and many others dark magic basically just equates to "spooky, evil, bad stuff" magic that isn't that different from most other kinds of magic other than being either harder to control or more geared towards causing harm. In Re:Zero, dark magic was DARK. It felt unnatural, like a perversion of how their world's magic is supposed to be and that it didn't belong in this reality. Micah's dark magic is basically "I'm attacking you with shadows, oOoOoOo so scary!"

Not really surprised Catra left. She just got Adora back and now she's potentially about to let herself die. Perfuma said it best, letting people in and letting herself be vulnerable is hard. Caring about Adora and watching her die would be a huge blow, so Catra would rather curl back up into her shell and block out Adora again than have to risk taking that hit.

Episode 12: I keep saying it but now having them right next to each other, yeah, Mara's She-Ra outfit is better than Adora's. I don't know, there's just something grander about it. Anyway, on topic, I'm a big fan of superheroes and legacy and all that and I really like Mara's words to Adora. All she did and sacrificed was so that others, especially the next She-Ra, wouldn't have to do the same. It doesn't matter how noble and heroic it is, tragedy is tragedy and anyone who knows that kind of pain doesn't want anyone else to have to go through it.

I'm not surprised by the love confession between Glimmer and Bow. I felt it could go either way with them either hooking up or just staying really good friends, but that in itself is a sign of how good and natural their friendship is. I can easily buy how it would evolve into something more between them. The situation they're in probably helps. When Glimmer was taken they both thought they might never see each other again and that fear and worry probably caused them to reevaluate how they feel about the other. They've been clinging to each other since getting back, as every day could be their last. Something like that is naturally going to push two people together.

Episode 13: So...are there any plans for a season 6? Or a comic continuation like Avatar and Korra got? Because this was a good finale...buuuuuuuuut I feel there are definitely some things that needed a bit more exploration.

This is typically why I like stories with epilogue endings, especially those set some number of years in the future. Little glimpses of what everyone's doing now, allowing the audience to fill in for themselves what happened in-between. There's nothing wrong with this episode but it does just kind of...stop. They beat Prime. Everybody's cheering and happy. Adora suggests they bring magic back to the universe. And...that's it. We don't see anything more. No aftermath, no post-war, nothing. We end on the moment of victory, and while it's not a bad moment it leaves the ending feeling a little incomplete.

It kind of feels like the writers either really had to rush to the ending to make the 13 episode deadline or simply didn't want to address whatever happens with Catra and Hordak now. With the bigger threat of Horde Prime it makes sense why everyone puts aside past issues and works together. But now that the crisis is over, naturally everyone would have to address everything the Horde had done to Etheria for years with Hordak and Catra leading it. Don't get me wrong, I believe that Catra loves Adora, I believe Adora loves her, and I believe Catra wants to be a better person. It's not like I'm saying she needs to be locked up or executed. But she did cause a lot of damage and put Adora especially through hell, and just because Shadow Weaver is the one who screwed her up so bad doesn't mean she doesn't have any responsibility for her own actions. So it just would have been nice to get even a little bit of lip service to show that Catra would be trying to right her wrongs from this point forward, instead of just "Prime's gone, everyone's happy, bye!" At least with Entrapta she seemed to genuinely not understand why what she was doing at the time was wrong and Scorpia, like Adora and Huntara, defected from the Horde to do the right thing despite it being even more part of her upbringing than anyone else. I can't even imagine what happens with Hordak now.

Don't get me wrong, this is far from the worst I've ever seen a redemption handled. I haven't read/watched any of Boruto outside of the movie and Gaiden tie-in but I've read all of Naruto and there is no reason that Orochimaru should just be walking around and casually talking with people after all he's done. Kaiba in the Yu-Gi-Oh manga built an entire theme park to try an murder Yugi and his friends and they bring it up like twice after that arc. Kylo Ren turning back to the light was one of the potential paths for his character, so that made sense in TROS, but they essentially did "He died heroically and therefore totally redeemed himself for every terrible thing he's ever done."; basically a cop-out. Catra's alive and can at least potentially still own up to her actions and work to redeem herself. And I love Steven Universe, but kind of like with Catra nearly killing everyone (including herself) via the unstable portal, fans have naturally pointed out that the Diamonds enslaved and committed genocide on multiple planets and really faced no consequences for that other than "Stop it". Catra's not at the gold standard of redemption stories, which for me is probably Zuko and Endeavor, but she's far from the bottom. I think the best way to describe it is that Catra had as good, if not better, reasons for being so bad and screwed up as Zuko did, just as good step-up for turning good as Zuko did, but she didn't have nearly as much payoff afterwards to make it feel like a full journey like Zuko did.

But enough about all that. Love the basically goddess She-Ra Adora became. Given the emphasis on healing powers with She-Ra we've had, I'm guessing that's essentially how she destroyed Prime. She purified Hordak and Prime was basically an infection within him. I like when heroes snatch victory from the jaws of defeat but I also when there's an implication towards the villain that "Wow. I never stood a chance." She-Ra's power just dwarfs his. Full potential realized by Adora and he was just gone.

Also I don't know how I forgot that Prime could jump into the bodies of his clones but his possession of Hordak got me. I genuinely couldn't think of how he'd survive after Hordak shoved him off the edge (set free by the power of love!).

And even if the ending feels a little incomplete, the episode itself still did well with my emotional investment. I was gripped by during Catra's confession and the tension within the heart.

Season 5 and overall series verdict: I'm very glad I saw this series. Even though its ending falls a little short for me, this was still really good. Seasons 3 was probably my favorite overall but this story had a very good flow to it. It steadily built up bigger each season, with Catra and Hordak being really compelling villains driving the whole thing. Not that Prime was bad. He was a genuine threat and his cult of clones is a good creepy concept. He's just not as good as the other two. I'm sure part of what elevates him up is because I'm thinking of the JL director's cut but Hordak really is just better Steppenwolf. Everything that worked about that character, Hordak is that to an 11.

Given how I've talked about her more than any of the others, Catra is probably my favorite character. Just the damage that girl has been through. I always understood why she was doing what she did, even though there was rarely a moment I'd agree with exactly what she was doing. Again, it's one of the reasons it feels like the series just kind of ended. There's a lot to be seen with Catra's character now, a lot that can be done, and it just feels like a shame to really not show any of it. This isn't a fault of SRPOP itself because so many series, especially animated and anime, are guilty of but it always bugs me when a series ends on two characters hooking. Relationships are interesting, I'd argue more so than the build-up to them, but no writer ever wants to actually explore them after the hook-up. I never cared about Korra and Mako being a couple but I still found their relationship as a couple more interesting and character building than any of the will they/won't they build-up to it. And I actually like the idea of Adora and Catra as a couple. It's a big reason why I'm so happy the Harley Quinn animated series got renewed for a third season, as it otherwise would have just ended on a hook-up between two characters who, like Adora and Catra, love each other but have had a complicated dynamic for a while. I believe Adora and Catra love each other, but they've got a lot of stuff to work out and I want to see that! Catra's got abandonment issues and that in turn caused her to be unhealthily possessive over Adora. Just seeing the two of them try to work through that alone would be fascinating.

Like I suspected early on, Scorpia's my favorite supporting character. Entrapta's a decent 2nd. Took a small dip when it seemed like she was joining the Horde over feeling abandoned by the princesses when they thought she was dead but that picked back up once it was made more clear "Oh, okay, you're not being petty or stupid. You genuinely don't understand." It made her a more interesting character, and I love her and Hordak's relationship.

Least favorite characters...probably Sea Hawk and those three former Horde friends of Adora and Catra. I never hated them but I never cared about what was happening when they were on screen. They fill out the world a bit, they drive the plot, they're not wastes of space, they even get some laughs. There are just so many other characters in the series way more interesting than them.

Biggest surprise for me was definitely Glimmer and Bow. I never thought I'd dislike them but the best friends characters in series like this can kind of go one way or another with how relevant or deep they are. Glimmer especially I was surprised how much I was invested. She really grew a lot as a person throughout the series and I thought the dilemma over the Heart of Etheria was a good one.

Honestly there's a lot more I could talk about but I have only so many words and my thoughts are a jumble right now so I'm going to leave it at that. I will say I really appreciate how supportive you all on this Reddit have been. It's something I hate about some other fandoms I'm in where they basically are so toxic that they make no one else actually want to watch/read the thing they're fans of because they can't help but associate it with them.

Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/o2p6wq/going_in_blind_watching_season_5_for_the_first/